Texts:Shakespeare/cw162319: Difference between revisions
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<title>Texts:Shakespeare/cw162319</title> | |||
<h2>LOVE'S LABOUR'S LOST</h2> | <h2>LOVE'S LABOUR'S LOST</h2> | ||
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<p> FERDINAND, King of Navarre<br/> | <p> FERDINAND, King of Navarre<br/> | ||
BEROWNE, lord attending on the King<br/> | BEROWNE, lord attending on the King<br/> | ||
LONGAVILLE, " " " " "<br/> | LONGAVILLE, " " " " "<br/> | ||
DUMAIN, " " " " "<br/> | DUMAIN, " " " " "<br/> | ||
BOYET, lord attending on the Princess of France<br/> | BOYET, lord attending on the Princess of France<br/> | ||
MARCADE, " " " " " " "<br/> | MARCADE, " " " " " " "<br/> | ||
DON ADRIANO DE ARMADO, fantastical Spaniard<br/> | DON ADRIANO DE ARMADO, fantastical Spaniard<br/> | ||
SIR NATHANIEL, a curate<br/> | SIR NATHANIEL, a curate<br/> | ||
HOLOFERNES, a schoolmaster<br/> | HOLOFERNES, a schoolmaster<br/> | ||
DULL, a constable<br/> | DULL, a constable<br/> | ||
COSTARD, a clown<br/> | COSTARD, a clown<br/> | ||
MOTH, page to Armado<br/> | MOTH, page to Armado<br/> | ||
A FORESTER<br/> | A FORESTER<br/> | ||
</p> | </p> | ||
<p> THE PRINCESS OF FRANCE<br/> | <p> THE PRINCESS OF FRANCE<br/> | ||
ROSALINE, lady attending on the Princess<br/> | ROSALINE, lady attending on the Princess<br/> | ||
MARIA, " " " " "<br/> | MARIA, " " " " "<br/> | ||
KATHARINE, lady attending on the Princess<br/> | KATHARINE, lady attending on the Princess<br/> | ||
JAQUENETTA, a country wench<br/> | JAQUENETTA, a country wench<br/> | ||
</p> | </p> | ||
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<h4>SCENE: | <h4>SCENE: | ||
Navarre</h4> | Navarre</h4> | ||
<h4>ACT I. SCENE I. | <h4>ACT I. SCENE I. | ||
Navarre. The King's park</h4> | Navarre. The King's park</h4> | ||
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<p> KING. Let fame, that all hunt after in their lives,<br/> | <p> KING. Let fame, that all hunt after in their lives,<br/> | ||
Live regist'red upon our brazen tombs,<br/> | Live regist'red upon our brazen tombs,<br/> | ||
And then grace us in the disgrace of death;<br/> | And then grace us in the disgrace of death;<br/> | ||
When, spite of cormorant devouring Time,<br/> | When, spite of cormorant devouring Time,<br/> | ||
Th' endeavour of this present breath may buy<br/> | Th' endeavour of this present breath may buy<br/> | ||
That honour which shall bate his scythe's keen edge,<br/> | That honour which shall bate his scythe's keen edge,<br/> | ||
And make us heirs of all eternity.<br/> | And make us heirs of all eternity.<br/> | ||
Therefore, brave conquerors- for so you are<br/> | Therefore, brave conquerors- for so you are<br/> | ||
That war against your own affections<br/> | That war against your own affections<br/> | ||
And the huge army of the world's desires-<br/> | And the huge army of the world's desires-<br/> | ||
Our late edict shall strongly stand in force:<br/> | Our late edict shall strongly stand in force:<br/> | ||
Navarre shall be the wonder of the world;<br/> | Navarre shall be the wonder of the world;<br/> | ||
Our court shall be a little Academe,<br/> | Our court shall be a little Academe,<br/> | ||
Still and contemplative in living art.<br/> | Still and contemplative in living art.<br/> | ||
You three, Berowne, Dumain, and Longaville,<br/> | You three, Berowne, Dumain, and Longaville,<br/> | ||
Have sworn for three years' term to live with me<br/> | Have sworn for three years' term to live with me<br/> | ||
My fellow-scholars, and to keep those statutes<br/> | My fellow-scholars, and to keep those statutes<br/> | ||
That are recorded in this schedule here.<br/> | That are recorded in this schedule here.<br/> | ||
Your oaths are pass'd; and now subscribe your names,<br/> | Your oaths are pass'd; and now subscribe your names,<br/> | ||
That his own hand may strike his honour down<br/> | That his own hand may strike his honour down<br/> | ||
That violates the smallest branch herein.<br/> | That violates the smallest branch herein.<br/> | ||
If you are arm'd to do as sworn to do,<br/> | If you are arm'd to do as sworn to do,<br/> | ||
Subscribe to your deep oaths, and keep it too.<br/> | Subscribe to your deep oaths, and keep it too.<br/> | ||
LONGAVILLE. I am resolv'd; 'tis but a three years' fast.<br/> | LONGAVILLE. I am resolv'd; 'tis but a three years' fast.<br/> | ||
The mind shall banquet, though the body pine.<br/> | The mind shall banquet, though the body pine.<br/> | ||
Fat paunches have lean pates; and dainty bits<br/> | Fat paunches have lean pates; and dainty bits<br/> | ||
Make rich the ribs, but bankrupt quite the wits.<br/> | Make rich the ribs, but bankrupt quite the wits.<br/> | ||
DUMAIN. My loving lord, Dumain is mortified.<br/> | DUMAIN. My loving lord, Dumain is mortified.<br/> | ||
The grosser manner of these world's delights<br/> | The grosser manner of these world's delights<br/> | ||
He throws upon the gross world's baser slaves;<br/> | He throws upon the gross world's baser slaves;<br/> | ||
To love, to wealth, to pomp, I pine and die,<br/> | To love, to wealth, to pomp, I pine and die,<br/> | ||
With all these living in philosophy.<br/> | With all these living in philosophy.<br/> | ||
BEROWNE. I can but say their protestation over;<br/> | BEROWNE. I can but say their protestation over;<br/> | ||
So much, dear liege, I have already sworn,<br/> | So much, dear liege, I have already sworn,<br/> | ||
That is, to live and study here three years.<br/> | That is, to live and study here three years.<br/> | ||
But there are other strict observances,<br/> | But there are other strict observances,<br/> | ||
As: not to see a woman in that term,<br/> | As: not to see a woman in that term,<br/> | ||
Which I hope well is not enrolled there;<br/> | Which I hope well is not enrolled there;<br/> | ||
And one day in a week to touch no food,<br/> | And one day in a week to touch no food,<br/> | ||
And but one meal on every day beside,<br/> | And but one meal on every day beside,<br/> | ||
The which I hope is not enrolled there;<br/> | The which I hope is not enrolled there;<br/> | ||
And then to sleep but three hours in the night<br/> | And then to sleep but three hours in the night<br/> | ||
And not be seen to wink of all the day-<br/> | And not be seen to wink of all the day-<br/> | ||
When I was wont to think no harm all night,<br/> | When I was wont to think no harm all night,<br/> | ||
And make a dark night too of half the day-<br/> | And make a dark night too of half the day-<br/> | ||
Which I hope well is not enrolled there.<br/> | Which I hope well is not enrolled there.<br/> | ||
O, these are barren tasks, too hard to keep,<br/> | O, these are barren tasks, too hard to keep,<br/> | ||
Not to see ladies, study, fast, not sleep!<br/> | Not to see ladies, study, fast, not sleep!<br/> | ||
KING. Your oath is pass'd to pass away from these.<br/> | KING. Your oath is pass'd to pass away from these.<br/> | ||
BEROWNE. Let me say no, my liege, an if you please:<br/> | BEROWNE. Let me say no, my liege, an if you please:<br/> | ||
I only swore to study with your Grace,<br/> | I only swore to study with your Grace,<br/> | ||
And stay here in your court for three years' space.<br/> | And stay here in your court for three years' space.<br/> | ||
LONGAVILLE. You swore to that, Berowne, and to the rest.<br/> | LONGAVILLE. You swore to that, Berowne, and to the rest.<br/> | ||
BEROWNE. By yea and nay, sir, then I swore in jest.<br/> | BEROWNE. By yea and nay, sir, then I swore in jest.<br/> | ||
What is the end of study, let me know.<br/> | What is the end of study, let me know.<br/> | ||
KING. Why, that to know which else we should not know.<br/> | KING. Why, that to know which else we should not know.<br/> | ||
BEROWNE. Things hid and barr'd, you mean, from common sense?<br/> | BEROWNE. Things hid and barr'd, you mean, from common sense?<br/> | ||
KING. Ay, that is study's god-like recompense.<br/> | KING. Ay, that is study's god-like recompense.<br/> | ||
BEROWNE. Come on, then; I will swear to study so,<br/> | BEROWNE. Come on, then; I will swear to study so,<br/> | ||
To know the thing I am forbid to know,<br/> | To know the thing I am forbid to know,<br/> | ||
As thus: to study where I well may dine,<br/> | As thus: to study where I well may dine,<br/> | ||
When I to feast expressly am forbid;<br/> | When I to feast expressly am forbid;<br/> | ||
Or study where to meet some mistress fine,<br/> | Or study where to meet some mistress fine,<br/> | ||
When mistresses from common sense are hid;<br/> | When mistresses from common sense are hid;<br/> | ||
Or, having sworn too hard-a-keeping oath,<br/> | Or, having sworn too hard-a-keeping oath,<br/> | ||
Study to break it, and not break my troth.<br/> | Study to break it, and not break my troth.<br/> | ||
If study's gain be thus, and this be so,<br/> | If study's gain be thus, and this be so,<br/> | ||
Study knows that which yet it doth not know.<br/> | Study knows that which yet it doth not know.<br/> | ||
Swear me to this, and I will ne'er say no.<br/> | Swear me to this, and I will ne'er say no.<br/> | ||
KING. These be the stops that hinder study quite,<br/> | KING. These be the stops that hinder study quite,<br/> | ||
And train our intellects to vain delight.<br/> | And train our intellects to vain delight.<br/> | ||
BEROWNE. Why, all delights are vain; but that most vain<br/> | BEROWNE. Why, all delights are vain; but that most vain<br/> | ||
Which, with pain purchas'd, doth inherit pain,<br/> | Which, with pain purchas'd, doth inherit pain,<br/> | ||
As painfully to pore upon a book<br/> | As painfully to pore upon a book<br/> | ||
To seek the light of truth; while truth the while<br/> | To seek the light of truth; while truth the while<br/> | ||
Doth falsely blind the eyesight of his look.<br/> | Doth falsely blind the eyesight of his look.<br/> | ||
Light, seeking light, doth light of light beguile;<br/> | Light, seeking light, doth light of light beguile;<br/> | ||
So, ere you find where light in darkness lies,<br/> | So, ere you find where light in darkness lies,<br/> | ||
Your light grows dark by losing of your eyes.<br/> | Your light grows dark by losing of your eyes.<br/> | ||
Study me how to please the eye indeed,<br/> | Study me how to please the eye indeed,<br/> | ||
By fixing it upon a fairer eye;<br/> | By fixing it upon a fairer eye;<br/> | ||
Who dazzling so, that eye shall be his heed,<br/> | Who dazzling so, that eye shall be his heed,<br/> | ||
And give him light that it was blinded by.<br/> | And give him light that it was blinded by.<br/> | ||
Study is like the heaven's glorious sun,<br/> | Study is like the heaven's glorious sun,<br/> | ||
That will not be deep-search'd with saucy looks;<br/> | That will not be deep-search'd with saucy looks;<br/> | ||
Small have continual plodders ever won,<br/> | Small have continual plodders ever won,<br/> | ||
Save base authority from others' books.<br/> | Save base authority from others' books.<br/> | ||
These earthly godfathers of heaven's lights<br/> | These earthly godfathers of heaven's lights<br/> | ||
That give a name to every fixed star<br/> | That give a name to every fixed star<br/> | ||
Have no more profit of their shining nights<br/> | Have no more profit of their shining nights<br/> | ||
Than those that walk and wot not what they are.<br/> | Than those that walk and wot not what they are.<br/> | ||
Too much to know is to know nought but fame;<br/> | Too much to know is to know nought but fame;<br/> | ||
And every godfather can give a name.<br/> | And every godfather can give a name.<br/> | ||
KING. How well he's read, to reason against reading!<br/> | KING. How well he's read, to reason against reading!<br/> | ||
DUMAIN. Proceeded well, to stop all good proceeding!<br/> | DUMAIN. Proceeded well, to stop all good proceeding!<br/> | ||
LONGAVILLE. He weeds the corn, and still lets grow the weeding.<br/> | LONGAVILLE. He weeds the corn, and still lets grow the weeding.<br/> | ||
BEROWNE. The spring is near, when green geese are a-breeding.<br/> | BEROWNE. The spring is near, when green geese are a-breeding.<br/> | ||
DUMAIN. How follows that?<br/> | DUMAIN. How follows that?<br/> | ||
BEROWNE. Fit in his place and time.<br/> | BEROWNE. Fit in his place and time.<br/> | ||
DUMAIN. In reason nothing.<br/> | DUMAIN. In reason nothing.<br/> | ||
BEROWNE. Something then in rhyme.<br/> | BEROWNE. Something then in rhyme.<br/> | ||
LONGAVILLE. Berowne is like an envious sneaping frost<br/> | LONGAVILLE. Berowne is like an envious sneaping frost<br/> | ||
That bites the first-born infants of the spring.<br/> | That bites the first-born infants of the spring.<br/> | ||
BEROWNE. Well, say I am; why should proud summer boast<br/> | BEROWNE. Well, say I am; why should proud summer boast<br/> | ||
Before the birds have any cause to sing?<br/> | Before the birds have any cause to sing?<br/> | ||
Why should I joy in any abortive birth?<br/> | Why should I joy in any abortive birth?<br/> | ||
At Christmas I no more desire a rose<br/> | At Christmas I no more desire a rose<br/> | ||
Than wish a snow in May's new-fangled shows;<br/> | Than wish a snow in May's new-fangled shows;<br/> | ||
But like of each thing that in season grows;<br/> | But like of each thing that in season grows;<br/> | ||
So you, to study now it is too late,<br/> | So you, to study now it is too late,<br/> | ||
Climb o'er the house to unlock the little gate.<br/> | Climb o'er the house to unlock the little gate.<br/> | ||
KING. Well, sit out; go home, Berowne; adieu.<br/> | KING. Well, sit out; go home, Berowne; adieu.<br/> | ||
BEROWNE. No, my good lord; I have sworn to stay with you;<br/> | BEROWNE. No, my good lord; I have sworn to stay with you;<br/> | ||
And though I have for barbarism spoke more<br/> | And though I have for barbarism spoke more<br/> | ||
Than for that angel knowledge you can say,<br/> | Than for that angel knowledge you can say,<br/> | ||
Yet confident I'll keep what I have swore,<br/> | Yet confident I'll keep what I have swore,<br/> | ||
And bide the penance of each three years' day.<br/> | And bide the penance of each three years' day.<br/> | ||
Give me the paper; let me read the same;<br/> | Give me the paper; let me read the same;<br/> | ||
And to the strictest decrees I'll write my name.<br/> | And to the strictest decrees I'll write my name.<br/> | ||
KING. How well this yielding rescues thee from shame!<br/> | KING. How well this yielding rescues thee from shame!<br/> | ||
BEROWNE. [Reads] 'Item. That no woman shall come within a mile of<br/> | BEROWNE. [Reads] 'Item. That no woman shall come within a mile of<br/> | ||
my court'- Hath this been proclaimed?<br/> | my court'- Hath this been proclaimed?<br/> | ||
LONGAVILLE. Four days ago.<br/> | LONGAVILLE. Four days ago.<br/> | ||
BEROWNE. Let's see the penalty. [Reads] '-on pain of losing her<br/> | BEROWNE. Let's see the penalty. [Reads] '-on pain of losing her<br/> | ||
tongue.' Who devis'd this penalty?<br/> | tongue.' Who devis'd this penalty?<br/> | ||
LONGAVILLE. Marry, that did I.<br/> | LONGAVILLE. Marry, that did I.<br/> | ||
BEROWNE. Sweet lord, and why?<br/> | BEROWNE. Sweet lord, and why?<br/> | ||
LONGAVILLE. To fright them hence with that dread penalty.<br/> | LONGAVILLE. To fright them hence with that dread penalty.<br/> | ||
BEROWNE. A dangerous law against gentility.<br/> | BEROWNE. A dangerous law against gentility.<br/> | ||
[Reads] 'Item. If any man be seen to talk with a woman within<br/> | [Reads] 'Item. If any man be seen to talk with a woman within<br/> | ||
the term of three years, he shall endure such public shame as the<br/> | the term of three years, he shall endure such public shame as the<br/> | ||
rest of the court can possibly devise.'<br/> | rest of the court can possibly devise.'<br/> | ||
This article, my liege, yourself must break;<br/> | This article, my liege, yourself must break;<br/> | ||
For well you know here comes in embassy<br/> | For well you know here comes in embassy<br/> | ||
The French king's daughter, with yourself to speak-<br/> | The French king's daughter, with yourself to speak-<br/> | ||
A mild of grace and complete majesty-<br/> | A mild of grace and complete majesty-<br/> | ||
About surrender up of Aquitaine<br/> | About surrender up of Aquitaine<br/> | ||
To her decrepit, sick, and bedrid father;<br/> | To her decrepit, sick, and bedrid father;<br/> | ||
Therefore this article is made in vain,<br/> | Therefore this article is made in vain,<br/> | ||
Or vainly comes th' admired princess hither.<br/> | Or vainly comes th' admired princess hither.<br/> | ||
KING. What say you, lords? Why, this was quite forgot.<br/> | KING. What say you, lords? Why, this was quite forgot.<br/> | ||
BEROWNE. So study evermore is over-shot.<br/> | BEROWNE. So study evermore is over-shot.<br/> | ||
While it doth study to have what it would,<br/> | While it doth study to have what it would,<br/> | ||
It doth forget to do the thing it should;<br/> | It doth forget to do the thing it should;<br/> | ||
And when it hath the thing it hunteth most,<br/> | And when it hath the thing it hunteth most,<br/> | ||
'Tis won as towns with fire- so won, so lost.<br/> | 'Tis won as towns with fire- so won, so lost.<br/> | ||
KING. We must of force dispense with this decree;<br/> | KING. We must of force dispense with this decree;<br/> | ||
She must lie here on mere necessity.<br/> | She must lie here on mere necessity.<br/> | ||
BEROWNE. Necessity will make us all forsworn<br/> | BEROWNE. Necessity will make us all forsworn<br/> | ||
Three thousand times within this three years' space;<br/> | Three thousand times within this three years' space;<br/> | ||
For every man with his affects is born,<br/> | For every man with his affects is born,<br/> | ||
Not by might mast'red, but by special grace.<br/> | Not by might mast'red, but by special grace.<br/> | ||
If I break faith, this word shall speak for me:<br/> | If I break faith, this word shall speak for me:<br/> | ||
I am forsworn on mere necessity.<br/> | I am forsworn on mere necessity.<br/> | ||
So to the laws at large I write my name; [Subscribes]<br/> | So to the laws at large I write my name; [Subscribes]<br/> | ||
And he that breaks them in the least degree<br/> | And he that breaks them in the least degree<br/> | ||
Stands in attainder of eternal shame.<br/> | Stands in attainder of eternal shame.<br/> | ||
Suggestions are to other as to me;<br/> | Suggestions are to other as to me;<br/> | ||
But I believe, although I seem so loath,<br/> | But I believe, although I seem so loath,<br/> | ||
I am the last that will last keep his oath.<br/> | I am the last that will last keep his oath.<br/> | ||
But is there no quick recreation granted?<br/> | But is there no quick recreation granted?<br/> | ||
KING. Ay, that there is. Our court, you know, is haunted<br/> | KING. Ay, that there is. Our court, you know, is haunted<br/> | ||
With a refined traveller of Spain,<br/> | With a refined traveller of Spain,<br/> | ||
A man in all the world's new fashion planted,<br/> | A man in all the world's new fashion planted,<br/> | ||
That hath a mint of phrases in his brain;<br/> | That hath a mint of phrases in his brain;<br/> | ||
One who the music of his own vain tongue<br/> | One who the music of his own vain tongue<br/> | ||
Doth ravish like enchanting harmony;<br/> | Doth ravish like enchanting harmony;<br/> | ||
A man of complements, whom right and wrong<br/> | A man of complements, whom right and wrong<br/> | ||
Have chose as umpire of their mutiny.<br/> | Have chose as umpire of their mutiny.<br/> | ||
This child of fancy, that Armado hight,<br/> | This child of fancy, that Armado hight,<br/> | ||
For interim to our studies shall relate,<br/> | For interim to our studies shall relate,<br/> | ||
In high-born words, the worth of many a knight<br/> | In high-born words, the worth of many a knight<br/> | ||
From tawny Spain lost in the world's debate.<br/> | From tawny Spain lost in the world's debate.<br/> | ||
How you delight, my lords, I know not, I;<br/> | How you delight, my lords, I know not, I;<br/> | ||
But I protest I love to hear him lie,<br/> | But I protest I love to hear him lie,<br/> | ||
And I will use him for my minstrelsy.<br/> | And I will use him for my minstrelsy.<br/> | ||
BEROWNE. Armado is a most illustrious wight,<br/> | BEROWNE. Armado is a most illustrious wight,<br/> | ||
A man of fire-new words, fashion's own knight.<br/> | A man of fire-new words, fashion's own knight.<br/> | ||
LONGAVILLE. Costard the swain and he shall be our sport;<br/> | LONGAVILLE. Costard the swain and he shall be our sport;<br/> | ||
And so to study three years is but short.<br/> | And so to study three years is but short.<br/> | ||
</p> | </p> | ||
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<p> DULL. Which is the Duke's own person?<br/> | <p> DULL. Which is the Duke's own person?<br/> | ||
BEROWNE. This, fellow. What wouldst?<br/> | BEROWNE. This, fellow. What wouldst?<br/> | ||
DULL. I myself reprehend his own person, for I am his Grace's<br/> | DULL. I myself reprehend his own person, for I am his Grace's<br/> | ||
farborough; but I would see his own person in flesh and blood.<br/> | farborough; but I would see his own person in flesh and blood.<br/> | ||
BEROWNE. This is he.<br/> | BEROWNE. This is he.<br/> | ||
DULL. Signior Arme- Arme- commends you. There's villainy abroad;<br/> | DULL. Signior Arme- Arme- commends you. There's villainy abroad;<br/> | ||
this letter will tell you more.<br/> | this letter will tell you more.<br/> | ||
COSTARD. Sir, the contempts thereof are as touching me.<br/> | COSTARD. Sir, the contempts thereof are as touching me.<br/> | ||
KING. A letter from the magnificent Armado.<br/> | KING. A letter from the magnificent Armado.<br/> | ||
BEROWNE. How low soever the matter, I hope in God for high words.<br/> | BEROWNE. How low soever the matter, I hope in God for high words.<br/> | ||
LONGAVILLE. A high hope for a low heaven. God grant us patience!<br/> | LONGAVILLE. A high hope for a low heaven. God grant us patience!<br/> | ||
BEROWNE. To hear, or forbear hearing?<br/> | BEROWNE. To hear, or forbear hearing?<br/> | ||
LONGAVILLE. To hear meekly, sir, and to laugh moderately; or, to<br/> | LONGAVILLE. To hear meekly, sir, and to laugh moderately; or, to<br/> | ||
forbear both.<br/> | forbear both.<br/> | ||
BEROWNE. Well, sir, be it as the style shall give us cause to climb<br/> | BEROWNE. Well, sir, be it as the style shall give us cause to climb<br/> | ||
in the merriness.<br/> | in the merriness.<br/> | ||
COSTARD. The matter is to me, sir, as concerning Jaquenetta.<br/> | COSTARD. The matter is to me, sir, as concerning Jaquenetta.<br/> | ||
The manner of it is, I was taken with the manner.<br/> | The manner of it is, I was taken with the manner.<br/> | ||
BEROWNE. In what manner?<br/> | BEROWNE. In what manner?<br/> | ||
COSTARD. In manner and form following, sir; all those three: I was<br/> | COSTARD. In manner and form following, sir; all those three: I was<br/> | ||
seen with her in the manor-house, sitting with her upon the form,<br/> | seen with her in the manor-house, sitting with her upon the form,<br/> | ||
and taken following her into the park; which, put together, is in<br/> | and taken following her into the park; which, put together, is in<br/> | ||
manner and form following. Now, sir, for the manner- it is the<br/> | manner and form following. Now, sir, for the manner- it is the<br/> | ||
manner of a man to speak to a woman. For the form- in some form.<br/> | manner of a man to speak to a woman. For the form- in some form.<br/> | ||
BEROWNE. For the following, sir?<br/> | BEROWNE. For the following, sir?<br/> | ||
COSTARD. As it shall follow in my correction; and God defend the<br/> | COSTARD. As it shall follow in my correction; and God defend the<br/> | ||
right!<br/> | right!<br/> | ||
KING. Will you hear this letter with attention?<br/> | KING. Will you hear this letter with attention?<br/> | ||
BEROWNE. As we would hear an oracle.<br/> | BEROWNE. As we would hear an oracle.<br/> | ||
COSTARD. Such is the simplicity of man to hearken after the flesh.<br/> | COSTARD. Such is the simplicity of man to hearken after the flesh.<br/> | ||
KING. [Reads] 'Great deputy, the welkin's vicegerent and sole<br/> | KING. [Reads] 'Great deputy, the welkin's vicegerent and sole<br/> | ||
dominator of Navarre, my soul's earth's god and body's fost'ring<br/> | dominator of Navarre, my soul's earth's god and body's fost'ring<br/> | ||
patron'-<br/> | patron'-<br/> | ||
COSTARD. Not a word of Costard yet.<br/> | COSTARD. Not a word of Costard yet.<br/> | ||
KING. [Reads] 'So it is'-<br/> | KING. [Reads] 'So it is'-<br/> | ||
COSTARD. It may be so; but if he say it is so, he is, in telling<br/> | COSTARD. It may be so; but if he say it is so, he is, in telling<br/> | ||
true, but so.<br/> | true, but so.<br/> | ||
KING. Peace!<br/> | KING. Peace!<br/> | ||
COSTARD. Be to me, and every man that dares not fight!<br/> | COSTARD. Be to me, and every man that dares not fight!<br/> | ||
KING. No words!<br/> | KING. No words!<br/> | ||
COSTARD. Of other men's secrets, I beseech you.<br/> | COSTARD. Of other men's secrets, I beseech you.<br/> | ||
KING. [Reads] 'So it is, besieged with sable-coloured melancholy, I<br/> | KING. [Reads] 'So it is, besieged with sable-coloured melancholy, I<br/> | ||
did commend the black oppressing humour to the most wholesome<br/> | did commend the black oppressing humour to the most wholesome<br/> | ||
physic of thy health-giving air; and, as I am a gentleman, betook<br/> | physic of thy health-giving air; and, as I am a gentleman, betook<br/> | ||
myself to walk. The time When? About the sixth hour; when beasts<br/> | myself to walk. The time When? About the sixth hour; when beasts<br/> | ||
most graze, birds best peck, and men sit down to that nourishment<br/> | most graze, birds best peck, and men sit down to that nourishment<br/> | ||
which is called supper. So much for the time When. Now for the<br/> | which is called supper. So much for the time When. Now for the<br/> | ||
ground Which? which, I mean, I upon; it is ycleped thy park. Then<br/> | ground Which? which, I mean, I upon; it is ycleped thy park. Then<br/> | ||
for the place Where? where, I mean, I did encounter that obscene<br/> | for the place Where? where, I mean, I did encounter that obscene<br/> | ||
and most prepost'rous event that draweth from my snow-white pen<br/> | and most prepost'rous event that draweth from my snow-white pen<br/> | ||
the ebon-coloured ink which here thou viewest, beholdest,<br/> | the ebon-coloured ink which here thou viewest, beholdest,<br/> | ||
surveyest, or seest. But to the place Where? It standeth<br/> | surveyest, or seest. But to the place Where? It standeth<br/> | ||
north-north-east and by east from the west corner of thy<br/> | north-north-east and by east from the west corner of thy<br/> | ||
curious-knotted garden. There did I see that low-spirited swain,<br/> | curious-knotted garden. There did I see that low-spirited swain,<br/> | ||
that base minnow of thy mirth,'<br/> | that base minnow of thy mirth,'<br/> | ||
COSTARD. Me?<br/> | COSTARD. Me?<br/> | ||
KING. 'that unlettered small-knowing soul,'<br/> | KING. 'that unlettered small-knowing soul,'<br/> | ||
COSTARD. Me?<br/> | COSTARD. Me?<br/> | ||
KING. 'that shallow vassal,'<br/> | KING. 'that shallow vassal,'<br/> | ||
COSTARD. Still me?<br/> | COSTARD. Still me?<br/> | ||
KING. 'which, as I remember, hight Costard,'<br/> | KING. 'which, as I remember, hight Costard,'<br/> | ||
COSTARD. O, me!<br/> | COSTARD. O, me!<br/> | ||
KING. 'sorted and consorted, contrary to thy established proclaimed<br/> | KING. 'sorted and consorted, contrary to thy established proclaimed<br/> | ||
edict and continent canon; which, with, O, with- but with this I<br/> | edict and continent canon; which, with, O, with- but with this I<br/> | ||
passion to say wherewith-'<br/> | passion to say wherewith-'<br/> | ||
COSTARD. With a wench.<br/> | COSTARD. With a wench.<br/> | ||
King. 'with a child of our grandmother Eve, a female; or, for thy<br/> | King. 'with a child of our grandmother Eve, a female; or, for thy<br/> | ||
more sweet understanding, a woman. Him I, as my ever-esteemed<br/> | more sweet understanding, a woman. Him I, as my ever-esteemed<br/> | ||
duty pricks me on, have sent to thee, to receive the meed of<br/> | duty pricks me on, have sent to thee, to receive the meed of<br/> | ||
punishment, by thy sweet Grace's officer, Antony Dull, a man of<br/> | punishment, by thy sweet Grace's officer, Antony Dull, a man of<br/> | ||
good repute, carriage, bearing, and estimation.'<br/> | good repute, carriage, bearing, and estimation.'<br/> | ||
DULL. Me, an't shall please you; I am Antony Dull.<br/> | DULL. Me, an't shall please you; I am Antony Dull.<br/> | ||
KING. 'For Jaquenetta- so is the weaker vessel called, which I<br/> | KING. 'For Jaquenetta- so is the weaker vessel called, which I<br/> | ||
apprehended with the aforesaid swain- I keep her as a vessel of<br/> | apprehended with the aforesaid swain- I keep her as a vessel of<br/> | ||
thy law's fury; and shall, at the least of thy sweet notice,<br/> | thy law's fury; and shall, at the least of thy sweet notice,<br/> | ||
bring her to trial. Thine, in all compliments of devoted and<br/> | bring her to trial. Thine, in all compliments of devoted and<br/> | ||
heart-burning heat of duty,<br/> | heart-burning heat of duty,<br/> | ||
DON ADRIANO DE ARMADO.'<br/> | DON ADRIANO DE ARMADO.'<br/> | ||
</p> | </p> | ||
<p> BEROWNE. This is not so well as I look'd for, but the best that<br/> | <p> BEROWNE. This is not so well as I look'd for, but the best that<br/> | ||
ever I heard.<br/> | ever I heard.<br/> | ||
KING. Ay, the best for the worst. But, sirrah, what say you to<br/> | KING. Ay, the best for the worst. But, sirrah, what say you to<br/> | ||
this?<br/> | this?<br/> | ||
COSTARD. Sir, I confess the wench.<br/> | COSTARD. Sir, I confess the wench.<br/> | ||
KING. Did you hear the proclamation?<br/> | KING. Did you hear the proclamation?<br/> | ||
COSTARD. I do confess much of the hearing it, but little of the<br/> | COSTARD. I do confess much of the hearing it, but little of the<br/> | ||
marking of it.<br/> | marking of it.<br/> | ||
KING. It was proclaimed a year's imprisonment to be taken with a<br/> | KING. It was proclaimed a year's imprisonment to be taken with a<br/> | ||
wench.<br/> | wench.<br/> | ||
COSTARD. I was taken with none, sir; I was taken with a damsel.<br/> | COSTARD. I was taken with none, sir; I was taken with a damsel.<br/> | ||
KING. Well, it was proclaimed damsel.<br/> | KING. Well, it was proclaimed damsel.<br/> | ||
COSTARD. This was no damsel neither, sir; she was a virgin.<br/> | COSTARD. This was no damsel neither, sir; she was a virgin.<br/> | ||
KING. It is so varied too, for it was proclaimed virgin.<br/> | KING. It is so varied too, for it was proclaimed virgin.<br/> | ||
COSTARD. If it were, I deny her virginity; I was taken with a maid.<br/> | COSTARD. If it were, I deny her virginity; I was taken with a maid.<br/> | ||
KING. This 'maid' not serve your turn, sir.<br/> | KING. This 'maid' not serve your turn, sir.<br/> | ||
COSTARD. This maid will serve my turn, sir.<br/> | COSTARD. This maid will serve my turn, sir.<br/> | ||
KING. Sir, I will pronounce your sentence: you shall fast a week<br/> | KING. Sir, I will pronounce your sentence: you shall fast a week<br/> | ||
with bran and water.<br/> | with bran and water.<br/> | ||
COSTARD. I had rather pray a month with mutton and porridge.<br/> | COSTARD. I had rather pray a month with mutton and porridge.<br/> | ||
KING. And Don Armado shall be your keeper.<br/> | KING. And Don Armado shall be your keeper.<br/> | ||
My Lord Berowne, see him delivered o'er;<br/> | My Lord Berowne, see him delivered o'er;<br/> | ||
And go we, lords, to put in practice that<br/> | And go we, lords, to put in practice that<br/> | ||
Which each to other hath so strongly sworn.<br/> | Which each to other hath so strongly sworn.<br/> | ||
Exeunt KING, LONGAVILLE, and DUMAIN<br/> | Exeunt KING, LONGAVILLE, and DUMAIN<br/> | ||
BEROWNE. I'll lay my head to any good man's hat<br/> | BEROWNE. I'll lay my head to any good man's hat<br/> | ||
These oaths and laws will prove an idle scorn.<br/> | These oaths and laws will prove an idle scorn.<br/> | ||
Sirrah, come on.<br/> | Sirrah, come on.<br/> | ||
COSTARD. I suffer for the truth, sir; for true it is I was taken<br/> | COSTARD. I suffer for the truth, sir; for true it is I was taken<br/> | ||
with Jaquenetta, and Jaquenetta is a true girl; and therefore<br/> | with Jaquenetta, and Jaquenetta is a true girl; and therefore<br/> | ||
welcome the sour cup of prosperity! Affliction may one day smile<br/> | welcome the sour cup of prosperity! Affliction may one day smile<br/> | ||
again; and till then, sit thee down, sorrow.<br/> | again; and till then, sit thee down, sorrow.<br/> | ||
Exeunt<br/> | Exeunt<br/> | ||
</p> | </p> | ||
<h4>SCENE II. | <h4>SCENE II. | ||
The park</h4> | The park</h4> | ||
Line 342: | Line 656: | ||
<p> ARMADO. Boy, what sign is it when a man of great spirit grows<br/> | <p> ARMADO. Boy, what sign is it when a man of great spirit grows<br/> | ||
melancholy?<br/> | melancholy?<br/> | ||
MOTH. A great sign, sir, that he will look sad.<br/> | MOTH. A great sign, sir, that he will look sad.<br/> | ||
ARMADO. Why, sadness is one and the self-same thing, dear imp.<br/> | ARMADO. Why, sadness is one and the self-same thing, dear imp.<br/> | ||
MOTH. No, no; O Lord, sir, no!<br/> | MOTH. No, no; O Lord, sir, no!<br/> | ||
ARMADO. How canst thou part sadness and melancholy, my tender<br/> | ARMADO. How canst thou part sadness and melancholy, my tender<br/> | ||
juvenal?<br/> | juvenal?<br/> | ||
MOTH. By a familiar demonstration of the working, my tough signior.<br/> | MOTH. By a familiar demonstration of the working, my tough signior.<br/> | ||
ARMADO. Why tough signior? Why tough signior?<br/> | ARMADO. Why tough signior? Why tough signior?<br/> | ||
MOTH. Why tender juvenal? Why tender juvenal?<br/> | MOTH. Why tender juvenal? Why tender juvenal?<br/> | ||
ARMADO. I spoke it, tender juvenal, as a congruent epitheton<br/> | ARMADO. I spoke it, tender juvenal, as a congruent epitheton<br/> | ||
appertaining to thy young days, which we may nominate tender.<br/> | appertaining to thy young days, which we may nominate tender.<br/> | ||
MOTH. And I, tough signior, as an appertinent title to your old<br/> | MOTH. And I, tough signior, as an appertinent title to your old<br/> | ||
time, which we may name tough.<br/> | time, which we may name tough.<br/> | ||
ARMADO. Pretty and apt.<br/> | ARMADO. Pretty and apt.<br/> | ||
MOTH. How mean you, sir? I pretty, and my saying apt? or I apt, and<br/> | MOTH. How mean you, sir? I pretty, and my saying apt? or I apt, and<br/> | ||
my saying pretty?<br/> | my saying pretty?<br/> | ||
ARMADO. Thou pretty, because little.<br/> | ARMADO. Thou pretty, because little.<br/> | ||
MOTH. Little pretty, because little. Wherefore apt?<br/> | MOTH. Little pretty, because little. Wherefore apt?<br/> | ||
ARMADO. And therefore apt, because quick.<br/> | ARMADO. And therefore apt, because quick.<br/> | ||
MOTH. Speak you this in my praise, master?<br/> | MOTH. Speak you this in my praise, master?<br/> | ||
ARMADO. In thy condign praise.<br/> | ARMADO. In thy condign praise.<br/> | ||
MOTH. I will praise an eel with the same praise.<br/> | MOTH. I will praise an eel with the same praise.<br/> | ||
ARMADO. that an eel is ingenious?<br/> | ARMADO. that an eel is ingenious?<br/> | ||
MOTH. That an eel is quick.<br/> | MOTH. That an eel is quick.<br/> | ||
ARMADO. I do say thou art quick in answers; thou heat'st my blood.<br/> | ARMADO. I do say thou art quick in answers; thou heat'st my blood.<br/> | ||
MOTH. I am answer'd, sir.<br/> | MOTH. I am answer'd, sir.<br/> | ||
ARMADO. I love not to be cross'd.<br/> | ARMADO. I love not to be cross'd.<br/> | ||
MOTH. [Aside] He speaks the mere contrary: crosses love not him.<br/> | MOTH. [Aside] He speaks the mere contrary: crosses love not him.<br/> | ||
ARMADO. I have promised to study three years with the Duke.<br/> | ARMADO. I have promised to study three years with the Duke.<br/> | ||
MOTH. You may do it in an hour, sir.<br/> | MOTH. You may do it in an hour, sir.<br/> | ||
ARMADO. Impossible.<br/> | ARMADO. Impossible.<br/> | ||
MOTH. How many is one thrice told?<br/> | MOTH. How many is one thrice told?<br/> | ||
ARMADO. I am ill at reck'ning; it fitteth the spirit of a tapster.<br/> | ARMADO. I am ill at reck'ning; it fitteth the spirit of a tapster.<br/> | ||
MOTH. You are a gentleman and a gamester, sir.<br/> | MOTH. You are a gentleman and a gamester, sir.<br/> | ||
ARMADO. I confess both; they are both the varnish of a complete<br/> | ARMADO. I confess both; they are both the varnish of a complete<br/> | ||
man.<br/> | man.<br/> | ||
MOTH. Then I am sure you know how much the gross sum of deuce-ace<br/> | MOTH. Then I am sure you know how much the gross sum of deuce-ace<br/> | ||
amounts to.<br/> | amounts to.<br/> | ||
ARMADO. It doth amount to one more than two.<br/> | ARMADO. It doth amount to one more than two.<br/> | ||
MOTH. Which the base vulgar do call three.<br/> | MOTH. Which the base vulgar do call three.<br/> | ||
ARMADO. True.<br/> | ARMADO. True.<br/> | ||
MOTH. Why, sir, is this such a piece of study? Now here is three<br/> | MOTH. Why, sir, is this such a piece of study? Now here is three<br/> | ||
studied ere ye'll thrice wink; and how easy it is to put 'years'<br/> | studied ere ye'll thrice wink; and how easy it is to put 'years'<br/> | ||
to the word 'three,' and study three years in two words, the<br/> | to the word 'three,' and study three years in two words, the<br/> | ||
dancing horse will tell you.<br/> | dancing horse will tell you.<br/> | ||
ARMADO. A most fine figure!<br/> | ARMADO. A most fine figure!<br/> | ||
MOTH. [Aside] To prove you a cipher.<br/> | MOTH. [Aside] To prove you a cipher.<br/> | ||
ARMADO. I will hereupon confess I am in love. And as it is base for<br/> | ARMADO. I will hereupon confess I am in love. And as it is base for<br/> | ||
a soldier to love, so am I in love with a base wench. If drawing<br/> | a soldier to love, so am I in love with a base wench. If drawing<br/> | ||
my sword against the humour of affection would deliver me from<br/> | my sword against the humour of affection would deliver me from<br/> | ||
the reprobate thought of it, I would take Desire prisoner, and<br/> | the reprobate thought of it, I would take Desire prisoner, and<br/> | ||
ransom him to any French courtier for a new-devis'd curtsy. I<br/> | ransom him to any French courtier for a new-devis'd curtsy. I<br/> | ||
think scorn to sigh; methinks I should out-swear Cupid. Comfort<br/> | think scorn to sigh; methinks I should out-swear Cupid. Comfort<br/> | ||
me, boy; what great men have been in love?<br/> | me, boy; what great men have been in love?<br/> | ||
MOTH. Hercules, master.<br/> | MOTH. Hercules, master.<br/> | ||
ARMADO. Most sweet Hercules! More authority, dear boy, name more;<br/> | ARMADO. Most sweet Hercules! More authority, dear boy, name more;<br/> | ||
and, sweet my child, let them be men of good repute and carriage.<br/> | and, sweet my child, let them be men of good repute and carriage.<br/> | ||
MOTH. Samson, master; he was a man of good carriage, great<br/> | MOTH. Samson, master; he was a man of good carriage, great<br/> | ||
carriage, for he carried the town gates on his back like a<br/> | carriage, for he carried the town gates on his back like a<br/> | ||
porter; and he was in love.<br/> | porter; and he was in love.<br/> | ||
ARMADO. O well-knit Samson! strong-jointed Samson! I do excel thee<br/> | ARMADO. O well-knit Samson! strong-jointed Samson! I do excel thee<br/> | ||
in my rapier as much as thou didst me in carrying gates. I am in<br/> | in my rapier as much as thou didst me in carrying gates. I am in<br/> | ||
love too. Who was Samson's love, my dear Moth?<br/> | love too. Who was Samson's love, my dear Moth?<br/> | ||
MOTH. A woman, master.<br/> | MOTH. A woman, master.<br/> | ||
ARMADO. Of what complexion?<br/> | ARMADO. Of what complexion?<br/> | ||
MOTH. Of all the four, or the three, or the two, or one of the<br/> | MOTH. Of all the four, or the three, or the two, or one of the<br/> | ||
four.<br/> | four.<br/> | ||
ARMADO. Tell me precisely of what complexion.<br/> | ARMADO. Tell me precisely of what complexion.<br/> | ||
MOTH. Of the sea-water green, sir.<br/> | MOTH. Of the sea-water green, sir.<br/> | ||
ARMADO. Is that one of the four complexions?<br/> | ARMADO. Is that one of the four complexions?<br/> | ||
MOTH. As I have read, sir; and the best of them too.<br/> | MOTH. As I have read, sir; and the best of them too.<br/> | ||
ARMADO. Green, indeed, is the colour of lovers; but to have a love<br/> | ARMADO. Green, indeed, is the colour of lovers; but to have a love<br/> | ||
of that colour, methinks Samson had small reason for it. He<br/> | of that colour, methinks Samson had small reason for it. He<br/> | ||
surely affected her for her wit.<br/> | surely affected her for her wit.<br/> | ||
MOTH. It was so, sir; for she had a green wit.<br/> | MOTH. It was so, sir; for she had a green wit.<br/> | ||
ARMADO. My love is most immaculate white and red.<br/> | ARMADO. My love is most immaculate white and red.<br/> | ||
MOTH. Most maculate thoughts, master, are mask'd under such<br/> | MOTH. Most maculate thoughts, master, are mask'd under such<br/> | ||
colours.<br/> | colours.<br/> | ||
ARMADO. Define, define, well-educated infant.<br/> | ARMADO. Define, define, well-educated infant.<br/> | ||
MOTH. My father's wit my mother's tongue assist me!<br/> | MOTH. My father's wit my mother's tongue assist me!<br/> | ||
ARMADO. Sweet invocation of a child; most pretty, and pathetical!<br/> | ARMADO. Sweet invocation of a child; most pretty, and pathetical!<br/> | ||
MOTH. If she be made of white and red,<br/> | MOTH. If she be made of white and red,<br/> | ||
Her faults will ne'er be known;<br/> | Her faults will ne'er be known;<br/> | ||
For blushing cheeks by faults are bred,<br/> | For blushing cheeks by faults are bred,<br/> | ||
And fears by pale white shown.<br/> | And fears by pale white shown.<br/> | ||
Then if she fear, or be to blame,<br/> | Then if she fear, or be to blame,<br/> | ||
By this you shall not know;<br/> | By this you shall not know;<br/> | ||
For still her cheeks possess the same<br/> | For still her cheeks possess the same<br/> | ||
Which native she doth owe.<br/> | Which native she doth owe.<br/> | ||
A dangerous rhyme, master, against the reason of white and red.<br/> | A dangerous rhyme, master, against the reason of white and red.<br/> | ||
ARMADO. Is there not a ballad, boy, of the King and the Beggar?<br/> | ARMADO. Is there not a ballad, boy, of the King and the Beggar?<br/> | ||
MOTH. The world was very guilty of such a ballad some three ages<br/> | MOTH. The world was very guilty of such a ballad some three ages<br/> | ||
since; but I think now 'tis not to be found; or if it were, it<br/> | since; but I think now 'tis not to be found; or if it were, it<br/> | ||
would neither serve for the writing nor the tune.<br/> | would neither serve for the writing nor the tune.<br/> | ||
ARMADO. I will have that subject newly writ o'er, that I may<br/> | ARMADO. I will have that subject newly writ o'er, that I may<br/> | ||
example my digression by some mighty precedent. Boy, I do love<br/> | example my digression by some mighty precedent. Boy, I do love<br/> | ||
that country girl that I took in the park with the rational hind<br/> | that country girl that I took in the park with the rational hind<br/> | ||
Costard; she deserves well.<br/> | Costard; she deserves well.<br/> | ||
MOTH. [Aside] To be whipt; and yet a better love than my master.<br/> | MOTH. [Aside] To be whipt; and yet a better love than my master.<br/> | ||
ARMADO. Sing, boy; my spirit grows heavy in love.<br/> | ARMADO. Sing, boy; my spirit grows heavy in love.<br/> | ||
MOTH. And that's great marvel, loving a light wench.<br/> | MOTH. And that's great marvel, loving a light wench.<br/> | ||
ARMADO. I say, sing.<br/> | ARMADO. I say, sing.<br/> | ||
MOTH. Forbear till this company be past.<br/> | MOTH. Forbear till this company be past.<br/> | ||
</p> | </p> | ||
Line 450: | Line 868: | ||
<p> DULL. Sir, the Duke's pleasure is that you keep Costard safe; and<br/> | <p> DULL. Sir, the Duke's pleasure is that you keep Costard safe; and<br/> | ||
you must suffer him to take no delight nor no penance; but 'a<br/> | you must suffer him to take no delight nor no penance; but 'a<br/> | ||
must fast three days a week. For this damsel, I must keep her at<br/> | must fast three days a week. For this damsel, I must keep her at<br/> | ||
the park; she is allow'd for the day-woman. Fare you well.<br/> | the park; she is allow'd for the day-woman. Fare you well.<br/> | ||
ARMADO. I do betray myself with blushing. Maid!<br/> | ARMADO. I do betray myself with blushing. Maid!<br/> | ||
JAQUENETTA. Man!<br/> | JAQUENETTA. Man!<br/> | ||
ARMADO. I will visit thee at the lodge.<br/> | ARMADO. I will visit thee at the lodge.<br/> | ||
JAQUENETTA. That's hereby.<br/> | JAQUENETTA. That's hereby.<br/> | ||
ARMADO. I know where it is situate.<br/> | ARMADO. I know where it is situate.<br/> | ||
JAQUENETTA. Lord, how wise you are!<br/> | JAQUENETTA. Lord, how wise you are!<br/> | ||
ARMADO. I will tell thee wonders.<br/> | ARMADO. I will tell thee wonders.<br/> | ||
JAQUENETTA. With that face?<br/> | JAQUENETTA. With that face?<br/> | ||
ARMADO. I love thee.<br/> | ARMADO. I love thee.<br/> | ||
JAQUENETTA. So I heard you say.<br/> | JAQUENETTA. So I heard you say.<br/> | ||
ARMADO. And so, farewell.<br/> | ARMADO. And so, farewell.<br/> | ||
JAQUENETTA. Fair weather after you!<br/> | JAQUENETTA. Fair weather after you!<br/> | ||
DULL. Come, Jaquenetta, away. Exit with JAQUENETTA<br/> | DULL. Come, Jaquenetta, away. Exit with JAQUENETTA<br/> | ||
ARMADO. Villain, thou shalt fast for thy offences ere thou be<br/> | ARMADO. Villain, thou shalt fast for thy offences ere thou be<br/> | ||
pardoned.<br/> | pardoned.<br/> | ||
COSTARD. Well, sir, I hope when I do it I shall do it on a full<br/> | COSTARD. Well, sir, I hope when I do it I shall do it on a full<br/> | ||
stomach.<br/> | stomach.<br/> | ||
ARMADO. Thou shalt be heavily punished.<br/> | ARMADO. Thou shalt be heavily punished.<br/> | ||
COSTARD. I am more bound to you than your fellows, for they are but<br/> | COSTARD. I am more bound to you than your fellows, for they are but<br/> | ||
lightly rewarded.<br/> | lightly rewarded.<br/> | ||
ARMADO. Take away this villain; shut him up.<br/> | ARMADO. Take away this villain; shut him up.<br/> | ||
MOTH. Come, you transgressing slave, away.<br/> | MOTH. Come, you transgressing slave, away.<br/> | ||
COSTARD. Let me not be pent up, sir; I will fast, being loose.<br/> | COSTARD. Let me not be pent up, sir; I will fast, being loose.<br/> | ||
MOTH. No, sir; that were fast, and loose. Thou shalt to prison.<br/> | MOTH. No, sir; that were fast, and loose. Thou shalt to prison.<br/> | ||
COSTARD. Well, if ever I do see the merry days of desolation that I<br/> | COSTARD. Well, if ever I do see the merry days of desolation that I<br/> | ||
have seen, some shall see.<br/> | have seen, some shall see.<br/> | ||
MOTH. What shall some see?<br/> | MOTH. What shall some see?<br/> | ||
COSTARD. Nay, nothing, Master Moth, but what they look upon. It is<br/> | COSTARD. Nay, nothing, Master Moth, but what they look upon. It is<br/> | ||
not for prisoners to be too silent in their words, and therefore<br/> | not for prisoners to be too silent in their words, and therefore<br/> | ||
I will say nothing. I thank God I have as little patience as<br/> | I will say nothing. I thank God I have as little patience as<br/> | ||
another man, and therefore I can be quiet.<br/> | another man, and therefore I can be quiet.<br/> | ||
Exeunt MOTH and COSTARD<br/> | Exeunt MOTH and COSTARD<br/> | ||
ARMADO. I do affect the very ground, which is base, where her shoe,<br/> | ARMADO. I do affect the very ground, which is base, where her shoe,<br/> | ||
which is baser, guided by her foot, which is basest, doth tread.<br/> | which is baser, guided by her foot, which is basest, doth tread.<br/> | ||
I shall be forsworn- which is a great argument of falsehood- if I<br/> | I shall be forsworn- which is a great argument of falsehood- if I<br/> | ||
love. And how can that be true love which is falsely attempted?<br/> | love. And how can that be true love which is falsely attempted?<br/> | ||
Love is a familiar; Love is a devil. There is no evil angel but<br/> | Love is a familiar; Love is a devil. There is no evil angel but<br/> | ||
Love. Yet was Samson so tempted, and he had an excellent<br/> | Love. Yet was Samson so tempted, and he had an excellent<br/> | ||
strength; yet was Solomon so seduced, and he had a very good wit.<br/> | strength; yet was Solomon so seduced, and he had a very good wit.<br/> | ||
Cupid's butt-shaft is too hard for Hercules' club, and therefore<br/> | Cupid's butt-shaft is too hard for Hercules' club, and therefore<br/> | ||
too much odds for a Spaniard's rapier. The first and second cause<br/> | too much odds for a Spaniard's rapier. The first and second cause<br/> | ||
will not serve my turn; the passado he respects not, the duello<br/> | will not serve my turn; the passado he respects not, the duello<br/> | ||
he regards not; his disgrace is to be called boy, but his glory<br/> | he regards not; his disgrace is to be called boy, but his glory<br/> | ||
is to subdue men. Adieu, valour; rust, rapier; be still, drum;<br/> | is to subdue men. Adieu, valour; rust, rapier; be still, drum;<br/> | ||
for your manager is in love; yea, he loveth. Assist me, some<br/> | for your manager is in love; yea, he loveth. Assist me, some<br/> | ||
extemporal god of rhyme, for I am sure I shall turn sonnet.<br/> | extemporal god of rhyme, for I am sure I shall turn sonnet.<br/> | ||
Devise, wit; write, pen; for I am for whole volumes in folio.<br/> | Devise, wit; write, pen; for I am for whole volumes in folio.<br/> | ||
Exit<br/> | Exit<br/> | ||
</p> | </p> | ||
<h4>ACT II. SCENE II. | <h4>ACT II. SCENE II. | ||
The park</h4> | The park</h4> | ||
<p>Enter the PRINCESS OF FRANCE, with three attending ladies,<br/> | <p>Enter the PRINCESS OF FRANCE, with three attending ladies,<br/> | ||
ROSALINE, MARIA, KATHARINE, BOYET, and two other LORDS<br/> | ROSALINE, MARIA, KATHARINE, BOYET, and two other LORDS<br/> | ||
</p> | </p> | ||
<p> BOYET. Now, madam, summon up your dearest spirits.<br/> | <p> BOYET. Now, madam, summon up your dearest spirits.<br/> | ||
Consider who the King your father sends,<br/> | Consider who the King your father sends,<br/> | ||
To whom he sends, and what's his embassy:<br/> | To whom he sends, and what's his embassy:<br/> | ||
Yourself, held precious in the world's esteem,<br/> | Yourself, held precious in the world's esteem,<br/> | ||
To parley with the sole inheritor<br/> | To parley with the sole inheritor<br/> | ||
Of all perfections that a man may owe,<br/> | Of all perfections that a man may owe,<br/> | ||
Matchless Navarre; the plea of no less weight<br/> | Matchless Navarre; the plea of no less weight<br/> | ||
Than Aquitaine, a dowry for a queen.<br/> | Than Aquitaine, a dowry for a queen.<br/> | ||
Be now as prodigal of all dear grace<br/> | Be now as prodigal of all dear grace<br/> | ||
As Nature was in making graces dear,<br/> | As Nature was in making graces dear,<br/> | ||
When she did starve the general world beside<br/> | When she did starve the general world beside<br/> | ||
And prodigally gave them all to you.<br/> | And prodigally gave them all to you.<br/> | ||
PRINCESS OF FRANCE. Good Lord Boyet, my beauty, though but mean,<br/> | PRINCESS OF FRANCE. Good Lord Boyet, my beauty, though but mean,<br/> | ||
Needs not the painted flourish of your praise.<br/> | Needs not the painted flourish of your praise.<br/> | ||
Beauty is bought by judgment of the eye,<br/> | Beauty is bought by judgment of the eye,<br/> | ||
Not utt'red by base sale of chapmen's tongues;<br/> | Not utt'red by base sale of chapmen's tongues;<br/> | ||
I am less proud to hear you tell my worth<br/> | I am less proud to hear you tell my worth<br/> | ||
Than you much willing to be counted wise<br/> | Than you much willing to be counted wise<br/> | ||
In spending your wit in the praise of mine.<br/> | In spending your wit in the praise of mine.<br/> | ||
But now to task the tasker: good Boyet,<br/> | But now to task the tasker: good Boyet,<br/> | ||
You are not ignorant all-telling fame<br/> | You are not ignorant all-telling fame<br/> | ||
Doth noise abroad Navarre hath made a vow,<br/> | Doth noise abroad Navarre hath made a vow,<br/> | ||
Till painful study shall outwear three years,<br/> | Till painful study shall outwear three years,<br/> | ||
No woman may approach his silent court.<br/> | No woman may approach his silent court.<br/> | ||
Therefore to's seemeth it a needful course,<br/> | Therefore to's seemeth it a needful course,<br/> | ||
Before we enter his forbidden gates,<br/> | Before we enter his forbidden gates,<br/> | ||
To know his pleasure; and in that behalf,<br/> | To know his pleasure; and in that behalf,<br/> | ||
Bold of your worthiness, we single you<br/> | Bold of your worthiness, we single you<br/> | ||
As our best-moving fair solicitor.<br/> | As our best-moving fair solicitor.<br/> | ||
Tell him the daughter of the King of France,<br/> | Tell him the daughter of the King of France,<br/> | ||
On serious business, craving quick dispatch,<br/> | On serious business, craving quick dispatch,<br/> | ||
Importunes personal conference with his Grace.<br/> | Importunes personal conference with his Grace.<br/> | ||
Haste, signify so much; while we attend,<br/> | Haste, signify so much; while we attend,<br/> | ||
Like humble-visag'd suitors, his high will.<br/> | Like humble-visag'd suitors, his high will.<br/> | ||
BOYET. Proud of employment, willingly I go.<br/> | BOYET. Proud of employment, willingly I go.<br/> | ||
PRINCESS OF FRANCE. All pride is willing pride, and yours is so.<br/> | PRINCESS OF FRANCE. All pride is willing pride, and yours is so.<br/> | ||
Exit BOYET<br/> | Exit BOYET<br/> | ||
Who are the votaries, my loving lords,<br/> | Who are the votaries, my loving lords,<br/> | ||
That are vow-fellows with this virtuous duke?<br/> | That are vow-fellows with this virtuous duke?<br/> | ||
FIRST LORD. Lord Longaville is one.<br/> | FIRST LORD. Lord Longaville is one.<br/> | ||
PRINCESS OF FRANCE. Know you the man?<br/> | PRINCESS OF FRANCE. Know you the man?<br/> | ||
MARIA. I know him, madam; at a marriage feast,<br/> | MARIA. I know him, madam; at a marriage feast,<br/> | ||
Between Lord Perigort and the beauteous heir<br/> | Between Lord Perigort and the beauteous heir<br/> | ||
Of Jaques Falconbridge, solemnized<br/> | Of Jaques Falconbridge, solemnized<br/> | ||
In Normandy, saw I this Longaville.<br/> | In Normandy, saw I this Longaville.<br/> | ||
A man of sovereign parts, peerless esteem'd,<br/> | A man of sovereign parts, peerless esteem'd,<br/> | ||
Well fitted in arts, glorious in arms;<br/> | Well fitted in arts, glorious in arms;<br/> | ||
Nothing becomes him ill that he would well.<br/> | Nothing becomes him ill that he would well.<br/> | ||
The only soil of his fair virtue's gloss,<br/> | The only soil of his fair virtue's gloss,<br/> | ||
If virtue's gloss will stain with any soil,<br/> | If virtue's gloss will stain with any soil,<br/> | ||
Is a sharp wit match'd with too blunt a will,<br/> | Is a sharp wit match'd with too blunt a will,<br/> | ||
Whose edge hath power to cut, whose will still wills<br/> | Whose edge hath power to cut, whose will still wills<br/> | ||
It should none spare that come within his power.<br/> | It should none spare that come within his power.<br/> | ||
PRINCESS OF FRANCE. Some merry mocking lord, belike; is't so?<br/> | PRINCESS OF FRANCE. Some merry mocking lord, belike; is't so?<br/> | ||
MARIA. They say so most that most his humours know.<br/> | MARIA. They say so most that most his humours know.<br/> | ||
PRINCESS OF FRANCE. Such short-liv'd wits do wither as they grow.<br/> | PRINCESS OF FRANCE. Such short-liv'd wits do wither as they grow.<br/> | ||
Who are the rest?<br/> | Who are the rest?<br/> | ||
KATHARINE. The young Dumain, a well-accomplish'd youth,<br/> | KATHARINE. The young Dumain, a well-accomplish'd youth,<br/> | ||
Of all that virtue love for virtue loved;<br/> | Of all that virtue love for virtue loved;<br/> | ||
Most power to do most harm, least knowing ill,<br/> | Most power to do most harm, least knowing ill,<br/> | ||
For he hath wit to make an ill shape good,<br/> | For he hath wit to make an ill shape good,<br/> | ||
And shape to win grace though he had no wit.<br/> | And shape to win grace though he had no wit.<br/> | ||
I saw him at the Duke Alencon's once;<br/> | I saw him at the Duke Alencon's once;<br/> | ||
And much too little of that good I saw<br/> | And much too little of that good I saw<br/> | ||
Is my report to his great worthiness.<br/> | Is my report to his great worthiness.<br/> | ||
ROSALINE. Another of these students at that time<br/> | ROSALINE. Another of these students at that time<br/> | ||
Was there with him, if I have heard a truth.<br/> | Was there with him, if I have heard a truth.<br/> | ||
Berowne they call him; but a merrier man,<br/> | Berowne they call him; but a merrier man,<br/> | ||
Within the limit of becoming mirth,<br/> | Within the limit of becoming mirth,<br/> | ||
I never spent an hour's talk withal.<br/> | I never spent an hour's talk withal.<br/> | ||
His eye begets occasion for his wit,<br/> | His eye begets occasion for his wit,<br/> | ||
For every object that the one doth catch<br/> | For every object that the one doth catch<br/> | ||
The other turns to a mirth-moving jest,<br/> | The other turns to a mirth-moving jest,<br/> | ||
Which his fair tongue, conceit's expositor,<br/> | Which his fair tongue, conceit's expositor,<br/> | ||
Delivers in such apt and gracious words<br/> | Delivers in such apt and gracious words<br/> | ||
That aged ears play truant at his tales,<br/> | That aged ears play truant at his tales,<br/> | ||
And younger hearings are quite ravished;<br/> | And younger hearings are quite ravished;<br/> | ||
So sweet and voluble is his discourse.<br/> | So sweet and voluble is his discourse.<br/> | ||
PRINCESS OF FRANCE. God bless my ladies! Are they all in love,<br/> | PRINCESS OF FRANCE. God bless my ladies! Are they all in love,<br/> | ||
That every one her own hath garnished<br/> | That every one her own hath garnished<br/> | ||
With such bedecking ornaments of praise?<br/> | With such bedecking ornaments of praise?<br/> | ||
FIRST LORD. Here comes Boyet.<br/> | FIRST LORD. Here comes Boyet.<br/> | ||
</p> | </p> | ||
Line 597: | Line 1,152: | ||
<p> PRINCESS OF FRANCE. Now, what admittance, lord?<br/> | <p> PRINCESS OF FRANCE. Now, what admittance, lord?<br/> | ||
BOYET. Navarre had notice of your fair approach,<br/> | BOYET. Navarre had notice of your fair approach,<br/> | ||
And he and his competitors in oath<br/> | And he and his competitors in oath<br/> | ||
Were all address'd to meet you, gentle lady,<br/> | Were all address'd to meet you, gentle lady,<br/> | ||
Before I came. Marry, thus much I have learnt:<br/> | Before I came. Marry, thus much I have learnt:<br/> | ||
He rather means to lodge you in the field,<br/> | He rather means to lodge you in the field,<br/> | ||
Like one that comes here to besiege his court,<br/> | Like one that comes here to besiege his court,<br/> | ||
Than seek a dispensation for his oath,<br/> | Than seek a dispensation for his oath,<br/> | ||
To let you enter his unpeopled house.<br/> | To let you enter his unpeopled house.<br/> | ||
[The LADIES-IN-WAITING mask]<br/> | [The LADIES-IN-WAITING mask]<br/> | ||
</p> | </p> | ||
<p> Enter KING, LONGAVILLE, DUMAIN, BEROWNE,<br/> | <p> Enter KING, LONGAVILLE, DUMAIN, BEROWNE,<br/> | ||
and ATTENDANTS<br/> | and ATTENDANTS<br/> | ||
</p> | </p> | ||
<p> Here comes Navarre.<br/> | <p> Here comes Navarre.<br/> | ||
KING. Fair Princess, welcome to the court of Navarre.<br/> | KING. Fair Princess, welcome to the court of Navarre.<br/> | ||
PRINCESS OF FRANCE. 'Fair' I give you back again; and 'welcome' I<br/> | PRINCESS OF FRANCE. 'Fair' I give you back again; and 'welcome' I<br/> | ||
have not yet. The roof of this court is too high to be yours, and<br/> | have not yet. The roof of this court is too high to be yours, and<br/> | ||
welcome to the wide fields too base to be mine.<br/> | welcome to the wide fields too base to be mine.<br/> | ||
KING. You shall be welcome, madam, to my court.<br/> | KING. You shall be welcome, madam, to my court.<br/> | ||
PRINCESS OF FRANCE. I will be welcome then; conduct me thither.<br/> | PRINCESS OF FRANCE. I will be welcome then; conduct me thither.<br/> | ||
KING. Hear me, dear lady: I have sworn an oath-<br/> | KING. Hear me, dear lady: I have sworn an oath-<br/> | ||
PRINCESS OF FRANCE. Our Lady help my lord! He'll be forsworn.<br/> | PRINCESS OF FRANCE. Our Lady help my lord! He'll be forsworn.<br/> | ||
KING. Not for the world, fair madam, by my will.<br/> | KING. Not for the world, fair madam, by my will.<br/> | ||
PRINCESS OF FRANCE. Why, will shall break it; will, and nothing<br/> | PRINCESS OF FRANCE. Why, will shall break it; will, and nothing<br/> | ||
else.<br/> | else.<br/> | ||
KING. Your ladyship is ignorant what it is.<br/> | KING. Your ladyship is ignorant what it is.<br/> | ||
PRINCESS OF FRANCE. Were my lord so, his ignorance were wise,<br/> | PRINCESS OF FRANCE. Were my lord so, his ignorance were wise,<br/> | ||
Where now his knowledge must prove ignorance.<br/> | Where now his knowledge must prove ignorance.<br/> | ||
I hear your Grace hath sworn out house-keeping.<br/> | I hear your Grace hath sworn out house-keeping.<br/> | ||
'Tis deadly sin to keep that oath, my lord,<br/> | 'Tis deadly sin to keep that oath, my lord,<br/> | ||
And sin to break it.<br/> | And sin to break it.<br/> | ||
But pardon me, I am too sudden bold;<br/> | But pardon me, I am too sudden bold;<br/> | ||
To teach a teacher ill beseemeth me.<br/> | To teach a teacher ill beseemeth me.<br/> | ||
Vouchsafe to read the purpose of my coming,<br/> | Vouchsafe to read the purpose of my coming,<br/> | ||
And suddenly resolve me in my suit. [Giving a paper]<br/> | And suddenly resolve me in my suit. [Giving a paper]<br/> | ||
KING. Madam, I will, if suddenly I may.<br/> | KING. Madam, I will, if suddenly I may.<br/> | ||
PRINCESS OF FRANCE. YOU Will the sooner that I were away,<br/> | PRINCESS OF FRANCE. YOU Will the sooner that I were away,<br/> | ||
For you'll prove perjur'd if you make me stay.<br/> | For you'll prove perjur'd if you make me stay.<br/> | ||
BEROWNE. Did not I dance with you in Brabant once?<br/> | BEROWNE. Did not I dance with you in Brabant once?<br/> | ||
KATHARINE. Did not I dance with you in Brabant once?<br/> | KATHARINE. Did not I dance with you in Brabant once?<br/> | ||
BEROWNE. I know you did.<br/> | BEROWNE. I know you did.<br/> | ||
KATHARINE. How needless was it then to ask the question!<br/> | KATHARINE. How needless was it then to ask the question!<br/> | ||
BEROWNE. You must not be so quick.<br/> | BEROWNE. You must not be so quick.<br/> | ||
KATHARINE. 'Tis long of you, that spur me with such questions.<br/> | KATHARINE. 'Tis long of you, that spur me with such questions.<br/> | ||
BEROWNE. Your wit 's too hot, it speeds too fast, 'twill tire.<br/> | BEROWNE. Your wit 's too hot, it speeds too fast, 'twill tire.<br/> | ||
KATHARINE. Not till it leave the rider in the mire.<br/> | KATHARINE. Not till it leave the rider in the mire.<br/> | ||
BEROWNE. What time o' day?<br/> | BEROWNE. What time o' day?<br/> | ||
KATHARINE. The hour that fools should ask.<br/> | KATHARINE. The hour that fools should ask.<br/> | ||
BEROWNE. Now fair befall your mask!<br/> | BEROWNE. Now fair befall your mask!<br/> | ||
KATHARINE. Fair fall the face it covers!<br/> | KATHARINE. Fair fall the face it covers!<br/> | ||
BEROWNE. And send you many lovers!<br/> | BEROWNE. And send you many lovers!<br/> | ||
KATHARINE. Amen, so you be none.<br/> | KATHARINE. Amen, so you be none.<br/> | ||
BEROWNE. Nay, then will I be gone.<br/> | BEROWNE. Nay, then will I be gone.<br/> | ||
KING. Madam, your father here doth intimate<br/> | KING. Madam, your father here doth intimate<br/> | ||
The payment of a hundred thousand crowns;<br/> | The payment of a hundred thousand crowns;<br/> | ||
Being but the one half of an entire sum<br/> | Being but the one half of an entire sum<br/> | ||
Disbursed by my father in his wars.<br/> | Disbursed by my father in his wars.<br/> | ||
But say that he or we, as neither have,<br/> | But say that he or we, as neither have,<br/> | ||
Receiv'd that sum, yet there remains unpaid<br/> | Receiv'd that sum, yet there remains unpaid<br/> | ||
A hundred thousand more, in surety of the which,<br/> | A hundred thousand more, in surety of the which,<br/> | ||
One part of Aquitaine is bound to us,<br/> | One part of Aquitaine is bound to us,<br/> | ||
Although not valued to the money's worth.<br/> | Although not valued to the money's worth.<br/> | ||
If then the King your father will restore<br/> | If then the King your father will restore<br/> | ||
But that one half which is unsatisfied,<br/> | But that one half which is unsatisfied,<br/> | ||
We will give up our right in Aquitaine,<br/> | We will give up our right in Aquitaine,<br/> | ||
And hold fair friendship with his Majesty.<br/> | And hold fair friendship with his Majesty.<br/> | ||
But that, it seems, he little purposeth,<br/> | But that, it seems, he little purposeth,<br/> | ||
For here he doth demand to have repaid<br/> | For here he doth demand to have repaid<br/> | ||
A hundred thousand crowns; and not demands,<br/> | A hundred thousand crowns; and not demands,<br/> | ||
On payment of a hundred thousand crowns,<br/> | On payment of a hundred thousand crowns,<br/> | ||
To have his title live in Aquitaine;<br/> | To have his title live in Aquitaine;<br/> | ||
Which we much rather had depart withal,<br/> | Which we much rather had depart withal,<br/> | ||
And have the money by our father lent,<br/> | And have the money by our father lent,<br/> | ||
Than Aquitaine so gelded as it is.<br/> | Than Aquitaine so gelded as it is.<br/> | ||
Dear Princess, were not his requests so far<br/> | Dear Princess, were not his requests so far<br/> | ||
From reason's yielding, your fair self should make<br/> | From reason's yielding, your fair self should make<br/> | ||
A yielding 'gainst some reason in my breast,<br/> | A yielding 'gainst some reason in my breast,<br/> | ||
And go well satisfied to France again.<br/> | And go well satisfied to France again.<br/> | ||
PRINCESS OF FRANCE. You do the King my father too much wrong,<br/> | PRINCESS OF FRANCE. You do the King my father too much wrong,<br/> | ||
And wrong the reputation of your name,<br/> | And wrong the reputation of your name,<br/> | ||
In so unseeming to confess receipt<br/> | In so unseeming to confess receipt<br/> | ||
Of that which hath so faithfully been paid.<br/> | Of that which hath so faithfully been paid.<br/> | ||
KING. I do protest I never heard of it;<br/> | KING. I do protest I never heard of it;<br/> | ||
And, if you prove it, I'll repay it back<br/> | And, if you prove it, I'll repay it back<br/> | ||
Or yield up Aquitaine.<br/> | Or yield up Aquitaine.<br/> | ||
PRINCESS OF FRANCE. We arrest your word.<br/> | PRINCESS OF FRANCE. We arrest your word.<br/> | ||
Boyet, you can produce acquittances<br/> | Boyet, you can produce acquittances<br/> | ||
For such a sum from special officers<br/> | For such a sum from special officers<br/> | ||
Of Charles his father.<br/> | Of Charles his father.<br/> | ||
KING. Satisfy me so.<br/> | KING. Satisfy me so.<br/> | ||
BOYET. So please your Grace, the packet is not come,<br/> | BOYET. So please your Grace, the packet is not come,<br/> | ||
Where that and other specialties are bound;<br/> | Where that and other specialties are bound;<br/> | ||
To-morrow you shall have a sight of them.<br/> | To-morrow you shall have a sight of them.<br/> | ||
KING. It shall suffice me; at which interview<br/> | KING. It shall suffice me; at which interview<br/> | ||
All liberal reason I will yield unto.<br/> | All liberal reason I will yield unto.<br/> | ||
Meantime receive such welcome at my hand<br/> | Meantime receive such welcome at my hand<br/> | ||
As honour, without breach of honour, may<br/> | As honour, without breach of honour, may<br/> | ||
Make tender of to thy true worthiness.<br/> | Make tender of to thy true worthiness.<br/> | ||
You may not come, fair Princess, within my gates;<br/> | You may not come, fair Princess, within my gates;<br/> | ||
But here without you shall be so receiv'd<br/> | But here without you shall be so receiv'd<br/> | ||
As you shall deem yourself lodg'd in my heart,<br/> | As you shall deem yourself lodg'd in my heart,<br/> | ||
Though so denied fair harbour in my house.<br/> | Though so denied fair harbour in my house.<br/> | ||
Your own good thoughts excuse me, and farewell.<br/> | Your own good thoughts excuse me, and farewell.<br/> | ||
To-morrow shall we visit you again.<br/> | To-morrow shall we visit you again.<br/> | ||
PRINCESS OF FRANCE. Sweet health and fair desires consort your<br/> | PRINCESS OF FRANCE. Sweet health and fair desires consort your<br/> | ||
Grace!<br/> | Grace!<br/> | ||
KING. Thy own wish wish I thee in every place.<br/> | KING. Thy own wish wish I thee in every place.<br/> | ||
Exit with attendants<br/> | Exit with attendants<br/> | ||
BEROWNE. Lady, I will commend you to mine own heart.<br/> | BEROWNE. Lady, I will commend you to mine own heart.<br/> | ||
ROSALINE. Pray you, do my commendations;<br/> | ROSALINE. Pray you, do my commendations;<br/> | ||
I would be glad to see it.<br/> | I would be glad to see it.<br/> | ||
BEROWNE. I would you heard it groan.<br/> | BEROWNE. I would you heard it groan.<br/> | ||
ROSALINE. Is the fool sick?<br/> | ROSALINE. Is the fool sick?<br/> | ||
BEROWNE. Sick at the heart.<br/> | BEROWNE. Sick at the heart.<br/> | ||
ROSALINE. Alack, let it blood.<br/> | ROSALINE. Alack, let it blood.<br/> | ||
BEROWNE. Would that do it good?<br/> | BEROWNE. Would that do it good?<br/> | ||
ROSALINE. My physic says 'ay.'<br/> | ROSALINE. My physic says 'ay.'<br/> | ||
BEROWNE. Will YOU prick't with your eye?<br/> | BEROWNE. Will YOU prick't with your eye?<br/> | ||
ROSALINE. No point, with my knife.<br/> | ROSALINE. No point, with my knife.<br/> | ||
BEROWNE. Now, God save thy life!<br/> | BEROWNE. Now, God save thy life!<br/> | ||
ROSALINE. And yours from long living!<br/> | ROSALINE. And yours from long living!<br/> | ||
BEROWNE. I cannot stay thanksgiving. [Retiring]<br/> | BEROWNE. I cannot stay thanksgiving. [Retiring]<br/> | ||
DUMAIN. Sir, I pray you, a word: what lady is that same?<br/> | DUMAIN. Sir, I pray you, a word: what lady is that same?<br/> | ||
BOYET. The heir of Alencon, Katharine her name.<br/> | BOYET. The heir of Alencon, Katharine her name.<br/> | ||
DUMAIN. A gallant lady! Monsieur, fare you well. Exit<br/> | DUMAIN. A gallant lady! Monsieur, fare you well. Exit<br/> | ||
LONGAVILLE. I beseech you a word: what is she in the white?<br/> | LONGAVILLE. I beseech you a word: what is she in the white?<br/> | ||
BOYET. A woman sometimes, an you saw her in the light.<br/> | BOYET. A woman sometimes, an you saw her in the light.<br/> | ||
LONGAVILLE. Perchance light in the light. I desire her name.<br/> | LONGAVILLE. Perchance light in the light. I desire her name.<br/> | ||
BOYET. She hath but one for herself; to desire that were a shame.<br/> | BOYET. She hath but one for herself; to desire that were a shame.<br/> | ||
LONGAVILLE. Pray you, sir, whose daughter?<br/> | LONGAVILLE. Pray you, sir, whose daughter?<br/> | ||
BOYET. Her mother's, I have heard.<br/> | BOYET. Her mother's, I have heard.<br/> | ||
LONGAVILLE. God's blessing on your beard!<br/> | LONGAVILLE. God's blessing on your beard!<br/> | ||
BOYET. Good sir, be not offended;<br/> | BOYET. Good sir, be not offended;<br/> | ||
She is an heir of Falconbridge.<br/> | She is an heir of Falconbridge.<br/> | ||
LONGAVILLE. Nay, my choler is ended.<br/> | LONGAVILLE. Nay, my choler is ended.<br/> | ||
She is a most sweet lady.<br/> | She is a most sweet lady.<br/> | ||
BOYET. Not unlike, sir; that may be. Exit LONGAVILLE<br/> | BOYET. Not unlike, sir; that may be. Exit LONGAVILLE<br/> | ||
BEROWNE. What's her name in the cap?<br/> | BEROWNE. What's her name in the cap?<br/> | ||
BOYET. Rosaline, by good hap.<br/> | BOYET. Rosaline, by good hap.<br/> | ||
BEROWNE. Is she wedded or no?<br/> | BEROWNE. Is she wedded or no?<br/> | ||
BOYET. To her will, sir, or so.<br/> | BOYET. To her will, sir, or so.<br/> | ||
BEROWNE. You are welcome, sir; adieu!<br/> | BEROWNE. You are welcome, sir; adieu!<br/> | ||
BOYET. Farewell to me, sir, and welcome to you.<br/> | BOYET. Farewell to me, sir, and welcome to you.<br/> | ||
Exit BEROWNE. LADIES Unmask<br/> | Exit BEROWNE. LADIES Unmask<br/> | ||
MARIA. That last is Berowne, the merry mad-cap lord;<br/> | MARIA. That last is Berowne, the merry mad-cap lord;<br/> | ||
Not a word with him but a jest.<br/> | Not a word with him but a jest.<br/> | ||
BOYET. And every jest but a word.<br/> | BOYET. And every jest but a word.<br/> | ||
PRINCESS OF FRANCE. It was well done of you to take him at his<br/> | PRINCESS OF FRANCE. It was well done of you to take him at his<br/> | ||
word.<br/> | word.<br/> | ||
BOYET. I was as willing to grapple as he was to board.<br/> | BOYET. I was as willing to grapple as he was to board.<br/> | ||
KATHARINE. Two hot sheeps, marry!<br/> | KATHARINE. Two hot sheeps, marry!<br/> | ||
BOYET. And wherefore not ships?<br/> | BOYET. And wherefore not ships?<br/> | ||
No sheep, sweet lamb, unless we feed on your lips.<br/> | No sheep, sweet lamb, unless we feed on your lips.<br/> | ||
KATHARINE. You sheep and I pasture- shall that finish the jest?<br/> | KATHARINE. You sheep and I pasture- shall that finish the jest?<br/> | ||
BOYET. So you grant pasture for me. [Offering to kiss her]<br/> | BOYET. So you grant pasture for me. [Offering to kiss her]<br/> | ||
KATHARINE. Not so, gentle beast;<br/> | KATHARINE. Not so, gentle beast;<br/> | ||
My lips are no common, though several they be.<br/> | My lips are no common, though several they be.<br/> | ||
BOYET. Belonging to whom?<br/> | BOYET. Belonging to whom?<br/> | ||
KATHARINE. To my fortunes and me.<br/> | KATHARINE. To my fortunes and me.<br/> | ||
PRINCESS OF FRANCE. Good wits will be jangling; but, gentles,<br/> | PRINCESS OF FRANCE. Good wits will be jangling; but, gentles,<br/> | ||
agree;<br/> | agree;<br/> | ||
This civil war of wits were much better used<br/> | This civil war of wits were much better used<br/> | ||
On Navarre and his book-men, for here 'tis abused.<br/> | On Navarre and his book-men, for here 'tis abused.<br/> | ||
BOYET. If my observation, which very seldom lies,<br/> | BOYET. If my observation, which very seldom lies,<br/> | ||
By the heart's still rhetoric disclosed with eyes,<br/> | By the heart's still rhetoric disclosed with eyes,<br/> | ||
Deceive me not now, Navarre is infected.<br/> | Deceive me not now, Navarre is infected.<br/> | ||
PRINCESS OF FRANCE. With what?<br/> | PRINCESS OF FRANCE. With what?<br/> | ||
BOYET. With that which we lovers entitle 'affected.'<br/> | BOYET. With that which we lovers entitle 'affected.'<br/> | ||
PRINCESS OF FRANCE. Your reason?<br/> | PRINCESS OF FRANCE. Your reason?<br/> | ||
BOYET. Why, all his behaviours did make their retire<br/> | BOYET. Why, all his behaviours did make their retire<br/> | ||
To the court of his eye, peeping thorough desire.<br/> | To the court of his eye, peeping thorough desire.<br/> | ||
His heart, like an agate, with your print impressed,<br/> | His heart, like an agate, with your print impressed,<br/> | ||
Proud with his form, in his eye pride expressed;<br/> | Proud with his form, in his eye pride expressed;<br/> | ||
His tongue, all impatient to speak and not see,<br/> | His tongue, all impatient to speak and not see,<br/> | ||
Did stumble with haste in his eyesight to be;<br/> | Did stumble with haste in his eyesight to be;<br/> | ||
All senses to that sense did make their repair,<br/> | All senses to that sense did make their repair,<br/> | ||
To feel only looking on fairest of fair.<br/> | To feel only looking on fairest of fair.<br/> | ||
Methought all his senses were lock'd in his eye,<br/> | Methought all his senses were lock'd in his eye,<br/> | ||
As jewels in crystal for some prince to buy;<br/> | As jewels in crystal for some prince to buy;<br/> | ||
Who, tend'ring their own worth from where they were glass'd,<br/> | Who, tend'ring their own worth from where they were glass'd,<br/> | ||
Did point you to buy them, along as you pass'd.<br/> | Did point you to buy them, along as you pass'd.<br/> | ||
His face's own margent did quote such amazes<br/> | His face's own margent did quote such amazes<br/> | ||
That all eyes saw his eyes enchanted with gazes.<br/> | That all eyes saw his eyes enchanted with gazes.<br/> | ||
I'll give you Aquitaine and all that is his,<br/> | I'll give you Aquitaine and all that is his,<br/> | ||
An you give him for my sake but one loving kiss.<br/> | An you give him for my sake but one loving kiss.<br/> | ||
PRINCESS OF FRANCE. Come, to our pavilion. Boyet is dispos'd.<br/> | PRINCESS OF FRANCE. Come, to our pavilion. Boyet is dispos'd.<br/> | ||
BOYET. But to speak that in words which his eye hath disclos'd;<br/> | BOYET. But to speak that in words which his eye hath disclos'd;<br/> | ||
I only have made a mouth of his eye,<br/> | I only have made a mouth of his eye,<br/> | ||
By adding a tongue which I know will not lie.<br/> | By adding a tongue which I know will not lie.<br/> | ||
MARIA. Thou art an old love-monger, and speakest skilfully.<br/> | MARIA. Thou art an old love-monger, and speakest skilfully.<br/> | ||
KATHARINE. He is Cupid's grandfather, and learns news of him.<br/> | KATHARINE. He is Cupid's grandfather, and learns news of him.<br/> | ||
ROSALINE. Then was Venus like her mother; for her father is but<br/> | ROSALINE. Then was Venus like her mother; for her father is but<br/> | ||
grim.<br/> | grim.<br/> | ||
BOYET. Do you hear, my mad wenches?<br/> | BOYET. Do you hear, my mad wenches?<br/> | ||
MARIA. No.<br/> | MARIA. No.<br/> | ||
BOYET. What, then; do you see?<br/> | BOYET. What, then; do you see?<br/> | ||
MARIA. Ay, our way to be gone.<br/> | MARIA. Ay, our way to be gone.<br/> | ||
BOYET. You are too hard for me. Exeunt<br/> | BOYET. You are too hard for me. Exeunt<br/> | ||
</p> | </p> | ||
<h4>ACT III. SCENE I. | <h4>ACT III. SCENE I. | ||
The park</h4> | The park</h4> | ||
Line 805: | Line 1,558: | ||
<p> ARMADO. Warble, child; make passionate my sense of hearing.<br/> | <p> ARMADO. Warble, child; make passionate my sense of hearing.<br/> | ||
[MOTH sings Concolinel]<br/> | [MOTH sings Concolinel]<br/> | ||
ARMADO. Sweet air! Go, tenderness of years, take this key, give<br/> | ARMADO. Sweet air! Go, tenderness of years, take this key, give<br/> | ||
enlargement to the swain, bring him festinately hither; I must<br/> | enlargement to the swain, bring him festinately hither; I must<br/> | ||
employ him in a letter to my love.<br/> | employ him in a letter to my love.<br/> | ||
MOTH. Master, will you win your love with a French brawl?<br/> | MOTH. Master, will you win your love with a French brawl?<br/> | ||
ARMADO. How meanest thou? Brawling in French?<br/> | ARMADO. How meanest thou? Brawling in French?<br/> | ||
MOTH. No, my complete master; but to jig off a tune at the tongue's<br/> | MOTH. No, my complete master; but to jig off a tune at the tongue's<br/> | ||
end, canary to it with your feet, humour it with turning up your<br/> | end, canary to it with your feet, humour it with turning up your<br/> | ||
eyelids, sigh a note and sing a note, sometime through the<br/> | eyelids, sigh a note and sing a note, sometime through the<br/> | ||
throat, as if you swallowed love with singing love, sometime<br/> | throat, as if you swallowed love with singing love, sometime<br/> | ||
through the nose, as if you snuff'd up love by smelling love,<br/> | through the nose, as if you snuff'd up love by smelling love,<br/> | ||
with your hat penthouse-like o'er the shop of your eyes, with<br/> | with your hat penthouse-like o'er the shop of your eyes, with<br/> | ||
your arms cross'd on your thin-belly doublet, like a rabbit on a<br/> | your arms cross'd on your thin-belly doublet, like a rabbit on a<br/> | ||
spit, or your hands in your pocket, like a man after the old<br/> | spit, or your hands in your pocket, like a man after the old<br/> | ||
painting; and keep not too long in one tune, but a snip and away.<br/> | painting; and keep not too long in one tune, but a snip and away.<br/> | ||
These are complements, these are humours; these betray nice<br/> | These are complements, these are humours; these betray nice<br/> | ||
wenches, that would be betrayed without these; and make them men<br/> | wenches, that would be betrayed without these; and make them men<br/> | ||
of note- do you note me?- that most are affected to these.<br/> | of note- do you note me?- that most are affected to these.<br/> | ||
ARMADO. How hast thou purchased this experience?<br/> | ARMADO. How hast thou purchased this experience?<br/> | ||
MOTH. By my penny of observation.<br/> | MOTH. By my penny of observation.<br/> | ||
ARMADO. But O- but O-<br/> | ARMADO. But O- but O-<br/> | ||
MOTH. The hobby-horse is forgot.<br/> | MOTH. The hobby-horse is forgot.<br/> | ||
ARMADO. Call'st thou my love 'hobby-horse'?<br/> | ARMADO. Call'st thou my love 'hobby-horse'?<br/> | ||
MOTH. No, master; the hobby-horse is but a colt, and your love<br/> | MOTH. No, master; the hobby-horse is but a colt, and your love<br/> | ||
perhaps a hackney. But have you forgot your love?<br/> | perhaps a hackney. But have you forgot your love?<br/> | ||
ARMADO. Almost I had.<br/> | ARMADO. Almost I had.<br/> | ||
MOTH. Negligent student! learn her by heart.<br/> | MOTH. Negligent student! learn her by heart.<br/> | ||
ARMADO. By heart and in heart, boy.<br/> | ARMADO. By heart and in heart, boy.<br/> | ||
MOTH. And out of heart, master; all those three I will prove.<br/> | MOTH. And out of heart, master; all those three I will prove.<br/> | ||
ARMADO. What wilt thou prove?<br/> | ARMADO. What wilt thou prove?<br/> | ||
MOTH. A man, if I live; and this, by, in, and without, upon the<br/> | MOTH. A man, if I live; and this, by, in, and without, upon the<br/> | ||
instant. By heart you love her, because your heart cannot come by<br/> | instant. By heart you love her, because your heart cannot come by<br/> | ||
her; in heart you love her, because your heart is in love with<br/> | her; in heart you love her, because your heart is in love with<br/> | ||
her; and out of heart you love her, being out of heart that you<br/> | her; and out of heart you love her, being out of heart that you<br/> | ||
cannot enjoy her.<br/> | cannot enjoy her.<br/> | ||
ARMADO. I am all these three.<br/> | ARMADO. I am all these three.<br/> | ||
MOTH. And three times as much more, and yet nothing at all.<br/> | MOTH. And three times as much more, and yet nothing at all.<br/> | ||
ARMADO. Fetch hither the swain; he must carry me a letter.<br/> | ARMADO. Fetch hither the swain; he must carry me a letter.<br/> | ||
MOTH. A message well sympathiz'd- a horse to be ambassador for an<br/> | MOTH. A message well sympathiz'd- a horse to be ambassador for an<br/> | ||
ass.<br/> | ass.<br/> | ||
ARMADO. Ha, ha, what sayest thou?<br/> | ARMADO. Ha, ha, what sayest thou?<br/> | ||
MOTH. Marry, sir, you must send the ass upon the horse, for he is<br/> | MOTH. Marry, sir, you must send the ass upon the horse, for he is<br/> | ||
very slow-gaited. But I go.<br/> | very slow-gaited. But I go.<br/> | ||
ARMADO. The way is but short; away.<br/> | ARMADO. The way is but short; away.<br/> | ||
MOTH. As swift as lead, sir.<br/> | MOTH. As swift as lead, sir.<br/> | ||
ARMADO. The meaning, pretty ingenious?<br/> | ARMADO. The meaning, pretty ingenious?<br/> | ||
Is not lead a metal heavy, dull, and slow?<br/> | Is not lead a metal heavy, dull, and slow?<br/> | ||
MOTH. Minime, honest master; or rather, master, no.<br/> | MOTH. Minime, honest master; or rather, master, no.<br/> | ||
ARMADO. I say lead is slow.<br/> | ARMADO. I say lead is slow.<br/> | ||
MOTH. You are too swift, sir, to say so:<br/> | MOTH. You are too swift, sir, to say so:<br/> | ||
Is that lead slow which is fir'd from a gun?<br/> | Is that lead slow which is fir'd from a gun?<br/> | ||
ARMADO. Sweet smoke of rhetoric!<br/> | ARMADO. Sweet smoke of rhetoric!<br/> | ||
He reputes me a cannon; and the bullet, that's he;<br/> | He reputes me a cannon; and the bullet, that's he;<br/> | ||
I shoot thee at the swain.<br/> | I shoot thee at the swain.<br/> | ||
MOTH. Thump, then, and I flee. Exit<br/> | MOTH. Thump, then, and I flee. Exit<br/> | ||
ARMADO. A most acute juvenal; volable and free of grace!<br/> | ARMADO. A most acute juvenal; volable and free of grace!<br/> | ||
By thy favour, sweet welkin, I must sigh in thy face;<br/> | By thy favour, sweet welkin, I must sigh in thy face;<br/> | ||
Most rude melancholy, valour gives thee place.<br/> | Most rude melancholy, valour gives thee place.<br/> | ||
My herald is return'd.<br/> | My herald is return'd.<br/> | ||
</p> | </p> | ||
Line 869: | Line 1,682: | ||
<p> MOTH. A wonder, master! here's a costard broken in a shin.<br/> | <p> MOTH. A wonder, master! here's a costard broken in a shin.<br/> | ||
ARMADO. Some enigma, some riddle; come, thy l'envoy; begin.<br/> | ARMADO. Some enigma, some riddle; come, thy l'envoy; begin.<br/> | ||
COSTARD. No egma, no riddle, no l'envoy; no salve in the mail, sir.<br/> | COSTARD. No egma, no riddle, no l'envoy; no salve in the mail, sir.<br/> | ||
O, sir, plantain, a plain plantain; no l'envoy, no l'envoy; no<br/> | O, sir, plantain, a plain plantain; no l'envoy, no l'envoy; no<br/> | ||
salve, sir, but a plantain!<br/> | salve, sir, but a plantain!<br/> | ||
ARMADO. By virtue thou enforcest laughter; thy silly thought, my<br/> | ARMADO. By virtue thou enforcest laughter; thy silly thought, my<br/> | ||
spleen; the heaving of my lungs provokes me to ridiculous<br/> | spleen; the heaving of my lungs provokes me to ridiculous<br/> | ||
smiling. O, pardon me, my stars! Doth the inconsiderate take<br/> | smiling. O, pardon me, my stars! Doth the inconsiderate take<br/> | ||
salve for l'envoy, and the word 'l'envoy' for a salve?<br/> | salve for l'envoy, and the word 'l'envoy' for a salve?<br/> | ||
MOTH. Do the wise think them other? Is not l'envoy a salve?<br/> | MOTH. Do the wise think them other? Is not l'envoy a salve?<br/> | ||
ARMADO. No, page; it is an epilogue or discourse to make plain<br/> | ARMADO. No, page; it is an epilogue or discourse to make plain<br/> | ||
Some obscure precedence that hath tofore been sain.<br/> | Some obscure precedence that hath tofore been sain.<br/> | ||
I will example it:<br/> | I will example it:<br/> | ||
The fox, the ape, and the humble-bee,<br/> | The fox, the ape, and the humble-bee,<br/> | ||
Were still at odds, being but three.<br/> | Were still at odds, being but three.<br/> | ||
There's the moral. Now the l'envoy.<br/> | There's the moral. Now the l'envoy.<br/> | ||
MOTH. I will add the l'envoy. Say the moral again.<br/> | MOTH. I will add the l'envoy. Say the moral again.<br/> | ||
ARMADO. The fox, the ape, and the humble-bee,<br/> | ARMADO. The fox, the ape, and the humble-bee,<br/> | ||
Were still at odds, being but three.<br/> | Were still at odds, being but three.<br/> | ||
MOTH. Until the goose came out of door,<br/> | MOTH. Until the goose came out of door,<br/> | ||
And stay'd the odds by adding four.<br/> | And stay'd the odds by adding four.<br/> | ||
Now will I begin your moral, and do you follow with my l'envoy.<br/> | Now will I begin your moral, and do you follow with my l'envoy.<br/> | ||
The fox, the ape, and the humble-bee,<br/> | The fox, the ape, and the humble-bee,<br/> | ||
Were still at odds, being but three.<br/> | Were still at odds, being but three.<br/> | ||
ARMADO. Until the goose came out of door,<br/> | ARMADO. Until the goose came out of door,<br/> | ||
Staying the odds by adding four.<br/> | Staying the odds by adding four.<br/> | ||
MOTH. A good l'envoy, ending in the goose; would you desire more?<br/> | MOTH. A good l'envoy, ending in the goose; would you desire more?<br/> | ||
COSTARD. The boy hath sold him a bargain, a goose, that's flat.<br/> | COSTARD. The boy hath sold him a bargain, a goose, that's flat.<br/> | ||
Sir, your pennyworth is good, an your goose be fat.<br/> | Sir, your pennyworth is good, an your goose be fat.<br/> | ||
To sell a bargain well is as cunning as fast and loose;<br/> | To sell a bargain well is as cunning as fast and loose;<br/> | ||
Let me see: a fat l'envoy; ay, that's a fat goose.<br/> | Let me see: a fat l'envoy; ay, that's a fat goose.<br/> | ||
ARMADO. Come hither, come hither. How did this argument begin?<br/> | ARMADO. Come hither, come hither. How did this argument begin?<br/> | ||
MOTH. By saying that a costard was broken in a shin.<br/> | MOTH. By saying that a costard was broken in a shin.<br/> | ||
Then call'd you for the l'envoy.<br/> | Then call'd you for the l'envoy.<br/> | ||
COSTARD. True, and I for a plantain. Thus came your argument in;<br/> | COSTARD. True, and I for a plantain. Thus came your argument in;<br/> | ||
Then the boy's fat l'envoy, the goose that you bought;<br/> | Then the boy's fat l'envoy, the goose that you bought;<br/> | ||
And he ended the market.<br/> | And he ended the market.<br/> | ||
ARMADO. But tell me: how was there a costard broken in a shin?<br/> | ARMADO. But tell me: how was there a costard broken in a shin?<br/> | ||
MOTH. I will tell you sensibly.<br/> | MOTH. I will tell you sensibly.<br/> | ||
COSTARD. Thou hast no feeling of it, Moth; I will speak that<br/> | COSTARD. Thou hast no feeling of it, Moth; I will speak that<br/> | ||
l'envoy.<br/> | l'envoy.<br/> | ||
I, Costard, running out, that was safely within,<br/> | I, Costard, running out, that was safely within,<br/> | ||
Fell over the threshold and broke my shin.<br/> | Fell over the threshold and broke my shin.<br/> | ||
ARMADO. We will talk no more of this matter.<br/> | ARMADO. We will talk no more of this matter.<br/> | ||
COSTARD. Till there be more matter in the shin.<br/> | COSTARD. Till there be more matter in the shin.<br/> | ||
ARMADO. Sirrah Costard. I will enfranchise thee.<br/> | ARMADO. Sirrah Costard. I will enfranchise thee.<br/> | ||
COSTARD. O, Marry me to one Frances! I smell some l'envoy, some<br/> | COSTARD. O, Marry me to one Frances! I smell some l'envoy, some<br/> | ||
goose, in this.<br/> | goose, in this.<br/> | ||
ARMADO. By my sweet soul, I mean setting thee at liberty,<br/> | ARMADO. By my sweet soul, I mean setting thee at liberty,<br/> | ||
enfreedoming thy person; thou wert immured, restrained,<br/> | enfreedoming thy person; thou wert immured, restrained,<br/> | ||
captivated, bound.<br/> | captivated, bound.<br/> | ||
COSTARD. True, true; and now you will be my purgation, and let me<br/> | COSTARD. True, true; and now you will be my purgation, and let me<br/> | ||
loose.<br/> | loose.<br/> | ||
ARMADO. I give thee thy liberty, set thee from durance; and, in<br/> | ARMADO. I give thee thy liberty, set thee from durance; and, in<br/> | ||
lieu thereof, impose on thee nothing but this: bear this<br/> | lieu thereof, impose on thee nothing but this: bear this<br/> | ||
significant [giving a letter] to the country maid Jaquenetta;<br/> | significant [giving a letter] to the country maid Jaquenetta;<br/> | ||
there is remuneration, for the best ward of mine honour is<br/> | there is remuneration, for the best ward of mine honour is<br/> | ||
rewarding my dependents. Moth, follow. Exit<br/> | rewarding my dependents. Moth, follow. Exit<br/> | ||
MOTH. Like the sequel, I. Signior Costard, adieu.<br/> | MOTH. Like the sequel, I. Signior Costard, adieu.<br/> | ||
COSTARD. My sweet ounce of man's flesh, my incony Jew!<br/> | COSTARD. My sweet ounce of man's flesh, my incony Jew!<br/> | ||
Exit MOTH<br/> | Exit MOTH<br/> | ||
Now will I look to his remuneration. Remuneration! O, that's the<br/> | Now will I look to his remuneration. Remuneration! O, that's the<br/> | ||
Latin word for three farthings. Three farthings- remuneration.<br/> | Latin word for three farthings. Three farthings- remuneration.<br/> | ||
'What's the price of this inkle?'- 'One penny.'- 'No, I'll give<br/> | 'What's the price of this inkle?'- 'One penny.'- 'No, I'll give<br/> | ||
you a remuneration.' Why, it carries it. Remuneration! Why, it is<br/> | you a remuneration.' Why, it carries it. Remuneration! Why, it is<br/> | ||
a fairer name than French crown. I will never buy and sell out of<br/> | a fairer name than French crown. I will never buy and sell out of<br/> | ||
this word.<br/> | this word.<br/> | ||
</p> | </p> | ||
Line 940: | Line 1,820: | ||
<p> BEROWNE. My good knave Costard, exceedingly well met!<br/> | <p> BEROWNE. My good knave Costard, exceedingly well met!<br/> | ||
COSTARD. Pray you, sir, how much carnation ribbon may a man buy for<br/> | COSTARD. Pray you, sir, how much carnation ribbon may a man buy for<br/> | ||
a remuneration?<br/> | a remuneration?<br/> | ||
BEROWNE. What is a remuneration?<br/> | BEROWNE. What is a remuneration?<br/> | ||
COSTARD. Marry, sir, halfpenny farthing.<br/> | COSTARD. Marry, sir, halfpenny farthing.<br/> | ||
BEROWNE. Why, then, three-farthing worth of silk.<br/> | BEROWNE. Why, then, three-farthing worth of silk.<br/> | ||
COSTARD. I thank your worship. God be wi' you!<br/> | COSTARD. I thank your worship. God be wi' you!<br/> | ||
BEROWNE. Stay, slave; I must employ thee.<br/> | BEROWNE. Stay, slave; I must employ thee.<br/> | ||
As thou wilt win my favour, good my knave,<br/> | As thou wilt win my favour, good my knave,<br/> | ||
Do one thing for me that I shall entreat.<br/> | Do one thing for me that I shall entreat.<br/> | ||
COSTARD. When would you have it done, sir?<br/> | COSTARD. When would you have it done, sir?<br/> | ||
BEROWNE. This afternoon.<br/> | BEROWNE. This afternoon.<br/> | ||
COSTARD. Well, I will do it, sir; fare you well.<br/> | COSTARD. Well, I will do it, sir; fare you well.<br/> | ||
BEROWNE. Thou knowest not what it is.<br/> | BEROWNE. Thou knowest not what it is.<br/> | ||
COSTARD. I shall know, sir, when I have done it.<br/> | COSTARD. I shall know, sir, when I have done it.<br/> | ||
BEROWNE. Why, villain, thou must know first.<br/> | BEROWNE. Why, villain, thou must know first.<br/> | ||
COSTARD. I will come to your worship to-morrow morning.<br/> | COSTARD. I will come to your worship to-morrow morning.<br/> | ||
BEROWNE. It must be done this afternoon.<br/> | BEROWNE. It must be done this afternoon.<br/> | ||
Hark, slave, it is but this:<br/> | Hark, slave, it is but this:<br/> | ||
The Princess comes to hunt here in the park,<br/> | The Princess comes to hunt here in the park,<br/> | ||
And in her train there is a gentle lady;<br/> | And in her train there is a gentle lady;<br/> | ||
When tongues speak sweetly, then they name her name,<br/> | When tongues speak sweetly, then they name her name,<br/> | ||
And Rosaline they call her. Ask for her,<br/> | And Rosaline they call her. Ask for her,<br/> | ||
And to her white hand see thou do commend<br/> | And to her white hand see thou do commend<br/> | ||
This seal'd-up counsel. There's thy guerdon; go.<br/> | This seal'd-up counsel. There's thy guerdon; go.<br/> | ||
[Giving him a shilling]<br/> | [Giving him a shilling]<br/> | ||
COSTARD. Gardon, O sweet gardon! better than remuneration; a<br/> | COSTARD. Gardon, O sweet gardon! better than remuneration; a<br/> | ||
'leven-pence farthing better; most sweet gardon! I will do it,<br/> | 'leven-pence farthing better; most sweet gardon! I will do it,<br/> | ||
sir, in print. Gardon- remuneration! Exit<br/> | sir, in print. Gardon- remuneration! Exit<br/> | ||
BEROWNE. And I, forsooth, in love; I, that have been love's whip;<br/> | BEROWNE. And I, forsooth, in love; I, that have been love's whip;<br/> | ||
A very beadle to a humorous sigh;<br/> | A very beadle to a humorous sigh;<br/> | ||
A critic, nay, a night-watch constable;<br/> | A critic, nay, a night-watch constable;<br/> | ||
A domineering pedant o'er the boy,<br/> | A domineering pedant o'er the boy,<br/> | ||
Than whom no mortal so magnificent!<br/> | Than whom no mortal so magnificent!<br/> | ||
This wimpled, whining, purblind, wayward boy,<br/> | This wimpled, whining, purblind, wayward boy,<br/> | ||
This senior-junior, giant-dwarf, Dan Cupid;<br/> | This senior-junior, giant-dwarf, Dan Cupid;<br/> | ||
Regent of love-rhymes, lord of folded arms,<br/> | Regent of love-rhymes, lord of folded arms,<br/> | ||
Th' anointed sovereign of sighs and groans,<br/> | Th' anointed sovereign of sighs and groans,<br/> | ||
Liege of all loiterers and malcontents,<br/> | Liege of all loiterers and malcontents,<br/> | ||
Dread prince of plackets, king of codpieces,<br/> | Dread prince of plackets, king of codpieces,<br/> | ||
Sole imperator, and great general<br/> | Sole imperator, and great general<br/> | ||
Of trotting paritors. O my little heart!<br/> | Of trotting paritors. O my little heart!<br/> | ||
And I to be a corporal of his field,<br/> | And I to be a corporal of his field,<br/> | ||
And wear his colours like a tumbler's hoop!<br/> | And wear his colours like a tumbler's hoop!<br/> | ||
What! I love, I sue, I seek a wife-<br/> | What! I love, I sue, I seek a wife-<br/> | ||
A woman, that is like a German clock,<br/> | A woman, that is like a German clock,<br/> | ||
Still a-repairing, ever out of frame,<br/> | Still a-repairing, ever out of frame,<br/> | ||
And never going aright, being a watch,<br/> | And never going aright, being a watch,<br/> | ||
But being watch'd that it may still go right!<br/> | But being watch'd that it may still go right!<br/> | ||
Nay, to be perjur'd, which is worst of all;<br/> | Nay, to be perjur'd, which is worst of all;<br/> | ||
And, among three, to love the worst of all,<br/> | And, among three, to love the worst of all,<br/> | ||
A whitely wanton with a velvet brow,<br/> | A whitely wanton with a velvet brow,<br/> | ||
With two pitch balls stuck in her face for eyes;<br/> | With two pitch balls stuck in her face for eyes;<br/> | ||
Ay, and, by heaven, one that will do the deed,<br/> | Ay, and, by heaven, one that will do the deed,<br/> | ||
Though Argus were her eunuch and her guard.<br/> | Though Argus were her eunuch and her guard.<br/> | ||
And I to sigh for her! to watch for her!<br/> | And I to sigh for her! to watch for her!<br/> | ||
To pray for her! Go to; it is a plague<br/> | To pray for her! Go to; it is a plague<br/> | ||
That Cupid will impose for my neglect<br/> | That Cupid will impose for my neglect<br/> | ||
Of his almighty dreadful little might.<br/> | Of his almighty dreadful little might.<br/> | ||
Well, I will love, write, sigh, pray, sue, and groan:<br/> | Well, I will love, write, sigh, pray, sue, and groan:<br/> | ||
Some men must love my lady, and some Joan. Exit<br/> | Some men must love my lady, and some Joan. Exit<br/> | ||
</p> | </p> | ||
<h4>ACT IV. SCENE I. | <h4>ACT IV. SCENE I. | ||
The park</h4> | The park</h4> | ||
<p>Enter the PRINCESS, ROSALINE, MARIA, KATHARINE, BOYET, LORDS, ATTENDANTS, | <p>Enter the PRINCESS, ROSALINE, MARIA, KATHARINE, BOYET, LORDS, ATTENDANTS, | ||
and a FORESTER</p> | and a FORESTER</p> | ||
<p> PRINCESS OF FRANCE. Was that the King that spurr'd his horse so<br/> | <p> PRINCESS OF FRANCE. Was that the King that spurr'd his horse so<br/> | ||
hard<br/> | hard<br/> | ||
Against the steep uprising of the hill?<br/> | Against the steep uprising of the hill?<br/> | ||
BOYET. I know not; but I think it was not he.<br/> | BOYET. I know not; but I think it was not he.<br/> | ||
PRINCESS OF FRANCE. Whoe'er 'a was, 'a show'd a mounting mind.<br/> | PRINCESS OF FRANCE. Whoe'er 'a was, 'a show'd a mounting mind.<br/> | ||
Well, lords, to-day we shall have our dispatch;<br/> | Well, lords, to-day we shall have our dispatch;<br/> | ||
On Saturday we will return to France.<br/> | On Saturday we will return to France.<br/> | ||
Then, forester, my friend, where is the bush<br/> | Then, forester, my friend, where is the bush<br/> | ||
That we must stand and play the murderer in?<br/> | That we must stand and play the murderer in?<br/> | ||
FORESTER. Hereby, upon the edge of yonder coppice;<br/> | FORESTER. Hereby, upon the edge of yonder coppice;<br/> | ||
A stand where you may make the fairest shoot.<br/> | A stand where you may make the fairest shoot.<br/> | ||
PRINCESS OF FRANCE. I thank my beauty I am fair that shoot,<br/> | PRINCESS OF FRANCE. I thank my beauty I am fair that shoot,<br/> | ||
And thereupon thou speak'st the fairest shoot.<br/> | And thereupon thou speak'st the fairest shoot.<br/> | ||
FORESTER. Pardon me, madam, for I meant not so.<br/> | FORESTER. Pardon me, madam, for I meant not so.<br/> | ||
PRINCESS OF FRANCE. What, what? First praise me, and again say no?<br/> | PRINCESS OF FRANCE. What, what? First praise me, and again say no?<br/> | ||
O short-liv'd pride! Not fair? Alack for woe!<br/> | O short-liv'd pride! Not fair? Alack for woe!<br/> | ||
FORESTER. Yes, madam, fair.<br/> | FORESTER. Yes, madam, fair.<br/> | ||
PRINCESS OF FRANCE. Nay, never paint me now;<br/> | PRINCESS OF FRANCE. Nay, never paint me now;<br/> | ||
Where fair is not, praise cannot mend the brow.<br/> | Where fair is not, praise cannot mend the brow.<br/> | ||
Here, good my glass, take this for telling true:<br/> | Here, good my glass, take this for telling true:<br/> | ||
[ Giving him money]<br/> | [ Giving him money]<br/> | ||
Fair payment for foul words is more than due.<br/> | Fair payment for foul words is more than due.<br/> | ||
FORESTER. Nothing but fair is that which you inherit.<br/> | FORESTER. Nothing but fair is that which you inherit.<br/> | ||
PRINCESS OF FRANCE. See, see, my beauty will be sav'd by merit.<br/> | PRINCESS OF FRANCE. See, see, my beauty will be sav'd by merit.<br/> | ||
O heresy in fair, fit for these days!<br/> | O heresy in fair, fit for these days!<br/> | ||
A giving hand, though foul, shall have fair praise.<br/> | A giving hand, though foul, shall have fair praise.<br/> | ||
But come, the bow. Now mercy goes to kill,<br/> | But come, the bow. Now mercy goes to kill,<br/> | ||
And shooting well is then accounted ill;<br/> | And shooting well is then accounted ill;<br/> | ||
Thus will I save my credit in the shoot:<br/> | Thus will I save my credit in the shoot:<br/> | ||
Not wounding, pity would not let me do't;<br/> | Not wounding, pity would not let me do't;<br/> | ||
If wounding, then it was to show my skill,<br/> | If wounding, then it was to show my skill,<br/> | ||
That more for praise than purpose meant to kill.<br/> | That more for praise than purpose meant to kill.<br/> | ||
And, out of question, so it is sometimes:<br/> | And, out of question, so it is sometimes:<br/> | ||
Glory grows guilty of detested crimes,<br/> | Glory grows guilty of detested crimes,<br/> | ||
When, for fame's sake, for praise, an outward part,<br/> | When, for fame's sake, for praise, an outward part,<br/> | ||
We bend to that the working of the heart;<br/> | We bend to that the working of the heart;<br/> | ||
As I for praise alone now seek to spill<br/> | As I for praise alone now seek to spill<br/> | ||
The poor deer's blood that my heart means no ill.<br/> | The poor deer's blood that my heart means no ill.<br/> | ||
BOYET. Do not curst wives hold that self-sovereignty<br/> | BOYET. Do not curst wives hold that self-sovereignty<br/> | ||
Only for praise sake, when they strive to be<br/> | Only for praise sake, when they strive to be<br/> | ||
Lords o'er their lords?<br/> | Lords o'er their lords?<br/> | ||
PRINCESS OF FRANCE. Only for praise; and praise we may afford<br/> | PRINCESS OF FRANCE. Only for praise; and praise we may afford<br/> | ||
To any lady that subdues a lord.<br/> | To any lady that subdues a lord.<br/> | ||
</p> | </p> | ||
Line 1,056: | Line 2,042: | ||
<p> BOYET. Here comes a member of the commonwealth.<br/> | <p> BOYET. Here comes a member of the commonwealth.<br/> | ||
COSTARD. God dig-you-den all! Pray you, which is the head lady?<br/> | COSTARD. God dig-you-den all! Pray you, which is the head lady?<br/> | ||
PRINCESS OF FRANCE. Thou shalt know her, fellow, by the rest that<br/> | PRINCESS OF FRANCE. Thou shalt know her, fellow, by the rest that<br/> | ||
have no heads.<br/> | have no heads.<br/> | ||
COSTARD. Which is the greatest lady, the highest?<br/> | COSTARD. Which is the greatest lady, the highest?<br/> | ||
PRINCESS OF FRANCE. The thickest and the tallest.<br/> | PRINCESS OF FRANCE. The thickest and the tallest.<br/> | ||
COSTARD. The thickest and the tallest! It is so; truth is truth.<br/> | COSTARD. The thickest and the tallest! It is so; truth is truth.<br/> | ||
An your waist, mistress, were as slender as my wit,<br/> | An your waist, mistress, were as slender as my wit,<br/> | ||
One o' these maids' girdles for your waist should be fit.<br/> | One o' these maids' girdles for your waist should be fit.<br/> | ||
Are not you the chief woman? You are the thickest here.<br/> | Are not you the chief woman? You are the thickest here.<br/> | ||
PRINCESS OF FRANCE. What's your will, sir? What's your will?<br/> | PRINCESS OF FRANCE. What's your will, sir? What's your will?<br/> | ||
COSTARD. I have a letter from Monsieur Berowne to one<br/> | COSTARD. I have a letter from Monsieur Berowne to one<br/> | ||
Lady Rosaline.<br/> | Lady Rosaline.<br/> | ||
PRINCESS OF FRANCE. O, thy letter, thy letter! He's a good friend<br/> | PRINCESS OF FRANCE. O, thy letter, thy letter! He's a good friend<br/> | ||
of mine.<br/> | of mine.<br/> | ||
Stand aside, good bearer. Boyet, you can carve.<br/> | Stand aside, good bearer. Boyet, you can carve.<br/> | ||
Break up this capon.<br/> | Break up this capon.<br/> | ||
BOYET. I am bound to serve.<br/> | BOYET. I am bound to serve.<br/> | ||
This letter is mistook; it importeth none here.<br/> | This letter is mistook; it importeth none here.<br/> | ||
It is writ to Jaquenetta.<br/> | It is writ to Jaquenetta.<br/> | ||
PRINCESS OF FRANCE. We will read it, I swear.<br/> | PRINCESS OF FRANCE. We will read it, I swear.<br/> | ||
Break the neck of the wax, and every one give ear.<br/> | Break the neck of the wax, and every one give ear.<br/> | ||
BOYET. [Reads] 'By heaven, that thou art fair is most infallible;<br/> | BOYET. [Reads] 'By heaven, that thou art fair is most infallible;<br/> | ||
true that thou art beauteous; truth itself that thou art lovely.<br/> | true that thou art beauteous; truth itself that thou art lovely.<br/> | ||
More fairer than fair, beautiful than beauteous, truer than truth<br/> | More fairer than fair, beautiful than beauteous, truer than truth<br/> | ||
itself, have commiseration on thy heroical vassal. The<br/> | itself, have commiseration on thy heroical vassal. The<br/> | ||
magnanimous and most illustrate king Cophetua set eye upon the<br/> | magnanimous and most illustrate king Cophetua set eye upon the<br/> | ||
pernicious and indubitate beggar Zenelophon; and he it was that<br/> | pernicious and indubitate beggar Zenelophon; and he it was that<br/> | ||
might rightly say, 'Veni, vidi, vici'; which to annothanize in<br/> | might rightly say, 'Veni, vidi, vici'; which to annothanize in<br/> | ||
the vulgar,- O base and obscure vulgar!- videlicet, He came, saw,<br/> | the vulgar,- O base and obscure vulgar!- videlicet, He came, saw,<br/> | ||
and overcame. He came, one; saw, two; overcame, three. Who came?-<br/> | and overcame. He came, one; saw, two; overcame, three. Who came?-<br/> | ||
the king. Why did he come?- to see. Why did he see?-to overcome.<br/> | the king. Why did he come?- to see. Why did he see?-to overcome.<br/> | ||
To whom came he?- to the beggar. What saw he?- the beggar. Who<br/> | To whom came he?- to the beggar. What saw he?- the beggar. Who<br/> | ||
overcame he?- the beggar. The conclusion is victory; on whose<br/> | overcame he?- the beggar. The conclusion is victory; on whose<br/> | ||
side?- the king's. The captive is enrich'd; on whose side?- the<br/> | side?- the king's. The captive is enrich'd; on whose side?- the<br/> | ||
beggar's. The catastrophe is a nuptial; on whose side?- the<br/> | beggar's. The catastrophe is a nuptial; on whose side?- the<br/> | ||
king's. No, on both in one, or one in both. I am the king, for so<br/> | king's. No, on both in one, or one in both. I am the king, for so<br/> | ||
stands the comparison; thou the beggar, for so witnesseth thy<br/> | stands the comparison; thou the beggar, for so witnesseth thy<br/> | ||
lowliness. Shall I command thy love? I may. Shall I enforce thy<br/> | lowliness. Shall I command thy love? I may. Shall I enforce thy<br/> | ||
love? I could. Shall I entreat thy love? I will. What shalt thou<br/> | love? I could. Shall I entreat thy love? I will. What shalt thou<br/> | ||
exchange for rags?- robes, for tittles?- titles, for thyself?<br/> | exchange for rags?- robes, for tittles?- titles, for thyself?<br/> | ||
-me. Thus expecting thy reply, I profane my lips on thy foot, my<br/> | -me. Thus expecting thy reply, I profane my lips on thy foot, my<br/> | ||
eyes on thy picture, and my heart on thy every part.<br/> | eyes on thy picture, and my heart on thy every part.<br/> | ||
Thine in the dearest design of industry,<br/> | Thine in the dearest design of industry,<br/> | ||
DON ADRIANO DE ARMADO.<br/> | DON ADRIANO DE ARMADO.<br/> | ||
</p> | </p> | ||
<p> 'Thus dost thou hear the Nemean lion roar<br/> | <p> 'Thus dost thou hear the Nemean lion roar<br/> | ||
'Gainst thee, thou lamb, that standest as his prey;<br/> | 'Gainst thee, thou lamb, that standest as his prey;<br/> | ||
Submissive fall his princely feet before,<br/> | Submissive fall his princely feet before,<br/> | ||
And he from forage will incline to play.<br/> | And he from forage will incline to play.<br/> | ||
But if thou strive, poor soul, what are thou then?<br/> | But if thou strive, poor soul, what are thou then?<br/> | ||
Food for his rage, repasture for his den.'<br/> | Food for his rage, repasture for his den.'<br/> | ||
PRINCESS OF FRANCE. What plume of feathers is he that indited this<br/> | PRINCESS OF FRANCE. What plume of feathers is he that indited this<br/> | ||
letter?<br/> | letter?<br/> | ||
What vane? What weathercock? Did you ever hear better?<br/> | What vane? What weathercock? Did you ever hear better?<br/> | ||
BOYET. I am much deceived but I remember the style.<br/> | BOYET. I am much deceived but I remember the style.<br/> | ||
PRINCESS OF FRANCE. Else your memory is bad, going o'er it<br/> | PRINCESS OF FRANCE. Else your memory is bad, going o'er it<br/> | ||
erewhile.<br/> | erewhile.<br/> | ||
BOYET. This Armado is a Spaniard, that keeps here in court;<br/> | BOYET. This Armado is a Spaniard, that keeps here in court;<br/> | ||
A phantasime, a Monarcho, and one that makes sport<br/> | A phantasime, a Monarcho, and one that makes sport<br/> | ||
To the Prince and his book-mates.<br/> | To the Prince and his book-mates.<br/> | ||
PRINCESS OF FRANCE. Thou fellow, a word.<br/> | PRINCESS OF FRANCE. Thou fellow, a word.<br/> | ||
Who gave thee this letter?<br/> | Who gave thee this letter?<br/> | ||
COSTARD. I told you: my lord.<br/> | COSTARD. I told you: my lord.<br/> | ||
PRINCESS OF FRANCE. To whom shouldst thou give it?<br/> | PRINCESS OF FRANCE. To whom shouldst thou give it?<br/> | ||
COSTARD. From my lord to my lady.<br/> | COSTARD. From my lord to my lady.<br/> | ||
PRINCESS OF FRANCE. From which lord to which lady?<br/> | PRINCESS OF FRANCE. From which lord to which lady?<br/> | ||
COSTARD. From my Lord Berowne, a good master of mine,<br/> | COSTARD. From my Lord Berowne, a good master of mine,<br/> | ||
To a lady of France that he call'd Rosaline.<br/> | To a lady of France that he call'd Rosaline.<br/> | ||
PRINCESS OF FRANCE. Thou hast mistaken his letter. Come, lords,<br/> | PRINCESS OF FRANCE. Thou hast mistaken his letter. Come, lords,<br/> | ||
away.<br/> | away.<br/> | ||
[To ROSALINE] Here, sweet, put up this; 'twill be thine another<br/> | [To ROSALINE] Here, sweet, put up this; 'twill be thine another<br/> | ||
day. Exeunt PRINCESS and TRAIN<br/> | day. Exeunt PRINCESS and TRAIN<br/> | ||
BOYET. Who is the shooter? who is the shooter?<br/> | BOYET. Who is the shooter? who is the shooter?<br/> | ||
ROSALINE. Shall I teach you to know?<br/> | ROSALINE. Shall I teach you to know?<br/> | ||
BOYET. Ay, my continent of beauty.<br/> | BOYET. Ay, my continent of beauty.<br/> | ||
ROSALINE. Why, she that bears the bow.<br/> | ROSALINE. Why, she that bears the bow.<br/> | ||
Finely put off!<br/> | Finely put off!<br/> | ||
BOYET. My lady goes to kill horns; but, if thou marry,<br/> | BOYET. My lady goes to kill horns; but, if thou marry,<br/> | ||
Hang me by the neck, if horns that year miscarry.<br/> | Hang me by the neck, if horns that year miscarry.<br/> | ||
Finely put on!<br/> | Finely put on!<br/> | ||
ROSALINE. Well then, I am the shooter.<br/> | ROSALINE. Well then, I am the shooter.<br/> | ||
BOYET. And who is your deer?<br/> | BOYET. And who is your deer?<br/> | ||
ROSALINE. If we choose by the horns, yourself come not near.<br/> | ROSALINE. If we choose by the horns, yourself come not near.<br/> | ||
Finely put on indeed!<br/> | Finely put on indeed!<br/> | ||
MARIA. You Still wrangle with her, Boyet, and she strikes at the<br/> | MARIA. You Still wrangle with her, Boyet, and she strikes at the<br/> | ||
brow.<br/> | brow.<br/> | ||
BOYET. But she herself is hit lower. Have I hit her now?<br/> | BOYET. But she herself is hit lower. Have I hit her now?<br/> | ||
ROSALINE. Shall I come upon thee with an old saying, that was a man<br/> | ROSALINE. Shall I come upon thee with an old saying, that was a man<br/> | ||
when King Pepin of France was a little boy, as touching the hit<br/> | when King Pepin of France was a little boy, as touching the hit<br/> | ||
it?<br/> | it?<br/> | ||
BOYET. So I may answer thee with one as old, that was a woman when<br/> | BOYET. So I may answer thee with one as old, that was a woman when<br/> | ||
Queen Guinever of Britain was a little wench, as touching the hit<br/> | Queen Guinever of Britain was a little wench, as touching the hit<br/> | ||
it.<br/> | it.<br/> | ||
ROSALINE. [Singing]<br/> | ROSALINE. [Singing]<br/> | ||
Thou canst not hit it, hit it, hit it,<br/> | Thou canst not hit it, hit it, hit it,<br/> | ||
Thou canst not hit it, my good man.<br/> | Thou canst not hit it, my good man.<br/> | ||
BOYET. An I cannot, cannot, cannot,<br/> | BOYET. An I cannot, cannot, cannot,<br/> | ||
An I cannot, another can.<br/> | An I cannot, another can.<br/> | ||
Exeunt ROSALINE and KATHARINE<br/> | Exeunt ROSALINE and KATHARINE<br/> | ||
COSTARD. By my troth, most pleasant! How both did fit it!<br/> | COSTARD. By my troth, most pleasant! How both did fit it!<br/> | ||
MARIA. A mark marvellous well shot; for they both did hit it.<br/> | MARIA. A mark marvellous well shot; for they both did hit it.<br/> | ||
BOYET. A mark! O, mark but that mark! A mark, says my lady!<br/> | BOYET. A mark! O, mark but that mark! A mark, says my lady!<br/> | ||
Let the mark have a prick in't, to mete at, if it may be.<br/> | Let the mark have a prick in't, to mete at, if it may be.<br/> | ||
MARIA. Wide o' the bow-hand! I' faith, your hand is out.<br/> | MARIA. Wide o' the bow-hand! I' faith, your hand is out.<br/> | ||
COSTARD. Indeed, 'a must shoot nearer, or he'll ne'er hit the<br/> | COSTARD. Indeed, 'a must shoot nearer, or he'll ne'er hit the<br/> | ||
clout.<br/> | clout.<br/> | ||
BOYET. An if my hand be out, then belike your hand is in.<br/> | BOYET. An if my hand be out, then belike your hand is in.<br/> | ||
COSTARD. Then will she get the upshoot by cleaving the pin.<br/> | COSTARD. Then will she get the upshoot by cleaving the pin.<br/> | ||
MARIA. Come, come, you talk greasily; your lips grow foul.<br/> | MARIA. Come, come, you talk greasily; your lips grow foul.<br/> | ||
COSTARD. She's too hard for you at pricks, sir; challenge her to<br/> | COSTARD. She's too hard for you at pricks, sir; challenge her to<br/> | ||
bowl.<br/> | bowl.<br/> | ||
BOYET. I fear too much rubbing; good-night, my good owl.<br/> | BOYET. I fear too much rubbing; good-night, my good owl.<br/> | ||
Exeunt BOYET and MARIA<br/> | Exeunt BOYET and MARIA<br/> | ||
COSTARD. By my soul, a swain, a most simple clown!<br/> | COSTARD. By my soul, a swain, a most simple clown!<br/> | ||
Lord, Lord! how the ladies and I have put him down!<br/> | Lord, Lord! how the ladies and I have put him down!<br/> | ||
O' my troth, most sweet jests, most incony vulgar wit!<br/> | O' my troth, most sweet jests, most incony vulgar wit!<br/> | ||
When it comes so smoothly off, so obscenely, as it were, so fit.<br/> | When it comes so smoothly off, so obscenely, as it were, so fit.<br/> | ||
Armado a th' t'one side- O, a most dainty man!<br/> | Armado a th' t'one side- O, a most dainty man!<br/> | ||
To see him walk before a lady and to bear her fan!<br/> | To see him walk before a lady and to bear her fan!<br/> | ||
To see him kiss his hand, and how most sweetly 'a will swear!<br/> | To see him kiss his hand, and how most sweetly 'a will swear!<br/> | ||
And his page a t' other side, that handful of wit!<br/> | And his page a t' other side, that handful of wit!<br/> | ||
Ah, heavens, it is a most pathetical nit!<br/> | Ah, heavens, it is a most pathetical nit!<br/> | ||
Sola, sola! Exit COSTARD<br/> | Sola, sola! Exit COSTARD<br/> | ||
</p> | </p> | ||
<h4>SCENE II. | <h4>SCENE II. | ||
The park</h4> | The park</h4> | ||
Line 1,188: | Line 2,298: | ||
<p> NATHANIEL. Very reverent sport, truly; and done in the testimony of<br/> | <p> NATHANIEL. Very reverent sport, truly; and done in the testimony of<br/> | ||
a good conscience.<br/> | a good conscience.<br/> | ||
HOLOFERNES. The deer was, as you know, sanguis, in blood; ripe as<br/> | HOLOFERNES. The deer was, as you know, sanguis, in blood; ripe as<br/> | ||
the pomewater, who now hangeth like a jewel in the ear of caelo,<br/> | the pomewater, who now hangeth like a jewel in the ear of caelo,<br/> | ||
the sky, the welkin, the heaven; and anon falleth like a crab on<br/> | the sky, the welkin, the heaven; and anon falleth like a crab on<br/> | ||
the face of terra, the soil, the land, the earth.<br/> | the face of terra, the soil, the land, the earth.<br/> | ||
NATHANIEL. Truly, Master Holofernes, the epithets are sweetly<br/> | NATHANIEL. Truly, Master Holofernes, the epithets are sweetly<br/> | ||
varied, like a scholar at the least; but, sir, I assure ye it was<br/> | varied, like a scholar at the least; but, sir, I assure ye it was<br/> | ||
a buck of the first head.<br/> | a buck of the first head.<br/> | ||
HOLOFERNES. Sir Nathaniel, haud credo.<br/> | HOLOFERNES. Sir Nathaniel, haud credo.<br/> | ||
DULL. 'Twas not a haud credo; 'twas a pricket.<br/> | DULL. 'Twas not a haud credo; 'twas a pricket.<br/> | ||
HOLOFERNES. Most barbarous intimation! yet a kind of insinuation,<br/> | HOLOFERNES. Most barbarous intimation! yet a kind of insinuation,<br/> | ||
as it were, in via, in way, of explication; facere, as it were,<br/> | as it were, in via, in way, of explication; facere, as it were,<br/> | ||
replication, or rather, ostentare, to show, as it were, his<br/> | replication, or rather, ostentare, to show, as it were, his<br/> | ||
inclination, after his undressed, unpolished, uneducated,<br/> | inclination, after his undressed, unpolished, uneducated,<br/> | ||
unpruned, untrained, or rather unlettered, or ratherest<br/> | unpruned, untrained, or rather unlettered, or ratherest<br/> | ||
unconfirmed fashion, to insert again my haud credo for a deer.<br/> | unconfirmed fashion, to insert again my haud credo for a deer.<br/> | ||
DULL. I Said the deer was not a haud credo; 'twas a pricket.<br/> | DULL. I Said the deer was not a haud credo; 'twas a pricket.<br/> | ||
HOLOFERNES. Twice-sod simplicity, bis coctus!<br/> | HOLOFERNES. Twice-sod simplicity, bis coctus!<br/> | ||
O thou monster Ignorance, how deformed dost thou look!<br/> | O thou monster Ignorance, how deformed dost thou look!<br/> | ||
NATHANIEL. Sir, he hath never fed of the dainties that are bred in<br/> | NATHANIEL. Sir, he hath never fed of the dainties that are bred in<br/> | ||
a book;<br/> | a book;<br/> | ||
He hath not eat paper, as it were; he hath not drunk ink; his<br/> | He hath not eat paper, as it were; he hath not drunk ink; his<br/> | ||
intellect is not replenished; he is only an animal, only sensible<br/> | intellect is not replenished; he is only an animal, only sensible<br/> | ||
in the duller parts;<br/> | in the duller parts;<br/> | ||
And such barren plants are set before us that we thankful should<br/> | And such barren plants are set before us that we thankful should<br/> | ||
be-<br/> | be-<br/> | ||
Which we of taste and feeling are- for those parts that do<br/> | Which we of taste and feeling are- for those parts that do<br/> | ||
fructify in us more than he.<br/> | fructify in us more than he.<br/> | ||
For as it would ill become me to be vain, indiscreet, or a fool,<br/> | For as it would ill become me to be vain, indiscreet, or a fool,<br/> | ||
So, were there a patch set on learning, to see him in a school.<br/> | So, were there a patch set on learning, to see him in a school.<br/> | ||
But, omne bene, say I, being of an old father's mind:<br/> | But, omne bene, say I, being of an old father's mind:<br/> | ||
Many can brook the weather that love not the wind.<br/> | Many can brook the weather that love not the wind.<br/> | ||
DULL. You two are book-men: can you tell me by your wit<br/> | DULL. You two are book-men: can you tell me by your wit<br/> | ||
What was a month old at Cain's birth that's not five weeks old as<br/> | What was a month old at Cain's birth that's not five weeks old as<br/> | ||
yet?<br/> | yet?<br/> | ||
HOLOFERNES. Dictynna, goodman Dull; Dictynna, goodman Dull.<br/> | HOLOFERNES. Dictynna, goodman Dull; Dictynna, goodman Dull.<br/> | ||
DULL. What is Dictynna?<br/> | DULL. What is Dictynna?<br/> | ||
NATHANIEL. A title to Phoebe, to Luna, to the moon.<br/> | NATHANIEL. A title to Phoebe, to Luna, to the moon.<br/> | ||
HOLOFERNES. The moon was a month old when Adam was no more,<br/> | HOLOFERNES. The moon was a month old when Adam was no more,<br/> | ||
And raught not to five weeks when he came to five-score.<br/> | And raught not to five weeks when he came to five-score.<br/> | ||
Th' allusion holds in the exchange.<br/> | Th' allusion holds in the exchange.<br/> | ||
DULL. 'Tis true, indeed; the collusion holds in the exchange.<br/> | DULL. 'Tis true, indeed; the collusion holds in the exchange.<br/> | ||
HOLOFERNES. God comfort thy capacity! I say th' allusion holds in<br/> | HOLOFERNES. God comfort thy capacity! I say th' allusion holds in<br/> | ||
the exchange.<br/> | the exchange.<br/> | ||
DULL. And I say the polusion holds in the exchange; for the moon is<br/> | DULL. And I say the polusion holds in the exchange; for the moon is<br/> | ||
never but a month old; and I say, beside, that 'twas a pricket<br/> | never but a month old; and I say, beside, that 'twas a pricket<br/> | ||
that the Princess kill'd.<br/> | that the Princess kill'd.<br/> | ||
HOLOFERNES. Sir Nathaniel, will you hear an extemporal epitaph on<br/> | HOLOFERNES. Sir Nathaniel, will you hear an extemporal epitaph on<br/> | ||
the death of the deer? And, to humour the ignorant, call the deer<br/> | the death of the deer? And, to humour the ignorant, call the deer<br/> | ||
the Princess kill'd a pricket.<br/> | the Princess kill'd a pricket.<br/> | ||
NATHANIEL. Perge, good Master Holofernes, perge, so it shall please<br/> | NATHANIEL. Perge, good Master Holofernes, perge, so it shall please<br/> | ||
you to abrogate scurrility.<br/> | you to abrogate scurrility.<br/> | ||
HOLOFERNES. I Will something affect the letter, for it argues<br/> | HOLOFERNES. I Will something affect the letter, for it argues<br/> | ||
facility.<br/> | facility.<br/> | ||
</p> | </p> | ||
<p> The preyful Princess pierc'd and prick'd a pretty pleasing<br/> | <p> The preyful Princess pierc'd and prick'd a pretty pleasing<br/> | ||
pricket.<br/> | pricket.<br/> | ||
Some say a sore; but not a sore till now made sore with shooting.<br/> | Some say a sore; but not a sore till now made sore with shooting.<br/> | ||
The dogs did yell; put el to sore, then sorel jumps from thicket-<br/> | The dogs did yell; put el to sore, then sorel jumps from thicket-<br/> | ||
Or pricket sore, or else sorel; the people fall a-hooting.<br/> | Or pricket sore, or else sorel; the people fall a-hooting.<br/> | ||
If sore be sore, then L to sore makes fifty sores o' sorel.<br/> | If sore be sore, then L to sore makes fifty sores o' sorel.<br/> | ||
Of one sore I an hundred make by adding but one more L.<br/> | Of one sore I an hundred make by adding but one more L.<br/> | ||
</p> | </p> | ||
<p> NATHANIEL. A rare talent!<br/> | <p> NATHANIEL. A rare talent!<br/> | ||
DULL. [Aside] If a talent be a claw, look how he claws him with a<br/> | DULL. [Aside] If a talent be a claw, look how he claws him with a<br/> | ||
talent.<br/> | talent.<br/> | ||
HOLOFERNES. This is a gift that I have, simple, simple; a foolish<br/> | HOLOFERNES. This is a gift that I have, simple, simple; a foolish<br/> | ||
extravagant spirit, full of forms, figures, shapes, objects,<br/> | extravagant spirit, full of forms, figures, shapes, objects,<br/> | ||
ideas, apprehensions, motions, revolutions. These are begot in<br/> | ideas, apprehensions, motions, revolutions. These are begot in<br/> | ||
the ventricle of memory, nourish'd in the womb of pia mater, and<br/> | the ventricle of memory, nourish'd in the womb of pia mater, and<br/> | ||
delivered upon the mellowing of occasion. But the gift is good in<br/> | delivered upon the mellowing of occasion. But the gift is good in<br/> | ||
those in whom it is acute, and I am thankful for it.<br/> | those in whom it is acute, and I am thankful for it.<br/> | ||
NATHANIEL. Sir, I praise the Lord for you, and so may my<br/> | NATHANIEL. Sir, I praise the Lord for you, and so may my<br/> | ||
parishioners; for their sons are well tutor'd by you, and their<br/> | parishioners; for their sons are well tutor'd by you, and their<br/> | ||
daughters profit very greatly under you. You are a good member of<br/> | daughters profit very greatly under you. You are a good member of<br/> | ||
the commonwealth.<br/> | the commonwealth.<br/> | ||
HOLOFERNES. Mehercle, if their sons be ingenious, they shall want<br/> | HOLOFERNES. Mehercle, if their sons be ingenious, they shall want<br/> | ||
no instruction; if their daughters be capable, I will put it to<br/> | no instruction; if their daughters be capable, I will put it to<br/> | ||
them; but, vir sapit qui pauca loquitur. A soul feminine saluteth<br/> | them; but, vir sapit qui pauca loquitur. A soul feminine saluteth<br/> | ||
us.<br/> | us.<br/> | ||
</p> | </p> | ||
Line 1,275: | Line 2,464: | ||
<p> JAQUENETTA. God give you good morrow, Master Person.<br/> | <p> JAQUENETTA. God give you good morrow, Master Person.<br/> | ||
HOLOFERNES. Master Person, quasi pers-one. And if one should be<br/> | HOLOFERNES. Master Person, quasi pers-one. And if one should be<br/> | ||
pierc'd which is the one?<br/> | pierc'd which is the one?<br/> | ||
COSTARD. Marry, Master Schoolmaster, he that is likest to a<br/> | COSTARD. Marry, Master Schoolmaster, he that is likest to a<br/> | ||
hogshead.<br/> | hogshead.<br/> | ||
HOLOFERNES. Piercing a hogshead! A good lustre of conceit in a turf<br/> | HOLOFERNES. Piercing a hogshead! A good lustre of conceit in a turf<br/> | ||
of earth; fire enough for a flint, pearl enough for a swine; 'tis<br/> | of earth; fire enough for a flint, pearl enough for a swine; 'tis<br/> | ||
pretty; it is well.<br/> | pretty; it is well.<br/> | ||
JAQUENETTA. Good Master Parson, be so good as read me this letter;<br/> | JAQUENETTA. Good Master Parson, be so good as read me this letter;<br/> | ||
it was given me by Costard, and sent me from Don Armado. I<br/> | it was given me by Costard, and sent me from Don Armado. I<br/> | ||
beseech you read it.<br/> | beseech you read it.<br/> | ||
HOLOFERNES. Fauste, precor gelida quando pecus omne sub umbra<br/> | HOLOFERNES. Fauste, precor gelida quando pecus omne sub umbra<br/> | ||
Ruminat-<br/> | Ruminat-<br/> | ||
and so forth. Ah, good old Mantuan! I may speak of thee as<br/> | and so forth. Ah, good old Mantuan! I may speak of thee as<br/> | ||
the traveller doth of Venice:<br/> | the traveller doth of Venice:<br/> | ||
Venetia, Venetia,<br/> | Venetia, Venetia,<br/> | ||
Chi non ti vede, non ti pretia.<br/> | Chi non ti vede, non ti pretia.<br/> | ||
Old Mantuan, old Mantuan! Who understandeth thee not,<br/> | Old Mantuan, old Mantuan! Who understandeth thee not,<br/> | ||
loves thee not-<br/> | loves thee not-<br/> | ||
Ut, re, sol, la, mi, fa.<br/> | Ut, re, sol, la, mi, fa.<br/> | ||
Under pardon, sir, what are the contents? or rather as<br/> | Under pardon, sir, what are the contents? or rather as<br/> | ||
Horace says in his- What, my soul, verses?<br/> | Horace says in his- What, my soul, verses?<br/> | ||
NATHANIEL. Ay, sir, and very learned.<br/> | NATHANIEL. Ay, sir, and very learned.<br/> | ||
HOLOFERNES. Let me hear a staff, a stanze, a verse; lege, domine.<br/> | HOLOFERNES. Let me hear a staff, a stanze, a verse; lege, domine.<br/> | ||
NATHANIEL. [Reads] 'If love make me forsworn, how shall I swear to<br/> | NATHANIEL. [Reads] 'If love make me forsworn, how shall I swear to<br/> | ||
love?<br/> | love?<br/> | ||
Ah, never faith could hold, if not to beauty vowed!<br/> | Ah, never faith could hold, if not to beauty vowed!<br/> | ||
Though to myself forsworn, to thee I'll faithful prove;<br/> | Though to myself forsworn, to thee I'll faithful prove;<br/> | ||
Those thoughts to me were oaks, to thee like osiers bowed.<br/> | Those thoughts to me were oaks, to thee like osiers bowed.<br/> | ||
Study his bias leaves, and makes his book thine eyes,<br/> | Study his bias leaves, and makes his book thine eyes,<br/> | ||
Where all those pleasures live that art would comprehend.<br/> | Where all those pleasures live that art would comprehend.<br/> | ||
If knowledge be the mark, to know thee shall suffice;<br/> | If knowledge be the mark, to know thee shall suffice;<br/> | ||
Well learned is that tongue that well can thee commend;<br/> | Well learned is that tongue that well can thee commend;<br/> | ||
All ignorant that soul that sees thee without wonder;<br/> | All ignorant that soul that sees thee without wonder;<br/> | ||
Which is to me some praise that I thy parts admire.<br/> | Which is to me some praise that I thy parts admire.<br/> | ||
Thy eye Jove's lightning bears, thy voice his dreadful thunder,<br/> | Thy eye Jove's lightning bears, thy voice his dreadful thunder,<br/> | ||
Which, not to anger bent, is music and sweet fire.<br/> | Which, not to anger bent, is music and sweet fire.<br/> | ||
Celestial as thou art, O, pardon love this wrong,<br/> | Celestial as thou art, O, pardon love this wrong,<br/> | ||
That singes heaven's praise with such an earthly tongue.'<br/> | That singes heaven's praise with such an earthly tongue.'<br/> | ||
HOLOFERNES. You find not the apostrophas, and so miss the accent:<br/> | HOLOFERNES. You find not the apostrophas, and so miss the accent:<br/> | ||
let me supervise the canzonet. Here are only numbers ratified;<br/> | let me supervise the canzonet. Here are only numbers ratified;<br/> | ||
but, for the elegancy, facility, and golden cadence of poesy,<br/> | but, for the elegancy, facility, and golden cadence of poesy,<br/> | ||
caret. Ovidius Naso was the man. And why, indeed, 'Naso' but for<br/> | caret. Ovidius Naso was the man. And why, indeed, 'Naso' but for<br/> | ||
smelling out the odoriferous flowers of fancy, the jerks of<br/> | smelling out the odoriferous flowers of fancy, the jerks of<br/> | ||
invention? Imitari is nothing: so doth the hound his master, the<br/> | invention? Imitari is nothing: so doth the hound his master, the<br/> | ||
ape his keeper, the tired horse his rider. But, damosella virgin,<br/> | ape his keeper, the tired horse his rider. But, damosella virgin,<br/> | ||
was this directed to you?<br/> | was this directed to you?<br/> | ||
JAQUENETTA. Ay, sir, from one Monsieur Berowne, one of the strange<br/> | JAQUENETTA. Ay, sir, from one Monsieur Berowne, one of the strange<br/> | ||
queen's lords.<br/> | queen's lords.<br/> | ||
HOLOFERNES. I will overglance the superscript: 'To the snow-white<br/> | HOLOFERNES. I will overglance the superscript: 'To the snow-white<br/> | ||
hand of the most beauteous Lady Rosaline.' I will look again on<br/> | hand of the most beauteous Lady Rosaline.' I will look again on<br/> | ||
the intellect of the letter, for the nomination of the party<br/> | the intellect of the letter, for the nomination of the party<br/> | ||
writing to the person written unto: 'Your Ladyship's in all<br/> | writing to the person written unto: 'Your Ladyship's in all<br/> | ||
desired employment, Berowne.' Sir Nathaniel, this Berowne is one<br/> | desired employment, Berowne.' Sir Nathaniel, this Berowne is one<br/> | ||
of the votaries with the King; and here he hath framed a letter<br/> | of the votaries with the King; and here he hath framed a letter<br/> | ||
to a sequent of the stranger queen's which accidentally, or by<br/> | to a sequent of the stranger queen's which accidentally, or by<br/> | ||
the way of progression, hath miscarried. Trip and go, my sweet;<br/> | the way of progression, hath miscarried. Trip and go, my sweet;<br/> | ||
deliver this paper into the royal hand of the King; it may<br/> | deliver this paper into the royal hand of the King; it may<br/> | ||
concern much. Stay not thy compliment; I forgive thy duty. Adieu.<br/> | concern much. Stay not thy compliment; I forgive thy duty. Adieu.<br/> | ||
JAQUENETTA. Good Costard, go with me. Sir, God save your life!<br/> | JAQUENETTA. Good Costard, go with me. Sir, God save your life!<br/> | ||
COSTARD. Have with thee, my girl.<br/> | COSTARD. Have with thee, my girl.<br/> | ||
Exeunt COSTARD and JAQUENETTA<br/> | Exeunt COSTARD and JAQUENETTA<br/> | ||
NATHANIEL. Sir, you have done this in the fear of God, very<br/> | NATHANIEL. Sir, you have done this in the fear of God, very<br/> | ||
religiously; and, as a certain father saith-<br/> | religiously; and, as a certain father saith-<br/> | ||
HOLOFERNES. Sir, tell not me of the father; I do fear colourable<br/> | HOLOFERNES. Sir, tell not me of the father; I do fear colourable<br/> | ||
colours. But to return to the verses: did they please you, Sir<br/> | colours. But to return to the verses: did they please you, Sir<br/> | ||
Nathaniel?<br/> | Nathaniel?<br/> | ||
NATHANIEL. Marvellous well for the pen.<br/> | NATHANIEL. Marvellous well for the pen.<br/> | ||
HOLOFERNES. I do dine to-day at the father's of a certain pupil of<br/> | HOLOFERNES. I do dine to-day at the father's of a certain pupil of<br/> | ||
mine; where, if, before repast, it shall please you to gratify<br/> | mine; where, if, before repast, it shall please you to gratify<br/> | ||
the table with a grace, I will, on my privilege I have with the<br/> | the table with a grace, I will, on my privilege I have with the<br/> | ||
parents of the foresaid child or pupil, undertake your ben<br/> | parents of the foresaid child or pupil, undertake your ben<br/> | ||
venuto; where I will prove those verses to be very unlearned,<br/> | venuto; where I will prove those verses to be very unlearned,<br/> | ||
neither savouring of poetry, wit, nor invention. I beseech your<br/> | neither savouring of poetry, wit, nor invention. I beseech your<br/> | ||
society.<br/> | society.<br/> | ||
NATHANIEL. And thank you too; for society, saith the text, is the<br/> | NATHANIEL. And thank you too; for society, saith the text, is the<br/> | ||
happiness of life.<br/> | happiness of life.<br/> | ||
HOLOFERNES. And certes, the text most infallibly concludes it.<br/> | HOLOFERNES. And certes, the text most infallibly concludes it.<br/> | ||
[To DULL] Sir, I do invite you too; you shall not say me nay:<br/> | [To DULL] Sir, I do invite you too; you shall not say me nay:<br/> | ||
pauca verba. Away; the gentles are at their game, and we will to<br/> | pauca verba. Away; the gentles are at their game, and we will to<br/> | ||
our recreation. Exeunt<br/> | our recreation. Exeunt<br/> | ||
</p> | </p> | ||
<h4>SCENE III. | <h4>SCENE III. | ||
The park</h4> | The park</h4> | ||
Line 1,363: | Line 2,634: | ||
<p> BEROWNE. The King he is hunting the deer: I | <p> BEROWNE. The King he is hunting the deer: I | ||
am coursing myself. | am coursing myself. | ||
They have pitch'd a toil: I am tolling in a pitch- pitch that | They have pitch'd a toil: I am tolling in a pitch- pitch that | ||
defiles. Defile! a foul word. Well, 'set thee down, sorrow!' for | defiles. Defile! a foul word. Well, 'set thee down, sorrow!' for | ||
so they say the fool said, and so say I, and I am the fool. Well | so they say the fool said, and so say I, and I am the fool. Well | ||
proved, wit. By the Lord, this love is as mad as Ajax: it kills | proved, wit. By the Lord, this love is as mad as Ajax: it kills | ||
sheep; it kills me- I a sheep. Well proved again o' my side. I | sheep; it kills me- I a sheep. Well proved again o' my side. I | ||
will not love; if I do, hang me. I' faith, I will not. O, but her | will not love; if I do, hang me. I' faith, I will not. O, but her | ||
eye! By this light, but for her eye, I would not love her- yes, | eye! By this light, but for her eye, I would not love her- yes, | ||
for her two eyes. Well, I do nothing in the world but lie, and | for her two eyes. Well, I do nothing in the world but lie, and | ||
lie in my throat. By heaven, I do love; and it hath taught me to | lie in my throat. By heaven, I do love; and it hath taught me to | ||
rhyme, and to be melancholy; and here is part of my rhyme, and | rhyme, and to be melancholy; and here is part of my rhyme, and | ||
here my melancholy. Well, she hath one o' my sonnets already; the | here my melancholy. Well, she hath one o' my sonnets already; the | ||
clown bore it, the fool sent it, and the lady hath it: sweet | clown bore it, the fool sent it, and the lady hath it: sweet | ||
clown, sweeter fool, sweetest lady! By the world, I would not | clown, sweeter fool, sweetest lady! By the world, I would not | ||
care a pin if the other three were in. Here comes one with a | care a pin if the other three were in. Here comes one with a | ||
paper; God give him grace to groan! | paper; God give him grace to groan! | ||
[Climbs into a tree]</p> | [Climbs into a tree]</p> | ||
Line 1,384: | Line 2,672: | ||
<p> KING. Ay me!<br/> | <p> KING. Ay me!<br/> | ||
BEROWNE. Shot, by heaven! Proceed, sweet Cupid; thou hast thump'd<br/> | BEROWNE. Shot, by heaven! Proceed, sweet Cupid; thou hast thump'd<br/> | ||
him with thy bird-bolt under the left pap. In faith, secrets!<br/> | him with thy bird-bolt under the left pap. In faith, secrets!<br/> | ||
KING. [Reads]<br/> | KING. [Reads]<br/> | ||
'So sweet a kiss the golden sun gives not<br/> | 'So sweet a kiss the golden sun gives not<br/> | ||
To those fresh morning drops upon the rose,<br/> | To those fresh morning drops upon the rose,<br/> | ||
As thy eye-beams, when their fresh rays have smote<br/> | As thy eye-beams, when their fresh rays have smote<br/> | ||
The night of dew that on my cheeks down flows;<br/> | The night of dew that on my cheeks down flows;<br/> | ||
Nor shines the silver moon one half so bright<br/> | Nor shines the silver moon one half so bright<br/> | ||
Through the transparent bosom of the deep,<br/> | Through the transparent bosom of the deep,<br/> | ||
As doth thy face through tears of mine give light.<br/> | As doth thy face through tears of mine give light.<br/> | ||
Thou shin'st in every tear that I do weep;<br/> | Thou shin'st in every tear that I do weep;<br/> | ||
No drop but as a coach doth carry thee;<br/> | No drop but as a coach doth carry thee;<br/> | ||
So ridest thou triumphing in my woe.<br/> | So ridest thou triumphing in my woe.<br/> | ||
Do but behold the tears that swell in me,<br/> | Do but behold the tears that swell in me,<br/> | ||
And they thy glory through my grief will show.<br/> | And they thy glory through my grief will show.<br/> | ||
But do not love thyself; then thou wilt keep<br/> | But do not love thyself; then thou wilt keep<br/> | ||
My tears for glasses, and still make me weep.<br/> | My tears for glasses, and still make me weep.<br/> | ||
O queen of queens! how far dost thou excel<br/> | O queen of queens! how far dost thou excel<br/> | ||
No thought can think nor tongue of mortal tell.'<br/> | No thought can think nor tongue of mortal tell.'<br/> | ||
How shall she know my griefs? I'll drop the paper-<br/> | How shall she know my griefs? I'll drop the paper-<br/> | ||
Sweet leaves, shade folly. Who is he comes here?<br/> | Sweet leaves, shade folly. Who is he comes here?<br/> | ||
[Steps aside]<br/> | [Steps aside]<br/> | ||
</p> | </p> | ||
Line 1,411: | Line 2,722: | ||
<p> What, Longaville, and reading! Listen, car.<br/> | <p> What, Longaville, and reading! Listen, car.<br/> | ||
BEROWNE. Now, in thy likeness, one more fool appear!<br/> | BEROWNE. Now, in thy likeness, one more fool appear!<br/> | ||
LONGAVILLE. Ay me, I am forsworn!<br/> | LONGAVILLE. Ay me, I am forsworn!<br/> | ||
BEROWNE. Why, he comes in like a perjure, wearing papers.<br/> | BEROWNE. Why, he comes in like a perjure, wearing papers.<br/> | ||
KING. In love, I hope; sweet fellowship in shame!<br/> | KING. In love, I hope; sweet fellowship in shame!<br/> | ||
BEROWNE. One drunkard loves another of the name.<br/> | BEROWNE. One drunkard loves another of the name.<br/> | ||
LONGAVILLE. Am I the first that have been perjur'd so?<br/> | LONGAVILLE. Am I the first that have been perjur'd so?<br/> | ||
BEROWNE. I could put thee in comfort: not by two that I know;<br/> | BEROWNE. I could put thee in comfort: not by two that I know;<br/> | ||
Thou makest the triumviry, the corner-cap of society,<br/> | Thou makest the triumviry, the corner-cap of society,<br/> | ||
The shape of Love's Tyburn that hangs up simplicity.<br/> | The shape of Love's Tyburn that hangs up simplicity.<br/> | ||
LONGAVILLE. I fear these stubborn lines lack power to move.<br/> | LONGAVILLE. I fear these stubborn lines lack power to move.<br/> | ||
O sweet Maria, empress of my love!<br/> | O sweet Maria, empress of my love!<br/> | ||
These numbers will I tear, and write in prose.<br/> | These numbers will I tear, and write in prose.<br/> | ||
BEROWNE. O, rhymes are guards on wanton Cupid's hose:<br/> | BEROWNE. O, rhymes are guards on wanton Cupid's hose:<br/> | ||
Disfigure not his slop.<br/> | Disfigure not his slop.<br/> | ||
LONGAVILLE. This same shall go. [He reads the sonnet]<br/> | LONGAVILLE. This same shall go. [He reads the sonnet]<br/> | ||
'Did not the heavenly rhetoric of thine eye,<br/> | 'Did not the heavenly rhetoric of thine eye,<br/> | ||
'Gainst whom the world cannot hold argument,<br/> | 'Gainst whom the world cannot hold argument,<br/> | ||
Persuade my heart to this false perjury?<br/> | Persuade my heart to this false perjury?<br/> | ||
Vows for thee broke deserve not punishment.<br/> | Vows for thee broke deserve not punishment.<br/> | ||
A woman I forswore; but I will prove,<br/> | A woman I forswore; but I will prove,<br/> | ||
Thou being a goddess, I forswore not thee:<br/> | Thou being a goddess, I forswore not thee:<br/> | ||
My vow was earthly, thou a heavenly love;<br/> | My vow was earthly, thou a heavenly love;<br/> | ||
Thy grace being gain'd cures all disgrace in me.<br/> | Thy grace being gain'd cures all disgrace in me.<br/> | ||
Vows are but breath, and breath a vapour is;<br/> | Vows are but breath, and breath a vapour is;<br/> | ||
Then thou, fair sun, which on my earth dost shine,<br/> | Then thou, fair sun, which on my earth dost shine,<br/> | ||
Exhal'st this vapour-vow; in thee it is.<br/> | Exhal'st this vapour-vow; in thee it is.<br/> | ||
If broken, then it is no fault of mine;<br/> | If broken, then it is no fault of mine;<br/> | ||
If by me broke, what fool is not so wise<br/> | If by me broke, what fool is not so wise<br/> | ||
To lose an oath to win a paradise?'<br/> | To lose an oath to win a paradise?'<br/> | ||
BEROWNE. This is the liver-vein, which makes flesh a deity,<br/> | BEROWNE. This is the liver-vein, which makes flesh a deity,<br/> | ||
A green goose a goddess- pure, pure idolatry.<br/> | A green goose a goddess- pure, pure idolatry.<br/> | ||
God amend us, God amend! We are much out o' th' way.<br/> | God amend us, God amend! We are much out o' th' way.<br/> | ||
</p> | </p> | ||
Line 1,448: | Line 2,792: | ||
<p> LONGAVILLE. By whom shall I send this?- Company! Stay.<br/> | <p> LONGAVILLE. By whom shall I send this?- Company! Stay.<br/> | ||
[Steps aside]<br/> | [Steps aside]<br/> | ||
BEROWNE. 'All hid, all hid'- an old infant play.<br/> | BEROWNE. 'All hid, all hid'- an old infant play.<br/> | ||
Like a demigod here sit I in the sky,<br/> | Like a demigod here sit I in the sky,<br/> | ||
And wretched fools' secrets heedfully o'er-eye.<br/> | And wretched fools' secrets heedfully o'er-eye.<br/> | ||
More sacks to the mill! O heavens, I have my wish!<br/> | More sacks to the mill! O heavens, I have my wish!<br/> | ||
Dumain transformed! Four woodcocks in a dish!<br/> | Dumain transformed! Four woodcocks in a dish!<br/> | ||
DUMAIN. O most divine Kate!<br/> | DUMAIN. O most divine Kate!<br/> | ||
BEROWNE. O most profane coxcomb!<br/> | BEROWNE. O most profane coxcomb!<br/> | ||
DUMAIN. By heaven, the wonder in a mortal eye!<br/> | DUMAIN. By heaven, the wonder in a mortal eye!<br/> | ||
BEROWNE. By earth, she is not, corporal: there you lie.<br/> | BEROWNE. By earth, she is not, corporal: there you lie.<br/> | ||
DUMAIN. Her amber hairs for foul hath amber quoted.<br/> | DUMAIN. Her amber hairs for foul hath amber quoted.<br/> | ||
BEROWNE. An amber-colour'd raven was well noted.<br/> | BEROWNE. An amber-colour'd raven was well noted.<br/> | ||
DUMAIN. As upright as the cedar.<br/> | DUMAIN. As upright as the cedar.<br/> | ||
BEROWNE. Stoop, I say;<br/> | BEROWNE. Stoop, I say;<br/> | ||
Her shoulder is with child.<br/> | Her shoulder is with child.<br/> | ||
DUMAIN. As fair as day.<br/> | DUMAIN. As fair as day.<br/> | ||
BEROWNE. Ay, as some days; but then no sun must shine.<br/> | BEROWNE. Ay, as some days; but then no sun must shine.<br/> | ||
DUMAIN. O that I had my wish!<br/> | DUMAIN. O that I had my wish!<br/> | ||
LONGAVILLE. And I had mine!<br/> | LONGAVILLE. And I had mine!<br/> | ||
KING. And I mine too,.good Lord!<br/> | KING. And I mine too,.good Lord!<br/> | ||
BEROWNE. Amen, so I had mine! Is not that a good word?<br/> | BEROWNE. Amen, so I had mine! Is not that a good word?<br/> | ||
DUMAIN. I would forget her; but a fever she<br/> | DUMAIN. I would forget her; but a fever she<br/> | ||
Reigns in my blood, and will rememb'red be.<br/> | Reigns in my blood, and will rememb'red be.<br/> | ||
BEROWNE. A fever in your blood? Why, then incision<br/> | BEROWNE. A fever in your blood? Why, then incision<br/> | ||
Would let her out in saucers. Sweet misprision!<br/> | Would let her out in saucers. Sweet misprision!<br/> | ||
DUMAIN. Once more I'll read the ode that I have writ.<br/> | DUMAIN. Once more I'll read the ode that I have writ.<br/> | ||
BEROWNE. Once more I'll mark how love can vary wit.<br/> | BEROWNE. Once more I'll mark how love can vary wit.<br/> | ||
DUMAIN. [Reads]<br/> | DUMAIN. [Reads]<br/> | ||
'On a day-alack the day!-<br/> | 'On a day-alack the day!-<br/> | ||
Love, whose month is ever May,<br/> | Love, whose month is ever May,<br/> | ||
Spied a blossom passing fair<br/> | Spied a blossom passing fair<br/> | ||
Playing in the wanton air.<br/> | Playing in the wanton air.<br/> | ||
Through the velvet leaves the wind,<br/> | Through the velvet leaves the wind,<br/> | ||
All unseen, can passage find;<br/> | All unseen, can passage find;<br/> | ||
That the lover, sick to death,<br/> | That the lover, sick to death,<br/> | ||
Wish'd himself the heaven's breath.<br/> | Wish'd himself the heaven's breath.<br/> | ||
"Air," quoth he "thy cheeks may blow;<br/> | "Air," quoth he "thy cheeks may blow;<br/> | ||
Air, would I might triumph so!<br/> | Air, would I might triumph so!<br/> | ||
But, alack, my hand is sworn<br/> | But, alack, my hand is sworn<br/> | ||
Ne'er to pluck thee from thy thorn;<br/> | Ne'er to pluck thee from thy thorn;<br/> | ||
Vow, alack, for youth unmeet,<br/> | Vow, alack, for youth unmeet,<br/> | ||
Youth so apt to pluck a sweet.<br/> | Youth so apt to pluck a sweet.<br/> | ||
Do not call it sin in me<br/> | Do not call it sin in me<br/> | ||
That I am forsworn for thee;<br/> | That I am forsworn for thee;<br/> | ||
Thou for whom Jove would swear<br/> | Thou for whom Jove would swear<br/> | ||
Juno but an Ethiope were;<br/> | Juno but an Ethiope were;<br/> | ||
And deny himself for Jove,<br/> | And deny himself for Jove,<br/> | ||
Turning mortal for thy love."'<br/> | Turning mortal for thy love."'<br/> | ||
This will I send; and something else more plain<br/> | This will I send; and something else more plain<br/> | ||
That shall express my true love's fasting pain.<br/> | That shall express my true love's fasting pain.<br/> | ||
O, would the King, Berowne and Longaville,<br/> | O, would the King, Berowne and Longaville,<br/> | ||
Were lovers too! Ill, to example ill,<br/> | Were lovers too! Ill, to example ill,<br/> | ||
Would from my forehead wipe a perjur'd note;<br/> | Would from my forehead wipe a perjur'd note;<br/> | ||
For none offend where all alike do dote.<br/> | For none offend where all alike do dote.<br/> | ||
LONGAVILLE. [Advancing] Dumain, thy love is far from charity,<br/> | LONGAVILLE. [Advancing] Dumain, thy love is far from charity,<br/> | ||
That in love's grief desir'st society;<br/> | That in love's grief desir'st society;<br/> | ||
You may look pale, but I should blush, I know,<br/> | You may look pale, but I should blush, I know,<br/> | ||
To be o'erheard and taken napping so.<br/> | To be o'erheard and taken napping so.<br/> | ||
KING. [Advancing] Come, sir, you blush; as his, your case is such.<br/> | KING. [Advancing] Come, sir, you blush; as his, your case is such.<br/> | ||
You chide at him, offending twice as much:<br/> | You chide at him, offending twice as much:<br/> | ||
You do not love Maria! Longaville<br/> | You do not love Maria! Longaville<br/> | ||
Did never sonnet for her sake compile;<br/> | Did never sonnet for her sake compile;<br/> | ||
Nor never lay his wreathed arms athwart<br/> | Nor never lay his wreathed arms athwart<br/> | ||
His loving bosom, to keep down his heart.<br/> | His loving bosom, to keep down his heart.<br/> | ||
I have been closely shrouded in this bush,<br/> | I have been closely shrouded in this bush,<br/> | ||
And mark'd you both, and for you both did blush.<br/> | And mark'd you both, and for you both did blush.<br/> | ||
I heard your guilty rhymes, observ'd your fashion,<br/> | I heard your guilty rhymes, observ'd your fashion,<br/> | ||
Saw sighs reek from you, noted well your passion.<br/> | Saw sighs reek from you, noted well your passion.<br/> | ||
'Ay me!' says one. 'O Jove!' the other cries.<br/> | 'Ay me!' says one. 'O Jove!' the other cries.<br/> | ||
One, her hairs were gold; crystal the other's eyes.<br/> | One, her hairs were gold; crystal the other's eyes.<br/> | ||
[To LONGAVILLE] You would for paradise break faith and troth;<br/> | [To LONGAVILLE] You would for paradise break faith and troth;<br/> | ||
[To Dumain] And Jove for your love would infringe an oath.<br/> | [To Dumain] And Jove for your love would infringe an oath.<br/> | ||
What will Berowne say when that he shall hear<br/> | What will Berowne say when that he shall hear<br/> | ||
Faith infringed which such zeal did swear?<br/> | Faith infringed which such zeal did swear?<br/> | ||
How will he scorn, how will he spend his wit!<br/> | How will he scorn, how will he spend his wit!<br/> | ||
How will he triumph, leap, and laugh at it!<br/> | How will he triumph, leap, and laugh at it!<br/> | ||
For all the wealth that ever I did see,<br/> | For all the wealth that ever I did see,<br/> | ||
I would not have him know so much by me.<br/> | I would not have him know so much by me.<br/> | ||
BEROWNE. [Descending] Now step I forth to whip hypocrisy,<br/> | BEROWNE. [Descending] Now step I forth to whip hypocrisy,<br/> | ||
Ah, good my liege, I pray thee pardon me.<br/> | Ah, good my liege, I pray thee pardon me.<br/> | ||
Good heart, what grace hast thou thus to reprove<br/> | Good heart, what grace hast thou thus to reprove<br/> | ||
These worms for loving, that art most in love?<br/> | These worms for loving, that art most in love?<br/> | ||
Your eyes do make no coaches; in your tears<br/> | Your eyes do make no coaches; in your tears<br/> | ||
There is no certain princess that appears;<br/> | There is no certain princess that appears;<br/> | ||
You'll not be perjur'd; 'tis a hateful thing;<br/> | You'll not be perjur'd; 'tis a hateful thing;<br/> | ||
Tush, none but minstrels like of sonneting.<br/> | Tush, none but minstrels like of sonneting.<br/> | ||
But are you not ashamed? Nay, are you not,<br/> | But are you not ashamed? Nay, are you not,<br/> | ||
All three of you, to be thus much o'ershot?<br/> | All three of you, to be thus much o'ershot?<br/> | ||
You found his mote; the King your mote did see;<br/> | You found his mote; the King your mote did see;<br/> | ||
But I a beam do find in each of three.<br/> | But I a beam do find in each of three.<br/> | ||
O, what a scene of fool'ry have I seen,<br/> | O, what a scene of fool'ry have I seen,<br/> | ||
Of sighs, of groans, of sorrow, and of teen!<br/> | Of sighs, of groans, of sorrow, and of teen!<br/> | ||
O, me, with what strict patience have I sat,<br/> | O, me, with what strict patience have I sat,<br/> | ||
To see a king transformed to a gnat!<br/> | To see a king transformed to a gnat!<br/> | ||
To see great Hercules whipping a gig,<br/> | To see great Hercules whipping a gig,<br/> | ||
And profound Solomon to tune a jig,<br/> | And profound Solomon to tune a jig,<br/> | ||
And Nestor play at push-pin with the boys,<br/> | And Nestor play at push-pin with the boys,<br/> | ||
And critic Timon laugh at idle toys!<br/> | And critic Timon laugh at idle toys!<br/> | ||
Where lies thy grief, O, tell me, good Dumain?<br/> | Where lies thy grief, O, tell me, good Dumain?<br/> | ||
And, gentle Longaville, where lies thy pain?<br/> | And, gentle Longaville, where lies thy pain?<br/> | ||
And where my liege's? All about the breast.<br/> | And where my liege's? All about the breast.<br/> | ||
A caudle, ho!<br/> | A caudle, ho!<br/> | ||
KING. Too bitter is thy jest.<br/> | KING. Too bitter is thy jest.<br/> | ||
Are we betrayed thus to thy over-view?<br/> | Are we betrayed thus to thy over-view?<br/> | ||
BEROWNE. Not you by me, but I betrayed to you.<br/> | BEROWNE. Not you by me, but I betrayed to you.<br/> | ||
I that am honest, I that hold it sin<br/> | I that am honest, I that hold it sin<br/> | ||
To break the vow I am engaged in;<br/> | To break the vow I am engaged in;<br/> | ||
I am betrayed by keeping company<br/> | I am betrayed by keeping company<br/> | ||
With men like you, men of inconstancy.<br/> | With men like you, men of inconstancy.<br/> | ||
When shall you see me write a thing in rhyme?<br/> | When shall you see me write a thing in rhyme?<br/> | ||
Or groan for Joan? or spend a minute's time<br/> | Or groan for Joan? or spend a minute's time<br/> | ||
In pruning me? When shall you hear that I<br/> | In pruning me? When shall you hear that I<br/> | ||
Will praise a hand, a foot, a face, an eye,<br/> | Will praise a hand, a foot, a face, an eye,<br/> | ||
A gait, a state, a brow, a breast, a waist,<br/> | A gait, a state, a brow, a breast, a waist,<br/> | ||
A leg, a limb-<br/> | A leg, a limb-<br/> | ||
KING. Soft! whither away so fast?<br/> | KING. Soft! whither away so fast?<br/> | ||
A true man or a thief that gallops so?<br/> | A true man or a thief that gallops so?<br/> | ||
BEROWNE. I post from love; good lover, let me go.<br/> | BEROWNE. I post from love; good lover, let me go.<br/> | ||
</p> | </p> | ||
Line 1,571: | Line 3,034: | ||
<p> JAQUENETTA. God bless the King!<br/> | <p> JAQUENETTA. God bless the King!<br/> | ||
KING. What present hast thou there?<br/> | KING. What present hast thou there?<br/> | ||
COSTARD. Some certain treason.<br/> | COSTARD. Some certain treason.<br/> | ||
KING. What makes treason here?<br/> | KING. What makes treason here?<br/> | ||
COSTARD. Nay, it makes nothing, sir.<br/> | COSTARD. Nay, it makes nothing, sir.<br/> | ||
KING. If it mar nothing neither,<br/> | KING. If it mar nothing neither,<br/> | ||
The treason and you go in peace away together.<br/> | The treason and you go in peace away together.<br/> | ||
JAQUENETTA. I beseech your Grace, let this letter be read;<br/> | JAQUENETTA. I beseech your Grace, let this letter be read;<br/> | ||
Our person misdoubts it: 'twas treason, he said.<br/> | Our person misdoubts it: 'twas treason, he said.<br/> | ||
KING. Berowne, read it over. [BEROWNE reads the letter]<br/> | KING. Berowne, read it over. [BEROWNE reads the letter]<br/> | ||
Where hadst thou it?<br/> | Where hadst thou it?<br/> | ||
JAQUENETTA. Of Costard.<br/> | JAQUENETTA. Of Costard.<br/> | ||
KING. Where hadst thou it?<br/> | KING. Where hadst thou it?<br/> | ||
COSTARD. Of Dun Adramadio, Dun Adramadio.<br/> | COSTARD. Of Dun Adramadio, Dun Adramadio.<br/> | ||
[BEROWNE tears the letter]<br/> | [BEROWNE tears the letter]<br/> | ||
KING. How now! What is in you? Why dost thou tear it?<br/> | KING. How now! What is in you? Why dost thou tear it?<br/> | ||
BEROWNE. A toy, my liege, a toy! Your Grace needs not fear it.<br/> | BEROWNE. A toy, my liege, a toy! Your Grace needs not fear it.<br/> | ||
LONGAVILLE. It did move him to passion, and therefore let's hear<br/> | LONGAVILLE. It did move him to passion, and therefore let's hear<br/> | ||
it.<br/> | it.<br/> | ||
DUMAIN. It is Berowne's writing, and here is his name.<br/> | DUMAIN. It is Berowne's writing, and here is his name.<br/> | ||
[Gathering up the pieces]<br/> | [Gathering up the pieces]<br/> | ||
BEROWNE. [ To COSTARD] Ah, you whoreson loggerhead, you were born<br/> | BEROWNE. [ To COSTARD] Ah, you whoreson loggerhead, you were born<br/> | ||
to do me shame.<br/> | to do me shame.<br/> | ||
Guilty, my lord, guilty! I confess, I confess.<br/> | Guilty, my lord, guilty! I confess, I confess.<br/> | ||
KING. What?<br/> | KING. What?<br/> | ||
BEROWNE. That you three fools lack'd me fool to make up the mess;<br/> | BEROWNE. That you three fools lack'd me fool to make up the mess;<br/> | ||
He, he, and you- and you, my liege!- and I<br/> | He, he, and you- and you, my liege!- and I<br/> | ||
Are pick-purses in love, and we deserve to die.<br/> | Are pick-purses in love, and we deserve to die.<br/> | ||
O, dismiss this audience, and I shall tell you more.<br/> | O, dismiss this audience, and I shall tell you more.<br/> | ||
DUMAIN. Now the number is even.<br/> | DUMAIN. Now the number is even.<br/> | ||
BEROWNE. True, true, we are four.<br/> | BEROWNE. True, true, we are four.<br/> | ||
Will these turtles be gone?<br/> | Will these turtles be gone?<br/> | ||
KING. Hence, sirs, away.<br/> | KING. Hence, sirs, away.<br/> | ||
COSTARD. Walk aside the true folk, and let the traitors stay.<br/> | COSTARD. Walk aside the true folk, and let the traitors stay.<br/> | ||
Exeunt COSTARD and JAQUENETTA<br/> | Exeunt COSTARD and JAQUENETTA<br/> | ||
BEROWNE. Sweet lords, sweet lovers, O, let us embrace!<br/> | BEROWNE. Sweet lords, sweet lovers, O, let us embrace!<br/> | ||
As true we are as flesh and blood can be.<br/> | As true we are as flesh and blood can be.<br/> | ||
The sea will ebb and flow, heaven show his face;<br/> | The sea will ebb and flow, heaven show his face;<br/> | ||
Young blood doth not obey an old decree.<br/> | Young blood doth not obey an old decree.<br/> | ||
We cannot cross the cause why we were born,<br/> | We cannot cross the cause why we were born,<br/> | ||
Therefore of all hands must we be forsworn.<br/> | Therefore of all hands must we be forsworn.<br/> | ||
KING. What, did these rent lines show some love of thine?<br/> | KING. What, did these rent lines show some love of thine?<br/> | ||
BEROWNE. 'Did they?' quoth you. Who sees the heavenly Rosaline<br/> | BEROWNE. 'Did they?' quoth you. Who sees the heavenly Rosaline<br/> | ||
That, like a rude and savage man of Inde<br/> | That, like a rude and savage man of Inde<br/> | ||
At the first op'ning of the gorgeous east,<br/> | At the first op'ning of the gorgeous east,<br/> | ||
Bows not his vassal head and, strucken blind,<br/> | Bows not his vassal head and, strucken blind,<br/> | ||
Kisses the base ground with obedient breast?<br/> | Kisses the base ground with obedient breast?<br/> | ||
What peremptory eagle-sighted eye<br/> | What peremptory eagle-sighted eye<br/> | ||
Dares look upon the heaven of her brow<br/> | Dares look upon the heaven of her brow<br/> | ||
That is not blinded by her majesty?<br/> | That is not blinded by her majesty?<br/> | ||
KING. What zeal, what fury hath inspir'd thee now?<br/> | KING. What zeal, what fury hath inspir'd thee now?<br/> | ||
My love, her mistress, is a gracious moon;<br/> | My love, her mistress, is a gracious moon;<br/> | ||
She, an attending star, scarce seen a light.<br/> | She, an attending star, scarce seen a light.<br/> | ||
BEROWNE. My eyes are then no eyes, nor I Berowne.<br/> | BEROWNE. My eyes are then no eyes, nor I Berowne.<br/> | ||
O, but for my love, day would turn to night!<br/> | O, but for my love, day would turn to night!<br/> | ||
Of all complexions the cull'd sovereignty<br/> | Of all complexions the cull'd sovereignty<br/> | ||
Do meet, as at a fair, in her fair cheek,<br/> | Do meet, as at a fair, in her fair cheek,<br/> | ||
Where several worthies make one dignity,<br/> | Where several worthies make one dignity,<br/> | ||
Where nothing wants that want itself doth seek.<br/> | Where nothing wants that want itself doth seek.<br/> | ||
Lend me the flourish of all gentle tongues-<br/> | Lend me the flourish of all gentle tongues-<br/> | ||
Fie, painted rhetoric! O, she needs it not!<br/> | Fie, painted rhetoric! O, she needs it not!<br/> | ||
To things of sale a seller's praise belongs:<br/> | To things of sale a seller's praise belongs:<br/> | ||
She passes praise; then praise too short doth blot.<br/> | She passes praise; then praise too short doth blot.<br/> | ||
A wither'd hermit, five-score winters worn,<br/> | A wither'd hermit, five-score winters worn,<br/> | ||
Might shake off fifty, looking in her eye.<br/> | Might shake off fifty, looking in her eye.<br/> | ||
Beauty doth varnish age, as if new-born,<br/> | Beauty doth varnish age, as if new-born,<br/> | ||
And gives the crutch the cradle's infancy.<br/> | And gives the crutch the cradle's infancy.<br/> | ||
O, 'tis the sun that maketh all things shine!<br/> | O, 'tis the sun that maketh all things shine!<br/> | ||
KING. By heaven, thy love is black as ebony.<br/> | KING. By heaven, thy love is black as ebony.<br/> | ||
BEROWNE. Is ebony like her? O wood divine!<br/> | BEROWNE. Is ebony like her? O wood divine!<br/> | ||
A wife of such wood were felicity.<br/> | A wife of such wood were felicity.<br/> | ||
O, who can give an oath? Where is a book?<br/> | O, who can give an oath? Where is a book?<br/> | ||
That I may swear beauty doth beauty lack,<br/> | That I may swear beauty doth beauty lack,<br/> | ||
If that she learn not of her eye to look.<br/> | If that she learn not of her eye to look.<br/> | ||
No face is fair that is not full so black.<br/> | No face is fair that is not full so black.<br/> | ||
KING. O paradox! Black is the badge of hell,<br/> | KING. O paradox! Black is the badge of hell,<br/> | ||
The hue of dungeons, and the school of night;<br/> | The hue of dungeons, and the school of night;<br/> | ||
And beauty's crest becomes the heavens well.<br/> | And beauty's crest becomes the heavens well.<br/> | ||
BEROWNE. Devils soonest tempt, resembling spirits of light.<br/> | BEROWNE. Devils soonest tempt, resembling spirits of light.<br/> | ||
O, if in black my lady's brows be deckt,<br/> | O, if in black my lady's brows be deckt,<br/> | ||
It mourns that painting and usurping hair<br/> | It mourns that painting and usurping hair<br/> | ||
Should ravish doters with a false aspect;<br/> | Should ravish doters with a false aspect;<br/> | ||
And therefore is she born to make black fair.<br/> | And therefore is she born to make black fair.<br/> | ||
Her favour turns the fashion of the days;<br/> | Her favour turns the fashion of the days;<br/> | ||
For native blood is counted painting now;<br/> | For native blood is counted painting now;<br/> | ||
And therefore red that would avoid dispraise<br/> | And therefore red that would avoid dispraise<br/> | ||
Paints itself black, to imitate her brow.<br/> | Paints itself black, to imitate her brow.<br/> | ||
DUMAIN. To look like her are chimney-sweepers black.<br/> | DUMAIN. To look like her are chimney-sweepers black.<br/> | ||
LONGAVILLE. And since her time are colliers counted bright.<br/> | LONGAVILLE. And since her time are colliers counted bright.<br/> | ||
KING. And Ethiopes of their sweet complexion crack.<br/> | KING. And Ethiopes of their sweet complexion crack.<br/> | ||
DUMAIN. Dark needs no candles now, for dark is light.<br/> | DUMAIN. Dark needs no candles now, for dark is light.<br/> | ||
BEROWNE. Your mistresses dare never come in rain<br/> | BEROWNE. Your mistresses dare never come in rain<br/> | ||
For fear their colours should be wash'd away.<br/> | For fear their colours should be wash'd away.<br/> | ||
KING. 'Twere good yours did; for, sir, to tell you plain,<br/> | KING. 'Twere good yours did; for, sir, to tell you plain,<br/> | ||
I'll find a fairer face not wash'd to-day.<br/> | I'll find a fairer face not wash'd to-day.<br/> | ||
BEROWNE. I'll prove her fair, or talk till doomsday here.<br/> | BEROWNE. I'll prove her fair, or talk till doomsday here.<br/> | ||
KING. No devil will fright thee then so much as she.<br/> | KING. No devil will fright thee then so much as she.<br/> | ||
DUMAIN. I never knew man hold vile stuff so dear.<br/> | DUMAIN. I never knew man hold vile stuff so dear.<br/> | ||
LONGAVILLE. Look, here's thy love: my foot and her face see.<br/> | LONGAVILLE. Look, here's thy love: my foot and her face see.<br/> | ||
[Showing his shoe]<br/> | [Showing his shoe]<br/> | ||
BEROWNE. O, if the streets were paved with thine eyes,<br/> | BEROWNE. O, if the streets were paved with thine eyes,<br/> | ||
Her feet were much too dainty for such tread!<br/> | Her feet were much too dainty for such tread!<br/> | ||
DUMAIN. O vile! Then, as she goes, what upward lies<br/> | DUMAIN. O vile! Then, as she goes, what upward lies<br/> | ||
The street should see as she walk'd overhead.<br/> | The street should see as she walk'd overhead.<br/> | ||
KING. But what of this? Are we not all in love?<br/> | KING. But what of this? Are we not all in love?<br/> | ||
BEROWNE. Nothing so sure; and thereby all forsworn.<br/> | BEROWNE. Nothing so sure; and thereby all forsworn.<br/> | ||
KING. Then leave this chat; and, good Berowne, now prove<br/> | KING. Then leave this chat; and, good Berowne, now prove<br/> | ||
Our loving lawful, and our faith not torn.<br/> | Our loving lawful, and our faith not torn.<br/> | ||
DUMAIN. Ay, marry, there; some flattery for this evil.<br/> | DUMAIN. Ay, marry, there; some flattery for this evil.<br/> | ||
LONGAVILLE. O, some authority how to proceed;<br/> | LONGAVILLE. O, some authority how to proceed;<br/> | ||
Some tricks, some quillets, how to cheat the devil!<br/> | Some tricks, some quillets, how to cheat the devil!<br/> | ||
DUMAIN. Some salve for perjury.<br/> | DUMAIN. Some salve for perjury.<br/> | ||
BEROWNE. 'Tis more than need.<br/> | BEROWNE. 'Tis more than need.<br/> | ||
Have at you, then, affection's men-at-arms.<br/> | Have at you, then, affection's men-at-arms.<br/> | ||
Consider what you first did swear unto:<br/> | Consider what you first did swear unto:<br/> | ||
To fast, to study, and to see no woman-<br/> | To fast, to study, and to see no woman-<br/> | ||
Flat treason 'gainst the kingly state of youth.<br/> | Flat treason 'gainst the kingly state of youth.<br/> | ||
Say, can you fast? Your stomachs are too young,<br/> | Say, can you fast? Your stomachs are too young,<br/> | ||
And abstinence engenders maladies.<br/> | And abstinence engenders maladies.<br/> | ||
And, where that you you have vow'd to study, lords,<br/> | And, where that you you have vow'd to study, lords,<br/> | ||
In that each of you have forsworn his book,<br/> | In that each of you have forsworn his book,<br/> | ||
Can you still dream, and pore, and thereon look?<br/> | Can you still dream, and pore, and thereon look?<br/> | ||
For when would you, my lord, or you, or you,<br/> | For when would you, my lord, or you, or you,<br/> | ||
Have found the ground of study's excellence<br/> | Have found the ground of study's excellence<br/> | ||
Without the beauty of a woman's face?<br/> | Without the beauty of a woman's face?<br/> | ||
From women's eyes this doctrine I derive:<br/> | From women's eyes this doctrine I derive:<br/> | ||
They are the ground, the books, the academes,<br/> | They are the ground, the books, the academes,<br/> | ||
From whence doth spring the true Promethean fire.<br/> | From whence doth spring the true Promethean fire.<br/> | ||
Why, universal plodding poisons up<br/> | Why, universal plodding poisons up<br/> | ||
The nimble spirits in the arteries,<br/> | The nimble spirits in the arteries,<br/> | ||
As motion and long-during action tires<br/> | As motion and long-during action tires<br/> | ||
The sinewy vigour of the traveller.<br/> | The sinewy vigour of the traveller.<br/> | ||
Now, for not looking on a woman's face,<br/> | Now, for not looking on a woman's face,<br/> | ||
You have in that forsworn the use of eyes,<br/> | You have in that forsworn the use of eyes,<br/> | ||
And study too, the causer of your vow;<br/> | And study too, the causer of your vow;<br/> | ||
For where is author in the world<br/> | For where is author in the world<br/> | ||
Teaches such beauty as a woman's eye?<br/> | Teaches such beauty as a woman's eye?<br/> | ||
Learning is but an adjunct to ourself,<br/> | Learning is but an adjunct to ourself,<br/> | ||
And where we are our learning likewise is;<br/> | And where we are our learning likewise is;<br/> | ||
Then when ourselves we see in ladies' eyes,<br/> | Then when ourselves we see in ladies' eyes,<br/> | ||
With ourselves.<br/> | With ourselves.<br/> | ||
Do we not likewise see our learning there?<br/> | Do we not likewise see our learning there?<br/> | ||
O, we have made a vow to study, lords,<br/> | O, we have made a vow to study, lords,<br/> | ||
And in that vow we have forsworn our books.<br/> | And in that vow we have forsworn our books.<br/> | ||
For when would you, my liege, or you, or you,<br/> | For when would you, my liege, or you, or you,<br/> | ||
In leaden contemplation have found out<br/> | In leaden contemplation have found out<br/> | ||
Such fiery numbers as the prompting eyes<br/> | Such fiery numbers as the prompting eyes<br/> | ||
Of beauty's tutors have enrich'd you with?<br/> | Of beauty's tutors have enrich'd you with?<br/> | ||
Other slow arts entirely keep the brain;<br/> | Other slow arts entirely keep the brain;<br/> | ||
And therefore, finding barren practisers,<br/> | And therefore, finding barren practisers,<br/> | ||
Scarce show a harvest of their heavy toil;<br/> | Scarce show a harvest of their heavy toil;<br/> | ||
But love, first learned in a lady's eyes,<br/> | But love, first learned in a lady's eyes,<br/> | ||
Lives not alone immured in the brain,<br/> | Lives not alone immured in the brain,<br/> | ||
But with the motion of all elements<br/> | But with the motion of all elements<br/> | ||
Courses as swift as thought in every power,<br/> | Courses as swift as thought in every power,<br/> | ||
And gives to every power a double power,<br/> | And gives to every power a double power,<br/> | ||
Above their functions and their offices.<br/> | Above their functions and their offices.<br/> | ||
It adds a precious seeing to the eye:<br/> | It adds a precious seeing to the eye:<br/> | ||
A lover's eyes will gaze an eagle blind.<br/> | A lover's eyes will gaze an eagle blind.<br/> | ||
A lover's ear will hear the lowest sound,<br/> | A lover's ear will hear the lowest sound,<br/> | ||
When the suspicious head of theft is stopp'd.<br/> | When the suspicious head of theft is stopp'd.<br/> | ||
Love's feeling is more soft and sensible<br/> | Love's feeling is more soft and sensible<br/> | ||
Than are the tender horns of cockled snails:<br/> | Than are the tender horns of cockled snails:<br/> | ||
Love's tongue proves dainty Bacchus gross in taste.<br/> | Love's tongue proves dainty Bacchus gross in taste.<br/> | ||
For valour, is not Love a Hercules,<br/> | For valour, is not Love a Hercules,<br/> | ||
Still climbing trees in the Hesperides?<br/> | Still climbing trees in the Hesperides?<br/> | ||
Subtle as Sphinx; as sweet and musical<br/> | Subtle as Sphinx; as sweet and musical<br/> | ||
As bright Apollo's lute, strung with his hair.<br/> | As bright Apollo's lute, strung with his hair.<br/> | ||
And when Love speaks, the voice of all the gods<br/> | And when Love speaks, the voice of all the gods<br/> | ||
Make heaven drowsy with the harmony.<br/> | Make heaven drowsy with the harmony.<br/> | ||
Never durst poet touch a pen to write<br/> | Never durst poet touch a pen to write<br/> | ||
Until his ink were temp'red with Love's sighs;<br/> | Until his ink were temp'red with Love's sighs;<br/> | ||
O, then his lines would ravish savage ears,<br/> | O, then his lines would ravish savage ears,<br/> | ||
And plant in tyrants mild humility.<br/> | And plant in tyrants mild humility.<br/> | ||
From women's eyes this doctrine I derive.<br/> | From women's eyes this doctrine I derive.<br/> | ||
They sparkle still the right Promethean fire;<br/> | They sparkle still the right Promethean fire;<br/> | ||
They are the books, the arts, the academes,<br/> | They are the books, the arts, the academes,<br/> | ||
That show, contain, and nourish, all the world,<br/> | That show, contain, and nourish, all the world,<br/> | ||
Else none at all in aught proves excellent.<br/> | Else none at all in aught proves excellent.<br/> | ||
Then fools you were these women to forswear;<br/> | Then fools you were these women to forswear;<br/> | ||
Or, keeping what is sworn, you will prove fools.<br/> | Or, keeping what is sworn, you will prove fools.<br/> | ||
For wisdom's sake, a word that all men love;<br/> | For wisdom's sake, a word that all men love;<br/> | ||
Or for Love's sake, a word that loves all men;<br/> | Or for Love's sake, a word that loves all men;<br/> | ||
Or for men's sake, the authors of these women;<br/> | Or for men's sake, the authors of these women;<br/> | ||
Or women's sake, by whom we men are men-<br/> | Or women's sake, by whom we men are men-<br/> | ||
Let us once lose our oaths to find ourselves,<br/> | Let us once lose our oaths to find ourselves,<br/> | ||
Or else we lose ourselves to keep our oaths.<br/> | Or else we lose ourselves to keep our oaths.<br/> | ||
It is religion to be thus forsworn;<br/> | It is religion to be thus forsworn;<br/> | ||
For charity itself fulfils the law,<br/> | For charity itself fulfils the law,<br/> | ||
And who can sever love from charity?<br/> | And who can sever love from charity?<br/> | ||
KING. Saint Cupid, then! and, soldiers, to the field!<br/> | KING. Saint Cupid, then! and, soldiers, to the field!<br/> | ||
BEROWNE. Advance your standards, and upon them, lords;<br/> | BEROWNE. Advance your standards, and upon them, lords;<br/> | ||
Pell-mell, down with them! be first advis'd,<br/> | Pell-mell, down with them! be first advis'd,<br/> | ||
In conflict, that you get the sun of them.<br/> | In conflict, that you get the sun of them.<br/> | ||
LONGAVILLE. Now to plain-dealing; lay these glozes by.<br/> | LONGAVILLE. Now to plain-dealing; lay these glozes by.<br/> | ||
Shall we resolve to woo these girls of France?<br/> | Shall we resolve to woo these girls of France?<br/> | ||
KING. And win them too; therefore let us devise<br/> | KING. And win them too; therefore let us devise<br/> | ||
Some entertainment for them in their tents.<br/> | Some entertainment for them in their tents.<br/> | ||
BEROWNE. First, from the park let us conduct them thither;<br/> | BEROWNE. First, from the park let us conduct them thither;<br/> | ||
Then homeward every man attach the hand<br/> | Then homeward every man attach the hand<br/> | ||
Of his fair mistress. In the afternoon<br/> | Of his fair mistress. In the afternoon<br/> | ||
We will with some strange pastime solace them,<br/> | We will with some strange pastime solace them,<br/> | ||
Such as the shortness of the time can shape;<br/> | Such as the shortness of the time can shape;<br/> | ||
For revels, dances, masks, and merry hours,<br/> | For revels, dances, masks, and merry hours,<br/> | ||
Forerun fair Love, strewing her way with flowers.<br/> | Forerun fair Love, strewing her way with flowers.<br/> | ||
KING. Away, away! No time shall be omitted<br/> | KING. Away, away! No time shall be omitted<br/> | ||
That will betime, and may by us be fitted.<br/> | That will betime, and may by us be fitted.<br/> | ||
BEROWNE. Allons! allons! Sow'd cockle reap'd no corn,<br/> | BEROWNE. Allons! allons! Sow'd cockle reap'd no corn,<br/> | ||
And justice always whirls in equal measure.<br/> | And justice always whirls in equal measure.<br/> | ||
Light wenches may prove plagues to men forsworn;<br/> | Light wenches may prove plagues to men forsworn;<br/> | ||
If so, our copper buys no better treasure. Exeunt<br/> | If so, our copper buys no better treasure. Exeunt<br/> | ||
</p> | </p> | ||
<h4>ACT V. SCENE I. | <h4>ACT V. SCENE I. | ||
The park</h4> | The park</h4> | ||
Line 1,789: | Line 3,464: | ||
<p> HOLOFERNES. Satis quod sufficit.<br/> | <p> HOLOFERNES. Satis quod sufficit.<br/> | ||
NATHANIEL. I praise God for you, sir. Your reasons at dinner have<br/> | NATHANIEL. I praise God for you, sir. Your reasons at dinner have<br/> | ||
been sharp and sententious; pleasant without scurrility, witty<br/> | been sharp and sententious; pleasant without scurrility, witty<br/> | ||
without affection, audacious without impudency, learned without<br/> | without affection, audacious without impudency, learned without<br/> | ||
opinion, and strange without heresy. I did converse this quondam<br/> | opinion, and strange without heresy. I did converse this quondam<br/> | ||
day with a companion of the King's who is intituled, nominated,<br/> | day with a companion of the King's who is intituled, nominated,<br/> | ||
or called, Don Adriano de Armado.<br/> | or called, Don Adriano de Armado.<br/> | ||
HOLOFERNES. Novi hominem tanquam te. His humour is lofty, his<br/> | HOLOFERNES. Novi hominem tanquam te. His humour is lofty, his<br/> | ||
discourse peremptory, his tongue filed, his eye ambitious, his<br/> | discourse peremptory, his tongue filed, his eye ambitious, his<br/> | ||
gait majestical and his general behaviour vain, ridiculous, and<br/> | gait majestical and his general behaviour vain, ridiculous, and<br/> | ||
thrasonical. He is too picked, too spruce, too affected, too odd,<br/> | thrasonical. He is too picked, too spruce, too affected, too odd,<br/> | ||
as it were, too peregrinate, as I may call it.<br/> | as it were, too peregrinate, as I may call it.<br/> | ||
NATHANIEL. A most singular and choice epithet.<br/> | NATHANIEL. A most singular and choice epithet.<br/> | ||
[Draws out his table-book]<br/> | [Draws out his table-book]<br/> | ||
HOLOFERNES. He draweth out the thread of his verbosity finer than<br/> | HOLOFERNES. He draweth out the thread of his verbosity finer than<br/> | ||
the staple of his argument. I abhor such fanatical phantasimes,<br/> | the staple of his argument. I abhor such fanatical phantasimes,<br/> | ||
such insociable and point-devise companions; such rackers of<br/> | such insociable and point-devise companions; such rackers of<br/> | ||
orthography, as to speak 'dout' fine, when he should say 'doubt';<br/> | orthography, as to speak 'dout' fine, when he should say 'doubt';<br/> | ||
'det' when he should pronounce 'debt'- d, e, b, t, not d, e, t.<br/> | 'det' when he should pronounce 'debt'- d, e, b, t, not d, e, t.<br/> | ||
He clepeth a calf 'cauf,' half 'hauf'; neighbour vocatur<br/> | He clepeth a calf 'cauf,' half 'hauf'; neighbour vocatur<br/> | ||
'nebour'; 'neigh' abbreviated 'ne.' This is abhominable- which he<br/> | 'nebour'; 'neigh' abbreviated 'ne.' This is abhominable- which he<br/> | ||
would call 'abbominable.' It insinuateth me of insanie: ne<br/> | would call 'abbominable.' It insinuateth me of insanie: ne<br/> | ||
intelligis, domine? to make frantic, lunatic.<br/> | intelligis, domine? to make frantic, lunatic.<br/> | ||
NATHANIEL. Laus Deo, bone intelligo.<br/> | NATHANIEL. Laus Deo, bone intelligo.<br/> | ||
HOLOFERNES. 'Bone'?- 'bone' for 'bene.' Priscian a little<br/> | HOLOFERNES. 'Bone'?- 'bone' for 'bene.' Priscian a little<br/> | ||
scratch'd; 'twill serve.<br/> | scratch'd; 'twill serve.<br/> | ||
</p> | </p> | ||
Line 1,819: | Line 3,520: | ||
<p> NATHANIEL. Videsne quis venit?<br/> | <p> NATHANIEL. Videsne quis venit?<br/> | ||
HOLOFERNES. Video, et gaudeo.<br/> | HOLOFERNES. Video, et gaudeo.<br/> | ||
ARMADO. [To MOTH] Chirrah!<br/> | ARMADO. [To MOTH] Chirrah!<br/> | ||
HOLOFERNES. Quare 'chirrah,' not 'sirrah'?<br/> | HOLOFERNES. Quare 'chirrah,' not 'sirrah'?<br/> | ||
ARMADO. Men of peace, well encount'red.<br/> | ARMADO. Men of peace, well encount'red.<br/> | ||
HOLOFERNES. Most military sir, salutation.<br/> | HOLOFERNES. Most military sir, salutation.<br/> | ||
MOTH. [Aside to COSTARD] They have been at a great feast of<br/> | MOTH. [Aside to COSTARD] They have been at a great feast of<br/> | ||
languages and stol'n the scraps.<br/> | languages and stol'n the scraps.<br/> | ||
COSTARD. O, they have liv'd long on the alms-basket of words. I<br/> | COSTARD. O, they have liv'd long on the alms-basket of words. I<br/> | ||
marvel thy master hath not eaten thee for a word, for thou are<br/> | marvel thy master hath not eaten thee for a word, for thou are<br/> | ||
not so long by the head as honorificabilitudinitatibus; thou art<br/> | not so long by the head as honorificabilitudinitatibus; thou art<br/> | ||
easier swallowed than a flap-dragon.<br/> | easier swallowed than a flap-dragon.<br/> | ||
MOTH. Peace! the peal begins.<br/> | MOTH. Peace! the peal begins.<br/> | ||
ARMADO. [To HOLOFERNES] Monsieur, are you not lett'red?<br/> | ARMADO. [To HOLOFERNES] Monsieur, are you not lett'red?<br/> | ||
MOTH. Yes, yes; he teaches boys the hornbook. What is a, b, spelt<br/> | MOTH. Yes, yes; he teaches boys the hornbook. What is a, b, spelt<br/> | ||
backward with the horn on his head?<br/> | backward with the horn on his head?<br/> | ||
HOLOFERNES. Ba, pueritia, with a horn added.<br/> | HOLOFERNES. Ba, pueritia, with a horn added.<br/> | ||
MOTH. Ba, most silly sheep with a horn. You hear his learning.<br/> | MOTH. Ba, most silly sheep with a horn. You hear his learning.<br/> | ||
HOLOFERNES. Quis, quis, thou consonant?<br/> | HOLOFERNES. Quis, quis, thou consonant?<br/> | ||
MOTH. The third of the five vowels, if You repeat them; or the<br/> | MOTH. The third of the five vowels, if You repeat them; or the<br/> | ||
fifth, if I.<br/> | fifth, if I.<br/> | ||
HOLOFERNES. I will repeat them: a, e, I-<br/> | HOLOFERNES. I will repeat them: a, e, I-<br/> | ||
MOTH. The sheep; the other two concludes it: o, U.<br/> | MOTH. The sheep; the other two concludes it: o, U.<br/> | ||
ARMADO. Now, by the salt wave of the Mediterraneum, a sweet touch,<br/> | ARMADO. Now, by the salt wave of the Mediterraneum, a sweet touch,<br/> | ||
a quick venue of wit- snip, snap, quick and home. It rejoiceth my<br/> | a quick venue of wit- snip, snap, quick and home. It rejoiceth my<br/> | ||
intellect. True wit!<br/> | intellect. True wit!<br/> | ||
MOTH. Offer'd by a child to an old man; which is wit-old.<br/> | MOTH. Offer'd by a child to an old man; which is wit-old.<br/> | ||
HOLOFERNES. What is the figure? What is the figure?<br/> | HOLOFERNES. What is the figure? What is the figure?<br/> | ||
MOTH. Horns.<br/> | MOTH. Horns.<br/> | ||
HOLOFERNES. Thou disputes like an infant; go whip thy gig.<br/> | HOLOFERNES. Thou disputes like an infant; go whip thy gig.<br/> | ||
MOTH. Lend me your horn to make one, and I will whip about your<br/> | MOTH. Lend me your horn to make one, and I will whip about your<br/> | ||
infamy circum circa- a gig of a cuckold's horn.<br/> | infamy circum circa- a gig of a cuckold's horn.<br/> | ||
COSTARD. An I had but one penny in the world, thou shouldst have it<br/> | COSTARD. An I had but one penny in the world, thou shouldst have it<br/> | ||
to buy ginger-bread. Hold, there is the very remuneration I had<br/> | to buy ginger-bread. Hold, there is the very remuneration I had<br/> | ||
of thy master, thou halfpenny purse of wit, thou pigeon-egg of<br/> | of thy master, thou halfpenny purse of wit, thou pigeon-egg of<br/> | ||
discretion. O, an the heavens were so pleased that thou wert but<br/> | discretion. O, an the heavens were so pleased that thou wert but<br/> | ||
my bastard, what a joyful father wouldst thou make me! Go to;<br/> | my bastard, what a joyful father wouldst thou make me! Go to;<br/> | ||
thou hast it ad dunghill, at the fingers' ends, as they say.<br/> | thou hast it ad dunghill, at the fingers' ends, as they say.<br/> | ||
HOLOFERNES. O, I smell false Latin; 'dunghill' for unguem.<br/> | HOLOFERNES. O, I smell false Latin; 'dunghill' for unguem.<br/> | ||
ARMADO. Arts-man, preambulate; we will be singuled from the<br/> | ARMADO. Arts-man, preambulate; we will be singuled from the<br/> | ||
barbarous. Do you not educate youth at the charge-house on the<br/> | barbarous. Do you not educate youth at the charge-house on the<br/> | ||
top of the mountain?<br/> | top of the mountain?<br/> | ||
HOLOFERNES. Or mons, the hill.<br/> | HOLOFERNES. Or mons, the hill.<br/> | ||
ARMADO. At your sweet pleasure, for the mountain.<br/> | ARMADO. At your sweet pleasure, for the mountain.<br/> | ||
HOLOFERNES. I do, sans question.<br/> | HOLOFERNES. I do, sans question.<br/> | ||
ARMADO. Sir, it is the King's most sweet pleasure and affection to<br/> | ARMADO. Sir, it is the King's most sweet pleasure and affection to<br/> | ||
congratulate the Princess at her pavilion, in the posteriors of<br/> | congratulate the Princess at her pavilion, in the posteriors of<br/> | ||
this day; which the rude multitude call the afternoon.<br/> | this day; which the rude multitude call the afternoon.<br/> | ||
HOLOFERNES. The posterior of the day, most generous sir, is liable,<br/> | HOLOFERNES. The posterior of the day, most generous sir, is liable,<br/> | ||
congruent, and measurable, for the afternoon. The word is well<br/> | congruent, and measurable, for the afternoon. The word is well<br/> | ||
cull'd, chose, sweet, and apt, I do assure you, sir, I do assure.<br/> | cull'd, chose, sweet, and apt, I do assure you, sir, I do assure.<br/> | ||
ARMADO. Sir, the King is a noble gentleman, and my familiar, I do<br/> | ARMADO. Sir, the King is a noble gentleman, and my familiar, I do<br/> | ||
assure ye, very good friend. For what is inward between us, let<br/> | assure ye, very good friend. For what is inward between us, let<br/> | ||
it pass. I do beseech thee, remember thy courtesy. I beseech<br/> | it pass. I do beseech thee, remember thy courtesy. I beseech<br/> | ||
thee, apparel thy head. And among other importunate and most<br/> | thee, apparel thy head. And among other importunate and most<br/> | ||
serious designs, and of great import indeed, too- but let that<br/> | serious designs, and of great import indeed, too- but let that<br/> | ||
pass; for I must tell thee it will please his Grace, by the<br/> | pass; for I must tell thee it will please his Grace, by the<br/> | ||
world, sometime to lean upon my poor shoulder, and with his royal<br/> | world, sometime to lean upon my poor shoulder, and with his royal<br/> | ||
finger thus dally with my excrement, with my mustachio; but,<br/> | finger thus dally with my excrement, with my mustachio; but,<br/> | ||
sweet heart, let that pass. By the world, I recount no fable:<br/> | sweet heart, let that pass. By the world, I recount no fable:<br/> | ||
some certain special honours it pleaseth his greatness to impart<br/> | some certain special honours it pleaseth his greatness to impart<br/> | ||
to Armado, a soldier, a man of travel, that hath seen the world;<br/> | to Armado, a soldier, a man of travel, that hath seen the world;<br/> | ||
but let that pass. The very all of all is- but, sweet heart, I do<br/> | but let that pass. The very all of all is- but, sweet heart, I do<br/> | ||
implore secrecy- that the King would have me present the<br/> | implore secrecy- that the King would have me present the<br/> | ||
Princess, sweet chuck, with some delightful ostentation, or show,<br/> | Princess, sweet chuck, with some delightful ostentation, or show,<br/> | ||
or pageant, or antic, or firework. Now, understanding that the<br/> | or pageant, or antic, or firework. Now, understanding that the<br/> | ||
curate and your sweet self are good at such eruptions and sudden<br/> | curate and your sweet self are good at such eruptions and sudden<br/> | ||
breaking-out of mirth, as it were, I have acquainted you withal,<br/> | breaking-out of mirth, as it were, I have acquainted you withal,<br/> | ||
to the end to crave your assistance.<br/> | to the end to crave your assistance.<br/> | ||
HOLOFERNES. Sir, you shall present before her the Nine Worthies.<br/> | HOLOFERNES. Sir, you shall present before her the Nine Worthies.<br/> | ||
Sir Nathaniel, as concerning some entertainment of time, some<br/> | Sir Nathaniel, as concerning some entertainment of time, some<br/> | ||
show in the posterior of this day, to be rend'red by our<br/> | show in the posterior of this day, to be rend'red by our<br/> | ||
assistance, the King's command, and this most gallant,<br/> | assistance, the King's command, and this most gallant,<br/> | ||
illustrate, and learned gentleman, before the Princess- I say<br/> | illustrate, and learned gentleman, before the Princess- I say<br/> | ||
none so fit as to present the Nine Worthies.<br/> | none so fit as to present the Nine Worthies.<br/> | ||
NATHANIEL. Where will you find men worthy enough to present them?<br/> | NATHANIEL. Where will you find men worthy enough to present them?<br/> | ||
HOLOFERNES. Joshua, yourself; myself, Alexander; this gallant<br/> | HOLOFERNES. Joshua, yourself; myself, Alexander; this gallant<br/> | ||
gentleman, Judas Maccabaeus; this swain, because of his great<br/> | gentleman, Judas Maccabaeus; this swain, because of his great<br/> | ||
limb or joint, shall pass Pompey the Great; the page, Hercules.<br/> | limb or joint, shall pass Pompey the Great; the page, Hercules.<br/> | ||
ARMADO. Pardon, sir; error: he is not quantity enough for that<br/> | ARMADO. Pardon, sir; error: he is not quantity enough for that<br/> | ||
Worthy's thumb; he is not so big as the end of his club.<br/> | Worthy's thumb; he is not so big as the end of his club.<br/> | ||
HOLOFERNES. Shall I have audience? He shall present Hercules in<br/> | HOLOFERNES. Shall I have audience? He shall present Hercules in<br/> | ||
minority: his enter and exit shall be strangling a snake; and I<br/> | minority: his enter and exit shall be strangling a snake; and I<br/> | ||
will have an apology for that purpose.<br/> | will have an apology for that purpose.<br/> | ||
MOTH. An excellent device! So, if any of the audience hiss, you may<br/> | MOTH. An excellent device! So, if any of the audience hiss, you may<br/> | ||
cry 'Well done, Hercules; now thou crushest the snake!' That is<br/> | cry 'Well done, Hercules; now thou crushest the snake!' That is<br/> | ||
the way to make an offence gracious, though few have the grace to<br/> | the way to make an offence gracious, though few have the grace to<br/> | ||
do it.<br/> | do it.<br/> | ||
ARMADO. For the rest of the Worthies?<br/> | ARMADO. For the rest of the Worthies?<br/> | ||
HOLOFERNES. I will play three myself.<br/> | HOLOFERNES. I will play three myself.<br/> | ||
MOTH. Thrice-worthy gentleman!<br/> | MOTH. Thrice-worthy gentleman!<br/> | ||
ARMADO. Shall I tell you a thing?<br/> | ARMADO. Shall I tell you a thing?<br/> | ||
HOLOFERNES. We attend.<br/> | HOLOFERNES. We attend.<br/> | ||
ARMADO. We will have, if this fadge not, an antic. I beseech you,<br/> | ARMADO. We will have, if this fadge not, an antic. I beseech you,<br/> | ||
follow.<br/> | follow.<br/> | ||
HOLOFERNES. Via, goodman Dull! Thou has spoken no word all this<br/> | HOLOFERNES. Via, goodman Dull! Thou has spoken no word all this<br/> | ||
while.<br/> | while.<br/> | ||
DULL. Nor understood none neither, sir.<br/> | DULL. Nor understood none neither, sir.<br/> | ||
HOLOFERNES. Allons! we will employ thee.<br/> | HOLOFERNES. Allons! we will employ thee.<br/> | ||
DULL. I'll make one in a dance, or so, or I will play<br/> | DULL. I'll make one in a dance, or so, or I will play<br/> | ||
On the tabor to the Worthies, and let them dance the hay.<br/> | On the tabor to the Worthies, and let them dance the hay.<br/> | ||
HOLOFERNES. Most dull, honest Dull! To our sport, away.<br/> | HOLOFERNES. Most dull, honest Dull! To our sport, away.<br/> | ||
Exeunt<br/> | Exeunt<br/> | ||
</p> | </p> | ||
<h4>SCENE II. | <h4>SCENE II. | ||
The park</h4> | The park</h4> | ||
Line 1,929: | Line 3,734: | ||
<p> PRINCESS OF FRANCE. Sweet hearts, we shall be rich ere we depart,<br/> | <p> PRINCESS OF FRANCE. Sweet hearts, we shall be rich ere we depart,<br/> | ||
If fairings come thus plentifully in.<br/> | If fairings come thus plentifully in.<br/> | ||
A lady wall'd about with diamonds!<br/> | A lady wall'd about with diamonds!<br/> | ||
Look you what I have from the loving King.<br/> | Look you what I have from the loving King.<br/> | ||
ROSALINE. Madam, came nothing else along with that?<br/> | ROSALINE. Madam, came nothing else along with that?<br/> | ||
PRINCESS OF FRANCE. Nothing but this! Yes, as much love in rhyme<br/> | PRINCESS OF FRANCE. Nothing but this! Yes, as much love in rhyme<br/> | ||
As would be cramm'd up in a sheet of paper<br/> | As would be cramm'd up in a sheet of paper<br/> | ||
Writ o' both sides the leaf, margent and all,<br/> | Writ o' both sides the leaf, margent and all,<br/> | ||
That he was fain to seal on Cupid's name.<br/> | That he was fain to seal on Cupid's name.<br/> | ||
ROSALINE. That was the way to make his godhead wax;<br/> | ROSALINE. That was the way to make his godhead wax;<br/> | ||
For he hath been five thousand year a boy.<br/> | For he hath been five thousand year a boy.<br/> | ||
KATHARINE. Ay, and a shrewd unhappy gallows too.<br/> | KATHARINE. Ay, and a shrewd unhappy gallows too.<br/> | ||
ROSALINE. You'll ne'er be friends with him: 'a kill'd your sister.<br/> | ROSALINE. You'll ne'er be friends with him: 'a kill'd your sister.<br/> | ||
KATHARINE. He made her melancholy, sad, and heavy;<br/> | KATHARINE. He made her melancholy, sad, and heavy;<br/> | ||
And so she died. Had she been light, like you,<br/> | And so she died. Had she been light, like you,<br/> | ||
Of such a merry, nimble, stirring spirit,<br/> | Of such a merry, nimble, stirring spirit,<br/> | ||
She might 'a been a grandam ere she died.<br/> | She might 'a been a grandam ere she died.<br/> | ||
And so may you; for a light heart lives long.<br/> | And so may you; for a light heart lives long.<br/> | ||
ROSALINE. What's your dark meaning, mouse, of this light word?<br/> | ROSALINE. What's your dark meaning, mouse, of this light word?<br/> | ||
KATHARINE. A light condition in a beauty dark.<br/> | KATHARINE. A light condition in a beauty dark.<br/> | ||
ROSALINE. We need more light to find your meaning out.<br/> | ROSALINE. We need more light to find your meaning out.<br/> | ||
KATHARINE. You'll mar the light by taking it in snuff;<br/> | KATHARINE. You'll mar the light by taking it in snuff;<br/> | ||
Therefore I'll darkly end the argument.<br/> | Therefore I'll darkly end the argument.<br/> | ||
ROSALINE. Look what you do, you do it still i' th' dark.<br/> | ROSALINE. Look what you do, you do it still i' th' dark.<br/> | ||
KATHARINE. So do not you; for you are a light wench.<br/> | KATHARINE. So do not you; for you are a light wench.<br/> | ||
ROSALINE. Indeed, I weigh not you; and therefore light.<br/> | ROSALINE. Indeed, I weigh not you; and therefore light.<br/> | ||
KATHARINE. You weigh me not? O, that's you care not for me.<br/> | KATHARINE. You weigh me not? O, that's you care not for me.<br/> | ||
ROSALINE. Great reason; for 'past cure is still past care.'<br/> | ROSALINE. Great reason; for 'past cure is still past care.'<br/> | ||
PRINCESS OF FRANCE. Well bandied both; a set of wit well play'd.<br/> | PRINCESS OF FRANCE. Well bandied both; a set of wit well play'd.<br/> | ||
But, Rosaline, you have a favour too?<br/> | But, Rosaline, you have a favour too?<br/> | ||
Who sent it? and what is it?<br/> | Who sent it? and what is it?<br/> | ||
ROSALINE. I would you knew.<br/> | ROSALINE. I would you knew.<br/> | ||
An if my face were but as fair as yours,<br/> | An if my face were but as fair as yours,<br/> | ||
My favour were as great: be witness this.<br/> | My favour were as great: be witness this.<br/> | ||
Nay, I have verses too, I thank Berowne;<br/> | Nay, I have verses too, I thank Berowne;<br/> | ||
The numbers true, and, were the numb'ring too,<br/> | The numbers true, and, were the numb'ring too,<br/> | ||
I were the fairest goddess on the ground.<br/> | I were the fairest goddess on the ground.<br/> | ||
I am compar'd to twenty thousand fairs.<br/> | I am compar'd to twenty thousand fairs.<br/> | ||
O, he hath drawn my picture in his letter!<br/> | O, he hath drawn my picture in his letter!<br/> | ||
PRINCESS OF FRANCE. Anything like?<br/> | PRINCESS OF FRANCE. Anything like?<br/> | ||
ROSALINE. Much in the letters; nothing in the praise.<br/> | ROSALINE. Much in the letters; nothing in the praise.<br/> | ||
PRINCESS OF FRANCE. Beauteous as ink- a good conclusion.<br/> | PRINCESS OF FRANCE. Beauteous as ink- a good conclusion.<br/> | ||
KATHARINE. Fair as a text B in a copy-book.<br/> | KATHARINE. Fair as a text B in a copy-book.<br/> | ||
ROSALINE. Ware pencils, ho! Let me not die your debtor,<br/> | ROSALINE. Ware pencils, ho! Let me not die your debtor,<br/> | ||
My red dominical, my golden letter:<br/> | My red dominical, my golden letter:<br/> | ||
O that your face were not so full of O's!<br/> | O that your face were not so full of O's!<br/> | ||
KATHARINE. A pox of that jest! and I beshrew all shrows!<br/> | KATHARINE. A pox of that jest! and I beshrew all shrows!<br/> | ||
PRINCESS OF FRANCE. But, Katharine, what was sent to you from fair<br/> | PRINCESS OF FRANCE. But, Katharine, what was sent to you from fair<br/> | ||
Dumain?<br/> | Dumain?<br/> | ||
KATHARINE. Madam, this glove.<br/> | KATHARINE. Madam, this glove.<br/> | ||
PRINCESS OF FRANCE. Did he not send you twain?<br/> | PRINCESS OF FRANCE. Did he not send you twain?<br/> | ||
KATHARINE. Yes, madam; and, moreover,<br/> | KATHARINE. Yes, madam; and, moreover,<br/> | ||
Some thousand verses of a faithful lover;<br/> | Some thousand verses of a faithful lover;<br/> | ||
A huge translation of hypocrisy,<br/> | A huge translation of hypocrisy,<br/> | ||
Vilely compil'd, profound simplicity.<br/> | Vilely compil'd, profound simplicity.<br/> | ||
MARIA. This, and these pearl, to me sent Longaville;<br/> | MARIA. This, and these pearl, to me sent Longaville;<br/> | ||
The letter is too long by half a mile.<br/> | The letter is too long by half a mile.<br/> | ||
PRINCESS OF FRANCE. I think no less. Dost thou not wish in heart<br/> | PRINCESS OF FRANCE. I think no less. Dost thou not wish in heart<br/> | ||
The chain were longer and the letter short?<br/> | The chain were longer and the letter short?<br/> | ||
MARIA. Ay, or I would these hands might never part.<br/> | MARIA. Ay, or I would these hands might never part.<br/> | ||
PRINCESS OF FRANCE. We are wise girls to mock our lovers so.<br/> | PRINCESS OF FRANCE. We are wise girls to mock our lovers so.<br/> | ||
ROSALINE. They are worse fools to purchase mocking so.<br/> | ROSALINE. They are worse fools to purchase mocking so.<br/> | ||
That same Berowne I'll torture ere I go.<br/> | That same Berowne I'll torture ere I go.<br/> | ||
O that I knew he were but in by th' week!<br/> | O that I knew he were but in by th' week!<br/> | ||
How I would make him fawn, and beg, and seek,<br/> | How I would make him fawn, and beg, and seek,<br/> | ||
And wait the season, and observe the times,<br/> | And wait the season, and observe the times,<br/> | ||
And spend his prodigal wits in bootless rhymes,<br/> | And spend his prodigal wits in bootless rhymes,<br/> | ||
And shape his service wholly to my hests,<br/> | And shape his service wholly to my hests,<br/> | ||
And make him proud to make me proud that jests!<br/> | And make him proud to make me proud that jests!<br/> | ||
So pertaunt-like would I o'ersway his state<br/> | So pertaunt-like would I o'ersway his state<br/> | ||
That he should be my fool, and I his fate.<br/> | That he should be my fool, and I his fate.<br/> | ||
PRINCESS OF FRANCE. None are so surely caught, when they are<br/> | PRINCESS OF FRANCE. None are so surely caught, when they are<br/> | ||
catch'd,<br/> | catch'd,<br/> | ||
As wit turn'd fool; folly, in wisdom hatch'd,<br/> | As wit turn'd fool; folly, in wisdom hatch'd,<br/> | ||
Hath wisdom's warrant and the help of school,<br/> | Hath wisdom's warrant and the help of school,<br/> | ||
And wit's own grace to grace a learned fool.<br/> | And wit's own grace to grace a learned fool.<br/> | ||
ROSALINE. The blood of youth burns not with such excess<br/> | ROSALINE. The blood of youth burns not with such excess<br/> | ||
As gravity's revolt to wantonness.<br/> | As gravity's revolt to wantonness.<br/> | ||
MARIA. Folly in fools bears not so strong a note<br/> | MARIA. Folly in fools bears not so strong a note<br/> | ||
As fool'ry in the wise when wit doth dote,<br/> | As fool'ry in the wise when wit doth dote,<br/> | ||
Since all the power thereof it doth apply<br/> | Since all the power thereof it doth apply<br/> | ||
To prove, by wit, worth in simplicity.<br/> | To prove, by wit, worth in simplicity.<br/> | ||
</p> | </p> | ||
Line 2,015: | Line 3,902: | ||
<p> PRINCESS OF FRANCE. Here comes Boyet, and mirth is in his face.<br/> | <p> PRINCESS OF FRANCE. Here comes Boyet, and mirth is in his face.<br/> | ||
BOYET. O, I am stabb'd with laughter! Where's her Grace?<br/> | BOYET. O, I am stabb'd with laughter! Where's her Grace?<br/> | ||
PRINCESS OF FRANCE. Thy news, Boyet?<br/> | PRINCESS OF FRANCE. Thy news, Boyet?<br/> | ||
BOYET. Prepare, madam, prepare!<br/> | BOYET. Prepare, madam, prepare!<br/> | ||
Arm, wenches, arm! Encounters mounted are<br/> | Arm, wenches, arm! Encounters mounted are<br/> | ||
Against your peace. Love doth approach disguis'd,<br/> | Against your peace. Love doth approach disguis'd,<br/> | ||
Armed in arguments; you'll be surpris'd.<br/> | Armed in arguments; you'll be surpris'd.<br/> | ||
Muster your wits; stand in your own defence;<br/> | Muster your wits; stand in your own defence;<br/> | ||
Or hide your heads like cowards, and fly hence.<br/> | Or hide your heads like cowards, and fly hence.<br/> | ||
PRINCESS OF FRANCE. Saint Dennis to Saint Cupid! What are they<br/> | PRINCESS OF FRANCE. Saint Dennis to Saint Cupid! What are they<br/> | ||
That charge their breath against us? Say, scout, say.<br/> | That charge their breath against us? Say, scout, say.<br/> | ||
BOYET. Under the cool shade of a sycamore<br/> | BOYET. Under the cool shade of a sycamore<br/> | ||
I thought to close mine eyes some half an hour;<br/> | I thought to close mine eyes some half an hour;<br/> | ||
When, lo, to interrupt my purpos'd rest,<br/> | When, lo, to interrupt my purpos'd rest,<br/> | ||
Toward that shade I might behold addrest<br/> | Toward that shade I might behold addrest<br/> | ||
The King and his companions; warily<br/> | The King and his companions; warily<br/> | ||
I stole into a neighbour thicket by,<br/> | I stole into a neighbour thicket by,<br/> | ||
And overheard what you shall overhear-<br/> | And overheard what you shall overhear-<br/> | ||
That, by and by, disguis'd they will be here.<br/> | That, by and by, disguis'd they will be here.<br/> | ||
Their herald is a pretty knavish page,<br/> | Their herald is a pretty knavish page,<br/> | ||
That well by heart hath conn'd his embassage.<br/> | That well by heart hath conn'd his embassage.<br/> | ||
Action and accent did they teach him there:<br/> | Action and accent did they teach him there:<br/> | ||
'Thus must thou speak' and 'thus thy body bear,'<br/> | 'Thus must thou speak' and 'thus thy body bear,'<br/> | ||
And ever and anon they made a doubt<br/> | And ever and anon they made a doubt<br/> | ||
Presence majestical would put him out;<br/> | Presence majestical would put him out;<br/> | ||
'For' quoth the King 'an angel shalt thou see;<br/> | 'For' quoth the King 'an angel shalt thou see;<br/> | ||
Yet fear not thou, but speak audaciously.'<br/> | Yet fear not thou, but speak audaciously.'<br/> | ||
The boy replied 'An angel is not evil;<br/> | The boy replied 'An angel is not evil;<br/> | ||
I should have fear'd her had she been a devil.'<br/> | I should have fear'd her had she been a devil.'<br/> | ||
With that all laugh'd, and clapp'd him on the shoulder,<br/> | With that all laugh'd, and clapp'd him on the shoulder,<br/> | ||
Making the bold wag by their praises bolder.<br/> | Making the bold wag by their praises bolder.<br/> | ||
One rubb'd his elbow, thus, and fleer'd, and swore<br/> | One rubb'd his elbow, thus, and fleer'd, and swore<br/> | ||
A better speech was never spoke before.<br/> | A better speech was never spoke before.<br/> | ||
Another with his finger and his thumb<br/> | Another with his finger and his thumb<br/> | ||
Cried 'Via! we will do't, come what will come.'<br/> | Cried 'Via! we will do't, come what will come.'<br/> | ||
The third he caper'd, and cried 'All goes well.'<br/> | The third he caper'd, and cried 'All goes well.'<br/> | ||
The fourth turn'd on the toe, and down he fell.<br/> | The fourth turn'd on the toe, and down he fell.<br/> | ||
With that they all did tumble on the ground,<br/> | With that they all did tumble on the ground,<br/> | ||
With such a zealous laughter, so profound,<br/> | With such a zealous laughter, so profound,<br/> | ||
That in this spleen ridiculous appears,<br/> | That in this spleen ridiculous appears,<br/> | ||
To check their folly, passion's solemn tears.<br/> | To check their folly, passion's solemn tears.<br/> | ||
PRINCESS OF FRANCE. But what, but what, come they to visit us?<br/> | PRINCESS OF FRANCE. But what, but what, come they to visit us?<br/> | ||
BOYET. They do, they do, and are apparell'd thus,<br/> | BOYET. They do, they do, and are apparell'd thus,<br/> | ||
Like Muscovites or Russians, as I guess.<br/> | Like Muscovites or Russians, as I guess.<br/> | ||
Their purpose is to parley, court, and dance;<br/> | Their purpose is to parley, court, and dance;<br/> | ||
And every one his love-feat will advance<br/> | And every one his love-feat will advance<br/> | ||
Unto his several mistress; which they'll know<br/> | Unto his several mistress; which they'll know<br/> | ||
By favours several which they did bestow.<br/> | By favours several which they did bestow.<br/> | ||
PRINCESS OF FRANCE. And will they so? The gallants shall be task'd,<br/> | PRINCESS OF FRANCE. And will they so? The gallants shall be task'd,<br/> | ||
For, ladies, we will every one be mask'd;<br/> | For, ladies, we will every one be mask'd;<br/> | ||
And not a man of them shall have the grace,<br/> | And not a man of them shall have the grace,<br/> | ||
Despite of suit, to see a lady's face.<br/> | Despite of suit, to see a lady's face.<br/> | ||
Hold, Rosaline, this favour thou shalt wear,<br/> | Hold, Rosaline, this favour thou shalt wear,<br/> | ||
And then the King will court thee for his dear;<br/> | And then the King will court thee for his dear;<br/> | ||
Hold, take thou this, my sweet, and give me thine,<br/> | Hold, take thou this, my sweet, and give me thine,<br/> | ||
So shall Berowne take me for Rosaline.<br/> | So shall Berowne take me for Rosaline.<br/> | ||
And change you favours too; so shall your loves<br/> | And change you favours too; so shall your loves<br/> | ||
Woo contrary, deceiv'd by these removes.<br/> | Woo contrary, deceiv'd by these removes.<br/> | ||
ROSALINE. Come on, then, wear the favours most in sight.<br/> | ROSALINE. Come on, then, wear the favours most in sight.<br/> | ||
KATHARINE. But, in this changing, what is your intent?<br/> | KATHARINE. But, in this changing, what is your intent?<br/> | ||
PRINCESS OF FRANCE. The effect of my intent is to cross theirs.<br/> | PRINCESS OF FRANCE. The effect of my intent is to cross theirs.<br/> | ||
They do it but in mocking merriment,<br/> | They do it but in mocking merriment,<br/> | ||
And mock for mock is only my intent.<br/> | And mock for mock is only my intent.<br/> | ||
Their several counsels they unbosom shall<br/> | Their several counsels they unbosom shall<br/> | ||
To loves mistook, and so be mock'd withal<br/> | To loves mistook, and so be mock'd withal<br/> | ||
Upon the next occasion that we meet<br/> | Upon the next occasion that we meet<br/> | ||
With visages display'd to talk and greet.<br/> | With visages display'd to talk and greet.<br/> | ||
ROSALINE. But shall we dance, if they desire us to't?<br/> | ROSALINE. But shall we dance, if they desire us to't?<br/> | ||
PRINCESS OF FRANCE. No, to the death, we will not move a foot,<br/> | PRINCESS OF FRANCE. No, to the death, we will not move a foot,<br/> | ||
Nor to their penn'd speech render we no grace;<br/> | Nor to their penn'd speech render we no grace;<br/> | ||
But while 'tis spoke each turn away her face.<br/> | But while 'tis spoke each turn away her face.<br/> | ||
BOYET. Why, that contempt will kill the speaker's heart,<br/> | BOYET. Why, that contempt will kill the speaker's heart,<br/> | ||
And quite divorce his memory from his part.<br/> | And quite divorce his memory from his part.<br/> | ||
PRINCESS OF FRANCE. Therefore I do it; and I make no doubt<br/> | PRINCESS OF FRANCE. Therefore I do it; and I make no doubt<br/> | ||
The rest will ne'er come in, if he be out.<br/> | The rest will ne'er come in, if he be out.<br/> | ||
There's no such sport as sport by sport o'erthrown,<br/> | There's no such sport as sport by sport o'erthrown,<br/> | ||
To make theirs ours, and ours none but our own;<br/> | To make theirs ours, and ours none but our own;<br/> | ||
So shall we stay, mocking intended game,<br/> | So shall we stay, mocking intended game,<br/> | ||
And they well mock'd depart away with shame.<br/> | And they well mock'd depart away with shame.<br/> | ||
[Trumpet sounds within]<br/> | [Trumpet sounds within]<br/> | ||
BOYET. The trumpet sounds; be mask'd; the maskers come.<br/> | BOYET. The trumpet sounds; be mask'd; the maskers come.<br/> | ||
[The LADIES mask]<br/> | [The LADIES mask]<br/> | ||
</p> | </p> | ||
<p> Enter BLACKAMOORS music, MOTH as Prologue, the<br/> | <p> Enter BLACKAMOORS music, MOTH as Prologue, the<br/> | ||
KING and his LORDS as maskers, in the guise of Russians<br/> | KING and his LORDS as maskers, in the guise of Russians<br/> | ||
</p> | </p> | ||
<p> MOTH. All hail, the richest heauties on the earth!<br/> | <p> MOTH. All hail, the richest heauties on the earth!<br/> | ||
BOYET. Beauties no richer than rich taffeta.<br/> | BOYET. Beauties no richer than rich taffeta.<br/> | ||
MOTH. A holy parcel of the fairest dames<br/> | MOTH. A holy parcel of the fairest dames<br/> | ||
[The LADIES turn their backs to him]<br/> | [The LADIES turn their backs to him]<br/> | ||
That ever turn'd their- backs- to mortal views!<br/> | That ever turn'd their- backs- to mortal views!<br/> | ||
BEROWNE. Their eyes, villain, their eyes.<br/> | BEROWNE. Their eyes, villain, their eyes.<br/> | ||
MOTH. That ever turn'd their eyes to mortal views!<br/> | MOTH. That ever turn'd their eyes to mortal views!<br/> | ||
Out-<br/> | Out-<br/> | ||
BOYET. True; out indeed.<br/> | BOYET. True; out indeed.<br/> | ||
MOTH. Out of your favours, heavenly spirits, vouchsafe<br/> | MOTH. Out of your favours, heavenly spirits, vouchsafe<br/> | ||
Not to behold-<br/> | Not to behold-<br/> | ||
BEROWNE. Once to behold, rogue.<br/> | BEROWNE. Once to behold, rogue.<br/> | ||
MOTH. Once to behold with your sun-beamed eyes- with your<br/> | MOTH. Once to behold with your sun-beamed eyes- with your<br/> | ||
sun-beamed eyes-<br/> | sun-beamed eyes-<br/> | ||
BOYET. They will not answer to that epithet;<br/> | BOYET. They will not answer to that epithet;<br/> | ||
You were best call it 'daughter-beamed eyes.'<br/> | You were best call it 'daughter-beamed eyes.'<br/> | ||
MOTH. They do not mark me, and that brings me out.<br/> | MOTH. They do not mark me, and that brings me out.<br/> | ||
BEROWNE. Is this your perfectness? Be gone, you rogue.<br/> | BEROWNE. Is this your perfectness? Be gone, you rogue.<br/> | ||
Exit MOTH<br/> | Exit MOTH<br/> | ||
ROSALINE. What would these strangers? Know their minds, Boyet.<br/> | ROSALINE. What would these strangers? Know their minds, Boyet.<br/> | ||
If they do speak our language, 'tis our will<br/> | If they do speak our language, 'tis our will<br/> | ||
That some plain man recount their purposes.<br/> | That some plain man recount their purposes.<br/> | ||
Know what they would.<br/> | Know what they would.<br/> | ||
BOYET. What would you with the Princess?<br/> | BOYET. What would you with the Princess?<br/> | ||
BEROWNE. Nothing but peace and gentle visitation.<br/> | BEROWNE. Nothing but peace and gentle visitation.<br/> | ||
ROSALINE. What would they, say they?<br/> | ROSALINE. What would they, say they?<br/> | ||
BOYET. Nothing but peace and gentle visitation.<br/> | BOYET. Nothing but peace and gentle visitation.<br/> | ||
ROSALINE. Why, that they have; and bid them so be gone.<br/> | ROSALINE. Why, that they have; and bid them so be gone.<br/> | ||
BOYET. She says you have it, and you may be gone.<br/> | BOYET. She says you have it, and you may be gone.<br/> | ||
KING. Say to her we have measur'd many miles<br/> | KING. Say to her we have measur'd many miles<br/> | ||
To tread a measure with her on this grass.<br/> | To tread a measure with her on this grass.<br/> | ||
BOYET. They say that they have measur'd many a mile<br/> | BOYET. They say that they have measur'd many a mile<br/> | ||
To tread a measure with you on this grass.<br/> | To tread a measure with you on this grass.<br/> | ||
ROSALINE. It is not so. Ask them how many inches<br/> | ROSALINE. It is not so. Ask them how many inches<br/> | ||
Is in one mile? If they have measured many,<br/> | Is in one mile? If they have measured many,<br/> | ||
The measure, then, of one is eas'ly told.<br/> | The measure, then, of one is eas'ly told.<br/> | ||
BOYET. If to come hither you have measur'd miles,<br/> | BOYET. If to come hither you have measur'd miles,<br/> | ||
And many miles, the Princess bids you tell<br/> | And many miles, the Princess bids you tell<br/> | ||
How many inches doth fill up one mile.<br/> | How many inches doth fill up one mile.<br/> | ||
BEROWNE. Tell her we measure them by weary steps.<br/> | BEROWNE. Tell her we measure them by weary steps.<br/> | ||
BOYET. She hears herself.<br/> | BOYET. She hears herself.<br/> | ||
ROSALINE. How many weary steps<br/> | ROSALINE. How many weary steps<br/> | ||
Of many weary miles you have o'ergone<br/> | Of many weary miles you have o'ergone<br/> | ||
Are numb'red in the travel of one mile?<br/> | Are numb'red in the travel of one mile?<br/> | ||
BEROWNE. We number nothing that we spend for you;<br/> | BEROWNE. We number nothing that we spend for you;<br/> | ||
Our duty is so rich, so infinite,<br/> | Our duty is so rich, so infinite,<br/> | ||
That we may do it still without accompt.<br/> | That we may do it still without accompt.<br/> | ||
Vouchsafe to show the sunshine of your face,<br/> | Vouchsafe to show the sunshine of your face,<br/> | ||
That we, like savages, may worship it.<br/> | That we, like savages, may worship it.<br/> | ||
ROSALINE. My face is but a moon, and clouded too.<br/> | ROSALINE. My face is but a moon, and clouded too.<br/> | ||
KING. Blessed are clouds, to do as such clouds do.<br/> | KING. Blessed are clouds, to do as such clouds do.<br/> | ||
Vouchsafe, bright moon, and these thy stars, to shine,<br/> | Vouchsafe, bright moon, and these thy stars, to shine,<br/> | ||
Those clouds removed, upon our watery eyne.<br/> | Those clouds removed, upon our watery eyne.<br/> | ||
ROSALINE. O vain petitioner! beg a greater matter;<br/> | ROSALINE. O vain petitioner! beg a greater matter;<br/> | ||
Thou now requests but moonshine in the water.<br/> | Thou now requests but moonshine in the water.<br/> | ||
KING. Then in our measure do but vouchsafe one change.<br/> | KING. Then in our measure do but vouchsafe one change.<br/> | ||
Thou bid'st me beg; this begging is not strange.<br/> | Thou bid'st me beg; this begging is not strange.<br/> | ||
ROSALINE. Play, music, then. Nay, you must do it soon.<br/> | ROSALINE. Play, music, then. Nay, you must do it soon.<br/> | ||
Not yet? No dance! Thus change I like the moon.<br/> | Not yet? No dance! Thus change I like the moon.<br/> | ||
KING. Will you not dance? How come you thus estranged?<br/> | KING. Will you not dance? How come you thus estranged?<br/> | ||
ROSALINE. You took the moon at full; but now she's changed.<br/> | ROSALINE. You took the moon at full; but now she's changed.<br/> | ||
KING. Yet still she is the Moon, and I the Man.<br/> | KING. Yet still she is the Moon, and I the Man.<br/> | ||
The music plays; vouchsafe some motion to it.<br/> | The music plays; vouchsafe some motion to it.<br/> | ||
ROSALINE. Our ears vouchsafe it.<br/> | ROSALINE. Our ears vouchsafe it.<br/> | ||
KING. But your legs should do it.<br/> | KING. But your legs should do it.<br/> | ||
ROSALINE. Since you are strangers, and come here by chance,<br/> | ROSALINE. Since you are strangers, and come here by chance,<br/> | ||
We'll not be nice; take hands. We will not dance.<br/> | We'll not be nice; take hands. We will not dance.<br/> | ||
KING. Why take we hands then?<br/> | KING. Why take we hands then?<br/> | ||
ROSALINE. Only to part friends.<br/> | ROSALINE. Only to part friends.<br/> | ||
Curtsy, sweet hearts; and so the measure ends.<br/> | Curtsy, sweet hearts; and so the measure ends.<br/> | ||
KING. More measure of this measure; be not nice.<br/> | KING. More measure of this measure; be not nice.<br/> | ||
ROSALINE. We can afford no more at such a price.<br/> | ROSALINE. We can afford no more at such a price.<br/> | ||
KING. Price you yourselves. What buys your company?<br/> | KING. Price you yourselves. What buys your company?<br/> | ||
ROSALINE. Your absence only.<br/> | ROSALINE. Your absence only.<br/> | ||
KING. That can never be.<br/> | KING. That can never be.<br/> | ||
ROSALINE. Then cannot we be bought; and so adieu-<br/> | ROSALINE. Then cannot we be bought; and so adieu-<br/> | ||
Twice to your visor and half once to you.<br/> | Twice to your visor and half once to you.<br/> | ||
KING. If you deny to dance, let's hold more chat.<br/> | KING. If you deny to dance, let's hold more chat.<br/> | ||
ROSALINE. In private then.<br/> | ROSALINE. In private then.<br/> | ||
KING. I am best pleas'd with that. [They converse apart]<br/> | KING. I am best pleas'd with that. [They converse apart]<br/> | ||
BEROWNE. White-handed mistress, one sweet word with thee.<br/> | BEROWNE. White-handed mistress, one sweet word with thee.<br/> | ||
PRINCESS OF FRANCE. Honey, and milk, and sugar; there is three.<br/> | PRINCESS OF FRANCE. Honey, and milk, and sugar; there is three.<br/> | ||
BEROWNE. Nay, then, two treys, an if you grow so nice,<br/> | BEROWNE. Nay, then, two treys, an if you grow so nice,<br/> | ||
Metheglin, wort, and malmsey; well run dice!<br/> | Metheglin, wort, and malmsey; well run dice!<br/> | ||
There's half a dozen sweets.<br/> | There's half a dozen sweets.<br/> | ||
PRINCESS OF FRANCE. Seventh sweet, adieu!<br/> | PRINCESS OF FRANCE. Seventh sweet, adieu!<br/> | ||
Since you can cog, I'll play no more with you.<br/> | Since you can cog, I'll play no more with you.<br/> | ||
BEROWNE. One word in secret.<br/> | BEROWNE. One word in secret.<br/> | ||
PRINCESS OF FRANCE. Let it not be sweet.<br/> | PRINCESS OF FRANCE. Let it not be sweet.<br/> | ||
BEROWNE. Thou grievest my gall.<br/> | BEROWNE. Thou grievest my gall.<br/> | ||
PRINCESS OF FRANCE. Gall! bitter.<br/> | PRINCESS OF FRANCE. Gall! bitter.<br/> | ||
BEROWNE. Therefore meet. [They converse apart]<br/> | BEROWNE. Therefore meet. [They converse apart]<br/> | ||
DUMAIN. Will you vouchsafe with me to change a word?<br/> | DUMAIN. Will you vouchsafe with me to change a word?<br/> | ||
MARIA. Name it.<br/> | MARIA. Name it.<br/> | ||
DUMAIN. Fair lady-<br/> | DUMAIN. Fair lady-<br/> | ||
MARIA. Say you so? Fair lord-<br/> | MARIA. Say you so? Fair lord-<br/> | ||
Take that for your fair lady.<br/> | Take that for your fair lady.<br/> | ||
DUMAIN. Please it you,<br/> | DUMAIN. Please it you,<br/> | ||
As much in private, and I'll bid adieu.<br/> | As much in private, and I'll bid adieu.<br/> | ||
[They converse apart]<br/> | [They converse apart]<br/> | ||
KATHARINE. What, was your vizard made without a tongue?<br/> | KATHARINE. What, was your vizard made without a tongue?<br/> | ||
LONGAVILLE. I know the reason, lady, why you ask.<br/> | LONGAVILLE. I know the reason, lady, why you ask.<br/> | ||
KATHARINE. O for your reason! Quickly, sir; I long.<br/> | KATHARINE. O for your reason! Quickly, sir; I long.<br/> | ||
LONGAVILLE. You have a double tongue within your mask,<br/> | LONGAVILLE. You have a double tongue within your mask,<br/> | ||
And would afford my speechless vizard half.<br/> | And would afford my speechless vizard half.<br/> | ||
KATHARINE. 'Veal' quoth the Dutchman. Is not 'veal' a calf?<br/> | KATHARINE. 'Veal' quoth the Dutchman. Is not 'veal' a calf?<br/> | ||
LONGAVILLE. A calf, fair lady!<br/> | LONGAVILLE. A calf, fair lady!<br/> | ||
KATHARINE. No, a fair lord calf.<br/> | KATHARINE. No, a fair lord calf.<br/> | ||
LONGAVILLE. Let's part the word.<br/> | LONGAVILLE. Let's part the word.<br/> | ||
KATHARINE. No, I'll not be your half.<br/> | KATHARINE. No, I'll not be your half.<br/> | ||
Take all and wean it; it may prove an ox.<br/> | Take all and wean it; it may prove an ox.<br/> | ||
LONGAVILLE. Look how you butt yourself in these sharp mocks!<br/> | LONGAVILLE. Look how you butt yourself in these sharp mocks!<br/> | ||
Will you give horns, chaste lady? Do not so.<br/> | Will you give horns, chaste lady? Do not so.<br/> | ||
KATHARINE. Then die a calf, before your horns do grow.<br/> | KATHARINE. Then die a calf, before your horns do grow.<br/> | ||
LONGAVILLE. One word in private with you ere I die.<br/> | LONGAVILLE. One word in private with you ere I die.<br/> | ||
KATHARINE. Bleat softly, then; the butcher hears you cry.<br/> | KATHARINE. Bleat softly, then; the butcher hears you cry.<br/> | ||
[They converse apart]<br/> | [They converse apart]<br/> | ||
BOYET. The tongues of mocking wenches are as keen<br/> | BOYET. The tongues of mocking wenches are as keen<br/> | ||
As is the razor's edge invisible,<br/> | As is the razor's edge invisible,<br/> | ||
Cutting a smaller hair than may be seen,<br/> | Cutting a smaller hair than may be seen,<br/> | ||
Above the sense of sense; so sensible<br/> | Above the sense of sense; so sensible<br/> | ||
Seemeth their conference; their conceits have wings,<br/> | Seemeth their conference; their conceits have wings,<br/> | ||
Fleeter than arrows, bullets, wind, thought, swifter things.<br/> | Fleeter than arrows, bullets, wind, thought, swifter things.<br/> | ||
ROSALINE. Not one word more, my maids; break off, break off.<br/> | ROSALINE. Not one word more, my maids; break off, break off.<br/> | ||
BEROWNE. By heaven, all dry-beaten with pure scoff!<br/> | BEROWNE. By heaven, all dry-beaten with pure scoff!<br/> | ||
KING. Farewell, mad wenches; you have simple wits.<br/> | KING. Farewell, mad wenches; you have simple wits.<br/> | ||
Exeunt KING, LORDS, and BLACKAMOORS<br/> | Exeunt KING, LORDS, and BLACKAMOORS<br/> | ||
PRINCESS OF FRANCE. Twenty adieus, my frozen Muscovits.<br/> | PRINCESS OF FRANCE. Twenty adieus, my frozen Muscovits.<br/> | ||
Are these the breed of wits so wondered at?<br/> | Are these the breed of wits so wondered at?<br/> | ||
BOYET. Tapers they are, with your sweet breaths puff'd out.<br/> | BOYET. Tapers they are, with your sweet breaths puff'd out.<br/> | ||
ROSALINE. Well-liking wits they have; gross, gross; fat, fat.<br/> | ROSALINE. Well-liking wits they have; gross, gross; fat, fat.<br/> | ||
PRINCESS OF FRANCE. O poverty in wit, kingly-poor flout!<br/> | PRINCESS OF FRANCE. O poverty in wit, kingly-poor flout!<br/> | ||
Will they not, think you, hang themselves to-night?<br/> | Will they not, think you, hang themselves to-night?<br/> | ||
Or ever but in vizards show their faces?<br/> | Or ever but in vizards show their faces?<br/> | ||
This pert Berowne was out of count'nance quite.<br/> | This pert Berowne was out of count'nance quite.<br/> | ||
ROSALINE. They were all in lamentable cases!<br/> | ROSALINE. They were all in lamentable cases!<br/> | ||
The King was weeping-ripe for a good word.<br/> | The King was weeping-ripe for a good word.<br/> | ||
PRINCESS OF FRANCE. Berowne did swear himself out of all suit.<br/> | PRINCESS OF FRANCE. Berowne did swear himself out of all suit.<br/> | ||
MARIA. Dumain was at my service, and his sword.<br/> | MARIA. Dumain was at my service, and his sword.<br/> | ||
'No point' quoth I; my servant straight was mute.<br/> | 'No point' quoth I; my servant straight was mute.<br/> | ||
KATHARINE. Lord Longaville said I came o'er his heart;<br/> | KATHARINE. Lord Longaville said I came o'er his heart;<br/> | ||
And trow you what he call'd me?<br/> | And trow you what he call'd me?<br/> | ||
PRINCESS OF FRANCE. Qualm, perhaps.<br/> | PRINCESS OF FRANCE. Qualm, perhaps.<br/> | ||
KATHARINE. Yes, in good faith.<br/> | KATHARINE. Yes, in good faith.<br/> | ||
PRINCESS OF FRANCE. Go, sickness as thou art!<br/> | PRINCESS OF FRANCE. Go, sickness as thou art!<br/> | ||
ROSALINE. Well, better wits have worn plain statute-caps.<br/> | ROSALINE. Well, better wits have worn plain statute-caps.<br/> | ||
But will you hear? The King is my love sworn.<br/> | But will you hear? The King is my love sworn.<br/> | ||
PRINCESS OF FRANCE. And quick Berowne hath plighted faith to me.<br/> | PRINCESS OF FRANCE. And quick Berowne hath plighted faith to me.<br/> | ||
KATHARINE. And Longaville was for my service born.<br/> | KATHARINE. And Longaville was for my service born.<br/> | ||
MARIA. Dumain is mine, as sure as bark on tree.<br/> | MARIA. Dumain is mine, as sure as bark on tree.<br/> | ||
BOYET. Madam, and pretty mistresses, give ear:<br/> | BOYET. Madam, and pretty mistresses, give ear:<br/> | ||
Immediately they will again be here<br/> | Immediately they will again be here<br/> | ||
In their own shapes; for it can never be<br/> | In their own shapes; for it can never be<br/> | ||
They will digest this harsh indignity.<br/> | They will digest this harsh indignity.<br/> | ||
PRINCESS OF FRANCE. Will they return?<br/> | PRINCESS OF FRANCE. Will they return?<br/> | ||
BOYET. They will, they will, God knows,<br/> | BOYET. They will, they will, God knows,<br/> | ||
And leap for joy, though they are lame with blows;<br/> | And leap for joy, though they are lame with blows;<br/> | ||
Therefore, change favours; and, when they repair,<br/> | Therefore, change favours; and, when they repair,<br/> | ||
Blow like sweet roses in this summer air.<br/> | Blow like sweet roses in this summer air.<br/> | ||
PRINCESS OF FRANCE. How blow? how blow? Speak to be understood.<br/> | PRINCESS OF FRANCE. How blow? how blow? Speak to be understood.<br/> | ||
BOYET. Fair ladies mask'd are roses in their bud:<br/> | BOYET. Fair ladies mask'd are roses in their bud:<br/> | ||
Dismask'd, their damask sweet commixture shown,<br/> | Dismask'd, their damask sweet commixture shown,<br/> | ||
Are angels vailing clouds, or roses blown.<br/> | Are angels vailing clouds, or roses blown.<br/> | ||
PRINCESS OF FRANCE. Avaunt, perplexity! What shall we do<br/> | PRINCESS OF FRANCE. Avaunt, perplexity! What shall we do<br/> | ||
If they return in their own shapes to woo?<br/> | If they return in their own shapes to woo?<br/> | ||
ROSALINE. Good madam, if by me you'll be advis'd,<br/> | ROSALINE. Good madam, if by me you'll be advis'd,<br/> | ||
Let's mock them still, as well known as disguis'd.<br/> | Let's mock them still, as well known as disguis'd.<br/> | ||
Let us complain to them what fools were here,<br/> | Let us complain to them what fools were here,<br/> | ||
Disguis'd like Muscovites, in shapeless gear;<br/> | Disguis'd like Muscovites, in shapeless gear;<br/> | ||
And wonder what they were, and to what end<br/> | And wonder what they were, and to what end<br/> | ||
Their shallow shows and prologue vilely penn'd,<br/> | Their shallow shows and prologue vilely penn'd,<br/> | ||
And their rough carriage so ridiculous,<br/> | And their rough carriage so ridiculous,<br/> | ||
Should be presented at our tent to us.<br/> | Should be presented at our tent to us.<br/> | ||
BOYET. Ladies, withdraw; the gallants are at hand.<br/> | BOYET. Ladies, withdraw; the gallants are at hand.<br/> | ||
PRINCESS OF FRANCE. Whip to our tents, as roes run o'er land.<br/> | PRINCESS OF FRANCE. Whip to our tents, as roes run o'er land.<br/> | ||
Exeunt PRINCESS, ROSALINE, KATHARINE, and MARIA<br/> | Exeunt PRINCESS, ROSALINE, KATHARINE, and MARIA<br/> | ||
</p> | </p> | ||
<p> Re-enter the KING, BEROWNE, LONGAVILLE, and DUMAIN,<br/> | <p> Re-enter the KING, BEROWNE, LONGAVILLE, and DUMAIN,<br/> | ||
in their proper habits<br/> | in their proper habits<br/> | ||
</p> | </p> | ||
<p> KING. Fair sir, God save you! Where's the Princess?<br/> | <p> KING. Fair sir, God save you! Where's the Princess?<br/> | ||
BOYET. Gone to her tent. Please it your Majesty<br/> | BOYET. Gone to her tent. Please it your Majesty<br/> | ||
Command me any service to her thither?<br/> | Command me any service to her thither?<br/> | ||
KING. That she vouchsafe me audience for one word.<br/> | KING. That she vouchsafe me audience for one word.<br/> | ||
BOYET. I will; and so will she, I know, my lord. Exit<br/> | BOYET. I will; and so will she, I know, my lord. Exit<br/> | ||
BEROWNE. This fellow pecks up wit as pigeons pease,<br/> | BEROWNE. This fellow pecks up wit as pigeons pease,<br/> | ||
And utters it again when God doth please.<br/> | And utters it again when God doth please.<br/> | ||
He is wit's pedlar, and retails his wares<br/> | He is wit's pedlar, and retails his wares<br/> | ||
At wakes, and wassails, meetings, markets, fairs;<br/> | At wakes, and wassails, meetings, markets, fairs;<br/> | ||
And we that sell by gross, the Lord doth know,<br/> | And we that sell by gross, the Lord doth know,<br/> | ||
Have not the grace to grace it with such show.<br/> | Have not the grace to grace it with such show.<br/> | ||
This gallant pins the wenches on his sleeve;<br/> | This gallant pins the wenches on his sleeve;<br/> | ||
Had he been Adam, he had tempted Eve.<br/> | Had he been Adam, he had tempted Eve.<br/> | ||
'A can carve too, and lisp; why this is he<br/> | 'A can carve too, and lisp; why this is he<br/> | ||
That kiss'd his hand away in courtesy;<br/> | That kiss'd his hand away in courtesy;<br/> | ||
This is the ape of form, Monsieur the Nice,<br/> | This is the ape of form, Monsieur the Nice,<br/> | ||
That, when he plays at tables, chides the dice<br/> | That, when he plays at tables, chides the dice<br/> | ||
In honourable terms; nay, he can sing<br/> | In honourable terms; nay, he can sing<br/> | ||
A mean most meanly; and in ushering,<br/> | A mean most meanly; and in ushering,<br/> | ||
Mend him who can. The ladies call him sweet;<br/> | Mend him who can. The ladies call him sweet;<br/> | ||
The stairs, as he treads on them, kiss his feet.<br/> | The stairs, as he treads on them, kiss his feet.<br/> | ||
This is the flow'r that smiles on every one,<br/> | This is the flow'r that smiles on every one,<br/> | ||
To show his teeth as white as whales-bone;<br/> | To show his teeth as white as whales-bone;<br/> | ||
And consciences that will not die in debt<br/> | And consciences that will not die in debt<br/> | ||
Pay him the due of 'honey-tongued Boyet.'<br/> | Pay him the due of 'honey-tongued Boyet.'<br/> | ||
KING. A blister on his sweet tongue, with my heart,<br/> | KING. A blister on his sweet tongue, with my heart,<br/> | ||
That put Armado's page out of his part!<br/> | That put Armado's page out of his part!<br/> | ||
</p> | </p> | ||
<p> Re-enter the PRINCESS, ushered by BOYET; ROSALINE,<br/> | <p> Re-enter the PRINCESS, ushered by BOYET; ROSALINE,<br/> | ||
MARIA, and KATHARINE<br/> | MARIA, and KATHARINE<br/> | ||
</p> | </p> | ||
<p> BEROWNE. See where it comes! Behaviour, what wert thou<br/> | <p> BEROWNE. See where it comes! Behaviour, what wert thou<br/> | ||
Till this man show'd thee? And what art thou now?<br/> | Till this man show'd thee? And what art thou now?<br/> | ||
KING. All hail, sweet madam, and fair time of day!<br/> | KING. All hail, sweet madam, and fair time of day!<br/> | ||
PRINCESS OF FRANCE. 'Fair' in 'all hail' is foul, as I conceive.<br/> | PRINCESS OF FRANCE. 'Fair' in 'all hail' is foul, as I conceive.<br/> | ||
KING. Construe my speeches better, if you may.<br/> | KING. Construe my speeches better, if you may.<br/> | ||
PRINCESS OF FRANCE. Then wish me better; I will give you leave.<br/> | PRINCESS OF FRANCE. Then wish me better; I will give you leave.<br/> | ||
KING. We came to visit you, and purpose now<br/> | KING. We came to visit you, and purpose now<br/> | ||
To lead you to our court; vouchsafe it then.<br/> | To lead you to our court; vouchsafe it then.<br/> | ||
PRINCESS OF FRANCE. This field shall hold me, and so hold your vow:<br/> | PRINCESS OF FRANCE. This field shall hold me, and so hold your vow:<br/> | ||
Nor God, nor I, delights in perjur'd men.<br/> | Nor God, nor I, delights in perjur'd men.<br/> | ||
KING. Rebuke me not for that which you provoke.<br/> | KING. Rebuke me not for that which you provoke.<br/> | ||
The virtue of your eye must break my oath.<br/> | The virtue of your eye must break my oath.<br/> | ||
PRINCESS OF FRANCE. You nickname virtue: vice you should have<br/> | PRINCESS OF FRANCE. You nickname virtue: vice you should have<br/> | ||
spoke;<br/> | spoke;<br/> | ||
For virtue's office never breaks men's troth.<br/> | For virtue's office never breaks men's troth.<br/> | ||
Now by my maiden honour, yet as pure<br/> | Now by my maiden honour, yet as pure<br/> | ||
As the unsullied lily, I protest,<br/> | As the unsullied lily, I protest,<br/> | ||
A world of torments though I should endure,<br/> | A world of torments though I should endure,<br/> | ||
I would not yield to be your house's guest;<br/> | I would not yield to be your house's guest;<br/> | ||
So much I hate a breaking cause to be<br/> | So much I hate a breaking cause to be<br/> | ||
Of heavenly oaths, vowed with integrity.<br/> | Of heavenly oaths, vowed with integrity.<br/> | ||
KING. O, you have liv'd in desolation here,<br/> | KING. O, you have liv'd in desolation here,<br/> | ||
Unseen, unvisited, much to our shame.<br/> | Unseen, unvisited, much to our shame.<br/> | ||
PRINCESS OF FRANCE. Not so, my lord; it is not so, I swear;<br/> | PRINCESS OF FRANCE. Not so, my lord; it is not so, I swear;<br/> | ||
We have had pastimes here, and pleasant game;<br/> | We have had pastimes here, and pleasant game;<br/> | ||
A mess of Russians left us but of late.<br/> | A mess of Russians left us but of late.<br/> | ||
KING. How, madam! Russians!<br/> | KING. How, madam! Russians!<br/> | ||
PRINCESS OF FRANCE. Ay, in truth, my lord;<br/> | PRINCESS OF FRANCE. Ay, in truth, my lord;<br/> | ||
Trim gallants, full of courtship and of state.<br/> | Trim gallants, full of courtship and of state.<br/> | ||
ROSALINE. Madam, speak true. It is not so, my lord.<br/> | ROSALINE. Madam, speak true. It is not so, my lord.<br/> | ||
My lady, to the manner of the days,<br/> | My lady, to the manner of the days,<br/> | ||
In courtesy gives undeserving praise.<br/> | In courtesy gives undeserving praise.<br/> | ||
We four indeed confronted were with four<br/> | We four indeed confronted were with four<br/> | ||
In Russian habit; here they stayed an hour<br/> | In Russian habit; here they stayed an hour<br/> | ||
And talk'd apace; and in that hour, my lord,<br/> | And talk'd apace; and in that hour, my lord,<br/> | ||
They did not bless us with one happy word.<br/> | They did not bless us with one happy word.<br/> | ||
I dare not call them fools; but this I think,<br/> | I dare not call them fools; but this I think,<br/> | ||
When they are thirsty, fools would fain have drink.<br/> | When they are thirsty, fools would fain have drink.<br/> | ||
BEROWNE. This jest is dry to me. Fair gentle sweet,<br/> | BEROWNE. This jest is dry to me. Fair gentle sweet,<br/> | ||
Your wit makes wise things foolish; when we greet,<br/> | Your wit makes wise things foolish; when we greet,<br/> | ||
With eyes best seeing, heaven's fiery eye,<br/> | With eyes best seeing, heaven's fiery eye,<br/> | ||
By light we lose light; your capacity<br/> | By light we lose light; your capacity<br/> | ||
Is of that nature that to your huge store<br/> | Is of that nature that to your huge store<br/> | ||
Wise things seem foolish and rich things but poor.<br/> | Wise things seem foolish and rich things but poor.<br/> | ||
ROSALINE. This proves you wise and rich, for in my eye-<br/> | ROSALINE. This proves you wise and rich, for in my eye-<br/> | ||
BEROWNE. I am a fool, and full of poverty.<br/> | BEROWNE. I am a fool, and full of poverty.<br/> | ||
ROSALINE. But that you take what doth to you belong,<br/> | ROSALINE. But that you take what doth to you belong,<br/> | ||
It were a fault to snatch words from my tongue.<br/> | It were a fault to snatch words from my tongue.<br/> | ||
BEROWNE. O, I am yours, and all that I possess.<br/> | BEROWNE. O, I am yours, and all that I possess.<br/> | ||
ROSALINE. All the fool mine?<br/> | ROSALINE. All the fool mine?<br/> | ||
BEROWNE. I cannot give you less.<br/> | BEROWNE. I cannot give you less.<br/> | ||
ROSALINE. Which of the vizards was it that you wore?<br/> | ROSALINE. Which of the vizards was it that you wore?<br/> | ||
BEROWNE. Where? when? what vizard? Why demand you this?<br/> | BEROWNE. Where? when? what vizard? Why demand you this?<br/> | ||
ROSALINE. There, then, that vizard; that superfluous case<br/> | ROSALINE. There, then, that vizard; that superfluous case<br/> | ||
That hid the worse and show'd the better face.<br/> | That hid the worse and show'd the better face.<br/> | ||
KING. We were descried; they'll mock us now downright.<br/> | KING. We were descried; they'll mock us now downright.<br/> | ||
DUMAIN. Let us confess, and turn it to a jest.<br/> | DUMAIN. Let us confess, and turn it to a jest.<br/> | ||
PRINCESS OF FRANCE. Amaz'd, my lord? Why looks your Highness sad?<br/> | PRINCESS OF FRANCE. Amaz'd, my lord? Why looks your Highness sad?<br/> | ||
ROSALINE. Help, hold his brows! he'll swoon! Why look you pale?<br/> | ROSALINE. Help, hold his brows! he'll swoon! Why look you pale?<br/> | ||
Sea-sick, I think, coming from Muscovy.<br/> | Sea-sick, I think, coming from Muscovy.<br/> | ||
BEROWNE. Thus pour the stars down plagues for perjury.<br/> | BEROWNE. Thus pour the stars down plagues for perjury.<br/> | ||
Can any face of brass hold longer out?<br/> | Can any face of brass hold longer out?<br/> | ||
Here stand I, lady- dart thy skill at me,<br/> | Here stand I, lady- dart thy skill at me,<br/> | ||
Bruise me with scorn, confound me with a flout,<br/> | Bruise me with scorn, confound me with a flout,<br/> | ||
Thrust thy sharp wit quite through my ignorance,<br/> | Thrust thy sharp wit quite through my ignorance,<br/> | ||
Cut me to pieces with thy keen conceit;<br/> | Cut me to pieces with thy keen conceit;<br/> | ||
And I will wish thee never more to dance,<br/> | And I will wish thee never more to dance,<br/> | ||
Nor never more in Russian habit wait.<br/> | Nor never more in Russian habit wait.<br/> | ||
O, never will I trust to speeches penn'd,<br/> | O, never will I trust to speeches penn'd,<br/> | ||
Nor to the motion of a school-boy's tongue,<br/> | Nor to the motion of a school-boy's tongue,<br/> | ||
Nor never come in vizard to my friend,<br/> | Nor never come in vizard to my friend,<br/> | ||
Nor woo in rhyme, like a blind harper's song.<br/> | Nor woo in rhyme, like a blind harper's song.<br/> | ||
Taffeta phrases, silken terms precise,<br/> | Taffeta phrases, silken terms precise,<br/> | ||
Three-pil'd hyperboles, spruce affectation,<br/> | Three-pil'd hyperboles, spruce affectation,<br/> | ||
Figures pedantical- these summer-flies<br/> | Figures pedantical- these summer-flies<br/> | ||
Have blown me full of maggot ostentation.<br/> | Have blown me full of maggot ostentation.<br/> | ||
I do forswear them; and I here protest,<br/> | I do forswear them; and I here protest,<br/> | ||
By this white glove- how white the hand, God knows!-<br/> | By this white glove- how white the hand, God knows!-<br/> | ||
Henceforth my wooing mind shall be express'd<br/> | Henceforth my wooing mind shall be express'd<br/> | ||
In russet yeas, and honest kersey noes.<br/> | In russet yeas, and honest kersey noes.<br/> | ||
And, to begin, wench- so God help me, law!-<br/> | And, to begin, wench- so God help me, law!-<br/> | ||
My love to thee is sound, sans crack or flaw.<br/> | My love to thee is sound, sans crack or flaw.<br/> | ||
ROSALINE. Sans 'sans,' I pray you.<br/> | ROSALINE. Sans 'sans,' I pray you.<br/> | ||
BEROWNE. Yet I have a trick<br/> | BEROWNE. Yet I have a trick<br/> | ||
Of the old rage; bear with me, I am sick;<br/> | Of the old rage; bear with me, I am sick;<br/> | ||
I'll leave it by degrees. Soft, let us see-<br/> | I'll leave it by degrees. Soft, let us see-<br/> | ||
Write 'Lord have mercy on us' on those three;<br/> | Write 'Lord have mercy on us' on those three;<br/> | ||
They are infected; in their hearts it lies;<br/> | They are infected; in their hearts it lies;<br/> | ||
They have the plague, and caught it of your eyes.<br/> | They have the plague, and caught it of your eyes.<br/> | ||
These lords are visited; you are not free,<br/> | These lords are visited; you are not free,<br/> | ||
For the Lord's tokens on you do I see.<br/> | For the Lord's tokens on you do I see.<br/> | ||
PRINCESS OF FRANCE. No, they are free that gave these tokens to us.<br/> | PRINCESS OF FRANCE. No, they are free that gave these tokens to us.<br/> | ||
BEROWNE. Our states are forfeit; seek not to undo us.<br/> | BEROWNE. Our states are forfeit; seek not to undo us.<br/> | ||
ROSALINE. It is not so; for how can this be true,<br/> | ROSALINE. It is not so; for how can this be true,<br/> | ||
That you stand forfeit, being those that sue?<br/> | That you stand forfeit, being those that sue?<br/> | ||
BEROWNE. Peace; for I will not have to do with you.<br/> | BEROWNE. Peace; for I will not have to do with you.<br/> | ||
ROSALINE. Nor shall not, if I do as I intend.<br/> | ROSALINE. Nor shall not, if I do as I intend.<br/> | ||
BEROWNE. Speak for yourselves; my wit is at an end.<br/> | BEROWNE. Speak for yourselves; my wit is at an end.<br/> | ||
KING. Teach us, sweet madam, for our rude transgression<br/> | KING. Teach us, sweet madam, for our rude transgression<br/> | ||
Some fair excuse.<br/> | Some fair excuse.<br/> | ||
PRINCESS OF FRANCE. The fairest is confession.<br/> | PRINCESS OF FRANCE. The fairest is confession.<br/> | ||
Were not you here but even now, disguis'd?<br/> | Were not you here but even now, disguis'd?<br/> | ||
KING. Madam, I was.<br/> | KING. Madam, I was.<br/> | ||
PRINCESS OF FRANCE. And were you well advis'd?<br/> | PRINCESS OF FRANCE. And were you well advis'd?<br/> | ||
KING. I was, fair madam.<br/> | KING. I was, fair madam.<br/> | ||
PRINCESS OF FRANCE. When you then were here,<br/> | PRINCESS OF FRANCE. When you then were here,<br/> | ||
What did you whisper in your lady's ear?<br/> | What did you whisper in your lady's ear?<br/> | ||
KING. That more than all the world I did respect her.<br/> | KING. That more than all the world I did respect her.<br/> | ||
PRINCESS OF FRANCE. When she shall challenge this, you will reject<br/> | PRINCESS OF FRANCE. When she shall challenge this, you will reject<br/> | ||
her.<br/> | her.<br/> | ||
KING. Upon mine honour, no.<br/> | KING. Upon mine honour, no.<br/> | ||
PRINCESS OF FRANCE. Peace, peace, forbear;<br/> | PRINCESS OF FRANCE. Peace, peace, forbear;<br/> | ||
Your oath once broke, you force not to forswear.<br/> | Your oath once broke, you force not to forswear.<br/> | ||
KING. Despise me when I break this oath of mine.<br/> | KING. Despise me when I break this oath of mine.<br/> | ||
PRINCESS OF FRANCE. I will; and therefore keep it. Rosaline,<br/> | PRINCESS OF FRANCE. I will; and therefore keep it. Rosaline,<br/> | ||
What did the Russian whisper in your ear?<br/> | What did the Russian whisper in your ear?<br/> | ||
ROSALINE. Madam, he swore that he did hold me dear<br/> | ROSALINE. Madam, he swore that he did hold me dear<br/> | ||
As precious eyesight, and did value me<br/> | As precious eyesight, and did value me<br/> | ||
Above this world; adding thereto, moreover,<br/> | Above this world; adding thereto, moreover,<br/> | ||
That he would wed me, or else die my lover.<br/> | That he would wed me, or else die my lover.<br/> | ||
PRINCESS OF FRANCE. God give thee joy of him! The noble lord<br/> | PRINCESS OF FRANCE. God give thee joy of him! The noble lord<br/> | ||
Most honourably doth uphold his word.<br/> | Most honourably doth uphold his word.<br/> | ||
KING. What mean you, madam? By my life, my troth,<br/> | KING. What mean you, madam? By my life, my troth,<br/> | ||
I never swore this lady such an oath.<br/> | I never swore this lady such an oath.<br/> | ||
ROSALINE. By heaven, you did; and, to confirm it plain,<br/> | ROSALINE. By heaven, you did; and, to confirm it plain,<br/> | ||
You gave me this; but take it, sir, again.<br/> | You gave me this; but take it, sir, again.<br/> | ||
KING. My faith and this the Princess I did give;<br/> | KING. My faith and this the Princess I did give;<br/> | ||
I knew her by this jewel on her sleeve.<br/> | I knew her by this jewel on her sleeve.<br/> | ||
PRINCESS OF FRANCE. Pardon me, sir, this jewel did she wear;<br/> | PRINCESS OF FRANCE. Pardon me, sir, this jewel did she wear;<br/> | ||
And Lord Berowne, I thank him, is my dear.<br/> | And Lord Berowne, I thank him, is my dear.<br/> | ||
What, will you have me, or your pearl again?<br/> | What, will you have me, or your pearl again?<br/> | ||
BEROWNE. Neither of either; I remit both twain.<br/> | BEROWNE. Neither of either; I remit both twain.<br/> | ||
I see the trick on't: here was a consent,<br/> | I see the trick on't: here was a consent,<br/> | ||
Knowing aforehand of our merriment,<br/> | Knowing aforehand of our merriment,<br/> | ||
To dash it like a Christmas comedy.<br/> | To dash it like a Christmas comedy.<br/> | ||
Some carry-tale, some please-man, some slight zany,<br/> | Some carry-tale, some please-man, some slight zany,<br/> | ||
Some mumble-news, some trencher-knight, some Dick,<br/> | Some mumble-news, some trencher-knight, some Dick,<br/> | ||
That smiles his cheek in years and knows the trick<br/> | That smiles his cheek in years and knows the trick<br/> | ||
To make my lady laugh when she's dispos'd,<br/> | To make my lady laugh when she's dispos'd,<br/> | ||
Told our intents before; which once disclos'd,<br/> | Told our intents before; which once disclos'd,<br/> | ||
The ladies did change favours; and then we,<br/> | The ladies did change favours; and then we,<br/> | ||
Following the signs, woo'd but the sign of she.<br/> | Following the signs, woo'd but the sign of she.<br/> | ||
Now, to our perjury to add more terror,<br/> | Now, to our perjury to add more terror,<br/> | ||
We are again forsworn in will and error.<br/> | We are again forsworn in will and error.<br/> | ||
Much upon this it is; [To BOYET] and might not you<br/> | Much upon this it is; [To BOYET] and might not you<br/> | ||
Forestall our sport, to make us thus untrue?<br/> | Forestall our sport, to make us thus untrue?<br/> | ||
Do not you know my lady's foot by th' squier,<br/> | Do not you know my lady's foot by th' squier,<br/> | ||
And laugh upon the apple of her eye?<br/> | And laugh upon the apple of her eye?<br/> | ||
And stand between her back, sir, and the fire,<br/> | And stand between her back, sir, and the fire,<br/> | ||
Holding a trencher, jesting merrily?<br/> | Holding a trencher, jesting merrily?<br/> | ||
You put our page out. Go, you are allow'd;<br/> | You put our page out. Go, you are allow'd;<br/> | ||
Die when you will, a smock shall be your shroud.<br/> | Die when you will, a smock shall be your shroud.<br/> | ||
You leer upon me, do you? There's an eye<br/> | You leer upon me, do you? There's an eye<br/> | ||
Wounds like a leaden sword.<br/> | Wounds like a leaden sword.<br/> | ||
BOYET. Full merrily<br/> | BOYET. Full merrily<br/> | ||
Hath this brave manage, this career, been run.<br/> | Hath this brave manage, this career, been run.<br/> | ||
BEROWNE. Lo, he is tilting straight! Peace; I have done.<br/> | BEROWNE. Lo, he is tilting straight! Peace; I have done.<br/> | ||
</p> | </p> | ||
Line 2,479: | Line 4,814: | ||
<p> Welcome, pure wit! Thou part'st a fair fray.<br/> | <p> Welcome, pure wit! Thou part'st a fair fray.<br/> | ||
COSTARD. O Lord, sir, they would know<br/> | COSTARD. O Lord, sir, they would know<br/> | ||
Whether the three Worthies shall come in or no?<br/> | Whether the three Worthies shall come in or no?<br/> | ||
BEROWNE. What, are there but three?<br/> | BEROWNE. What, are there but three?<br/> | ||
COSTARD. No, sir; but it is vara fine,<br/> | COSTARD. No, sir; but it is vara fine,<br/> | ||
For every one pursents three.<br/> | For every one pursents three.<br/> | ||
BEROWNE. And three times thrice is nine.<br/> | BEROWNE. And three times thrice is nine.<br/> | ||
COSTARD. Not so, sir; under correction, sir,<br/> | COSTARD. Not so, sir; under correction, sir,<br/> | ||
I hope it is not so.<br/> | I hope it is not so.<br/> | ||
You cannot beg us, sir, I can assure you, sir; we know what we<br/> | You cannot beg us, sir, I can assure you, sir; we know what we<br/> | ||
know;<br/> | know;<br/> | ||
I hope, sir, three times thrice, sir-<br/> | I hope, sir, three times thrice, sir-<br/> | ||
BEROWNE. Is not nine.<br/> | BEROWNE. Is not nine.<br/> | ||
COSTARD. Under correction, sir, we know whereuntil it doth amount.<br/> | COSTARD. Under correction, sir, we know whereuntil it doth amount.<br/> | ||
BEROWNE. By Jove, I always took three threes for nine.<br/> | BEROWNE. By Jove, I always took three threes for nine.<br/> | ||
COSTARD. O Lord, sir, it were pity you should get your living by<br/> | COSTARD. O Lord, sir, it were pity you should get your living by<br/> | ||
reck'ning, sir.<br/> | reck'ning, sir.<br/> | ||
BEROWNE. How much is it?<br/> | BEROWNE. How much is it?<br/> | ||
COSTARD. O Lord, sir, the parties themselves, the actors, sir, will<br/> | COSTARD. O Lord, sir, the parties themselves, the actors, sir, will<br/> | ||
show whereuntil it doth amount. For mine own part, I am, as they<br/> | show whereuntil it doth amount. For mine own part, I am, as they<br/> | ||
say, but to parfect one man in one poor man, Pompion the Great,<br/> | say, but to parfect one man in one poor man, Pompion the Great,<br/> | ||
sir.<br/> | sir.<br/> | ||
BEROWNE. Art thou one of the Worthies?<br/> | BEROWNE. Art thou one of the Worthies?<br/> | ||
COSTARD. It pleased them to think me worthy of Pompey the Great;<br/> | COSTARD. It pleased them to think me worthy of Pompey the Great;<br/> | ||
for mine own part, I know not the degree of the Worthy; but I am<br/> | for mine own part, I know not the degree of the Worthy; but I am<br/> | ||
to stand for him.<br/> | to stand for him.<br/> | ||
BEROWNE. Go, bid them prepare.<br/> | BEROWNE. Go, bid them prepare.<br/> | ||
COSTARD. We will turn it finely off, sir; we will take some care.<br/> | COSTARD. We will turn it finely off, sir; we will take some care.<br/> | ||
Exit COSTARD<br/> | Exit COSTARD<br/> | ||
KING. Berowne, they will shame us; let them not approach.<br/> | KING. Berowne, they will shame us; let them not approach.<br/> | ||
BEROWNE. We are shame-proof, my lord, and 'tis some policy<br/> | BEROWNE. We are shame-proof, my lord, and 'tis some policy<br/> | ||
To have one show worse than the King's and his company.<br/> | To have one show worse than the King's and his company.<br/> | ||
KING. I say they shall not come.<br/> | KING. I say they shall not come.<br/> | ||
PRINCESS OF FRANCE. Nay, my good lord, let me o'errule you now.<br/> | PRINCESS OF FRANCE. Nay, my good lord, let me o'errule you now.<br/> | ||
That sport best pleases that doth least know how;<br/> | That sport best pleases that doth least know how;<br/> | ||
Where zeal strives to content, and the contents<br/> | Where zeal strives to content, and the contents<br/> | ||
Dies in the zeal of that which it presents.<br/> | Dies in the zeal of that which it presents.<br/> | ||
Their form confounded makes most form in mirth,<br/> | Their form confounded makes most form in mirth,<br/> | ||
When great things labouring perish in their birth.<br/> | When great things labouring perish in their birth.<br/> | ||
BEROWNE. A right description of our sport, my lord.<br/> | BEROWNE. A right description of our sport, my lord.<br/> | ||
</p> | </p> | ||
Line 2,523: | Line 4,898: | ||
<p> ARMADO. Anointed, I implore so much expense of thy royal sweet<br/> | <p> ARMADO. Anointed, I implore so much expense of thy royal sweet<br/> | ||
breath as will utter a brace of words.<br/> | breath as will utter a brace of words.<br/> | ||
[Converses apart with the KING, and delivers a paper]<br/> | [Converses apart with the KING, and delivers a paper]<br/> | ||
PRINCESS OF FRANCE. Doth this man serve God?<br/> | PRINCESS OF FRANCE. Doth this man serve God?<br/> | ||
BEROWNE. Why ask you?<br/> | BEROWNE. Why ask you?<br/> | ||
PRINCESS OF FRANCE. 'A speaks not like a man of God his making.<br/> | PRINCESS OF FRANCE. 'A speaks not like a man of God his making.<br/> | ||
ARMADO. That is all one, my fair, sweet, honey monarch; for, I<br/> | ARMADO. That is all one, my fair, sweet, honey monarch; for, I<br/> | ||
protest, the schoolmaster is exceeding fantastical; too too vain,<br/> | protest, the schoolmaster is exceeding fantastical; too too vain,<br/> | ||
too too vain; but we will put it, as they say, to fortuna de la<br/> | too too vain; but we will put it, as they say, to fortuna de la<br/> | ||
guerra. I wish you the peace of mind, most royal couplement!<br/> | guerra. I wish you the peace of mind, most royal couplement!<br/> | ||
Exit ARMADO<br/> | Exit ARMADO<br/> | ||
KING. Here is like to be a good presence of Worthies. He presents<br/> | KING. Here is like to be a good presence of Worthies. He presents<br/> | ||
Hector of Troy; the swain, Pompey the Great; the parish curate,<br/> | Hector of Troy; the swain, Pompey the Great; the parish curate,<br/> | ||
Alexander; Arinado's page, Hercules; the pedant, Judas<br/> | Alexander; Arinado's page, Hercules; the pedant, Judas<br/> | ||
Maccabaeus.<br/> | Maccabaeus.<br/> | ||
And if these four Worthies in their first show thrive,<br/> | And if these four Worthies in their first show thrive,<br/> | ||
These four will change habits and present the other five.<br/> | These four will change habits and present the other five.<br/> | ||
BEROWNE. There is five in the first show.<br/> | BEROWNE. There is five in the first show.<br/> | ||
KING. You are deceived, 'tis not so.<br/> | KING. You are deceived, 'tis not so.<br/> | ||
BEROWNE. The pedant, the braggart, the hedge-priest, the fool, and<br/> | BEROWNE. The pedant, the braggart, the hedge-priest, the fool, and<br/> | ||
the boy:<br/> | the boy:<br/> | ||
Abate throw at novum, and the whole world again<br/> | Abate throw at novum, and the whole world again<br/> | ||
Cannot pick out five such, take each one in his vein.<br/> | Cannot pick out five such, take each one in his vein.<br/> | ||
KING. The ship is under sail, and here she comes amain.<br/> | KING. The ship is under sail, and here she comes amain.<br/> | ||
</p> | </p> | ||
Line 2,551: | Line 4,950: | ||
<p> COSTARD. I Pompey am-<br/> | <p> COSTARD. I Pompey am-<br/> | ||
BEROWNE. You lie, you are not he.<br/> | BEROWNE. You lie, you are not he.<br/> | ||
COSTARD. I Pompey am-<br/> | COSTARD. I Pompey am-<br/> | ||
BOYET. With libbard's head on knee.<br/> | BOYET. With libbard's head on knee.<br/> | ||
BEROWNE. Well said, old mocker; I must needs be friends with thee.<br/> | BEROWNE. Well said, old mocker; I must needs be friends with thee.<br/> | ||
COSTARD. I Pompey am, Pompey surnam'd the Big-<br/> | COSTARD. I Pompey am, Pompey surnam'd the Big-<br/> | ||
DUMAIN. The Great.<br/> | DUMAIN. The Great.<br/> | ||
COSTARD. It is Great, sir.<br/> | COSTARD. It is Great, sir.<br/> | ||
Pompey surnam'd the Great,<br/> | Pompey surnam'd the Great,<br/> | ||
That oft in field, with targe and shield, did make my foe to<br/> | That oft in field, with targe and shield, did make my foe to<br/> | ||
sweat;<br/> | sweat;<br/> | ||
And travelling along this coast, I bere am come by chance,<br/> | And travelling along this coast, I bere am come by chance,<br/> | ||
And lay my arms before the legs of this sweet lass of France.<br/> | And lay my arms before the legs of this sweet lass of France.<br/> | ||
</p> | </p> | ||
<p> If your ladyship would say 'Thanks, Pompey,' I had done.<br/> | <p> If your ladyship would say 'Thanks, Pompey,' I had done.<br/> | ||
PRINCESS OF FRANCE. Great thanks, great Pompey.<br/> | PRINCESS OF FRANCE. Great thanks, great Pompey.<br/> | ||
COSTARD. 'Tis not so much worth; but I hope I was perfect.<br/> | COSTARD. 'Tis not so much worth; but I hope I was perfect.<br/> | ||
I made a little fault in Great.<br/> | I made a little fault in Great.<br/> | ||
BEROWNE. My hat to a halfpenny, Pompey proves the best Worthy.<br/> | BEROWNE. My hat to a halfpenny, Pompey proves the best Worthy.<br/> | ||
</p> | </p> | ||
Line 2,575: | Line 4,992: | ||
<p> NATHANIEL. When in the world I liv'd, I was the world's commander;<br/> | <p> NATHANIEL. When in the world I liv'd, I was the world's commander;<br/> | ||
By east, west, north, and south, I spread my conquering might.<br/> | By east, west, north, and south, I spread my conquering might.<br/> | ||
My scutcheon plain declares that I am Alisander-<br/> | My scutcheon plain declares that I am Alisander-<br/> | ||
BOYET. Your nose says, no, you are not; for it stands to right.<br/> | BOYET. Your nose says, no, you are not; for it stands to right.<br/> | ||
BEROWNE. Your nose smells 'no' in this, most tender-smelling<br/> | BEROWNE. Your nose smells 'no' in this, most tender-smelling<br/> | ||
knight.<br/> | knight.<br/> | ||
PRINCESS OF FRANCE. The conqueror is dismay'd. Proceed, good<br/> | PRINCESS OF FRANCE. The conqueror is dismay'd. Proceed, good<br/> | ||
Alexander.<br/> | Alexander.<br/> | ||
NATHANIEL. When in the world I liv'd, I was the world's commander-<br/> | NATHANIEL. When in the world I liv'd, I was the world's commander-<br/> | ||
BOYET. Most true, 'tis right, you were so, Alisander.<br/> | BOYET. Most true, 'tis right, you were so, Alisander.<br/> | ||
BEROWNE. Pompey the Great!<br/> | BEROWNE. Pompey the Great!<br/> | ||
COSTARD. Your servant, and Costard.<br/> | COSTARD. Your servant, and Costard.<br/> | ||
BEROWNE. Take away the conqueror, take away Alisander.<br/> | BEROWNE. Take away the conqueror, take away Alisander.<br/> | ||
COSTARD. [To Sir Nathaniel] O, Sir, you have overthrown Alisander<br/> | COSTARD. [To Sir Nathaniel] O, Sir, you have overthrown Alisander<br/> | ||
the conqueror! You will be scrap'd out of the painted cloth for<br/> | the conqueror! You will be scrap'd out of the painted cloth for<br/> | ||
this. Your lion, that holds his poleaxe sitting on a close-stool,<br/> | this. Your lion, that holds his poleaxe sitting on a close-stool,<br/> | ||
will be given to Ajax. He will be the ninth Worthy. A conqueror<br/> | will be given to Ajax. He will be the ninth Worthy. A conqueror<br/> | ||
and afeard to speak! Run away for shame, Alisander.<br/> | and afeard to speak! Run away for shame, Alisander.<br/> | ||
[Sir Nathaniel retires] There, an't shall please you, a foolish<br/> | [Sir Nathaniel retires] There, an't shall please you, a foolish<br/> | ||
mild man; an honest man, look you, and soon dash'd. He is a<br/> | mild man; an honest man, look you, and soon dash'd. He is a<br/> | ||
marvellous good neighbour, faith, and a very good bowler; but for<br/> | marvellous good neighbour, faith, and a very good bowler; but for<br/> | ||
Alisander- alas! you see how 'tis- a little o'erparted. But there<br/> | Alisander- alas! you see how 'tis- a little o'erparted. But there<br/> | ||
are Worthies a-coming will speak their mind in some other sort.<br/> | are Worthies a-coming will speak their mind in some other sort.<br/> | ||
PRINCESS OF FRANCE. Stand aside, good Pompey.<br/> | PRINCESS OF FRANCE. Stand aside, good Pompey.<br/> | ||
</p> | </p> | ||
Line 2,603: | Line 5,044: | ||
<p> HOLOFERNES. Great Hercules is presented by this imp,<br/> | <p> HOLOFERNES. Great Hercules is presented by this imp,<br/> | ||
Whose club kill'd Cerberus, that three-headed canus;<br/> | Whose club kill'd Cerberus, that three-headed canus;<br/> | ||
And when be was a babe, a child, a shrimp,<br/> | And when be was a babe, a child, a shrimp,<br/> | ||
Thus did he strangle serpents in his manus.<br/> | Thus did he strangle serpents in his manus.<br/> | ||
Quoniam he seemeth in minority,<br/> | Quoniam he seemeth in minority,<br/> | ||
Ergo I come with this apology.<br/> | Ergo I come with this apology.<br/> | ||
Keep some state in thy exit, and vanish. [MOTH retires]<br/> | Keep some state in thy exit, and vanish. [MOTH retires]<br/> | ||
Judas I am-<br/> | Judas I am-<br/> | ||
DUMAIN. A Judas!<br/> | DUMAIN. A Judas!<br/> | ||
HOLOFERNES. Not Iscariot, sir.<br/> | HOLOFERNES. Not Iscariot, sir.<br/> | ||
Judas I am, ycliped Maccabaeus.<br/> | Judas I am, ycliped Maccabaeus.<br/> | ||
DUMAIN. Judas Maccabaeus clipt is plain Judas.<br/> | DUMAIN. Judas Maccabaeus clipt is plain Judas.<br/> | ||
BEROWNE. A kissing traitor. How art thou prov'd Judas?<br/> | BEROWNE. A kissing traitor. How art thou prov'd Judas?<br/> | ||
HOLOFERNES. Judas I am-<br/> | HOLOFERNES. Judas I am-<br/> | ||
DUMAIN. The more shame for you, Judas!<br/> | DUMAIN. The more shame for you, Judas!<br/> | ||
HOLOFERNES. What mean you, sir?<br/> | HOLOFERNES. What mean you, sir?<br/> | ||
BOYET. To make Judas hang himself.<br/> | BOYET. To make Judas hang himself.<br/> | ||
HOLOFERNES. Begin, sir; you are my elder.<br/> | HOLOFERNES. Begin, sir; you are my elder.<br/> | ||
BEROWNE. Well followed: Judas was hanged on an elder.<br/> | BEROWNE. Well followed: Judas was hanged on an elder.<br/> | ||
HOLOFERNES. I will not be put out of countenance.<br/> | HOLOFERNES. I will not be put out of countenance.<br/> | ||
BEROWNE. Because thou hast no face.<br/> | BEROWNE. Because thou hast no face.<br/> | ||
HOLOFERNES. What is this?<br/> | HOLOFERNES. What is this?<br/> | ||
BOYET. A cittern-head.<br/> | BOYET. A cittern-head.<br/> | ||
DUMAIN. The head of a bodkin.<br/> | DUMAIN. The head of a bodkin.<br/> | ||
BEROWNE. A death's face in a ring.<br/> | BEROWNE. A death's face in a ring.<br/> | ||
LONGAVILLE. The face of an old Roman coin, scarce seen.<br/> | LONGAVILLE. The face of an old Roman coin, scarce seen.<br/> | ||
BOYET. The pommel of Coesar's falchion.<br/> | BOYET. The pommel of Coesar's falchion.<br/> | ||
DUMAIN. The carv'd-bone face on a flask.<br/> | DUMAIN. The carv'd-bone face on a flask.<br/> | ||
BEROWNE. Saint George's half-cheek in a brooch.<br/> | BEROWNE. Saint George's half-cheek in a brooch.<br/> | ||
DUMAIN. Ay, and in a brooch of lead.<br/> | DUMAIN. Ay, and in a brooch of lead.<br/> | ||
BEROWNE. Ay, and worn in the cap of a tooth-drawer. And now,<br/> | BEROWNE. Ay, and worn in the cap of a tooth-drawer. And now,<br/> | ||
forward; for we have put thee in countenance.<br/> | forward; for we have put thee in countenance.<br/> | ||
HOLOFERNES. You have put me out of countenance.<br/> | HOLOFERNES. You have put me out of countenance.<br/> | ||
BEROWNE. False: we have given thee faces.<br/> | BEROWNE. False: we have given thee faces.<br/> | ||
HOLOFERNES. But you have outfac'd them all.<br/> | HOLOFERNES. But you have outfac'd them all.<br/> | ||
BEROWNE. An thou wert a lion we would do so.<br/> | BEROWNE. An thou wert a lion we would do so.<br/> | ||
BOYET. Therefore, as he is an ass, let him go.<br/> | BOYET. Therefore, as he is an ass, let him go.<br/> | ||
And so adieu, sweet Jude! Nay, why dost thou stay?<br/> | And so adieu, sweet Jude! Nay, why dost thou stay?<br/> | ||
DUMAIN. For the latter end of his name.<br/> | DUMAIN. For the latter end of his name.<br/> | ||
BEROWNE. For the ass to the Jude; give it him- Jud-as, away.<br/> | BEROWNE. For the ass to the Jude; give it him- Jud-as, away.<br/> | ||
HOLOFERNES. This is not generous, not gentle, not humble.<br/> | HOLOFERNES. This is not generous, not gentle, not humble.<br/> | ||
BOYET. A light for Monsieur Judas! It grows dark, he may stumble.<br/> | BOYET. A light for Monsieur Judas! It grows dark, he may stumble.<br/> | ||
[HOLOFERNES retires]<br/> | [HOLOFERNES retires]<br/> | ||
PRINCESS OF FRANCE. Alas, poor Maccabaeus, how hath he been baited!<br/> | PRINCESS OF FRANCE. Alas, poor Maccabaeus, how hath he been baited!<br/> | ||
</p> | </p> | ||
Line 2,651: | Line 5,136: | ||
<p> BEROWNE. Hide thy head, Achilles; here comes Hector in arms.<br/> | <p> BEROWNE. Hide thy head, Achilles; here comes Hector in arms.<br/> | ||
DUMAIN. Though my mocks come home by me, I will now be merry.<br/> | DUMAIN. Though my mocks come home by me, I will now be merry.<br/> | ||
KING. Hector was but a Troyan in respect of this.<br/> | KING. Hector was but a Troyan in respect of this.<br/> | ||
BOYET. But is this Hector?<br/> | BOYET. But is this Hector?<br/> | ||
DUMAIN. I think Hector was not so clean-timber'd.<br/> | DUMAIN. I think Hector was not so clean-timber'd.<br/> | ||
LONGAVILLE. His leg is too big for Hector's.<br/> | LONGAVILLE. His leg is too big for Hector's.<br/> | ||
DUMAIN. More calf, certain.<br/> | DUMAIN. More calf, certain.<br/> | ||
BOYET. No; he is best indued in the small.<br/> | BOYET. No; he is best indued in the small.<br/> | ||
BEROWNE. This cannot be Hector.<br/> | BEROWNE. This cannot be Hector.<br/> | ||
DUMAIN. He's a god or a painter, for he makes faces.<br/> | DUMAIN. He's a god or a painter, for he makes faces.<br/> | ||
ARMADO. The armipotent Mars, of lances the almighty,<br/> | ARMADO. The armipotent Mars, of lances the almighty,<br/> | ||
Gave Hector a gift-<br/> | Gave Hector a gift-<br/> | ||
DUMAIN. A gilt nutmeg.<br/> | DUMAIN. A gilt nutmeg.<br/> | ||
BEROWNE. A lemon.<br/> | BEROWNE. A lemon.<br/> | ||
LONGAVILLE. Stuck with cloves.<br/> | LONGAVILLE. Stuck with cloves.<br/> | ||
DUMAIN. No, cloven.<br/> | DUMAIN. No, cloven.<br/> | ||
ARMADO. Peace!<br/> | ARMADO. Peace!<br/> | ||
The armipotent Mars, of lances the almighty,<br/> | The armipotent Mars, of lances the almighty,<br/> | ||
Gave Hector a gift, the heir of Ilion;<br/> | Gave Hector a gift, the heir of Ilion;<br/> | ||
A man so breathed that certain he would fight ye,<br/> | A man so breathed that certain he would fight ye,<br/> | ||
From morn till night out of his pavilion.<br/> | From morn till night out of his pavilion.<br/> | ||
I am that flower-<br/> | I am that flower-<br/> | ||
DUMAIN. That mint.<br/> | DUMAIN. That mint.<br/> | ||
LONGAVILLE. That columbine.<br/> | LONGAVILLE. That columbine.<br/> | ||
ARMADO. Sweet Lord Longaville, rein thy tongue.<br/> | ARMADO. Sweet Lord Longaville, rein thy tongue.<br/> | ||
LONGAVILLE. I must rather give it the rein, for it runs against<br/> | LONGAVILLE. I must rather give it the rein, for it runs against<br/> | ||
Hector.<br/> | Hector.<br/> | ||
DUMAIN. Ay, and Hector's a greyhound.<br/> | DUMAIN. Ay, and Hector's a greyhound.<br/> | ||
ARMADO. The sweet war-man is dead and rotten; sweet chucks, beat<br/> | ARMADO. The sweet war-man is dead and rotten; sweet chucks, beat<br/> | ||
not the bones of the buried; when he breathed, he was a man. But<br/> | not the bones of the buried; when he breathed, he was a man. But<br/> | ||
I will forward with my device. [To the PRINCESS] Sweet royalty,<br/> | I will forward with my device. [To the PRINCESS] Sweet royalty,<br/> | ||
bestow on me the sense of hearing.<br/> | bestow on me the sense of hearing.<br/> | ||
</p> | </p> | ||
Line 2,687: | Line 5,204: | ||
<p> PRINCESS OF FRANCE. Speak, brave Hector; we are much delighted.<br/> | <p> PRINCESS OF FRANCE. Speak, brave Hector; we are much delighted.<br/> | ||
ARMADO. I do adore thy sweet Grace's slipper.<br/> | ARMADO. I do adore thy sweet Grace's slipper.<br/> | ||
BOYET. [Aside to DUMAIN] Loves her by the foot.<br/> | BOYET. [Aside to DUMAIN] Loves her by the foot.<br/> | ||
DUMAIN. [Aside to BOYET] He may not by the yard.<br/> | DUMAIN. [Aside to BOYET] He may not by the yard.<br/> | ||
ARMADO. This Hector far surmounted Hannibal-<br/> | ARMADO. This Hector far surmounted Hannibal-<br/> | ||
COSTARD. The party is gone, fellow Hector, she is gone; she is two<br/> | COSTARD. The party is gone, fellow Hector, she is gone; she is two<br/> | ||
months on her way.<br/> | months on her way.<br/> | ||
ARMADO. What meanest thou?<br/> | ARMADO. What meanest thou?<br/> | ||
COSTARD. Faith, unless you play the honest Troyan, the poor wench<br/> | COSTARD. Faith, unless you play the honest Troyan, the poor wench<br/> | ||
is cast away. She's quick; the child brags in her belly already;<br/> | is cast away. She's quick; the child brags in her belly already;<br/> | ||
'tis yours.<br/> | 'tis yours.<br/> | ||
ARMADO. Dost thou infamonize me among potentates? Thou shalt die.<br/> | ARMADO. Dost thou infamonize me among potentates? Thou shalt die.<br/> | ||
COSTARD. Then shall Hector be whipt for Jaquenetta that is quick by<br/> | COSTARD. Then shall Hector be whipt for Jaquenetta that is quick by<br/> | ||
him, and hang'd for Pompey that is dead by him.<br/> | him, and hang'd for Pompey that is dead by him.<br/> | ||
DUMAIN. Most rare Pompey!<br/> | DUMAIN. Most rare Pompey!<br/> | ||
BOYET. Renowned Pompey!<br/> | BOYET. Renowned Pompey!<br/> | ||
BEROWNE. Greater than Great! Great, great, great Pompey! Pompey the<br/> | BEROWNE. Greater than Great! Great, great, great Pompey! Pompey the<br/> | ||
Huge!<br/> | Huge!<br/> | ||
DUMAIN. Hector trembles.<br/> | DUMAIN. Hector trembles.<br/> | ||
BEROWNE. Pompey is moved. More Ates, more Ates! Stir them on! stir<br/> | BEROWNE. Pompey is moved. More Ates, more Ates! Stir them on! stir<br/> | ||
them on!<br/> | them on!<br/> | ||
DUMAIN. Hector will challenge him.<br/> | DUMAIN. Hector will challenge him.<br/> | ||
BEROWNE. Ay, if 'a have no more man's blood in his belly than will<br/> | BEROWNE. Ay, if 'a have no more man's blood in his belly than will<br/> | ||
sup a flea.<br/> | sup a flea.<br/> | ||
ARMADO. By the North Pole, I do challenge thee.<br/> | ARMADO. By the North Pole, I do challenge thee.<br/> | ||
COSTARD. I will not fight with a pole, like a Northern man; I'll<br/> | COSTARD. I will not fight with a pole, like a Northern man; I'll<br/> | ||
slash; I'll do it by the sword. I bepray you, let me borrow my<br/> | slash; I'll do it by the sword. I bepray you, let me borrow my<br/> | ||
arms again.<br/> | arms again.<br/> | ||
DUMAIN. Room for the incensed Worthies!<br/> | DUMAIN. Room for the incensed Worthies!<br/> | ||
COSTARD. I'll do it in my shirt.<br/> | COSTARD. I'll do it in my shirt.<br/> | ||
DUMAIN. Most resolute Pompey!<br/> | DUMAIN. Most resolute Pompey!<br/> | ||
MOTH. Master, let me take you a buttonhole lower. Do you not see<br/> | MOTH. Master, let me take you a buttonhole lower. Do you not see<br/> | ||
Pompey is uncasing for the combat? What mean you? You will lose<br/> | Pompey is uncasing for the combat? What mean you? You will lose<br/> | ||
your reputation.<br/> | your reputation.<br/> | ||
ARMADO. Gentlemen and soldiers, pardon me; I will not combat in my<br/> | ARMADO. Gentlemen and soldiers, pardon me; I will not combat in my<br/> | ||
shirt.<br/> | shirt.<br/> | ||
DUMAIN. You may not deny it: Pompey hath made the challenge.<br/> | DUMAIN. You may not deny it: Pompey hath made the challenge.<br/> | ||
ARMADO. Sweet bloods, I both may and will.<br/> | ARMADO. Sweet bloods, I both may and will.<br/> | ||
BEROWNE. What reason have you for 't?<br/> | BEROWNE. What reason have you for 't?<br/> | ||
ARMADO. The naked truth of it is: I have no shirt; I go woolward<br/> | ARMADO. The naked truth of it is: I have no shirt; I go woolward<br/> | ||
for penance.<br/> | for penance.<br/> | ||
BOYET. True, and it was enjoined him in Rome for want of linen;<br/> | BOYET. True, and it was enjoined him in Rome for want of linen;<br/> | ||
since when, I'll be sworn, he wore none but a dishclout of<br/> | since when, I'll be sworn, he wore none but a dishclout of<br/> | ||
Jaquenetta's, and that 'a wears next his heart for a favour.<br/> | Jaquenetta's, and that 'a wears next his heart for a favour.<br/> | ||
</p> | </p> | ||
Line 2,735: | Line 5,296: | ||
<p> MARCADE. God save you, madam!<br/> | <p> MARCADE. God save you, madam!<br/> | ||
PRINCESS OF FRANCE. Welcome, Marcade;<br/> | PRINCESS OF FRANCE. Welcome, Marcade;<br/> | ||
But that thou interruptest our merriment.<br/> | But that thou interruptest our merriment.<br/> | ||
MARCADE. I am sorry, madam; for the news I bring<br/> | MARCADE. I am sorry, madam; for the news I bring<br/> | ||
Is heavy in my tongue. The King your father-<br/> | Is heavy in my tongue. The King your father-<br/> | ||
PRINCESS OF FRANCE. Dead, for my life!<br/> | PRINCESS OF FRANCE. Dead, for my life!<br/> | ||
MARCADE. Even so; my tale is told.<br/> | MARCADE. Even so; my tale is told.<br/> | ||
BEROWNE. WOrthies away; the scene begins to cloud.<br/> | BEROWNE. WOrthies away; the scene begins to cloud.<br/> | ||
ARMADO. For mine own part, I breathe free breath. I have seen the<br/> | ARMADO. For mine own part, I breathe free breath. I have seen the<br/> | ||
day of wrong through the little hole of discretion, and I will<br/> | day of wrong through the little hole of discretion, and I will<br/> | ||
right myself like a soldier. Exeunt WORTHIES<br/> | right myself like a soldier. Exeunt WORTHIES<br/> | ||
KING. How fares your Majesty?<br/> | KING. How fares your Majesty?<br/> | ||
PRINCESS OF FRANCE. Boyet, prepare; I will away to-night.<br/> | PRINCESS OF FRANCE. Boyet, prepare; I will away to-night.<br/> | ||
KING. Madam, not so; I do beseech you stay.<br/> | KING. Madam, not so; I do beseech you stay.<br/> | ||
PRINCESS OF FRANCE. Prepare, I say. I thank you, gracious lords,<br/> | PRINCESS OF FRANCE. Prepare, I say. I thank you, gracious lords,<br/> | ||
For all your fair endeavours, and entreat,<br/> | For all your fair endeavours, and entreat,<br/> | ||
Out of a new-sad soul, that you vouchsafe<br/> | Out of a new-sad soul, that you vouchsafe<br/> | ||
In your rich wisdom to excuse or hide<br/> | In your rich wisdom to excuse or hide<br/> | ||
The liberal opposition of our spirits,<br/> | The liberal opposition of our spirits,<br/> | ||
If over-boldly we have borne ourselves<br/> | If over-boldly we have borne ourselves<br/> | ||
In the converse of breath- your gentleness<br/> | In the converse of breath- your gentleness<br/> | ||
Was guilty of it. Farewell, worthy lord.<br/> | Was guilty of it. Farewell, worthy lord.<br/> | ||
A heavy heart bears not a nimble tongue.<br/> | A heavy heart bears not a nimble tongue.<br/> | ||
Excuse me so, coming too short of thanks<br/> | Excuse me so, coming too short of thanks<br/> | ||
For my great suit so easily obtain'd.<br/> | For my great suit so easily obtain'd.<br/> | ||
KING. The extreme parts of time extremely forms<br/> | KING. The extreme parts of time extremely forms<br/> | ||
All causes to the purpose of his speed;<br/> | All causes to the purpose of his speed;<br/> | ||
And often at his very loose decides<br/> | And often at his very loose decides<br/> | ||
That which long process could not arbitrate.<br/> | That which long process could not arbitrate.<br/> | ||
And though the mourning brow of progeny<br/> | And though the mourning brow of progeny<br/> | ||
Forbid the smiling courtesy of love<br/> | Forbid the smiling courtesy of love<br/> | ||
The holy suit which fain it would convince,<br/> | The holy suit which fain it would convince,<br/> | ||
Yet, since love's argument was first on foot,<br/> | Yet, since love's argument was first on foot,<br/> | ||
Let not the cloud of sorrow justle it<br/> | Let not the cloud of sorrow justle it<br/> | ||
From what it purpos'd; since to wail friends lost<br/> | From what it purpos'd; since to wail friends lost<br/> | ||
Is not by much so wholesome-profitable<br/> | Is not by much so wholesome-profitable<br/> | ||
As to rejoice at friends but newly found.<br/> | As to rejoice at friends but newly found.<br/> | ||
PRINCESS OF FRANCE. I understand you not; my griefs are double.<br/> | PRINCESS OF FRANCE. I understand you not; my griefs are double.<br/> | ||
BEROWNE. Honest plain words best pierce the ear of grief;<br/> | BEROWNE. Honest plain words best pierce the ear of grief;<br/> | ||
And by these badges understand the King.<br/> | And by these badges understand the King.<br/> | ||
For your fair sakes have we neglected time,<br/> | For your fair sakes have we neglected time,<br/> | ||
Play'd foul play with our oaths; your beauty, ladies,<br/> | Play'd foul play with our oaths; your beauty, ladies,<br/> | ||
Hath much deformed us, fashioning our humours<br/> | Hath much deformed us, fashioning our humours<br/> | ||
Even to the opposed end of our intents;<br/> | Even to the opposed end of our intents;<br/> | ||
And what in us hath seem'd ridiculous,<br/> | And what in us hath seem'd ridiculous,<br/> | ||
As love is full of unbefitting strains,<br/> | As love is full of unbefitting strains,<br/> | ||
All wanton as a child, skipping and vain;<br/> | All wanton as a child, skipping and vain;<br/> | ||
Form'd by the eye and therefore, like the eye,<br/> | Form'd by the eye and therefore, like the eye,<br/> | ||
Full of strange shapes, of habits, and of forms,<br/> | Full of strange shapes, of habits, and of forms,<br/> | ||
Varying in subjects as the eye doth roll<br/> | Varying in subjects as the eye doth roll<br/> | ||
To every varied object in his glance;<br/> | To every varied object in his glance;<br/> | ||
Which parti-coated presence of loose love<br/> | Which parti-coated presence of loose love<br/> | ||
Put on by us, if in your heavenly eyes<br/> | Put on by us, if in your heavenly eyes<br/> | ||
Have misbecom'd our oaths and gravities,<br/> | Have misbecom'd our oaths and gravities,<br/> | ||
Those heavenly eyes that look into these faults<br/> | Those heavenly eyes that look into these faults<br/> | ||
Suggested us to make. Therefore, ladies,<br/> | Suggested us to make. Therefore, ladies,<br/> | ||
Our love being yours, the error that love makes<br/> | Our love being yours, the error that love makes<br/> | ||
Is likewise yours. We to ourselves prove false,<br/> | Is likewise yours. We to ourselves prove false,<br/> | ||
By being once false for ever to be true<br/> | By being once false for ever to be true<br/> | ||
To those that make us both- fair ladies, you;<br/> | To those that make us both- fair ladies, you;<br/> | ||
And even that falsehood, in itself a sin,<br/> | And even that falsehood, in itself a sin,<br/> | ||
Thus purifies itself and turns to grace.<br/> | Thus purifies itself and turns to grace.<br/> | ||
PRINCESS OF FRANCE. We have receiv'd your letters, full of love;<br/> | PRINCESS OF FRANCE. We have receiv'd your letters, full of love;<br/> | ||
Your favours, the ambassadors of love;<br/> | Your favours, the ambassadors of love;<br/> | ||
And, in our maiden council, rated them<br/> | And, in our maiden council, rated them<br/> | ||
At courtship, pleasant jest, and courtesy,<br/> | At courtship, pleasant jest, and courtesy,<br/> | ||
As bombast and as lining to the time;<br/> | As bombast and as lining to the time;<br/> | ||
But more devout than this in our respects<br/> | But more devout than this in our respects<br/> | ||
Have we not been; and therefore met your loves<br/> | Have we not been; and therefore met your loves<br/> | ||
In their own fashion, like a merriment.<br/> | In their own fashion, like a merriment.<br/> | ||
DUMAIN. Our letters, madam, show'd much more than jest.<br/> | DUMAIN. Our letters, madam, show'd much more than jest.<br/> | ||
LONGAVILLE. So did our looks.<br/> | LONGAVILLE. So did our looks.<br/> | ||
ROSALINE. We did not quote them so.<br/> | ROSALINE. We did not quote them so.<br/> | ||
KING. Now, at the latest minute of the hour,<br/> | KING. Now, at the latest minute of the hour,<br/> | ||
Grant us your loves.<br/> | Grant us your loves.<br/> | ||
PRINCESS OF FRANCE. A time, methinks, too short<br/> | PRINCESS OF FRANCE. A time, methinks, too short<br/> | ||
To make a world-without-end bargain in.<br/> | To make a world-without-end bargain in.<br/> | ||
No, no, my lord, your Grace is perjur'd much,<br/> | No, no, my lord, your Grace is perjur'd much,<br/> | ||
Full of dear guiltiness; and therefore this,<br/> | Full of dear guiltiness; and therefore this,<br/> | ||
If for my love, as there is no such cause,<br/> | If for my love, as there is no such cause,<br/> | ||
You will do aught- this shall you do for me:<br/> | You will do aught- this shall you do for me:<br/> | ||
Your oath I will not trust; but go with speed<br/> | Your oath I will not trust; but go with speed<br/> | ||
To some forlorn and naked hermitage,<br/> | To some forlorn and naked hermitage,<br/> | ||
Remote from all the pleasures of the world;<br/> | Remote from all the pleasures of the world;<br/> | ||
There stay until the twelve celestial signs<br/> | There stay until the twelve celestial signs<br/> | ||
Have brought about the annual reckoning.<br/> | Have brought about the annual reckoning.<br/> | ||
If this austere insociable life<br/> | If this austere insociable life<br/> | ||
Change not your offer made in heat of blood,<br/> | Change not your offer made in heat of blood,<br/> | ||
If frosts and fasts, hard lodging and thin weeds,<br/> | If frosts and fasts, hard lodging and thin weeds,<br/> | ||
Nip not the gaudy blossoms of your love,<br/> | Nip not the gaudy blossoms of your love,<br/> | ||
But that it bear this trial, and last love,<br/> | But that it bear this trial, and last love,<br/> | ||
Then, at the expiration of the year,<br/> | Then, at the expiration of the year,<br/> | ||
Come, challenge me, challenge me by these deserts;<br/> | Come, challenge me, challenge me by these deserts;<br/> | ||
And, by this virgin palm now kissing thine,<br/> | And, by this virgin palm now kissing thine,<br/> | ||
I will be thine; and, till that instant, shut<br/> | I will be thine; and, till that instant, shut<br/> | ||
My woeful self up in a mournful house,<br/> | My woeful self up in a mournful house,<br/> | ||
Raining the tears of lamentation<br/> | Raining the tears of lamentation<br/> | ||
For the remembrance of my father's death.<br/> | For the remembrance of my father's death.<br/> | ||
If this thou do deny, let our hands part,<br/> | If this thou do deny, let our hands part,<br/> | ||
Neither intitled in the other's heart.<br/> | Neither intitled in the other's heart.<br/> | ||
KING. If this, or more than this, I would deny,<br/> | KING. If this, or more than this, I would deny,<br/> | ||
To flatter up these powers of mine with rest,<br/> | To flatter up these powers of mine with rest,<br/> | ||
The sudden hand of death close up mine eye!<br/> | The sudden hand of death close up mine eye!<br/> | ||
Hence hermit then, my heart is in thy breast.<br/> | Hence hermit then, my heart is in thy breast.<br/> | ||
BEROWNE. And what to me, my love? and what to me?<br/> | BEROWNE. And what to me, my love? and what to me?<br/> | ||
ROSALINE. You must he purged too, your sins are rack'd;<br/> | ROSALINE. You must he purged too, your sins are rack'd;<br/> | ||
You are attaint with faults and perjury;<br/> | You are attaint with faults and perjury;<br/> | ||
Therefore, if you my favour mean to get,<br/> | Therefore, if you my favour mean to get,<br/> | ||
A twelvemonth shall you spend, and never rest,<br/> | A twelvemonth shall you spend, and never rest,<br/> | ||
But seek the weary beds of people sick.<br/> | But seek the weary beds of people sick.<br/> | ||
DUMAIN. But what to me, my love? but what to me?<br/> | DUMAIN. But what to me, my love? but what to me?<br/> | ||
A wife?<br/> | A wife?<br/> | ||
KATHARINE. A beard, fair health, and honesty;<br/> | KATHARINE. A beard, fair health, and honesty;<br/> | ||
With threefold love I wish you all these three.<br/> | With threefold love I wish you all these three.<br/> | ||
DUMAIN. O, shall I say I thank you, gentle wife?<br/> | DUMAIN. O, shall I say I thank you, gentle wife?<br/> | ||
KATHARINE. No so, my lord; a twelvemonth and a day<br/> | KATHARINE. No so, my lord; a twelvemonth and a day<br/> | ||
I'll mark no words that smooth-fac'd wooers say.<br/> | I'll mark no words that smooth-fac'd wooers say.<br/> | ||
Come when the King doth to my lady come;<br/> | Come when the King doth to my lady come;<br/> | ||
Then, if I have much love, I'll give you some.<br/> | Then, if I have much love, I'll give you some.<br/> | ||
DUMAIN. I'll serve thee true and faithfully till then.<br/> | DUMAIN. I'll serve thee true and faithfully till then.<br/> | ||
KATHARINE. Yet swear not, lest ye be forsworn again.<br/> | KATHARINE. Yet swear not, lest ye be forsworn again.<br/> | ||
LONGAVILLE. What says Maria?<br/> | LONGAVILLE. What says Maria?<br/> | ||
MARIA. At the twelvemonth's end<br/> | MARIA. At the twelvemonth's end<br/> | ||
I'll change my black gown for a faithful friend.<br/> | I'll change my black gown for a faithful friend.<br/> | ||
LONGAVILLE. I'll stay with patience; but the time is long.<br/> | LONGAVILLE. I'll stay with patience; but the time is long.<br/> | ||
MARIA. The liker you; few taller are so young.<br/> | MARIA. The liker you; few taller are so young.<br/> | ||
BEROWNE. Studies my lady? Mistress, look on me;<br/> | BEROWNE. Studies my lady? Mistress, look on me;<br/> | ||
Behold the window of my heart, mine eye,<br/> | Behold the window of my heart, mine eye,<br/> | ||
What humble suit attends thy answer there.<br/> | What humble suit attends thy answer there.<br/> | ||
Impose some service on me for thy love.<br/> | Impose some service on me for thy love.<br/> | ||
ROSALINE. Oft have I heard of you, my Lord Berowne,<br/> | ROSALINE. Oft have I heard of you, my Lord Berowne,<br/> | ||
Before I saw you; and the world's large tongue<br/> | Before I saw you; and the world's large tongue<br/> | ||
Proclaims you for a man replete with mocks,<br/> | Proclaims you for a man replete with mocks,<br/> | ||
Full of comparisons and wounding flouts,<br/> | Full of comparisons and wounding flouts,<br/> | ||
Which you on all estates will execute<br/> | Which you on all estates will execute<br/> | ||
That lie within the mercy of your wit.<br/> | That lie within the mercy of your wit.<br/> | ||
To weed this wormwood from your fruitful brain,<br/> | To weed this wormwood from your fruitful brain,<br/> | ||
And therewithal to win me, if you please,<br/> | And therewithal to win me, if you please,<br/> | ||
Without the which I am not to be won,<br/> | Without the which I am not to be won,<br/> | ||
You shall this twelvemonth term from day to day<br/> | You shall this twelvemonth term from day to day<br/> | ||
Visit the speechless sick, and still converse<br/> | Visit the speechless sick, and still converse<br/> | ||
With groaning wretches; and your task shall be,<br/> | With groaning wretches; and your task shall be,<br/> | ||
With all the fierce endeavour of your wit,<br/> | With all the fierce endeavour of your wit,<br/> | ||
To enforce the pained impotent to smile.<br/> | To enforce the pained impotent to smile.<br/> | ||
BEROWNE. To move wild laughter in the throat of death?<br/> | BEROWNE. To move wild laughter in the throat of death?<br/> | ||
It cannot be; it is impossible;<br/> | It cannot be; it is impossible;<br/> | ||
Mirth cannot move a soul in agony.<br/> | Mirth cannot move a soul in agony.<br/> | ||
ROSALINE. Why, that's the way to choke a gibing spirit,<br/> | ROSALINE. Why, that's the way to choke a gibing spirit,<br/> | ||
Whose influence is begot of that loose grace<br/> | Whose influence is begot of that loose grace<br/> | ||
Which shallow laughing hearers give to fools.<br/> | Which shallow laughing hearers give to fools.<br/> | ||
A jest's prosperity lies in the ear<br/> | A jest's prosperity lies in the ear<br/> | ||
Of him that hears it, never in the tongue<br/> | Of him that hears it, never in the tongue<br/> | ||
Of him that makes it; then, if sickly ears,<br/> | Of him that makes it; then, if sickly ears,<br/> | ||
Deaf'd with the clamours of their own dear groans,<br/> | Deaf'd with the clamours of their own dear groans,<br/> | ||
Will hear your idle scorns, continue then,<br/> | Will hear your idle scorns, continue then,<br/> | ||
And I will have you and that fault withal.<br/> | And I will have you and that fault withal.<br/> | ||
But if they will not, throw away that spirit,<br/> | But if they will not, throw away that spirit,<br/> | ||
And I shall find you empty of that fault,<br/> | And I shall find you empty of that fault,<br/> | ||
Right joyful of your reformation.<br/> | Right joyful of your reformation.<br/> | ||
BEROWNE. A twelvemonth? Well, befall what will befall,<br/> | BEROWNE. A twelvemonth? Well, befall what will befall,<br/> | ||
I'll jest a twelvemonth in an hospital.<br/> | I'll jest a twelvemonth in an hospital.<br/> | ||
PRINCESS OF FRANCE. [ To the King] Ay, sweet my lord, and so I take<br/> | PRINCESS OF FRANCE. [ To the King] Ay, sweet my lord, and so I take<br/> | ||
my leave.<br/> | my leave.<br/> | ||
KING. No, madam; we will bring you on your way.<br/> | KING. No, madam; we will bring you on your way.<br/> | ||
BEROWNE. Our wooing doth not end like an old play:<br/> | BEROWNE. Our wooing doth not end like an old play:<br/> | ||
Jack hath not Jill. These ladies' courtesy<br/> | Jack hath not Jill. These ladies' courtesy<br/> | ||
Might well have made our sport a comedy.<br/> | Might well have made our sport a comedy.<br/> | ||
KING. Come, sir, it wants a twelvemonth an' a day,<br/> | KING. Come, sir, it wants a twelvemonth an' a day,<br/> | ||
And then 'twill end.<br/> | And then 'twill end.<br/> | ||
BEROWNE. That's too long for a play.<br/> | BEROWNE. That's too long for a play.<br/> | ||
</p> | </p> | ||
Line 2,909: | Line 5,640: | ||
<p> ARMADO. Sweet Majesty, vouchsafe me-<br/> | <p> ARMADO. Sweet Majesty, vouchsafe me-<br/> | ||
PRINCESS OF FRANCE. Was not that not Hector?<br/> | PRINCESS OF FRANCE. Was not that not Hector?<br/> | ||
DUMAIN. The worthy knight of Troy.<br/> | DUMAIN. The worthy knight of Troy.<br/> | ||
ARMADO. I will kiss thy royal finger, and take leave. I am a<br/> | ARMADO. I will kiss thy royal finger, and take leave. I am a<br/> | ||
votary: I have vow'd to Jaquenetta to hold the plough for her<br/> | votary: I have vow'd to Jaquenetta to hold the plough for her<br/> | ||
sweet love three year. But, most esteemed greatness, will you<br/> | sweet love three year. But, most esteemed greatness, will you<br/> | ||
hear the dialogue that the two learned men have compiled in<br/> | hear the dialogue that the two learned men have compiled in<br/> | ||
praise of the Owl and the Cuckoo? It should have followed in the<br/> | praise of the Owl and the Cuckoo? It should have followed in the<br/> | ||
end of our show.<br/> | end of our show.<br/> | ||
KING. Call them forth quickly; we will do so.<br/> | KING. Call them forth quickly; we will do so.<br/> | ||
ARMADO. Holla! approach.<br/> | ARMADO. Holla! approach.<br/> | ||
</p> | </p> | ||
Line 2,924: | Line 5,666: | ||
<p> This side is Hiems, Winter; this Ver, the Spring- the one<br/> | <p> This side is Hiems, Winter; this Ver, the Spring- the one<br/> | ||
maintained by the Owl, th' other by the Cuckoo. Ver, begin.<br/> | maintained by the Owl, th' other by the Cuckoo. Ver, begin.<br/> | ||
</p> | </p> | ||
<p> SPRING<br/> | <p> SPRING<br/> | ||
When daisies pied and violets blue<br/> | When daisies pied and violets blue<br/> | ||
And lady-smocks all silver-white<br/> | And lady-smocks all silver-white<br/> | ||
And cuckoo-buds of yellow hue<br/> | And cuckoo-buds of yellow hue<br/> | ||
Do paint the meadows with delight,<br/> | Do paint the meadows with delight,<br/> | ||
The cuckoo then on every tree<br/> | The cuckoo then on every tree<br/> | ||
Mocks married men, for thus sings he:<br/> | Mocks married men, for thus sings he:<br/> | ||
'Cuckoo;<br/> | 'Cuckoo;<br/> | ||
Cuckoo, cuckoo'- O word of fear,<br/> | Cuckoo, cuckoo'- O word of fear,<br/> | ||
Unpleasing to a married ear!<br/> | Unpleasing to a married ear!<br/> | ||
</p> | </p> | ||
<p> When shepherds pipe on oaten straws,<br/> | <p> When shepherds pipe on oaten straws,<br/> | ||
And merry larks are ploughmen's clocks;<br/> | And merry larks are ploughmen's clocks;<br/> | ||
When turtles tread, and rooks and daws,<br/> | When turtles tread, and rooks and daws,<br/> | ||
And maidens bleach their summer smocks;<br/> | And maidens bleach their summer smocks;<br/> | ||
The cuckoo then on every tree<br/> | The cuckoo then on every tree<br/> | ||
Mocks married men, for thus sings he:<br/> | Mocks married men, for thus sings he:<br/> | ||
'Cuckoo;<br/> | 'Cuckoo;<br/> | ||
Cuckoo, cuckoo'- O word of fear,<br/> | Cuckoo, cuckoo'- O word of fear,<br/> | ||
Unpleasing to a married ear!<br/> | Unpleasing to a married ear!<br/> | ||
</p> | </p> | ||
Line 2,953: | Line 5,716: | ||
<p> When icicles hang by the wall,<br/> | <p> When icicles hang by the wall,<br/> | ||
And Dick the shepherd blows his nail,<br/> | And Dick the shepherd blows his nail,<br/> | ||
And Tom bears logs into the hall,<br/> | And Tom bears logs into the hall,<br/> | ||
And milk comes frozen home in pail,<br/> | And milk comes frozen home in pail,<br/> | ||
When blood is nipp'd, and ways be foul,<br/> | When blood is nipp'd, and ways be foul,<br/> | ||
Then nightly sings the staring owl:<br/> | Then nightly sings the staring owl:<br/> | ||
'Tu-who;<br/> | 'Tu-who;<br/> | ||
Tu-whit, Tu-who'- A merry note,<br/> | Tu-whit, Tu-who'- A merry note,<br/> | ||
While greasy Joan doth keel the pot.<br/> | While greasy Joan doth keel the pot.<br/> | ||
</p> | </p> | ||
<p> When all aloud the wind doth blow,<br/> | <p> When all aloud the wind doth blow,<br/> | ||
And coughing drowns the parson's saw,<br/> | And coughing drowns the parson's saw,<br/> | ||
And birds sit brooding in the snow,<br/> | And birds sit brooding in the snow,<br/> | ||
And Marian's nose looks red and raw,<br/> | And Marian's nose looks red and raw,<br/> | ||
When roasted crabs hiss in the bowl,<br/> | When roasted crabs hiss in the bowl,<br/> | ||
Then nightly sings the staring owl:<br/> | Then nightly sings the staring owl:<br/> | ||
'Tu-who;<br/> | 'Tu-who;<br/> | ||
Tu-whit, To-who'- A merry note,<br/> | Tu-whit, To-who'- A merry note,<br/> | ||
While greasy Joan doth keel the pot.<br/> | While greasy Joan doth keel the pot.<br/> | ||
</p> | </p> | ||
<p> ARMADO. The words of Mercury are harsh after the songs of Apollo.<br/> | <p> ARMADO. The words of Mercury are harsh after the songs of Apollo.<br/> | ||
You that way: we this way. Exeunt<br/> | You that way: we this way. Exeunt<br/> | ||
</p> | </p> | ||
{{close-shakespeare}} | {{close-shakespeare}}</text> |