Texts:Shakespeare/cw162319: Difference between revisions
https://aplacetostudy.org/>Robbie McClintock m 1 revision imported |
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<title>Texts:Shakespeare/cw162319</title> | |||
<h2>LOVE'S LABOUR'S LOST</h2> | <h2>LOVE'S LABOUR'S LOST</h2> | ||
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<p> FERDINAND, King of Navarre<br/> | <p> FERDINAND, King of Navarre<br/> | ||
BEROWNE, lord attending on the King<br/> | BEROWNE, lord attending on the King<br/> | ||
LONGAVILLE, " " " " "<br/> | LONGAVILLE, " " " " "<br/> | ||
DUMAIN, " " " " "<br/> | DUMAIN, " " " " "<br/> | ||
BOYET, lord attending on the Princess of France<br/> | BOYET, lord attending on the Princess of France<br/> | ||
MARCADE, " " " " " " "<br/> | MARCADE, " " " " " " "<br/> | ||
DON ADRIANO DE ARMADO, fantastical Spaniard<br/> | DON ADRIANO DE ARMADO, fantastical Spaniard<br/> | ||
SIR NATHANIEL, a curate<br/> | SIR NATHANIEL, a curate<br/> | ||
HOLOFERNES, a schoolmaster<br/> | HOLOFERNES, a schoolmaster<br/> | ||
DULL, a constable<br/> | DULL, a constable<br/> | ||
COSTARD, a clown<br/> | COSTARD, a clown<br/> | ||
MOTH, page to Armado<br/> | MOTH, page to Armado<br/> | ||
A FORESTER<br/> | A FORESTER<br/> | ||
</p> | </p> | ||
<p> THE PRINCESS OF FRANCE<br/> | <p> THE PRINCESS OF FRANCE<br/> | ||
ROSALINE, lady attending on the Princess<br/> | ROSALINE, lady attending on the Princess<br/> | ||
MARIA, " " " " "<br/> | MARIA, " " " " "<br/> | ||
KATHARINE, lady attending on the Princess<br/> | KATHARINE, lady attending on the Princess<br/> | ||
JAQUENETTA, a country wench<br/> | JAQUENETTA, a country wench<br/> | ||
</p> | </p> | ||
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<h4>SCENE: | <h4>SCENE: | ||
Navarre</h4> | Navarre</h4> | ||
<h4>ACT I. SCENE I. | <h4>ACT I. SCENE I. | ||
Navarre. The King's park</h4> | Navarre. The King's park</h4> | ||
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<p> KING. Let fame, that all hunt after in their lives,<br/> | <p> KING. Let fame, that all hunt after in their lives,<br/> | ||
Live regist'red upon our brazen tombs,<br/> | Live regist'red upon our brazen tombs,<br/> | ||
And then grace us in the disgrace of death;<br/> | And then grace us in the disgrace of death;<br/> | ||
When, spite of cormorant devouring Time,<br/> | When, spite of cormorant devouring Time,<br/> | ||
Th' endeavour of this present breath may buy<br/> | Th' endeavour of this present breath may buy<br/> | ||
That honour which shall bate his scythe's keen edge,<br/> | That honour which shall bate his scythe's keen edge,<br/> | ||
And make us heirs of all eternity.<br/> | And make us heirs of all eternity.<br/> | ||
Therefore, brave conquerors- for so you are<br/> | Therefore, brave conquerors- for so you are<br/> | ||
That war against your own affections<br/> | That war against your own affections<br/> | ||
And the huge army of the world's desires-<br/> | And the huge army of the world's desires-<br/> | ||
Our late edict shall strongly stand in force:<br/> | Our late edict shall strongly stand in force:<br/> | ||
Navarre shall be the wonder of the world;<br/> | Navarre shall be the wonder of the world;<br/> | ||
Our court shall be a little Academe,<br/> | Our court shall be a little Academe,<br/> | ||
Still and contemplative in living art.<br/> | Still and contemplative in living art.<br/> | ||
You three, Berowne, Dumain, and Longaville,<br/> | You three, Berowne, Dumain, and Longaville,<br/> | ||
Have sworn for three years' term to live with me<br/> | Have sworn for three years' term to live with me<br/> | ||
My fellow-scholars, and to keep those statutes<br/> | My fellow-scholars, and to keep those statutes<br/> | ||
That are recorded in this schedule here.<br/> | That are recorded in this schedule here.<br/> | ||
Your oaths are pass'd; and now subscribe your names,<br/> | Your oaths are pass'd; and now subscribe your names,<br/> | ||
That his own hand may strike his honour down<br/> | That his own hand may strike his honour down<br/> | ||
That violates the smallest branch herein.<br/> | That violates the smallest branch herein.<br/> | ||
If you are arm'd to do as sworn to do,<br/> | If you are arm'd to do as sworn to do,<br/> | ||
Subscribe to your deep oaths, and keep it too.<br/> | Subscribe to your deep oaths, and keep it too.<br/> | ||
LONGAVILLE. I am resolv'd; 'tis but a three years' fast.<br/> | LONGAVILLE. I am resolv'd; 'tis but a three years' fast.<br/> | ||
The mind shall banquet, though the body pine.<br/> | The mind shall banquet, though the body pine.<br/> | ||
Fat paunches have lean pates; and dainty bits<br/> | Fat paunches have lean pates; and dainty bits<br/> | ||
Make rich the ribs, but bankrupt quite the wits.<br/> | Make rich the ribs, but bankrupt quite the wits.<br/> | ||
DUMAIN. My loving lord, Dumain is mortified.<br/> | DUMAIN. My loving lord, Dumain is mortified.<br/> | ||
The grosser manner of these world's delights<br/> | The grosser manner of these world's delights<br/> | ||
He throws upon the gross world's baser slaves;<br/> | He throws upon the gross world's baser slaves;<br/> | ||
To love, to wealth, to pomp, I pine and die,<br/> | To love, to wealth, to pomp, I pine and die,<br/> | ||
With all these living in philosophy.<br/> | With all these living in philosophy.<br/> | ||
BEROWNE. I can but say their protestation over;<br/> | BEROWNE. I can but say their protestation over;<br/> | ||
So much, dear liege, I have already sworn,<br/> | So much, dear liege, I have already sworn,<br/> | ||
That is, to live and study here three years.<br/> | That is, to live and study here three years.<br/> | ||
But there are other strict observances,<br/> | But there are other strict observances,<br/> | ||
As: not to see a woman in that term,<br/> | As: not to see a woman in that term,<br/> | ||
Which I hope well is not enrolled there;<br/> | Which I hope well is not enrolled there;<br/> | ||
And one day in a week to touch no food,<br/> | And one day in a week to touch no food,<br/> | ||
And but one meal on every day beside,<br/> | And but one meal on every day beside,<br/> | ||
The which I hope is not enrolled there;<br/> | The which I hope is not enrolled there;<br/> | ||
And then to sleep but three hours in the night<br/> | And then to sleep but three hours in the night<br/> | ||
And not be seen to wink of all the day-<br/> | And not be seen to wink of all the day-<br/> | ||
When I was wont to think no harm all night,<br/> | When I was wont to think no harm all night,<br/> | ||
And make a dark night too of half the day-<br/> | And make a dark night too of half the day-<br/> | ||
Which I hope well is not enrolled there.<br/> | Which I hope well is not enrolled there.<br/> | ||
O, these are barren tasks, too hard to keep,<br/> | O, these are barren tasks, too hard to keep,<br/> | ||
Not to see ladies, study, fast, not sleep!<br/> | Not to see ladies, study, fast, not sleep!<br/> | ||
KING. Your oath is pass'd to pass away from these.<br/> | KING. Your oath is pass'd to pass away from these.<br/> | ||
BEROWNE. Let me say no, my liege, an if you please:<br/> | BEROWNE. Let me say no, my liege, an if you please:<br/> | ||
I only swore to study with your Grace,<br/> | I only swore to study with your Grace,<br/> | ||
And stay here in your court for three years' space.<br/> | And stay here in your court for three years' space.<br/> | ||
LONGAVILLE. You swore to that, Berowne, and to the rest.<br/> | LONGAVILLE. You swore to that, Berowne, and to the rest.<br/> | ||
BEROWNE. By yea and nay, sir, then I swore in jest.<br/> | BEROWNE. By yea and nay, sir, then I swore in jest.<br/> | ||
What is the end of study, let me know.<br/> | What is the end of study, let me know.<br/> | ||
KING. Why, that to know which else we should not know.<br/> | KING. Why, that to know which else we should not know.<br/> | ||
BEROWNE. Things hid and barr'd, you mean, from common sense?<br/> | BEROWNE. Things hid and barr'd, you mean, from common sense?<br/> | ||
KING. Ay, that is study's god-like recompense.<br/> | KING. Ay, that is study's god-like recompense.<br/> | ||
BEROWNE. Come on, then; I will swear to study so,<br/> | BEROWNE. Come on, then; I will swear to study so,<br/> | ||
To know the thing I am forbid to know,<br/> | To know the thing I am forbid to know,<br/> | ||
As thus: to study where I well may dine,<br/> | As thus: to study where I well may dine,<br/> | ||
When I to feast expressly am forbid;<br/> | When I to feast expressly am forbid;<br/> | ||
Or study where to meet some mistress fine,<br/> | Or study where to meet some mistress fine,<br/> | ||
When mistresses from common sense are hid;<br/> | When mistresses from common sense are hid;<br/> | ||
Or, having sworn too hard-a-keeping oath,<br/> | Or, having sworn too hard-a-keeping oath,<br/> | ||
Study to break it, and not break my troth.<br/> | Study to break it, and not break my troth.<br/> | ||
If study's gain be thus, and this be so,<br/> | If study's gain be thus, and this be so,<br/> | ||
Study knows that which yet it doth not know.<br/> | Study knows that which yet it doth not know.<br/> | ||
Swear me to this, and I will ne'er say no.<br/> | Swear me to this, and I will ne'er say no.<br/> | ||
KING. These be the stops that hinder study quite,<br/> | KING. These be the stops that hinder study quite,<br/> | ||
And train our intellects to vain delight.<br/> | And train our intellects to vain delight.<br/> | ||
BEROWNE. Why, all delights are vain; but that most vain<br/> | BEROWNE. Why, all delights are vain; but that most vain<br/> | ||
Which, with pain purchas'd, doth inherit pain,<br/> | Which, with pain purchas'd, doth inherit pain,<br/> | ||
As painfully to pore upon a book<br/> | As painfully to pore upon a book<br/> | ||
To seek the light of truth; while truth the while<br/> | To seek the light of truth; while truth the while<br/> | ||
Doth falsely blind the eyesight of his look.<br/> | Doth falsely blind the eyesight of his look.<br/> | ||
Light, seeking light, doth light of light beguile;<br/> | Light, seeking light, doth light of light beguile;<br/> | ||
So, ere you find where light in darkness lies,<br/> | So, ere you find where light in darkness lies,<br/> | ||
Your light grows dark by losing of your eyes.<br/> | Your light grows dark by losing of your eyes.<br/> | ||
Study me how to please the eye indeed,<br/> | Study me how to please the eye indeed,<br/> | ||
By fixing it upon a fairer eye;<br/> | By fixing it upon a fairer eye;<br/> | ||
Who dazzling so, that eye shall be his heed,<br/> | Who dazzling so, that eye shall be his heed,<br/> | ||
And give him light that it was blinded by.<br/> | And give him light that it was blinded by.<br/> | ||
Study is like the heaven's glorious sun,<br/> | Study is like the heaven's glorious sun,<br/> | ||
That will not be deep-search'd with saucy looks;<br/> | That will not be deep-search'd with saucy looks;<br/> | ||
Small have continual plodders ever won,<br/> | Small have continual plodders ever won,<br/> | ||
Save base authority from others' books.<br/> | Save base authority from others' books.<br/> | ||
These earthly godfathers of heaven's lights<br/> | These earthly godfathers of heaven's lights<br/> | ||
That give a name to every fixed star<br/> | That give a name to every fixed star<br/> | ||
Have no more profit of their shining nights<br/> | Have no more profit of their shining nights<br/> | ||
Than those that walk and wot not what they are.<br/> | Than those that walk and wot not what they are.<br/> | ||
Too much to know is to know nought but fame;<br/> | Too much to know is to know nought but fame;<br/> | ||
And every godfather can give a name.<br/> | And every godfather can give a name.<br/> | ||
KING. How well he's read, to reason against reading!<br/> | KING. How well he's read, to reason against reading!<br/> | ||
DUMAIN. Proceeded well, to stop all good proceeding!<br/> | DUMAIN. Proceeded well, to stop all good proceeding!<br/> | ||
LONGAVILLE. He weeds the corn, and still lets grow the weeding.<br/> | LONGAVILLE. He weeds the corn, and still lets grow the weeding.<br/> | ||
BEROWNE. The spring is near, when green geese are a-breeding.<br/> | BEROWNE. The spring is near, when green geese are a-breeding.<br/> | ||
DUMAIN. How follows that?<br/> | DUMAIN. How follows that?<br/> | ||
BEROWNE. Fit in his place and time.<br/> | BEROWNE. Fit in his place and time.<br/> | ||
DUMAIN. In reason nothing.<br/> | DUMAIN. In reason nothing.<br/> | ||
BEROWNE. Something then in rhyme.<br/> | BEROWNE. Something then in rhyme.<br/> | ||
LONGAVILLE. Berowne is like an envious sneaping frost<br/> | LONGAVILLE. Berowne is like an envious sneaping frost<br/> | ||
That bites the first-born infants of the spring.<br/> | That bites the first-born infants of the spring.<br/> | ||
BEROWNE. Well, say I am; why should proud summer boast<br/> | BEROWNE. Well, say I am; why should proud summer boast<br/> | ||
Before the birds have any cause to sing?<br/> | Before the birds have any cause to sing?<br/> | ||
Why should I joy in any abortive birth?<br/> | Why should I joy in any abortive birth?<br/> | ||
At Christmas I no more desire a rose<br/> | At Christmas I no more desire a rose<br/> | ||
Than wish a snow in May's new-fangled shows;<br/> | Than wish a snow in May's new-fangled shows;<br/> | ||
But like of each thing that in season grows;<br/> | But like of each thing that in season grows;<br/> | ||
So you, to study now it is too late,<br/> | So you, to study now it is too late,<br/> | ||
Climb o'er the house to unlock the little gate.<br/> | Climb o'er the house to unlock the little gate.<br/> | ||
KING. Well, sit out; go home, Berowne; adieu.<br/> | KING. Well, sit out; go home, Berowne; adieu.<br/> | ||
BEROWNE. No, my good lord; I have sworn to stay with you;<br/> | BEROWNE. No, my good lord; I have sworn to stay with you;<br/> | ||
And though I have for barbarism spoke more<br/> | And though I have for barbarism spoke more<br/> | ||
Than for that angel knowledge you can say,<br/> | Than for that angel knowledge you can say,<br/> | ||
Yet confident I'll keep what I have swore,<br/> | Yet confident I'll keep what I have swore,<br/> | ||
And bide the penance of each three years' day.<br/> | And bide the penance of each three years' day.<br/> | ||
Give me the paper; let me read the same;<br/> | Give me the paper; let me read the same;<br/> | ||
And to the strictest decrees I'll write my name.<br/> | And to the strictest decrees I'll write my name.<br/> | ||
KING. How well this yielding rescues thee from shame!<br/> | KING. How well this yielding rescues thee from shame!<br/> | ||
BEROWNE. [Reads] 'Item. That no woman shall come within a mile of<br/> | BEROWNE. [Reads] 'Item. That no woman shall come within a mile of<br/> | ||
my court'- Hath this been proclaimed?<br/> | my court'- Hath this been proclaimed?<br/> | ||
LONGAVILLE. Four days ago.<br/> | LONGAVILLE. Four days ago.<br/> | ||
BEROWNE. Let's see the penalty. [Reads] '-on pain of losing her<br/> | BEROWNE. Let's see the penalty. [Reads] '-on pain of losing her<br/> | ||
tongue.' Who devis'd this penalty?<br/> | tongue.' Who devis'd this penalty?<br/> | ||
LONGAVILLE. Marry, that did I.<br/> | LONGAVILLE. Marry, that did I.<br/> | ||
BEROWNE. Sweet lord, and why?<br/> | BEROWNE. Sweet lord, and why?<br/> | ||
LONGAVILLE. To fright them hence with that dread penalty.<br/> | LONGAVILLE. To fright them hence with that dread penalty.<br/> | ||
BEROWNE. A dangerous law against gentility.<br/> | BEROWNE. A dangerous law against gentility.<br/> | ||
[Reads] 'Item. If any man be seen to talk with a woman within<br/> | [Reads] 'Item. If any man be seen to talk with a woman within<br/> | ||
the term of three years, he shall endure such public shame as the<br/> | the term of three years, he shall endure such public shame as the<br/> | ||
rest of the court can possibly devise.'<br/> | rest of the court can possibly devise.'<br/> | ||
This article, my liege, yourself must break;<br/> | This article, my liege, yourself must break;<br/> | ||
For well you know here comes in embassy<br/> | For well you know here comes in embassy<br/> | ||
The French king's daughter, with yourself to speak-<br/> | The French king's daughter, with yourself to speak-<br/> | ||
A mild of grace and complete majesty-<br/> | A mild of grace and complete majesty-<br/> | ||
About surrender up of Aquitaine<br/> | About surrender up of Aquitaine<br/> | ||
To her decrepit, sick, and bedrid father;<br/> | To her decrepit, sick, and bedrid father;<br/> | ||
Therefore this article is made in vain,<br/> | Therefore this article is made in vain,<br/> | ||
Or vainly comes th' admired princess hither.<br/> | Or vainly comes th' admired princess hither.<br/> | ||
KING. What say you, lords? Why, this was quite forgot.<br/> | KING. What say you, lords? Why, this was quite forgot.<br/> | ||
BEROWNE. So study evermore is over-shot.<br/> | BEROWNE. So study evermore is over-shot.<br/> | ||
While it doth study to have what it would,<br/> | While it doth study to have what it would,<br/> | ||
It doth forget to do the thing it should;<br/> | It doth forget to do the thing it should;<br/> | ||
And when it hath the thing it hunteth most,<br/> | And when it hath the thing it hunteth most,<br/> | ||
'Tis won as towns with fire- so won, so lost.<br/> | 'Tis won as towns with fire- so won, so lost.<br/> | ||
KING. We must of force dispense with this decree;<br/> | KING. We must of force dispense with this decree;<br/> | ||
She must lie here on mere necessity.<br/> | She must lie here on mere necessity.<br/> | ||
BEROWNE. Necessity will make us all forsworn<br/> | BEROWNE. Necessity will make us all forsworn<br/> | ||
Three thousand times within this three years' space;<br/> | Three thousand times within this three years' space;<br/> | ||
For every man with his affects is born,<br/> | For every man with his affects is born,<br/> | ||
Not by might mast'red, but by special grace.<br/> | Not by might mast'red, but by special grace.<br/> | ||
If I break faith, this word shall speak for me:<br/> | If I break faith, this word shall speak for me:<br/> | ||
I am forsworn on mere necessity.<br/> | I am forsworn on mere necessity.<br/> | ||
So to the laws at large I write my name; [Subscribes]<br/> | So to the laws at large I write my name; [Subscribes]<br/> | ||
And he that breaks them in the least degree<br/> | And he that breaks them in the least degree<br/> | ||
Stands in attainder of eternal shame.<br/> | Stands in attainder of eternal shame.<br/> | ||
Suggestions are to other as to me;<br/> | Suggestions are to other as to me;<br/> | ||
But I believe, although I seem so loath,<br/> | But I believe, although I seem so loath,<br/> | ||
I am the last that will last keep his oath.<br/> | I am the last that will last keep his oath.<br/> | ||
But is there no quick recreation granted?<br/> | But is there no quick recreation granted?<br/> | ||
KING. Ay, that there is. Our court, you know, is haunted<br/> | KING. Ay, that there is. Our court, you know, is haunted<br/> | ||
With a refined traveller of Spain,<br/> | With a refined traveller of Spain,<br/> | ||
A man in all the world's new fashion planted,<br/> | A man in all the world's new fashion planted,<br/> | ||
That hath a mint of phrases in his brain;<br/> | That hath a mint of phrases in his brain;<br/> | ||
One who the music of his own vain tongue<br/> | One who the music of his own vain tongue<br/> | ||
Doth ravish like enchanting harmony;<br/> | Doth ravish like enchanting harmony;<br/> | ||
A man of complements, whom right and wrong<br/> | A man of complements, whom right and wrong<br/> | ||
Have chose as umpire of their mutiny.<br/> | Have chose as umpire of their mutiny.<br/> | ||
This child of fancy, that Armado hight,<br/> | This child of fancy, that Armado hight,<br/> | ||
For interim to our studies shall relate,<br/> | For interim to our studies shall relate,<br/> | ||
In high-born words, the worth of many a knight<br/> | In high-born words, the worth of many a knight<br/> | ||
From tawny Spain lost in the world's debate.<br/> | From tawny Spain lost in the world's debate.<br/> | ||
How you delight, my lords, I know not, I;<br/> | How you delight, my lords, I know not, I;<br/> | ||
But I protest I love to hear him lie,<br/> | But I protest I love to hear him lie,<br/> | ||
And I will use him for my minstrelsy.<br/> | And I will use him for my minstrelsy.<br/> | ||
BEROWNE. Armado is a most illustrious wight,<br/> | BEROWNE. Armado is a most illustrious wight,<br/> | ||
A man of fire-new words, fashion's own knight.<br/> | A man of fire-new words, fashion's own knight.<br/> | ||
LONGAVILLE. Costard the swain and he shall be our sport;<br/> | LONGAVILLE. Costard the swain and he shall be our sport;<br/> | ||
And so to study three years is but short.<br/> | And so to study three years is but short.<br/> | ||
</p> | </p> | ||
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<p> DULL. Which is the Duke's own person?<br/> | <p> DULL. Which is the Duke's own person?<br/> | ||
BEROWNE. This, fellow. What wouldst?<br/> | BEROWNE. This, fellow. What wouldst?<br/> | ||
DULL. I myself reprehend his own person, for I am his Grace's<br/> | DULL. I myself reprehend his own person, for I am his Grace's<br/> | ||
farborough; but I would see his own person in flesh and blood.<br/> | farborough; but I would see his own person in flesh and blood.<br/> | ||
BEROWNE. This is he.<br/> | BEROWNE. This is he.<br/> | ||
DULL. Signior Arme- Arme- commends you. There's villainy abroad;<br/> | DULL. Signior Arme- Arme- commends you. There's villainy abroad;<br/> | ||
this letter will tell you more.<br/> | this letter will tell you more.<br/> | ||
COSTARD. Sir, the contempts thereof are as touching me.<br/> | COSTARD. Sir, the contempts thereof are as touching me.<br/> | ||
KING. A letter from the magnificent Armado.<br/> | KING. A letter from the magnificent Armado.<br/> | ||
BEROWNE. How low soever the matter, I hope in God for high words.<br/> | BEROWNE. How low soever the matter, I hope in God for high words.<br/> | ||
LONGAVILLE. A high hope for a low heaven. God grant us patience!<br/> | LONGAVILLE. A high hope for a low heaven. God grant us patience!<br/> | ||
BEROWNE. To hear, or forbear hearing?<br/> | BEROWNE. To hear, or forbear hearing?<br/> | ||
LONGAVILLE. To hear meekly, sir, and to laugh moderately; or, to<br/> | LONGAVILLE. To hear meekly, sir, and to laugh moderately; or, to<br/> | ||
forbear both.<br/> | forbear both.<br/> | ||
BEROWNE. Well, sir, be it as the style shall give us cause to climb<br/> | BEROWNE. Well, sir, be it as the style shall give us cause to climb<br/> | ||
in the merriness.<br/> | in the merriness.<br/> | ||
COSTARD. The matter is to me, sir, as concerning Jaquenetta.<br/> | COSTARD. The matter is to me, sir, as concerning Jaquenetta.<br/> | ||
The manner of it is, I was taken with the manner.<br/> | The manner of it is, I was taken with the manner.<br/> | ||
BEROWNE. In what manner?<br/> | BEROWNE. In what manner?<br/> | ||
COSTARD. In manner and form following, sir; all those three: I was<br/> | COSTARD. In manner and form following, sir; all those three: I was<br/> | ||
seen with her in the manor-house, sitting with her upon the form,<br/> | seen with her in the manor-house, sitting with her upon the form,<br/> | ||
and taken following her into the park; which, put together, is in<br/> | and taken following her into the park; which, put together, is in<br/> | ||
manner and form following. Now, sir, for the manner- it is the<br/> | manner and form following. Now, sir, for the manner- it is the<br/> | ||
manner of a man to speak to a woman. For the form- in some form.<br/> | manner of a man to speak to a woman. For the form- in some form.<br/> | ||
BEROWNE. For the following, sir?<br/> | BEROWNE. For the following, sir?<br/> | ||
COSTARD. As it shall follow in my correction; and God defend the<br/> | COSTARD. As it shall follow in my correction; and God defend the<br/> | ||
right!<br/> | right!<br/> | ||
KING. Will you hear this letter with attention?<br/> | KING. Will you hear this letter with attention?<br/> | ||
BEROWNE. As we would hear an oracle.<br/> | BEROWNE. As we would hear an oracle.<br/> | ||
COSTARD. Such is the simplicity of man to hearken after the flesh.<br/> | COSTARD. Such is the simplicity of man to hearken after the flesh.<br/> | ||
KING. [Reads] 'Great deputy, the welkin's vicegerent and sole<br/> | KING. [Reads] 'Great deputy, the welkin's vicegerent and sole<br/> | ||
dominator of Navarre, my soul's earth's god and body's fost'ring<br/> | dominator of Navarre, my soul's earth's god and body's fost'ring<br/> | ||
patron'-<br/> | patron'-<br/> | ||
COSTARD. Not a word of Costard yet.<br/> | COSTARD. Not a word of Costard yet.<br/> | ||
KING. [Reads] 'So it is'-<br/> | KING. [Reads] 'So it is'-<br/> | ||
COSTARD. It may be so; but if he say it is so, he is, in telling<br/> | COSTARD. It may be so; but if he say it is so, he is, in telling<br/> | ||
true, but so.<br/> | true, but so.<br/> | ||
KING. Peace!<br/> | KING. Peace!<br/> | ||
COSTARD. Be to me, and every man that dares not fight!<br/> | COSTARD. Be to me, and every man that dares not fight!<br/> | ||
KING. No words!<br/> | KING. No words!<br/> | ||
COSTARD. Of other men's secrets, I beseech you.<br/> | COSTARD. Of other men's secrets, I beseech you.<br/> | ||
KING. [Reads] 'So it is, besieged with sable-coloured melancholy, I<br/> | KING. [Reads] 'So it is, besieged with sable-coloured melancholy, I<br/> | ||
did commend the black oppressing humour to the most wholesome<br/> | did commend the black oppressing humour to the most wholesome<br/> | ||
physic of thy health-giving air; and, as I am a gentleman, betook<br/> | physic of thy health-giving air; and, as I am a gentleman, betook<br/> | ||
myself to walk. The time When? About the sixth hour; when beasts<br/> | myself to walk. The time When? About the sixth hour; when beasts<br/> | ||
most graze, birds best peck, and men sit down to that nourishment<br/> | most graze, birds best peck, and men sit down to that nourishment<br/> | ||
which is called supper. So much for the time When. Now for the<br/> | which is called supper. So much for the time When. Now for the<br/> | ||
ground Which? which, I mean, I upon; it is ycleped thy park. Then<br/> | ground Which? which, I mean, I upon; it is ycleped thy park. Then<br/> | ||
for the place Where? where, I mean, I did encounter that obscene<br/> | for the place Where? where, I mean, I did encounter that obscene<br/> | ||
and most prepost'rous event that draweth from my snow-white pen<br/> | and most prepost'rous event that draweth from my snow-white pen<br/> | ||
the ebon-coloured ink which here thou viewest, beholdest,<br/> | the ebon-coloured ink which here thou viewest, beholdest,<br/> | ||
surveyest, or seest. But to the place Where? It standeth<br/> | surveyest, or seest. But to the place Where? It standeth<br/> | ||
north-north-east and by east from the west corner of thy<br/> | north-north-east and by east from the west corner of thy<br/> | ||
curious-knotted garden. There did I see that low-spirited swain,<br/> | curious-knotted garden. There did I see that low-spirited swain,<br/> | ||
that base minnow of thy mirth,'<br/> | that base minnow of thy mirth,'<br/> | ||
COSTARD. Me?<br/> | COSTARD. Me?<br/> | ||
KING. 'that unlettered small-knowing soul,'<br/> | KING. 'that unlettered small-knowing soul,'<br/> | ||
COSTARD. Me?<br/> | COSTARD. Me?<br/> | ||
KING. 'that shallow vassal,'<br/> | KING. 'that shallow vassal,'<br/> | ||
COSTARD. Still me?<br/> | COSTARD. Still me?<br/> | ||
KING. 'which, as I remember, hight Costard,'<br/> | KING. 'which, as I remember, hight Costard,'<br/> | ||
COSTARD. O, me!<br/> | COSTARD. O, me!<br/> | ||
KING. 'sorted and consorted, contrary to thy established proclaimed<br/> | KING. 'sorted and consorted, contrary to thy established proclaimed<br/> | ||
edict and continent canon; which, with, O, with- but with this I<br/> | edict and continent canon; which, with, O, with- but with this I<br/> | ||
passion to say wherewith-'<br/> | passion to say wherewith-'<br/> | ||
COSTARD. With a wench.<br/> | COSTARD. With a wench.<br/> | ||
King. 'with a child of our grandmother Eve, a female; or, for thy<br/> | King. 'with a child of our grandmother Eve, a female; or, for thy<br/> | ||
more sweet understanding, a woman. Him I, as my ever-esteemed<br/> | more sweet understanding, a woman. Him I, as my ever-esteemed<br/> | ||
duty pricks me on, have sent to thee, to receive the meed of<br/> | duty pricks me on, have sent to thee, to receive the meed of<br/> | ||
punishment, by thy sweet Grace's officer, Antony Dull, a man of<br/> | punishment, by thy sweet Grace's officer, Antony Dull, a man of<br/> | ||
good repute, carriage, bearing, and estimation.'<br/> | good repute, carriage, bearing, and estimation.'<br/> | ||
DULL. Me, an't shall please you; I am Antony Dull.<br/> | DULL. Me, an't shall please you; I am Antony Dull.<br/> | ||
KING. 'For Jaquenetta- so is the weaker vessel called, which I<br/> | KING. 'For Jaquenetta- so is the weaker vessel called, which I<br/> | ||
apprehended with the aforesaid swain- I keep her as a vessel of<br/> | apprehended with the aforesaid swain- I keep her as a vessel of<br/> | ||
thy law's fury; and shall, at the least of thy sweet notice,<br/> | thy law's fury; and shall, at the least of thy sweet notice,<br/> | ||
bring her to trial. Thine, in all compliments of devoted and<br/> | bring her to trial. Thine, in all compliments of devoted and<br/> | ||
heart-burning heat of duty,<br/> | heart-burning heat of duty,<br/> | ||
DON ADRIANO DE ARMADO.'<br/> | DON ADRIANO DE ARMADO.'<br/> | ||
</p> | </p> | ||
<p> BEROWNE. This is not so well as I look'd for, but the best that<br/> | <p> BEROWNE. This is not so well as I look'd for, but the best that<br/> | ||
ever I heard.<br/> | ever I heard.<br/> | ||
KING. Ay, the best for the worst. But, sirrah, what say you to<br/> | KING. Ay, the best for the worst. But, sirrah, what say you to<br/> | ||
this?<br/> | this?<br/> | ||
COSTARD. Sir, I confess the wench.<br/> | COSTARD. Sir, I confess the wench.<br/> | ||
KING. Did you hear the proclamation?<br/> | KING. Did you hear the proclamation?<br/> | ||
COSTARD. I do confess much of the hearing it, but little of the<br/> | COSTARD. I do confess much of the hearing it, but little of the<br/> | ||
marking of it.<br/> | marking of it.<br/> | ||
KING. It was proclaimed a year's imprisonment to be taken with a<br/> | KING. It was proclaimed a year's imprisonment to be taken with a<br/> | ||
wench.<br/> | wench.<br/> | ||
COSTARD. I was taken with none, sir; I was taken with a damsel.<br/> | COSTARD. I was taken with none, sir; I was taken with a damsel.<br/> | ||
KING. Well, it was proclaimed damsel.<br/> | KING. Well, it was proclaimed damsel.<br/> | ||
COSTARD. This was no damsel neither, sir; she was a virgin.<br/> | COSTARD. This was no damsel neither, sir; she was a virgin.<br/> | ||
KING. It is so varied too, for it was proclaimed virgin.<br/> | KING. It is so varied too, for it was proclaimed virgin.<br/> | ||
COSTARD. If it were, I deny her virginity; I was taken with a maid.<br/> | COSTARD. If it were, I deny her virginity; I was taken with a maid.<br/> | ||
KING. This 'maid' not serve your turn, sir.<br/> | KING. This 'maid' not serve your turn, sir.<br/> | ||
COSTARD. This maid will serve my turn, sir.<br/> | COSTARD. This maid will serve my turn, sir.<br/> | ||
KING. Sir, I will pronounce your sentence: you shall fast a week<br/> | KING. Sir, I will pronounce your sentence: you shall fast a week<br/> | ||
with bran and water.<br/> | with bran and water.<br/> | ||
COSTARD. I had rather pray a month with mutton and porridge.<br/> | COSTARD. I had rather pray a month with mutton and porridge.<br/> | ||
KING. And Don Armado shall be your keeper.<br/> | KING. And Don Armado shall be your keeper.<br/> | ||
My Lord Berowne, see him delivered o'er;<br/> | My Lord Berowne, see him delivered o'er;<br/> | ||
And go we, lords, to put in practice that<br/> | And go we, lords, to put in practice that<br/> | ||
Which each to other hath so strongly sworn.<br/> | Which each to other hath so strongly sworn.<br/> | ||
Exeunt KING, LONGAVILLE, and DUMAIN<br/> | Exeunt KING, LONGAVILLE, and DUMAIN<br/> | ||
BEROWNE. I'll lay my head to any good man's hat<br/> | BEROWNE. I'll lay my head to any good man's hat<br/> | ||
These oaths and laws will prove an idle scorn.<br/> | These oaths and laws will prove an idle scorn.<br/> | ||
Sirrah, come on.<br/> | Sirrah, come on.<br/> | ||
COSTARD. I suffer for the truth, sir; for true it is I was taken<br/> | COSTARD. I suffer for the truth, sir; for true it is I was taken<br/> | ||
with Jaquenetta, and Jaquenetta is a true girl; and therefore<br/> | with Jaquenetta, and Jaquenetta is a true girl; and therefore<br/> | ||
welcome the sour cup of prosperity! Affliction may one day smile<br/> | welcome the sour cup of prosperity! Affliction may one day smile<br/> | ||
again; and till then, sit thee down, sorrow.<br/> | again; and till then, sit thee down, sorrow.<br/> | ||
Exeunt<br/> | Exeunt<br/> | ||
</p> | </p> | ||
<h4>SCENE II. | <h4>SCENE II. | ||
The park</h4> | The park</h4> | ||
Line 342: | Line 656: | ||
<p> ARMADO. Boy, what sign is it when a man of great spirit grows<br/> | <p> ARMADO. Boy, what sign is it when a man of great spirit grows<br/> | ||
melancholy?<br/> | melancholy?<br/> | ||
MOTH. A great sign, sir, that he will look sad.<br/> | MOTH. A great sign, sir, that he will look sad.<br/> | ||
ARMADO. Why, sadness is one and the self-same thing, dear imp.<br/> | ARMADO. Why, sadness is one and the self-same thing, dear imp.<br/> | ||
MOTH. No, no; O Lord, sir, no!<br/> | MOTH. No, no; O Lord, sir, no!<br/> | ||
ARMADO. How canst thou part sadness and melancholy, my tender<br/> | ARMADO. How canst thou part sadness and melancholy, my tender<br/> | ||
juvenal?<br/> | juvenal?<br/> | ||
MOTH. By a familiar demonstration of the working, my tough signior.<br/> | MOTH. By a familiar demonstration of the working, my tough signior.<br/> | ||
ARMADO. Why tough signior? Why tough signior?<br/> | ARMADO. Why tough signior? Why tough signior?<br/> | ||
MOTH. Why tender juvenal? Why tender juvenal?<br/> | MOTH. Why tender juvenal? Why tender juvenal?<br/> | ||
ARMADO. I spoke it, tender juvenal, as a congruent epitheton<br/> | ARMADO. I spoke it, tender juvenal, as a congruent epitheton<br/> | ||
appertaining to thy young days, which we may nominate tender.<br/> | appertaining to thy young days, which we may nominate tender.<br/> | ||
MOTH. And I, tough signior, as an appertinent title to your old<br/> | MOTH. And I, tough signior, as an appertinent title to your old<br/> | ||
time, which we may name tough.<br/> | time, which we may name tough.<br/> | ||
ARMADO. Pretty and apt.<br/> | ARMADO. Pretty and apt.<br/> | ||
MOTH. How mean you, sir? I pretty, and my saying apt? or I apt, and<br/> | MOTH. How mean you, sir? I pretty, and my saying apt? or I apt, and<br/> | ||
my saying pretty?<br/> | my saying pretty?<br/> | ||
ARMADO. Thou pretty, because little.<br/> | ARMADO. Thou pretty, because little.<br/> | ||
MOTH. Little pretty, because little. Wherefore apt?<br/> | MOTH. Little pretty, because little. Wherefore apt?<br/> | ||
ARMADO. And therefore apt, because quick.<br/> | ARMADO. And therefore apt, because quick.<br/> | ||
MOTH. Speak you this in my praise, master?<br/> | MOTH. Speak you this in my praise, master?<br/> | ||
ARMADO. In thy condign praise.<br/> | ARMADO. In thy condign praise.<br/> | ||
MOTH. I will praise an eel with the same praise.<br/> | MOTH. I will praise an eel with the same praise.<br/> | ||
ARMADO. that an eel is ingenious?<br/> | ARMADO. that an eel is ingenious?<br/> | ||
MOTH. That an eel is quick.<br/> | MOTH. That an eel is quick.<br/> | ||
ARMADO. I do say thou art quick in answers; thou heat'st my blood.<br/> | ARMADO. I do say thou art quick in answers; thou heat'st my blood.<br/> | ||
MOTH. I am answer'd, sir.<br/> | MOTH. I am answer'd, sir.<br/> | ||
ARMADO. I love not to be cross'd.<br/> | ARMADO. I love not to be cross'd.<br/> | ||
MOTH. [Aside] He speaks the mere contrary: crosses love not him.<br/> | MOTH. [Aside] He speaks the mere contrary: crosses love not him.<br/> | ||
ARMADO. I have promised to study three years with the Duke.<br/> | ARMADO. I have promised to study three years with the Duke.<br/> | ||
MOTH. You may do it in an hour, sir.<br/> | MOTH. You may do it in an hour, sir.<br/> | ||
ARMADO. Impossible.<br/> | ARMADO. Impossible.<br/> | ||
MOTH. How many is one thrice told?<br/> | MOTH. How many is one thrice told?<br/> | ||
ARMADO. I am ill at reck'ning; it fitteth the spirit of a tapster.<br/> | ARMADO. I am ill at reck'ning; it fitteth the spirit of a tapster.<br/> | ||
MOTH. You are a gentleman and a gamester, sir.<br/> | MOTH. You are a gentleman and a gamester, sir.<br/> | ||
ARMADO. I confess both; they are both the varnish of a complete<br/> | ARMADO. I confess both; they are both the varnish of a complete<br/> | ||
man.<br/> | man.<br/> | ||
MOTH. Then I am sure you know how much the gross sum of deuce-ace<br/> | MOTH. Then I am sure you know how much the gross sum of deuce-ace<br/> | ||
amounts to.<br/> | amounts to.<br/> | ||
ARMADO. It doth amount to one more than two.<br/> | ARMADO. It doth amount to one more than two.<br/> | ||
MOTH. Which the base vulgar do call three.<br/> | MOTH. Which the base vulgar do call three.<br/> | ||
ARMADO. True.<br/> | ARMADO. True.<br/> | ||
MOTH. Why, sir, is this such a piece of study? Now here is three<br/> | MOTH. Why, sir, is this such a piece of study? Now here is three<br/> | ||
studied ere ye'll thrice wink; and how easy it is to put 'years'<br/> | studied ere ye'll thrice wink; and how easy it is to put 'years'<br/> | ||
to the word 'three,' and study three years in two words, the<br/> | to the word 'three,' and study three years in two words, the<br/> | ||
dancing horse will tell you.<br/> | dancing horse will tell you.<br/> | ||
ARMADO. A most fine figure!<br/> | ARMADO. A most fine figure!<br/> | ||
MOTH. [Aside] To prove you a cipher.<br/> | MOTH. [Aside] To prove you a cipher.<br/> | ||
ARMADO. I will hereupon confess I am in love. And as it is base for<br/> | ARMADO. I will hereupon confess I am in love. And as it is base for<br/> | ||
a soldier to love, so am I in love with a base wench. If drawing<br/> | a soldier to love, so am I in love with a base wench. If drawing<br/> | ||
my sword against the humour of affection would deliver me from<br/> | my sword against the humour of affection would deliver me from<br/> | ||
the reprobate thought of it, I would take Desire prisoner, and<br/> | the reprobate thought of it, I would take Desire prisoner, and<br/> | ||
ransom him to any French courtier for a new-devis'd curtsy. I<br/> | ransom him to any French courtier for a new-devis'd curtsy. I<br/> | ||
think scorn to sigh; methinks I should out-swear Cupid. Comfort<br/> | think scorn to sigh; methinks I should out-swear Cupid. Comfort<br/> | ||
me, boy; what great men have been in love?<br/> | me, boy; what great men have been in love?<br/> | ||
MOTH. Hercules, master.<br/> | MOTH. Hercules, master.<br/> | ||
ARMADO. Most sweet Hercules! More authority, dear boy, name more;<br/> | ARMADO. Most sweet Hercules! More authority, dear boy, name more;<br/> | ||
and, sweet my child, let them be men of good repute and carriage.<br/> | and, sweet my child, let them be men of good repute and carriage.<br/> | ||
MOTH. Samson, master; he was a man of good carriage, great<br/> | MOTH. Samson, master; he was a man of good carriage, great<br/> | ||
carriage, for he carried the town gates on his back like a<br/> | carriage, for he carried the town gates on his back like a<br/> | ||
porter; and he was in love.<br/> | porter; and he was in love.<br/> | ||
ARMADO. O well-knit Samson! strong-jointed Samson! I do excel thee<br/> | ARMADO. O well-knit Samson! strong-jointed Samson! I do excel thee<br/> | ||
in my rapier as much as thou didst me in carrying gates. I am in<br/> | in my rapier as much as thou didst me in carrying gates. I am in<br/> | ||
love too. Who was Samson's love, my dear Moth?<br/> | love too. Who was Samson's love, my dear Moth?<br/> | ||
MOTH. A woman, master.<br/> | MOTH. A woman, master.<br/> | ||
ARMADO. Of what complexion?<br/> | ARMADO. Of what complexion?<br/> | ||
MOTH. Of all the four, or the three, or the two, or one of the<br/> | MOTH. Of all the four, or the three, or the two, or one of the<br/> | ||
four.<br/> | four.<br/> | ||
ARMADO. Tell me precisely of what complexion.<br/> | ARMADO. Tell me precisely of what complexion.<br/> | ||
MOTH. Of the sea-water green, sir.<br/> | MOTH. Of the sea-water green, sir.<br/> | ||
ARMADO. Is that one of the four complexions?<br/> | ARMADO. Is that one of the four complexions?<br/> | ||
MOTH. As I have read, sir; and the best of them too.<br/> | MOTH. As I have read, sir; and the best of them too.<br/> | ||
ARMADO. Green, indeed, is the colour of lovers; but to have a love<br/> | ARMADO. Green, indeed, is the colour of lovers; but to have a love<br/> | ||
of that colour, methinks Samson had small reason for it. He<br/> | of that colour, methinks Samson had small reason for it. He<br/> | ||
surely affected her for her wit.<br/> | surely affected her for her wit.<br/> | ||
MOTH. It was so, sir; for she had a green wit.<br/> | MOTH. It was so, sir; for she had a green wit.<br/> | ||
ARMADO. My love is most immaculate white and red.<br/> | ARMADO. My love is most immaculate white and red.<br/> | ||
MOTH. Most maculate thoughts, master, are mask'd under such<br/> | MOTH. Most maculate thoughts, master, are mask'd under such<br/> | ||
colours.<br/> | colours.<br/> | ||
ARMADO. Define, define, well-educated infant.<br/> | ARMADO. Define, define, well-educated infant.<br/> | ||
MOTH. My father's wit my mother's tongue assist me!<br/> | MOTH. My father's wit my mother's tongue assist me!<br/> | ||
ARMADO. Sweet invocation of a child; most pretty, and pathetical!<br/> | ARMADO. Sweet invocation of a child; most pretty, and pathetical!<br/> | ||
MOTH. If she be made of white and red,<br/> | MOTH. If she be made of white and red,<br/> | ||
Her faults will ne'er be known;<br/> | Her faults will ne'er be known;<br/> | ||
For blushing cheeks by faults are bred,<br/> | For blushing cheeks by faults are bred,<br/> | ||
And fears by pale white shown.<br/> | And fears by pale white shown.<br/> | ||
Then if she fear, or be to blame,<br/> | Then if she fear, or be to blame,<br/> | ||
By this you shall not know;<br/> | By this you shall not know;<br/> | ||
For still her cheeks possess the same<br/> | For still her cheeks possess the same<br/> | ||
Which native she doth owe.<br/> | Which native she doth owe.<br/> | ||
A dangerous rhyme, master, against the reason of white and red.<br/> | A dangerous rhyme, master, against the reason of white and red.<br/> | ||
ARMADO. Is there not a ballad, boy, of the King and the Beggar?<br/> | ARMADO. Is there not a ballad, boy, of the King and the Beggar?<br/> | ||
MOTH. The world was very guilty of such a ballad some three ages<br/> | MOTH. The world was very guilty of such a ballad some three ages<br/> | ||
since; but I think now 'tis not to be found; or if it were, it<br/> | since; but I think now 'tis not to be found; or if it were, it<br/> | ||
would neither serve for the writing nor the tune.<br/> | would neither serve for the writing nor the tune.<br/> | ||
ARMADO. I will have that subject newly writ o'er, that I may<br/> | ARMADO. I will have that subject newly writ o'er, that I may<br/> | ||
example my digression by some mighty precedent. Boy, I do love<br/> | example my digression by some mighty precedent. Boy, I do love<br/> | ||
that country girl that I took in the park with the rational hind<br/> | that country girl that I took in the park with the rational hind<br/> | ||
Costard; she deserves well.<br/> | Costard; she deserves well.<br/> | ||
MOTH. [Aside] To be whipt; and yet a better love than my master.<br/> | MOTH. [Aside] To be whipt; and yet a better love than my master.<br/> | ||
ARMADO. Sing, boy; my spirit grows heavy in love.<br/> | ARMADO. Sing, boy; my spirit grows heavy in love.<br/> | ||
MOTH. And that's great marvel, loving a light wench.<br/> | MOTH. And that's great marvel, loving a light wench.<br/> | ||
ARMADO. I say, sing.<br/> | ARMADO. I say, sing.<br/> | ||
MOTH. Forbear till this company be past.<br/> | MOTH. Forbear till this company be past.<br/> | ||
</p> | </p> | ||
Line 450: | Line 868: | ||
<p> DULL. Sir, the Duke's pleasure is that you keep Costard safe; and<br/> | <p> DULL. Sir, the Duke's pleasure is that you keep Costard safe; and<br/> | ||
you must suffer him to take no delight nor no penance; but 'a<br/> | you must suffer him to take no delight nor no penance; but 'a<br/> | ||
must fast three days a week. For this damsel, I must keep her at<br/> | must fast three days a week. For this damsel, I must keep her at<br/> | ||
the park; she is allow'd for the day-woman. Fare you well.<br/> | the park; she is allow'd for the day-woman. Fare you well.<br/> | ||
ARMADO. I do betray myself with blushing. Maid!<br/> | ARMADO. I do betray myself with blushing. Maid!<br/> | ||
JAQUENETTA. Man!<br/> | JAQUENETTA. Man!<br/> | ||
ARMADO. I will visit thee at the lodge.<br/> | ARMADO. I will visit thee at the lodge.<br/> | ||
JAQUENETTA. That's hereby.<br/> | JAQUENETTA. That's hereby.<br/> | ||
ARMADO. I know where it is situate.<br/> | ARMADO. I know where it is situate.<br/> | ||
JAQUENETTA. Lord, how wise you are!<br/> | JAQUENETTA. Lord, how wise you are!<br/> | ||
ARMADO. I will tell thee wonders.<br/> | ARMADO. I will tell thee wonders.<br/> | ||
JAQUENETTA. With that face?<br/> | JAQUENETTA. With that face?<br/> | ||
ARMADO. I love thee.<br/> | ARMADO. I love thee.<br/> | ||
JAQUENETTA. So I heard you say.<br/> | JAQUENETTA. So I heard you say.<br/> | ||
ARMADO. And so, farewell.<br/> | ARMADO. And so, farewell.<br/> | ||
JAQUENETTA. Fair weather after you!<br/> | JAQUENETTA. Fair weather after you!<br/> | ||
DULL. Come, Jaquenetta, away. Exit with JAQUENETTA<br/> | DULL. Come, Jaquenetta, away. Exit with JAQUENETTA<br/> | ||
ARMADO. Villain, thou shalt fast for thy offences ere thou be<br/> | ARMADO. Villain, thou shalt fast for thy offences ere thou be<br/> | ||
pardoned.<br/> | pardoned.<br/> | ||
COSTARD. Well, sir, I hope when I do it I shall do it on a full<br/> | COSTARD. Well, sir, I hope when I do it I shall do it on a full<br/> | ||
stomach.<br/> | stomach.<br/> | ||
ARMADO. Thou shalt be heavily punished.<br/> | ARMADO. Thou shalt be heavily punished.<br/> | ||
COSTARD. I am more bound to you than your fellows, for they are but<br/> | COSTARD. I am more bound to you than your fellows, for they are but<br/> | ||
lightly rewarded.<br/> | lightly rewarded.<br/> | ||
ARMADO. Take away this villain; shut him up.<br/> | ARMADO. Take away this villain; shut him up.<br/> | ||
MOTH. Come, you transgressing slave, away.<br/> | MOTH. Come, you transgressing slave, away.<br/> | ||
COSTARD. Let me not be pent up, sir; I will fast, being loose.<br/> | COSTARD. Let me not be pent up, sir; I will fast, being loose.<br/> | ||
MOTH. No, sir; that were fast, and loose. Thou shalt to prison.<br/> | MOTH. No, sir; that were fast, and loose. Thou shalt to prison.<br/> | ||
COSTARD. Well, if ever I do see the merry days of desolation that I<br/> | COSTARD. Well, if ever I do see the merry days of desolation that I<br/> | ||
have seen, some shall see.<br/> | have seen, some shall see.<br/> | ||
MOTH. What shall some see?<br/> | MOTH. What shall some see?<br/> | ||
COSTARD. Nay, nothing, Master Moth, but what they look upon. It is<br/> | COSTARD. Nay, nothing, Master Moth, but what they look upon. It is<br/> | ||
not for prisoners to be too silent in their words, and therefore<br/> | not for prisoners to be too silent in their words, and therefore<br/> | ||
I will say nothing. I thank God I have as little patience as<br/> | I will say nothing. I thank God I have as little patience as<br/> | ||
another man, and therefore I can be quiet.<br/> | another man, and therefore I can be quiet.<br/> | ||
Exeunt MOTH and COSTARD<br/> | Exeunt MOTH and COSTARD<br/> | ||
ARMADO. I do affect the very ground, which is base, where her shoe,<br/> | ARMADO. I do affect the very ground, which is base, where her shoe,<br/> | ||
which is baser, guided by her foot, which is basest, doth tread.<br/> | which is baser, guided by her foot, which is basest, doth tread.<br/> | ||
I shall be forsworn- which is a great argument of falsehood- if I<br/> | I shall be forsworn- which is a great argument of falsehood- if I<br/> | ||
love. And how can that be true love which is falsely attempted?<br/> | love. And how can that be true love which is falsely attempted?<br/> | ||
Love is a familiar; Love is a devil. There is no evil angel but<br/> | Love is a familiar; Love is a devil. There is no evil angel but<br/> | ||
Love. Yet was Samson so tempted, and he had an excellent<br/> | Love. Yet was Samson so tempted, and he had an excellent<br/> | ||
strength; yet was Solomon so seduced, and he had a very good wit.<br/> | strength; yet was Solomon so seduced, and he had a very good wit.<br/> | ||
Cupid's butt-shaft is too hard for Hercules' club, and therefore<br/> | Cupid's butt-shaft is too hard for Hercules' club, and therefore<br/> | ||
too much odds for a Spaniard's rapier. The first and second cause<br/> | too much odds for a Spaniard's rapier. The first and second cause<br/> | ||
will not serve my turn; the passado he respects not, the duello<br/> | will not serve my turn; the passado he respects not, the duello<br/> | ||
he regards not; his disgrace is to be called boy, but his glory<br/> | he regards not; his disgrace is to be called boy, but his glory<br/> | ||
is to subdue men. Adieu, valour; rust, rapier; be still, drum;<br/> | is to subdue men. Adieu, valour; rust, rapier; be still, drum;<br/> | ||
for your manager is in love; yea, he loveth. Assist me, some<br/> | for your manager is in love; yea, he loveth. Assist me, some<br/> | ||
extemporal god of rhyme, for I am sure I shall turn sonnet.<br/> | extemporal god of rhyme, for I am sure I shall turn sonnet.<br/> | ||
Devise, wit; write, pen; for I am for whole volumes in folio.<br/> | Devise, wit; write, pen; for I am for whole volumes in folio.<br/> | ||
Exit<br/> | Exit<br/> | ||
</p> | </p> | ||
<h4>ACT II. SCENE II. | <h4>ACT II. SCENE II. | ||
The park</h4> | The park</h4> | ||
<p>Enter the PRINCESS OF FRANCE, with three attending ladies,<br/> | <p>Enter the PRINCESS OF FRANCE, with three attending ladies,<br/> | ||
ROSALINE, MARIA, KATHARINE, BOYET, and two other LORDS<br/> | ROSALINE, MARIA, KATHARINE, BOYET, and two other LORDS<br/> | ||
</p> | </p> | ||
<p> BOYET. Now, madam, summon up your dearest spirits.<br/> | <p> BOYET. Now, madam, summon up your dearest spirits.<br/> | ||
Consider who the King your father sends,<br/> | Consider who the King your father sends,<br/> | ||
To whom he sends, and what's his embassy:<br/> | To whom he sends, and what's his embassy:<br/> | ||
Yourself, held precious in the world's esteem,<br/> | Yourself, held precious in the world's esteem,<br/> | ||
To parley with the sole inheritor<br/> | To parley with the sole inheritor<br/> | ||
Of all perfections that a man may owe,<br/> | Of all perfections that a man may owe,<br/> | ||
Matchless Navarre; the plea of no less weight<br/> | Matchless Navarre; the plea of no less weight<br/> | ||
Than Aquitaine, a dowry for a queen.<br/> | Than Aquitaine, a dowry for a queen.<br/> | ||
Be now as prodigal of all dear grace<br/> | Be now as prodigal of all dear grace<br/> | ||
As Nature was in making graces dear,<br/> | As Nature was in making graces dear,<br/> | ||
When she did starve the general world beside<br/> | When she did starve the general world beside<br/> | ||
And prodigally gave them all to you.<br/> | And prodigally gave them all to you.<br/> | ||
PRINCESS OF FRANCE. Good Lord Boyet, my beauty, though but mean,<br/> | PRINCESS OF FRANCE. Good Lord Boyet, my beauty, though but mean,<br/> | ||
Needs not the painted flourish of your praise.<br/> | Needs not the painted flourish of your praise.<br/> | ||
Beauty is bought by judgment of the eye,<br/> | Beauty is bought by judgment of the eye,<br/> | ||
Not utt'red by base sale of chapmen's tongues;<br/> | Not utt'red by base sale of chapmen's tongues;<br/> | ||
I am less proud to hear you tell my worth<br/> | I am less proud to hear you tell my worth<br/> | ||
Than you much willing to be counted wise<br/> | Than you much willing to be counted wise<br/> | ||
In spending your wit in the praise of mine.<br/> | In spending your wit in the praise of mine.<br/> | ||
But now to task the tasker: good Boyet,<br/> | But now to task the tasker: good Boyet,<br/> | ||
You are not ignorant all-telling fame<br/> | You are not ignorant all-telling fame<br/> | ||
Doth noise abroad Navarre hath made a vow,<br/> | Doth noise abroad Navarre hath made a vow,<br/> | ||
Till painful study shall outwear three years,<br/> | Till painful study shall outwear three years,<br/> | ||
No woman may approach his silent court.<br/> | No woman may approach his silent court.<br/> | ||
Therefore to's seemeth it a needful course,<br/> | Therefore to's seemeth it a needful course,<br/> | ||
Before we enter his forbidden gates,<br/> | Before we enter his forbidden gates,<br/> | ||
To know his pleasure; and in that behalf,<br/> | To know his pleasure; and in that behalf,<br/> | ||
Bold of your worthiness, we single you<br/> | Bold of your worthiness, we single you<br/> | ||
As our best-moving fair solicitor.<br/> | As our best-moving fair solicitor.<br/> | ||
Tell him the daughter of the King of France,<br/> | Tell him the daughter of the King of France,<br/> | ||
On serious business, craving quick dispatch,<br/> | On serious business, craving quick dispatch,<br/> | ||
Importunes personal conference with his Grace.<br/> | Importunes personal conference with his Grace.<br/> | ||
Haste, signify so much; while we attend,<br/> | Haste, signify so much; while we attend,<br/> | ||
Like humble-visag'd suitors, his high will.<br/> | Like humble-visag'd suitors, his high will.<br/> | ||
BOYET. Proud of employment, willingly I go.<br/> | BOYET. Proud of employment, willingly I go.<br/> | ||
PRINCESS OF FRANCE. All pride is willing pride, and yours is so.<br/> | PRINCESS OF FRANCE. All pride is willing pride, and yours is so.<br/> | ||
Exit BOYET<br/> | Exit BOYET<br/> | ||
Who are the votaries, my loving lords,<br/> | Who are the votaries, my loving lords,<br/> | ||
That are vow-fellows with this virtuous duke?<br/> | That are vow-fellows with this virtuous duke?<br/> | ||
FIRST LORD. Lord Longaville is one.<br/> | FIRST LORD. Lord Longaville is one.<br/> | ||
PRINCESS OF FRANCE. Know you the man?<br/> | PRINCESS OF FRANCE. Know you the man?<br/> | ||
MARIA. I know him, madam; at a marriage feast,<br/> | MARIA. I know him, madam; at a marriage feast,<br/> | ||
Between Lord Perigort and the beauteous heir<br/> | Between Lord Perigort and the beauteous heir<br/> | ||
Of Jaques Falconbridge, solemnized<br/> | Of Jaques Falconbridge, solemnized<br/> | ||
In Normandy, saw I this Longaville.<br/> | In Normandy, saw I this Longaville.<br/> | ||
A man of sovereign parts, peerless esteem'd,<br/> | A man of sovereign parts, peerless esteem'd,<br/> | ||
Well fitted in arts, glorious in arms;<br/> | Well fitted in arts, glorious in arms;<br/> | ||
Nothing becomes him ill that he would well.<br/> | Nothing becomes him ill that he would well.<br/> | ||
The only soil of his fair virtue's gloss,<br/> | The only soil of his fair virtue's gloss,<br/> | ||
If virtue's gloss will stain with any soil,<br/> | If virtue's gloss will stain with any soil,<br/> | ||
Is a sharp wit match'd with too blunt a will,<br/> | Is a sharp wit match'd with too blunt a will,<br/> | ||
Whose edge hath power to cut, whose will still wills<br/> | Whose edge hath power to cut, whose will still wills<br/> | ||
It should none spare that come within his power.<br/> | It should none spare that come within his power.<br/> | ||
PRINCESS OF FRANCE. Some merry mocking lord, belike; is't so?<br/> | PRINCESS OF FRANCE. Some merry mocking lord, belike; is't so?<br/> | ||
MARIA. They say so most that most his humours know.<br/> | MARIA. They say so most that most his humours know.<br/> | ||
PRINCESS OF FRANCE. Such short-liv'd wits do wither as they grow.<br/> | PRINCESS OF FRANCE. Such short-liv'd wits do wither as they grow.<br/> | ||
Who are the rest?<br/> | Who are the rest?<br/> | ||
KATHARINE. The young Dumain, a well-accomplish'd youth,<br/> | KATHARINE. The young Dumain, a well-accomplish'd youth,<br/> | ||
Of all that virtue love for virtue loved;<br/> | Of all that virtue love for virtue loved;<br/> | ||
Most power to do most harm, least knowing ill,<br/> | Most power to do most harm, least knowing ill,<br/> | ||
For he hath wit to make an ill shape good,<br/> | For he hath wit to make an ill shape good,<br/> | ||
And shape to win grace though he had no wit.<br/> | And shape to win grace though he had no wit.<br/> | ||
I saw him at the Duke Alencon's once;<br/> | I saw him at the Duke Alencon's once;<br/> | ||
And much too little of that good I saw<br/> | And much too little of that good I saw<br/> | ||
Is my report to his great worthiness.<br/> | Is my report to his great worthiness.<br/> | ||
ROSALINE. Another of these students at that time<br/> | ROSALINE. Another of these students at that time<br/> | ||
Was there with him, if I have heard a truth.<br/> | Was there with him, if I have heard a truth.<br/> | ||
Berowne they call him; but a merrier man,<br/> | Berowne they call him; but a merrier man,<br/> | ||
Within the limit of becoming mirth,<br/> | Within the limit of becoming mirth,<br/> | ||
I never spent an hour's talk withal.<br/> | I never spent an hour's talk withal.<br/> | ||
His eye begets occasion for his wit,<br/> | His eye begets occasion for his wit,<br/> | ||
For every object that the one doth catch<br/> | For every object that the one doth catch<br/> | ||
The other turns to a mirth-moving jest,<br/> | The other turns to a mirth-moving jest,<br/> | ||
Which his fair tongue, conceit's expositor,<br/> | Which his fair tongue, conceit's expositor,<br/> | ||
Delivers in such apt and gracious words<br/> | Delivers in such apt and gracious words<br/> | ||
That aged ears play truant at his tales,<br/> | That aged ears play truant at his tales,<br/> | ||
And younger hearings are quite ravished;<br/> | And younger hearings are quite ravished;<br/> | ||
So sweet and voluble is his discourse.<br/> | So sweet and voluble is his discourse.<br/> | ||
PRINCESS OF FRANCE. God bless my ladies! Are they all in love,<br/> | PRINCESS OF FRANCE. God bless my ladies! Are they all in love,<br/> | ||
That every one her own hath garnished<br/> | That every one her own hath garnished<br/> | ||
With such bedecking ornaments of praise?<br/> | With such bedecking ornaments of praise?<br/> | ||
FIRST LORD. Here comes Boyet.<br/> | FIRST LORD. Here comes Boyet.<br/> | ||
</p> | </p> | ||
Line 597: | Line 1,152: | ||
<p> PRINCESS OF FRANCE. Now, what admittance, lord?<br/> | <p> PRINCESS OF FRANCE. Now, what admittance, lord?<br/> | ||
BOYET. Navarre had notice of your fair approach,<br/> | BOYET. Navarre had notice of your fair approach,<br/> | ||
And he and his competitors in oath<br/> | And he and his competitors in oath<br/> | ||
Were all address'd to meet you, gentle lady,<br/> | Were all address'd to meet you, gentle lady,<br/> | ||
Before I came. Marry, thus much I have learnt:<br/> | Before I came. Marry, thus much I have learnt:<br/> | ||
He rather means to lodge you in the field,<br/> | He rather means to lodge you in the field,<br/> | ||
Like one that comes here to besiege his court,<br/> | Like one that comes here to besiege his court,<br/> | ||
Than seek a dispensation for his oath,<br/> | Than seek a dispensation for his oath,<br/> | ||
To let you enter his unpeopled house.<br/> | To let you enter his unpeopled house.<br/> | ||
[The LADIES-IN-WAITING mask]<br/> | [The LADIES-IN-WAITING mask]<br/> | ||
</p> | </p> | ||
<p> Enter KING, LONGAVILLE, DUMAIN, BEROWNE,<br/> | <p> Enter KING, LONGAVILLE, DUMAIN, BEROWNE,<br/> | ||
and ATTENDANTS<br/> | and ATTENDANTS<br/> | ||
</p> | </p> | ||
<p> Here comes Navarre.<br/> | <p> Here comes Navarre.<br/> | ||
KING. Fair Princess, welcome to the court of Navarre.<br/> | KING. Fair Princess, welcome to the court of Navarre.<br/> | ||
PRINCESS OF FRANCE. 'Fair' I give you back again; and 'welcome' I<br/> | PRINCESS OF FRANCE. 'Fair' I give you back again; and 'welcome' I<br/> | ||
have not yet. The roof of this court is too high to be yours, and<br/> | have not yet. The roof of this court is too high to be yours, and<br/> | ||
welcome to the wide fields too base to be mine.<br/> | welcome to the wide fields too base to be mine.<br/> | ||
KING. You shall be welcome, madam, to my court.<br/> | KING. You shall be welcome, madam, to my court.<br/> | ||
PRINCESS OF FRANCE. I will be welcome then; conduct me thither.<br/> | PRINCESS OF FRANCE. I will be welcome then; conduct me thither.<br/> | ||
KING. Hear me, dear lady: I have sworn an oath-<br/> | KING. Hear me, dear lady: I have sworn an oath-<br/> | ||
PRINCESS OF FRANCE. Our Lady help my lord! He'll be forsworn.<br/> | PRINCESS OF FRANCE. Our Lady help my lord! He'll be forsworn.<br/> | ||
KING. Not for the world, fair madam, by my will.<br/> | KING. Not for the world, fair madam, by my will.<br/> | ||
PRINCESS OF FRANCE. Why, will shall break it; will, and nothing<br/> | PRINCESS OF FRANCE. Why, will shall break it; will, and nothing<br/> | ||
else.<br/> | else.<br/> | ||
KING. Your ladyship is ignorant what it is.<br/> | KING. Your ladyship is ignorant what it is.<br/> | ||
PRINCESS OF FRANCE. Were my lord so, his ignorance were wise,<br/> | PRINCESS OF FRANCE. Were my lord so, his ignorance were wise,<br/> | ||
Where now his knowledge must prove ignorance.<br/> | Where now his knowledge must prove ignorance.<br/> | ||
I hear your Grace hath sworn out house-keeping.<br/> | I hear your Grace hath sworn out house-keeping.<br/> | ||
'Tis deadly sin to keep that oath, my lord,<br/> | 'Tis deadly sin to keep that oath, my lord,<br/> | ||
And sin to break it.<br/> | And sin to break it.<br/> | ||
But pardon me, I am too sudden bold;<br/> | But pardon me, I am too sudden bold;<br/> | ||
To teach a teacher ill beseemeth me.<br/> | To teach a teacher ill beseemeth me.<br/> | ||
Vouchsafe to read the purpose of my coming,<br/> | Vouchsafe to read the purpose of my coming,<br/> | ||
And suddenly resolve me in my suit. [Giving a paper]<br/> | And suddenly resolve me in my suit. [Giving a paper]<br/> | ||
KING. Madam, I will, if suddenly I may.<br/> | KING. Madam, I will, if suddenly I may.<br/> | ||
PRINCESS OF FRANCE. YOU Will the sooner that I were away,<br/> | PRINCESS OF FRANCE. YOU Will the sooner that I were away,<br/> | ||
For you'll prove perjur'd if you make me stay.<br/> | For you'll prove perjur'd if you make me stay.<br/> | ||
BEROWNE. Did not I dance with you in Brabant once?<br/> | BEROWNE. Did not I dance with you in Brabant once?<br/> | ||
KATHARINE. Did not I dance with you in Brabant once?<br/> | KATHARINE. Did not I dance with you in Brabant once?<br/> | ||
BEROWNE. I know you did.<br/> | BEROWNE. I know you did.<br/> | ||
KATHARINE. How needless was it then to ask the question!<br/> | KATHARINE. How needless was it then to ask the question!<br/> | ||
BEROWNE. You must not be so quick.<br/> | BEROWNE. You must not be so quick.<br/> | ||
KATHARINE. 'Tis long of you, that spur me with such questions.<br/> | KATHARINE. 'Tis long of you, that spur me with such questions.<br/> | ||
BEROWNE. Your wit 's too hot, it speeds too fast, 'twill tire.<br/> | BEROWNE. Your wit 's too hot, it speeds too fast, 'twill tire.<br/> | ||
KATHARINE. Not till it leave the rider in the mire.<br/> | KATHARINE. Not till it leave the rider in the mire.<br/> | ||
BEROWNE. What time o' day?<br/> | BEROWNE. What time o' day?<br/> | ||
KATHARINE. The hour that fools should ask.<br/> | KATHARINE. The hour that fools should ask.<br/> | ||
BEROWNE. Now fair befall your mask!<br/> | BEROWNE. Now fair befall your mask!<br/> | ||
KATHARINE. Fair fall the face it covers!<br/> | KATHARINE. Fair fall the face it covers!<br/> | ||
BEROWNE. And send you many lovers!<br/> | BEROWNE. And send you many lovers!<br/> | ||
KATHARINE. Amen, so you be none.<br/> | KATHARINE. Amen, so you be none.<br/> | ||
BEROWNE. Nay, then will I be gone.<br/> | BEROWNE. Nay, then will I be gone.<br/> | ||
KING. Madam, your father here doth intimate<br/> | KING. Madam, your father here doth intimate<br/> | ||
The payment of a hundred thousand crowns;<br/> | The payment of a hundred thousand crowns;<br/> | ||
Being but the one half of an entire sum<br/> | Being but the one half of an entire sum<br/> | ||
Disbursed by my father in his wars.<br/> | Disbursed by my father in his wars.<br/> | ||
But say that he or we, as neither have,<br/> | But say that he or we, as neither have,<br/> | ||
Receiv'd that sum, yet there remains unpaid<br/> | Receiv'd that sum, yet there remains unpaid<br/> | ||
A hundred thousand more, in surety of the which,<br/> | A hundred thousand more, in surety of the which,<br/> | ||
One part of Aquitaine is bound to us,<br/> | One part of Aquitaine is bound to us,<br/> | ||
Although not valued to the money's worth.<br/> | Although not valued to the money's worth.<br/> | ||
If then the King your father will restore<br/> | If then the King your father will restore<br/> | ||
But that one half which is unsatisfied,<br/> | But that one half which is unsatisfied,<br/> | ||
We will give up our right in Aquitaine,<br/> | We will give up our right in Aquitaine,<br/> | ||
And hold fair friendship with his Majesty.<br/> | And hold fair friendship with his Majesty.<br/> | ||
But that, it seems, he little purposeth,<br/> | But that, it seems, he little purposeth,<br/> | ||
For here he doth demand to have repaid<br/> | For here he doth demand to have repaid<br/> | ||
A hundred thousand crowns; and not demands,<br/> | A hundred thousand crowns; and not demands,<br/> | ||
On payment of a hundred thousand crowns,<br/> | On payment of a hundred thousand crowns,<br/> | ||
To have his title live in Aquitaine;<br/> | To have his title live in Aquitaine;<br/> | ||
Which we much rather had depart withal,<br/> | Which we much rather had depart withal,<br/> | ||
And have the money by our father lent,<br/> | And have the money by our father lent,<br/> | ||
Than Aquitaine so gelded as it is.<br/> | Than Aquitaine so gelded as it is.<br/> | ||
Dear Princess, were not his requests so far<br/> | Dear Princess, were not his requests so far<br/> | ||
From reason's yielding, your fair self should make<br/> | From reason's yielding, your fair self should make<br/> | ||
A yielding 'gainst some reason in my breast,<br/> | A yielding 'gainst some reason in my breast,<br/> | ||
And go well satisfied to France again.<br/> | And go well satisfied to France again.<br/> | ||
PRINCESS OF FRANCE. You do the King my father too much wrong,<br/> | PRINCESS OF FRANCE. You do the King my father too much wrong,<br/> | ||
And wrong the reputation of your name,<br/> | And wrong the reputation of your name,<br/> | ||
In so unseeming to confess receipt<br/> | In so unseeming to confess receipt<br/> | ||
Of that which hath so faithfully been paid.<br/> | Of that which hath so faithfully been paid.<br/> | ||
KING. I do protest I never heard of it;<br/> | KING. I do protest I never heard of it;<br/> | ||
And, if you prove it, I'll repay it back<br/> | And, if you prove it, I'll repay it back<br/> | ||
Or yield up Aquitaine.<br/> | Or yield up Aquitaine.<br/> | ||
PRINCESS OF FRANCE. We arrest your word.<br/> | PRINCESS OF FRANCE. We arrest your word.<br/> | ||
Boyet, you can produce acquittances<br/> | Boyet, you can produce acquittances<br/> | ||
For such a sum from special officers<br/> | For such a sum from special officers<br/> | ||
Of Charles his father.<br/> | Of Charles his father.<br/> | ||
KING. Satisfy me so.<br/> | KING. Satisfy me so.<br/> | ||
BOYET. So please your Grace, the packet is not come,<br/> | BOYET. So please your Grace, the packet is not come,<br/> | ||
Where that and other specialties are bound;<br/> | Where that and other specialties are bound;<br/> | ||
To-morrow you shall have a sight of them.<br/> | To-morrow you shall have a sight of them.<br/> | ||
KING. It shall suffice me; at which interview<br/> | KING. It shall suffice me; at which interview<br/> | ||
All liberal reason I will yield unto.<br/> | All liberal reason I will yield unto.<br/> | ||
Meantime receive such welcome at my hand<br/> | Meantime receive such welcome at my hand<br/> | ||
As honour, without breach of honour, may<br/> | As honour, without breach of honour, may<br/> | ||
Make tender of to thy true worthiness.<br/> | Make tender of to thy true worthiness.<br/> | ||
You may not come, fair Princess, within my gates;<br/> | You may not come, fair Princess, within my gates;<br/> | ||
But here without you shall be so receiv'd<br/> | But here without you shall be so receiv'd<br/> | ||
As you shall deem yourself lodg'd in my heart,<br/> | As you shall deem yourself lodg'd in my heart,<br/> | ||
Though so denied fair harbour in my house.<br/> | Though so denied fair harbour in my house.<br/> | ||
Your own good thoughts excuse me, and farewell.<br/> | Your own good thoughts excuse me, and farewell.<br/> | ||
To-morrow shall we visit you again.<br/> | To-morrow shall we visit you again.<br/> | ||
PRINCESS OF FRANCE. Sweet health and fair desires consort your<br/> | PRINCESS OF FRANCE. Sweet health and fair desires consort your<br/> | ||
Grace!<br/> | Grace!<br/> | ||
KING. Thy own wish wish I thee in every place.<br/> | KING. Thy own wish wish I thee in every place.<br/> | ||
Exit with attendants<br/> | Exit with attendants<br/> | ||
BEROWNE. Lady, I will commend you to mine own heart.<br/> | BEROWNE. Lady, I will commend you to mine own heart.<br/> | ||
ROSALINE. Pray you, do my commendations;<br/> | ROSALINE. Pray you, do my commendations;<br/> | ||
I would be glad to see it.<br/> | I would be glad to see it.<br/> | ||
BEROWNE. I would you heard it groan.<br/> | BEROWNE. I would you heard it groan.<br/> | ||
ROSALINE. Is the fool sick?<br/> | ROSALINE. Is the fool sick?<br/> | ||
BEROWNE. Sick at the heart.<br/> | BEROWNE. Sick at the heart.<br/> | ||
ROSALINE. Alack, let it blood.<br/> | ROSALINE. Alack, let it blood.<br/> | ||
BEROWNE. Would that do it good?<br/> | BEROWNE. Would that do it good?<br/> | ||
ROSALINE. My physic says 'ay.'<br/> | ROSALINE. My physic says 'ay.'<br/> | ||
BEROWNE. Will YOU prick't with your eye?<br/> | BEROWNE. Will YOU prick't with your eye?<br/> | ||
ROSALINE. No point, with my knife.<br/> | ROSALINE. No point, with my knife.<br/> | ||
BEROWNE. Now, God save thy life!<br/> | BEROWNE. Now, God save thy life!<br/> | ||
ROSALINE. And yours from long living!<br/> | ROSALINE. And yours from long living!<br/> | ||
BEROWNE. I cannot stay thanksgiving. [Retiring]<br/> | BEROWNE. I cannot stay thanksgiving. [Retiring]<br/> | ||
DUMAIN. Sir, I pray you, a word: what lady is that same?<br/> | DUMAIN. Sir, I pray you, a word: what lady is that same?<br/> | ||
BOYET. The heir of Alencon, Katharine her name.<br/> | BOYET. The heir of Alencon, Katharine her name.<br/> | ||
DUMAIN. A gallant lady! Monsieur, fare you well. Exit<br/> | DUMAIN. A gallant lady! Monsieur, fare you well. Exit<br/> | ||
LONGAVILLE. I beseech you a word: what is she in the white?<br/> | LONGAVILLE. I beseech you a word: what is she in the white?<br/> | ||
BOYET. A woman sometimes, an you saw her in the light.<br/> | BOYET. A woman sometimes, an you saw her in the light.<br/> | ||
LONGAVILLE. Perchance light in the light. I desire her name.<br/> | LONGAVILLE. Perchance light in the light. I desire her name.<br/> | ||
BOYET. She hath but one for herself; to desire that were a shame.<br/> | BOYET. She hath but one for herself; to desire that were a shame.<br/> | ||
LONGAVILLE. Pray you, sir, whose daughter?<br/> | LONGAVILLE. Pray you, sir, whose daughter?<br/> | ||
BOYET. Her mother's, I have heard.<br/> | BOYET. Her mother's, I have heard.<br/> | ||
LONGAVILLE. God's blessing on your beard!<br/> | LONGAVILLE. God's blessing on your beard!<br/> | ||
BOYET. Good sir, be not offended;<br/> | BOYET. Good sir, be not offended;<br/> | ||
She is an heir of Falconbridge.<br/> | She is an heir of Falconbridge.<br/> | ||
LONGAVILLE. Nay, my choler is ended.<br/> | LONGAVILLE. Nay, my choler is ended.<br/> | ||
She is a most sweet lady.<br/> | She is a most sweet lady.<br/> | ||
BOYET. Not unlike, sir; that may be. Exit LONGAVILLE<br/> | BOYET. Not unlike, sir; that may be. Exit LONGAVILLE<br/> | ||
BEROWNE. What's her name in the cap?<br/> | BEROWNE. What's her name in the cap?<br/> | ||
BOYET. Rosaline, by good hap.<br/> | BOYET. Rosaline, by good hap.<br/> | ||
BEROWNE. Is she wedded or no?<br/> | BEROWNE. Is she wedded or no?<br/> | ||
BOYET. To her will, sir, or so.<br/> | BOYET. To her will, sir, or so.<br/> | ||
BEROWNE. You are welcome, sir; adieu!<br/> | BEROWNE. You are welcome, sir; adieu!<br/> | ||
BOYET. Farewell to me, sir, and welcome to you.<br/> | BOYET. Farewell to me, sir, and welcome to you.<br/> | ||
Exit BEROWNE. LADIES Unmask<br/> | Exit BEROWNE. LADIES Unmask<br/> | ||
MARIA. That last is Berowne, the merry mad-cap lord;<br/> | MARIA. That last is Berowne, the merry mad-cap lord;<br/> | ||
Not a word with him but a jest.<br/> | Not a word with him but a jest.<br/> | ||
BOYET. And every jest but a word.<br/> | BOYET. And every jest but a word.<br/> | ||
PRINCESS OF FRANCE. It was well done of you to take him at his<br/> | PRINCESS OF FRANCE. It was well done of you to take him at his<br/> | ||
word.<br/> | word.<br/> | ||
BOYET. I was as willing to grapple as he was to board.<br/> | BOYET. I was as willing to grapple as he was to board.<br/> | ||
KATHARINE. Two hot sheeps, marry!<br/> | KATHARINE. Two hot sheeps, marry!<br/> | ||
BOYET. And wherefore not ships?<br/> | BOYET. And wherefore not ships?<br/> | ||
No sheep, sweet lamb, unless we feed on your lips.<br/> | No sheep, sweet lamb, unless we feed on your lips.<br/> | ||
KATHARINE. You sheep and I pasture- shall that finish the jest?<br/> | KATHARINE. You sheep and I pasture- shall that finish the jest?<br/> | ||
BOYET. So you grant pasture for me. [Offering to kiss her]<br/> | BOYET. So you grant pasture for me. [Offering to kiss her]<br/> | ||
KATHARINE. Not so, gentle beast;<br/> | KATHARINE. Not so, gentle beast;<br/> | ||
My lips are no common, though several they be.<br/> | My lips are no common, though several they be.<br/> | ||
BOYET. Belonging to whom?<br/> | BOYET. Belonging to whom?<br/> | ||
KATHARINE. To my fortunes and me.<br/> | KATHARINE. To my fortunes and me.<br/> | ||
PRINCESS OF FRANCE. Good wits will be jangling; but, gentles,<br/> | PRINCESS OF FRANCE. Good wits will be jangling; but, gentles,<br/> | ||
agree;<br/> | agree;<br/> | ||
This civil war of wits were much better used<br/> | This civil war of wits were much better used<br/> | ||
On Navarre and his book-men, for here 'tis abused.<br/> | On Navarre and his book-men, for here 'tis abused.<br/> | ||
BOYET. If my observation, which very seldom lies,<br/> | BOYET. If my observation, which very seldom lies,<br/> | ||
By the heart's still rhetoric disclosed with eyes,<br/> | By the heart's still rhetoric disclosed with eyes,<br/> | ||
Deceive me not now, Navarre is infected.<br/> | Deceive me not now, Navarre is infected.<br/> | ||
PRINCESS OF FRANCE. With what?<br/> | PRINCESS OF FRANCE. With what?<br/> | ||
BOYET. With that which we lovers entitle 'affected.'<br/> | BOYET. With that which we lovers entitle 'affected.'<br/> | ||
PRINCESS OF FRANCE. Your reason?<br/> | PRINCESS OF FRANCE. Your reason?<br/> | ||
BOYET. Why, all his behaviours did make their retire<br/> | BOYET. Why, all his behaviours did make their retire<br/> | ||
To the court of his eye, peeping thorough desire.<br/> | To the court of his eye, peeping thorough desire.<br/> | ||
His heart, like an agate, with your print impressed,<br/> | His heart, like an agate, with your print impressed,<br/> | ||
Proud with his form, in his eye pride expressed;<br/> | Proud with his form, in his eye pride expressed;<br/> | ||
His tongue, all impatient to speak and not see,<br/> | His tongue, all impatient to speak and not see,<br/> | ||
Did stumble with haste in his eyesight to be;<br/> | Did stumble with haste in his eyesight to be;<br/> | ||
All senses to that sense did make their repair,<br/> | All senses to that sense did make their repair,<br/> | ||
To feel only looking on fairest of fair.<br/> | To feel only looking on fairest of fair.<br/> | ||
Methought all his senses were lock'd in his eye,<br/> | Methought all his senses were lock'd in his eye,<br/> | ||
As jewels in crystal for some prince to buy;<br/> | As jewels in crystal for some prince to buy;<br/> | ||
Who, tend'ring their own worth from where they were glass'd,<br/> | Who, tend'ring their own worth from where they were glass'd,<br/> | ||
Did point you to buy them, along as you pass'd.<br/> | Did point you to buy them, along as you pass'd.<br/> | ||
His face's own margent did quote such amazes<br/> | His face's own margent did quote such amazes<br/> | ||
That all eyes saw his eyes enchanted with gazes.<br/> | That all eyes saw his eyes enchanted with gazes.<br/> | ||
I'll give you Aquitaine and all that is his,<br/> | I'll give you Aquitaine and all that is his,<br/> | ||
An you give him for my sake but one loving kiss.<br/> | An you give him for my sake but one loving kiss.<br/> | ||
PRINCESS OF FRANCE. Come, to our pavilion. Boyet is dispos'd.<br/> | PRINCESS OF FRANCE. Come, to our pavilion. Boyet is dispos'd.<br/> | ||
BOYET. But to speak that in words which his eye hath disclos'd;<br/> | BOYET. But to speak that in words which his eye hath disclos'd;<br/> | ||
I only have made a mouth of his eye,<br/> | I only have made a mouth of his eye,<br/> | ||
By adding a tongue which I know will not lie.<br/> | By adding a tongue which I know will not lie.<br/> | ||
MARIA. Thou art an old love-monger, and speakest skilfully.<br/> | MARIA. Thou art an old love-monger, and speakest skilfully.<br/> | ||
KATHARINE. He is Cupid's grandfather, and learns news of him.<br/> | KATHARINE. He is Cupid's grandfather, and learns news of him.<br/> | ||
ROSALINE. Then was Venus like her mother; for her father is but<br/> | ROSALINE. Then was Venus like her mother; for her father is but<br/> | ||
grim.<br/> | grim.<br/> | ||
BOYET. Do you hear, my mad wenches?<br/> | BOYET. Do you hear, my mad wenches?<br/> | ||
MARIA. No.<br/> | MARIA. No.<br/> | ||
BOYET. What, then; do you see?<br/> | BOYET. What, then; do you see?<br/> | ||
MARIA. Ay, our way to be gone.<br/> | MARIA. Ay, our way to be gone.<br/> | ||
BOYET. You are too hard for me. Exeunt<br/> | BOYET. You are too hard for me. Exeunt<br/> | ||
</p> | </p> | ||
<h4>ACT III. SCENE I. | <h4>ACT III. SCENE I. | ||
The park</h4> | The park</h4> | ||
Line 805: | Line 1,558: | ||
<p> ARMADO. Warble, child; make passionate my sense of hearing.<br/> | <p> ARMADO. Warble, child; make passionate my sense of hearing.<br/> | ||
[MOTH sings Concolinel]<br/> | [MOTH sings Concolinel]<br/> | ||
ARMADO. Sweet air! Go, tenderness of years, take this key, give<br/> | ARMADO. Sweet air! Go, tenderness of years, take this key, give<br/> | ||
enlargement to the swain, bring him festinately hither; I must<br/> | enlargement to the swain, bring him festinately hither; I must<br/> | ||
employ him in a letter to my love.<br/> | employ him in a letter to my love.<br/> | ||
MOTH. Master, will you win your love with a French brawl?<br/> | MOTH. Master, will you win your love with a French brawl?<br/> | ||
ARMADO. How meanest thou? Brawling in French?<br/> | ARMADO. How meanest thou? Brawling in French?<br/> | ||
MOTH. No, my complete master; but to jig off a tune at the tongue's<br/> | MOTH. No, my complete master; but to jig off a tune at the tongue's<br/> | ||
end, canary to it with your feet, humour it with turning up your<br/> | end, canary to it with your feet, humour it with turning up your<br/> | ||
eyelids, sigh a note and sing a note, sometime through the<br/> | eyelids, sigh a note and sing a note, sometime through the<br/> | ||
throat, as if you swallowed love with singing love, sometime<br/> | throat, as if you swallowed love with singing love, sometime<br/> | ||
through the nose, as if you snuff'd up love by smelling love,<br/> | through the nose, as if you snuff'd up love by smelling love,<br/> | ||
with your hat penthouse-like o'er the shop of your eyes, with<br/> | with your hat penthouse-like o'er the shop of your eyes, with<br/> | ||
your arms cross'd on your thin-belly doublet, like a rabbit on a<br/> | your arms cross'd on your thin-belly doublet, like a rabbit on a<br/> | ||
spit, or your hands in your pocket, like a man after the old<br/> | spit, or your hands in your pocket, like a man after the old<br/> | ||
painting; and keep not too long in one tune, but a snip and away.<br/> | painting; and keep not too long in one tune, but a snip and away.<br/> | ||
These are complements, these are humours; these betray nice<br/> | These are complements, these are humours; these betray nice<br/> | ||
wenches, that would be betrayed without these; and make them men<br/> | wenches, that would be betrayed without these; and make them men<br/> | ||
of note- do you note me?- that most are affected to these.<br/> | of note- do you note me?- that most are affected to these.<br/> | ||
ARMADO. How hast thou purchased this experience?<br/> | ARMADO. How hast thou purchased this experience?<br/> | ||
MOTH. By my penny of observation.<br/> | MOTH. By my penny of observation.<br/> | ||
ARMADO. But O- but O-<br/> | ARMADO. But O- but O-<br/> | ||
MOTH. The hobby-horse is forgot.<br/> | MOTH. The hobby-horse is forgot.<br/> | ||
ARMADO. Call'st thou my love 'hobby-horse'?<br/> | ARMADO. Call'st thou my love 'hobby-horse'?<br/> | ||
MOTH. No, master; the hobby-horse is but a colt, and your love<br/> | MOTH. No, master; the hobby-horse is but a colt, and your love<br/> | ||
perhaps a hackney. But have you forgot your love?<br/> | perhaps a hackney. But have you forgot your love?<br/> | ||
ARMADO. Almost I had.<br/> | ARMADO. Almost I had.<br/> | ||
MOTH. Negligent student! learn her by heart.<br/> | MOTH. Negligent student! learn her by heart.<br/> | ||
ARMADO. By heart and in heart, boy.<br/> | ARMADO. By heart and in heart, boy.<br/> | ||
MOTH. And out of heart, master; all those three I will prove.<br/> | MOTH. And out of heart, master; all those three I will prove.<br/> | ||
ARMADO. What wilt thou prove?<br/> | ARMADO. What wilt thou prove?<br/> | ||
MOTH. A man, if I live; and this, by, in, and without, upon the<br/> | MOTH. A man, if I live; and this, by, in, and without, upon the<br/> | ||
instant. By heart you love her, because your heart cannot come by<br/> | instant. By heart you love her, because your heart cannot come by<br/> | ||
her; in heart you love her, because your heart is in love with<br/> | her; in heart you love her, because your heart is in love with<br/> | ||
her; and out of heart you love her, being out of heart that you<br/> | her; and out of heart you love her, being out of heart that you<br/> | ||
cannot enjoy her.<br/> | cannot enjoy her.<br/> | ||
ARMADO. I am all these three.<br/> | ARMADO. I am all these three.<br/> | ||
MOTH. And three times as much more, and yet nothing at all.<br/> | MOTH. And three times as much more, and yet nothing at all.<br/> | ||
ARMADO. Fetch hither the swain; he must carry me a letter.<br/> | ARMADO. Fetch hither the swain; he must carry me a letter.<br/> | ||
MOTH. A message well sympathiz'd- a horse to be ambassador for an<br/> | MOTH. A message well sympathiz'd- a horse to be ambassador for an<br/> | ||
ass.<br/> | ass.<br/> | ||
ARMADO. Ha, ha, what sayest thou?<br/> | ARMADO. Ha, ha, what sayest thou?<br/> | ||
MOTH. Marry, sir, you must send the ass upon the horse, for he is<br/> | MOTH. Marry, sir, you must send the ass upon the horse, for he is<br/> | ||
very slow-gaited. But I go.<br/> | very slow-gaited. But I go.<br/> | ||
ARMADO. The way is but short; away.<br/> | ARMADO. The way is but short; away.<br/> | ||
MOTH. As swift as lead, sir.<br/> | MOTH. As swift as lead, sir.<br/> | ||
ARMADO. The meaning, pretty ingenious?<br/> | ARMADO. The meaning, pretty ingenious?<br/> | ||
Is not lead a metal heavy, dull, and slow?<br/> | Is not lead a metal heavy, dull, and slow?<br/> | ||
MOTH. Minime, honest master; or rather, master, no.<br/> | MOTH. Minime, honest master; or rather, master, no.<br/> | ||
ARMADO. I say lead is slow.<br/> | ARMADO. I say lead is slow.<br/> | ||
MOTH. You are too swift, sir, to say so:<br/> | MOTH. You are too swift, sir, to say so:<br/> | ||
Is that lead slow which is fir'd from a gun?<br/> | Is that lead slow which is fir'd from a gun?<br/> | ||
ARMADO. Sweet smoke of rhetoric!<br/> | ARMADO. Sweet smoke of rhetoric!<br/> | ||
He reputes me a cannon; and the bullet, that's he;<br/> | He reputes me a cannon; and the bullet, that's he;<br/> | ||
I shoot thee at the swain.<br/> | I shoot thee at the swain.<br/> | ||
MOTH. Thump, then, and I flee. Exit<br/> | MOTH. Thump, then, and I flee. Exit<br/> | ||
ARMADO. A most acute juvenal; volable and free of grace!<br/> | ARMADO. A most acute juvenal; volable and free of grace!<br/> | ||
By thy favour, sweet welkin, I must sigh in thy face;<br/> | By thy favour, sweet welkin, I must sigh in thy face;<br/> | ||
Most rude melancholy, valour gives thee place.<br/> | Most rude melancholy, valour gives thee place.<br/> | ||
My herald is return'd.<br/> | My herald is return'd.<br/> | ||
</p> | </p> | ||
Line 869: | Line 1,682: | ||
<p> MOTH. A wonder, master! here's a costard broken in a shin.<br/> | <p> MOTH. A wonder, master! here's a costard broken in a shin.<br/> | ||
ARMADO. Some enigma, some riddle; come, thy l'envoy; begin.<br/> | ARMADO. Some enigma, some riddle; come, thy l'envoy; begin.<br/> | ||
COSTARD. No egma, no riddle, no l'envoy; no salve in the mail, sir.<br/> | COSTARD. No egma, no riddle, no l'envoy; no salve in the mail, sir.<br/> | ||
O, sir, plantain, a plain plantain; no l'envoy, no l'envoy; no<br/> | O, sir, plantain, a plain plantain; no l'envoy, no l'envoy; no<br/> | ||
salve, sir, but a plantain!<br/> | salve, sir, but a plantain!<br/> | ||
ARMADO. By virtue thou enforcest laughter; thy silly thought, my<br/> | ARMADO. By virtue thou enforcest laughter; thy silly thought, my<br/> | ||
spleen; the heaving of my lungs provokes me to ridiculous<br/> | spleen; the heaving of my lungs provokes me to ridiculous<br/> | ||
smiling. O, pardon me, my stars! Doth the inconsiderate take<br/> | smiling. O, pardon me, my stars! Doth the inconsiderate take<br/> | ||
salve for l'envoy, and the word 'l'envoy' for a salve?<br/> | salve for l'envoy, and the word 'l'envoy' for a salve?<br/> | ||
MOTH. Do the wise think them other? Is not l'envoy a salve?<br/> | MOTH. Do the wise think them other? Is not l'envoy a salve?<br/> | ||
ARMADO. No, page; it is an epilogue or discourse to make plain<br/> | ARMADO. No, page; it is an epilogue or discourse to make plain<br/> | ||
Some obscure precedence that hath tofore been sain.<br/> | Some obscure precedence that hath tofore been sain.<br/> | ||
I will example it:<br/> | I will example it:<br/> | ||
The fox, the ape, and the humble-bee,<br/> | The fox, the ape, and the humble-bee,<br/> | ||
Were still at odds, being but three.<br/> | Were still at odds, being but three.<br/> | ||
There's the moral. Now the l'envoy.<br/> | There's the moral. Now the l'envoy.<br/> | ||
MOTH. I will add the l'envoy. Say the moral again.<br/> | MOTH. I will add the l'envoy. Say the moral again.<br/> | ||
ARMADO. The fox, the ape, and the humble-bee,<br/> | ARMADO. The fox, the ape, and the humble-bee,<br/> | ||
Were still at odds, being but three.<br/> | Were still at odds, being but three.<br/> | ||
MOTH. Until the goose came out of door,<br/> | MOTH. Until the goose came out of door,<br/> | ||
And stay'd the odds by adding four.<br/> | And stay'd the odds by adding four.<br/> | ||
Now will I begin your moral, and do you follow with my l'envoy.<br/> | Now will I begin your moral, and do you follow with my l'envoy.<br/> | ||
The fox, the ape, and the humble-bee,<br/> | The fox, the ape, and the humble-bee,<br/> | ||
Were still at odds, being but three.<br/> | Were still at odds, being but three.<br/> | ||
ARMADO. Until the goose came out of door,<br/> | ARMADO. Until the goose came out of door,<br/> | ||
Staying the odds by adding four.<br/> | Staying the odds by adding four.<br/> | ||
MOTH. A good l'envoy, ending in the goose; would you desire more?<br/> | MOTH. A good l'envoy, ending in the goose; would you desire more?<br/> | ||
COSTARD. The boy hath sold him a bargain, a goose, that's flat.<br/> | COSTARD. The boy hath sold him a bargain, a goose, that's flat.<br/> | ||
Sir, your pennyworth is good, an your goose be fat.<br/> | Sir, your pennyworth is good, an your goose be fat.<br/> | ||
To sell a bargain well is as cunning as fast and loose;<br/> | To sell a bargain well is as cunning as fast and loose;<br/> | ||
Let me see: a fat l'envoy; ay, that's a fat goose.<br/> | Let me see: a fat l'envoy; ay, that's a fat goose.<br/> | ||
ARMADO. Come hither, come hither. How did this argument begin?<br/> | ARMADO. Come hither, come hither. How did this argument begin?<br/> | ||
MOTH. By saying that a costard was broken in a shin.<br/> | MOTH. By saying that a costard was broken in a shin.<br/> | ||
Then call'd you for the l'envoy.<br/> | Then call'd you for the l'envoy.<br/> | ||
COSTARD. True, and I for a plantain. Thus came your argument in;<br/> | COSTARD. True, and I for a plantain. Thus came your argument in;<br/> | ||
Then the boy's fat l'envoy, the goose that you bought;<br/> | Then the boy's fat l'envoy, the goose that you bought;<br/> | ||
And he ended the market.<br/> | And he ended the market.<br/> | ||
ARMADO. But tell me: how was there a costard broken in a shin?<br/> | ARMADO. But tell me: how was there a costard broken in a shin?<br/> | ||
MOTH. I will tell you sensibly.<br/> | MOTH. I will tell you sensibly.<br/> | ||
COSTARD. Thou hast no feeling of it, Moth; I will speak that<br/> | COSTARD. Thou hast no feeling of it, Moth; I will speak that<br/> | ||
l'envoy.<br/> | l'envoy.<br/> | ||
I, Costard, running out, that was safely within,<br/> | I, Costard, running out, that was safely within,<br/> | ||
Fell over the threshold and broke my shin.<br/> | Fell over the threshold and broke my shin.<br/> | ||
ARMADO. We will talk no more of this matter.<br/> | ARMADO. We will talk no more of this matter.<br/> | ||
COSTARD. Till there be more matter in the shin.<br/> | COSTARD. Till there be more matter in the shin.<br/> | ||
ARMADO. Sirrah Costard. I will enfranchise thee.<br/> | ARMADO. Sirrah Costard. I will enfranchise thee.<br/> | ||
COSTARD. O, Marry me to one Frances! I smell some l'envoy, some<br/> | COSTARD. O, Marry me to one Frances! I smell some l'envoy, some<br/> | ||
goose, in this.<br/> | goose, in this.<br/> | ||
ARMADO. By my sweet soul, I mean setting thee at liberty,<br/> | ARMADO. By my sweet soul, I mean setting thee at liberty,<br/> | ||
enfreedoming thy person; thou wert immured, restrained,<br/> | enfreedoming thy person; thou wert immured, restrained,<br/> | ||
captivated, bound.<br/> | captivated, bound.<br/> | ||
COSTARD. True, true; and now you will be my purgation, and let me<br/> | COSTARD. True, true; and now you will be my purgation, and let me<br/> | ||
loose.<br/> | loose.<br/> | ||
ARMADO. I give thee thy liberty, set thee from durance; and, in<br/> | ARMADO. I give thee thy liberty, set thee from durance; and, in<br/> | ||
lieu thereof, impose on thee nothing but this: bear this<br/> | lieu thereof, impose on thee nothing but this: bear this<br/> | ||
significant [giving a letter] to the country maid Jaquenetta;<br/> | significant [giving a letter] to the country maid Jaquenetta;<br/> | ||
there is remuneration, for the best ward of mine honour is<br/> | there is remuneration, for the best ward of mine honour is<br/> | ||
rewarding my dependents. Moth, follow. Exit<br/> | rewarding my dependents. Moth, follow. Exit<br/> | ||
MOTH. Like the sequel, I. Signior Costard, adieu.<br/> | MOTH. Like the sequel, I. Signior Costard, adieu.<br/> | ||
COSTARD. My sweet ounce of man's flesh, my incony Jew!<br/> | COSTARD. My sweet ounce of man's flesh, my incony Jew!<br/> | ||
Exit MOTH<br/> | Exit MOTH<br/> | ||
Now will I look to his remuneration. Remuneration! O, that's the<br/> | Now will I look to his remuneration. Remuneration! O, that's the<br/> | ||
Latin word for three farthings. Three farthings- remuneration.<br/> | Latin word for three farthings. Three farthings- remuneration.<br/> | ||
'What's the price of this inkle?'- 'One penny.'- 'No, I'll give<br/> | 'What's the price of this inkle?'- 'One penny.'- 'No, I'll give<br/> | ||
you a remuneration.' Why, it carries it. Remuneration! Why, it is<br/> | you a remuneration.' Why, it carries it. Remuneration! Why, it is<br/> | ||
a fairer name than French crown. I will never buy and sell out of<br/> | a fairer name than French crown. I will never buy and sell out of<br/> | ||
this word.<br/> | this word.<br/> | ||
</p> | </p> | ||
Line 940: | Line 1,820: | ||
<p> BEROWNE. My good knave Costard, exceedingly well met!<br/> | <p> BEROWNE. My good knave Costard, exceedingly well met!<br/> | ||
COSTARD. Pray you, sir, how much carnation ribbon may a man buy for<br/> | COSTARD. Pray you, sir, how much carnation ribbon may a man buy for<br/> | ||
a remuneration?<br/> | a remuneration?<br/> | ||
BEROWNE. What is a remuneration?<br/> | BEROWNE. What is a remuneration?<br/> | ||
COSTARD. Marry, sir, halfpenny farthing.<br/> | COSTARD. Marry, sir, halfpenny farthing.<br/> | ||
BEROWNE. Why, then, three-farthing worth of silk.<br/> | BEROWNE. Why, then, three-farthing worth of silk.<br/> | ||
COSTARD. I thank your worship. God be wi' you!<br/> | COSTARD. I thank your worship. God be wi' you!<br/> | ||
BEROWNE. Stay, slave; I must employ thee.<br/> | BEROWNE. Stay, slave; I must employ thee.<br/> | ||
As thou wilt win my favour, good my knave,<br/> | As thou wilt win my favour, good my knave,<br/> | ||
Do one thing for me that I shall entreat.<br/> | Do one thing for me that I shall entreat.<br/> | ||
COSTARD. When would you have it done, sir?<br/> | COSTARD. When would you have it done, sir?<br/> | ||
BEROWNE. This afternoon.<br/> | BEROWNE. This afternoon.<br/> | ||
COSTARD. Well, I will do it, sir; fare you well.<br/> | COSTARD. Well, I will do it, sir; fare you well.<br/> | ||
BEROWNE. Thou knowest not what it is.<br/> | BEROWNE. Thou knowest not what it is.<br/> | ||
COSTARD. I shall know, sir, when I have done it.<br/> | COSTARD. I shall know, sir, when I have done it.<br/> | ||
BEROWNE. Why, villain, thou must know first.<br/> | BEROWNE. Why, villain, thou must know first.<br/> | ||
COSTARD. I will come to your worship to-morrow morning.<br/> | COSTARD. I will come to your worship to-morrow morning.<br/> | ||
BEROWNE. It must be done this afternoon.<br/> | BEROWNE. It must be done this afternoon.<br/> | ||
Hark, slave, it is but this:<br/> | Hark, slave, it is but this:<br/> | ||
The Princess comes to hunt here in the park,<br/> | The Princess comes to hunt here in the park,<br/> | ||
And in her train there is a gentle lady;<br/> | And in her train there is a gentle lady;<br/> | ||
When tongues speak sweetly, then they name her name,<br/> | When tongues speak sweetly, then they name her name,<br/> | ||
And Rosaline they call her. Ask for her,<br/> | And Rosaline they call her. Ask for her,<br/> | ||
And to her white hand see thou do commend<br/> | And to her white hand see thou do commend<br/> | ||
This seal'd-up counsel. There's thy guerdon; go.<br/> | This seal'd-up counsel. There's thy guerdon; go.<br/> | ||
[Giving him a shilling]<br/> | [Giving him a shilling]<br/> | ||
COSTARD. Gardon, O sweet gardon! better than remuneration; a<br/> | COSTARD. Gardon, O sweet gardon! better than remuneration; a<br/> | ||
'leven-pence farthing better; most sweet gardon! I will do it,<br/> | 'leven-pence farthing better; most sweet gardon! I will do it,<br/> | ||
sir, in print. Gardon- remuneration! Exit<br/> | sir, in print. Gardon- remuneration! Exit<br/> | ||
BEROWNE. And I, forsooth, in love; I, that have been love's whip;<br/> | BEROWNE. And I, forsooth, in love; I, that have been love's whip;<br/> | ||
A very beadle to a humorous sigh;<br/> | A very beadle to a humorous sigh;<br/> | ||
A critic, nay, a night-watch constable;<br/> | A critic, nay, a night-watch constable;<br/> | ||
A domineering pedant o'er the boy,<br/> | A domineering pedant o'er the boy,<br/> | ||
Than whom no mortal so magnificent!<br/> | Than whom no mortal so magnificent!<br/> | ||
This wimpled, whining, purblind, wayward boy,<br/> | This wimpled, whining, purblind, wayward boy,<br/> | ||
This senior-junior, giant-dwarf, Dan Cupid;<br/> | This senior-junior, giant-dwarf, Dan Cupid;<br/> | ||
Regent of love-rhymes, lord of folded arms,<br/> | Regent of love-rhymes, lord of folded arms,<br/> | ||
Th' anointed sovereign of sighs and groans,<br/> | Th' anointed sovereign of sighs and groans,<br/> | ||
Liege of all loiterers and malcontents,<br/> | Liege of all loiterers and malcontents,<br/> | ||
Dread prince of plackets, king of codpieces,<br/> | Dread prince of plackets, king of codpieces,<br/> | ||
Sole imperator, and great general<br/> | Sole imperator, and great general<br/> | ||
Of trotting paritors. O my little heart!<br/> | Of trotting paritors. O my little heart!<br/> | ||
And I to be a corporal of his field,<br/> | And I to be a corporal of his field,<br/> | ||
And wear his colours like a tumbler's hoop!<br/> | And wear his colours like a tumbler's hoop!<br/> | ||
What! I love, I sue, I seek a wife-<br/> | What! I love, I sue, I seek a wife-<br/> | ||
A woman, that is like a German clock,<br/> | A woman, that is like a German clock,<br/> | ||
Still a-repairing, ever out of frame,<br/> | Still a-repairing, ever out of frame,<br/> | ||
And never going aright, being a watch,<br/> | And never going aright, being a watch,<br/> | ||
But being watch'd that it may still go right!<br/> | But being watch'd that it may still go right!<br/> | ||
Nay, to be perjur'd, which is worst of all;<br/> | Nay, to be perjur'd, which is worst of all;<br/> | ||
And, among three, to love the worst of all,<br/> | And, among three, to love the worst of all,<br/> | ||
A whitely wanton with a velvet brow,<br/> | A whitely wanton with a velvet brow,<br/> | ||
With two pitch balls stuck in her face for eyes;<br/> | With two pitch balls stuck in her face for eyes;<br/> | ||
Ay, and, by heaven, one that will do the deed,<br/> | Ay, and, by heaven, one that will do the deed,<br/> | ||
Though Argus were her eunuch and her guard.<br/> | Though Argus were her eunuch and her guard.<br/> | ||
And I to sigh for her! to watch for her!<br/> | And I to sigh for her! to watch for her!<br/> | ||
To pray for her! Go to; it is a plague<br/> | To pray for her! Go to; it is a plague<br/> | ||
That Cupid will impose for my neglect<br/> | That Cupid will impose for my neglect<br/> | ||
Of his almighty dreadful little might.<br/> | Of his almighty dreadful little might.<br/> | ||
Well, I will love, write, sigh, pray, sue, and groan:<br/> | Well, I will love, write, sigh, pray, sue, and groan:<br/> | ||
Some men must love my lady, and some Joan. Exit<br/> | Some men must love my lady, and some Joan. Exit<br/> | ||
</p> | </p> | ||
<h4>ACT IV. SCENE I. | <h4>ACT IV. SCENE I. | ||
The park</h4> | The park</h4> | ||
<p>Enter the PRINCESS, ROSALINE, MARIA, KATHARINE, BOYET, LORDS, ATTENDANTS, | <p>Enter the PRINCESS, ROSALINE, MARIA, KATHARINE, BOYET, LORDS, ATTENDANTS, | ||
and a FORESTER</p> | and a FORESTER</p> | ||
<p> PRINCESS OF FRANCE. Was that the King that spurr'd his horse so<br/> | <p> PRINCESS OF FRANCE. Was that the King that spurr'd his horse so<br/> | ||
hard<br/> | hard<br/> | ||
Against the steep uprising of the hill?<br/> | Against the steep uprising of the hill?<br/> | ||
BOYET. I know not; but I think it was not he.<br/> | BOYET. I know not; but I think it was not he.<br/> | ||
PRINCESS OF FRANCE. Whoe'er 'a was, 'a show'd a mounting mind.<br/> | PRINCESS OF FRANCE. Whoe'er 'a was, 'a show'd a mounting mind.<br/> | ||
Well, lords, to-day we shall have our dispatch;<br/> | Well, lords, to-day we shall have our dispatch;<br/> | ||
On Saturday we will return to France.<br/> | On Saturday we will return to France.<br/> | ||
Then, forester, my friend, where is the bush<br/> | Then, forester, my friend, where is the bush<br/> | ||
That we must stand and play the murderer in?<br/> | That we must stand and play the murderer in?<br/> | ||
FORESTER. Hereby, upon the edge of yonder coppice;<br/> | FORESTER. Hereby, upon the edge of yonder coppice;<br/> | ||
A stand where you may make the fairest shoot.<br/> | A stand where you may make the fairest shoot.<br/> | ||
PRINCESS OF FRANCE. I thank my beauty I am fair that shoot,<br/> | PRINCESS OF FRANCE. I thank my beauty I am fair that shoot,<br/> | ||
And thereupon thou speak'st the fairest shoot.<br/> | And thereupon thou speak'st the fairest shoot.<br/> | ||
FORESTER. Pardon me, madam, for I meant not so.<br/> | FORESTER. Pardon me, madam, for I meant not so.<br/> | ||
PRINCESS OF FRANCE. What, what? First praise me, and again say no?<br/> | PRINCESS OF FRANCE. What, what? First praise me, and again say no?<br/> | ||
O short-liv'd pride! Not fair? Alack for woe!<br/> | O short-liv'd pride! Not fair? Alack for woe!<br/> | ||
FORESTER. Yes, madam, fair.<br/> | FORESTER. Yes, madam, fair.<br/> | ||
PRINCESS OF FRANCE. Nay, never paint me now;<br/> | PRINCESS OF FRANCE. Nay, never paint me now;<br/> | ||
Where fair is not, praise cannot mend the brow.<br/> | Where fair is not, praise cannot mend the brow.<br/> | ||
Here, good my glass, take this for telling true:<br/> | Here, good my glass, take this for telling true:<br/> | ||
[ Giving him money]<br/> | [ Giving him money]<br/> | ||
Fair payment for foul words is more than due.<br/> | Fair payment for foul words is more than due.<br/> | ||
FORESTER. Nothing but fair is that which you inherit.<br/> | FORESTER. Nothing but fair is that which you inherit.<br/> | ||
PRINCESS OF FRANCE. See, see, my beauty will be sav'd by merit.<br/> | PRINCESS OF FRANCE. See, see, my beauty will be sav'd by merit.<br/> | ||
O heresy in fair, fit for these days!<br/> | O heresy in fair, fit for these days!<br/> | ||
A giving hand, though foul, shall have fair praise.<br/> | A giving hand, though foul, shall have fair praise.<br/> | ||
But come, the bow. Now mercy goes to kill,<br/> | But come, the bow. Now mercy goes to kill,<br/> | ||
And shooting well is then accounted ill;<br/> | And shooting well is then accounted ill;<br/> | ||
Thus will I save my credit in the shoot:<br/> | Thus will I save my credit in the shoot:<br/> | ||
Not wounding, pity would not let me do't;<br/> | Not wounding, pity would not let me do't;<br/> | ||
If wounding, then it was to show my skill,<br/> | If wounding, then it was to show my skill,<br/> | ||
That more for praise than purpose meant to kill.<br/> | That more for praise than purpose meant to kill.<br/> | ||
And, out of question, so it is sometimes:<br/> | And, out of question, so it is sometimes:<br/> | ||
Glory grows guilty of detested crimes,<br/> | Glory grows guilty of detested crimes,<br/> | ||
When, for fame's sake, for praise, an outward part,<br/> | When, for fame's sake, for praise, an outward part,<br/> | ||
We bend to that the working of the heart;<br/> | We bend to that the working of the heart;<br/> | ||
As I for praise alone now seek to spill<br/> | As I for praise alone now seek to spill<br/> | ||
The poor deer's blood that my heart means no ill.<br/> | The poor deer's blood that my heart means no ill.<br/> | ||
BOYET. Do not curst wives hold that self-sovereignty<br/> | BOYET. Do not curst wives hold that self-sovereignty<br/> | ||
Only for praise sake, when they strive to be<br/> | Only for praise sake, when they strive to be<br/> | ||
Lords o'er their lords?<br/> | Lords o'er their lords?<br/> | ||
PRINCESS OF FRANCE. Only for praise; and praise we may afford<br/> | PRINCESS OF FRANCE. Only for praise; and praise we may afford<br/> | ||
To any lady that subdues a lord.<br/> | To any lady that subdues a lord.<br/> | ||
</p> | </p> | ||
Line 1,056: | Line 2,042: | ||
<p> BOYET. Here comes a member of the commonwealth.<br/> | <p> BOYET. Here comes a member of the commonwealth.<br/> | ||
COSTARD. God dig-you-den all! Pray you, which is the head lady?<br/> | COSTARD. God dig-you-den all! Pray you, which is the head lady?<br/> | ||
PRINCESS OF FRANCE. Thou shalt know her, fellow, by the rest that<br/> | PRINCESS OF FRANCE. Thou shalt know her, fellow, by the rest that<br/> | ||
have no heads.<br/> | have no heads.<br/> | ||
COSTARD. Which is the greatest lady, the highest?<br/> | COSTARD. Which is the greatest lady, the highest?<br/> | ||
PRINCESS OF FRANCE. The thickest and the tallest.<br/> | PRINCESS OF FRANCE. The thickest and the tallest.<br/> | ||
COSTARD. The thickest and the tallest! It is so; truth is truth.<br/> | COSTARD. The thickest and the tallest! It is so; truth is truth.<br/> | ||
An your waist, mistress, were as slender as my wit,<br/> | An your waist, mistress, were as slender as my wit,<br/> | ||
One o' these maids' girdles for your waist should be fit.<br/> | One o' these maids' girdles for your waist should be fit.<br/> | ||
Are not you the chief woman? You are the thickest here.<br/> | Are not you the chief woman? You are the thickest here.<br/> | ||
PRINCESS OF FRANCE. What's your will, sir? What's your will?<br/> | PRINCESS OF FRANCE. What's your will, sir? What's your will?<br/> | ||
COSTARD. I have a letter from Monsieur Berowne to one<br/> | COSTARD. I have a letter from Monsieur Berowne to one<br/> | ||
Lady Rosaline.<br/> | Lady Rosaline.<br/> | ||
PRINCESS OF FRANCE. O, thy letter, thy letter! He's a good friend<br/> | PRINCESS OF FRANCE. O, thy letter, thy letter! He's a good friend<br/> | ||
of mine.<br/> | of mine.<br/> | ||
Stand aside, good bearer. Boyet, you can carve.<br/> | Stand aside, good bearer. Boyet, you can carve.<br/> | ||
Break up this capon.<br/> | Break up this capon.<br/> | ||
BOYET. I am bound to serve.<br/> | BOYET. I am bound to serve.<br/> | ||
This letter is mistook; it importeth none here.<br/> | This letter is mistook; it importeth none here.<br/> | ||
It is writ to Jaquenetta.<br/> | It is writ to Jaquenetta.<br/> | ||
PRINCESS OF FRANCE. We will read it, I swear.<br/> | PRINCESS OF FRANCE. We will read it, I swear.<br/> | ||
Break the neck of the wax, and every one give ear.<br/> | Break the neck of the wax, and every one give ear.<br/> | ||
BOYET. [Reads] 'By heaven, that thou art fair is most infallible;<br/> | BOYET. [Reads] 'By heaven, that thou art fair is most infallible;<br/> | ||
true that thou art beauteous; truth itself that thou art lovely.<br/> | true that thou art beauteous; truth itself that thou art lovely.<br/> | ||
More fairer than fair, beautiful than beauteous, truer than truth<br/> | More fairer than fair, beautiful than beauteous, truer than truth<br/> | ||
itself, have commiseration on thy heroical vassal. The<br/> | itself, have commiseration on thy heroical vassal. The<br/> | ||
magnanimous and most illustrate king Cophetua set eye upon the<br/> | magnanimous and most illustrate king Cophetua set eye upon the<br/> | ||
pernicious and indubitate beggar Zenelophon; and he it was that<br/> | pernicious and indubitate beggar Zenelophon; and he it was that<br/> | ||
might rightly say, 'Veni, vidi, vici'; which to annothanize in<br/> | might rightly say, 'Veni, vidi, vici'; which to annothanize in<br/> | ||
the vulgar,- O base and obscure vulgar!- videlicet, He came, saw,<br/> | the vulgar,- O base and obscure vulgar!- videlicet, He came, saw,<br/> | ||
and overcame. He came, one; saw, two; overcame, three. Who came?-<br/> | and overcame. He came, one; saw, two; overcame, three. Who came?-<br/> | ||
the king. Why did he come?- to see. Why did he see?-to overcome.<br/> | the king. Why did he come?- to see. Why did he see?-to overcome.<br/> | ||
To whom came he?- to the beggar. What saw he?- the beggar. Who<br/> | To whom came he?- to the beggar. What saw he?- the beggar. Who<br/> | ||
overcame he?- the beggar. The conclusion is victory; on whose<br/> | overcame he?- the beggar. The conclusion is victory; on whose<br/> | ||
side?- the king's. The captive is enrich'd; on whose side?- the<br/> | side?- the king's. The captive is enrich'd; on whose side?- the<br/> | ||
beggar's. The catastrophe is a nuptial; on whose side?- the<br/> | beggar's. The catastrophe is a nuptial; on whose side?- the<br/> | ||
king's. No, on both in one, or one in both. I am the king, for so<br/> | king's. No, on both in one, or one in both. I am the king, for so<br/> | ||
stands the comparison; thou the beggar, for so witnesseth thy<br/> | stands the comparison; thou the beggar, for so witnesseth thy<br/> | ||
lowliness. Shall I command thy love? I may. Shall I enforce thy<br/> | lowliness. Shall I command thy love? I may. Shall I enforce thy<br/> | ||
love? I could. Shall I entreat thy love? I will. What shalt thou<br/> | love? I could. Shall I entreat thy love? I will. What shalt thou<br/> | ||
exchange for rags?- robes, for tittles?- titles, for thyself?<br/> | exchange for rags?- robes, for tittles?- titles, for thyself?<br/> | ||
-me. Thus expecting thy reply, I profane my lips on thy foot, my<br/> | -me. Thus expecting thy reply, I profane my lips on thy foot, my<br/> | ||
eyes on thy picture, and my heart on thy every part.<br/> | eyes on thy picture, and my heart on thy every part.<br/> | ||
Thine in the dearest design of industry,<br/> | Thine in the dearest design of industry,<br/> | ||
DON ADRIANO DE ARMADO.<br/> | DON ADRIANO DE ARMADO.<br/> | ||
</p> | </p> | ||
<p> 'Thus dost thou hear the Nemean lion roar<br/> | <p> 'Thus dost thou hear the Nemean lion roar<br/> | ||
'Gainst thee, thou lamb, that standest as his prey;<br/> | 'Gainst thee, thou lamb, that standest as his prey;<br/> | ||
Submissive fall his princely feet before,<br/> | Submissive fall his princely feet before,<br/> | ||
And he from forage will incline to play.<br/> | And he from forage will incline to play.<br/> | ||
But if thou strive, poor soul, what are thou then?<br/> | But if thou strive, poor soul, what are thou then?<br/> | ||
Food for his rage, repasture for his den.'<br/> | Food for his rage, repasture for his den.'<br/> | ||
PRINCESS OF FRANCE. What plume of feathers is he that indited this<br/> | PRINCESS OF FRANCE. What plume of feathers is he that indited this<br/> | ||
letter?<br/> | letter?<br/> | ||
What vane? What weathercock? Did you ever hear better?<br/> | What vane? What weathercock? Did you ever hear better?<br/> | ||
BOYET. I am much deceived but I remember the style.<br/> | BOYET. I am much deceived but I remember the style.<br/> | ||
PRINCESS OF FRANCE. Else your memory is bad, going o'er it<br/> | PRINCESS OF FRANCE. Else your memory is bad, going o'er it<br/> | ||
erewhile.<br/> | erewhile.<br/> | ||
BOYET. This Armado is a Spaniard, that keeps here in court;<br/> | BOYET. This Armado is a Spaniard, that keeps here in court;<br/> | ||
A phantasime, a Monarcho, and one that makes sport<br/> | A phantasime, a Monarcho, and one that makes sport<br/> | ||
To the Prince and his book-mates.<br/> | To the Prince and his book-mates.<br/> | ||
PRINCESS OF FRANCE. Thou fellow, a word.<br/> | PRINCESS OF FRANCE. Thou fellow, a word.<br/> | ||
Who gave thee this letter?<br/> | Who gave thee this letter?<br/> | ||
COSTARD. I told you: my lord.<br/> | COSTARD. I told you: my lord.<br/> | ||
PRINCESS OF FRANCE. To whom shouldst thou give it?<br/> | PRINCESS OF FRANCE. To whom shouldst thou give it?<br/> | ||
COSTARD. From my lord to my lady.<br/> | COSTARD. From my lord to my lady.<br/> | ||
PRINCESS OF FRANCE. From which lord to which lady?<br/> | PRINCESS OF FRANCE. From which lord to which lady?<br/> | ||
COSTARD. From my Lord Berowne, a good master of mine,<br/> | COSTARD. From my Lord Berowne, a good master of mine,<br/> | ||
To a lady of France that he call'd Rosaline.<br/> | To a lady of France that he call'd Rosaline.<br/> | ||
PRINCESS OF FRANCE. Thou hast mistaken his letter. Come, lords,<br/> | PRINCESS OF FRANCE. Thou hast mistaken his letter. Come, lords,<br/> | ||
away.<br/> | away.<br/> | ||
[To ROSALINE] Here, sweet, put up this; 'twill be thine another<br/> | [To ROSALINE] Here, sweet, put up this; 'twill be thine another<br/> | ||
day. Exeunt PRINCESS and TRAIN<br/> | day. Exeunt PRINCESS and TRAIN<br/> | ||
BOYET. Who is the shooter? who is the shooter?<br/> | BOYET. Who is the shooter? who is the shooter?<br/> | ||
ROSALINE. Shall I teach you to know?<br/> | ROSALINE. Shall I teach you to know?<br/> | ||
BOYET. Ay, my continent of beauty.<br/> | BOYET. Ay, my continent of beauty.<br/> | ||
ROSALINE. Why, she that bears the bow.<br/> | ROSALINE. Why, she that bears the bow.<br/> | ||
Finely put off!<br/> | Finely put off!<br/> | ||
BOYET. My lady goes to kill horns; but, if thou marry,<br/> | BOYET. My lady goes to kill horns; but, if thou marry,<br/> | ||
Hang me by the neck, if horns that year miscarry.<br/> | Hang me by the neck, if horns that year miscarry.<br/> | ||
Finely put on!<br/> | Finely put on!<br/> | ||
ROSALINE. Well then, I am the shooter.<br/> | ROSALINE. Well then, I am the shooter.<br/> | ||
BOYET. And who is your deer?<br/> | BOYET. And who is your deer?<br/> | ||
ROSALINE. If we choose by the horns, yourself come not near.<br/> | ROSALINE. If we choose by the horns, yourself come not near.<br/> | ||
Finely put on indeed!<br/> | Finely put on indeed!<br/> | ||
MARIA. You Still wrangle with her, Boyet, and she strikes at the<br/> | MARIA. You Still wrangle with her, Boyet, and she strikes at the<br/> | ||
brow.<br/> | brow.<br/> | ||
BOYET. But she herself is hit lower. Have I hit her now?<br/> | BOYET. But she herself is hit lower. Have I hit her now?<br/> | ||
ROSALINE. Shall I come upon thee with an old saying, that was a man<br/> | ROSALINE. Shall I come upon thee with an old saying, that was a man<br/> | ||
when King Pepin of France was a little boy, as touching the hit<br/> | when King Pepin of France was a little boy, as touching the hit<br/> | ||
it?<br/> | it?<br/> | ||
BOYET. So I may answer thee with one as old, that was a woman when<br/> | BOYET. So I may answer thee with one as old, that was a woman when<br/> | ||
Queen Guinever of Britain was a little wench, as touching the hit<br/> | Queen Guinever of Britain was a little wench, as touching the hit<br/> | ||
it.<br/> | it.<br/> | ||
ROSALINE. [Singing]<br/> | ROSALINE. [Singing]<br/> | ||
Thou canst not hit it, hit it, hit it,<br/> | Thou canst not hit it, hit it, hit it,<br/> | ||
Thou canst not hit it, my good man.<br/> | Thou canst not hit it, my good man.<br/> | ||
BOYET. An I cannot, cannot, cannot,<br/> | BOYET. An I cannot, cannot, cannot,<br/> | ||
An I cannot, another can.<br/> | An I cannot, another can.<br/> | ||
Exeunt ROSALINE and KATHARINE<br/> | Exeunt ROSALINE and KATHARINE<br/> | ||
COSTARD. By my troth, most pleasant! How both did fit it!<br/> | COSTARD. By my troth, most pleasant! How both did fit it!<br/> | ||
MARIA. A mark marvellous well shot; for they both did hit it.<br/> | MARIA. A mark marvellous well shot; for they both did hit it.<br/> | ||
BOYET. A mark! O, mark but that mark! A mark, says my lady!<br/> | BOYET. A mark! O, mark but that mark! A mark, says my lady!<br/> | ||
Let the mark have a prick in't, to mete at, if it may be.<br/> | Let the mark have a prick in't, to mete at, if it may be.<br/> | ||
MARIA. Wide o' the bow-hand! I' faith, your hand is out.<br/> | MARIA. Wide o' the bow-hand! I' faith, your hand is out.<br/> | ||
COSTARD. Indeed, 'a must shoot nearer, or he'll ne'er hit the<br/> | COSTARD. Indeed, 'a must shoot nearer, or he'll ne'er hit the<br/> | ||
clout.<br/> | clout.<br/> | ||
BOYET. An if my hand be out, then belike your hand is in.<br/> | BOYET. An if my hand be out, then belike your hand is in.<br/> | ||
COSTARD. Then will she get the upshoot by cleaving the pin.<br/> | COSTARD. Then will she get the upshoot by cleaving the pin.<br/> | ||
MARIA. Come, come, you talk greasily; your lips grow foul.<br/> | MARIA. Come, come, you talk greasily; your lips grow foul.<br/> | ||
COSTARD. She's too hard for you at pricks, sir; challenge her to<br/> | COSTARD. She's too hard for you at pricks, sir; challenge her to<br/> | ||
bowl.<br/> | bowl.<br/> | ||
BOYET. I fear too much rubbing; good-night, my good owl.<br/> | BOYET. I fear too much rubbing; good-night, my good owl.<br/> | ||
Exeunt BOYET and MARIA<br/> | Exeunt BOYET and MARIA<br/> | ||
COSTARD. By my soul, a swain, a most simple clown!<br/> | COSTARD. By my soul, a swain, a most simple clown!<br/> | ||
Lord, Lord! how the ladies and I have put him down!<br/> | Lord, Lord! how the ladies and I have put him down!<br/> | ||
O' my troth, most sweet jests, most incony vulgar wit!<br/> | O' my troth, most sweet jests, most incony vulgar wit!<br/> | ||
When it comes so smoothly off, so obscenely, as it were, so fit.<br/> | When it comes so smoothly off, so obscenely, as it were, so fit.<br/> | ||
Armado a th' t'one side- O, a most dainty man!<br/> | Armado a th' t'one side- O, a most dainty man!<br/> | ||
To see him walk before a lady and to bear her fan!<br/> | To see him walk before a lady and to bear her fan!<br/> | ||
To see him kiss his hand, and how most sweetly 'a will swear!<br/> | To see him kiss his hand, and how most sweetly 'a will swear!<br/> | ||
And his page a t' other side, that handful of wit!<br/> | And his page a t' other side, that handful of wit!<br/> | ||
Ah, heavens, it is a most pathetical nit!<br/> | Ah, heavens, it is a most pathetical nit!<br/> | ||
Sola, sola! Exit COSTARD<br/> | Sola, sola! Exit COSTARD<br/> | ||
</p> | </p> | ||
<h4>SCENE II. | <h4>SCENE II. | ||
The park</h4> | The park</h4> | ||
Line 1,188: | Line 2,298: | ||
<p> NATHANIEL. Very reverent sport, truly; and done in the testimony of<br/> | <p> NATHANIEL. Very reverent sport, truly; and done in the testimony of<br/> | ||
a good conscience.<br/> | a good conscience.<br/> | ||
HOLOFERNES. The deer was, as you know, sanguis, in blood; ripe as<br/> | HOLOFERNES. The deer was, as you know, sanguis, in blood; ripe as<br/> | ||
the pomewater, who now hangeth like a jewel in the ear of caelo,<br/> | the pomewater, who now hangeth like a jewel in the ear of caelo,<br/> | ||
the sky, the welkin, the heaven; and anon falleth like a crab on<br/> | the sky, the welkin, the heaven; and anon falleth like a crab on<br/> | ||
the face of terra, the soil, the land, the earth.<br/> | the face of terra, the soil, the land, the earth.<br/> | ||
NATHANIEL. Truly, Master Holofernes, the epithets are sweetly<br/> | NATHANIEL. Truly, Master Holofernes, the epithets are sweetly<br/> | ||
varied, like a scholar at the least; but, sir, I assure ye it was<br/> | varied, like a scholar at the least; but, sir, I assure ye it was<br/> | ||
a buck of the first head.<br/> | a buck of the first head.<br/> | ||
HOLOFERNES. Sir Nathaniel, haud credo.<br/> | HOLOFERNES. Sir Nathaniel, haud credo.<br/> | ||
DULL. 'Twas not a haud credo; 'twas a pricket.<br/> | DULL. 'Twas not a haud credo; 'twas a pricket.<br/> | ||
HOLOFERNES. Most barbarous intimation! yet a kind of insinuation,<br/> | HOLOFERNES. Most barbarous intimation! yet a kind of insinuation,<br/> | ||
as it were, in via, in way, of explication; facere, as it were,<br/> | as it were, in via, in way, of explication; facere, as it were,<br/> | ||
replication, or rather, ostentare, to show, as it were, his<br/> | replication, or rather, ostentare, to show, as it were, his<br/> | ||
inclination, after his undressed, unpolished, uneducated,<br/> | inclination, after his undressed, unpolished, uneducated,<br/> | ||
unpruned, untrained, or rather unlettered, or ratherest<br/> | unpruned, untrained, or rather unlettered, or ratherest<br/> | ||
unconfirmed fashion, to insert again my haud credo for a deer.<br/> | unconfirmed fashion, to insert again my haud credo for a deer.<br/> | ||
DULL. I Said the deer was not a haud credo; 'twas a pricket.<br/> | DULL. I Said the deer was not a haud credo; 'twas a pricket.<br/> | ||
HOLOFERNES. Twice-sod simplicity, bis coctus!<br/> | HOLOFERNES. Twice-sod simplicity, bis coctus!<br/> | ||
O thou monster Ignorance, how deformed dost thou look!<br/> | O thou monster Ignorance, how deformed dost thou look!<br/> | ||
NATHANIEL. Sir, he hath never fed of the dainties that are bred in<br/> | NATHANIEL. Sir, he hath never fed of the dainties that are bred in<br/> | ||
a book;<br/> | a book;<br/> | ||
He hath not eat paper, as it were; he hath not drunk ink; his<br/> | He hath not eat paper, as it were; he hath not drunk ink; his<br/> | ||
intellect is not replenished; he is only an animal, only sensible<br/> | intellect is not replenished; he is only an animal, only sensible<br/> | ||
in the duller parts;<br/> | in the duller parts;<br/> | ||
And such barren plants are set before us that we thankful should<br/> | And such barren plants are set before us that we thankful should<br/> | ||
be-<br/> | be-<br/> | ||
Which we of taste and feeling are- for those parts that do<br/> | Which we of taste and feeling are- for those parts that do<br/> | ||
fructify in us more than he.<br/> | fructify in us more than he.<br/> | ||
For as it would ill become me to be vain, indiscreet, or a fool,<br/> | For as it would ill become me to be vain, indiscreet, or a fool,<br/> | ||
So, were there a patch set on learning, to see him in a school.<br/> | So, were there a patch set on learning, to see him in a school.<br/> | ||
But, omne bene, say I, being of an old father's mind:<br/> | But, omne bene, say I, being of an old father's mind:<br/> | ||
Many can brook the weather that love not the wind.<br/> | Many can brook the weather that love not the wind.<br/> | ||
DULL. You two are book-men: can you tell me by your wit<br/> | DULL. You two are book-men: can you tell me by your wit<br/> | ||
What was a month old at Cain's birth that's not five weeks old as<br/> | What was a month old at Cain's birth that's not five weeks old as<br/> | ||
yet?<br/> | yet?<br/> | ||
HOLOFERNES. Dictynna, goodman Dull; Dictynna, goodman Dull.<br/> | HOLOFERNES. Dictynna, goodman Dull; Dictynna, goodman Dull.<br/> | ||
DULL. What is Dictynna?<br/> | DULL. What is Dictynna?<br/> | ||
NATHANIEL. A title to Phoebe, to Luna, to the moon.<br/> | NATHANIEL. A title to Phoebe, to Luna, to the moon.<br/> | ||
HOLOFERNES. The moon was a month old when Adam was no more,<br/> | HOLOFERNES. The moon was a month old when Adam was no more,<br/> | ||
And raught not to five weeks when he came to five-score.<br/> | And raught not to five weeks when he came to five-score.<br/> | ||
Th' allusion holds in the exchange.<br/> | Th' allusion holds in the exchange.<br/> | ||
DULL. 'Tis true, indeed; the collusion holds in the exchange.<br/> | DULL. 'Tis true, indeed; the collusion holds in the exchange.<br/> | ||
HOLOFERNES. God comfort thy capacity! I say th' allusion holds in<br/> | HOLOFERNES. God comfort thy capacity! I say th' allusion holds in<br/> | ||
the exchange.<br/> | the exchange.<br/> | ||
DULL. And I say the polusion holds in the exchange; for the moon is<br/> | DULL. And I say the polusion holds in the exchange; for the moon is<br/> | ||
never but a month old; and I say, beside, that 'twas a pricket<br/> | never but a month old; and I say, beside, that 'twas a pricket<br/> | ||
that the Princess kill'd.<br/> | that the Princess kill'd.<br/> | ||
HOLOFERNES. Sir Nathaniel, will you hear an extemporal epitaph on<br/> | HOLOFERNES. Sir Nathaniel, will you hear an extemporal epitaph on<br/> | ||
the death of the deer? And, to humour the ignorant, call the deer<br/> | the death of the deer? And, to humour the ignorant, call the deer<br/> | ||
the Princess kill'd a pricket.<br/> | the Princess kill'd a pricket.<br/> | ||
NATHANIEL. Perge, good Master Holofernes, perge, so it shall please<br/> | NATHANIEL. Perge, good Master Holofernes, perge, so it shall please<br/> | ||
you to abrogate scurrility.<br/> | you to abrogate scurrility.<br/> | ||
HOLOFERNES. I Will something affect the letter, for it argues<br/> | HOLOFERNES. I Will something affect the letter, for it argues<br/> | ||
facility.<br/> | facility.<br/> | ||
</p> | </p> | ||
<p> The preyful Princess pierc'd and prick'd a pretty pleasing<br/> | <p> The preyful Princess pierc'd and prick'd a pretty pleasing<br/> | ||
pricket.<br/> | pricket.<br/> | ||
Some say a sore; but not a sore till now made sore with shooting.<br/> | Some say a sore; but not a sore till now made sore with shooting.<br/> | ||
The dogs did yell; put el to sore, then sorel jumps from thicket-<br/> | The dogs did yell; put el to sore, then sorel jumps from thicket-<br/> | ||
Or pricket sore, or else sorel; the people fall a-hooting.<br/> | Or pricket sore, or else sorel; the people fall a-hooting.<br/> | ||
If sore be sore, then L to sore makes fifty sores o' sorel.<br/> | If sore be sore, then L to sore makes fifty sores o' sorel.<br/> | ||
Of one sore I an hundred make by adding but one more L.<br/> | Of one sore I an hundred make by adding but one more L.<br/> | ||
</p> | </p> | ||
<p> NATHANIEL. A rare talent!<br/> | <p> NATHANIEL. A rare talent!<br/> | ||
DULL. [Aside] If a talent be a claw, look how he claws him with a<br/> | DULL. [Aside] If a talent be a claw, look how he claws him with a<br/> | ||
talent.<br/> | talent.<br/> | ||
HOLOFERNES. This is a gift that I have, simple, simple; a foolish<br/> | HOLOFERNES. This is a gift that I have, simple, simple; a foolish<br/> | ||
extravagant spirit, full of forms, figures, shapes, objects,<br/> | extravagant spirit, full of forms, figures, shapes, objects,<br/> | ||
ideas, apprehensions, motions, revolutions. These are begot in<br/> | ideas, apprehensions, motions, revolutions. These are begot in<br/> | ||
the ventricle of memory, nourish'd in the womb of pia mater, and<br/> | the ventricle of memory, nourish'd in the womb of pia mater, and<br/> | ||
delivered upon the mellowing of occasion. But the gift is good in<br/> | delivered upon the mellowing of occasion. But the gift is good in<br/> | ||
those in whom it is acute, and I am thankful for it.<br/> | those in whom it is acute, and I am thankful for it.<br/> | ||
NATHANIEL. Sir, I praise the Lord for you, and so may my<br/> | NATHANIEL. Sir, I praise the Lord for you, and so may my<br/> | ||
parishioners; for their sons are well tutor'd by you, and their<br/> | parishioners; for their sons are well tutor'd by you, and their<br/> | ||
daughters profit very greatly under you. You are a good member of<br/> | daughters profit very greatly under you. You are a good member of<br/> | ||
the commonwealth.<br/> | the commonwealth.<br/> | ||
HOLOFERNES. Mehercle, if their sons be ingenious, they shall want<br/> | HOLOFERNES. Mehercle, if their sons be ingenious, they shall want<br/> | ||
no instruction; if their daughters be capable, I will put it to<br/> | no instruction; if their daughters be capable, I will put it to<br/> | ||
them; but, vir sapit qui pauca loquitur. A soul feminine saluteth<br/> | them; but, vir sapit qui pauca loquitur. A soul feminine saluteth<br/> | ||
us.<br/> | us.<br/> | ||
</p> | </p> | ||
Line 1,275: | Line 2,464: | ||
<p> JAQUENETTA. God give you good morrow, Master Person.<br/> | <p> JAQUENETTA. God give you good morrow, Master Person.<br/> | ||
HOLOFERNES. Master Person, quasi pers-one. And if one should be<br/> | HOLOFERNES. Master Person, quasi pers-one. And if one should be<br/> | ||
pierc'd which is the one?<br/> | pierc'd which is the one?<br/> | ||
COSTARD. Marry, Master Schoolmaster, he that is likest to a<br/> | COSTARD. Marry, Master Schoolmaster, he that is likest to a<br/> | ||
hogshead.<br/> | hogshead.<br/> | ||
HOLOFERNES. Piercing a hogshead! A good lustre of conceit in a turf<br/> | HOLOFERNES. Piercing a hogshead! A good lustre of conceit in a turf<br/> | ||
of earth; fire enough for a flint, pearl enough for a swine; 'tis<br/> | of earth; fire enough for a flint, pearl enough for a swine; 'tis<br/> | ||
pretty; it is well.<br/> | pretty; it is well.<br/> | ||
JAQUENETTA. Good Master Parson, be so good as read me this letter;<br/> | JAQUENETTA. Good Master Parson, be so good as read me this letter;<br/> | ||
it was given me by Costard, and sent me from Don Armado. I<br/> | it was given me by Costard, and sent me from Don Armado. I<br/> | ||
beseech you read it.<br/> | beseech you read it.<br/> | ||
HOLOFERNES. Fauste, precor gelida quando pecus omne sub umbra<br/> | HOLOFERNES. Fauste, precor gelida quando pecus omne sub umbra<br/> | ||
Ruminat-<br/> | Ruminat-<br/> | ||
and so forth. Ah, good old Mantuan! I may speak of thee as<br/> | and so forth. Ah, good old Mantuan! I may speak of thee as<br/> | ||
the traveller doth of Venice:<br/> | the traveller doth of Venice:<br/> | ||
Venetia, Venetia,<br/> | Venetia, Venetia,<br/> | ||
Chi non ti vede, non ti pretia.<br/> | Chi non ti vede, non ti pretia.<br/> | ||
Old Mantuan, old Mantuan! Who understandeth thee not,<br/> | Old Mantuan, old Mantuan! Who understandeth thee not,<br/> | ||
loves thee not-<br/> | loves thee not-<br/> | ||
Ut, re, sol, la, mi, fa.<br/> | Ut, re, sol, la, mi, fa.<br/> | ||
Under pardon, sir, what are the contents? or rather as<br/> | Under pardon, sir, what are the contents? or rather as<br/> | ||
Horace says in his- What, my soul, verses?<br/> | Horace says in his- What, my soul, verses?<br/> | ||
NATHANIEL. Ay, sir, and very learned.<br/> | NATHANIEL. Ay, sir, and very learned.<br/> | ||
HOLOFERNES. Let me hear a staff, a stanze, a verse; lege, domine.<br/> | HOLOFERNES. Let me hear a staff, a stanze, a verse; lege, domine.<br/> | ||
NATHANIEL. [Reads] 'If love make me forsworn, how shall I swear to<br/> | NATHANIEL. [Reads] 'If love make me forsworn, how shall I swear to<br/> | ||
love?<br/> | love?<br/> | ||
Ah, never faith could hold, if not to beauty vowed!<br/> | Ah, never faith could hold, if not to beauty vowed!<br/> | ||
Though to myself forsworn, to thee I'll faithful prove;<br/> | Though to myself forsworn, to thee I'll faithful prove;<br/> | ||
Those thoughts to me were oaks, to thee like osiers bowed.<br/> | Those thoughts to me were oaks, to thee like osiers bowed.<br/> | ||
Study his bias leaves, and makes his book thine eyes,<br/> | Study his bias leaves, and makes his book thine eyes,<br/> | ||
Where all those pleasures live that art would comprehend.<br/> | Where all those pleasures live that art would comprehend.<br/> | ||
If knowledge be the mark, to know thee shall suffice;<br/> | If knowledge be the mark, to know thee shall suffice;<br/> | ||
Well learned is that tongue that well can thee commend;<br/> | Well learned is that tongue that well can thee commend;<br/> | ||
All ignorant that soul that sees thee without wonder;<br/> | All ignorant that soul that sees thee without wonder;<br/> | ||
Which is to me some praise that I thy parts admire.<br/> | Which is to me some praise that I thy parts admire.<br/> | ||
Thy eye Jove's lightning bears, thy voice his dreadful thunder,<br/> | Thy eye Jove's lightning bears, thy voice his dreadful thunder,<br/> | ||
Which, not to anger bent, is music and sweet fire.<br/> | Which, not to anger bent, is music and sweet fire.<br/> | ||
Celestial as thou art, O, pardon love this wrong,<br/> | Celestial as thou art, O, pardon love this wrong,<br/> | ||
That singes heaven's praise with such an earthly tongue.'<br/> | That singes heaven's praise with such an earthly tongue.'<br/> | ||
HOLOFERNES. You find not the apostrophas, and so miss the accent:<br/> | HOLOFERNES. You find not the apostrophas, and so miss the accent:<br/> | ||
let me supervise the canzonet. Here are only numbers ratified;<br/> | let me supervise the canzonet. Here are only numbers ratified;<br/> | ||
but, for the elegancy, facility, and golden cadence of poesy,<br/> | but, for the elegancy, facility, and golden cadence of poesy,<br/> | ||
caret. Ovidius Naso was the man. And why, indeed, 'Naso' but for<br/> | caret. Ovidius Naso was the man. And why, indeed, 'Naso' but for<br/> | ||
smelling out the odoriferous flowers of fancy, the jerks of<br/> | smelling out the odoriferous flowers of fancy, the jerks of<br/> | ||
invention? Imitari is nothing: so doth the hound his master, the<br/> | invention? Imitari is nothing: so doth the hound his master, the<br/> | ||
ape his keeper, the tired horse his rider. But, damosella virgin,<br/> | ape his keeper, the tired horse his rider. But, damosella virgin,<br/> | ||
was this directed to you?<br/> | was this directed to you?<br/> | ||
JAQUENETTA. Ay, sir, from one Monsieur Berowne, one of the strange<br/> | JAQUENETTA. Ay, sir, from one Monsieur Berowne, one of the strange<br/> | ||
queen's lords.<br/> | queen's lords.<br/> | ||
HOLOFERNES. I will overglance the superscript: 'To the snow-white<br/> | HOLOFERNES. I will overglance the superscript: 'To the snow-white<br/> | ||
hand of the most beauteous Lady Rosaline.' I will look again on<br/> | hand of the most beauteous Lady Rosaline.' I will look again on<br/> | ||
the intellect of the letter, for the nomination of the party<br/> | the intellect of the letter, for the nomination of the party<br/> | ||
writing to the person written unto: 'Your Ladyship's in all<br/> | writing to the person written unto: 'Your Ladyship's in all<br/> | ||
desired employment, Berowne.' Sir Nathaniel, this Berowne is one<br/> | desired employment, Berowne.' Sir Nathaniel, this Berowne is one<br/> | ||
of the votaries with the King; and here he hath framed a letter<br/> | of the votaries with the King; and here he hath framed a letter<br/> | ||
to a sequent of the stranger queen's which accidentally, or by<br/> | to a sequent of the stranger queen's which accidentally, or by<br/> | ||
the way of progression, hath miscarried. Trip and go, my sweet;<br/> | the way of progression, hath miscarried. Trip and go, my sweet;<br/> | ||
deliver this paper into the royal hand of the King; it may<br/> | deliver this paper into the royal hand of the King; it may<br/> | ||
concern much. Stay not thy compliment; I forgive thy duty. Adieu.<br/> | concern much. Stay not thy compliment; I forgive thy duty. Adieu.<br/> | ||
JAQUENETTA. Good Costard, go with me. Sir, God save your life!<br/> | JAQUENETTA. Good Costard, go with me. Sir, God save your life!<br/> | ||
COSTARD. Have with thee, my girl.<br/> | COSTARD. Have with thee, my girl.<br/> | ||
Exeunt COSTARD and JAQUENETTA<br/> | Exeunt COSTARD and JAQUENETTA<br/> | ||
NATHANIEL. Sir, you have done this in the fear of God, very<br/> | NATHANIEL. Sir, you have done this in the fear of God, very<br/> | ||
religiously; and, as a certain father saith-<br/> | religiously; and, as a certain father saith-<br/> | ||
HOLOFERNES. Sir, tell not me of the father; I do fear colourable<br/> | HOLOFERNES. Sir, tell not me of the father; I do fear colourable<br/> | ||
colours. But to return to the verses: did they please you, Sir<br/> | colours. But to return to the verses: did they please you, Sir<br/> | ||
Nathaniel?<br/> | Nathaniel?<br/> | ||
NATHANIEL. Marvellous well for the pen.<br/> | NATHANIEL. Marvellous well for the pen.<br/> | ||
HOLOFERNES. I do dine to-day at the father's of a certain pupil of<br/> | HOLOFERNES. I do dine to-day at the father's of a certain pupil of<br/> | ||
mine; where, if, before repast, it shall please you to gratify<br/> | mine; where, if, before repast, it shall please you to gratify<br/> | ||
the table with a grace, I will, on my privilege I have with the<br/> | the table with a grace, I will, on my privilege I have with the<br/> | ||
parents of the foresaid child or pupil, undertake your ben<br/> | parents of the foresaid child or pupil, undertake your ben<br/> | ||
venuto; where I will prove those verses to be very unlearned,<br/> | venuto; where I will prove those verses to be very unlearned,<br/> | ||
neither savouring of poetry, wit, nor invention. I beseech your<br/> | neither savouring of poetry, wit, nor invention. I beseech your<br/> | ||
society.<br/> | society.<br/> | ||
NATHANIEL. And thank you too; for society, saith the text, is the<br/> | NATHANIEL. And thank you too; for society, saith the text, is the<br/> | ||
happiness of life.<br/> | happiness of life.<br/> | ||
HOLOFERNES. And certes, the text most infallibly concludes it.<br/> | HOLOFERNES. And certes, the text most infallibly concludes it.<br/> | ||
[To DULL] Sir, I do invite you too; you shall not say me nay:<br/> | [To DULL] Sir, I do invite you too; you shall not say me nay:<br/> | ||
pauca verba. Away; the gentles are at their game, and we will to<br/> | pauca verba. Away; the gentles are at their game, and we will to<br/> | ||
our recreation. Exeunt<br/> | our recreation. Exeunt<br/> | ||
</p> | </p> | ||
<h4>SCENE III. | <h4>SCENE III. | ||
The park</h4> | The park</h4> | ||
Line 1,363: | Line 2,634: | ||
<p> BEROWNE. The King he is hunting the deer: I | <p> BEROWNE. The King he is hunting the deer: I | ||
am coursing myself. | am coursing myself. | ||
They have pitch'd a toil: I am tolling in a pitch- pitch that | They have pitch'd a toil: I am tolling in a pitch- pitch that | ||
defiles. Defile! a foul word. Well, 'set thee down, sorrow!' for | defiles. Defile! a foul word. Well, 'set thee down, sorrow!' for | ||
so they say the fool said, and so say I, and I am the fool. Well | so they say the fool said, and so say I, and I am the fool. Well | ||
proved, wit. By the Lord, this love is as mad as Ajax: it kills | proved, wit. By the Lord, this love is as mad as Ajax: it kills | ||
sheep; it kills me- I a sheep. Well proved again o' my side. I | sheep; it kills me- I a sheep. Well proved again o' my side. I | ||
will not love; if I do, hang me. I' faith, I will not. O, but her | will not love; if I do, hang me. I' faith, I will not. O, but her | ||
eye! By this light, but for her eye, I would not love her- yes, | eye! By this light, but for her eye, I would not love her- yes, | ||
for her two eyes. Well, I do nothing in the world but lie, and | for her two eyes. Well, I do nothing in the world but lie, and | ||
lie in my throat. By heaven, I do love; and it hath taught me to | lie in my throat. By heaven, I do love; and it hath taught me to | ||
rhyme, and to be melancholy; and here is part of my rhyme, and | rhyme, and to be melancholy; and here is part of my rhyme, and | ||
here my melancholy. Well, she hath one o' my sonnets already; the | here my melancholy. Well, she hath one o' my sonnets already; the | ||
clown bore it, the fool sent it, and the lady hath it: sweet | clown bore it, the fool sent it, and the lady hath it: sweet | ||
clown, sweeter fool, sweetest lady! By the world, I would not | clown, sweeter fool, sweetest lady! By the world, I would not | ||
care a pin if the other three were in. Here comes one with a | care a pin if the other three were in. Here comes one with a | ||
paper; God give him grace to groan! | paper; God give him grace to groan! | ||
[Climbs into a tree]</p> | [Climbs into a tree]</p> | ||
Line 1,384: | Line 2,672: | ||
<p> KING. Ay me!<br/> | <p> KING. Ay me!<br/> | ||
BEROWNE. Shot, by heaven! Proceed, sweet Cupid; thou hast thump'd<br/> | BEROWNE. Shot, by heaven! Proceed, sweet Cupid; thou hast thump'd<br/> | ||
him with thy bird-bolt under the left pap. In faith, secrets!<br/> | him with thy bird-bolt under the left pap. In faith, secrets!<br/> | ||
KING. [Reads]<br/> | KING. [Reads]<br/> | ||
'So sweet a kiss the golden sun gives not<br/> | 'So sweet a kiss the golden sun gives not<br/> | ||
To those fresh morning drops upon the rose,<br/> | To those fresh morning drops upon the rose,<br/> | ||
As thy eye-beams, when their fresh rays have smote<br/> | As thy eye-beams, when their fresh rays have smote<br/> | ||
The night of dew that on my cheeks down flows;<br/> | The night of dew that on my cheeks down flows;<br/> | ||
Nor shines the silver moon one half so bright<br/> | Nor shines the silver moon one half so bright<br/> | ||
Through the transparent bosom of the deep,<br/> | Through the transparent bosom of the deep,<br/> | ||
As doth thy face through tears of mine give light.<br/> | As doth thy face through tears of mine give light.<br/> | ||
Thou shin'st in every tear that I do weep;<br/> | Thou shin'st in every tear that I do weep;<br/> | ||
No drop but as a coach doth carry thee;<br/> | No drop but as a coach doth carry thee;<br/> | ||
So ridest thou triumphing in my woe.<br/> | So ridest thou triumphing in my woe.<br/> | ||
Do but behold the tears that swell in me,<br/> | Do but behold the tears that swell in me,<br/> | ||
And they thy glory through my grief will show.<br/> | And they thy glory through my grief will show.<br/> | ||
But do not love thyself; then thou wilt keep<br/> | But do not love thyself; then thou wilt keep<br/> | ||
My tears for glasses, and still make me weep.<br/> | My tears for glasses, and still make me weep.<br/> | ||
O queen of queens! how far dost thou excel<br/> | O queen of queens! how far dost thou excel<br/> | ||
No thought can think nor tongue of mortal tell.'<br/> | No thought can think nor tongue of mortal tell.'<br/> | ||
How shall she know my griefs? I'll drop the paper-<br/> | How shall she know my griefs? I'll drop the paper-<br/> | ||
Sweet leaves, shade folly. Who is he comes here?<br/> | Sweet leaves, shade folly. Who is he comes here?<br/> | ||
[Steps aside]<br/> | [Steps aside]<br/> | ||
</p> | </p> | ||
Line 1,411: | Line 2,722: | ||
<p> What, Longaville, and reading! Listen, car.<br/> | <p> What, Longaville, and reading! Listen, car.<br/> | ||
BEROWNE. Now, in thy likeness, one more fool appear!<br/> | BEROWNE. Now, in thy likeness, one more fool appear!<br/> | ||
LONGAVILLE. Ay me, I am forsworn!<br/> | LONGAVILLE. Ay me, I am forsworn!<br/> | ||
BEROWNE. Why, he comes in like a perjure, wearing papers.<br/> | BEROWNE. Why, he comes in like a perjure, wearing papers.<br/> | ||
KING. In love, I hope; sweet fellowship in shame!<br/> | KING. In love, I hope; sweet fellowship in shame!<br/> | ||
BEROWNE. One drunkard loves another of the name.<br/> | BEROWNE. One drunkard loves another of the name.<br/> | ||
LONGAVILLE. Am I the first that have been perjur'd so?<br/> | LONGAVILLE. Am I the first that have been perjur'd so?<br/> | ||
BEROWNE. I could put thee in comfort: not by two that I know;<br/> | BEROWNE. I could put thee in comfort: not by two that I know;<br/> | ||
Thou makest the triumviry, the corner-cap of society,<br/> | Thou makest the triumviry, the corner-cap of society,<br/> | ||
The shape of Love's Tyburn that hangs up simplicity.<br/> | The shape of Love's Tyburn that hangs up simplicity.<br/> | ||
LONGAVILLE. I fear these stubborn lines lack power to move.<br/> | LONGAVILLE. I fear these stubborn lines lack power to move.<br/> | ||
O sweet Maria, empress of my love!<br/> | O sweet Maria, empress of my love!<br/> | ||
These numbers will I tear, and write in prose.<br/> | These numbers will I tear, and write in prose.<br/> | ||
BEROWNE. O, rhymes are guards on wanton Cupid's hose:<br/> | BEROWNE. O, rhymes are guards on wanton Cupid's hose:<br/> | ||
Disfigure not his slop.<br/> | Disfigure not his slop.<br/> | ||
LONGAVILLE. This same shall go. [He reads the sonnet]<br/> | LONGAVILLE. This same shall go. [He reads the sonnet]<br/> | ||
'Did not the heavenly rhetoric of thine eye,<br/> | 'Did not the heavenly rhetoric of thine eye,<br/> | ||
'Gainst whom the world cannot hold argument,<br/> | 'Gainst whom the world cannot hold argument,<br/> | ||
Persuade my heart to this false perjury?<br/> | Persuade my heart to this false perjury?<br/> | ||
Vows for thee broke deserve not punishment.<br/> | Vows for thee broke deserve not punishment.<br/> | ||
A woman I forswore; but I will prove,<br/> | A woman I forswore; but I will prove,<br/> | ||
Thou being a goddess, I forswore not thee:<br/> | Thou being a goddess, I forswore not thee:<br/> | ||
My vow was earthly, thou a heavenly love;<br/> | My vow was earthly, thou a heavenly love;<br/> | ||
Thy grace being gain'd cures all disgrace in me.<br/> | Thy grace being gain'd cures all disgrace in me.<br/> | ||
Vows are but breath, and breath a vapour is;<br/> | Vows are but breath, and breath a vapour is;<br/> | ||
Then thou, fair sun, which on my earth dost shine,<br/> | Then thou, fair sun, which on my earth dost shine,<br/> | ||
Exhal'st this vapour-vow; in thee it is.<br/> | Exhal'st this vapour-vow; in thee it is.<br/> | ||
If broken, then it is no fault of mine;<br/> | If broken, then it is no fault of mine;<br/> | ||
If by me broke, what fool is not so wise<br/> | If by me broke, what fool is not so wise<br/> | ||
To lose an oath to win a paradise?'<br/> | To lose an oath to win a paradise?'<br/> | ||
BEROWNE. This is the liver-vein, which makes flesh a deity,<br/> | BEROWNE. This is the liver-vein, which makes flesh a deity,<br/> | ||
A green goose a goddess- pure, pure idolatry.<br/> | A green goose a goddess- pure, pure idolatry.<br/> | ||
God amend us, God amend! We are much out o' th' way.<br/> | God amend us, God amend! We are much out o' th' way.<br/> | ||
</p> | </p> | ||
Line 1,448: | Line 2,792: | ||
<p> LONGAVILLE. By whom shall I send this?- Company! Stay.<br/> | <p> LONGAVILLE. By whom shall I send this?- Company! Stay.<br/> | ||
[Steps aside]<br/> | [Steps aside]<br/> | ||
BEROWNE. 'All hid, all hid'- an old infant play.<br/> | BEROWNE. 'All hid, all hid'- an old infant play.<br/> | ||
Like a demigod here sit I in the sky,<br/> | Like a demigod here sit I in the sky,<br/> | ||
And wretched fools' secrets heedfully o'er-eye.<br/> | And wretched fools' secrets heedfully o'er-eye.<br/> | ||
More sacks to the mill! O heavens, I have my wish!<br/> | More sacks to the mill! O heavens, I have my wish!<br/> | ||
Dumain transformed! Four woodcocks in a dish!<br/> | Dumain transformed! Four woodcocks in a dish!<br/> | ||
DUMAIN. O most divine Kate!<br/> | DUMAIN. O most divine Kate!<br/> | ||
BEROWNE. O most profane coxcomb!<br/> | BEROWNE. O most profane coxcomb!<br/> | ||
DUMAIN. By heaven, the wonder in a mortal eye!<br/> | DUMAIN. By heaven, the wonder in a mortal eye!<br/> | ||
BEROWNE. By earth, she is not, corporal: there you lie.<br/> | BEROWNE. By earth, she is not, corporal: there you lie.<br/> | ||
DUMAIN. Her amber hairs for foul hath amber quoted.<br/> | DUMAIN. Her amber hairs for foul hath amber quoted.<br/> | ||
BEROWNE. An amber-colour'd raven was well noted.<br/> | BEROWNE. An amber-colour'd raven was well noted.<br/> | ||
DUMAIN. As upright as the cedar.<br/> | DUMAIN. As upright as the cedar.<br/> | ||
BEROWNE. Stoop, I say;<br/> | BEROWNE. Stoop, I say;<br/> | ||
Her shoulder is with child.<br/> | Her shoulder is with child.<br/> | ||
DUMAIN. As fair as day.<br/> | DUMAIN. As fair as day.<br/> | ||
BEROWNE. Ay, as some days; but then no sun must shine.<br/> | BEROWNE. Ay, as some days; but then no sun must shine.<br/> | ||
DUMAIN. O that I had my wish!<br/> | DUMAIN. O that I had my wish!<br/> | ||
LONGAVILLE. And I had mine!<br/> | LONGAVILLE. And I had mine!<br/> | ||
KING. And I mine too,.good Lord!<br/> | KING. And I mine too,.good Lord!<br/> | ||
BEROWNE. Amen, so I had mine! Is not that a good word?<br/> | BEROWNE. Amen, so I had mine! Is not that a good word?<br/> | ||
DUMAIN. I would forget her; but a fever she<br/> | DUMAIN. I would forget her; but a fever she<br/> | ||
Reigns in my blood, and will rememb'red be.<br/> | Reigns in my blood, and will rememb'red be.<br/> | ||
BEROWNE. A fever in your blood? Why, then incision<br/> | BEROWNE. A fever in your blood? Why, then incision<br/> | ||
Would let her out in saucers. Sweet misprision!<br/> | Would let her out in saucers. Sweet misprision!<br/> | ||
DUMAIN. Once more I'll read the ode that I have writ.<br/> | DUMAIN. Once more I'll read the ode that I have writ.<br/> | ||
BEROWNE. Once more I'll mark how love can vary wit.<br/> | BEROWNE. Once more I'll mark how love can vary wit.<br/> | ||
DUMAIN. [Reads]<br/> | DUMAIN. [Reads]<br/> | ||
'On a day-alack the day!-<br/> | 'On a day-alack the day!-<br/> | ||
Love, whose month is ever May,<br/> | Love, whose month is ever May,<br/> | ||
Spied a blossom passing fair<br/> | Spied a blossom passing fair<br/> | ||
Playing in the wanton air.<br/> | Playing in the wanton air.<br/> | ||
Through the velvet leaves the wind,<br/> | Through the velvet leaves the wind,<br/> | ||
All unseen, can passage find;<br/> | All unseen, can passage find;<br/> | ||
That the lover, sick to death,<br/> | That the lover, sick to death,<br/> | ||
Wish'd himself the heaven's breath.<br/> | Wish'd himself the heaven's breath.<br/> | ||
"Air," quoth he "thy cheeks may blow;<br/> | "Air," quoth he "thy cheeks may blow;<br/> | ||
Air, would I might triumph so!<br/> | Air, would I might triumph so!<br/> | ||
But, alack, my hand is sworn<br/> | But, alack, my hand is sworn<br/> | ||
Ne'er to pluck thee from thy thorn;<br/> | Ne'er to pluck thee from thy thorn;<br/> | ||
Vow, alack, for youth unmeet,<br/> | Vow, alack, for youth unmeet,<br/> | ||
Youth so apt to pluck a sweet.<br/> | Youth so apt to pluck a sweet.<br/> | ||
Do not call it sin in me<br/> | Do not call it sin in me<br/> | ||
That I am forsworn for thee;<br/> | That I am forsworn for thee;<br/> | ||
Thou for whom Jove would swear<br/> | Thou for whom Jove would swear<br/> | ||
Juno but an Ethiope were;<br/> | Juno but an Ethiope were;<br/> | ||
And deny himself for Jove,<br/> | And deny himself for Jove,<br/> | ||
Turning mortal for thy love."'<br/> | Turning mortal for thy love."'<br/> | ||
This will I send; and something else more plain<br/> | This will I send; and something else more plain<br/> | ||
That shall express my true love's fasting pain.<br/> | That shall express my true love's fasting pain.<br/> | ||
O, would the King, Berowne and Longaville,<br/> | O, would the King, Berowne and Longaville,<br/> | ||
Were lovers too! Ill, to example ill,<br/> | Were lovers too! Ill, to example ill,<br/> | ||
Would from my forehead wipe a perjur'd note;<br/> | Would from my forehead wipe a perjur'd note;<br/> | ||
For none offend where all alike do dote.<br/> | For none offend where all alike do dote.<br/> | ||
LONGAVILLE. [Advancing] Dumain, thy love is far from charity,<br/> | LONGAVILLE. [Advancing] Dumain, thy love is far from charity,<br/> | ||
That in love's grief desir'st society;<br/> | That in love's grief desir'st society;<br/> | ||
You may look pale, but I should blush, I know,<br/> | You may look pale, but I should blush, I know,<br/> | ||
To be o'erheard and taken napping so.<br/> | To be o'erheard and taken napping so.<br/> | ||
KING. [Advancing] Come, sir, you blush; as his, your case is such.<br/> | KING. [Advancing] Come, sir, you blush; as his, your case is such.<br/> | ||
You chide at him, offending twice as much:<br/> | You chide at him, offending twice as much:<br/> | ||
You do not love Maria! Longaville<br/> | You do not love Maria! Longaville<br/> | ||
Did never sonnet for her sake compile;<br/> | Did never sonnet for her sake compile;<br/> | ||
Nor never lay his wreathed arms athwart<br/> | Nor never lay his wreathed arms athwart<br/> | ||
His loving bosom, to keep down his heart.<br/> | His loving bosom, to keep down his heart.<br/> | ||
I have been closely shrouded in this bush,<br/> | I have been closely shrouded in this bush,<br/> | ||
And mark'd you both, and for you both did blush.<br/> | And mark'd you both, and for you both did blush.<br/> | ||
I heard your guilty rhymes, observ'd your fashion,<br/> | I heard your guilty rhymes, observ'd your fashion,<br/> | ||
Saw sighs reek from you, noted well your passion.<br/> | Saw sighs reek from you, noted well your passion.<br/> | ||
'Ay me!' says one. 'O Jove!' the other cries.<br/> | 'Ay me!' says one. 'O Jove!' the other cries.<br/> | ||
One, her hairs were gold; crystal the other's eyes.<br/> | One, her hairs were gold; crystal the other's eyes.<br/> | ||
[To LONGAVILLE] You would for paradise break faith and troth;<br/> | [To LONGAVILLE] You would for paradise break faith and troth;<br/> | ||
[To Dumain] And Jove for your love would infringe an oath.<br/> | [To Dumain] And Jove for your love would infringe an oath.<br/> | ||
What will Berowne say when that he shall hear<br/> | What will Berowne say when that he shall hear<br/> | ||
Faith infringed which such zeal did swear?<br/> | Faith infringed which such zeal did swear?<br/> | ||
How will he scorn, how will he spend his wit!<br/> | How will he scorn, how will he spend his wit!<br/> | ||
How will he triumph, leap, and laugh at it!<br/> | How will he triumph, leap, and laugh at it!<br/> | ||
For all the wealth that ever I did see,<br/> | For all the wealth that ever I did see,<br/> | ||
I would not have him know so much by me.<br/> | I would not have him know so much by me.<br/> | ||
BEROWNE. [Descending] Now step I forth to whip hypocrisy,<br/> | BEROWNE. [Descending] Now step I forth to whip hypocrisy,<br/> | ||
Ah, good my liege, I pray thee pardon me.<br/> | Ah, good my liege, I pray thee pardon me.<br/> | ||
Good heart, what grace hast thou thus to reprove<br/> | Good heart, what grace hast thou thus to reprove<br/> | ||
These worms for loving, that art most in love?<br/> | These worms for loving, that art most in love?<br/> | ||
Your eyes do make no coaches; in your tears<br/> | Your eyes do make no coaches; in your tears<br/> | ||
There is no certain princess that appears;<br/> | There is no certain princess that appears;<br/> | ||
You'll not be perjur'd; 'tis a hateful thing;<br/> | You'll not be perjur'd; 'tis a hateful thing;<br/> | ||
Tush, none but minstrels like of sonneting.<br/> | Tush, none but minstrels like of sonneting.<br/> | ||
But are you not ashamed? Nay, are you not,<br/> | But are you not ashamed? Nay, are you not,<br/> | ||
All three of you, to be thus much o'ershot?<br/> | All three of you, to be thus much o'ershot?<br/> | ||
You found his mote; the King your mote did see;<br/> | You found his mote; the King your mote did see;<br/> | ||
But I a beam do find in each of three.<br/> | But I a beam do find in each of three.<br/> | ||
O, what a scene of fool'ry have I seen,<br/> | O, what a scene of fool'ry have I seen,<br/> | ||
Of sighs, of groans, of sorrow, and of teen!<br/> | Of sighs, of groans, of sorrow, and of teen!<br/> | ||
O, me, with what strict patience have I sat,<br/> | O, me, with what strict patience have I sat,<br/> | ||
To see a king transformed to a gnat!<br/> | To see a king transformed to a gnat!<br/> | ||
To see great Hercules whipping a gig,<br/> | To see great Hercules whipping a gig,<br/> | ||
And profound Solomon to tune a jig,<br/> | And profound Solomon to tune a jig,<br/> | ||
And Nestor play at push-pin with the boys,<br/> | And Nestor play at push-pin with the boys,<br/> | ||
And critic Timon laugh at idle toys!<br/> | And critic Timon laugh at idle toys!<br/> | ||
Where lies thy grief, O, tell me, good Dumain?<br/> | Where lies thy grief, O, tell me, good Dumain?<br/> | ||
And, gentle Longaville, where lies thy pain?<br/> | And, gentle Longaville, where lies thy pain?<br/> | ||
And where my liege's? All about the breast.<br/> | And where my liege's? All about the breast.<br/> | ||
A caudle, ho!<br/> | A caudle, ho!<br/> | ||
KING. Too bitter is thy jest.<br/> | KING. Too bitter is thy jest.<br/> | ||
Are we betrayed thus to thy over-view?<br/> | Are we betrayed thus to thy over-view?<br/> | ||
BEROWNE. Not you by me, but I betrayed to you.<br/> | BEROWNE. Not you by me, but I betrayed to you.<br/> | ||
I that am honest, I that hold it sin<br/> | I that am honest, I that hold it sin<br/> | ||
To break the vow I am engaged in;<br/> | To break the vow I am engaged in;<br/> | ||
I am betrayed by keeping company<br/> | I am betrayed by keeping company<br/> | ||
With men like you, men of inconstancy.<br/> | With men like you, men of inconstancy.<br/> | ||
When shall you see me write a thing in rhyme?<br/> | When shall you see me write a thing in rhyme?<br/> | ||
Or groan for Joan? or spend a minute's time<br/> | Or groan for Joan? or spend a minute's time<br/> | ||
In pruning me? When shall you hear that I<br/> | In pruning me? When shall you hear that I<br/> | ||
Will praise a hand, a foot, a face, an eye,<br/> | Will praise a hand, a foot, a face, an eye,<br/> | ||
A gait, a state, a brow, a breast, a waist,<br/> | A gait, a state, a brow, a breast, a waist,<br/> | ||
A leg, a limb-<br/> | A leg, a limb-<br/> | ||
KING. Soft! whither away so fast?<br/> | KING. Soft! whither away so fast?<br/> | ||
A true man or a thief that gallops so?<br/> | A true man or a thief that gallops so?<br/> | ||
BEROWNE. I post from love; good lover, let me go.<br/> | BEROWNE. I post from love; good lover, let me go.<br/> | ||
</p> | </p> | ||
Line 1,571: | Line 3,034: | ||
<p> JAQUENETTA. God bless the King!<br/> | <p> JAQUENETTA. God bless the King!<br/> | ||
KING. What present hast thou there?<br/> | KING. What present hast thou there?<br/> | ||
COSTARD. Some certain treason.<br/> | COSTARD. Some certain treason.<br/> | ||
KING. What makes treason here?<br/> | KING. What makes treason here?<br/> | ||
COSTARD. Nay, it makes nothing, sir.<br/> | COSTARD. Nay, it makes nothing, sir.<br/> | ||
KING. If it mar nothing neither,<br/> | KING. If it mar nothing neither,<br/> | ||
The treason and you go in peace away together.<br/> | The treason and you go in peace away together.<br/> | ||
JAQUENETTA. I beseech your Grace, let this letter be read;<br/> | JAQUENETTA. I beseech your Grace, let this letter be read;<br/> | ||
Our person misdoubts it: 'twas treason, he said.<br/> | Our person misdoubts it: 'twas treason, he said.<br/> | ||
KING. Berowne, read it over. [BEROWNE reads the letter]<br/> | KING. Berowne, read it over. [BEROWNE reads the letter]<br/> | ||
Where hadst thou it?<br/> | Where hadst thou it?<br/> | ||
JAQUENETTA. Of Costard.<br/> | JAQUENETTA. Of Costard.<br/> | ||
KING. Where hadst thou it?<br/> | KING. Where hadst thou it?<br/> | ||
COSTARD. Of Dun Adramadio, Dun Adramadio.<br/> | COSTARD. Of Dun Adramadio, Dun Adramadio.<br/> | ||
[BEROWNE tears the letter]<br/> | [BEROWNE tears the letter]<br/> | ||
KING. How now! What is in you? Why dost thou tear it?<br/> | KING. How now! What is in you? Why dost thou tear it?<br/> | ||
BEROWNE. A toy, my liege, a toy! Your Grace needs not fear it.<br/> | BEROWNE. A toy, my liege, a toy! Your Grace needs not fear it.<br/> | ||
LONGAVILLE. It did move him to passion, and therefore let's hear<br/> | LONGAVILLE. It did move him to passion, and therefore let's hear<br/> | ||
it.<br/> | it.<br/> | ||
DUMAIN. It is Berowne's writing, and here is his name.<br/> | DUMAIN. It is Berowne's writing, and here is his name.<br/> | ||
[Gathering up the pieces]<br/> | [Gathering up the pieces]<br/> | ||
BEROWNE. [ To COSTARD] Ah, you whoreson loggerhead, you were born<br/> | BEROWNE. [ To COSTARD] Ah, you whoreson loggerhead, you were born<br/> | ||
to do me shame.<br/> | to do me shame.<br/> | ||
Guilty, my lord, guilty! I confess, I confess.<br/> | Guilty, my lord, guilty! I confess, I confess.<br/> | ||
KING. What?<br/> | KING. What?<br/> | ||
BEROWNE. That you three fools lack'd me fool to make up the mess;<br/> | BEROWNE. That you three fools lack'd me fool to make up the mess;<br/> | ||
He, he, and you- and you, my liege!- and I<br/> | He, he, and you- and you, my liege!- and I<br/> | ||
Are pick-purses in love, and we deserve to die.<br/> | Are pick-purses in love, and we deserve to die.<br/> | ||
O, dismiss this audience, and I shall tell you more.<br/> | O, dismiss this audience, and I shall tell you more.<br/> | ||
DUMAIN. Now the number is even.<br/> | DUMAIN. Now the number is even.<br/> | ||
BEROWNE. True, true, we are four.<br/> | BEROWNE. True, true, we are four.<br/> | ||
Will these turtles be gone?<br/> | Will these turtles be gone?<br/> | ||
KING. Hence, sirs, away.<br/> | KING. Hence, sirs, away.<br/> | ||
COSTARD. Walk aside the true folk, and let the traitors stay.<br/> | COSTARD. Walk aside the true folk, and let the traitors stay.<br/> | ||
Exeunt COSTARD and JAQUENETTA<br/> | Exeunt COSTARD and JAQUENETTA<br/> | ||
BEROWNE. Sweet lords, sweet lovers, O, let us embrace!<br/> | BEROWNE. Sweet lords, sweet lovers, O, let us embrace!<br/> | ||
As true we are as flesh and blood can be.<br/> | As true we are as flesh and blood can be.<br/> | ||
The sea will ebb and flow, heaven show his face;<br/> | The sea will ebb and flow, heaven show his face;<br/> | ||
Young blood doth not obey an old decree.<br/> | Young blood doth not obey an old decree.<br/> | ||
We cannot cross the cause why we were born,<br/> | We cannot cross the cause why we were born,<br/> | ||
Therefore of all hands must we be forsworn.<br/> | Therefore of all hands must we be forsworn.<br/> | ||
KING. What, did these rent lines show some love of thine?<br/> | KING. What, did these rent lines show some love of thine?<br/> | ||
BEROWNE. 'Did they?' quoth you. Who sees the heavenly Rosaline<br/> | BEROWNE. 'Did they?' quoth you. Who sees the heavenly Rosaline<br/> | ||
That, like a rude and savage man of Inde<br/> | That, like a rude and savage man of Inde<br/> | ||
At the first op'ning of the gorgeous east,<br/> | At the first op'ning of the gorgeous east,<br/> | ||
Bows not his vassal head and, strucken blind,<br/> | Bows not his vassal head and, strucken blind,<br/> | ||
Kisses the base ground with obedient breast?<br/> | Kisses the base ground with obedient breast?<br/> | ||
What peremptory eagle-sighted eye<br/> | What peremptory eagle-sighted eye<br/> | ||
Dares look upon the heaven of her brow<br/> | Dares look upon the heaven of her brow<br/> | ||
That is not blinded by her majesty?<br/> | That is not blinded by her majesty?<br/> | ||
KING. What zeal, what fury hath inspir'd thee now?<br/> | KING. What zeal, what fury hath inspir'd thee now?<br/> | ||
My love, her mistress, is a gracious moon;<br/> | My love, her mistress, is a gracious moon;<br/> | ||
She, an attending star, scarce seen a light.<br/> | She, an attending star, scarce seen a light.<br/> | ||
BEROWNE. My eyes are then no eyes, nor I Berowne.<br/> | BEROWNE. My eyes are then no eyes, nor I Berowne.<br/> | ||
O, but for my love, day would turn to night!<br/> | O, but for my love, day would turn to night!<br/> | ||
Of all complexions the cull'd sovereignty<br/> | Of all complexions the cull'd sovereignty<br/> | ||
Do meet, as at a fair, in her fair cheek,<br/> | Do meet, as at a fair, in her fair cheek,<br/> | ||
Where several worthies make one dignity,<br/> | Where several worthies make one dignity,<br/> | ||
Where nothing wants that want itself doth seek.<br/> | Where nothing wants that want itself doth seek.<br/> | ||
Lend me the flourish of all gentle tongues-<br/> | Lend me the flourish of all gentle tongues-<br/> | ||
Fie, painted rhetoric! O, she needs it not!<br/> | Fie, painted rhetoric! O, she needs it not!<br/> | ||
To things of sale a seller's praise belongs:<br/> | To things of sale a seller's praise belongs:<br/> | ||
She passes praise; then praise too short doth blot.<br/> | She passes praise; then praise too short doth blot.<br/> | ||
A wither'd hermit, five-score winters worn,<br/> | A wither'd hermit, five-score winters worn,<br/> | ||
Might shake off fifty, looking in her eye.<br/> | Might shake off fifty, looking in her eye.<br/> | ||
Beauty doth varnish age, as if new-born,<br/> | Beauty doth varnish age, as if new-born,<br/> | ||
And gives the crutch the cradle's infancy.<br/> | And gives the crutch the cradle's infancy.<br/> | ||
O, 'tis the sun that maketh all things shine!<br/> | O, 'tis the sun that maketh all things shine!<br/> | ||
KING. By heaven, thy love is black as ebony.<br/> | KING. By heaven, thy love is black as ebony.<br/> | ||
BEROWNE. Is ebony like her? O wood divine!<br/> | BEROWNE. Is ebony like her? O wood divine!<br/> | ||
A wife of such wood were felicity.<br/> | A wife of such wood were felicity.<br/> | ||
O, who can give an oath? Where is a book?<br/> | O, who can give an oath? Where is a book?<br/> | ||
That I may swear beauty doth beauty lack,<br/> | That I may swear beauty doth beauty lack,<br/> | ||
If that she learn not of her eye to look.<br/> | If that she learn not of her eye to look.<br/> | ||
No face is fair that is not full so black.<br/> | No face is fair that is not full so black.<br/> | ||
KING. O paradox! Black is the badge of hell,<br/> | KING. O paradox! Black is the badge of hell,<br/> | ||
The hue of dungeons, and the school of night;<br/> | The hue of dungeons, and the school of night;<br/> | ||
And beauty's crest becomes the heavens well.<br/> | And beauty's crest becomes the heavens well.<br/> | ||
BEROWNE. Devils soonest tempt, resembling spirits of light.<br/> | BEROWNE. Devils soonest tempt, resembling spirits of light.<br/> | ||
O, if in black my lady's brows be deckt,<br/> | O, if in black my lady's brows be deckt,<br/> | ||
It mourns that painting and usurping hair<br/> | It mourns that painting and usurping hair<br/> | ||
Should ravish doters with a false aspect;<br/> | Should ravish doters with a false aspect;<br/> | ||
And therefore is she born to make black fair.<br/> | And therefore is she born to make black fair.<br/> | ||
Her favour turns the fashion of the days;<br/> | Her favour turns the fashion of the days;<br/> | ||
For native blood is counted painting now;<br/> | For native blood is counted painting now;<br/> | ||
And therefore red that would avoid dispraise<br/> | And therefore red that would avoid dispraise<br/> | ||
Paints itself black, to imitate her brow.<br/> | Paints itself black, to imitate her brow.<br/> | ||
DUMAIN. To look like her are chimney-sweepers black.<br/> | DUMAIN. To look like her are chimney-sweepers black.<br/> | ||
LONGAVILLE. And since her time are colliers counted bright.<br/> | LONGAVILLE. And since her time are colliers counted bright.<br/> | ||
KING. And Ethiopes of their sweet complexion crack.<br/> | KING. And Ethiopes of their sweet complexion crack.<br/> | ||
DUMAIN. Dark needs no candles now, for dark is light.<br/> | DUMAIN. Dark needs no candles now, for dark is light.<br/> | ||
BEROWNE. Your mistresses dare never come in rain<br/> | BEROWNE. Your mistresses dare never come in rain<br/> | ||
For fear their colours should be wash'd away.<br/> | For fear their colours should be wash'd away.<br/> | ||
KING. 'Twere good yours did; for, sir, to tell you plain,<br/> | KING. 'Twere good yours did; for, sir, to tell you plain,<br/> | ||
I'll find a fairer face not wash'd to-day.<br/> | I'll find a fairer face not wash'd to-day.<br/> | ||
BEROWNE. I'll prove her fair, or talk till doomsday here.<br/> | BEROWNE. I'll prove her fair, or talk till doomsday here.<br/> | ||
KING. No devil will fright thee then so much as she.<br/> | KING. No devil will fright thee then so much as she.<br/> | ||
DUMAIN. I never knew man hold vile stuff so dear.<br/> | DUMAIN. I never knew man hold vile stuff so dear.<br/> | ||
LONGAVILLE. Look, here's thy love: my foot and her face see.<br/> | LONGAVILLE. Look, here's thy love: my foot and her face see.<br/> | ||
[Showing his shoe]<br/> | [Showing his shoe]<br/> | ||
BEROWNE. O, if the streets were paved with thine eyes,<br/> | BEROWNE. O, if the streets were paved with thine eyes,<br/> | ||
Her feet were much too dainty for such tread!<br/> | Her feet were much too dainty for such tread!<br/> | ||
DUMAIN. O vile! Then, as she goes, what upward lies<br/> | DUMAIN. O vile! Then, as she goes, what upward lies<br/> | ||
The street should see as she walk'd overhead.<br/> | The street should see as she walk'd overhead.<br/> | ||
KING. But what of this? Are we not all in love?<br/> | KING. But what of this? Are we not all in love?<br/> | ||
BEROWNE. Nothing so sure; and thereby all forsworn.<br/> | BEROWNE. Nothing so sure; and thereby all forsworn.<br/> | ||
KING. Then leave this chat; and, good Berowne, now prove<br/> | KING. Then leave this chat; and, good Berowne, now prove<br/> | ||
Our loving lawful, and our faith not torn.<br/> | Our loving lawful, and our faith not torn.<br/> | ||
DUMAIN. Ay, marry, there; some flattery for this evil.<br/> | DUMAIN. Ay, marry, there; some flattery for this evil.<br/> | ||
LONGAVILLE. O, some authority how to proceed;<br/> | LONGAVILLE. O, some authority how to proceed;<br/> | ||
Some tricks, some quillets, how to cheat the devil!<br/> | Some tricks, some quillets, how to cheat the devil!<br/> | ||
DUMAIN. Some salve for perjury.<br/> | DUMAIN. Some salve for perjury.<br/> | ||
BEROWNE. 'Tis more than need.<br/> | BEROWNE. 'Tis more than need.<br/> | ||
Have at you, then, affection's men-at-arms.<br/> | Have at you, then, affection's men-at-arms.<br/> | ||
Consider what you first did swear unto:<br/> | Consider what you first did swear unto:<br/> | ||
To fast, to study, and to see no woman-<br/> | To fast, to study, and to see no woman-<br/> | ||
Flat treason 'gainst the kingly state of youth.<br/> | Flat treason 'gainst the kingly state of youth.<br/> | ||
Say, can you fast? Your stomachs are too young,<br/> | Say, can you fast? Your stomachs are too young,<br/> | ||
And abstinence engenders maladies.<br/> | And abstinence engenders maladies.<br/> | ||
And, where that you you have vow'd to study, lords,<br/> | And, where that you you have vow'd to study, lords,<br/> | ||
In that each of you have forsworn his book,<br/> | In that each of you have forsworn his book,<br/> | ||
Can you still dream, and pore, and thereon look?<br/> | Can you still dream, and pore, and thereon look?<br/> | ||
For when would you, my lord, or you, or you,<br/> | For when would you, my lord, or you, or you,<br/> | ||
Have found the ground of study's excellence<br/> | Have found the ground of study's excellence<br/> | ||
Without the beauty of a woman's face?<br/> | Without the beauty of a woman's face?<br/> | ||
From women's eyes this doctrine I derive:<br/> | From women's eyes this doctrine I derive:<br/> | ||
They are the ground, the books, the academes,<br/> | They are the ground, the books, the academes,<br/> | ||
From whence doth spring the true Promethean fire.<br/> | From whence doth spring the true Promethean fire.<br/> | ||
Why, universal plodding poisons up<br/> | Why, universal plodding poisons up<br/> | ||
The nimble spirits in the arteries,<br/> | The nimble spirits in the arteries,<br/> | ||
As motion and long-during action tires<br/> | As motion and long-during action tires<br/> | ||
The sinewy vigour of the traveller.<br/> | The sinewy vigour of the traveller.<br/> | ||
Now, for not looking on a woman's face,<br/> | Now, for not looking on a woman's face,<br/> | ||
You have in that forsworn the use of eyes,<br/> | You have in that forsworn the use of eyes,<br/> | ||
And study too, the causer of your vow;<br/> | And study too, the causer of your vow;<br/> | ||
For where is author in the world<br/> | For where is author in the world<br/> | ||
Teaches such beauty as a woman's eye?<br/> | Teaches such beauty as a woman's eye?<br/> | ||
Learning is but an adjunct to ourself,<br/> | Learning is but an adjunct to ourself,<br/> | ||
And where we are our learning likewise is;<br/> | And where we are our learning likewise is;<br/> | ||
Then when ourselves we see in ladies' eyes,<br/> | Then when ourselves we see in ladies' eyes,<br/> | ||
With ourselves.<br/> | With ourselves.<br/> | ||
Do we not likewise see our learning there?<br/> | Do we not likewise see our learning there?<br/> | ||
O, we have made a vow to study, lords,<br/> | O, we have made a vow to study, lords,<br/> | ||
And in that vow we have forsworn our books.<br/> | And in that vow we have forsworn our books.<br/> | ||
For when would you, my liege, or you, or you,<br/> | For when would you, my liege, or you, or you,<br/> | ||
In leaden contemplation have found out<br/> | In leaden contemplation have found out<br/> | ||
Such fiery numbers as the prompting eyes<br/> | Such fiery numbers as the prompting eyes<br/> | ||
Of beauty's tutors have enrich'd you with?<br/> | Of beauty's tutors have enrich'd you with?<br/> | ||
Other slow arts entirely keep the brain;<br/> | Other slow arts entirely keep the brain;<br/> | ||
And therefore, finding barren practisers,<br/> | And therefore, finding barren practisers,<br/> | ||
Scarce show a harvest of their heavy toil;<br/> | Scarce show a harvest of their heavy toil;<br/> | ||
But love, first learned in a lady's eyes,<br/> | But love, first learned in a lady's eyes,<br/> | ||
Lives not alone immured in the brain,<br/> | Lives not alone immured in the brain,<br/> | ||
But with the motion of all elements<br/> | But with the motion of all elements<br/> | ||
Courses as swift as thought in every power,<br/> | Courses as swift as thought in every power,<br/> | ||
And gives to every power a double power,<br/> | And gives to every power a double power,<br/> | ||
Above their functions and their offices.<br/> | Above their functions and their offices.<br/> | ||
It adds a precious seeing to the eye:<br/> | It adds a precious seeing to the eye:<br/> | ||
A lover's eyes will gaze an eagle blind.<br/> | A lover's eyes will gaze an eagle blind.<br/> | ||
A lover's ear will hear the lowest sound,<br/> | A lover's ear will hear the lowest sound,<br/> | ||
When the suspicious head of theft is stopp'd.<br/> | When the suspicious head of theft is stopp'd.<br/> | ||
Love's feeling is more soft and sensible<br/> | Love's feeling is more soft and sensible<br/> | ||
Than are the tender horns of cockled snails:<br/> | Than are the tender horns of cockled snails:<br/> | ||
Love's tongue proves dainty Bacchus gross in taste.<br/> | Love's tongue proves dainty Bacchus gross in taste.<br/> | ||
For valour, is not Love a Hercules,<br/> | For valour, is not Love a Hercules,<br/> | ||
Still climbing trees in the Hesperides?<br/> | Still climbing trees in the Hesperides?<br/> | ||
Subtle as Sphinx; as sweet and musical<br/> | Subtle as Sphinx; as sweet and musical<br/> | ||
As bright Apollo's lute, strung with his hair.<br/> | As bright Apollo's lute, strung with his hair.<br/> | ||
And when Love speaks, the voice of all the gods<br/> | And when Love speaks, the voice of all the gods<br/> | ||
Make heaven drowsy with the harmony.<br/> | Make heaven drowsy with the harmony.<br/> | ||
Never durst poet touch a pen to write<br/> | Never durst poet touch a pen to write<br/> | ||
Until his ink were temp'red with Love's sighs;<br/> | Until his ink were temp'red with Love's sighs;<br/> | ||
O, then his lines would ravish savage ears,<br/> | O, then his lines would ravish savage ears,<br/> | ||
And plant in tyrants mild humility.<br/> | And plant in tyrants mild humility.<br/> | ||
From women's eyes this doctrine I derive.<br/> | From women's eyes this doctrine I derive.<br/> | ||
They sparkle still the right Promethean fire;<br/> | They sparkle still the right Promethean fire;<br/> | ||
They are the books, the arts, the academes,<br/> | They are the books, the arts, the academes,<br/> | ||
That show, contain, and nourish, all the world,<br/> | That show, contain, and nourish, all the world,<br/> | ||
Else none at all in aught proves excellent.<br/> | Else none at all in aught proves excellent.<br/> | ||
Then fools you were these women to forswear;<br/> | Then fools you were these women to forswear;<br/> | ||
Or, keeping what is sworn, you will prove fools.<br/> | Or, keeping what is sworn, you will prove fools.<br/> | ||
For wisdom's sake, a word that all men love;<br/> | For wisdom's sake, a word that all men love;<br/> | ||
Or for Love's sake, a word that loves all men;<br/> | Or for Love's sake, a word that loves all men;<br/> | ||
Or for men's sake, the authors of these women;<br/> | Or for men's sake, the authors of these women;<br/> | ||
Or women's sake, by whom we men are men-<br/> | Or women's sake, by whom we men are men-<br/> | ||
Let us once lose our oaths to find ourselves,<br/> | Let us once lose our oaths to find ourselves,<br/> | ||
Or else we lose ourselves to keep our oaths.<br/> | Or else we lose ourselves to keep our oaths.<br/> | ||
It is religion to be thus forsworn;<br/> | It is religion to be thus forsworn;<br/> | ||
For charity itself fulfils the law,<br/> | For charity itself fulfils the law,<br/> | ||
And who can sever love from charity?<br/> | And who can sever love from charity?<br/> | ||
KING. Saint Cupid, then! and, soldiers, to the field!<br/> | KING. Saint Cupid, then! and, soldiers, to the field!<br/> | ||
BEROWNE. Advance your standards, and upon them, lords;<br/> | BEROWNE. Advance your standards, and upon them, lords;<br/> | ||
Pell-mell, down with them! be first advis'd,<br/> | Pell-mell, down with them! be first advis'd,<br/> | ||
In conflict, that you get the sun of them.<br/> | In conflict, that you get the sun of them.<br/> | ||
LONGAVILLE. Now to plain-dealing; lay these glozes by.<br/> | LONGAVILLE. Now to plain-dealing; lay these glozes by.<br/> | ||
Shall we resolve to woo these girls of France?<br/> | Shall we resolve to woo these girls of France?<br/> | ||
KING. And win them too; therefore let us devise<br/> | KING. And win them too; therefore let us devise<br/> | ||
Some entertainment for them in their tents.<br/> | Some entertainment for them in their tents.<br/> | ||
BEROWNE. First, from the park let us conduct them thither;<br/> | BEROWNE. First, from the park let us conduct them thither;<br/> | ||
Then homeward every man attach the hand<br/> | Then homeward every man attach the hand<br/> | ||
Of his fair mistress. In the afternoon<br/> | Of his fair mistress. In the afternoon<br/> | ||
We will with some strange pastime solace them,<br/> | We will with some strange pastime solace them,<br/> | ||
Such as the shortness of the time can shape;<br/> | Such as the shortness of the time can shape;<br/> | ||
For revels, dances, masks, and merry hours,<br/> | For revels, dances, masks, and merry hours,<br/> | ||
Forerun fair Love, strewing her way with flowers.<br/> | Forerun fair Love, strewing her way with flowers.<br/> | ||
KING. Away, away! No time shall be omitted<br/> | KING. Away, away! No time shall be omitted<br/> | ||
That will betime, and may by us be fitted.<br/> | That will betime, and may by us be fitted.<br/> | ||
BEROWNE. Allons! allons! Sow'd cockle reap'd no corn,<br/> | BEROWNE. Allons! allons! Sow'd cockle reap'd no corn,<br/> | ||
And justice always whirls in equal measure.<br/> | And justice always whirls in equal measure.<br/> | ||
Light wenches may prove plagues to men forsworn;<br/> | Light wenches may prove plagues to men forsworn;<br/> | ||
If so, our copper buys no better treasure. Exeunt<br/> | If so, our copper buys no better treasure. Exeunt<br/> | ||
</p> | </p> | ||
<h4>ACT V. SCENE I. | <h4>ACT V. SCENE I. | ||
The park</h4> | The park</h4> | ||
Line 1,789: | Line 3,464: | ||
<p> HOLOFERNES. Satis quod sufficit.<br/> | <p> HOLOFERNES. Satis quod sufficit.<br/> | ||
NATHANIEL. I praise God for you, sir. Your reasons at dinner have<br/> | NATHANIEL. I praise God for you, sir. Your reasons at dinner have<br/> | ||
been sharp and sententious; pleasant without scurrility, witty<br/> | been sharp and sententious; pleasant without scurrility, witty<br/> | ||
without affection, audacious without impudency, learned without<br/> | without affection, audacious without impudency, learned without<br/> | ||
opinion, and strange without heresy. I did converse this quondam<br/> | opinion, and strange without heresy. I did converse this quondam<br/> | ||
day with a companion of the King's who is intituled, nominated,<br/> | day with a companion of the King's who is intituled, nominated,<br/> | ||
or called, Don Adriano de Armado.<br/> | or called, Don Adriano de Armado.<br/> | ||
HOLOFERNES. Novi hominem tanquam te. His humour is lofty, his<br/> | HOLOFERNES. Novi hominem tanquam te. His humour is lofty, his<br/> | ||
discourse peremptory, his tongue filed, his eye ambitious, his<br/> | discourse peremptory, his tongue filed, his eye ambitious, his<br/> | ||
gait majestical and his general behaviour vain, ridiculous, and<br/> | gait majestical and his general behaviour vain, ridiculous, and<br/> | ||
thrasonical. He is too picked, too spruce, too affected, too odd,<br/> | thrasonical. He is too picked, too spruce, too affected, too odd,<br/> | ||
as it were, too peregrinate, as I may call it.<br/> | as it were, too peregrinate, as I may call it.<br/> | ||
NATHANIEL. A most singular and choice epithet.<br/> | NATHANIEL. A most singular and choice epithet.<br/> | ||
[Draws out his table-book]<br/> | [Draws out his table-book]<br/> | ||
HOLOFERNES. He draweth out the thread of his verbosity finer than<br/> | HOLOFERNES. He draweth out the thread of his verbosity finer than<br/> | ||
the staple of his argument. I abhor such fanatical phantasimes,<br/> | the staple of his argument. I abhor such fanatical phantasimes,<br/> | ||
such insociable and point-devise companions; such rackers of<br/> | such insociable and point-devise companions; such rackers of<br/> | ||
orthography, as to speak 'dout' fine, when he should say 'doubt';<br/> | orthography, as to speak 'dout' fine, when he should say 'doubt';<br/> | ||
'det' when he should pronounce 'debt'- d, e, b, t, not d, e, t.<br/> | 'det' when he should pronounce 'debt'- d, e, b, t, not d, e, t.<br/> | ||
He clepeth a calf 'cauf,' half 'hauf'; neighbour vocatur<br/> | He clepeth a calf 'cauf,' half 'hauf'; neighbour vocatur<br/> | ||
'nebour'; 'neigh' abbreviated 'ne.' This is abhominable- which he<br/> | 'nebour'; 'neigh' abbreviated 'ne.' This is abhominable- which he<br/> | ||
would call 'abbominable.' It insinuateth me of insanie: ne<br/> | would call 'abbominable.' It insinuateth me of insanie: ne<br/> | ||
intelligis, domine? to make frantic, lunatic.<br/> | intelligis, domine? to make frantic, lunatic.<br/> | ||
NATHANIEL. Laus Deo, bone intelligo.<br/> | NATHANIEL. Laus Deo, bone intelligo.<br/> | ||
HOLOFERNES. 'Bone'?- 'bone' for 'bene.' Priscian a little<br/> | HOLOFERNES. 'Bone'?- 'bone' for 'bene.' Priscian a little<br/> | ||
scratch'd; 'twill serve.<br/> | scratch'd; 'twill serve.<br/> | ||
</p> | </p> | ||
Line 1,819: | Line 3,520: | ||
<p> NATHANIEL. Videsne quis venit?<br/> | <p> NATHANIEL. Videsne quis venit?<br/> | ||
HOLOFERNES. Video, et gaudeo.<br/> | HOLOFERNES. Video, et gaudeo.<br/> | ||
ARMADO. [To MOTH] Chirrah!<br/> | ARMADO. [To MOTH] Chirrah!<br/> | ||
HOLOFERNES. Quare 'chirrah,' not 'sirrah'?<br/> | HOLOFERNES. Quare 'chirrah,' not 'sirrah'?<br/> | ||
ARMADO. Men of peace, well encount'red.<br/> | ARMADO. Men of peace, well encount'red.<br/> | ||
HOLOFERNES. Most military sir, salutation.<br/> | HOLOFERNES. Most military sir, salutation.<br/> | ||
MOTH. [Aside to COSTARD] They have been at a great feast of<br/> | MOTH. [Aside to COSTARD] They have been at a great feast of<br/> | ||
languages and stol'n the scraps.<br/> | languages and stol'n the scraps.<br/> | ||
COSTARD. O, they have liv'd long on the alms-basket of words. I<br/> | COSTARD. O, they have liv'd long on the alms-basket of words. I<br/> | ||
marvel thy master hath not eaten thee for a word, for thou are<br/> | marvel thy master hath not eaten thee for a word, for thou are<br/> | ||
not so long by the head as honorificabilitudinitatibus; thou art<br/> | not so long by the head as honorificabilitudinitatibus; thou art<br/> | ||
easier swallowed than a flap-dragon.<br/> | easier swallowed than a flap-dragon.<br/> | ||
MOTH. Peace! the peal begins.<br/> | MOTH. Peace! the peal begins.<br/> | ||
ARMADO. [To HOLOFERNES] Monsieur, are you not lett'red?<br/> | ARMADO. [To HOLOFERNES] Monsieur, are you not lett'red?<br/> | ||
MOTH. Yes, yes; he teaches boys the hornbook. What is a, b, spelt<br/> | MOTH. Yes, yes; he teaches boys the hornbook. What is a, b, spelt<br/> | ||
backward with the horn on his head?<br/> | backward with the horn on his head?<br/> | ||
HOLOFERNES. Ba, pueritia, with a horn added.<br/> | HOLOFERNES. Ba, pueritia, with a horn added.<br/> | ||
MOTH. Ba, most silly sheep with a horn. You hear his learning.<br/> | MOTH. Ba, most silly sheep with a horn. You hear his learning.<br/> | ||
HOLOFERNES. Quis, quis, thou consonant?<br/> | HOLOFERNES. Quis, quis, thou consonant?<br/> | ||
MOTH. The third of the five vowels, if You repeat them; or the<br/> | MOTH. The third of the five vowels, if You repeat them; or the<br/> | ||
fifth, if I.<br/> | fifth, if I.<br/> | ||
HOLOFERNES. I will repeat them: a, e, I-<br/> | HOLOFERNES. I will repeat them: a, e, I-<br/> | ||
MOTH. The sheep; the other two concludes it: o, U.<br/> | MOTH. The sheep; the other two concludes it: o, U.<br/> | ||
ARMADO. Now, by the salt wave of the Mediterraneum, a sweet touch,<br/> | ARMADO. Now, by the salt wave of the Mediterraneum, a sweet touch,<br/> | ||
a quick venue of wit- snip, snap, quick and home. It rejoiceth my<br/> | a quick venue of wit- snip, snap, quick and home. It rejoiceth my<br/> | ||
intellect. True wit!<br/> | intellect. True wit!<br/> | ||
MOTH. Offer'd by a child to an old man; which is wit-old.<br/> | MOTH. Offer'd by a child to an old man; which is wit-old.<br/> | ||
HOLOFERNES. What is the figure? What is the figure?<br/> | HOLOFERNES. What is the figure? What is the figure?<br/> | ||
MOTH. Horns.<br/> | MOTH. Horns.<br/> | ||
HOLOFERNES. Thou disputes like an infant; go whip thy gig.<br/> | HOLOFERNES. Thou disputes like an infant; go whip thy gig.<br/> | ||
MOTH. Lend me your horn to make one, and I will whip about your<br/> | MOTH. Lend me your horn to make one, and I will whip about your<br/> | ||
infamy circum circa- a gig of a cuckold's horn.<br/> | infamy circum circa- a gig of a cuckold's horn.<br/> | ||
COSTARD. An I had but one penny in the world, thou shouldst have it<br/> | COSTARD. An I had but one penny in the world, thou shouldst have it<br/> | ||
to buy ginger-bread. Hold, there is the very remuneration I had<br/> | to buy ginger-bread. Hold, there is the very remuneration I had<br/> | ||
of thy master, thou halfpenny purse of wit, thou pigeon-egg of<br/> | of thy master, thou halfpenny purse of wit, thou pigeon-egg of<br/> | ||
discretion. O, an the heavens were so pleased that thou wert but<br/> | discretion. O, an the heavens were so pleased that thou wert but<br/> | ||
my bastard, what a joyful father wouldst thou make me! Go to;<br/> | my bastard, what a joyful father wouldst thou make me! Go to;<br/> | ||
thou hast it ad dunghill, at the fingers' ends, as they say.<br/> | thou hast it ad dunghill, at the fingers' ends, as they say.<br/> | ||
HOLOFERNES. O, I smell false Latin; 'dunghill' for unguem.<br/> | HOLOFERNES. O, I smell false Latin; 'dunghill' for unguem.<br/> | ||
ARMADO. Arts-man, preambulate; we will be singuled from the<br/> | ARMADO. Arts-man, preambulate; we will be singuled from the<br/> | ||
barbarous. Do you not educate youth at the charge-house on the<br/> | barbarous. Do you not educate youth at the charge-house on the<br/> | ||
top of the mountain?<br/> | top of the mountain?<br/> | ||
HOLOFERNES. Or mons, the hill.<br/> | HOLOFERNES. Or mons, the hill.<br/> | ||
ARMADO. At your sweet pleasure, for the mountain.<br/> | ARMADO. At your sweet pleasure, for the mountain.<br/> | ||
HOLOFERNES. I do, sans question.<br/> | HOLOFERNES. I do, sans question.<br/> | ||
ARMADO. Sir, it is the King's most sweet pleasure and affection to<br/> | ARMADO. Sir, it is the King's most sweet pleasure and affection to<br/> | ||
congratulate the Princess at her pavilion, in the posteriors of<br/> | congratulate the Princess at her pavilion, in the posteriors of<br/> | ||
this day; which the rude multitude call the afternoon.<br/> | this day; which the rude multitude call the afternoon.<br/> | ||
HOLOFERNES. The posterior of the day, most generous sir, is liable,<br/> | HOLOFERNES. The posterior of the day, most generous sir, is liable,<br/> | ||
congruent, and measurable, for the afternoon. The word is well<br/> | congruent, and measurable, for the afternoon. The word is well<br/> | ||
cull'd, chose, sweet, and apt, I do assure you, sir, I do assure.<br/> | cull'd, chose, sweet, and apt, I do assure you, sir, I do assure.<br/> | ||
ARMADO. Sir, the King is a noble gentleman, and my familiar, I do<br/> | ARMADO. Sir, the King is a noble gentleman, and my familiar, I do<br/> | ||
assure ye, very good friend. For what is inward between us, let<br/> | assure ye, very good friend. For what is inward between us, let<br/> | ||
it pass. I do beseech thee, remember thy courtesy. I beseech<br/> | it pass. I do beseech thee, remember thy courtesy. I beseech<br/> | ||
thee, apparel thy head. And among other importunate and most<br/> | thee, apparel thy head. And among other importunate and most<br/> | ||
serious designs, and of great import indeed, too- but let that<br/> | serious designs, and of great import indeed, too- but let that<br/> | ||
pass; for I must tell thee it will please his Grace, by the<br/> | pass; for I must tell thee it will please his Grace, by the<br/> | ||
world, sometime to lean upon my poor shoulder, and with his royal<br/> | world, sometime to lean upon my poor shoulder, and with his royal<br/> | ||
finger thus dally with my excrement, with my mustachio; but,<br/> | finger thus dally with my excrement, with my mustachio; but,<br/> | ||
sweet heart, let that pass. By the world, I recount no fable:<br/> | sweet heart, let that pass. By the world, I recount no fable:<br/> | ||
some certain special honours it pleaseth his greatness to impart<br/> | some certain special honours it pleaseth his greatness to impart<br/> | ||
to Armado, a soldier, a man of travel, that hath seen the world;<br/> | to Armado, a soldier, a man of travel, that hath seen the world;<br/> | ||
but let that pass. The very all of all is- but, sweet heart, I do<br/> | but let that pass. The very all of all is- but, sweet heart, I do<br/> | ||
implore secrecy- that the King would have me present the<br/> | implore secrecy- that the King would have me present the<br/> | ||
Princess, sweet chuck, with some delightful ostentation, or show,<br/> | Princess, sweet chuck, with some delightful ostentation, or show,<br/> | ||
or pageant, or antic, or firework. Now, understanding that the<br/> | or pageant, or antic, or firework. Now, understanding that the<br/> | ||
curate and your sweet self are good at such eruptions and sudden<br/> | curate and your sweet self are good at such eruptions and sudden<br/> | ||
breaking-out of mirth, as it were, I have acquainted you withal,<br/> | breaking-out of mirth, as it were, I have acquainted you withal,<br/> | ||
to the end to crave your assistance.<br/> | to the end to crave your assistance.<br/> | ||
HOLOFERNES. Sir, you shall present before her the Nine Worthies.<br/> | HOLOFERNES. Sir, you shall present before her the Nine Worthies.<br/> | ||
Sir Nathaniel, as concerning some entertainment of time, some<br/> | Sir Nathaniel, as concerning some entertainment of time, some<br/> | ||
show in the posterior of this day, to be rend'red by our<br/> | show in the posterior of this day, to be rend'red by our<br/> | ||
assistance, the King's command, and this most gallant,<br/> | assistance, the King's command, and this most gallant,<br/> | ||
illustrate, and learned gentleman, before the Princess- I say<br/> | illustrate, and learned gentleman, before the Princess- I say<br/> | ||
none so fit as to present the Nine Worthies.<br/> | none so fit as to present the Nine Worthies.<br/> | ||
NATHANIEL. Where will you find men worthy enough to present them?<br/> | NATHANIEL. Where will you find men worthy enough to present them?<br/> | ||
HOLOFERNES. Joshua, yourself; myself, Alexander; this gallant<br/> | HOLOFERNES. Joshua, yourself; myself, Alexander; this gallant<br/> | ||
gentleman, Judas Maccabaeus; this swain, because of his great<br/> | gentleman, Judas Maccabaeus; this swain, because of his great<br/> | ||
limb or joint, shall pass Pompey the Great; the page, Hercules.<br/> | limb or joint, shall pass Pompey the Great; the page, Hercules.<br/> | ||
ARMADO. Pardon, sir; error: he is not quantity enough for that<br/> | ARMADO. Pardon, sir; error: he is not quantity enough for that<br/> | ||
Worthy's thumb; he is not so big as the end of his club.<br/> | Worthy's thumb; he is not so big as the end of his club.<br/> | ||
HOLOFERNES. Shall I have audience? He shall present Hercules in<br/> | HOLOFERNES. Shall I have audience? He shall present Hercules in<br/> | ||
minority: his enter and exit shall be strangling a snake; and I<br/> | minority: his enter and exit shall be strangling a snake; and I<br/> | ||
will have an apology for that purpose.<br/> | will have an apology for that purpose.<br/> | ||
MOTH. An excellent device! So, if any of the audience hiss, you may<br/> | MOTH. An excellent device! So, if any of the audience hiss, you may<br/> | ||
cry 'Well done, Hercules; now thou crushest the snake!' That is<br/> | cry 'Well done, Hercules; now thou crushest the snake!' That is<br/> | ||
the way to make an offence gracious, though few have the grace to<br/> | the way to make an offence gracious, though few have the grace to<br/> | ||
do it.<br/> | do it.<br/> | ||
ARMADO. For the rest of the Worthies?<br/> | ARMADO. For the rest of the Worthies?<br/> | ||
HOLOFERNES. I will play three myself.<br/> | HOLOFERNES. I will play three myself.<br/> | ||
MOTH. Thrice-worthy gentleman!<br/> | MOTH. Thrice-worthy gentleman!<br/> | ||
ARMADO. Shall I tell you a thing?<br/> | ARMADO. Shall I tell you a thing?<br/> | ||
HOLOFERNES. We attend.<br/> | HOLOFERNES. We attend.<br/> | ||
ARMADO. We will have, if this fadge not, an antic. I beseech you,<br/> | ARMADO. We will have, if this fadge not, an antic. I beseech you,<br/> | ||
follow.<br/> | follow.<br/> | ||
HOLOFERNES. Via, goodman Dull! Thou has spoken no word all this<br/> | HOLOFERNES. Via, goodman Dull! Thou has spoken no word all this<br/> | ||
while.<br/> | while.<br/> | ||
DULL. Nor understood none neither, sir.<br/> | DULL. Nor understood none neither, sir.<br/> | ||
HOLOFERNES. Allons! we will employ thee.<br/> | HOLOFERNES. Allons! we will employ thee.<br/> | ||
DULL. I'll make one in a dance, or so, or I will play<br/> | DULL. I'll make one in a dance, or so, or I will play<br/> | ||
On the tabor to the Worthies, and let them dance the hay.<br/> | On the tabor to the Worthies, and let them dance the hay.<br/> | ||
HOLOFERNES. Most dull, honest Dull! To our sport, away.<br/> | HOLOFERNES. Most dull, honest Dull! To our sport, away.<br/> | ||
Exeunt<br/> | Exeunt<br/> | ||
</p> | </p> | ||
<h4>SCENE II. | <h4>SCENE II. | ||
The park</h4> | The park</h4> | ||
Line 1,929: | Line 3,734: | ||
<p> PRINCESS OF FRANCE. Sweet hearts, we shall be rich ere we depart,<br/> | <p> PRINCESS OF FRANCE. Sweet hearts, we shall be rich ere we depart,<br/> | ||
If fairings come thus plentifully in.<br/> | If fairings come thus plentifully in.<br/> | ||
A lady wall'd about with diamonds!<br/> | A lady wall'd about with diamonds!<br/> | ||
Look you what I have from the loving King.<br/> | Look you what I have from the loving King.<br/> | ||
ROSALINE. Madam, came nothing else along with that?<br/> | ROSALINE. Madam, came nothing else along with that?<br/> | ||
PRINCESS OF FRANCE. Nothing but this! Yes, as much love in rhyme<br/> | PRINCESS OF FRANCE. Nothing but this! Yes, as much love in rhyme<br/> | ||
As would be cramm'd up in a sheet of paper<br/> | As would be cramm'd up in a sheet of paper<br/> | ||
Writ o' both sides the leaf, margent and all,<br/> | Writ o' both sides the leaf, margent and all,<br/> | ||
That he was fain to seal on Cupid's name.<br/> | That he was fain to seal on Cupid's name.<br/> | ||
ROSALINE. That was the way to make his godhead wax;<br/> | ROSALINE. That was the way to make his godhead wax;<br/> | ||
For he hath been five thousand year a boy.<br/> | For he hath been five thousand year a boy.<br/> | ||
KATHARINE. Ay, and a shrewd unhappy gallows too.<br/> | KATHARINE. Ay, and a shrewd unhappy gallows too.<br/> | ||
ROSALINE. You'll ne'er be friends with him: 'a kill'd your sister.<br/> | ROSALINE. You'll ne'er be friends with him: 'a kill'd your sister.<br/> | ||
KATHARINE. He made her melancholy, sad, and heavy;<br/> | KATHARINE. He made her melancholy, sad, and heavy;<br/> | ||
And so she died. Had she been light, like you,<br/> | And so she died. Had she been light, like you,<br/> | ||
Of such a merry, nimble, stirring spirit,<br/> | Of such a merry, nimble, stirring spirit,<br/> | ||
She might 'a been a grandam ere she died.<br/> | She might 'a been a grandam ere she died.<br/> | ||
And so may you; for a light heart lives long.<br/> | And so may you; for a light heart lives long.<br/> | ||
ROSALINE. What's your dark meaning, mouse, of this light word?<br/> | ROSALINE. What's your dark meaning, mouse, of this light word?<br/> | ||
KATHARINE. A light condition in a beauty dark.<br/> | KATHARINE. A light condition in a beauty dark.<br/> | ||
ROSALINE. We need more light to find your meaning out.<br/> | ROSALINE. We need more light to find your meaning out.<br/> | ||
KATHARINE. You'll mar the light by taking it in snuff;<br/> | KATHARINE. You'll mar the light by taking it in snuff;<br/> | ||
Therefore I'll darkly end the argument.<br/> | Therefore I'll darkly end the argument.<br/> | ||
ROSALINE. Look what you do, you do it still i' th' dark.<br/> | ROSALINE. Look what you do, you do it still i' th' dark.<br/> | ||
KATHARINE. So do not you; for you are a light wench.<br/> | KATHARINE. So do not you; for you are a light wench.<br/> | ||
ROSALINE. Indeed, I weigh not you; and therefore light.<br/> | ROSALINE. Indeed, I weigh not you; and therefore light.<br/> | ||
KATHARINE. You weigh me not? O, that's you care not for me.<br/> | KATHARINE. You weigh me not? O, that's you care not for me.<br/> | ||
ROSALINE. Great reason; for 'past cure is still past care.'<br/> | ROSALINE. Great reason; for 'past cure is still past care.'<br/> | ||
PRINCESS OF FRANCE. Well bandied both; a set of wit well play'd.<br/> | PRINCESS OF FRANCE. Well bandied both; a set of wit well play'd.<br/> | ||
But, Rosaline, you have a favour too?<br/> | But, Rosaline, you have a favour too?<br/> | ||
Who sent it? and what is it?<br/> | Who sent it? and what is it?<br/> | ||
ROSALINE. I would you knew.<br/> | ROSALINE. I would you knew.<br/> | ||
An if my face were but as fair as yours,<br/> | An if my face were but as fair as yours,<br/> | ||
My favour were as great: be witness this.<br/> | My favour were as great: be witness this.<br/> | ||
Nay, I have verses too, I thank Berowne;<br/> | Nay, I have verses too, I thank Berowne;<br/> | ||
The numbers true, and, were the numb'ring too,<br/> | The numbers true, and, were the numb'ring too,<br/> | ||
I were the fairest goddess on the ground.<br/> | I were the fairest goddess on the ground.<br/> | ||
I am compar'd to twenty thousand fairs.<br/> | I am compar'd to twenty thousand fairs.<br/> | ||
O, he hath drawn my picture in his letter!<br/> | O, he hath drawn my picture in his letter!<br/> | ||
PRINCESS OF FRANCE. Anything like?<br/> | PRINCESS OF FRANCE. Anything like?<br/> | ||
ROSALINE. Much in the letters; nothing in the praise.<br/> | ROSALINE. Much in the letters; nothing in the praise.<br/> | ||
PRINCESS OF FRANCE. Beauteous as ink- a good conclusion.<br/> | PRINCESS OF FRANCE. Beauteous as ink- a good conclusion.<br/> | ||
KATHARINE. Fair as a text B in a copy-book.<br/> | KATHARINE. Fair as a text B in a copy-book.<br/> | ||
ROSALINE. Ware pencils, ho! Let me not die your debtor,<br/> | ROSALINE. Ware pencils, ho! Let me not die your debtor,<br/> | ||
My red dominical, my golden letter:<br/> | My red dominical, my golden letter:<br/> | ||
O that your face were not so full of O's!<br/> | O that your face were not so full of O's!<br/> | ||
KATHARINE. A pox of that jest! and I beshrew all shrows!<br/> | KATHARINE. A pox of that jest! and I beshrew all shrows!<br/> | ||
PRINCESS OF FRANCE. But, Katharine, what was sent to you from fair<br/> | PRINCESS OF FRANCE. But, Katharine, what was sent to you from fair<br/> | ||
Dumain?<br/> | Dumain?<br/> | ||
KATHARINE. Madam, this glove.<br/> | KATHARINE. Madam, this glove.<br/> | ||
PRINCESS OF FRANCE. Did he not send you twain?<br/> | PRINCESS OF FRANCE. Did he not send you twain?<br/> | ||
KATHARINE. Yes, madam; and, moreover,<br/> | KATHARINE. Yes, madam; and, moreover,<br/> | ||
Some thousand verses of a faithful lover;<br/> | Some thousand verses of a faithful lover;<br/> | ||
A huge translation of hypocrisy,<br/> | A huge translation of hypocrisy,<br/> | ||
Vilely compil'd, profound simplicity.<br/> | Vilely compil'd, profound simplicity.<br/> | ||
MARIA. This, and these pearl, to me sent Longaville;<br/> | MARIA. This, and these pearl, to me sent Longaville;<br/> | ||
The letter is too long by half a mile.<br/> | The letter is too long by half a mile.<br/> | ||
PRINCESS OF FRANCE. I think no less. Dost thou not wish in heart<br/> | PRINCESS OF FRANCE. I think no less. Dost thou not wish in heart<br/> | ||
The chain were longer and the letter short?<br/> | The chain were longer and the letter short?<br/> | ||
MARIA. Ay, or I would these hands might never part.<br/> | MARIA. Ay, or I would these hands might never part.<br/> | ||
PRINCESS OF FRANCE. We are wise girls to mock our lovers so.<br/> | PRINCESS OF FRANCE. We are wise girls to mock our lovers so.<br/> | ||
ROSALINE. They are worse fools to purchase mocking so.<br/> | ROSALINE. They are worse fools to purchase mocking so.<br/> | ||
That same Berowne I'll torture ere I go.<br/> | That same Berowne I'll torture ere I go.<br/> | ||
O that I knew he were but in by th' week!<br/> | O that I knew he were but in by th' week!<br/> | ||
How I would make him fawn, and beg, and seek,<br/> | How I would make him fawn, and beg, and seek,<br/> | ||
And wait the season, and observe the times,<br/> | And wait the season, and observe the times,<br/> | ||
And spend his prodigal wits in bootless rhymes,<br/> | And spend his prodigal wits in bootless rhymes,<br/> | ||
And shape his service wholly to my hests,<br/> | And shape his service wholly to my hests,<br/> | ||
And make him proud to make me proud that jests!<br/> | And make him proud to make me proud that jests!<br/> | ||
So pertaunt-like would I o'ersway his state<br/> | So pertaunt-like would I o'ersway his state<br/> | ||
That he should be my fool, and I his fate.<br/> | That he should be my fool, and I his fate.<br/> | ||
PRINCESS OF FRANCE. None are so surely caught, when they are<br/> | PRINCESS OF FRANCE. None are so surely caught, when they are<br/> | ||
catch'd,<br/> | catch'd,<br/> | ||
As wit turn'd fool; folly, in wisdom hatch'd,<br/> | As wit turn'd fool; folly, in wisdom hatch'd,<br/> | ||
Hath wisdom's warrant and the help of school,<br/> | Hath wisdom's warrant and the help of school,<br/> | ||
And wit's own grace to grace a learned fool.<br/> | And wit's own grace to grace a learned fool.<br/> | ||
ROSALINE. The blood of youth burns not with such excess<br/> | ROSALINE. The blood of youth burns not with such excess<br/> | ||
As gravity's revolt to wantonness.<br/> | As gravity's revolt to wantonness.<br/> | ||
MARIA. Folly in fools bears not so strong a note<br/> | MARIA. Folly in fools bears not so strong a note<br/> | ||
As fool'ry in the wise when wit doth dote,<br/> | As fool'ry in the wise when wit doth dote,<br/> | ||
Since all the power thereof it doth apply<br/> | Since all the power thereof it doth apply<br/> | ||
To prove, by wit, worth in simplicity.<br/> | To prove, by wit, worth in simplicity.<br/> | ||
</p> | </p> | ||
Line 2,015: | Line 3,902: | ||
<p> PRINCESS OF FRANCE. Here comes Boyet, and mirth is in his face.<br/> | <p> PRINCESS OF FRANCE. Here comes Boyet, and mirth is in his face.<br/> | ||
BOYET. O, I am stabb'd with laughter! Where's her Grace?<br/> | BOYET. O, I am stabb'd with laughter! Where's her Grace?<br/> | ||
PRINCESS OF FRANCE. Thy news, Boyet?<br/> | PRINCESS OF FRANCE. Thy news, Boyet?<br/> | ||
BOYET. Prepare, madam, prepare!<br/> | BOYET. Prepare, madam, prepare!<br/> | ||
Arm, wenches, arm! Encounters mounted are<br/> | Arm, wenches, arm! Encounters mounted are<br/> | ||
Against your peace. Love doth approach disguis'd,<br/> | Against your peace. Love doth approach disguis'd,<br/> | ||
Armed in arguments; you'll be surpris'd.<br/> | Armed in arguments; you'll be surpris'd.<br/> | ||
Muster your wits; stand in your own defence;<br/> | Muster your wits; stand in your own defence;<br/> | ||
Or hide your heads like cowards, and fly hence.<br/> | Or hide your heads like cowards, and fly hence.<br/> | ||
PRINCESS OF FRANCE. Saint Dennis to Saint Cupid! What are they<br/> | PRINCESS OF FRANCE. Saint Dennis to Saint Cupid! What are they<br/> | ||
That charge their breath against us? Say, scout, say.<br/> | That charge their breath against us? Say, scout, say.<br/> | ||
BOYET. Under the cool shade of a sycamore<br/> | BOYET. Under the cool shade of a sycamore<br/> | ||
I thought to close mine eyes some half an hour;<br/> | I thought to close mine eyes some half an hour;<br/> | ||
When, lo, to interrupt my purpos'd rest,<br/> | When, lo, to interrupt my purpos'd rest,<br/> | ||
Toward that shade I might behold addrest<br/> | Toward that shade I might behold addrest<br/> | ||
The King and his companions; warily<br/> | The King and his companions; warily<br/> | ||
I stole into a neighbour thicket by,<br/> | I stole into a neighbour thicket by,<br/> | ||
And overheard what you shall overhear-<br/> | And overheard what you shall overhear-<br/> | ||
That, by and by, disguis'd they will be here.<br/> | That, by and by, disguis'd they will be here.<br/> | ||
Their herald is a pretty knavish page,<br/> | Their herald is a pretty knavish page,<br/> | ||
That well by heart hath conn'd his embassage.<br/> | That well by heart hath conn'd his embassage.<br/> | ||
Action and accent did they teach him there:<br/> | Action and accent did they teach him there:<br/> | ||
'Thus must thou speak' and 'thus thy body bear,'<br/> | 'Thus must thou speak' and 'thus thy body bear,'<br/> | ||
And ever and anon they made a doubt<br/> | And ever and anon they made a doubt<br/> | ||
Presence majestical would put him out;<br/> | Presence majestical would put him out;<br/> | ||
'For' quoth the King 'an angel shalt thou see;<br/> | 'For' quoth the King 'an angel shalt thou see;<br/> | ||
Yet fear not thou, but speak audaciously.'<br/> | Yet fear not thou, but speak audaciously.'<br/> | ||
The boy replied 'An angel is not evil;<br/> | The boy replied 'An angel is not evil;<br/> | ||
I should have fear'd her had she been a devil.'<br/> | I should have fear'd her had she been a devil.'<br/> | ||
With that all laugh'd, and clapp'd him on the shoulder,<br/> | With that all laugh'd, and clapp'd him on the shoulder,<br/> | ||
Making the bold wag by their praises bolder.<br/> | Making the bold wag by their praises bolder.<br/> | ||
One rubb'd his elbow, thus, and fleer'd, and swore<br/> | One rubb'd his elbow, thus, and fleer'd, and swore<br/> | ||
A better speech was never spoke before.<br/> | A better speech was never spoke before.<br/> | ||
Another with his finger and his thumb<br/> | Another with his finger and his thumb<br/> | ||
Cried 'Via! we will do't, come what will come.'<br/> | Cried 'Via! we will do't, come what will come.'<br/> | ||
The third he caper'd, and cried 'All goes well.'<br/> | The third he caper'd, and cried 'All goes well.'<br/> | ||
The fourth turn'd on the toe, and down he fell.<br/> | The fourth turn'd on the toe, and down he fell.<br/> | ||
With that they all did tumble on the ground,<br/> | With that they all did tumble on the ground,<br/> | ||
With such a zealous laughter, so profound,<br/> | With such a zealous laughter, so profound,<br/> | ||
That in this spleen ridiculous appears,<br/> | That in this spleen ridiculous appears,<br/> | ||
To check their folly, passion's solemn tears.<br/> | To check their folly, passion's solemn tears.<br/> | ||
PRINCESS OF FRANCE. But what, but what, come they to visit us?<br/> | PRINCESS OF FRANCE. But what, but what, come they to visit us?<br/> | ||
BOYET. They do, they do, and are apparell'd thus,<br/> | BOYET. They do, they do, and are apparell'd thus,<br/> | ||
Like Muscovites or Russians, as I guess.<br/> | Like Muscovites or Russians, as I guess.<br/> | ||
Their purpose is to parley, court, and dance;<br/> | Their purpose is to parley, court, and dance;<br/> | ||
And every one his love-feat will advance<br/> | And every one his love-feat will advance<br/> | ||
Unto his several mistress; which they'll know<br/> | Unto his several mistress; which they'll know<br/> | ||
By favours several which they did bestow.<br/> | By favours several which they did bestow.<br/> | ||
PRINCESS OF FRANCE. And will they so? The gallants shall be task'd,<br/> | PRINCESS OF FRANCE. And will they so? The gallants shall be task'd,<br/> | ||
For, ladies, we will every one be mask'd;<br/> | For, ladies, we will every one be mask'd;<br/> | ||
And not a man of them shall have the grace,<br/> | And not a man of them shall have the grace,<br/> | ||
Despite of suit, to see a lady's face.<br/> | Despite of suit, to see a lady's face.<br/> | ||
Hold, Rosaline, this favour thou shalt wear,<br/> | Hold, Rosaline, this favour thou shalt wear,<br/> | ||
And then the King will court thee for his dear;<br/> | And then the King will court thee for his dear;<br/> | ||
Hold, take thou this, my sweet, and give me thine,<br/> | Hold, take thou this, my sweet, and give me thine,<br/> | ||
So shall Berowne take me for Rosaline.<br/> | So shall Berowne take me for Rosaline.<br/> | ||
And change you favours too; so shall your loves<br/> | And change you favours too; so shall your loves<br/> | ||
Woo contrary, deceiv'd by these removes.<br/> | Woo contrary, deceiv'd by these removes.<br/> | ||
ROSALINE. Come on, then, wear the favours most in sight.<br/> | ROSALINE. Come on, then, wear the favours most in sight.<br/> | ||
KATHARINE. But, in this changing, what is your intent?<br/> | KATHARINE. But, in this changing, what is your intent?<br/> | ||
PRINCESS OF FRANCE. The effect of my intent is to cross theirs.<br/> | PRINCESS OF FRANCE. The effect of my intent is to cross theirs.<br/> | ||
They do it but in mocking merriment,<br/> | They do it but in mocking merriment,<br/> | ||
And mock for mock is only my intent.<br/> | And mock for mock is only my intent.<br/> | ||
Their several counsels they unbosom shall<br/> | Their several counsels they unbosom shall<br/> | ||
To loves mistook, and so be mock'd withal<br/> | To loves mistook, and so be mock'd withal<br/> | ||
Upon the next occasion that we meet<br/> | Upon the next occasion that we meet<br/> | ||
With visages display'd to talk and greet.<br/> | With visages display'd to talk and greet.<br/> | ||
ROSALINE. But shall we dance, if they desire us to't?<br/> | ROSALINE. But shall we dance, if they desire us to't?<br/> | ||
PRINCESS OF FRANCE. No, to the death, we will not move a foot,<br/> | PRINCESS OF FRANCE. No, to the death, we will not move a foot,<br/> | ||
Nor to their penn'd speech render we no grace;<br/> | Nor to their penn'd speech render we no grace;<br/> | ||
But while 'tis spoke each turn away her face.<br/> | But while 'tis spoke each turn away her face.<br/> | ||
BOYET. Why, that contempt will kill the speaker's heart,<br/> | BOYET. Why, that contempt will kill the speaker's heart,<br/> | ||
And quite divorce his memory from his part.<br/> | And quite divorce his memory from his part.<br/> | ||
PRINCESS OF FRANCE. Therefore I do it; and I make no doubt<br/> | PRINCESS OF FRANCE. Therefore I do it; and I make no doubt<br/> | ||
The rest will ne'er come in, if he be out.<br/> | The rest will ne'er come in, if he be out.<br/> | ||
There's no such sport as sport by sport o'erthrown,<br/> | There's no such sport as sport by sport o'erthrown,<br/> | ||
To make theirs ours, and ours none but our own;<br/> | To make theirs ours, and ours none but our own;<br/> | ||
So shall we stay, mocking intended game,<br/> | So shall we stay, mocking intended game,<br/> | ||
And they well mock'd depart away with shame.<br/> | And they well mock'd depart away with shame.<br/> | ||
[Trumpet sounds within]<br/> | [Trumpet sounds within]<br/> | ||
BOYET. The trumpet sounds; be mask'd; the maskers come.<br/> | BOYET. The trumpet sounds; be mask'd; the maskers come.<br/> | ||
[The LADIES mask]<br/> | [The LADIES mask]<br/> | ||
</p> | </p> | ||
<p> Enter BLACKAMOORS music, MOTH as Prologue, the<br/> | <p> Enter BLACKAMOORS music, MOTH as Prologue, the<br/> | ||
KING and his LORDS as maskers, in the guise of Russians<br/> | KING and his LORDS as maskers, in the guise of Russians<br/> | ||
</p> | </p> | ||
<p> MOTH. All hail, the richest heauties on the earth!<br/> | <p> MOTH. All hail, the richest heauties on the earth!<br/> | ||
BOYET. Beauties no richer than rich taffeta.<br/> | BOYET. Beauties no richer than rich taffeta.<br/> | ||
MOTH. A holy parcel of the fairest dames<br/> | MOTH. A holy parcel of the fairest dames<br/> | ||
[The LADIES turn their backs to him]<br/> | [The LADIES turn their backs to him]<br/> | ||
That ever turn'd their- backs- to mortal views!<br/> | That ever turn'd their- backs- to mortal views!<br/> | ||
BEROWNE. Their eyes, villain, their eyes.<br/> | BEROWNE. Their eyes, villain, their eyes.<br/> | ||
MOTH. That ever turn'd their eyes to mortal views!<br/> | MOTH. That ever turn'd their eyes to mortal views!<br/> | ||
Out-<br/> | Out-<br/> | ||
BOYET. True; out indeed.<br/> | BOYET. True; out indeed.<br/> | ||
MOTH. Out of your favours, heavenly spirits, vouchsafe<br/> | MOTH. Out of your favours, heavenly spirits, vouchsafe<br/> | ||
Not to behold-<br/> | Not to behold-<br/> | ||
BEROWNE. Once to behold, rogue.<br/> | BEROWNE. Once to behold, rogue.<br/> | ||
MOTH. Once to behold with your sun-beamed eyes- with your<br/> | MOTH. Once to behold with your sun-beamed eyes- with your<br/> | ||
sun-beamed eyes-<br/> | sun-beamed eyes-<br/> | ||
BOYET. They will not answer to that epithet;<br/> | BOYET. They will not answer to that epithet;<br/> | ||
You were best call it 'daughter-beamed eyes.'<br/> | You were best call it 'daughter-beamed eyes.'<br/> | ||
MOTH. They do not mark me, and that brings me out.<br/> | MOTH. They do not mark me, and that brings me out.<br/> | ||
BEROWNE. Is this your perfectness? Be gone, you rogue.<br/> | BEROWNE. Is this your perfectness? Be gone, you rogue.<br/> | ||
Exit MOTH<br/> | Exit MOTH<br/> | ||
ROSALINE. What would these strangers? Know their minds, Boyet.<br/> | ROSALINE. What would these strangers? Know their minds, Boyet.<br/> | ||
If they do speak our language, 'tis our will<br/> | If they do speak our language, 'tis our will<br/> | ||
That some plain man recount their purposes.<br/> | That some plain man recount their purposes.<br/> | ||
Know what they would.<br/> | Know what they would.<br/> | ||
BOYET. What would you with the Princess?<br/> | BOYET. What would you with the Princess?<br/> | ||
BEROWNE. Nothing but peace and gentle visitation.<br/> | BEROWNE. Nothing but peace and gentle visitation.<br/> | ||
ROSALINE. What would they, say they?<br/> | ROSALINE. What would they, say they?<br/> | ||
BOYET. Nothing but peace and gentle visitation.<br/> | BOYET. Nothing but peace and gentle visitation.<br/> | ||
ROSALINE. Why, that they have; and bid them so be gone.<br/> | ROSALINE. Why, that they have; and bid them so be gone.<br/> | ||
BOYET. She says you have it, and you may be gone.<br/> | BOYET. She says you have it, and you may be gone.<br/> | ||
KING. Say to her we have measur'd many miles<br/> | KING. Say to her we have measur'd many miles<br/> | ||
To tread a measure with her on this grass.<br/> | To tread a measure with her on this grass.<br/> | ||
BOYET. They say that they have measur'd many a mile<br/> | BOYET. They say that they have measur'd many a mile<br/> | ||
To tread a measure with you on this grass.<br/> | To tread a measure with you on this grass.<br/> | ||
ROSALINE. It is not so. Ask them how many inches<br/> | ROSALINE. It is not so. Ask them how many inches<br/> | ||
Is in one mile? If they have measured many,<br/> | Is in one mile? If they have measured many,<br/> | ||
The measure, then, of one is eas'ly told.<br/> | The measure, then, of one is eas'ly told.<br/> | ||
BOYET. If to come hither you have measur'd miles,<br/> | BOYET. If to come hither you have measur'd miles,<br/> | ||
And many miles, the Princess bids you tell<br/> | And many miles, the Princess bids you tell<br/> | ||
How many inches doth fill up one mile.<br/> | How many inches doth fill up one mile.<br/> | ||
BEROWNE. Tell her we measure them by weary steps.<br/> | BEROWNE. Tell her we measure them by weary steps.<br/> | ||
BOYET. She hears herself.<br/> | BOYET. She hears herself.<br/> | ||
ROSALINE. How many weary steps<br/> | ROSALINE. How many weary steps<br/> | ||
Of many weary miles you have o'ergone<br/> | Of many weary miles you have o'ergone<br/> | ||
Are numb'red in the travel of one mile?<br/> | Are numb'red in the travel of one mile?<br/> | ||
BEROWNE. We number nothing that we spend for you;<br/> | BEROWNE. We number nothing that we spend for you;<br/> | ||
Our duty is so rich, so infinite,<br/> | Our duty is so rich, so infinite,<br/> | ||
That we may do it still without accompt.<br/> | That we may do it still without accompt.<br/> | ||
Vouchsafe to show the sunshine of your face,<br/> | Vouchsafe to show the sunshine of your face,<br/> | ||
That we, like savages, may worship it.<br/> | That we, like savages, may worship it.<br/> | ||
ROSALINE. My face is but a moon, and clouded too.<br/> | ROSALINE. My face is but a moon, and clouded too.<br/> | ||
KING. Blessed are clouds, to do as such clouds do.<br/> | KING. Blessed are clouds, to do as such clouds do.<br/> | ||
Vouchsafe, bright moon, and these thy stars, to shine,<br/> | Vouchsafe, bright moon, and these thy stars, to shine,<br/> | ||
Those clouds removed, upon our watery eyne.<br/> | Those clouds removed, upon our watery eyne.<br/> | ||
ROSALINE. O vain petitioner! beg a greater matter;<br/> | ROSALINE. O vain petitioner! beg a greater matter;<br/> | ||
Thou now requests but moonshine in the water.<br/> | Thou now requests but moonshine in the water.<br/> | ||
KING. Then in our measure do but vouchsafe one change.<br/> | KING. Then in our measure do but vouchsafe one change.<br/> | ||
Thou bid'st me beg; this begging is not strange.<br/> | Thou bid'st me beg; this begging is not strange.<br/> | ||
ROSALINE. Play, music, then. Nay, you must do it soon.<br/> | ROSALINE. Play, music, then. Nay, you must do it soon.<br/> | ||
Not yet? No dance! Thus change I like the moon.<br/> | Not yet? No dance! Thus change I like the moon.<br/> | ||
KING. Will you not dance? How come you thus estranged?<br/> | KING. Will you not dance? How come you thus estranged?<br/> | ||
ROSALINE. You took the moon at full; but now she's changed.<br/> | ROSALINE. You took the moon at full; but now she's changed.<br/> | ||
KING. Yet still she is the Moon, and I the Man.<br/> | KING. Yet still she is the Moon, and I the Man.<br/> | ||
The music plays; vouchsafe some motion to it.<br/> | The music plays; vouchsafe some motion to it.<br/> | ||
ROSALINE. Our ears vouchsafe it.<br/> | ROSALINE. Our ears vouchsafe it.<br/> | ||
KING. But your legs should do it.<br/> | KING. But your legs should do it.<br/> | ||
ROSALINE. Since you are strangers, and come here by chance,<br/> | ROSALINE. Since you are strangers, and come here by chance,<br/> | ||
We'll not be nice; take hands. We will not dance.<br/> | We'll not be nice; take hands. We will not dance.<br/> | ||
KING. Why take we hands then?<br/> | KING. Why take we hands then?<br/> | ||
ROSALINE. Only to part friends.<br/> | ROSALINE. Only to part friends.<br/> | ||
Curtsy, sweet hearts; and so the measure ends.<br/> | Curtsy, sweet hearts; and so the measure ends.<br/> | ||
KING. More measure of this measure; be not nice.<br/> | KING. More measure of this measure; be not nice.<br/> | ||
ROSALINE. We can afford no more at such a price.<br/> | ROSALINE. We can afford no more at such a price.<br/> | ||
KING. Price you yourselves. What buys your company?<br/> | KING. Price you yourselves. What buys your company?<br/> | ||
ROSALINE. Your absence only.<br/> | ROSALINE. Your absence only.<br/> | ||
KING. That can never be.<br/> | KING. That can never be.<br/> | ||
ROSALINE. Then cannot we be bought; and so adieu-<br/> | ROSALINE. Then cannot we be bought; and so adieu-<br/> | ||
Twice to your visor and half once to you.<br/> | Twice to your visor and half once to you.<br/> | ||
KING. If you deny to dance, let's hold more chat.<br/> | KING. If you deny to dance, let's hold more chat.<br/> | ||
ROSALINE. In private then.<br/> | ROSALINE. In private then.<br/> | ||
KING. I am best pleas'd with that. [They converse apart]<br/> | KING. I am best pleas'd with that. [They converse apart]<br/> | ||
BEROWNE. White-handed mistress, one sweet word with thee.<br/> | BEROWNE. White-handed mistress, one sweet word with thee.<br/> | ||
PRINCESS OF FRANCE. Honey, and milk, and sugar; there is three.<br/> | PRINCESS OF FRANCE. Honey, and milk, and sugar; there is three.<br/> | ||
BEROWNE. Nay, then, two treys, an if you grow so nice,<br/> | BEROWNE. Nay, then, two treys, an if you grow so nice,<br/> | ||
Metheglin, wort, and malmsey; well run dice!<br/> | Metheglin, wort, and malmsey; well run dice!<br/> | ||
There's half a dozen sweets.<br/> | There's half a dozen sweets.<br/> | ||
PRINCESS OF FRANCE. Seventh sweet, adieu!<br/> | PRINCESS OF FRANCE. Seventh sweet, adieu!<br/> | ||
Since you can cog, I'll play no more with you.<br/> | Since you can cog, I'll play no more with you.<br/> | ||
BEROWNE. One word in secret.<br/> | BEROWNE. One word in secret.<br/> | ||
PRINCESS OF FRANCE. Let it not be sweet.<br/> | PRINCESS OF FRANCE. Let it not be sweet.<br/> | ||
BEROWNE. Thou grievest my gall.<br/> | BEROWNE. Thou grievest my gall.<br/> | ||
PRINCESS OF FRANCE. Gall! bitter.<br/> | PRINCESS OF FRANCE. Gall! bitter.<br/> | ||
BEROWNE. Therefore meet. [They converse apart]<br/> | BEROWNE. Therefore meet. [They converse apart]<br/> | ||
DUMAIN. Will you vouchsafe with me to change a word?<br/> | DUMAIN. Will you vouchsafe with me to change a word?<br/> | ||
MARIA. Name it.<br/> | MARIA. Name it.<br/> | ||
DUMAIN. Fair lady-<br/> | DUMAIN. Fair lady-<br/> | ||
MARIA. Say you so? Fair lord-<br/> | MARIA. Say you so? Fair lord-<br/> | ||
Take that for your fair lady.<br/> | Take that for your fair lady.<br/> | ||
DUMAIN. Please it you,<br/> | DUMAIN. Please it you,<br/> | ||
As much in private, and I'll bid adieu.<br/> | As much in private, and I'll bid adieu.<br/> | ||
[They converse apart]<br/> | [They converse apart]<br/> | ||
KATHARINE. What, was your vizard made without a tongue?<br/> | KATHARINE. What, was your vizard made without a tongue?<br/> | ||
LONGAVILLE. I know the reason, lady, why you ask.<br/> | LONGAVILLE. I know the reason, lady, why you ask.<br/> | ||
KATHARINE. O for your reason! Quickly, sir; I long.<br/> | KATHARINE. O for your reason! Quickly, sir; I long.<br/> | ||
LONGAVILLE. You have a double tongue within your mask,<br/> | LONGAVILLE. You have a double tongue within your mask,<br/> | ||
And would afford my speechless vizard half.<br/> | And would afford my speechless vizard half.<br/> | ||
KATHARINE. 'Veal' quoth the Dutchman. Is not 'veal' a calf?<br/> | KATHARINE. 'Veal' quoth the Dutchman. Is not 'veal' a calf?<br/> | ||
LONGAVILLE. A calf, fair lady!<br/> | LONGAVILLE. A calf, fair lady!<br/> | ||
KATHARINE. No, a fair lord calf.<br/> | KATHARINE. No, a fair lord calf.<br/> | ||
LONGAVILLE. Let's part the word.<br/> | LONGAVILLE. Let's part the word.<br/> | ||
KATHARINE. No, I'll not be your half.<br/> | KATHARINE. No, I'll not be your half.<br/> | ||
Take all and wean it; it may prove an ox.<br/> | Take all and wean it; it may prove an ox.<br/> | ||
LONGAVILLE. Look how you butt yourself in these sharp mocks!<br/> | LONGAVILLE. Look how you butt yourself in these sharp mocks!<br/> | ||
Will you give horns, chaste lady? Do not so.<br/> | Will you give horns, chaste lady? Do not so.<br/> | ||
KATHARINE. Then die a calf, before your horns do grow.<br/> | KATHARINE. Then die a calf, before your horns do grow.<br/> | ||
LONGAVILLE. One word in private with you ere I die.<br/> | LONGAVILLE. One word in private with you ere I die.<br/> | ||
KATHARINE. Bleat softly, then; the butcher hears you cry.<br/> | KATHARINE. Bleat softly, then; the butcher hears you cry.<br/> | ||
[They converse apart]<br/> | [They converse apart]<br/> | ||
BOYET. The tongues of mocking wenches are as keen<br/> | BOYET. The tongues of mocking wenches are as keen<br/> | ||
As is the razor's edge invisible,<br/> | As is the razor's edge invisible,<br/> | ||
Cutting a smaller hair than may be seen,<br/> | Cutting a smaller hair than may be seen,<br/> | ||
Above the sense of sense; so sensible<br/> | Above the sense of sense; so sensible<br/> | ||
Seemeth their conference; their conceits have wings,<br/> | Seemeth their conference; their conceits have wings,<br/> | ||
Fleeter than arrows, bullets, wind, thought, swifter things.<br/> | Fleeter than arrows, bullets, wind, thought, swifter things.<br/> | ||
ROSALINE. Not one word more, my maids; break off, break off.<br/> | ROSALINE. Not one word more, my maids; break off, break off.<br/> | ||
BEROWNE. By heaven, all dry-beaten with pure scoff!<br/> | BEROWNE. By heaven, all dry-beaten with pure scoff!<br/> | ||
KING. Farewell, mad wenches; you have simple wits.<br/> | KING. Farewell, mad wenches; you have simple wits.<br/> | ||
Exeunt KING, LORDS, and BLACKAMOORS<br/> | Exeunt KING, LORDS, and BLACKAMOORS<br/> | ||
PRINCESS OF FRANCE. Twenty adieus, my frozen Muscovits.<br/> | PRINCESS OF FRANCE. Twenty adieus, my frozen Muscovits.<br/> | ||
Are these the breed of wits so wondered at?<br/> | Are these the breed of wits so wondered at?<br/> | ||
BOYET. Tapers they are, with your sweet breaths puff'd out.<br/> | BOYET. Tapers they are, with your sweet breaths puff'd out.<br/> | ||
ROSALINE. Well-liking wits they have; gross, gross; fat, fat.<br/> | ROSALINE. Well-liking wits they have; gross, gross; fat, fat.<br/> | ||
PRINCESS OF FRANCE. O poverty in wit, kingly-poor flout!<br/> | PRINCESS OF FRANCE. O poverty in wit, kingly-poor flout!<br/> | ||
Will they not, think you, hang themselves to-night?<br/> | Will they not, think you, hang themselves to-night?<br/> | ||
Or ever but in vizards show their faces?<br/> | Or ever but in vizards show their faces?<br/> | ||
This pert Berowne was out of count'nance quite.<br/> | This pert Berowne was out of count'nance quite.<br/> | ||
ROSALINE. They were all in lamentable cases!<br/> | ROSALINE. They were all in lamentable cases!<br/> | ||
The King was weeping-ripe for a good word.<br/> | The King was weeping-ripe for a good word.<br/> | ||
PRINCESS OF FRANCE. Berowne did swear himself out of all suit.<br/> | PRINCESS OF FRANCE. Berowne did swear himself out of all suit.<br/> | ||
MARIA. Dumain was at my service, and his sword.<br/> | MARIA. Dumain was at my service, and his sword.<br/> | ||
'No point' quoth I; my servant straight was mute.<br/> | 'No point' quoth I; my servant straight was mute.<br/> | ||
KATHARINE. Lord Longaville said I came o'er his heart;<br/> | KATHARINE. Lord Longaville said I came o'er his heart;<br/> | ||
And trow you what he call'd me?<br/> | And trow you what he call'd me?<br/> | ||
PRINCESS OF FRANCE. Qualm, perhaps.<br/> | PRINCESS OF FRANCE. Qualm, perhaps.<br/> | ||
KATHARINE. Yes, in good faith.<br/> | KATHARINE. Yes, in good faith.<br/> | ||
PRINCESS OF FRANCE. Go, sickness as thou art!<br/> | PRINCESS OF FRANCE. Go, sickness as thou art!<br/> | ||
ROSALINE. Well, better wits have worn plain statute-caps.<br/> | ROSALINE. Well, better wits have worn plain statute-caps.<br/> | ||
But will you hear? The King is my love sworn.<br/> | But will you hear? The King is my love sworn.<br/> | ||
PRINCESS OF FRANCE. And quick Berowne hath plighted faith to me.<br/> | PRINCESS OF FRANCE. And quick Berowne hath plighted faith to me.<br/> | ||
KATHARINE. And Longaville was for my service born.<br/> | KATHARINE. And Longaville was for my service born.<br/> | ||
MARIA. Dumain is mine, as sure as bark on tree.<br/> | MARIA. Dumain is mine, as sure as bark on tree.<br/> | ||
BOYET. Madam, and pretty mistresses, give ear:<br/> | BOYET. Madam, and pretty mistresses, give ear:<br/> | ||
Immediately they will again be here<br/> | Immediately they will again be here<br/> | ||
In their own shapes; for it can never be<br/> | In their own shapes; for it can never be<br/> | ||
They will digest this harsh indignity.<br/> | They will digest this harsh indignity.<br/> | ||
PRINCESS OF FRANCE. Will they return?<br/> | PRINCESS OF FRANCE. Will they return?<br/> | ||
BOYET. They will, they will, God knows,<br/> | BOYET. They will, they will, God knows,<br/> | ||
And leap for joy, though they are lame with blows;<br/> | And leap for joy, though they are lame with blows;<br/> | ||
Therefore, change favours; and, when they repair,<br/> | Therefore, change favours; and, when they repair,<br/> | ||
Blow like sweet roses in this summer air.<br/> | Blow like sweet roses in this summer air.<br/> | ||
PRINCESS OF FRANCE. How blow? how blow? Speak to be understood.<br/> | PRINCESS OF FRANCE. How blow? how blow? Speak to be understood.<br/> | ||
BOYET. Fair ladies mask'd are roses in their bud:<br/> | BOYET. Fair ladies mask'd are roses in their bud:<br/> | ||
Dismask'd, their damask sweet commixture shown,<br/> | Dismask'd, their damask sweet commixture shown,<br/> | ||
Are angels vailing clouds, or roses blown.<br/> | Are angels vailing clouds, or roses blown.<br/> | ||
PRINCESS OF FRANCE. Avaunt, perplexity! What shall we do<br/> | PRINCESS OF FRANCE. Avaunt, perplexity! What shall we do<br/> | ||
If they return in their own shapes to woo?<br/> | If they return in their own shapes to woo?<br/> | ||
ROSALINE. Good madam, if by me you'll be advis'd,<br/> | ROSALINE. Good madam, if by me you'll be advis'd,<br/> | ||
Let's mock them still, as well known as disguis'd.<br/> | Let's mock them still, as well known as disguis'd.<br/> | ||
Let us complain to them what fools were here,<br/> | Let us complain to them what fools were here,<br/> | ||
Disguis'd like Muscovites, in shapeless gear;<br/> | Disguis'd like Muscovites, in shapeless gear;<br/> | ||
And wonder what they were, and to what end<br/> | And wonder what they were, and to what end<br/> | ||
Their shallow shows and prologue vilely penn'd,<br/> | Their shallow shows and prologue vilely penn'd,<br/> | ||
And their rough carriage so ridiculous,<br/> | And their rough carriage so ridiculous,<br/> | ||
Should be presented at our tent to us.<br/> | Should be presented at our tent to us.<br/> | ||
BOYET. Ladies, withdraw; the gallants are at hand.<br/> | BOYET. Ladies, withdraw; the gallants are at hand.<br/> | ||
PRINCESS OF FRANCE. Whip to our tents, as roes run o'er land.<br/> | PRINCESS OF FRANCE. Whip to our tents, as roes run o'er land.<br/> | ||
Exeunt PRINCESS, ROSALINE, KATHARINE, and MARIA<br/> | Exeunt PRINCESS, ROSALINE, KATHARINE, and MARIA<br/> | ||
</p> | </p> | ||
<p> Re-enter the KING, BEROWNE, LONGAVILLE, and DUMAIN,<br/> | <p> Re-enter the KING, BEROWNE, LONGAVILLE, and DUMAIN,<br/> | ||
in their proper habits<br/> | in their proper habits<br/> | ||
</p> | </p> | ||
<p> KING. Fair sir, God save you! Where's the Princess?<br/> | <p> KING. Fair sir, God save you! Where's the Princess?<br/> | ||
BOYET. Gone to her tent. Please it your Majesty<br/> | BOYET. Gone to her tent. Please it your Majesty<br/> | ||
Command me any service to her thither?<br/> | Command me any service to her thither?<br/> | ||
KING. That she vouchsafe me audience for one word.<br/> | KING. That she vouchsafe me audience for one word.<br/> | ||
BOYET. I will; and so will she, I know, my lord. Exit<br/> | BOYET. I will; and so will she, I know, my lord. Exit<br/> | ||
BEROWNE. This fellow pecks up wit as pigeons pease,<br/> | BEROWNE. This fellow pecks up wit as pigeons pease,<br/> | ||
And utters it again when God doth please.<br/> | And utters it again when God doth please.<br/> | ||
He is wit's pedlar, and retails his wares<br/> | He is wit's pedlar, and retails his wares<br/> | ||
At wakes, and wassails, meetings, markets, fairs;<br/> | At wakes, and wassails, meetings, markets, fairs;<br/> | ||
And we that sell by gross, the Lord doth know,<br/> | And we that sell by gross, the Lord doth know,<br/> | ||
Have not the grace to grace it with such show.<br/> | Have not the grace to grace it with such show.<br/> | ||
This gallant pins the wenches on his sleeve;<br/> | This gallant pins the wenches on his sleeve;<br/> | ||
Had he been Adam, he had tempted Eve.<br/> | Had he been Adam, he had tempted Eve.<br/> | ||
'A can carve too, and lisp; why this is he<br/> | 'A can carve too, and lisp; why this is he<br/> | ||
That kiss'd his hand away in courtesy;<br/> | That kiss'd his hand away in courtesy;<br/> | ||
This is the ape of form, Monsieur the Nice,<br/> | This is the ape of form, Monsieur the Nice,<br/> | ||
That, when he plays at tables, chides the dice<br/> | That, when he plays at tables, chides the dice<br/> | ||
In honourable terms; nay, he can sing<br/> | In honourable terms; nay, he can sing<br/> | ||
A mean most meanly; and in ushering,<br/> | A mean most meanly; and in ushering,<br/> | ||
Mend him who can. The ladies call him sweet;<br/> | Mend him who can. The ladies call him sweet;<br/> | ||
The stairs, as he treads on them, kiss his feet.<br/> | The stairs, as he treads on them, kiss his feet.<br/> | ||
This is the flow'r that smiles on every one,<br/> | This is the flow'r that smiles on every one,<br/> | ||
To show his teeth as white as whales-bone;<br/> | To show his teeth as white as whales-bone;<br/> | ||
And consciences that will not die in debt<br/> | And consciences that will not die in debt<br/> | ||
Pay him the due of 'honey-tongued Boyet.'<br/> | Pay him the due of 'honey-tongued Boyet.'<br/> | ||
KING. A blister on his sweet tongue, with my heart,<br/> | KING. A blister on his sweet tongue, with my heart,<br/> | ||
That put Armado's page out of his part!<br/> | That put Armado's page out of his part!<br/> | ||
</p> | </p> | ||
<p> Re-enter the PRINCESS, ushered by BOYET; ROSALINE,<br/> | <p> Re-enter the PRINCESS, ushered by BOYET; ROSALINE,<br/> | ||
MARIA, and KATHARINE<br/> | MARIA, and KATHARINE<br/> | ||
</p> | </p> | ||
<p> BEROWNE. See where it comes! Behaviour, what wert thou<br/> | <p> BEROWNE. See where it comes! Behaviour, what wert thou<br/> | ||
Till this man show'd thee? And what art thou now?<br/> | Till this man show'd thee? And what art thou now?<br/> | ||
KING. All hail, sweet madam, and fair time of day!<br/> | KING. All hail, sweet madam, and fair time of day!<br/> | ||
PRINCESS OF FRANCE. 'Fair' in 'all hail' is foul, as I conceive.<br/> | PRINCESS OF FRANCE. 'Fair' in 'all hail' is foul, as I conceive.<br/> | ||
KING. Construe my speeches better, if you may.<br/> | KING. Construe my speeches better, if you may.<br/> | ||
PRINCESS OF FRANCE. Then wish me better; I will give you leave.<br/> | PRINCESS OF FRANCE. Then wish me better; I will give you leave.<br/> | ||
KING. We came to visit you, and purpose now<br/> | KING. We came to visit you, and purpose now<br/> | ||
To lead you to our court; vouchsafe it then.<br/> | To lead you to our court; vouchsafe it then.<br/> | ||
PRINCESS OF FRANCE. This field shall hold me, and so hold your vow:<br/> | PRINCESS OF FRANCE. This field shall hold me, and so hold your vow:<br/> | ||
Nor God, nor I, delights in perjur'd men.<br/> | Nor God, nor I, delights in perjur'd men.<br/> | ||
KING. Rebuke me not for that which you provoke.<br/> | KING. Rebuke me not for that which you provoke.<br/> | ||
The virtue of your eye must break my oath.<br/> | The virtue of your eye must break my oath.<br/> | ||
PRINCESS OF FRANCE. You nickname virtue: vice you should have<br/> | PRINCESS OF FRANCE. You nickname virtue: vice you should have<br/> | ||
spoke;<br/> | spoke;<br/> | ||
For virtue's office never breaks men's troth.<br/> | For virtue's office never breaks men's troth.<br/> | ||
Now by my maiden honour, yet as pure<br/> | Now by my maiden honour, yet as pure<br/> | ||
As the unsullied lily, I protest,<br/> | As the unsullied lily, I protest,<br/> | ||
A world of torments though I should endure,<br/> | A world of torments though I should endure,<br/> | ||
I would not yield to be your house's guest;<br/> | I would not yield to be your house's guest;<br/> | ||
So much I hate a breaking cause to be<br/> | So much I hate a breaking cause to be<br/> | ||
Of heavenly oaths, vowed with integrity.<br/> | Of heavenly oaths, vowed with integrity.<br/> | ||
KING. O, you have liv'd in desolation here,<br/> | KING. O, you have liv'd in desolation here,<br/> | ||
Unseen, unvisited, much to our shame.<br/> | Unseen, unvisited, much to our shame.<br/> | ||
PRINCESS OF FRANCE. Not so, my lord; it is not so, I swear;<br/> | PRINCESS OF FRANCE. Not so, my lord; it is not so, I swear;<br/> | ||
We have had pastimes here, and pleasant game;<br/> | We have had pastimes here, and pleasant game;<br/> | ||
A mess of Russians left us but of late.<br/> | A mess of Russians left us but of late.<br/> | ||
KING. How, madam! Russians!<br/> | KING. How, madam! Russians!<br/> | ||
PRINCESS OF FRANCE. Ay, in truth, my lord;<br/> | PRINCESS OF FRANCE. Ay, in truth, my lord;<br/> | ||
Trim gallants, full of courtship and of state.<br/> | Trim gallants, full of courtship and of state.<br/> | ||
ROSALINE. Madam, speak true. It is not so, my lord.<br/> | ROSALINE. Madam, speak true. It is not so, my lord.<br/> | ||
My lady, to the manner of the days,<br/> | My lady, to the manner of the days,<br/> | ||
In courtesy gives undeserving praise.<br/> | In courtesy gives undeserving praise.<br/> | ||
We four indeed confronted were with four<br/> | We four indeed confronted were with four<br/> | ||
In Russian habit; here they stayed an hour<br/> | In Russian habit; here they stayed an hour<br/> | ||
And talk'd apace; and in that hour, my lord,<br/> | And talk'd apace; and in that hour, my lord,<br/> | ||
They did not bless us with one happy word.<br/> | They did not bless us with one happy word.<br/> | ||
I dare not call them fools; but this I think,<br/> | I dare not call them fools; but this I think,<br/> | ||
When they are thirsty, fools would fain have drink.<br/> | When they are thirsty, fools would fain have drink.<br/> | ||
BEROWNE. This jest is dry to me. Fair gentle sweet,<br/> | BEROWNE. This jest is dry to me. Fair gentle sweet,<br/> | ||
Your wit makes wise things foolish; when we greet,<br/> | Your wit makes wise things foolish; when we greet,<br/> | ||
With eyes best seeing, heaven's fiery eye,<br/> | With eyes best seeing, heaven's fiery eye,<br/> | ||
By light we lose light; your capacity<br/> | By light we lose light; your capacity<br/> | ||
Is of that nature that to your huge store<br/> | Is of that nature that to your huge store<br/> | ||
Wise things seem foolish and rich things but poor.<br/> | Wise things seem foolish and rich things but poor.<br/> | ||
ROSALINE. This proves you wise and rich, for in my eye-<br/> | ROSALINE. This proves you wise and rich, for in my eye-<br/> | ||
BEROWNE. I am a fool, and full of poverty.<br/> | BEROWNE. I am a fool, and full of poverty.<br/> | ||
ROSALINE. But that you take what doth to you belong,<br/> | ROSALINE. But that you take what doth to you belong,<br/> | ||
It were a fault to snatch words from my tongue.<br/> | It were a fault to snatch words from my tongue.<br/> | ||
BEROWNE. O, I am yours, and all that I possess.<br/> | BEROWNE. O, I am yours, and all that I possess.<br/> | ||
ROSALINE. All the fool mine?<br/> | ROSALINE. All the fool mine?<br/> | ||
BEROWNE. I cannot give you less.<br/> | BEROWNE. I cannot give you less.<br/> | ||
ROSALINE. Which of the vizards was it that you wore?<br/> | ROSALINE. Which of the vizards was it that you wore?<br/> | ||
BEROWNE. Where? when? what vizard? Why demand you this?<br/> | BEROWNE. Where? when? what vizard? Why demand you this?<br/> | ||
ROSALINE. There, then, that vizard; that superfluous case<br/> | ROSALINE. There, then, that vizard; that superfluous case<br/> | ||
That hid the worse and show'd the better face.<br/> | That hid the worse and show'd the better face.<br/> | ||
KING. We were descried; they'll mock us now downright.<br/> | KING. We were descried; they'll mock us now downright.<br/> | ||
DUMAIN. Let us confess, and turn it to a jest.<br/> | DUMAIN. Let us confess, and turn it to a jest.<br/> | ||
PRINCESS OF FRANCE. Amaz'd, my lord? Why looks your Highness sad?<br/> | PRINCESS OF FRANCE. Amaz'd, my lord? Why looks your Highness sad?<br/> | ||
ROSALINE. Help, hold his brows! he'll swoon! Why look you pale?<br/> | ROSALINE. Help, hold his brows! he'll swoon! Why look you pale?<br/> | ||
Sea-sick, I think, coming from Muscovy.<br/> | Sea-sick, I think, coming from Muscovy.<br/> | ||
BEROWNE. Thus pour the stars down plagues for perjury.<br/> | BEROWNE. Thus pour the stars down plagues for perjury.<br/> | ||
Can any face of brass hold longer out?<br/> | Can any face of brass hold longer out?<br/> | ||
Here stand I, lady- dart thy skill at me,<br/> | Here stand I, lady- dart thy skill at me,<br/> | ||
Bruise me with scorn, confound me with a flout,<br/> | Bruise me with scorn, confound me with a flout,<br/> | ||
Thrust thy sharp wit quite through my ignorance,<br/> | Thrust thy sharp wit quite through my ignorance,<br/> | ||
Cut me to pieces with thy keen conceit;<br/> | Cut me to pieces with thy keen conceit;<br/> | ||
And I will wish thee never more to dance,<br/> | And I will wish thee never more to dance,<br/> | ||
Nor never more in Russian habit wait.<br/> | Nor never more in Russian habit wait.<br/> | ||
O, never will I trust to speeches penn'd,<br/> | O, never will I trust to speeches penn'd,<br/> | ||
Nor to the motion of a school-boy's tongue,<br/> | Nor to the motion of a school-boy's tongue,<br/> | ||
Nor never come in vizard to my friend,<br/> | Nor never come in vizard to my friend,<br/> | ||
Nor woo in rhyme, like a blind harper's song.<br/> | Nor woo in rhyme, like a blind harper's song.<br/> | ||
Taffeta phrases, silken terms precise,<br/> | Taffeta phrases, silken terms precise,<br/> | ||
Three-pil'd hyperboles, spruce affectation,<br/> | Three-pil'd hyperboles, spruce affectation,<br/> | ||
Figures pedantical- these summer-flies<br/> | Figures pedantical- these summer-flies<br/> | ||
Have blown me full of maggot ostentation.<br/> | Have blown me full of maggot ostentation.<br/> | ||
I do forswear them; and I here protest,<br/> | I do forswear them; and I here protest,<br/> | ||
By this white glove- how white the hand, God knows!-<br/> | By this white glove- how white the hand, God knows!-<br/> | ||
Henceforth my wooing mind shall be express'd<br/> | Henceforth my wooing mind shall be express'd<br/> | ||
In russet yeas, and honest kersey noes.<br/> | In russet yeas, and honest kersey noes.<br/> | ||
And, to begin, wench- so God help me, law!-<br/> | And, to begin, wench- so God help me, law!-<br/> | ||
My love to thee is sound, sans crack or flaw.<br/> | My love to thee is sound, sans crack or flaw.<br/> | ||
ROSALINE. Sans 'sans,' I pray you.<br/> | ROSALINE. Sans 'sans,' I pray you.<br/> | ||
BEROWNE. Yet I have a trick<br/> | BEROWNE. Yet I have a trick<br/> | ||
Of the old rage; bear with me, I am sick;<br/> | Of the old rage; bear with me, I am sick;<br/> | ||
I'll leave it by degrees. Soft, let us see-<br/> | I'll leave it by degrees. Soft, let us see-<br/> | ||
Write 'Lord have mercy on us' on those three;<br/> | Write 'Lord have mercy on us' on those three;<br/> | ||
They are infected; in their hearts it lies;<br/> | They are infected; in their hearts it lies;<br/> | ||
They have the plague, and caught it of your eyes.<br/> | They have the plague, and caught it of your eyes.<br/> | ||
These lords are visited; you are not free,<br/> | These lords are visited; you are not free,<br/> | ||
For the Lord's tokens on you do I see.<br/> | For the Lord's tokens on you do I see.<br/> | ||
PRINCESS OF FRANCE. No, they are free that gave these tokens to us.<br/> | PRINCESS OF FRANCE. No, they are free that gave these tokens to us.<br/> | ||
BEROWNE. Our states are forfeit; seek not to undo us.<br/> | BEROWNE. Our states are forfeit; seek not to undo us.<br/> | ||
ROSALINE. It is not so; for how can this be true,<br/> | ROSALINE. It is not so; for how can this be true,<br/> | ||
That you stand forfeit, being those that sue?<br/> | That you stand forfeit, being those that sue?<br/> | ||
BEROWNE. Peace; for I will not have to do with you.<br/> | BEROWNE. Peace; for I will not have to do with you.<br/> | ||
ROSALINE. Nor shall not, if I do as I intend.<br/> | ROSALINE. Nor shall not, if I do as I intend.<br/> | ||
BEROWNE. Speak for yourselves; my wit is at an end.<br/> | BEROWNE. Speak for yourselves; my wit is at an end.<br/> | ||
KING. Teach us, sweet madam, for our rude transgression<br/> | KING. Teach us, sweet madam, for our rude transgression<br/> | ||
Some fair excuse.<br/> | Some fair excuse.<br/> | ||
PRINCESS OF FRANCE. The fairest is confession.<br/> | PRINCESS OF FRANCE. The fairest is confession.<br/> | ||
Were not you here but even now, disguis'd?<br/> | Were not you here but even now, disguis'd?<br/> | ||
KING. Madam, I was.<br/> | KING. Madam, I was.<br/> | ||
PRINCESS OF FRANCE. And were you well advis'd?<br/> | PRINCESS OF FRANCE. And were you well advis'd?<br/> | ||
KING. I was, fair madam.<br/> | KING. I was, fair madam.<br/> | ||
PRINCESS OF FRANCE. When you then were here,<br/> | PRINCESS OF FRANCE. When you then were here,<br/> | ||
What did you whisper in your lady's ear?<br/> | What did you whisper in your lady's ear?<br/> | ||
KING. That more than all the world I did respect her.<br/> | KING. That more than all the world I did respect her.<br/> | ||
PRINCESS OF FRANCE. When she shall challenge this, you will reject<br/> | PRINCESS OF FRANCE. When she shall challenge this, you will reject<br/> | ||
her.<br/> | her.<br/> | ||
KING. Upon mine honour, no.<br/> | KING. Upon mine honour, no.<br/> | ||
PRINCESS OF FRANCE. Peace, peace, forbear;<br/> | PRINCESS OF FRANCE. Peace, peace, forbear;<br/> | ||
Your oath once broke, you force not to forswear.<br/> | Your oath once broke, you force not to forswear.<br/> | ||
KING. Despise me when I break this oath of mine.<br/> | KING. Despise me when I break this oath of mine.<br/> | ||
PRINCESS OF FRANCE. I will; and therefore keep it. Rosaline,<br/> | PRINCESS OF FRANCE. I will; and therefore keep it. Rosaline,<br/> | ||
What did the Russian whisper in your ear?<br/> | What did the Russian whisper in your ear?<br/> | ||
ROSALINE. Madam, he swore that he did hold me dear<br/> | ROSALINE. Madam, he swore that he did hold me dear<br/> | ||
As precious eyesight, and did value me<br/> | As precious eyesight, and did value me<br/> | ||
Above this world; adding thereto, moreover,<br/> | Above this world; adding thereto, moreover,<br/> | ||
That he would wed me, or else die my lover.<br/> | That he would wed me, or else die my lover.<br/> | ||
PRINCESS OF FRANCE. God give thee joy of him! The noble lord<br/> | PRINCESS OF FRANCE. God give thee joy of him! The noble lord<br/> | ||
Most honourably doth uphold his word.<br/> | Most honourably doth uphold his word.<br/> | ||
KING. What mean you, madam? By my life, my troth,<br/> | KING. What mean you, madam? By my life, my troth,<br/> | ||
I never swore this lady such an oath.<br/> | I never swore this lady such an oath.<br/> | ||
ROSALINE. By heaven, you did; and, to confirm it plain,<br/> | ROSALINE. By heaven, you did; and, to confirm it plain,<br/> | ||
You gave me this; but take it, sir, again.<br/> | You gave me this; but take it, sir, again.<br/> | ||
KING. My faith and this the Princess I did give;<br/> | KING. My faith and this the Princess I did give;<br/> | ||
I knew her by this jewel on her sleeve.<br/> | I knew her by this jewel on her sleeve.<br/> | ||
PRINCESS OF FRANCE. Pardon me, sir, this jewel did she wear;<br/> | PRINCESS OF FRANCE. Pardon me, sir, this jewel did she wear;<br/> | ||
And Lord Berowne, I thank him, is my dear.<br/> | And Lord Berowne, I thank him, is my dear.<br/> | ||
What, will you have me, or your pearl again?<br/> | What, will you have me, or your pearl again?<br/> | ||
BEROWNE. Neither of either; I remit both twain.<br/> | BEROWNE. Neither of either; I remit both twain.<br/> | ||
I see the trick on't: here was a consent,<br/> | I see the trick on't: here was a consent,<br/> | ||
Knowing aforehand of our merriment,<br/> | Knowing aforehand of our merriment,<br/> | ||
To dash it like a Christmas comedy.<br/> | To dash it like a Christmas comedy.<br/> | ||
Some carry-tale, some please-man, some slight zany,<br/> | Some carry-tale, some please-man, some slight zany,<br/> | ||
Some mumble-news, some trencher-knight, some Dick,<br/> | Some mumble-news, some trencher-knight, some Dick,<br/> | ||
That smiles his cheek in years and knows the trick<br/> | That smiles his cheek in years and knows the trick<br/> | ||
To make my lady laugh when she's dispos'd,<br/> | To make my lady laugh when she's dispos'd,<br/> | ||
Told our intents before; which once disclos'd,<br/> | Told our intents before; which once disclos'd,<br/> | ||
The ladies did change favours; and then we,<br/> | The ladies did change favours; and then we,<br/> | ||
Following the signs, woo'd but the sign of she.<br/> | Following the signs, woo'd but the sign of she.<br/> | ||
Now, to our perjury to add more terror,<br/> | Now, to our perjury to add more terror,<br/> | ||
We are again forsworn in will and error.<br/> | We are again forsworn in will and error.<br/> | ||
Much upon this it is; [To BOYET] and might not you<br/> | Much upon this it is; [To BOYET] and might not you<br/> | ||
Forestall our sport, to make us thus untrue?<br/> | Forestall our sport, to make us thus untrue?<br/> | ||
Do not you know my lady's foot by th' squier,<br/> | Do not you know my lady's foot by th' squier,<br/> | ||
And laugh upon the apple of her eye?<br/> | And laugh upon the apple of her eye?<br/> | ||
And stand between her back, sir, and the fire,<br/> | And stand between her back, sir, and the fire,<br/> | ||
Holding a trencher, jesting merrily?<br/> | Holding a trencher, jesting merrily?<br/> | ||
You put our page out. Go, you are allow'd;<br/> | You put our page out. Go, you are allow'd;<br/> | ||
Die when you will, a smock shall be your shroud.<br/> | Die when you will, a smock shall be your shroud.<br/> | ||
You leer upon me, do you? There's an eye<br/> | You leer upon me, do you? There's an eye<br/> | ||
Wounds like a leaden sword.<br/> | Wounds like a leaden sword.<br/> | ||
BOYET. Full merrily<br/> | BOYET. Full merrily<br/> | ||
Hath this brave manage, this career, been run.<br/> | Hath this brave manage, this career, been run.<br/> | ||
BEROWNE. Lo, he is tilting straight! Peace; I have done.<br/> | BEROWNE. Lo, he is tilting straight! Peace; I have done.<br/> | ||
</p> | </p> | ||
Line 2,479: | Line 4,814: | ||
<p> Welcome, pure wit! Thou part'st a fair fray.<br/> | <p> Welcome, pure wit! Thou part'st a fair fray.<br/> | ||
COSTARD. O Lord, sir, they would know<br/> | COSTARD. O Lord, sir, they would know<br/> | ||
Whether the three Worthies shall come in or no?<br/> | Whether the three Worthies shall come in or no?<br/> | ||
BEROWNE. What, are there but three?<br/> | BEROWNE. What, are there but three?<br/> | ||
COSTARD. No, sir; but it is vara fine,<br/> | COSTARD. No, sir; but it is vara fine,<br/> | ||
For every one pursents three.<br/> | For every one pursents three.<br/> | ||
BEROWNE. And three times thrice is nine.<br/> | BEROWNE. And three times thrice is nine.<br/> | ||
COSTARD. Not so, sir; under correction, sir,<br/> | COSTARD. Not so, sir; under correction, sir,<br/> | ||
I hope it is not so.<br/> | I hope it is not so.<br/> | ||
You cannot beg us, sir, I can assure you, sir; we know what we<br/> | You cannot beg us, sir, I can assure you, sir; we know what we<br/> | ||
know;<br/> | know;<br/> | ||
I hope, sir, three times thrice, sir-<br/> | I hope, sir, three times thrice, sir-<br/> | ||
BEROWNE. Is not nine.<br/> | BEROWNE. Is not nine.<br/> | ||
COSTARD. Under correction, sir, we know whereuntil it doth amount.<br/> | COSTARD. Under correction, sir, we know whereuntil it doth amount.<br/> | ||
BEROWNE. By Jove, I always took three threes for nine.<br/> | BEROWNE. By Jove, I always took three threes for nine.<br/> | ||
COSTARD. O Lord, sir, it were pity you should get your living by<br/> | COSTARD. O Lord, sir, it were pity you should get your living by<br/> | ||
reck'ning, sir.<br/> | reck'ning, sir.<br/> | ||
BEROWNE. How much is it?<br/> | BEROWNE. How much is it?<br/> | ||
COSTARD. O Lord, sir, the parties themselves, the actors, sir, will<br/> | COSTARD. O Lord, sir, the parties themselves, the actors, sir, will<br/> | ||
show whereuntil it doth amount. For mine own part, I am, as they<br/> | show whereuntil it doth amount. For mine own part, I am, as they<br/> | ||
say, but to parfect one man in one poor man, Pompion the Great,<br/> | say, but to parfect one man in one poor man, Pompion the Great,<br/> | ||
sir.<br/> | sir.<br/> | ||
BEROWNE. Art thou one of the Worthies?<br/> | BEROWNE. Art thou one of the Worthies?<br/> | ||
COSTARD. It pleased them to think me worthy of Pompey the Great;<br/> | COSTARD. It pleased them to think me worthy of Pompey the Great;<br/> | ||
for mine own part, I know not the degree of the Worthy; but I am<br/> | for mine own part, I know not the degree of the Worthy; but I am<br/> | ||
to stand for him.<br/> | to stand for him.<br/> | ||
BEROWNE. Go, bid them prepare.<br/> | BEROWNE. Go, bid them prepare.<br/> | ||
COSTARD. We will turn it finely off, sir; we will take some care.<br/> | COSTARD. We will turn it finely off, sir; we will take some care.<br/> | ||
Exit COSTARD<br/> | Exit COSTARD<br/> | ||
KING. Berowne, they will shame us; let them not approach.<br/> | KING. Berowne, they will shame us; let them not approach.<br/> | ||
BEROWNE. We are shame-proof, my lord, and 'tis some policy<br/> | BEROWNE. We are shame-proof, my lord, and 'tis some policy<br/> | ||
To have one show worse than the King's and his company.<br/> | To have one show worse than the King's and his company.<br/> | ||
KING. I say they shall not come.<br/> | KING. I say they shall not come.<br/> | ||
PRINCESS OF FRANCE. Nay, my good lord, let me o'errule you now.<br/> | PRINCESS OF FRANCE. Nay, my good lord, let me o'errule you now.<br/> | ||
That sport best pleases that doth least know how;<br/> | That sport best pleases that doth least know how;<br/> | ||
Where zeal strives to content, and the contents<br/> | Where zeal strives to content, and the contents<br/> | ||
Dies in the zeal of that which it presents.<br/> | Dies in the zeal of that which it presents.<br/> | ||
Their form confounded makes most form in mirth,<br/> | Their form confounded makes most form in mirth,<br/> | ||
When great things labouring perish in their birth.<br/> | When great things labouring perish in their birth.<br/> | ||
BEROWNE. A right description of our sport, my lord.<br/> | BEROWNE. A right description of our sport, my lord.<br/> | ||
</p> | </p> | ||
Line 2,523: | Line 4,898: | ||
<p> ARMADO. Anointed, I implore so much expense of thy royal sweet<br/> | <p> ARMADO. Anointed, I implore so much expense of thy royal sweet<br/> | ||
breath as will utter a brace of words.<br/> | breath as will utter a brace of words.<br/> | ||
[Converses apart with the KING, and delivers a paper]<br/> | [Converses apart with the KING, and delivers a paper]<br/> | ||
PRINCESS OF FRANCE. Doth this man serve God?<br/> | PRINCESS OF FRANCE. Doth this man serve God?<br/> | ||
BEROWNE. Why ask you?<br/> | BEROWNE. Why ask you?<br/> | ||
PRINCESS OF FRANCE. 'A speaks not like a man of God his making.<br/> | PRINCESS OF FRANCE. 'A speaks not like a man of God his making.<br/> | ||
ARMADO. That is all one, my fair, sweet, honey monarch; for, I<br/> | ARMADO. That is all one, my fair, sweet, honey monarch; for, I<br/> | ||
protest, the schoolmaster is exceeding fantastical; too too vain,<br/> | protest, the schoolmaster is exceeding fantastical; too too vain,<br/> | ||
too too vain; but we will put it, as they say, to fortuna de la<br/> | too too vain; but we will put it, as they say, to fortuna de la<br/> | ||
guerra. I wish you the peace of mind, most royal couplement!<br/> | guerra. I wish you the peace of mind, most royal couplement!<br/> | ||
Exit ARMADO<br/> | Exit ARMADO<br/> | ||
KING. Here is like to be a good presence of Worthies. He presents<br/> | KING. Here is like to be a good presence of Worthies. He presents<br/> | ||
Hector of Troy; the swain, Pompey the Great; the parish curate,<br/> | Hector of Troy; the swain, Pompey the Great; the parish curate,<br/> | ||
Alexander; Arinado's page, Hercules; the pedant, Judas<br/> | Alexander; Arinado's page, Hercules; the pedant, Judas<br/> | ||
Maccabaeus.<br/> | Maccabaeus.<br/> | ||
And if these four Worthies in their first show thrive,<br/> | And if these four Worthies in their first show thrive,<br/> | ||
These four will change habits and present the other five.<br/> | These four will change habits and present the other five.<br/> | ||
BEROWNE. There is five in the first show.<br/> | BEROWNE. There is five in the first show.<br/> | ||
KING. You are deceived, 'tis not so.<br/> | KING. You are deceived, 'tis not so.<br/> | ||
BEROWNE. The pedant, the braggart, the hedge-priest, the fool, and<br/> | BEROWNE. The pedant, the braggart, the hedge-priest, the fool, and<br/> | ||
the boy:<br/> | the boy:<br/> | ||
Abate throw at novum, and the whole world again<br/> | Abate throw at novum, and the whole world again<br/> | ||
Cannot pick out five such, take each one in his vein.<br/> | Cannot pick out five such, take each one in his vein.<br/> | ||
KING. The ship is under sail, and here she comes amain.<br/> | KING. The ship is under sail, and here she comes amain.<br/> | ||
</p> | </p> | ||
Line 2,551: | Line 4,950: | ||
<p> COSTARD. I Pompey am-<br/> | <p> COSTARD. I Pompey am-<br/> | ||
BEROWNE. You lie, you are not he.<br/> | BEROWNE. You lie, you are not he.<br/> | ||
COSTARD. I Pompey am-<br/> | COSTARD. I Pompey am-<br/> | ||
BOYET. With libbard's head on knee.<br/> | BOYET. With libbard's head on knee.<br/> | ||
BEROWNE. Well said, old mocker; I must needs be friends with thee.<br/> | BEROWNE. Well said, old mocker; I must needs be friends with thee.<br/> | ||
COSTARD. I Pompey am, Pompey surnam'd the Big-<br/> | COSTARD. I Pompey am, Pompey surnam'd the Big-<br/> | ||
DUMAIN. The Great.<br/> | DUMAIN. The Great.<br/> | ||
COSTARD. It is Great, sir.<br/> | COSTARD. It is Great, sir.<br/> | ||
Pompey surnam'd the Great,<br/> | Pompey surnam'd the Great,<br/> | ||
That oft in field, with targe and shield, did make my foe to<br/> | That oft in field, with targe and shield, did make my foe to<br/> | ||
sweat;<br/> | sweat;<br/> | ||
And travelling along this coast, I bere am come by chance,<br/> | And travelling along this coast, I bere am come by chance,<br/> | ||
And lay my arms before the legs of this sweet lass of France.<br/> | And lay my arms before the legs of this sweet lass of France.<br/> | ||
</p> | </p> | ||
<p> If your ladyship would say 'Thanks, Pompey,' I had done.<br/> | <p> If your ladyship would say 'Thanks, Pompey,' I had done.<br/> | ||
PRINCESS OF FRANCE. Great thanks, great Pompey.<br/> | PRINCESS OF FRANCE. Great thanks, great Pompey.<br/> | ||
COSTARD. 'Tis not so much worth; but I hope I was perfect.<br/> | COSTARD. 'Tis not so much worth; but I hope I was perfect.<br/> | ||
I made a little fault in Great.<br/> | I made a little fault in Great.<br/> | ||
BEROWNE. My hat to a halfpenny, Pompey proves the best Worthy.<br/> | BEROWNE. My hat to a halfpenny, Pompey proves the best Worthy.<br/> | ||
</p> | </p> | ||
Line 2,575: | Line 4,992: | ||
<p> NATHANIEL. When in the world I liv'd, I was the world's commander;<br/> | <p> NATHANIEL. When in the world I liv'd, I was the world's commander;<br/> | ||
By east, west, north, and south, I spread my conquering might.<br/> | By east, west, north, and south, I spread my conquering might.<br/> | ||
My scutcheon plain declares that I am Alisander-<br/> | My scutcheon plain declares that I am Alisander-<br/> | ||
BOYET. Your nose says, no, you are not; for it stands to right.<br/> | BOYET. Your nose says, no, you are not; for it stands to right.<br/> | ||
BEROWNE. Your nose smells 'no' in this, most tender-smelling<br/> | BEROWNE. Your nose smells 'no' in this, most tender-smelling<br/> | ||
knight.<br/> | knight.<br/> | ||
PRINCESS OF FRANCE. The conqueror is dismay'd. Proceed, good<br/> | PRINCESS OF FRANCE. The conqueror is dismay'd. Proceed, good<br/> | ||
Alexander.<br/> | Alexander.<br/> | ||
NATHANIEL. When in the world I liv'd, I was the world's commander-<br/> | NATHANIEL. When in the world I liv'd, I was the world's commander-<br/> | ||
BOYET. Most true, 'tis right, you were so, Alisander.<br/> | BOYET. Most true, 'tis right, you were so, Alisander.<br/> | ||
BEROWNE. Pompey the Great!<br/> | BEROWNE. Pompey the Great!<br/> | ||
COSTARD. Your servant, and Costard.<br/> | COSTARD. Your servant, and Costard.<br/> | ||
BEROWNE. Take away the conqueror, take away Alisander.<br/> | BEROWNE. Take away the conqueror, take away Alisander.<br/> | ||
COSTARD. [To Sir Nathaniel] O, Sir, you have overthrown Alisander<br/> | COSTARD. [To Sir Nathaniel] O, Sir, you have overthrown Alisander<br/> | ||
the conqueror! You will be scrap'd out of the painted cloth for<br/> | the conqueror! You will be scrap'd out of the painted cloth for<br/> | ||
this. Your lion, that holds his poleaxe sitting on a close-stool,<br/> | this. Your lion, that holds his poleaxe sitting on a close-stool,<br/> | ||
will be given to Ajax. He will be the ninth Worthy. A conqueror<br/> | will be given to Ajax. He will be the ninth Worthy. A conqueror<br/> | ||
and afeard to speak! Run away for shame, Alisander.<br/> | and afeard to speak! Run away for shame, Alisander.<br/> | ||
[Sir Nathaniel retires] There, an't shall please you, a foolish<br/> | [Sir Nathaniel retires] There, an't shall please you, a foolish<br/> | ||
mild man; an honest man, look you, and soon dash'd. He is a<br/> | mild man; an honest man, look you, and soon dash'd. He is a<br/> | ||
marvellous good neighbour, faith, and a very good bowler; but for<br/> | marvellous good neighbour, faith, and a very good bowler; but for<br/> | ||
Alisander- alas! you see how 'tis- a little o'erparted. But there<br/> | Alisander- alas! you see how 'tis- a little o'erparted. But there<br/> | ||
are Worthies a-coming will speak their mind in some other sort.<br/> | are Worthies a-coming will speak their mind in some other sort.<br/> | ||
PRINCESS OF FRANCE. Stand aside, good Pompey.<br/> | PRINCESS OF FRANCE. Stand aside, good Pompey.<br/> | ||
</p> | </p> | ||
Line 2,603: | Line 5,044: | ||
<p> HOLOFERNES. Great Hercules is presented by this imp,<br/> | <p> HOLOFERNES. Great Hercules is presented by this imp,<br/> | ||
Whose club kill'd Cerberus, that three-headed canus;<br/> | Whose club kill'd Cerberus, that three-headed canus;<br/> | ||
And when be was a babe, a child, a shrimp,<br/> | And when be was a babe, a child, a shrimp,<br/> | ||
Thus did he strangle serpents in his manus.<br/> | Thus did he strangle serpents in his manus.<br/> | ||
Quoniam he seemeth in minority,<br/> | Quoniam he seemeth in minority,<br/> | ||
Ergo I come with this apology.<br/> | Ergo I come with this apology.<br/> | ||
Keep some state in thy exit, and vanish. [MOTH retires]<br/> | Keep some state in thy exit, and vanish. [MOTH retires]<br/> | ||
Judas I am-<br/> | Judas I am-<br/> | ||
DUMAIN. A Judas!<br/> | DUMAIN. A Judas!<br/> | ||
HOLOFERNES. Not Iscariot, sir.<br/> | HOLOFERNES. Not Iscariot, sir.<br/> | ||
Judas I am, ycliped Maccabaeus.<br/> | Judas I am, ycliped Maccabaeus.<br/> | ||
DUMAIN. Judas Maccabaeus clipt is plain Judas.<br/> | DUMAIN. Judas Maccabaeus clipt is plain Judas.<br/> | ||
BEROWNE. A kissing traitor. How art thou prov'd Judas?<br/> | BEROWNE. A kissing traitor. How art thou prov'd Judas?<br/> | ||
HOLOFERNES. Judas I am-<br/> | HOLOFERNES. Judas I am-<br/> | ||
DUMAIN. The more shame for you, Judas!<br/> | DUMAIN. The more shame for you, Judas!<br/> | ||
HOLOFERNES. What mean you, sir?<br/> | HOLOFERNES. What mean you, sir?<br/> | ||
BOYET. To make Judas hang himself.<br/> | BOYET. To make Judas hang himself.<br/> | ||
HOLOFERNES. Begin, sir; you are my elder.<br/> | HOLOFERNES. Begin, sir; you are my elder.<br/> | ||
BEROWNE. Well followed: Judas was hanged on an elder.<br/> | BEROWNE. Well followed: Judas was hanged on an elder.<br/> | ||
HOLOFERNES. I will not be put out of countenance.<br/> | HOLOFERNES. I will not be put out of countenance.<br/> | ||
BEROWNE. Because thou hast no face.<br/> | BEROWNE. Because thou hast no face.<br/> | ||
HOLOFERNES. What is this?<br/> | HOLOFERNES. What is this?<br/> | ||
BOYET. A cittern-head.<br/> | BOYET. A cittern-head.<br/> | ||
DUMAIN. The head of a bodkin.<br/> | DUMAIN. The head of a bodkin.<br/> | ||
BEROWNE. A death's face in a ring.<br/> | BEROWNE. A death's face in a ring.<br/> | ||
LONGAVILLE. The face of an old Roman coin, scarce seen.<br/> | LONGAVILLE. The face of an old Roman coin, scarce seen.<br/> | ||
BOYET. The pommel of Coesar's falchion.<br/> | BOYET. The pommel of Coesar's falchion.<br/> | ||
DUMAIN. The carv'd-bone face on a flask.<br/> | DUMAIN. The carv'd-bone face on a flask.<br/> | ||
BEROWNE. Saint George's half-cheek in a brooch.<br/> | BEROWNE. Saint George's half-cheek in a brooch.<br/> | ||
DUMAIN. Ay, and in a brooch of lead.<br/> | DUMAIN. Ay, and in a brooch of lead.<br/> | ||
BEROWNE. Ay, and worn in the cap of a tooth-drawer. And now,<br/> | BEROWNE. Ay, and worn in the cap of a tooth-drawer. And now,<br/> | ||
forward; for we have put thee in countenance.<br/> | forward; for we have put thee in countenance.<br/> | ||
HOLOFERNES. You have put me out of countenance.<br/> | HOLOFERNES. You have put me out of countenance.<br/> | ||
BEROWNE. False: we have given thee faces.<br/> | BEROWNE. False: we have given thee faces.<br/> | ||
HOLOFERNES. But you have outfac'd them all.<br/> | HOLOFERNES. But you have outfac'd them all.<br/> | ||
BEROWNE. An thou wert a lion we would do so.<br/> | BEROWNE. An thou wert a lion we would do so.<br/> | ||
BOYET. Therefore, as he is an ass, let him go.<br/> | BOYET. Therefore, as he is an ass, let him go.<br/> | ||
And so adieu, sweet Jude! Nay, why dost thou stay?<br/> | And so adieu, sweet Jude! Nay, why dost thou stay?<br/> | ||
DUMAIN. For the latter end of his name.<br/> | DUMAIN. For the latter end of his name.<br/> | ||
BEROWNE. For the ass to the Jude; give it him- Jud-as, away.<br/> | BEROWNE. For the ass to the Jude; give it him- Jud-as, away.<br/> | ||
HOLOFERNES. This is not generous, not gentle, not humble.<br/> | HOLOFERNES. This is not generous, not gentle, not humble.<br/> | ||
BOYET. A light for Monsieur Judas! It grows dark, he may stumble.<br/> | BOYET. A light for Monsieur Judas! It grows dark, he may stumble.<br/> | ||
[HOLOFERNES retires]<br/> | [HOLOFERNES retires]<br/> | ||
PRINCESS OF FRANCE. Alas, poor Maccabaeus, how hath he been baited!<br/> | PRINCESS OF FRANCE. Alas, poor Maccabaeus, how hath he been baited!<br/> | ||
</p> | </p> | ||
Line 2,651: | Line 5,136: | ||
<p> BEROWNE. Hide thy head, Achilles; here comes Hector in arms.<br/> | <p> BEROWNE. Hide thy head, Achilles; here comes Hector in arms.<br/> | ||
DUMAIN. Though my mocks come home by me, I will now be merry.<br/> | DUMAIN. Though my mocks come home by me, I will now be merry.<br/> | ||
KING. Hector was but a Troyan in respect of this.<br/> | KING. Hector was but a Troyan in respect of this.<br/> | ||
BOYET. But is this Hector?<br/> | BOYET. But is this Hector?<br/> | ||
DUMAIN. I think Hector was not so clean-timber'd.<br/> | DUMAIN. I think Hector was not so clean-timber'd.<br/> | ||
LONGAVILLE. His leg is too big for Hector's.<br/> | LONGAVILLE. His leg is too big for Hector's.<br/> | ||
DUMAIN. More calf, certain.<br/> | DUMAIN. More calf, certain.<br/> | ||
BOYET. No; he is best indued in the small.<br/> | BOYET. No; he is best indued in the small.<br/> | ||
BEROWNE. This cannot be Hector.<br/> | BEROWNE. This cannot be Hector.<br/> | ||
DUMAIN. He's a god or a painter, for he makes faces.<br/> | DUMAIN. He's a god or a painter, for he makes faces.<br/> | ||
ARMADO. The armipotent Mars, of lances the almighty,<br/> | ARMADO. The armipotent Mars, of lances the almighty,<br/> | ||
Gave Hector a gift-<br/> | Gave Hector a gift-<br/> | ||
DUMAIN. A gilt nutmeg.<br/> | DUMAIN. A gilt nutmeg.<br/> | ||
BEROWNE. A lemon.<br/> | BEROWNE. A lemon.<br/> | ||
LONGAVILLE. Stuck with cloves.<br/> | LONGAVILLE. Stuck with cloves.<br/> | ||
DUMAIN. No, cloven.<br/> | DUMAIN. No, cloven.<br/> | ||
ARMADO. Peace!<br/> | ARMADO. Peace!<br/> | ||
The armipotent Mars, of lances the almighty,<br/> | The armipotent Mars, of lances the almighty,<br/> | ||
Gave Hector a gift, the heir of Ilion;<br/> | Gave Hector a gift, the heir of Ilion;<br/> | ||
A man so breathed that certain he would fight ye,<br/> | A man so breathed that certain he would fight ye,<br/> | ||
From morn till night out of his pavilion.<br/> | From morn till night out of his pavilion.<br/> | ||
I am that flower-<br/> | I am that flower-<br/> | ||
DUMAIN. That mint.<br/> | DUMAIN. That mint.<br/> | ||
LONGAVILLE. That columbine.<br/> | LONGAVILLE. That columbine.<br/> | ||
ARMADO. Sweet Lord Longaville, rein thy tongue.<br/> | ARMADO. Sweet Lord Longaville, rein thy tongue.<br/> | ||
LONGAVILLE. I must rather give it the rein, for it runs against<br/> | LONGAVILLE. I must rather give it the rein, for it runs against<br/> | ||
Hector.<br/> | Hector.<br/> | ||
DUMAIN. Ay, and Hector's a greyhound.<br/> | DUMAIN. Ay, and Hector's a greyhound.<br/> | ||
ARMADO. The sweet war-man is dead and rotten; sweet chucks, beat<br/> | ARMADO. The sweet war-man is dead and rotten; sweet chucks, beat<br/> | ||
not the bones of the buried; when he breathed, he was a man. But<br/> | not the bones of the buried; when he breathed, he was a man. But<br/> | ||
I will forward with my device. [To the PRINCESS] Sweet royalty,<br/> | I will forward with my device. [To the PRINCESS] Sweet royalty,<br/> | ||
bestow on me the sense of hearing.<br/> | bestow on me the sense of hearing.<br/> | ||
</p> | </p> | ||
Line 2,687: | Line 5,204: | ||
<p> PRINCESS OF FRANCE. Speak, brave Hector; we are much delighted.<br/> | <p> PRINCESS OF FRANCE. Speak, brave Hector; we are much delighted.<br/> | ||
ARMADO. I do adore thy sweet Grace's slipper.<br/> | ARMADO. I do adore thy sweet Grace's slipper.<br/> | ||
BOYET. [Aside to DUMAIN] Loves her by the foot.<br/> | BOYET. [Aside to DUMAIN] Loves her by the foot.<br/> | ||
DUMAIN. [Aside to BOYET] He may not by the yard.<br/> | DUMAIN. [Aside to BOYET] He may not by the yard.<br/> | ||
ARMADO. This Hector far surmounted Hannibal-<br/> | ARMADO. This Hector far surmounted Hannibal-<br/> | ||
COSTARD. The party is gone, fellow Hector, she is gone; she is two<br/> | COSTARD. The party is gone, fellow Hector, she is gone; she is two<br/> | ||
months on her way.<br/> | months on her way.<br/> | ||
ARMADO. What meanest thou?<br/> | ARMADO. What meanest thou?<br/> | ||
COSTARD. Faith, unless you play the honest Troyan, the poor wench<br/> | COSTARD. Faith, unless you play the honest Troyan, the poor wench<br/> | ||
is cast away. She's quick; the child brags in her belly already;<br/> | is cast away. She's quick; the child brags in her belly already;<br/> | ||
'tis yours.<br/> | 'tis yours.<br/> | ||
ARMADO. Dost thou infamonize me among potentates? Thou shalt die.<br/> | ARMADO. Dost thou infamonize me among potentates? Thou shalt die.<br/> | ||
COSTARD. Then shall Hector be whipt for Jaquenetta that is quick by<br/> | COSTARD. Then shall Hector be whipt for Jaquenetta that is quick by<br/> | ||
him, and hang'd for Pompey that is dead by him.<br/> | him, and hang'd for Pompey that is dead by him.<br/> | ||
DUMAIN. Most rare Pompey!<br/> | DUMAIN. Most rare Pompey!<br/> | ||
BOYET. Renowned Pompey!<br/> | BOYET. Renowned Pompey!<br/> | ||
BEROWNE. Greater than Great! Great, great, great Pompey! Pompey the<br/> | BEROWNE. Greater than Great! Great, great, great Pompey! Pompey the<br/> | ||
Huge!<br/> | Huge!<br/> | ||
DUMAIN. Hector trembles.<br/> | DUMAIN. Hector trembles.<br/> | ||
BEROWNE. Pompey is moved. More Ates, more Ates! Stir them on! stir<br/> | BEROWNE. Pompey is moved. More Ates, more Ates! Stir them on! stir<br/> | ||
them on!<br/> | them on!<br/> | ||
DUMAIN. Hector will challenge him.<br/> | DUMAIN. Hector will challenge him.<br/> | ||
BEROWNE. Ay, if 'a have no more man's blood in his belly than will<br/> | BEROWNE. Ay, if 'a have no more man's blood in his belly than will<br/> | ||
sup a flea.<br/> | sup a flea.<br/> | ||
ARMADO. By the North Pole, I do challenge thee.<br/> | ARMADO. By the North Pole, I do challenge thee.<br/> | ||
COSTARD. I will not fight with a pole, like a Northern man; I'll<br/> | COSTARD. I will not fight with a pole, like a Northern man; I'll<br/> | ||
slash; I'll do it by the sword. I bepray you, let me borrow my<br/> | slash; I'll do it by the sword. I bepray you, let me borrow my<br/> | ||
arms again.<br/> | arms again.<br/> | ||
DUMAIN. Room for the incensed Worthies!<br/> | DUMAIN. Room for the incensed Worthies!<br/> | ||
COSTARD. I'll do it in my shirt.<br/> | COSTARD. I'll do it in my shirt.<br/> | ||
DUMAIN. Most resolute Pompey!<br/> | DUMAIN. Most resolute Pompey!<br/> | ||
MOTH. Master, let me take you a buttonhole lower. Do you not see<br/> | MOTH. Master, let me take you a buttonhole lower. Do you not see<br/> | ||
Pompey is uncasing for the combat? What mean you? You will lose<br/> | Pompey is uncasing for the combat? What mean you? You will lose<br/> | ||
your reputation.<br/> | your reputation.<br/> | ||
ARMADO. Gentlemen and soldiers, pardon me; I will not combat in my<br/> | ARMADO. Gentlemen and soldiers, pardon me; I will not combat in my<br/> | ||
shirt.<br/> | shirt.<br/> | ||
DUMAIN. You may not deny it: Pompey hath made the challenge.<br/> | DUMAIN. You may not deny it: Pompey hath made the challenge.<br/> | ||
ARMADO. Sweet bloods, I both may and will.<br/> | ARMADO. Sweet bloods, I both may and will.<br/> | ||
BEROWNE. What reason have you for 't?<br/> | BEROWNE. What reason have you for 't?<br/> | ||
ARMADO. The naked truth of it is: I have no shirt; I go woolward<br/> | ARMADO. The naked truth of it is: I have no shirt; I go woolward<br/> | ||
for penance.<br/> | for penance.<br/> | ||
BOYET. True, and it was enjoined him in Rome for want of linen;<br/> | BOYET. True, and it was enjoined him in Rome for want of linen;<br/> | ||
since when, I'll be sworn, he wore none but a dishclout of<br/> | since when, I'll be sworn, he wore none but a dishclout of<br/> | ||
Jaquenetta's, and that 'a wears next his heart for a favour.<br/> | Jaquenetta's, and that 'a wears next his heart for a favour.<br/> | ||
</p> | </p> | ||
Line 2,735: | Line 5,296: | ||
<p> MARCADE. God save you, madam!<br/> | <p> MARCADE. God save you, madam!<br/> | ||
PRINCESS OF FRANCE. Welcome, Marcade;<br/> | PRINCESS OF FRANCE. Welcome, Marcade;<br/> | ||
But that thou interruptest our merriment.<br/> | But that thou interruptest our merriment.<br/> | ||
MARCADE. I am sorry, madam; for the news I bring<br/> | MARCADE. I am sorry, madam; for the news I bring<br/> | ||
Is heavy in my tongue. The King your father-<br/> | Is heavy in my tongue. The King your father-<br/> | ||
PRINCESS OF FRANCE. Dead, for my life!<br/> | PRINCESS OF FRANCE. Dead, for my life!<br/> | ||
MARCADE. Even so; my tale is told.<br/> | MARCADE. Even so; my tale is told.<br/> | ||
BEROWNE. WOrthies away; the scene begins to cloud.<br/> | BEROWNE. WOrthies away; the scene begins to cloud.<br/> | ||
ARMADO. For mine own part, I breathe free breath. I have seen the<br/> | ARMADO. For mine own part, I breathe free breath. I have seen the<br/> | ||
day of wrong through the little hole of discretion, and I will<br/> | day of wrong through the little hole of discretion, and I will<br/> | ||
right myself like a soldier. Exeunt WORTHIES<br/> | right myself like a soldier. Exeunt WORTHIES<br/> | ||
KING. How fares your Majesty?<br/> | KING. How fares your Majesty?<br/> | ||
PRINCESS OF FRANCE. Boyet, prepare; I will away to-night.<br/> | PRINCESS OF FRANCE. Boyet, prepare; I will away to-night.<br/> | ||
KING. Madam, not so; I do beseech you stay.<br/> | KING. Madam, not so; I do beseech you stay.<br/> | ||
PRINCESS OF FRANCE. Prepare, I say. I thank you, gracious lords,<br/> | PRINCESS OF FRANCE. Prepare, I say. I thank you, gracious lords,<br/> | ||
For all your fair endeavours, and entreat,<br/> | For all your fair endeavours, and entreat,<br/> | ||
Out of a new-sad soul, that you vouchsafe<br/> | Out of a new-sad soul, that you vouchsafe<br/> | ||
In your rich wisdom to excuse or hide<br/> | In your rich wisdom to excuse or hide<br/> | ||
The liberal opposition of our spirits,<br/> | The liberal opposition of our spirits,<br/> | ||
If over-boldly we have borne ourselves<br/> | If over-boldly we have borne ourselves<br/> | ||
In the converse of breath- your gentleness<br/> | In the converse of breath- your gentleness<br/> | ||
Was guilty of it. Farewell, worthy lord.<br/> | Was guilty of it. Farewell, worthy lord.<br/> | ||
A heavy heart bears not a nimble tongue.<br/> | A heavy heart bears not a nimble tongue.<br/> | ||
Excuse me so, coming too short of thanks<br/> | Excuse me so, coming too short of thanks<br/> | ||
For my great suit so easily obtain'd.<br/> | For my great suit so easily obtain'd.<br/> | ||
KING. The extreme parts of time extremely forms<br/> | KING. The extreme parts of time extremely forms<br/> | ||
All causes to the purpose of his speed;<br/> | All causes to the purpose of his speed;<br/> | ||
And often at his very loose decides<br/> | And often at his very loose decides<br/> | ||
That which long process could not arbitrate.<br/> | That which long process could not arbitrate.<br/> | ||
And though the mourning brow of progeny<br/> | And though the mourning brow of progeny<br/> | ||
Forbid the smiling courtesy of love<br/> | Forbid the smiling courtesy of love<br/> | ||
The holy suit which fain it would convince,<br/> | The holy suit which fain it would convince,<br/> | ||
Yet, since love's argument was first on foot,<br/> | Yet, since love's argument was first on foot,<br/> | ||
Let not the cloud of sorrow justle it<br/> | Let not the cloud of sorrow justle it<br/> | ||
From what it purpos'd; since to wail friends lost<br/> | From what it purpos'd; since to wail friends lost<br/> | ||
Is not by much so wholesome-profitable<br/> | Is not by much so wholesome-profitable<br/> | ||
As to rejoice at friends but newly found.<br/> | As to rejoice at friends but newly found.<br/> | ||
PRINCESS OF FRANCE. I understand you not; my griefs are double.<br/> | PRINCESS OF FRANCE. I understand you not; my griefs are double.<br/> | ||
BEROWNE. Honest plain words best pierce the ear of grief;<br/> | BEROWNE. Honest plain words best pierce the ear of grief;<br/> | ||
And by these badges understand the King.<br/> | And by these badges understand the King.<br/> | ||
For your fair sakes have we neglected time,<br/> | For your fair sakes have we neglected time,<br/> | ||
Play'd foul play with our oaths; your beauty, ladies,<br/> | Play'd foul play with our oaths; your beauty, ladies,<br/> | ||
Hath much deformed us, fashioning our humours<br/> | Hath much deformed us, fashioning our humours<br/> | ||
Even to the opposed end of our intents;<br/> | Even to the opposed end of our intents;<br/> | ||
And what in us hath seem'd ridiculous,<br/> | And what in us hath seem'd ridiculous,<br/> | ||
As love is full of unbefitting strains,<br/> | As love is full of unbefitting strains,<br/> | ||
All wanton as a child, skipping and vain;<br/> | All wanton as a child, skipping and vain;<br/> | ||
Form'd by the eye and therefore, like the eye,<br/> | Form'd by the eye and therefore, like the eye,<br/> | ||
Full of strange shapes, of habits, and of forms,<br/> | Full of strange shapes, of habits, and of forms,<br/> | ||
Varying in subjects as the eye doth roll<br/> | Varying in subjects as the eye doth roll<br/> | ||
To every varied object in his glance;<br/> | To every varied object in his glance;<br/> | ||
Which parti-coated presence of loose love<br/> | Which parti-coated presence of loose love<br/> | ||
Put on by us, if in your heavenly eyes<br/> | Put on by us, if in your heavenly eyes<br/> | ||
Have misbecom'd our oaths and gravities,<br/> | Have misbecom'd our oaths and gravities,<br/> | ||
Those heavenly eyes that look into these faults<br/> | Those heavenly eyes that look into these faults<br/> | ||
Suggested us to make. Therefore, ladies,<br/> | Suggested us to make. Therefore, ladies,<br/> | ||
Our love being yours, the error that love makes<br/> | Our love being yours, the error that love makes<br/> | ||
Is likewise yours. We to ourselves prove false,<br/> | Is likewise yours. We to ourselves prove false,<br/> | ||
By being once false for ever to be true<br/> | By being once false for ever to be true<br/> | ||
To those that make us both- fair ladies, you;<br/> | To those that make us both- fair ladies, you;<br/> | ||
And even that falsehood, in itself a sin,<br/> | And even that falsehood, in itself a sin,<br/> | ||
Thus purifies itself and turns to grace.<br/> | Thus purifies itself and turns to grace.<br/> | ||
PRINCESS OF FRANCE. We have receiv'd your letters, full of love;<br/> | PRINCESS OF FRANCE. We have receiv'd your letters, full of love;<br/> | ||
Your favours, the ambassadors of love;<br/> | Your favours, the ambassadors of love;<br/> | ||
And, in our maiden council, rated them<br/> | And, in our maiden council, rated them<br/> | ||
At courtship, pleasant jest, and courtesy,<br/> | At courtship, pleasant jest, and courtesy,<br/> | ||
As bombast and as lining to the time;<br/> | As bombast and as lining to the time;<br/> | ||
But more devout than this in our respects<br/> | But more devout than this in our respects<br/> | ||
Have we not been; and therefore met your loves<br/> | Have we not been; and therefore met your loves<br/> | ||
In their own fashion, like a merriment.<br/> | In their own fashion, like a merriment.<br/> | ||
DUMAIN. Our letters, madam, show'd much more than jest.<br/> | DUMAIN. Our letters, madam, show'd much more than jest.<br/> | ||
LONGAVILLE. So did our looks.<br/> | LONGAVILLE. So did our looks.<br/> | ||
ROSALINE. We did not quote them so.<br/> | ROSALINE. We did not quote them so.<br/> | ||
KING. Now, at the latest minute of the hour,<br/> | KING. Now, at the latest minute of the hour,<br/> | ||
Grant us your loves.<br/> | Grant us your loves.<br/> | ||
PRINCESS OF FRANCE. A time, methinks, too short<br/> | PRINCESS OF FRANCE. A time, methinks, too short<br/> | ||
To make a world-without-end bargain in.<br/> | To make a world-without-end bargain in.<br/> | ||
No, no, my lord, your Grace is perjur'd much,<br/> | No, no, my lord, your Grace is perjur'd much,<br/> | ||
Full of dear guiltiness; and therefore this,<br/> | Full of dear guiltiness; and therefore this,<br/> | ||
If for my love, as there is no such cause,<br/> | If for my love, as there is no such cause,<br/> | ||
You will do aught- this shall you do for me:<br/> | You will do aught- this shall you do for me:<br/> | ||
Your oath I will not trust; but go with speed<br/> | Your oath I will not trust; but go with speed<br/> | ||
To some forlorn and naked hermitage,<br/> | To some forlorn and naked hermitage,<br/> | ||
Remote from all the pleasures of the world;<br/> | Remote from all the pleasures of the world;<br/> | ||
There stay until the twelve celestial signs<br/> | There stay until the twelve celestial signs<br/> | ||
Have brought about the annual reckoning.<br/> | Have brought about the annual reckoning.<br/> | ||
If this austere insociable life<br/> | If this austere insociable life<br/> | ||
Change not your offer made in heat of blood,<br/> | Change not your offer made in heat of blood,<br/> | ||
If frosts and fasts, hard lodging and thin weeds,<br/> | If frosts and fasts, hard lodging and thin weeds,<br/> | ||
Nip not the gaudy blossoms of your love,<br/> | Nip not the gaudy blossoms of your love,<br/> | ||
But that it bear this trial, and last love,<br/> | But that it bear this trial, and last love,<br/> | ||
Then, at the expiration of the year,<br/> | Then, at the expiration of the year,<br/> | ||
Come, challenge me, challenge me by these deserts;<br/> | Come, challenge me, challenge me by these deserts;<br/> | ||
And, by this virgin palm now kissing thine,<br/> | And, by this virgin palm now kissing thine,<br/> | ||
I will be thine; and, till that instant, shut<br/> | I will be thine; and, till that instant, shut<br/> | ||
My woeful self up in a mournful house,<br/> | My woeful self up in a mournful house,<br/> | ||
Raining the tears of lamentation<br/> | Raining the tears of lamentation<br/> | ||
For the remembrance of my father's death.<br/> | For the remembrance of my father's death.<br/> | ||
If this thou do deny, let our hands part,<br/> | If this thou do deny, let our hands part,<br/> | ||
Neither intitled in the other's heart.<br/> | Neither intitled in the other's heart.<br/> | ||
KING. If this, or more than this, I would deny,<br/> | KING. If this, or more than this, I would deny,<br/> | ||
To flatter up these powers of mine with rest,<br/> | To flatter up these powers of mine with rest,<br/> | ||
The sudden hand of death close up mine eye!<br/> | The sudden hand of death close up mine eye!<br/> | ||
Hence hermit then, my heart is in thy breast.<br/> | Hence hermit then, my heart is in thy breast.<br/> | ||
BEROWNE. And what to me, my love? and what to me?<br/> | BEROWNE. And what to me, my love? and what to me?<br/> | ||
ROSALINE. You must he purged too, your sins are rack'd;<br/> | ROSALINE. You must he purged too, your sins are rack'd;<br/> | ||
You are attaint with faults and perjury;<br/> | You are attaint with faults and perjury;<br/> | ||
Therefore, if you my favour mean to get,<br/> | Therefore, if you my favour mean to get,<br/> | ||
A twelvemonth shall you spend, and never rest,<br/> | A twelvemonth shall you spend, and never rest,<br/> | ||
But seek the weary beds of people sick.<br/> | But seek the weary beds of people sick.<br/> | ||
DUMAIN. But what to me, my love? but what to me?<br/> | DUMAIN. But what to me, my love? but what to me?<br/> | ||
A wife?<br/> | A wife?<br/> | ||
KATHARINE. A beard, fair health, and honesty;<br/> | KATHARINE. A beard, fair health, and honesty;<br/> | ||
With threefold love I wish you all these three.<br/> | With threefold love I wish you all these three.<br/> | ||
DUMAIN. O, shall I say I thank you, gentle wife?<br/> | DUMAIN. O, shall I say I thank you, gentle wife?<br/> | ||
KATHARINE. No so, my lord; a twelvemonth and a day<br/> | KATHARINE. No so, my lord; a twelvemonth and a day<br/> | ||
I'll mark no words that smooth-fac'd wooers say.<br/> | I'll mark no words that smooth-fac'd wooers say.<br/> | ||
Come when the King doth to my lady come;<br/> | Come when the King doth to my lady come;<br/> | ||
Then, if I have much love, I'll give you some.<br/> | Then, if I have much love, I'll give you some.<br/> | ||
DUMAIN. I'll serve thee true and faithfully till then.<br/> | DUMAIN. I'll serve thee true and faithfully till then.<br/> | ||
KATHARINE. Yet swear not, lest ye be forsworn again.<br/> | KATHARINE. Yet swear not, lest ye be forsworn again.<br/> | ||
LONGAVILLE. What says Maria?<br/> | LONGAVILLE. What says Maria?<br/> | ||
MARIA. At the twelvemonth's end<br/> | MARIA. At the twelvemonth's end<br/> | ||
I'll change my black gown for a faithful friend.<br/> | I'll change my black gown for a faithful friend.<br/> | ||
LONGAVILLE. I'll stay with patience; but the time is long.<br/> | LONGAVILLE. I'll stay with patience; but the time is long.<br/> | ||
MARIA. The liker you; few taller are so young.<br/> | MARIA. The liker you; few taller are so young.<br/> | ||
BEROWNE. Studies my lady? Mistress, look on me;<br/> | BEROWNE. Studies my lady? Mistress, look on me;<br/> | ||
Behold the window of my heart, mine eye,<br/> | Behold the window of my heart, mine eye,<br/> | ||
What humble suit attends thy answer there.<br/> | What humble suit attends thy answer there.<br/> | ||
Impose some service on me for thy love.<br/> | Impose some service on me for thy love.<br/> | ||
ROSALINE. Oft have I heard of you, my Lord Berowne,<br/> | ROSALINE. Oft have I heard of you, my Lord Berowne,<br/> | ||
Before I saw you; and the world's large tongue<br/> | Before I saw you; and the world's large tongue<br/> | ||
Proclaims you for a man replete with mocks,<br/> | Proclaims you for a man replete with mocks,<br/> | ||
Full of comparisons and wounding flouts,<br/> | Full of comparisons and wounding flouts,<br/> | ||
Which you on all estates will execute<br/> | Which you on all estates will execute<br/> | ||
That lie within the mercy of your wit.<br/> | That lie within the mercy of your wit.<br/> | ||
To weed this wormwood from your fruitful brain,<br/> | To weed this wormwood from your fruitful brain,<br/> | ||
And therewithal to win me, if you please,<br/> | And therewithal to win me, if you please,<br/> | ||
Without the which I am not to be won,<br/> | Without the which I am not to be won,<br/> | ||
You shall this twelvemonth term from day to day<br/> | You shall this twelvemonth term from day to day<br/> | ||
Visit the speechless sick, and still converse<br/> | Visit the speechless sick, and still converse<br/> | ||
With groaning wretches; and your task shall be,<br/> | With groaning wretches; and your task shall be,<br/> | ||
With all the fierce endeavour of your wit,<br/> | With all the fierce endeavour of your wit,<br/> | ||
To enforce the pained impotent to smile.<br/> | To enforce the pained impotent to smile.<br/> | ||
BEROWNE. To move wild laughter in the throat of death?<br/> | BEROWNE. To move wild laughter in the throat of death?<br/> | ||
It cannot be; it is impossible;<br/> | It cannot be; it is impossible;<br/> | ||
Mirth cannot move a soul in agony.<br/> | Mirth cannot move a soul in agony.<br/> | ||
ROSALINE. Why, that's the way to choke a gibing spirit,<br/> | ROSALINE. Why, that's the way to choke a gibing spirit,<br/> | ||
Whose influence is begot of that loose grace<br/> | Whose influence is begot of that loose grace<br/> | ||
Which shallow laughing hearers give to fools.<br/> | Which shallow laughing hearers give to fools.<br/> | ||
A jest's prosperity lies in the ear<br/> | A jest's prosperity lies in the ear<br/> | ||
Of him that hears it, never in the tongue<br/> | Of him that hears it, never in the tongue<br/> | ||
Of him that makes it; then, if sickly ears,<br/> | Of him that makes it; then, if sickly ears,<br/> | ||
Deaf'd with the clamours of their own dear groans,<br/> | Deaf'd with the clamours of their own dear groans,<br/> | ||
Will hear your idle scorns, continue then,<br/> | Will hear your idle scorns, continue then,<br/> | ||
And I will have you and that fault withal.<br/> | And I will have you and that fault withal.<br/> | ||
But if they will not, throw away that spirit,<br/> | But if they will not, throw away that spirit,<br/> | ||
And I shall find you empty of that fault,<br/> | And I shall find you empty of that fault,<br/> | ||
Right joyful of your reformation.<br/> | Right joyful of your reformation.<br/> | ||
BEROWNE. A twelvemonth? Well, befall what will befall,<br/> | BEROWNE. A twelvemonth? Well, befall what will befall,<br/> | ||
I'll jest a twelvemonth in an hospital.<br/> | I'll jest a twelvemonth in an hospital.<br/> | ||
PRINCESS OF FRANCE. [ To the King] Ay, sweet my lord, and so I take<br/> | PRINCESS OF FRANCE. [ To the King] Ay, sweet my lord, and so I take<br/> | ||
my leave.<br/> | my leave.<br/> | ||
KING. No, madam; we will bring you on your way.<br/> | KING. No, madam; we will bring you on your way.<br/> | ||
BEROWNE. Our wooing doth not end like an old play:<br/> | BEROWNE. Our wooing doth not end like an old play:<br/> | ||
Jack hath not Jill. These ladies' courtesy<br/> | Jack hath not Jill. These ladies' courtesy<br/> | ||
Might well have made our sport a comedy.<br/> | Might well have made our sport a comedy.<br/> | ||
KING. Come, sir, it wants a twelvemonth an' a day,<br/> | KING. Come, sir, it wants a twelvemonth an' a day,<br/> | ||
And then 'twill end.<br/> | And then 'twill end.<br/> | ||
BEROWNE. That's too long for a play.<br/> | BEROWNE. That's too long for a play.<br/> | ||
</p> | </p> | ||
Line 2,909: | Line 5,640: | ||
<p> ARMADO. Sweet Majesty, vouchsafe me-<br/> | <p> ARMADO. Sweet Majesty, vouchsafe me-<br/> | ||
PRINCESS OF FRANCE. Was not that not Hector?<br/> | PRINCESS OF FRANCE. Was not that not Hector?<br/> | ||
DUMAIN. The worthy knight of Troy.<br/> | DUMAIN. The worthy knight of Troy.<br/> | ||
ARMADO. I will kiss thy royal finger, and take leave. I am a<br/> | ARMADO. I will kiss thy royal finger, and take leave. I am a<br/> | ||
votary: I have vow'd to Jaquenetta to hold the plough for her<br/> | votary: I have vow'd to Jaquenetta to hold the plough for her<br/> | ||
sweet love three year. But, most esteemed greatness, will you<br/> | sweet love three year. But, most esteemed greatness, will you<br/> | ||
hear the dialogue that the two learned men have compiled in<br/> | hear the dialogue that the two learned men have compiled in<br/> | ||
praise of the Owl and the Cuckoo? It should have followed in the<br/> | praise of the Owl and the Cuckoo? It should have followed in the<br/> | ||
end of our show.<br/> | end of our show.<br/> | ||
KING. Call them forth quickly; we will do so.<br/> | KING. Call them forth quickly; we will do so.<br/> | ||
ARMADO. Holla! approach.<br/> | ARMADO. Holla! approach.<br/> | ||
</p> | </p> | ||
Line 2,924: | Line 5,666: | ||
<p> This side is Hiems, Winter; this Ver, the Spring- the one<br/> | <p> This side is Hiems, Winter; this Ver, the Spring- the one<br/> | ||
maintained by the Owl, th' other by the Cuckoo. Ver, begin.<br/> | maintained by the Owl, th' other by the Cuckoo. Ver, begin.<br/> | ||
</p> | </p> | ||
<p> SPRING<br/> | <p> SPRING<br/> | ||
When daisies pied and violets blue<br/> | When daisies pied and violets blue<br/> | ||
And lady-smocks all silver-white<br/> | And lady-smocks all silver-white<br/> | ||
And cuckoo-buds of yellow hue<br/> | And cuckoo-buds of yellow hue<br/> | ||
Do paint the meadows with delight,<br/> | Do paint the meadows with delight,<br/> | ||
The cuckoo then on every tree<br/> | The cuckoo then on every tree<br/> | ||
Mocks married men, for thus sings he:<br/> | Mocks married men, for thus sings he:<br/> | ||
'Cuckoo;<br/> | 'Cuckoo;<br/> | ||
Cuckoo, cuckoo'- O word of fear,<br/> | Cuckoo, cuckoo'- O word of fear,<br/> | ||
Unpleasing to a married ear!<br/> | Unpleasing to a married ear!<br/> | ||
</p> | </p> | ||
<p> When shepherds pipe on oaten straws,<br/> | <p> When shepherds pipe on oaten straws,<br/> | ||
And merry larks are ploughmen's clocks;<br/> | And merry larks are ploughmen's clocks;<br/> | ||
When turtles tread, and rooks and daws,<br/> | When turtles tread, and rooks and daws,<br/> | ||
And maidens bleach their summer smocks;<br/> | And maidens bleach their summer smocks;<br/> | ||
The cuckoo then on every tree<br/> | The cuckoo then on every tree<br/> | ||
Mocks married men, for thus sings he:<br/> | Mocks married men, for thus sings he:<br/> | ||
'Cuckoo;<br/> | 'Cuckoo;<br/> | ||
Cuckoo, cuckoo'- O word of fear,<br/> | Cuckoo, cuckoo'- O word of fear,<br/> | ||
Unpleasing to a married ear!<br/> | Unpleasing to a married ear!<br/> | ||
</p> | </p> | ||
Line 2,953: | Line 5,716: | ||
<p> When icicles hang by the wall,<br/> | <p> When icicles hang by the wall,<br/> | ||
And Dick the shepherd blows his nail,<br/> | And Dick the shepherd blows his nail,<br/> | ||
And Tom bears logs into the hall,<br/> | And Tom bears logs into the hall,<br/> | ||
And milk comes frozen home in pail,<br/> | And milk comes frozen home in pail,<br/> | ||
When blood is nipp'd, and ways be foul,<br/> | When blood is nipp'd, and ways be foul,<br/> | ||
Then nightly sings the staring owl:<br/> | Then nightly sings the staring owl:<br/> | ||
'Tu-who;<br/> | 'Tu-who;<br/> | ||
Tu-whit, Tu-who'- A merry note,<br/> | Tu-whit, Tu-who'- A merry note,<br/> | ||
While greasy Joan doth keel the pot.<br/> | While greasy Joan doth keel the pot.<br/> | ||
</p> | </p> | ||
<p> When all aloud the wind doth blow,<br/> | <p> When all aloud the wind doth blow,<br/> | ||
And coughing drowns the parson's saw,<br/> | And coughing drowns the parson's saw,<br/> | ||
And birds sit brooding in the snow,<br/> | And birds sit brooding in the snow,<br/> | ||
And Marian's nose looks red and raw,<br/> | And Marian's nose looks red and raw,<br/> | ||
When roasted crabs hiss in the bowl,<br/> | When roasted crabs hiss in the bowl,<br/> | ||
Then nightly sings the staring owl:<br/> | Then nightly sings the staring owl:<br/> | ||
'Tu-who;<br/> | 'Tu-who;<br/> | ||
Tu-whit, To-who'- A merry note,<br/> | Tu-whit, To-who'- A merry note,<br/> | ||
While greasy Joan doth keel the pot.<br/> | While greasy Joan doth keel the pot.<br/> | ||
</p> | </p> | ||
<p> ARMADO. The words of Mercury are harsh after the songs of Apollo.<br/> | <p> ARMADO. The words of Mercury are harsh after the songs of Apollo.<br/> | ||
You that way: we this way. Exeunt<br/> | You that way: we this way. Exeunt<br/> | ||
</p> | </p> | ||
{{close-shakespeare}} | {{close-shakespeare}}</text> |
Revision as of 13:25, 3 November 2024
<title>Texts:Shakespeare/cw162319</title>
LOVE'S LABOUR'S LOST
Dramatis Personae.
FERDINAND, King of Navarre
BEROWNE, lord attending on the King
LONGAVILLE, " " " " "
DUMAIN, " " " " "
BOYET, lord attending on the Princess of France
MARCADE, " " " " " " "
DON ADRIANO DE ARMADO, fantastical Spaniard
SIR NATHANIEL, a curate
HOLOFERNES, a schoolmaster
DULL, a constable
COSTARD, a clown
MOTH, page to Armado
A FORESTER
THE PRINCESS OF FRANCE
ROSALINE, lady attending on the Princess
MARIA, " " " " "
KATHARINE, lady attending on the Princess
JAQUENETTA, a country wench
Lords, Attendants, etc.
Enter the King, BEROWNE, LONGAVILLE, and DUMAIN
KING. Let fame, that all hunt after in their lives,
Live regist'red upon our brazen tombs,
And then grace us in the disgrace of death;
When, spite of cormorant devouring Time,
Th' endeavour of this present breath may buy
That honour which shall bate his scythe's keen edge,
And make us heirs of all eternity.
Therefore, brave conquerors- for so you are
That war against your own affections
And the huge army of the world's desires-
Our late edict shall strongly stand in force:
Navarre shall be the wonder of the world;
Our court shall be a little Academe,
Still and contemplative in living art.
You three, Berowne, Dumain, and Longaville,
Have sworn for three years' term to live with me
My fellow-scholars, and to keep those statutes
That are recorded in this schedule here.
Your oaths are pass'd; and now subscribe your names,
That his own hand may strike his honour down
That violates the smallest branch herein.
If you are arm'd to do as sworn to do,
Subscribe to your deep oaths, and keep it too.
LONGAVILLE. I am resolv'd; 'tis but a three years' fast.
The mind shall banquet, though the body pine.
Fat paunches have lean pates; and dainty bits
Make rich the ribs, but bankrupt quite the wits.
DUMAIN. My loving lord, Dumain is mortified.
The grosser manner of these world's delights
He throws upon the gross world's baser slaves;
To love, to wealth, to pomp, I pine and die,
With all these living in philosophy.
BEROWNE. I can but say their protestation over;
So much, dear liege, I have already sworn,
That is, to live and study here three years.
But there are other strict observances,
As: not to see a woman in that term,
Which I hope well is not enrolled there;
And one day in a week to touch no food,
And but one meal on every day beside,
The which I hope is not enrolled there;
And then to sleep but three hours in the night
And not be seen to wink of all the day-
When I was wont to think no harm all night,
And make a dark night too of half the day-
Which I hope well is not enrolled there.
O, these are barren tasks, too hard to keep,
Not to see ladies, study, fast, not sleep!
KING. Your oath is pass'd to pass away from these.
BEROWNE. Let me say no, my liege, an if you please:
I only swore to study with your Grace,
And stay here in your court for three years' space.
LONGAVILLE. You swore to that, Berowne, and to the rest.
BEROWNE. By yea and nay, sir, then I swore in jest.
What is the end of study, let me know.
KING. Why, that to know which else we should not know.
BEROWNE. Things hid and barr'd, you mean, from common sense?
KING. Ay, that is study's god-like recompense.
BEROWNE. Come on, then; I will swear to study so,
To know the thing I am forbid to know,
As thus: to study where I well may dine,
When I to feast expressly am forbid;
Or study where to meet some mistress fine,
When mistresses from common sense are hid;
Or, having sworn too hard-a-keeping oath,
Study to break it, and not break my troth.
If study's gain be thus, and this be so,
Study knows that which yet it doth not know.
Swear me to this, and I will ne'er say no.
KING. These be the stops that hinder study quite,
And train our intellects to vain delight.
BEROWNE. Why, all delights are vain; but that most vain
Which, with pain purchas'd, doth inherit pain,
As painfully to pore upon a book
To seek the light of truth; while truth the while
Doth falsely blind the eyesight of his look.
Light, seeking light, doth light of light beguile;
So, ere you find where light in darkness lies,
Your light grows dark by losing of your eyes.
Study me how to please the eye indeed,
By fixing it upon a fairer eye;
Who dazzling so, that eye shall be his heed,
And give him light that it was blinded by.
Study is like the heaven's glorious sun,
That will not be deep-search'd with saucy looks;
Small have continual plodders ever won,
Save base authority from others' books.
These earthly godfathers of heaven's lights
That give a name to every fixed star
Have no more profit of their shining nights
Than those that walk and wot not what they are.
Too much to know is to know nought but fame;
And every godfather can give a name.
KING. How well he's read, to reason against reading!
DUMAIN. Proceeded well, to stop all good proceeding!
LONGAVILLE. He weeds the corn, and still lets grow the weeding.
BEROWNE. The spring is near, when green geese are a-breeding.
DUMAIN. How follows that?
BEROWNE. Fit in his place and time.
DUMAIN. In reason nothing.
BEROWNE. Something then in rhyme.
LONGAVILLE. Berowne is like an envious sneaping frost
That bites the first-born infants of the spring.
BEROWNE. Well, say I am; why should proud summer boast
Before the birds have any cause to sing?
Why should I joy in any abortive birth?
At Christmas I no more desire a rose
Than wish a snow in May's new-fangled shows;
But like of each thing that in season grows;
So you, to study now it is too late,
Climb o'er the house to unlock the little gate.
KING. Well, sit out; go home, Berowne; adieu.
BEROWNE. No, my good lord; I have sworn to stay with you;
And though I have for barbarism spoke more
Than for that angel knowledge you can say,
Yet confident I'll keep what I have swore,
And bide the penance of each three years' day.
Give me the paper; let me read the same;
And to the strictest decrees I'll write my name.
KING. How well this yielding rescues thee from shame!
BEROWNE. [Reads] 'Item. That no woman shall come within a mile of
my court'- Hath this been proclaimed?
LONGAVILLE. Four days ago.
BEROWNE. Let's see the penalty. [Reads] '-on pain of losing her
tongue.' Who devis'd this penalty?
LONGAVILLE. Marry, that did I.
BEROWNE. Sweet lord, and why?
LONGAVILLE. To fright them hence with that dread penalty.
BEROWNE. A dangerous law against gentility.
[Reads] 'Item. If any man be seen to talk with a woman within
the term of three years, he shall endure such public shame as the
rest of the court can possibly devise.'
This article, my liege, yourself must break;
For well you know here comes in embassy
The French king's daughter, with yourself to speak-
A mild of grace and complete majesty-
About surrender up of Aquitaine
To her decrepit, sick, and bedrid father;
Therefore this article is made in vain,
Or vainly comes th' admired princess hither.
KING. What say you, lords? Why, this was quite forgot.
BEROWNE. So study evermore is over-shot.
While it doth study to have what it would,
It doth forget to do the thing it should;
And when it hath the thing it hunteth most,
'Tis won as towns with fire- so won, so lost.
KING. We must of force dispense with this decree;
She must lie here on mere necessity.
BEROWNE. Necessity will make us all forsworn
Three thousand times within this three years' space;
For every man with his affects is born,
Not by might mast'red, but by special grace.
If I break faith, this word shall speak for me:
I am forsworn on mere necessity.
So to the laws at large I write my name; [Subscribes]
And he that breaks them in the least degree
Stands in attainder of eternal shame.
Suggestions are to other as to me;
But I believe, although I seem so loath,
I am the last that will last keep his oath.
But is there no quick recreation granted?
KING. Ay, that there is. Our court, you know, is haunted
With a refined traveller of Spain,
A man in all the world's new fashion planted,
That hath a mint of phrases in his brain;
One who the music of his own vain tongue
Doth ravish like enchanting harmony;
A man of complements, whom right and wrong
Have chose as umpire of their mutiny.
This child of fancy, that Armado hight,
For interim to our studies shall relate,
In high-born words, the worth of many a knight
From tawny Spain lost in the world's debate.
How you delight, my lords, I know not, I;
But I protest I love to hear him lie,
And I will use him for my minstrelsy.
BEROWNE. Armado is a most illustrious wight,
A man of fire-new words, fashion's own knight.
LONGAVILLE. Costard the swain and he shall be our sport;
And so to study three years is but short.
Enter DULL, a constable, with a letter, and COSTARD
DULL. Which is the Duke's own person?
BEROWNE. This, fellow. What wouldst?
DULL. I myself reprehend his own person, for I am his Grace's
farborough; but I would see his own person in flesh and blood.
BEROWNE. This is he.
DULL. Signior Arme- Arme- commends you. There's villainy abroad;
this letter will tell you more.
COSTARD. Sir, the contempts thereof are as touching me.
KING. A letter from the magnificent Armado.
BEROWNE. How low soever the matter, I hope in God for high words.
LONGAVILLE. A high hope for a low heaven. God grant us patience!
BEROWNE. To hear, or forbear hearing?
LONGAVILLE. To hear meekly, sir, and to laugh moderately; or, to
forbear both.
BEROWNE. Well, sir, be it as the style shall give us cause to climb
in the merriness.
COSTARD. The matter is to me, sir, as concerning Jaquenetta.
The manner of it is, I was taken with the manner.
BEROWNE. In what manner?
COSTARD. In manner and form following, sir; all those three: I was
seen with her in the manor-house, sitting with her upon the form,
and taken following her into the park; which, put together, is in
manner and form following. Now, sir, for the manner- it is the
manner of a man to speak to a woman. For the form- in some form.
BEROWNE. For the following, sir?
COSTARD. As it shall follow in my correction; and God defend the
right!
KING. Will you hear this letter with attention?
BEROWNE. As we would hear an oracle.
COSTARD. Such is the simplicity of man to hearken after the flesh.
KING. [Reads] 'Great deputy, the welkin's vicegerent and sole
dominator of Navarre, my soul's earth's god and body's fost'ring
patron'-
COSTARD. Not a word of Costard yet.
KING. [Reads] 'So it is'-
COSTARD. It may be so; but if he say it is so, he is, in telling
true, but so.
KING. Peace!
COSTARD. Be to me, and every man that dares not fight!
KING. No words!
COSTARD. Of other men's secrets, I beseech you.
KING. [Reads] 'So it is, besieged with sable-coloured melancholy, I
did commend the black oppressing humour to the most wholesome
physic of thy health-giving air; and, as I am a gentleman, betook
myself to walk. The time When? About the sixth hour; when beasts
most graze, birds best peck, and men sit down to that nourishment
which is called supper. So much for the time When. Now for the
ground Which? which, I mean, I upon; it is ycleped thy park. Then
for the place Where? where, I mean, I did encounter that obscene
and most prepost'rous event that draweth from my snow-white pen
the ebon-coloured ink which here thou viewest, beholdest,
surveyest, or seest. But to the place Where? It standeth
north-north-east and by east from the west corner of thy
curious-knotted garden. There did I see that low-spirited swain,
that base minnow of thy mirth,'
COSTARD. Me?
KING. 'that unlettered small-knowing soul,'
COSTARD. Me?
KING. 'that shallow vassal,'
COSTARD. Still me?
KING. 'which, as I remember, hight Costard,'
COSTARD. O, me!
KING. 'sorted and consorted, contrary to thy established proclaimed
edict and continent canon; which, with, O, with- but with this I
passion to say wherewith-'
COSTARD. With a wench.
King. 'with a child of our grandmother Eve, a female; or, for thy
more sweet understanding, a woman. Him I, as my ever-esteemed
duty pricks me on, have sent to thee, to receive the meed of
punishment, by thy sweet Grace's officer, Antony Dull, a man of
good repute, carriage, bearing, and estimation.'
DULL. Me, an't shall please you; I am Antony Dull.
KING. 'For Jaquenetta- so is the weaker vessel called, which I
apprehended with the aforesaid swain- I keep her as a vessel of
thy law's fury; and shall, at the least of thy sweet notice,
bring her to trial. Thine, in all compliments of devoted and
heart-burning heat of duty,
DON ADRIANO DE ARMADO.'
BEROWNE. This is not so well as I look'd for, but the best that
ever I heard.
KING. Ay, the best for the worst. But, sirrah, what say you to
this?
COSTARD. Sir, I confess the wench.
KING. Did you hear the proclamation?
COSTARD. I do confess much of the hearing it, but little of the
marking of it.
KING. It was proclaimed a year's imprisonment to be taken with a
wench.
COSTARD. I was taken with none, sir; I was taken with a damsel.
KING. Well, it was proclaimed damsel.
COSTARD. This was no damsel neither, sir; she was a virgin.
KING. It is so varied too, for it was proclaimed virgin.
COSTARD. If it were, I deny her virginity; I was taken with a maid.
KING. This 'maid' not serve your turn, sir.
COSTARD. This maid will serve my turn, sir.
KING. Sir, I will pronounce your sentence: you shall fast a week
with bran and water.
COSTARD. I had rather pray a month with mutton and porridge.
KING. And Don Armado shall be your keeper.
My Lord Berowne, see him delivered o'er;
And go we, lords, to put in practice that
Which each to other hath so strongly sworn.
Exeunt KING, LONGAVILLE, and DUMAIN
BEROWNE. I'll lay my head to any good man's hat
These oaths and laws will prove an idle scorn.
Sirrah, come on.
COSTARD. I suffer for the truth, sir; for true it is I was taken
with Jaquenetta, and Jaquenetta is a true girl; and therefore
welcome the sour cup of prosperity! Affliction may one day smile
again; and till then, sit thee down, sorrow.
Exeunt
SCENE II. The park
Enter ARMADO and MOTH, his page
ARMADO. Boy, what sign is it when a man of great spirit grows
melancholy?
MOTH. A great sign, sir, that he will look sad.
ARMADO. Why, sadness is one and the self-same thing, dear imp.
MOTH. No, no; O Lord, sir, no!
ARMADO. How canst thou part sadness and melancholy, my tender
juvenal?
MOTH. By a familiar demonstration of the working, my tough signior.
ARMADO. Why tough signior? Why tough signior?
MOTH. Why tender juvenal? Why tender juvenal?
ARMADO. I spoke it, tender juvenal, as a congruent epitheton
appertaining to thy young days, which we may nominate tender.
MOTH. And I, tough signior, as an appertinent title to your old
time, which we may name tough.
ARMADO. Pretty and apt.
MOTH. How mean you, sir? I pretty, and my saying apt? or I apt, and
my saying pretty?
ARMADO. Thou pretty, because little.
MOTH. Little pretty, because little. Wherefore apt?
ARMADO. And therefore apt, because quick.
MOTH. Speak you this in my praise, master?
ARMADO. In thy condign praise.
MOTH. I will praise an eel with the same praise.
ARMADO. that an eel is ingenious?
MOTH. That an eel is quick.
ARMADO. I do say thou art quick in answers; thou heat'st my blood.
MOTH. I am answer'd, sir.
ARMADO. I love not to be cross'd.
MOTH. [Aside] He speaks the mere contrary: crosses love not him.
ARMADO. I have promised to study three years with the Duke.
MOTH. You may do it in an hour, sir.
ARMADO. Impossible.
MOTH. How many is one thrice told?
ARMADO. I am ill at reck'ning; it fitteth the spirit of a tapster.
MOTH. You are a gentleman and a gamester, sir.
ARMADO. I confess both; they are both the varnish of a complete
man.
MOTH. Then I am sure you know how much the gross sum of deuce-ace
amounts to.
ARMADO. It doth amount to one more than two.
MOTH. Which the base vulgar do call three.
ARMADO. True.
MOTH. Why, sir, is this such a piece of study? Now here is three
studied ere ye'll thrice wink; and how easy it is to put 'years'
to the word 'three,' and study three years in two words, the
dancing horse will tell you.
ARMADO. A most fine figure!
MOTH. [Aside] To prove you a cipher.
ARMADO. I will hereupon confess I am in love. And as it is base for
a soldier to love, so am I in love with a base wench. If drawing
my sword against the humour of affection would deliver me from
the reprobate thought of it, I would take Desire prisoner, and
ransom him to any French courtier for a new-devis'd curtsy. I
think scorn to sigh; methinks I should out-swear Cupid. Comfort
me, boy; what great men have been in love?
MOTH. Hercules, master.
ARMADO. Most sweet Hercules! More authority, dear boy, name more;
and, sweet my child, let them be men of good repute and carriage.
MOTH. Samson, master; he was a man of good carriage, great
carriage, for he carried the town gates on his back like a
porter; and he was in love.
ARMADO. O well-knit Samson! strong-jointed Samson! I do excel thee
in my rapier as much as thou didst me in carrying gates. I am in
love too. Who was Samson's love, my dear Moth?
MOTH. A woman, master.
ARMADO. Of what complexion?
MOTH. Of all the four, or the three, or the two, or one of the
four.
ARMADO. Tell me precisely of what complexion.
MOTH. Of the sea-water green, sir.
ARMADO. Is that one of the four complexions?
MOTH. As I have read, sir; and the best of them too.
ARMADO. Green, indeed, is the colour of lovers; but to have a love
of that colour, methinks Samson had small reason for it. He
surely affected her for her wit.
MOTH. It was so, sir; for she had a green wit.
ARMADO. My love is most immaculate white and red.
MOTH. Most maculate thoughts, master, are mask'd under such
colours.
ARMADO. Define, define, well-educated infant.
MOTH. My father's wit my mother's tongue assist me!
ARMADO. Sweet invocation of a child; most pretty, and pathetical!
MOTH. If she be made of white and red,
Her faults will ne'er be known;
For blushing cheeks by faults are bred,
And fears by pale white shown.
Then if she fear, or be to blame,
By this you shall not know;
For still her cheeks possess the same
Which native she doth owe.
A dangerous rhyme, master, against the reason of white and red.
ARMADO. Is there not a ballad, boy, of the King and the Beggar?
MOTH. The world was very guilty of such a ballad some three ages
since; but I think now 'tis not to be found; or if it were, it
would neither serve for the writing nor the tune.
ARMADO. I will have that subject newly writ o'er, that I may
example my digression by some mighty precedent. Boy, I do love
that country girl that I took in the park with the rational hind
Costard; she deserves well.
MOTH. [Aside] To be whipt; and yet a better love than my master.
ARMADO. Sing, boy; my spirit grows heavy in love.
MOTH. And that's great marvel, loving a light wench.
ARMADO. I say, sing.
MOTH. Forbear till this company be past.
Enter DULL, COSTARD, and JAQUENETTA
DULL. Sir, the Duke's pleasure is that you keep Costard safe; and
you must suffer him to take no delight nor no penance; but 'a
must fast three days a week. For this damsel, I must keep her at
the park; she is allow'd for the day-woman. Fare you well.
ARMADO. I do betray myself with blushing. Maid!
JAQUENETTA. Man!
ARMADO. I will visit thee at the lodge.
JAQUENETTA. That's hereby.
ARMADO. I know where it is situate.
JAQUENETTA. Lord, how wise you are!
ARMADO. I will tell thee wonders.
JAQUENETTA. With that face?
ARMADO. I love thee.
JAQUENETTA. So I heard you say.
ARMADO. And so, farewell.
JAQUENETTA. Fair weather after you!
DULL. Come, Jaquenetta, away. Exit with JAQUENETTA
ARMADO. Villain, thou shalt fast for thy offences ere thou be
pardoned.
COSTARD. Well, sir, I hope when I do it I shall do it on a full
stomach.
ARMADO. Thou shalt be heavily punished.
COSTARD. I am more bound to you than your fellows, for they are but
lightly rewarded.
ARMADO. Take away this villain; shut him up.
MOTH. Come, you transgressing slave, away.
COSTARD. Let me not be pent up, sir; I will fast, being loose.
MOTH. No, sir; that were fast, and loose. Thou shalt to prison.
COSTARD. Well, if ever I do see the merry days of desolation that I
have seen, some shall see.
MOTH. What shall some see?
COSTARD. Nay, nothing, Master Moth, but what they look upon. It is
not for prisoners to be too silent in their words, and therefore
I will say nothing. I thank God I have as little patience as
another man, and therefore I can be quiet.
Exeunt MOTH and COSTARD
ARMADO. I do affect the very ground, which is base, where her shoe,
which is baser, guided by her foot, which is basest, doth tread.
I shall be forsworn- which is a great argument of falsehood- if I
love. And how can that be true love which is falsely attempted?
Love is a familiar; Love is a devil. There is no evil angel but
Love. Yet was Samson so tempted, and he had an excellent
strength; yet was Solomon so seduced, and he had a very good wit.
Cupid's butt-shaft is too hard for Hercules' club, and therefore
too much odds for a Spaniard's rapier. The first and second cause
will not serve my turn; the passado he respects not, the duello
he regards not; his disgrace is to be called boy, but his glory
is to subdue men. Adieu, valour; rust, rapier; be still, drum;
for your manager is in love; yea, he loveth. Assist me, some
extemporal god of rhyme, for I am sure I shall turn sonnet.
Devise, wit; write, pen; for I am for whole volumes in folio.
Exit
ACT II. SCENE II. The park
Enter the PRINCESS OF FRANCE, with three attending ladies,
ROSALINE, MARIA, KATHARINE, BOYET, and two other LORDS
BOYET. Now, madam, summon up your dearest spirits.
Consider who the King your father sends,
To whom he sends, and what's his embassy:
Yourself, held precious in the world's esteem,
To parley with the sole inheritor
Of all perfections that a man may owe,
Matchless Navarre; the plea of no less weight
Than Aquitaine, a dowry for a queen.
Be now as prodigal of all dear grace
As Nature was in making graces dear,
When she did starve the general world beside
And prodigally gave them all to you.
PRINCESS OF FRANCE. Good Lord Boyet, my beauty, though but mean,
Needs not the painted flourish of your praise.
Beauty is bought by judgment of the eye,
Not utt'red by base sale of chapmen's tongues;
I am less proud to hear you tell my worth
Than you much willing to be counted wise
In spending your wit in the praise of mine.
But now to task the tasker: good Boyet,
You are not ignorant all-telling fame
Doth noise abroad Navarre hath made a vow,
Till painful study shall outwear three years,
No woman may approach his silent court.
Therefore to's seemeth it a needful course,
Before we enter his forbidden gates,
To know his pleasure; and in that behalf,
Bold of your worthiness, we single you
As our best-moving fair solicitor.
Tell him the daughter of the King of France,
On serious business, craving quick dispatch,
Importunes personal conference with his Grace.
Haste, signify so much; while we attend,
Like humble-visag'd suitors, his high will.
BOYET. Proud of employment, willingly I go.
PRINCESS OF FRANCE. All pride is willing pride, and yours is so.
Exit BOYET
Who are the votaries, my loving lords,
That are vow-fellows with this virtuous duke?
FIRST LORD. Lord Longaville is one.
PRINCESS OF FRANCE. Know you the man?
MARIA. I know him, madam; at a marriage feast,
Between Lord Perigort and the beauteous heir
Of Jaques Falconbridge, solemnized
In Normandy, saw I this Longaville.
A man of sovereign parts, peerless esteem'd,
Well fitted in arts, glorious in arms;
Nothing becomes him ill that he would well.
The only soil of his fair virtue's gloss,
If virtue's gloss will stain with any soil,
Is a sharp wit match'd with too blunt a will,
Whose edge hath power to cut, whose will still wills
It should none spare that come within his power.
PRINCESS OF FRANCE. Some merry mocking lord, belike; is't so?
MARIA. They say so most that most his humours know.
PRINCESS OF FRANCE. Such short-liv'd wits do wither as they grow.
Who are the rest?
KATHARINE. The young Dumain, a well-accomplish'd youth,
Of all that virtue love for virtue loved;
Most power to do most harm, least knowing ill,
For he hath wit to make an ill shape good,
And shape to win grace though he had no wit.
I saw him at the Duke Alencon's once;
And much too little of that good I saw
Is my report to his great worthiness.
ROSALINE. Another of these students at that time
Was there with him, if I have heard a truth.
Berowne they call him; but a merrier man,
Within the limit of becoming mirth,
I never spent an hour's talk withal.
His eye begets occasion for his wit,
For every object that the one doth catch
The other turns to a mirth-moving jest,
Which his fair tongue, conceit's expositor,
Delivers in such apt and gracious words
That aged ears play truant at his tales,
And younger hearings are quite ravished;
So sweet and voluble is his discourse.
PRINCESS OF FRANCE. God bless my ladies! Are they all in love,
That every one her own hath garnished
With such bedecking ornaments of praise?
FIRST LORD. Here comes Boyet.
Re-enter BOYET
PRINCESS OF FRANCE. Now, what admittance, lord?
BOYET. Navarre had notice of your fair approach,
And he and his competitors in oath
Were all address'd to meet you, gentle lady,
Before I came. Marry, thus much I have learnt:
He rather means to lodge you in the field,
Like one that comes here to besiege his court,
Than seek a dispensation for his oath,
To let you enter his unpeopled house.
[The LADIES-IN-WAITING mask]
Enter KING, LONGAVILLE, DUMAIN, BEROWNE,
and ATTENDANTS
Here comes Navarre.
KING. Fair Princess, welcome to the court of Navarre.
PRINCESS OF FRANCE. 'Fair' I give you back again; and 'welcome' I
have not yet. The roof of this court is too high to be yours, and
welcome to the wide fields too base to be mine.
KING. You shall be welcome, madam, to my court.
PRINCESS OF FRANCE. I will be welcome then; conduct me thither.
KING. Hear me, dear lady: I have sworn an oath-
PRINCESS OF FRANCE. Our Lady help my lord! He'll be forsworn.
KING. Not for the world, fair madam, by my will.
PRINCESS OF FRANCE. Why, will shall break it; will, and nothing
else.
KING. Your ladyship is ignorant what it is.
PRINCESS OF FRANCE. Were my lord so, his ignorance were wise,
Where now his knowledge must prove ignorance.
I hear your Grace hath sworn out house-keeping.
'Tis deadly sin to keep that oath, my lord,
And sin to break it.
But pardon me, I am too sudden bold;
To teach a teacher ill beseemeth me.
Vouchsafe to read the purpose of my coming,
And suddenly resolve me in my suit. [Giving a paper]
KING. Madam, I will, if suddenly I may.
PRINCESS OF FRANCE. YOU Will the sooner that I were away,
For you'll prove perjur'd if you make me stay.
BEROWNE. Did not I dance with you in Brabant once?
KATHARINE. Did not I dance with you in Brabant once?
BEROWNE. I know you did.
KATHARINE. How needless was it then to ask the question!
BEROWNE. You must not be so quick.
KATHARINE. 'Tis long of you, that spur me with such questions.
BEROWNE. Your wit 's too hot, it speeds too fast, 'twill tire.
KATHARINE. Not till it leave the rider in the mire.
BEROWNE. What time o' day?
KATHARINE. The hour that fools should ask.
BEROWNE. Now fair befall your mask!
KATHARINE. Fair fall the face it covers!
BEROWNE. And send you many lovers!
KATHARINE. Amen, so you be none.
BEROWNE. Nay, then will I be gone.
KING. Madam, your father here doth intimate
The payment of a hundred thousand crowns;
Being but the one half of an entire sum
Disbursed by my father in his wars.
But say that he or we, as neither have,
Receiv'd that sum, yet there remains unpaid
A hundred thousand more, in surety of the which,
One part of Aquitaine is bound to us,
Although not valued to the money's worth.
If then the King your father will restore
But that one half which is unsatisfied,
We will give up our right in Aquitaine,
And hold fair friendship with his Majesty.
But that, it seems, he little purposeth,
For here he doth demand to have repaid
A hundred thousand crowns; and not demands,
On payment of a hundred thousand crowns,
To have his title live in Aquitaine;
Which we much rather had depart withal,
And have the money by our father lent,
Than Aquitaine so gelded as it is.
Dear Princess, were not his requests so far
From reason's yielding, your fair self should make
A yielding 'gainst some reason in my breast,
And go well satisfied to France again.
PRINCESS OF FRANCE. You do the King my father too much wrong,
And wrong the reputation of your name,
In so unseeming to confess receipt
Of that which hath so faithfully been paid.
KING. I do protest I never heard of it;
And, if you prove it, I'll repay it back
Or yield up Aquitaine.
PRINCESS OF FRANCE. We arrest your word.
Boyet, you can produce acquittances
For such a sum from special officers
Of Charles his father.
KING. Satisfy me so.
BOYET. So please your Grace, the packet is not come,
Where that and other specialties are bound;
To-morrow you shall have a sight of them.
KING. It shall suffice me; at which interview
All liberal reason I will yield unto.
Meantime receive such welcome at my hand
As honour, without breach of honour, may
Make tender of to thy true worthiness.
You may not come, fair Princess, within my gates;
But here without you shall be so receiv'd
As you shall deem yourself lodg'd in my heart,
Though so denied fair harbour in my house.
Your own good thoughts excuse me, and farewell.
To-morrow shall we visit you again.
PRINCESS OF FRANCE. Sweet health and fair desires consort your
Grace!
KING. Thy own wish wish I thee in every place.
Exit with attendants
BEROWNE. Lady, I will commend you to mine own heart.
ROSALINE. Pray you, do my commendations;
I would be glad to see it.
BEROWNE. I would you heard it groan.
ROSALINE. Is the fool sick?
BEROWNE. Sick at the heart.
ROSALINE. Alack, let it blood.
BEROWNE. Would that do it good?
ROSALINE. My physic says 'ay.'
BEROWNE. Will YOU prick't with your eye?
ROSALINE. No point, with my knife.
BEROWNE. Now, God save thy life!
ROSALINE. And yours from long living!
BEROWNE. I cannot stay thanksgiving. [Retiring]
DUMAIN. Sir, I pray you, a word: what lady is that same?
BOYET. The heir of Alencon, Katharine her name.
DUMAIN. A gallant lady! Monsieur, fare you well. Exit
LONGAVILLE. I beseech you a word: what is she in the white?
BOYET. A woman sometimes, an you saw her in the light.
LONGAVILLE. Perchance light in the light. I desire her name.
BOYET. She hath but one for herself; to desire that were a shame.
LONGAVILLE. Pray you, sir, whose daughter?
BOYET. Her mother's, I have heard.
LONGAVILLE. God's blessing on your beard!
BOYET. Good sir, be not offended;
She is an heir of Falconbridge.
LONGAVILLE. Nay, my choler is ended.
She is a most sweet lady.
BOYET. Not unlike, sir; that may be. Exit LONGAVILLE
BEROWNE. What's her name in the cap?
BOYET. Rosaline, by good hap.
BEROWNE. Is she wedded or no?
BOYET. To her will, sir, or so.
BEROWNE. You are welcome, sir; adieu!
BOYET. Farewell to me, sir, and welcome to you.
Exit BEROWNE. LADIES Unmask
MARIA. That last is Berowne, the merry mad-cap lord;
Not a word with him but a jest.
BOYET. And every jest but a word.
PRINCESS OF FRANCE. It was well done of you to take him at his
word.
BOYET. I was as willing to grapple as he was to board.
KATHARINE. Two hot sheeps, marry!
BOYET. And wherefore not ships?
No sheep, sweet lamb, unless we feed on your lips.
KATHARINE. You sheep and I pasture- shall that finish the jest?
BOYET. So you grant pasture for me. [Offering to kiss her]
KATHARINE. Not so, gentle beast;
My lips are no common, though several they be.
BOYET. Belonging to whom?
KATHARINE. To my fortunes and me.
PRINCESS OF FRANCE. Good wits will be jangling; but, gentles,
agree;
This civil war of wits were much better used
On Navarre and his book-men, for here 'tis abused.
BOYET. If my observation, which very seldom lies,
By the heart's still rhetoric disclosed with eyes,
Deceive me not now, Navarre is infected.
PRINCESS OF FRANCE. With what?
BOYET. With that which we lovers entitle 'affected.'
PRINCESS OF FRANCE. Your reason?
BOYET. Why, all his behaviours did make their retire
To the court of his eye, peeping thorough desire.
His heart, like an agate, with your print impressed,
Proud with his form, in his eye pride expressed;
His tongue, all impatient to speak and not see,
Did stumble with haste in his eyesight to be;
All senses to that sense did make their repair,
To feel only looking on fairest of fair.
Methought all his senses were lock'd in his eye,
As jewels in crystal for some prince to buy;
Who, tend'ring their own worth from where they were glass'd,
Did point you to buy them, along as you pass'd.
His face's own margent did quote such amazes
That all eyes saw his eyes enchanted with gazes.
I'll give you Aquitaine and all that is his,
An you give him for my sake but one loving kiss.
PRINCESS OF FRANCE. Come, to our pavilion. Boyet is dispos'd.
BOYET. But to speak that in words which his eye hath disclos'd;
I only have made a mouth of his eye,
By adding a tongue which I know will not lie.
MARIA. Thou art an old love-monger, and speakest skilfully.
KATHARINE. He is Cupid's grandfather, and learns news of him.
ROSALINE. Then was Venus like her mother; for her father is but
grim.
BOYET. Do you hear, my mad wenches?
MARIA. No.
BOYET. What, then; do you see?
MARIA. Ay, our way to be gone.
BOYET. You are too hard for me. Exeunt
ACT III. SCENE I. The park
Enter ARMADO and MOTH
ARMADO. Warble, child; make passionate my sense of hearing.
[MOTH sings Concolinel]
ARMADO. Sweet air! Go, tenderness of years, take this key, give
enlargement to the swain, bring him festinately hither; I must
employ him in a letter to my love.
MOTH. Master, will you win your love with a French brawl?
ARMADO. How meanest thou? Brawling in French?
MOTH. No, my complete master; but to jig off a tune at the tongue's
end, canary to it with your feet, humour it with turning up your
eyelids, sigh a note and sing a note, sometime through the
throat, as if you swallowed love with singing love, sometime
through the nose, as if you snuff'd up love by smelling love,
with your hat penthouse-like o'er the shop of your eyes, with
your arms cross'd on your thin-belly doublet, like a rabbit on a
spit, or your hands in your pocket, like a man after the old
painting; and keep not too long in one tune, but a snip and away.
These are complements, these are humours; these betray nice
wenches, that would be betrayed without these; and make them men
of note- do you note me?- that most are affected to these.
ARMADO. How hast thou purchased this experience?
MOTH. By my penny of observation.
ARMADO. But O- but O-
MOTH. The hobby-horse is forgot.
ARMADO. Call'st thou my love 'hobby-horse'?
MOTH. No, master; the hobby-horse is but a colt, and your love
perhaps a hackney. But have you forgot your love?
ARMADO. Almost I had.
MOTH. Negligent student! learn her by heart.
ARMADO. By heart and in heart, boy.
MOTH. And out of heart, master; all those three I will prove.
ARMADO. What wilt thou prove?
MOTH. A man, if I live; and this, by, in, and without, upon the
instant. By heart you love her, because your heart cannot come by
her; in heart you love her, because your heart is in love with
her; and out of heart you love her, being out of heart that you
cannot enjoy her.
ARMADO. I am all these three.
MOTH. And three times as much more, and yet nothing at all.
ARMADO. Fetch hither the swain; he must carry me a letter.
MOTH. A message well sympathiz'd- a horse to be ambassador for an
ass.
ARMADO. Ha, ha, what sayest thou?
MOTH. Marry, sir, you must send the ass upon the horse, for he is
very slow-gaited. But I go.
ARMADO. The way is but short; away.
MOTH. As swift as lead, sir.
ARMADO. The meaning, pretty ingenious?
Is not lead a metal heavy, dull, and slow?
MOTH. Minime, honest master; or rather, master, no.
ARMADO. I say lead is slow.
MOTH. You are too swift, sir, to say so:
Is that lead slow which is fir'd from a gun?
ARMADO. Sweet smoke of rhetoric!
He reputes me a cannon; and the bullet, that's he;
I shoot thee at the swain.
MOTH. Thump, then, and I flee. Exit
ARMADO. A most acute juvenal; volable and free of grace!
By thy favour, sweet welkin, I must sigh in thy face;
Most rude melancholy, valour gives thee place.
My herald is return'd.
Re-enter MOTH with COSTARD
MOTH. A wonder, master! here's a costard broken in a shin.
ARMADO. Some enigma, some riddle; come, thy l'envoy; begin.
COSTARD. No egma, no riddle, no l'envoy; no salve in the mail, sir.
O, sir, plantain, a plain plantain; no l'envoy, no l'envoy; no
salve, sir, but a plantain!
ARMADO. By virtue thou enforcest laughter; thy silly thought, my
spleen; the heaving of my lungs provokes me to ridiculous
smiling. O, pardon me, my stars! Doth the inconsiderate take
salve for l'envoy, and the word 'l'envoy' for a salve?
MOTH. Do the wise think them other? Is not l'envoy a salve?
ARMADO. No, page; it is an epilogue or discourse to make plain
Some obscure precedence that hath tofore been sain.
I will example it:
The fox, the ape, and the humble-bee,
Were still at odds, being but three.
There's the moral. Now the l'envoy.
MOTH. I will add the l'envoy. Say the moral again.
ARMADO. The fox, the ape, and the humble-bee,
Were still at odds, being but three.
MOTH. Until the goose came out of door,
And stay'd the odds by adding four.
Now will I begin your moral, and do you follow with my l'envoy.
The fox, the ape, and the humble-bee,
Were still at odds, being but three.
ARMADO. Until the goose came out of door,
Staying the odds by adding four.
MOTH. A good l'envoy, ending in the goose; would you desire more?
COSTARD. The boy hath sold him a bargain, a goose, that's flat.
Sir, your pennyworth is good, an your goose be fat.
To sell a bargain well is as cunning as fast and loose;
Let me see: a fat l'envoy; ay, that's a fat goose.
ARMADO. Come hither, come hither. How did this argument begin?
MOTH. By saying that a costard was broken in a shin.
Then call'd you for the l'envoy.
COSTARD. True, and I for a plantain. Thus came your argument in;
Then the boy's fat l'envoy, the goose that you bought;
And he ended the market.
ARMADO. But tell me: how was there a costard broken in a shin?
MOTH. I will tell you sensibly.
COSTARD. Thou hast no feeling of it, Moth; I will speak that
l'envoy.
I, Costard, running out, that was safely within,
Fell over the threshold and broke my shin.
ARMADO. We will talk no more of this matter.
COSTARD. Till there be more matter in the shin.
ARMADO. Sirrah Costard. I will enfranchise thee.
COSTARD. O, Marry me to one Frances! I smell some l'envoy, some
goose, in this.
ARMADO. By my sweet soul, I mean setting thee at liberty,
enfreedoming thy person; thou wert immured, restrained,
captivated, bound.
COSTARD. True, true; and now you will be my purgation, and let me
loose.
ARMADO. I give thee thy liberty, set thee from durance; and, in
lieu thereof, impose on thee nothing but this: bear this
significant [giving a letter] to the country maid Jaquenetta;
there is remuneration, for the best ward of mine honour is
rewarding my dependents. Moth, follow. Exit
MOTH. Like the sequel, I. Signior Costard, adieu.
COSTARD. My sweet ounce of man's flesh, my incony Jew!
Exit MOTH
Now will I look to his remuneration. Remuneration! O, that's the
Latin word for three farthings. Three farthings- remuneration.
'What's the price of this inkle?'- 'One penny.'- 'No, I'll give
you a remuneration.' Why, it carries it. Remuneration! Why, it is
a fairer name than French crown. I will never buy and sell out of
this word.
Enter BEROWNE
BEROWNE. My good knave Costard, exceedingly well met!
COSTARD. Pray you, sir, how much carnation ribbon may a man buy for
a remuneration?
BEROWNE. What is a remuneration?
COSTARD. Marry, sir, halfpenny farthing.
BEROWNE. Why, then, three-farthing worth of silk.
COSTARD. I thank your worship. God be wi' you!
BEROWNE. Stay, slave; I must employ thee.
As thou wilt win my favour, good my knave,
Do one thing for me that I shall entreat.
COSTARD. When would you have it done, sir?
BEROWNE. This afternoon.
COSTARD. Well, I will do it, sir; fare you well.
BEROWNE. Thou knowest not what it is.
COSTARD. I shall know, sir, when I have done it.
BEROWNE. Why, villain, thou must know first.
COSTARD. I will come to your worship to-morrow morning.
BEROWNE. It must be done this afternoon.
Hark, slave, it is but this:
The Princess comes to hunt here in the park,
And in her train there is a gentle lady;
When tongues speak sweetly, then they name her name,
And Rosaline they call her. Ask for her,
And to her white hand see thou do commend
This seal'd-up counsel. There's thy guerdon; go.
[Giving him a shilling]
COSTARD. Gardon, O sweet gardon! better than remuneration; a
'leven-pence farthing better; most sweet gardon! I will do it,
sir, in print. Gardon- remuneration! Exit
BEROWNE. And I, forsooth, in love; I, that have been love's whip;
A very beadle to a humorous sigh;
A critic, nay, a night-watch constable;
A domineering pedant o'er the boy,
Than whom no mortal so magnificent!
This wimpled, whining, purblind, wayward boy,
This senior-junior, giant-dwarf, Dan Cupid;
Regent of love-rhymes, lord of folded arms,
Th' anointed sovereign of sighs and groans,
Liege of all loiterers and malcontents,
Dread prince of plackets, king of codpieces,
Sole imperator, and great general
Of trotting paritors. O my little heart!
And I to be a corporal of his field,
And wear his colours like a tumbler's hoop!
What! I love, I sue, I seek a wife-
A woman, that is like a German clock,
Still a-repairing, ever out of frame,
And never going aright, being a watch,
But being watch'd that it may still go right!
Nay, to be perjur'd, which is worst of all;
And, among three, to love the worst of all,
A whitely wanton with a velvet brow,
With two pitch balls stuck in her face for eyes;
Ay, and, by heaven, one that will do the deed,
Though Argus were her eunuch and her guard.
And I to sigh for her! to watch for her!
To pray for her! Go to; it is a plague
That Cupid will impose for my neglect
Of his almighty dreadful little might.
Well, I will love, write, sigh, pray, sue, and groan:
Some men must love my lady, and some Joan. Exit
ACT IV. SCENE I. The park
Enter the PRINCESS, ROSALINE, MARIA, KATHARINE, BOYET, LORDS, ATTENDANTS, and a FORESTER
PRINCESS OF FRANCE. Was that the King that spurr'd his horse so
hard
Against the steep uprising of the hill?
BOYET. I know not; but I think it was not he.
PRINCESS OF FRANCE. Whoe'er 'a was, 'a show'd a mounting mind.
Well, lords, to-day we shall have our dispatch;
On Saturday we will return to France.
Then, forester, my friend, where is the bush
That we must stand and play the murderer in?
FORESTER. Hereby, upon the edge of yonder coppice;
A stand where you may make the fairest shoot.
PRINCESS OF FRANCE. I thank my beauty I am fair that shoot,
And thereupon thou speak'st the fairest shoot.
FORESTER. Pardon me, madam, for I meant not so.
PRINCESS OF FRANCE. What, what? First praise me, and again say no?
O short-liv'd pride! Not fair? Alack for woe!
FORESTER. Yes, madam, fair.
PRINCESS OF FRANCE. Nay, never paint me now;
Where fair is not, praise cannot mend the brow.
Here, good my glass, take this for telling true:
[ Giving him money]
Fair payment for foul words is more than due.
FORESTER. Nothing but fair is that which you inherit.
PRINCESS OF FRANCE. See, see, my beauty will be sav'd by merit.
O heresy in fair, fit for these days!
A giving hand, though foul, shall have fair praise.
But come, the bow. Now mercy goes to kill,
And shooting well is then accounted ill;
Thus will I save my credit in the shoot:
Not wounding, pity would not let me do't;
If wounding, then it was to show my skill,
That more for praise than purpose meant to kill.
And, out of question, so it is sometimes:
Glory grows guilty of detested crimes,
When, for fame's sake, for praise, an outward part,
We bend to that the working of the heart;
As I for praise alone now seek to spill
The poor deer's blood that my heart means no ill.
BOYET. Do not curst wives hold that self-sovereignty
Only for praise sake, when they strive to be
Lords o'er their lords?
PRINCESS OF FRANCE. Only for praise; and praise we may afford
To any lady that subdues a lord.
Enter COSTARD
BOYET. Here comes a member of the commonwealth.
COSTARD. God dig-you-den all! Pray you, which is the head lady?
PRINCESS OF FRANCE. Thou shalt know her, fellow, by the rest that
have no heads.
COSTARD. Which is the greatest lady, the highest?
PRINCESS OF FRANCE. The thickest and the tallest.
COSTARD. The thickest and the tallest! It is so; truth is truth.
An your waist, mistress, were as slender as my wit,
One o' these maids' girdles for your waist should be fit.
Are not you the chief woman? You are the thickest here.
PRINCESS OF FRANCE. What's your will, sir? What's your will?
COSTARD. I have a letter from Monsieur Berowne to one
Lady Rosaline.
PRINCESS OF FRANCE. O, thy letter, thy letter! He's a good friend
of mine.
Stand aside, good bearer. Boyet, you can carve.
Break up this capon.
BOYET. I am bound to serve.
This letter is mistook; it importeth none here.
It is writ to Jaquenetta.
PRINCESS OF FRANCE. We will read it, I swear.
Break the neck of the wax, and every one give ear.
BOYET. [Reads] 'By heaven, that thou art fair is most infallible;
true that thou art beauteous; truth itself that thou art lovely.
More fairer than fair, beautiful than beauteous, truer than truth
itself, have commiseration on thy heroical vassal. The
magnanimous and most illustrate king Cophetua set eye upon the
pernicious and indubitate beggar Zenelophon; and he it was that
might rightly say, 'Veni, vidi, vici'; which to annothanize in
the vulgar,- O base and obscure vulgar!- videlicet, He came, saw,
and overcame. He came, one; saw, two; overcame, three. Who came?-
the king. Why did he come?- to see. Why did he see?-to overcome.
To whom came he?- to the beggar. What saw he?- the beggar. Who
overcame he?- the beggar. The conclusion is victory; on whose
side?- the king's. The captive is enrich'd; on whose side?- the
beggar's. The catastrophe is a nuptial; on whose side?- the
king's. No, on both in one, or one in both. I am the king, for so
stands the comparison; thou the beggar, for so witnesseth thy
lowliness. Shall I command thy love? I may. Shall I enforce thy
love? I could. Shall I entreat thy love? I will. What shalt thou
exchange for rags?- robes, for tittles?- titles, for thyself?
-me. Thus expecting thy reply, I profane my lips on thy foot, my
eyes on thy picture, and my heart on thy every part.
Thine in the dearest design of industry,
DON ADRIANO DE ARMADO.
'Thus dost thou hear the Nemean lion roar
'Gainst thee, thou lamb, that standest as his prey;
Submissive fall his princely feet before,
And he from forage will incline to play.
But if thou strive, poor soul, what are thou then?
Food for his rage, repasture for his den.'
PRINCESS OF FRANCE. What plume of feathers is he that indited this
letter?
What vane? What weathercock? Did you ever hear better?
BOYET. I am much deceived but I remember the style.
PRINCESS OF FRANCE. Else your memory is bad, going o'er it
erewhile.
BOYET. This Armado is a Spaniard, that keeps here in court;
A phantasime, a Monarcho, and one that makes sport
To the Prince and his book-mates.
PRINCESS OF FRANCE. Thou fellow, a word.
Who gave thee this letter?
COSTARD. I told you: my lord.
PRINCESS OF FRANCE. To whom shouldst thou give it?
COSTARD. From my lord to my lady.
PRINCESS OF FRANCE. From which lord to which lady?
COSTARD. From my Lord Berowne, a good master of mine,
To a lady of France that he call'd Rosaline.
PRINCESS OF FRANCE. Thou hast mistaken his letter. Come, lords,
away.
[To ROSALINE] Here, sweet, put up this; 'twill be thine another
day. Exeunt PRINCESS and TRAIN
BOYET. Who is the shooter? who is the shooter?
ROSALINE. Shall I teach you to know?
BOYET. Ay, my continent of beauty.
ROSALINE. Why, she that bears the bow.
Finely put off!
BOYET. My lady goes to kill horns; but, if thou marry,
Hang me by the neck, if horns that year miscarry.
Finely put on!
ROSALINE. Well then, I am the shooter.
BOYET. And who is your deer?
ROSALINE. If we choose by the horns, yourself come not near.
Finely put on indeed!
MARIA. You Still wrangle with her, Boyet, and she strikes at the
brow.
BOYET. But she herself is hit lower. Have I hit her now?
ROSALINE. Shall I come upon thee with an old saying, that was a man
when King Pepin of France was a little boy, as touching the hit
it?
BOYET. So I may answer thee with one as old, that was a woman when
Queen Guinever of Britain was a little wench, as touching the hit
it.
ROSALINE. [Singing]
Thou canst not hit it, hit it, hit it,
Thou canst not hit it, my good man.
BOYET. An I cannot, cannot, cannot,
An I cannot, another can.
Exeunt ROSALINE and KATHARINE
COSTARD. By my troth, most pleasant! How both did fit it!
MARIA. A mark marvellous well shot; for they both did hit it.
BOYET. A mark! O, mark but that mark! A mark, says my lady!
Let the mark have a prick in't, to mete at, if it may be.
MARIA. Wide o' the bow-hand! I' faith, your hand is out.
COSTARD. Indeed, 'a must shoot nearer, or he'll ne'er hit the
clout.
BOYET. An if my hand be out, then belike your hand is in.
COSTARD. Then will she get the upshoot by cleaving the pin.
MARIA. Come, come, you talk greasily; your lips grow foul.
COSTARD. She's too hard for you at pricks, sir; challenge her to
bowl.
BOYET. I fear too much rubbing; good-night, my good owl.
Exeunt BOYET and MARIA
COSTARD. By my soul, a swain, a most simple clown!
Lord, Lord! how the ladies and I have put him down!
O' my troth, most sweet jests, most incony vulgar wit!
When it comes so smoothly off, so obscenely, as it were, so fit.
Armado a th' t'one side- O, a most dainty man!
To see him walk before a lady and to bear her fan!
To see him kiss his hand, and how most sweetly 'a will swear!
And his page a t' other side, that handful of wit!
Ah, heavens, it is a most pathetical nit!
Sola, sola! Exit COSTARD
SCENE II. The park
From the shooting within, enter HOLOFERNES, SIR NATHANIEL, and DULL
NATHANIEL. Very reverent sport, truly; and done in the testimony of
a good conscience.
HOLOFERNES. The deer was, as you know, sanguis, in blood; ripe as
the pomewater, who now hangeth like a jewel in the ear of caelo,
the sky, the welkin, the heaven; and anon falleth like a crab on
the face of terra, the soil, the land, the earth.
NATHANIEL. Truly, Master Holofernes, the epithets are sweetly
varied, like a scholar at the least; but, sir, I assure ye it was
a buck of the first head.
HOLOFERNES. Sir Nathaniel, haud credo.
DULL. 'Twas not a haud credo; 'twas a pricket.
HOLOFERNES. Most barbarous intimation! yet a kind of insinuation,
as it were, in via, in way, of explication; facere, as it were,
replication, or rather, ostentare, to show, as it were, his
inclination, after his undressed, unpolished, uneducated,
unpruned, untrained, or rather unlettered, or ratherest
unconfirmed fashion, to insert again my haud credo for a deer.
DULL. I Said the deer was not a haud credo; 'twas a pricket.
HOLOFERNES. Twice-sod simplicity, bis coctus!
O thou monster Ignorance, how deformed dost thou look!
NATHANIEL. Sir, he hath never fed of the dainties that are bred in
a book;
He hath not eat paper, as it were; he hath not drunk ink; his
intellect is not replenished; he is only an animal, only sensible
in the duller parts;
And such barren plants are set before us that we thankful should
be-
Which we of taste and feeling are- for those parts that do
fructify in us more than he.
For as it would ill become me to be vain, indiscreet, or a fool,
So, were there a patch set on learning, to see him in a school.
But, omne bene, say I, being of an old father's mind:
Many can brook the weather that love not the wind.
DULL. You two are book-men: can you tell me by your wit
What was a month old at Cain's birth that's not five weeks old as
yet?
HOLOFERNES. Dictynna, goodman Dull; Dictynna, goodman Dull.
DULL. What is Dictynna?
NATHANIEL. A title to Phoebe, to Luna, to the moon.
HOLOFERNES. The moon was a month old when Adam was no more,
And raught not to five weeks when he came to five-score.
Th' allusion holds in the exchange.
DULL. 'Tis true, indeed; the collusion holds in the exchange.
HOLOFERNES. God comfort thy capacity! I say th' allusion holds in
the exchange.
DULL. And I say the polusion holds in the exchange; for the moon is
never but a month old; and I say, beside, that 'twas a pricket
that the Princess kill'd.
HOLOFERNES. Sir Nathaniel, will you hear an extemporal epitaph on
the death of the deer? And, to humour the ignorant, call the deer
the Princess kill'd a pricket.
NATHANIEL. Perge, good Master Holofernes, perge, so it shall please
you to abrogate scurrility.
HOLOFERNES. I Will something affect the letter, for it argues
facility.
The preyful Princess pierc'd and prick'd a pretty pleasing
pricket.
Some say a sore; but not a sore till now made sore with shooting.
The dogs did yell; put el to sore, then sorel jumps from thicket-
Or pricket sore, or else sorel; the people fall a-hooting.
If sore be sore, then L to sore makes fifty sores o' sorel.
Of one sore I an hundred make by adding but one more L.
NATHANIEL. A rare talent!
DULL. [Aside] If a talent be a claw, look how he claws him with a
talent.
HOLOFERNES. This is a gift that I have, simple, simple; a foolish
extravagant spirit, full of forms, figures, shapes, objects,
ideas, apprehensions, motions, revolutions. These are begot in
the ventricle of memory, nourish'd in the womb of pia mater, and
delivered upon the mellowing of occasion. But the gift is good in
those in whom it is acute, and I am thankful for it.
NATHANIEL. Sir, I praise the Lord for you, and so may my
parishioners; for their sons are well tutor'd by you, and their
daughters profit very greatly under you. You are a good member of
the commonwealth.
HOLOFERNES. Mehercle, if their sons be ingenious, they shall want
no instruction; if their daughters be capable, I will put it to
them; but, vir sapit qui pauca loquitur. A soul feminine saluteth
us.
Enter JAQUENETTA and COSTARD
JAQUENETTA. God give you good morrow, Master Person.
HOLOFERNES. Master Person, quasi pers-one. And if one should be
pierc'd which is the one?
COSTARD. Marry, Master Schoolmaster, he that is likest to a
hogshead.
HOLOFERNES. Piercing a hogshead! A good lustre of conceit in a turf
of earth; fire enough for a flint, pearl enough for a swine; 'tis
pretty; it is well.
JAQUENETTA. Good Master Parson, be so good as read me this letter;
it was given me by Costard, and sent me from Don Armado. I
beseech you read it.
HOLOFERNES. Fauste, precor gelida quando pecus omne sub umbra
Ruminat-
and so forth. Ah, good old Mantuan! I may speak of thee as
the traveller doth of Venice:
Venetia, Venetia,
Chi non ti vede, non ti pretia.
Old Mantuan, old Mantuan! Who understandeth thee not,
loves thee not-
Ut, re, sol, la, mi, fa.
Under pardon, sir, what are the contents? or rather as
Horace says in his- What, my soul, verses?
NATHANIEL. Ay, sir, and very learned.
HOLOFERNES. Let me hear a staff, a stanze, a verse; lege, domine.
NATHANIEL. [Reads] 'If love make me forsworn, how shall I swear to
love?
Ah, never faith could hold, if not to beauty vowed!
Though to myself forsworn, to thee I'll faithful prove;
Those thoughts to me were oaks, to thee like osiers bowed.
Study his bias leaves, and makes his book thine eyes,
Where all those pleasures live that art would comprehend.
If knowledge be the mark, to know thee shall suffice;
Well learned is that tongue that well can thee commend;
All ignorant that soul that sees thee without wonder;
Which is to me some praise that I thy parts admire.
Thy eye Jove's lightning bears, thy voice his dreadful thunder,
Which, not to anger bent, is music and sweet fire.
Celestial as thou art, O, pardon love this wrong,
That singes heaven's praise with such an earthly tongue.'
HOLOFERNES. You find not the apostrophas, and so miss the accent:
let me supervise the canzonet. Here are only numbers ratified;
but, for the elegancy, facility, and golden cadence of poesy,
caret. Ovidius Naso was the man. And why, indeed, 'Naso' but for
smelling out the odoriferous flowers of fancy, the jerks of
invention? Imitari is nothing: so doth the hound his master, the
ape his keeper, the tired horse his rider. But, damosella virgin,
was this directed to you?
JAQUENETTA. Ay, sir, from one Monsieur Berowne, one of the strange
queen's lords.
HOLOFERNES. I will overglance the superscript: 'To the snow-white
hand of the most beauteous Lady Rosaline.' I will look again on
the intellect of the letter, for the nomination of the party
writing to the person written unto: 'Your Ladyship's in all
desired employment, Berowne.' Sir Nathaniel, this Berowne is one
of the votaries with the King; and here he hath framed a letter
to a sequent of the stranger queen's which accidentally, or by
the way of progression, hath miscarried. Trip and go, my sweet;
deliver this paper into the royal hand of the King; it may
concern much. Stay not thy compliment; I forgive thy duty. Adieu.
JAQUENETTA. Good Costard, go with me. Sir, God save your life!
COSTARD. Have with thee, my girl.
Exeunt COSTARD and JAQUENETTA
NATHANIEL. Sir, you have done this in the fear of God, very
religiously; and, as a certain father saith-
HOLOFERNES. Sir, tell not me of the father; I do fear colourable
colours. But to return to the verses: did they please you, Sir
Nathaniel?
NATHANIEL. Marvellous well for the pen.
HOLOFERNES. I do dine to-day at the father's of a certain pupil of
mine; where, if, before repast, it shall please you to gratify
the table with a grace, I will, on my privilege I have with the
parents of the foresaid child or pupil, undertake your ben
venuto; where I will prove those verses to be very unlearned,
neither savouring of poetry, wit, nor invention. I beseech your
society.
NATHANIEL. And thank you too; for society, saith the text, is the
happiness of life.
HOLOFERNES. And certes, the text most infallibly concludes it.
[To DULL] Sir, I do invite you too; you shall not say me nay:
pauca verba. Away; the gentles are at their game, and we will to
our recreation. Exeunt
SCENE III. The park
Enter BEROWNE, with a paper his band, alone
BEROWNE. The King he is hunting the deer: I am coursing myself. They have pitch'd a toil: I am tolling in a pitch- pitch that defiles. Defile! a foul word. Well, 'set thee down, sorrow!' for so they say the fool said, and so say I, and I am the fool. Well proved, wit. By the Lord, this love is as mad as Ajax: it kills sheep; it kills me- I a sheep. Well proved again o' my side. I will not love; if I do, hang me. I' faith, I will not. O, but her eye! By this light, but for her eye, I would not love her- yes, for her two eyes. Well, I do nothing in the world but lie, and lie in my throat. By heaven, I do love; and it hath taught me to rhyme, and to be melancholy; and here is part of my rhyme, and here my melancholy. Well, she hath one o' my sonnets already; the clown bore it, the fool sent it, and the lady hath it: sweet clown, sweeter fool, sweetest lady! By the world, I would not care a pin if the other three were in. Here comes one with a paper; God give him grace to groan! [Climbs into a tree]
Enter the KING, with a paper
KING. Ay me!
BEROWNE. Shot, by heaven! Proceed, sweet Cupid; thou hast thump'd
him with thy bird-bolt under the left pap. In faith, secrets!
KING. [Reads]
'So sweet a kiss the golden sun gives not
To those fresh morning drops upon the rose,
As thy eye-beams, when their fresh rays have smote
The night of dew that on my cheeks down flows;
Nor shines the silver moon one half so bright
Through the transparent bosom of the deep,
As doth thy face through tears of mine give light.
Thou shin'st in every tear that I do weep;
No drop but as a coach doth carry thee;
So ridest thou triumphing in my woe.
Do but behold the tears that swell in me,
And they thy glory through my grief will show.
But do not love thyself; then thou wilt keep
My tears for glasses, and still make me weep.
O queen of queens! how far dost thou excel
No thought can think nor tongue of mortal tell.'
How shall she know my griefs? I'll drop the paper-
Sweet leaves, shade folly. Who is he comes here?
[Steps aside]
Enter LONGAVILLE, with a paper
What, Longaville, and reading! Listen, car.
BEROWNE. Now, in thy likeness, one more fool appear!
LONGAVILLE. Ay me, I am forsworn!
BEROWNE. Why, he comes in like a perjure, wearing papers.
KING. In love, I hope; sweet fellowship in shame!
BEROWNE. One drunkard loves another of the name.
LONGAVILLE. Am I the first that have been perjur'd so?
BEROWNE. I could put thee in comfort: not by two that I know;
Thou makest the triumviry, the corner-cap of society,
The shape of Love's Tyburn that hangs up simplicity.
LONGAVILLE. I fear these stubborn lines lack power to move.
O sweet Maria, empress of my love!
These numbers will I tear, and write in prose.
BEROWNE. O, rhymes are guards on wanton Cupid's hose:
Disfigure not his slop.
LONGAVILLE. This same shall go. [He reads the sonnet]
'Did not the heavenly rhetoric of thine eye,
'Gainst whom the world cannot hold argument,
Persuade my heart to this false perjury?
Vows for thee broke deserve not punishment.
A woman I forswore; but I will prove,
Thou being a goddess, I forswore not thee:
My vow was earthly, thou a heavenly love;
Thy grace being gain'd cures all disgrace in me.
Vows are but breath, and breath a vapour is;
Then thou, fair sun, which on my earth dost shine,
Exhal'st this vapour-vow; in thee it is.
If broken, then it is no fault of mine;
If by me broke, what fool is not so wise
To lose an oath to win a paradise?'
BEROWNE. This is the liver-vein, which makes flesh a deity,
A green goose a goddess- pure, pure idolatry.
God amend us, God amend! We are much out o' th' way.
Enter DUMAIN, with a paper
LONGAVILLE. By whom shall I send this?- Company! Stay.
[Steps aside]
BEROWNE. 'All hid, all hid'- an old infant play.
Like a demigod here sit I in the sky,
And wretched fools' secrets heedfully o'er-eye.
More sacks to the mill! O heavens, I have my wish!
Dumain transformed! Four woodcocks in a dish!
DUMAIN. O most divine Kate!
BEROWNE. O most profane coxcomb!
DUMAIN. By heaven, the wonder in a mortal eye!
BEROWNE. By earth, she is not, corporal: there you lie.
DUMAIN. Her amber hairs for foul hath amber quoted.
BEROWNE. An amber-colour'd raven was well noted.
DUMAIN. As upright as the cedar.
BEROWNE. Stoop, I say;
Her shoulder is with child.
DUMAIN. As fair as day.
BEROWNE. Ay, as some days; but then no sun must shine.
DUMAIN. O that I had my wish!
LONGAVILLE. And I had mine!
KING. And I mine too,.good Lord!
BEROWNE. Amen, so I had mine! Is not that a good word?
DUMAIN. I would forget her; but a fever she
Reigns in my blood, and will rememb'red be.
BEROWNE. A fever in your blood? Why, then incision
Would let her out in saucers. Sweet misprision!
DUMAIN. Once more I'll read the ode that I have writ.
BEROWNE. Once more I'll mark how love can vary wit.
DUMAIN. [Reads]
'On a day-alack the day!-
Love, whose month is ever May,
Spied a blossom passing fair
Playing in the wanton air.
Through the velvet leaves the wind,
All unseen, can passage find;
That the lover, sick to death,
Wish'd himself the heaven's breath.
"Air," quoth he "thy cheeks may blow;
Air, would I might triumph so!
But, alack, my hand is sworn
Ne'er to pluck thee from thy thorn;
Vow, alack, for youth unmeet,
Youth so apt to pluck a sweet.
Do not call it sin in me
That I am forsworn for thee;
Thou for whom Jove would swear
Juno but an Ethiope were;
And deny himself for Jove,
Turning mortal for thy love."'
This will I send; and something else more plain
That shall express my true love's fasting pain.
O, would the King, Berowne and Longaville,
Were lovers too! Ill, to example ill,
Would from my forehead wipe a perjur'd note;
For none offend where all alike do dote.
LONGAVILLE. [Advancing] Dumain, thy love is far from charity,
That in love's grief desir'st society;
You may look pale, but I should blush, I know,
To be o'erheard and taken napping so.
KING. [Advancing] Come, sir, you blush; as his, your case is such.
You chide at him, offending twice as much:
You do not love Maria! Longaville
Did never sonnet for her sake compile;
Nor never lay his wreathed arms athwart
His loving bosom, to keep down his heart.
I have been closely shrouded in this bush,
And mark'd you both, and for you both did blush.
I heard your guilty rhymes, observ'd your fashion,
Saw sighs reek from you, noted well your passion.
'Ay me!' says one. 'O Jove!' the other cries.
One, her hairs were gold; crystal the other's eyes.
[To LONGAVILLE] You would for paradise break faith and troth;
[To Dumain] And Jove for your love would infringe an oath.
What will Berowne say when that he shall hear
Faith infringed which such zeal did swear?
How will he scorn, how will he spend his wit!
How will he triumph, leap, and laugh at it!
For all the wealth that ever I did see,
I would not have him know so much by me.
BEROWNE. [Descending] Now step I forth to whip hypocrisy,
Ah, good my liege, I pray thee pardon me.
Good heart, what grace hast thou thus to reprove
These worms for loving, that art most in love?
Your eyes do make no coaches; in your tears
There is no certain princess that appears;
You'll not be perjur'd; 'tis a hateful thing;
Tush, none but minstrels like of sonneting.
But are you not ashamed? Nay, are you not,
All three of you, to be thus much o'ershot?
You found his mote; the King your mote did see;
But I a beam do find in each of three.
O, what a scene of fool'ry have I seen,
Of sighs, of groans, of sorrow, and of teen!
O, me, with what strict patience have I sat,
To see a king transformed to a gnat!
To see great Hercules whipping a gig,
And profound Solomon to tune a jig,
And Nestor play at push-pin with the boys,
And critic Timon laugh at idle toys!
Where lies thy grief, O, tell me, good Dumain?
And, gentle Longaville, where lies thy pain?
And where my liege's? All about the breast.
A caudle, ho!
KING. Too bitter is thy jest.
Are we betrayed thus to thy over-view?
BEROWNE. Not you by me, but I betrayed to you.
I that am honest, I that hold it sin
To break the vow I am engaged in;
I am betrayed by keeping company
With men like you, men of inconstancy.
When shall you see me write a thing in rhyme?
Or groan for Joan? or spend a minute's time
In pruning me? When shall you hear that I
Will praise a hand, a foot, a face, an eye,
A gait, a state, a brow, a breast, a waist,
A leg, a limb-
KING. Soft! whither away so fast?
A true man or a thief that gallops so?
BEROWNE. I post from love; good lover, let me go.
Enter JAQUENETTA and COSTARD
JAQUENETTA. God bless the King!
KING. What present hast thou there?
COSTARD. Some certain treason.
KING. What makes treason here?
COSTARD. Nay, it makes nothing, sir.
KING. If it mar nothing neither,
The treason and you go in peace away together.
JAQUENETTA. I beseech your Grace, let this letter be read;
Our person misdoubts it: 'twas treason, he said.
KING. Berowne, read it over. [BEROWNE reads the letter]
Where hadst thou it?
JAQUENETTA. Of Costard.
KING. Where hadst thou it?
COSTARD. Of Dun Adramadio, Dun Adramadio.
[BEROWNE tears the letter]
KING. How now! What is in you? Why dost thou tear it?
BEROWNE. A toy, my liege, a toy! Your Grace needs not fear it.
LONGAVILLE. It did move him to passion, and therefore let's hear
it.
DUMAIN. It is Berowne's writing, and here is his name.
[Gathering up the pieces]
BEROWNE. [ To COSTARD] Ah, you whoreson loggerhead, you were born
to do me shame.
Guilty, my lord, guilty! I confess, I confess.
KING. What?
BEROWNE. That you three fools lack'd me fool to make up the mess;
He, he, and you- and you, my liege!- and I
Are pick-purses in love, and we deserve to die.
O, dismiss this audience, and I shall tell you more.
DUMAIN. Now the number is even.
BEROWNE. True, true, we are four.
Will these turtles be gone?
KING. Hence, sirs, away.
COSTARD. Walk aside the true folk, and let the traitors stay.
Exeunt COSTARD and JAQUENETTA
BEROWNE. Sweet lords, sweet lovers, O, let us embrace!
As true we are as flesh and blood can be.
The sea will ebb and flow, heaven show his face;
Young blood doth not obey an old decree.
We cannot cross the cause why we were born,
Therefore of all hands must we be forsworn.
KING. What, did these rent lines show some love of thine?
BEROWNE. 'Did they?' quoth you. Who sees the heavenly Rosaline
That, like a rude and savage man of Inde
At the first op'ning of the gorgeous east,
Bows not his vassal head and, strucken blind,
Kisses the base ground with obedient breast?
What peremptory eagle-sighted eye
Dares look upon the heaven of her brow
That is not blinded by her majesty?
KING. What zeal, what fury hath inspir'd thee now?
My love, her mistress, is a gracious moon;
She, an attending star, scarce seen a light.
BEROWNE. My eyes are then no eyes, nor I Berowne.
O, but for my love, day would turn to night!
Of all complexions the cull'd sovereignty
Do meet, as at a fair, in her fair cheek,
Where several worthies make one dignity,
Where nothing wants that want itself doth seek.
Lend me the flourish of all gentle tongues-
Fie, painted rhetoric! O, she needs it not!
To things of sale a seller's praise belongs:
She passes praise; then praise too short doth blot.
A wither'd hermit, five-score winters worn,
Might shake off fifty, looking in her eye.
Beauty doth varnish age, as if new-born,
And gives the crutch the cradle's infancy.
O, 'tis the sun that maketh all things shine!
KING. By heaven, thy love is black as ebony.
BEROWNE. Is ebony like her? O wood divine!
A wife of such wood were felicity.
O, who can give an oath? Where is a book?
That I may swear beauty doth beauty lack,
If that she learn not of her eye to look.
No face is fair that is not full so black.
KING. O paradox! Black is the badge of hell,
The hue of dungeons, and the school of night;
And beauty's crest becomes the heavens well.
BEROWNE. Devils soonest tempt, resembling spirits of light.
O, if in black my lady's brows be deckt,
It mourns that painting and usurping hair
Should ravish doters with a false aspect;
And therefore is she born to make black fair.
Her favour turns the fashion of the days;
For native blood is counted painting now;
And therefore red that would avoid dispraise
Paints itself black, to imitate her brow.
DUMAIN. To look like her are chimney-sweepers black.
LONGAVILLE. And since her time are colliers counted bright.
KING. And Ethiopes of their sweet complexion crack.
DUMAIN. Dark needs no candles now, for dark is light.
BEROWNE. Your mistresses dare never come in rain
For fear their colours should be wash'd away.
KING. 'Twere good yours did; for, sir, to tell you plain,
I'll find a fairer face not wash'd to-day.
BEROWNE. I'll prove her fair, or talk till doomsday here.
KING. No devil will fright thee then so much as she.
DUMAIN. I never knew man hold vile stuff so dear.
LONGAVILLE. Look, here's thy love: my foot and her face see.
[Showing his shoe]
BEROWNE. O, if the streets were paved with thine eyes,
Her feet were much too dainty for such tread!
DUMAIN. O vile! Then, as she goes, what upward lies
The street should see as she walk'd overhead.
KING. But what of this? Are we not all in love?
BEROWNE. Nothing so sure; and thereby all forsworn.
KING. Then leave this chat; and, good Berowne, now prove
Our loving lawful, and our faith not torn.
DUMAIN. Ay, marry, there; some flattery for this evil.
LONGAVILLE. O, some authority how to proceed;
Some tricks, some quillets, how to cheat the devil!
DUMAIN. Some salve for perjury.
BEROWNE. 'Tis more than need.
Have at you, then, affection's men-at-arms.
Consider what you first did swear unto:
To fast, to study, and to see no woman-
Flat treason 'gainst the kingly state of youth.
Say, can you fast? Your stomachs are too young,
And abstinence engenders maladies.
And, where that you you have vow'd to study, lords,
In that each of you have forsworn his book,
Can you still dream, and pore, and thereon look?
For when would you, my lord, or you, or you,
Have found the ground of study's excellence
Without the beauty of a woman's face?
From women's eyes this doctrine I derive:
They are the ground, the books, the academes,
From whence doth spring the true Promethean fire.
Why, universal plodding poisons up
The nimble spirits in the arteries,
As motion and long-during action tires
The sinewy vigour of the traveller.
Now, for not looking on a woman's face,
You have in that forsworn the use of eyes,
And study too, the causer of your vow;
For where is author in the world
Teaches such beauty as a woman's eye?
Learning is but an adjunct to ourself,
And where we are our learning likewise is;
Then when ourselves we see in ladies' eyes,
With ourselves.
Do we not likewise see our learning there?
O, we have made a vow to study, lords,
And in that vow we have forsworn our books.
For when would you, my liege, or you, or you,
In leaden contemplation have found out
Such fiery numbers as the prompting eyes
Of beauty's tutors have enrich'd you with?
Other slow arts entirely keep the brain;
And therefore, finding barren practisers,
Scarce show a harvest of their heavy toil;
But love, first learned in a lady's eyes,
Lives not alone immured in the brain,
But with the motion of all elements
Courses as swift as thought in every power,
And gives to every power a double power,
Above their functions and their offices.
It adds a precious seeing to the eye:
A lover's eyes will gaze an eagle blind.
A lover's ear will hear the lowest sound,
When the suspicious head of theft is stopp'd.
Love's feeling is more soft and sensible
Than are the tender horns of cockled snails:
Love's tongue proves dainty Bacchus gross in taste.
For valour, is not Love a Hercules,
Still climbing trees in the Hesperides?
Subtle as Sphinx; as sweet and musical
As bright Apollo's lute, strung with his hair.
And when Love speaks, the voice of all the gods
Make heaven drowsy with the harmony.
Never durst poet touch a pen to write
Until his ink were temp'red with Love's sighs;
O, then his lines would ravish savage ears,
And plant in tyrants mild humility.
From women's eyes this doctrine I derive.
They sparkle still the right Promethean fire;
They are the books, the arts, the academes,
That show, contain, and nourish, all the world,
Else none at all in aught proves excellent.
Then fools you were these women to forswear;
Or, keeping what is sworn, you will prove fools.
For wisdom's sake, a word that all men love;
Or for Love's sake, a word that loves all men;
Or for men's sake, the authors of these women;
Or women's sake, by whom we men are men-
Let us once lose our oaths to find ourselves,
Or else we lose ourselves to keep our oaths.
It is religion to be thus forsworn;
For charity itself fulfils the law,
And who can sever love from charity?
KING. Saint Cupid, then! and, soldiers, to the field!
BEROWNE. Advance your standards, and upon them, lords;
Pell-mell, down with them! be first advis'd,
In conflict, that you get the sun of them.
LONGAVILLE. Now to plain-dealing; lay these glozes by.
Shall we resolve to woo these girls of France?
KING. And win them too; therefore let us devise
Some entertainment for them in their tents.
BEROWNE. First, from the park let us conduct them thither;
Then homeward every man attach the hand
Of his fair mistress. In the afternoon
We will with some strange pastime solace them,
Such as the shortness of the time can shape;
For revels, dances, masks, and merry hours,
Forerun fair Love, strewing her way with flowers.
KING. Away, away! No time shall be omitted
That will betime, and may by us be fitted.
BEROWNE. Allons! allons! Sow'd cockle reap'd no corn,
And justice always whirls in equal measure.
Light wenches may prove plagues to men forsworn;
If so, our copper buys no better treasure. Exeunt
ACT V. SCENE I. The park
Enter HOLOFERNES, SIR NATHANIEL, and DULL
HOLOFERNES. Satis quod sufficit.
NATHANIEL. I praise God for you, sir. Your reasons at dinner have
been sharp and sententious; pleasant without scurrility, witty
without affection, audacious without impudency, learned without
opinion, and strange without heresy. I did converse this quondam
day with a companion of the King's who is intituled, nominated,
or called, Don Adriano de Armado.
HOLOFERNES. Novi hominem tanquam te. His humour is lofty, his
discourse peremptory, his tongue filed, his eye ambitious, his
gait majestical and his general behaviour vain, ridiculous, and
thrasonical. He is too picked, too spruce, too affected, too odd,
as it were, too peregrinate, as I may call it.
NATHANIEL. A most singular and choice epithet.
[Draws out his table-book]
HOLOFERNES. He draweth out the thread of his verbosity finer than
the staple of his argument. I abhor such fanatical phantasimes,
such insociable and point-devise companions; such rackers of
orthography, as to speak 'dout' fine, when he should say 'doubt';
'det' when he should pronounce 'debt'- d, e, b, t, not d, e, t.
He clepeth a calf 'cauf,' half 'hauf'; neighbour vocatur
'nebour'; 'neigh' abbreviated 'ne.' This is abhominable- which he
would call 'abbominable.' It insinuateth me of insanie: ne
intelligis, domine? to make frantic, lunatic.
NATHANIEL. Laus Deo, bone intelligo.
HOLOFERNES. 'Bone'?- 'bone' for 'bene.' Priscian a little
scratch'd; 'twill serve.
Enter ARMADO, MOTH, and COSTARD
NATHANIEL. Videsne quis venit?
HOLOFERNES. Video, et gaudeo.
ARMADO. [To MOTH] Chirrah!
HOLOFERNES. Quare 'chirrah,' not 'sirrah'?
ARMADO. Men of peace, well encount'red.
HOLOFERNES. Most military sir, salutation.
MOTH. [Aside to COSTARD] They have been at a great feast of
languages and stol'n the scraps.
COSTARD. O, they have liv'd long on the alms-basket of words. I
marvel thy master hath not eaten thee for a word, for thou are
not so long by the head as honorificabilitudinitatibus; thou art
easier swallowed than a flap-dragon.
MOTH. Peace! the peal begins.
ARMADO. [To HOLOFERNES] Monsieur, are you not lett'red?
MOTH. Yes, yes; he teaches boys the hornbook. What is a, b, spelt
backward with the horn on his head?
HOLOFERNES. Ba, pueritia, with a horn added.
MOTH. Ba, most silly sheep with a horn. You hear his learning.
HOLOFERNES. Quis, quis, thou consonant?
MOTH. The third of the five vowels, if You repeat them; or the
fifth, if I.
HOLOFERNES. I will repeat them: a, e, I-
MOTH. The sheep; the other two concludes it: o, U.
ARMADO. Now, by the salt wave of the Mediterraneum, a sweet touch,
a quick venue of wit- snip, snap, quick and home. It rejoiceth my
intellect. True wit!
MOTH. Offer'd by a child to an old man; which is wit-old.
HOLOFERNES. What is the figure? What is the figure?
MOTH. Horns.
HOLOFERNES. Thou disputes like an infant; go whip thy gig.
MOTH. Lend me your horn to make one, and I will whip about your
infamy circum circa- a gig of a cuckold's horn.
COSTARD. An I had but one penny in the world, thou shouldst have it
to buy ginger-bread. Hold, there is the very remuneration I had
of thy master, thou halfpenny purse of wit, thou pigeon-egg of
discretion. O, an the heavens were so pleased that thou wert but
my bastard, what a joyful father wouldst thou make me! Go to;
thou hast it ad dunghill, at the fingers' ends, as they say.
HOLOFERNES. O, I smell false Latin; 'dunghill' for unguem.
ARMADO. Arts-man, preambulate; we will be singuled from the
barbarous. Do you not educate youth at the charge-house on the
top of the mountain?
HOLOFERNES. Or mons, the hill.
ARMADO. At your sweet pleasure, for the mountain.
HOLOFERNES. I do, sans question.
ARMADO. Sir, it is the King's most sweet pleasure and affection to
congratulate the Princess at her pavilion, in the posteriors of
this day; which the rude multitude call the afternoon.
HOLOFERNES. The posterior of the day, most generous sir, is liable,
congruent, and measurable, for the afternoon. The word is well
cull'd, chose, sweet, and apt, I do assure you, sir, I do assure.
ARMADO. Sir, the King is a noble gentleman, and my familiar, I do
assure ye, very good friend. For what is inward between us, let
it pass. I do beseech thee, remember thy courtesy. I beseech
thee, apparel thy head. And among other importunate and most
serious designs, and of great import indeed, too- but let that
pass; for I must tell thee it will please his Grace, by the
world, sometime to lean upon my poor shoulder, and with his royal
finger thus dally with my excrement, with my mustachio; but,
sweet heart, let that pass. By the world, I recount no fable:
some certain special honours it pleaseth his greatness to impart
to Armado, a soldier, a man of travel, that hath seen the world;
but let that pass. The very all of all is- but, sweet heart, I do
implore secrecy- that the King would have me present the
Princess, sweet chuck, with some delightful ostentation, or show,
or pageant, or antic, or firework. Now, understanding that the
curate and your sweet self are good at such eruptions and sudden
breaking-out of mirth, as it were, I have acquainted you withal,
to the end to crave your assistance.
HOLOFERNES. Sir, you shall present before her the Nine Worthies.
Sir Nathaniel, as concerning some entertainment of time, some
show in the posterior of this day, to be rend'red by our
assistance, the King's command, and this most gallant,
illustrate, and learned gentleman, before the Princess- I say
none so fit as to present the Nine Worthies.
NATHANIEL. Where will you find men worthy enough to present them?
HOLOFERNES. Joshua, yourself; myself, Alexander; this gallant
gentleman, Judas Maccabaeus; this swain, because of his great
limb or joint, shall pass Pompey the Great; the page, Hercules.
ARMADO. Pardon, sir; error: he is not quantity enough for that
Worthy's thumb; he is not so big as the end of his club.
HOLOFERNES. Shall I have audience? He shall present Hercules in
minority: his enter and exit shall be strangling a snake; and I
will have an apology for that purpose.
MOTH. An excellent device! So, if any of the audience hiss, you may
cry 'Well done, Hercules; now thou crushest the snake!' That is
the way to make an offence gracious, though few have the grace to
do it.
ARMADO. For the rest of the Worthies?
HOLOFERNES. I will play three myself.
MOTH. Thrice-worthy gentleman!
ARMADO. Shall I tell you a thing?
HOLOFERNES. We attend.
ARMADO. We will have, if this fadge not, an antic. I beseech you,
follow.
HOLOFERNES. Via, goodman Dull! Thou has spoken no word all this
while.
DULL. Nor understood none neither, sir.
HOLOFERNES. Allons! we will employ thee.
DULL. I'll make one in a dance, or so, or I will play
On the tabor to the Worthies, and let them dance the hay.
HOLOFERNES. Most dull, honest Dull! To our sport, away.
Exeunt
SCENE II. The park
Enter the PRINCESS, MARIA, KATHARINE, and ROSALINE
PRINCESS OF FRANCE. Sweet hearts, we shall be rich ere we depart,
If fairings come thus plentifully in.
A lady wall'd about with diamonds!
Look you what I have from the loving King.
ROSALINE. Madam, came nothing else along with that?
PRINCESS OF FRANCE. Nothing but this! Yes, as much love in rhyme
As would be cramm'd up in a sheet of paper
Writ o' both sides the leaf, margent and all,
That he was fain to seal on Cupid's name.
ROSALINE. That was the way to make his godhead wax;
For he hath been five thousand year a boy.
KATHARINE. Ay, and a shrewd unhappy gallows too.
ROSALINE. You'll ne'er be friends with him: 'a kill'd your sister.
KATHARINE. He made her melancholy, sad, and heavy;
And so she died. Had she been light, like you,
Of such a merry, nimble, stirring spirit,
She might 'a been a grandam ere she died.
And so may you; for a light heart lives long.
ROSALINE. What's your dark meaning, mouse, of this light word?
KATHARINE. A light condition in a beauty dark.
ROSALINE. We need more light to find your meaning out.
KATHARINE. You'll mar the light by taking it in snuff;
Therefore I'll darkly end the argument.
ROSALINE. Look what you do, you do it still i' th' dark.
KATHARINE. So do not you; for you are a light wench.
ROSALINE. Indeed, I weigh not you; and therefore light.
KATHARINE. You weigh me not? O, that's you care not for me.
ROSALINE. Great reason; for 'past cure is still past care.'
PRINCESS OF FRANCE. Well bandied both; a set of wit well play'd.
But, Rosaline, you have a favour too?
Who sent it? and what is it?
ROSALINE. I would you knew.
An if my face were but as fair as yours,
My favour were as great: be witness this.
Nay, I have verses too, I thank Berowne;
The numbers true, and, were the numb'ring too,
I were the fairest goddess on the ground.
I am compar'd to twenty thousand fairs.
O, he hath drawn my picture in his letter!
PRINCESS OF FRANCE. Anything like?
ROSALINE. Much in the letters; nothing in the praise.
PRINCESS OF FRANCE. Beauteous as ink- a good conclusion.
KATHARINE. Fair as a text B in a copy-book.
ROSALINE. Ware pencils, ho! Let me not die your debtor,
My red dominical, my golden letter:
O that your face were not so full of O's!
KATHARINE. A pox of that jest! and I beshrew all shrows!
PRINCESS OF FRANCE. But, Katharine, what was sent to you from fair
Dumain?
KATHARINE. Madam, this glove.
PRINCESS OF FRANCE. Did he not send you twain?
KATHARINE. Yes, madam; and, moreover,
Some thousand verses of a faithful lover;
A huge translation of hypocrisy,
Vilely compil'd, profound simplicity.
MARIA. This, and these pearl, to me sent Longaville;
The letter is too long by half a mile.
PRINCESS OF FRANCE. I think no less. Dost thou not wish in heart
The chain were longer and the letter short?
MARIA. Ay, or I would these hands might never part.
PRINCESS OF FRANCE. We are wise girls to mock our lovers so.
ROSALINE. They are worse fools to purchase mocking so.
That same Berowne I'll torture ere I go.
O that I knew he were but in by th' week!
How I would make him fawn, and beg, and seek,
And wait the season, and observe the times,
And spend his prodigal wits in bootless rhymes,
And shape his service wholly to my hests,
And make him proud to make me proud that jests!
So pertaunt-like would I o'ersway his state
That he should be my fool, and I his fate.
PRINCESS OF FRANCE. None are so surely caught, when they are
catch'd,
As wit turn'd fool; folly, in wisdom hatch'd,
Hath wisdom's warrant and the help of school,
And wit's own grace to grace a learned fool.
ROSALINE. The blood of youth burns not with such excess
As gravity's revolt to wantonness.
MARIA. Folly in fools bears not so strong a note
As fool'ry in the wise when wit doth dote,
Since all the power thereof it doth apply
To prove, by wit, worth in simplicity.
Enter BOYET
PRINCESS OF FRANCE. Here comes Boyet, and mirth is in his face.
BOYET. O, I am stabb'd with laughter! Where's her Grace?
PRINCESS OF FRANCE. Thy news, Boyet?
BOYET. Prepare, madam, prepare!
Arm, wenches, arm! Encounters mounted are
Against your peace. Love doth approach disguis'd,
Armed in arguments; you'll be surpris'd.
Muster your wits; stand in your own defence;
Or hide your heads like cowards, and fly hence.
PRINCESS OF FRANCE. Saint Dennis to Saint Cupid! What are they
That charge their breath against us? Say, scout, say.
BOYET. Under the cool shade of a sycamore
I thought to close mine eyes some half an hour;
When, lo, to interrupt my purpos'd rest,
Toward that shade I might behold addrest
The King and his companions; warily
I stole into a neighbour thicket by,
And overheard what you shall overhear-
That, by and by, disguis'd they will be here.
Their herald is a pretty knavish page,
That well by heart hath conn'd his embassage.
Action and accent did they teach him there:
'Thus must thou speak' and 'thus thy body bear,'
And ever and anon they made a doubt
Presence majestical would put him out;
'For' quoth the King 'an angel shalt thou see;
Yet fear not thou, but speak audaciously.'
The boy replied 'An angel is not evil;
I should have fear'd her had she been a devil.'
With that all laugh'd, and clapp'd him on the shoulder,
Making the bold wag by their praises bolder.
One rubb'd his elbow, thus, and fleer'd, and swore
A better speech was never spoke before.
Another with his finger and his thumb
Cried 'Via! we will do't, come what will come.'
The third he caper'd, and cried 'All goes well.'
The fourth turn'd on the toe, and down he fell.
With that they all did tumble on the ground,
With such a zealous laughter, so profound,
That in this spleen ridiculous appears,
To check their folly, passion's solemn tears.
PRINCESS OF FRANCE. But what, but what, come they to visit us?
BOYET. They do, they do, and are apparell'd thus,
Like Muscovites or Russians, as I guess.
Their purpose is to parley, court, and dance;
And every one his love-feat will advance
Unto his several mistress; which they'll know
By favours several which they did bestow.
PRINCESS OF FRANCE. And will they so? The gallants shall be task'd,
For, ladies, we will every one be mask'd;
And not a man of them shall have the grace,
Despite of suit, to see a lady's face.
Hold, Rosaline, this favour thou shalt wear,
And then the King will court thee for his dear;
Hold, take thou this, my sweet, and give me thine,
So shall Berowne take me for Rosaline.
And change you favours too; so shall your loves
Woo contrary, deceiv'd by these removes.
ROSALINE. Come on, then, wear the favours most in sight.
KATHARINE. But, in this changing, what is your intent?
PRINCESS OF FRANCE. The effect of my intent is to cross theirs.
They do it but in mocking merriment,
And mock for mock is only my intent.
Their several counsels they unbosom shall
To loves mistook, and so be mock'd withal
Upon the next occasion that we meet
With visages display'd to talk and greet.
ROSALINE. But shall we dance, if they desire us to't?
PRINCESS OF FRANCE. No, to the death, we will not move a foot,
Nor to their penn'd speech render we no grace;
But while 'tis spoke each turn away her face.
BOYET. Why, that contempt will kill the speaker's heart,
And quite divorce his memory from his part.
PRINCESS OF FRANCE. Therefore I do it; and I make no doubt
The rest will ne'er come in, if he be out.
There's no such sport as sport by sport o'erthrown,
To make theirs ours, and ours none but our own;
So shall we stay, mocking intended game,
And they well mock'd depart away with shame.
[Trumpet sounds within]
BOYET. The trumpet sounds; be mask'd; the maskers come.
[The LADIES mask]
Enter BLACKAMOORS music, MOTH as Prologue, the
KING and his LORDS as maskers, in the guise of Russians
MOTH. All hail, the richest heauties on the earth!
BOYET. Beauties no richer than rich taffeta.
MOTH. A holy parcel of the fairest dames
[The LADIES turn their backs to him]
That ever turn'd their- backs- to mortal views!
BEROWNE. Their eyes, villain, their eyes.
MOTH. That ever turn'd their eyes to mortal views!
Out-
BOYET. True; out indeed.
MOTH. Out of your favours, heavenly spirits, vouchsafe
Not to behold-
BEROWNE. Once to behold, rogue.
MOTH. Once to behold with your sun-beamed eyes- with your
sun-beamed eyes-
BOYET. They will not answer to that epithet;
You were best call it 'daughter-beamed eyes.'
MOTH. They do not mark me, and that brings me out.
BEROWNE. Is this your perfectness? Be gone, you rogue.
Exit MOTH
ROSALINE. What would these strangers? Know their minds, Boyet.
If they do speak our language, 'tis our will
That some plain man recount their purposes.
Know what they would.
BOYET. What would you with the Princess?
BEROWNE. Nothing but peace and gentle visitation.
ROSALINE. What would they, say they?
BOYET. Nothing but peace and gentle visitation.
ROSALINE. Why, that they have; and bid them so be gone.
BOYET. She says you have it, and you may be gone.
KING. Say to her we have measur'd many miles
To tread a measure with her on this grass.
BOYET. They say that they have measur'd many a mile
To tread a measure with you on this grass.
ROSALINE. It is not so. Ask them how many inches
Is in one mile? If they have measured many,
The measure, then, of one is eas'ly told.
BOYET. If to come hither you have measur'd miles,
And many miles, the Princess bids you tell
How many inches doth fill up one mile.
BEROWNE. Tell her we measure them by weary steps.
BOYET. She hears herself.
ROSALINE. How many weary steps
Of many weary miles you have o'ergone
Are numb'red in the travel of one mile?
BEROWNE. We number nothing that we spend for you;
Our duty is so rich, so infinite,
That we may do it still without accompt.
Vouchsafe to show the sunshine of your face,
That we, like savages, may worship it.
ROSALINE. My face is but a moon, and clouded too.
KING. Blessed are clouds, to do as such clouds do.
Vouchsafe, bright moon, and these thy stars, to shine,
Those clouds removed, upon our watery eyne.
ROSALINE. O vain petitioner! beg a greater matter;
Thou now requests but moonshine in the water.
KING. Then in our measure do but vouchsafe one change.
Thou bid'st me beg; this begging is not strange.
ROSALINE. Play, music, then. Nay, you must do it soon.
Not yet? No dance! Thus change I like the moon.
KING. Will you not dance? How come you thus estranged?
ROSALINE. You took the moon at full; but now she's changed.
KING. Yet still she is the Moon, and I the Man.
The music plays; vouchsafe some motion to it.
ROSALINE. Our ears vouchsafe it.
KING. But your legs should do it.
ROSALINE. Since you are strangers, and come here by chance,
We'll not be nice; take hands. We will not dance.
KING. Why take we hands then?
ROSALINE. Only to part friends.
Curtsy, sweet hearts; and so the measure ends.
KING. More measure of this measure; be not nice.
ROSALINE. We can afford no more at such a price.
KING. Price you yourselves. What buys your company?
ROSALINE. Your absence only.
KING. That can never be.
ROSALINE. Then cannot we be bought; and so adieu-
Twice to your visor and half once to you.
KING. If you deny to dance, let's hold more chat.
ROSALINE. In private then.
KING. I am best pleas'd with that. [They converse apart]
BEROWNE. White-handed mistress, one sweet word with thee.
PRINCESS OF FRANCE. Honey, and milk, and sugar; there is three.
BEROWNE. Nay, then, two treys, an if you grow so nice,
Metheglin, wort, and malmsey; well run dice!
There's half a dozen sweets.
PRINCESS OF FRANCE. Seventh sweet, adieu!
Since you can cog, I'll play no more with you.
BEROWNE. One word in secret.
PRINCESS OF FRANCE. Let it not be sweet.
BEROWNE. Thou grievest my gall.
PRINCESS OF FRANCE. Gall! bitter.
BEROWNE. Therefore meet. [They converse apart]
DUMAIN. Will you vouchsafe with me to change a word?
MARIA. Name it.
DUMAIN. Fair lady-
MARIA. Say you so? Fair lord-
Take that for your fair lady.
DUMAIN. Please it you,
As much in private, and I'll bid adieu.
[They converse apart]
KATHARINE. What, was your vizard made without a tongue?
LONGAVILLE. I know the reason, lady, why you ask.
KATHARINE. O for your reason! Quickly, sir; I long.
LONGAVILLE. You have a double tongue within your mask,
And would afford my speechless vizard half.
KATHARINE. 'Veal' quoth the Dutchman. Is not 'veal' a calf?
LONGAVILLE. A calf, fair lady!
KATHARINE. No, a fair lord calf.
LONGAVILLE. Let's part the word.
KATHARINE. No, I'll not be your half.
Take all and wean it; it may prove an ox.
LONGAVILLE. Look how you butt yourself in these sharp mocks!
Will you give horns, chaste lady? Do not so.
KATHARINE. Then die a calf, before your horns do grow.
LONGAVILLE. One word in private with you ere I die.
KATHARINE. Bleat softly, then; the butcher hears you cry.
[They converse apart]
BOYET. The tongues of mocking wenches are as keen
As is the razor's edge invisible,
Cutting a smaller hair than may be seen,
Above the sense of sense; so sensible
Seemeth their conference; their conceits have wings,
Fleeter than arrows, bullets, wind, thought, swifter things.
ROSALINE. Not one word more, my maids; break off, break off.
BEROWNE. By heaven, all dry-beaten with pure scoff!
KING. Farewell, mad wenches; you have simple wits.
Exeunt KING, LORDS, and BLACKAMOORS
PRINCESS OF FRANCE. Twenty adieus, my frozen Muscovits.
Are these the breed of wits so wondered at?
BOYET. Tapers they are, with your sweet breaths puff'd out.
ROSALINE. Well-liking wits they have; gross, gross; fat, fat.
PRINCESS OF FRANCE. O poverty in wit, kingly-poor flout!
Will they not, think you, hang themselves to-night?
Or ever but in vizards show their faces?
This pert Berowne was out of count'nance quite.
ROSALINE. They were all in lamentable cases!
The King was weeping-ripe for a good word.
PRINCESS OF FRANCE. Berowne did swear himself out of all suit.
MARIA. Dumain was at my service, and his sword.
'No point' quoth I; my servant straight was mute.
KATHARINE. Lord Longaville said I came o'er his heart;
And trow you what he call'd me?
PRINCESS OF FRANCE. Qualm, perhaps.
KATHARINE. Yes, in good faith.
PRINCESS OF FRANCE. Go, sickness as thou art!
ROSALINE. Well, better wits have worn plain statute-caps.
But will you hear? The King is my love sworn.
PRINCESS OF FRANCE. And quick Berowne hath plighted faith to me.
KATHARINE. And Longaville was for my service born.
MARIA. Dumain is mine, as sure as bark on tree.
BOYET. Madam, and pretty mistresses, give ear:
Immediately they will again be here
In their own shapes; for it can never be
They will digest this harsh indignity.
PRINCESS OF FRANCE. Will they return?
BOYET. They will, they will, God knows,
And leap for joy, though they are lame with blows;
Therefore, change favours; and, when they repair,
Blow like sweet roses in this summer air.
PRINCESS OF FRANCE. How blow? how blow? Speak to be understood.
BOYET. Fair ladies mask'd are roses in their bud:
Dismask'd, their damask sweet commixture shown,
Are angels vailing clouds, or roses blown.
PRINCESS OF FRANCE. Avaunt, perplexity! What shall we do
If they return in their own shapes to woo?
ROSALINE. Good madam, if by me you'll be advis'd,
Let's mock them still, as well known as disguis'd.
Let us complain to them what fools were here,
Disguis'd like Muscovites, in shapeless gear;
And wonder what they were, and to what end
Their shallow shows and prologue vilely penn'd,
And their rough carriage so ridiculous,
Should be presented at our tent to us.
BOYET. Ladies, withdraw; the gallants are at hand.
PRINCESS OF FRANCE. Whip to our tents, as roes run o'er land.
Exeunt PRINCESS, ROSALINE, KATHARINE, and MARIA
Re-enter the KING, BEROWNE, LONGAVILLE, and DUMAIN,
in their proper habits
KING. Fair sir, God save you! Where's the Princess?
BOYET. Gone to her tent. Please it your Majesty
Command me any service to her thither?
KING. That she vouchsafe me audience for one word.
BOYET. I will; and so will she, I know, my lord. Exit
BEROWNE. This fellow pecks up wit as pigeons pease,
And utters it again when God doth please.
He is wit's pedlar, and retails his wares
At wakes, and wassails, meetings, markets, fairs;
And we that sell by gross, the Lord doth know,
Have not the grace to grace it with such show.
This gallant pins the wenches on his sleeve;
Had he been Adam, he had tempted Eve.
'A can carve too, and lisp; why this is he
That kiss'd his hand away in courtesy;
This is the ape of form, Monsieur the Nice,
That, when he plays at tables, chides the dice
In honourable terms; nay, he can sing
A mean most meanly; and in ushering,
Mend him who can. The ladies call him sweet;
The stairs, as he treads on them, kiss his feet.
This is the flow'r that smiles on every one,
To show his teeth as white as whales-bone;
And consciences that will not die in debt
Pay him the due of 'honey-tongued Boyet.'
KING. A blister on his sweet tongue, with my heart,
That put Armado's page out of his part!
Re-enter the PRINCESS, ushered by BOYET; ROSALINE,
MARIA, and KATHARINE
BEROWNE. See where it comes! Behaviour, what wert thou
Till this man show'd thee? And what art thou now?
KING. All hail, sweet madam, and fair time of day!
PRINCESS OF FRANCE. 'Fair' in 'all hail' is foul, as I conceive.
KING. Construe my speeches better, if you may.
PRINCESS OF FRANCE. Then wish me better; I will give you leave.
KING. We came to visit you, and purpose now
To lead you to our court; vouchsafe it then.
PRINCESS OF FRANCE. This field shall hold me, and so hold your vow:
Nor God, nor I, delights in perjur'd men.
KING. Rebuke me not for that which you provoke.
The virtue of your eye must break my oath.
PRINCESS OF FRANCE. You nickname virtue: vice you should have
spoke;
For virtue's office never breaks men's troth.
Now by my maiden honour, yet as pure
As the unsullied lily, I protest,
A world of torments though I should endure,
I would not yield to be your house's guest;
So much I hate a breaking cause to be
Of heavenly oaths, vowed with integrity.
KING. O, you have liv'd in desolation here,
Unseen, unvisited, much to our shame.
PRINCESS OF FRANCE. Not so, my lord; it is not so, I swear;
We have had pastimes here, and pleasant game;
A mess of Russians left us but of late.
KING. How, madam! Russians!
PRINCESS OF FRANCE. Ay, in truth, my lord;
Trim gallants, full of courtship and of state.
ROSALINE. Madam, speak true. It is not so, my lord.
My lady, to the manner of the days,
In courtesy gives undeserving praise.
We four indeed confronted were with four
In Russian habit; here they stayed an hour
And talk'd apace; and in that hour, my lord,
They did not bless us with one happy word.
I dare not call them fools; but this I think,
When they are thirsty, fools would fain have drink.
BEROWNE. This jest is dry to me. Fair gentle sweet,
Your wit makes wise things foolish; when we greet,
With eyes best seeing, heaven's fiery eye,
By light we lose light; your capacity
Is of that nature that to your huge store
Wise things seem foolish and rich things but poor.
ROSALINE. This proves you wise and rich, for in my eye-
BEROWNE. I am a fool, and full of poverty.
ROSALINE. But that you take what doth to you belong,
It were a fault to snatch words from my tongue.
BEROWNE. O, I am yours, and all that I possess.
ROSALINE. All the fool mine?
BEROWNE. I cannot give you less.
ROSALINE. Which of the vizards was it that you wore?
BEROWNE. Where? when? what vizard? Why demand you this?
ROSALINE. There, then, that vizard; that superfluous case
That hid the worse and show'd the better face.
KING. We were descried; they'll mock us now downright.
DUMAIN. Let us confess, and turn it to a jest.
PRINCESS OF FRANCE. Amaz'd, my lord? Why looks your Highness sad?
ROSALINE. Help, hold his brows! he'll swoon! Why look you pale?
Sea-sick, I think, coming from Muscovy.
BEROWNE. Thus pour the stars down plagues for perjury.
Can any face of brass hold longer out?
Here stand I, lady- dart thy skill at me,
Bruise me with scorn, confound me with a flout,
Thrust thy sharp wit quite through my ignorance,
Cut me to pieces with thy keen conceit;
And I will wish thee never more to dance,
Nor never more in Russian habit wait.
O, never will I trust to speeches penn'd,
Nor to the motion of a school-boy's tongue,
Nor never come in vizard to my friend,
Nor woo in rhyme, like a blind harper's song.
Taffeta phrases, silken terms precise,
Three-pil'd hyperboles, spruce affectation,
Figures pedantical- these summer-flies
Have blown me full of maggot ostentation.
I do forswear them; and I here protest,
By this white glove- how white the hand, God knows!-
Henceforth my wooing mind shall be express'd
In russet yeas, and honest kersey noes.
And, to begin, wench- so God help me, law!-
My love to thee is sound, sans crack or flaw.
ROSALINE. Sans 'sans,' I pray you.
BEROWNE. Yet I have a trick
Of the old rage; bear with me, I am sick;
I'll leave it by degrees. Soft, let us see-
Write 'Lord have mercy on us' on those three;
They are infected; in their hearts it lies;
They have the plague, and caught it of your eyes.
These lords are visited; you are not free,
For the Lord's tokens on you do I see.
PRINCESS OF FRANCE. No, they are free that gave these tokens to us.
BEROWNE. Our states are forfeit; seek not to undo us.
ROSALINE. It is not so; for how can this be true,
That you stand forfeit, being those that sue?
BEROWNE. Peace; for I will not have to do with you.
ROSALINE. Nor shall not, if I do as I intend.
BEROWNE. Speak for yourselves; my wit is at an end.
KING. Teach us, sweet madam, for our rude transgression
Some fair excuse.
PRINCESS OF FRANCE. The fairest is confession.
Were not you here but even now, disguis'd?
KING. Madam, I was.
PRINCESS OF FRANCE. And were you well advis'd?
KING. I was, fair madam.
PRINCESS OF FRANCE. When you then were here,
What did you whisper in your lady's ear?
KING. That more than all the world I did respect her.
PRINCESS OF FRANCE. When she shall challenge this, you will reject
her.
KING. Upon mine honour, no.
PRINCESS OF FRANCE. Peace, peace, forbear;
Your oath once broke, you force not to forswear.
KING. Despise me when I break this oath of mine.
PRINCESS OF FRANCE. I will; and therefore keep it. Rosaline,
What did the Russian whisper in your ear?
ROSALINE. Madam, he swore that he did hold me dear
As precious eyesight, and did value me
Above this world; adding thereto, moreover,
That he would wed me, or else die my lover.
PRINCESS OF FRANCE. God give thee joy of him! The noble lord
Most honourably doth uphold his word.
KING. What mean you, madam? By my life, my troth,
I never swore this lady such an oath.
ROSALINE. By heaven, you did; and, to confirm it plain,
You gave me this; but take it, sir, again.
KING. My faith and this the Princess I did give;
I knew her by this jewel on her sleeve.
PRINCESS OF FRANCE. Pardon me, sir, this jewel did she wear;
And Lord Berowne, I thank him, is my dear.
What, will you have me, or your pearl again?
BEROWNE. Neither of either; I remit both twain.
I see the trick on't: here was a consent,
Knowing aforehand of our merriment,
To dash it like a Christmas comedy.
Some carry-tale, some please-man, some slight zany,
Some mumble-news, some trencher-knight, some Dick,
That smiles his cheek in years and knows the trick
To make my lady laugh when she's dispos'd,
Told our intents before; which once disclos'd,
The ladies did change favours; and then we,
Following the signs, woo'd but the sign of she.
Now, to our perjury to add more terror,
We are again forsworn in will and error.
Much upon this it is; [To BOYET] and might not you
Forestall our sport, to make us thus untrue?
Do not you know my lady's foot by th' squier,
And laugh upon the apple of her eye?
And stand between her back, sir, and the fire,
Holding a trencher, jesting merrily?
You put our page out. Go, you are allow'd;
Die when you will, a smock shall be your shroud.
You leer upon me, do you? There's an eye
Wounds like a leaden sword.
BOYET. Full merrily
Hath this brave manage, this career, been run.
BEROWNE. Lo, he is tilting straight! Peace; I have done.
Enter COSTARD
Welcome, pure wit! Thou part'st a fair fray.
COSTARD. O Lord, sir, they would know
Whether the three Worthies shall come in or no?
BEROWNE. What, are there but three?
COSTARD. No, sir; but it is vara fine,
For every one pursents three.
BEROWNE. And three times thrice is nine.
COSTARD. Not so, sir; under correction, sir,
I hope it is not so.
You cannot beg us, sir, I can assure you, sir; we know what we
know;
I hope, sir, three times thrice, sir-
BEROWNE. Is not nine.
COSTARD. Under correction, sir, we know whereuntil it doth amount.
BEROWNE. By Jove, I always took three threes for nine.
COSTARD. O Lord, sir, it were pity you should get your living by
reck'ning, sir.
BEROWNE. How much is it?
COSTARD. O Lord, sir, the parties themselves, the actors, sir, will
show whereuntil it doth amount. For mine own part, I am, as they
say, but to parfect one man in one poor man, Pompion the Great,
sir.
BEROWNE. Art thou one of the Worthies?
COSTARD. It pleased them to think me worthy of Pompey the Great;
for mine own part, I know not the degree of the Worthy; but I am
to stand for him.
BEROWNE. Go, bid them prepare.
COSTARD. We will turn it finely off, sir; we will take some care.
Exit COSTARD
KING. Berowne, they will shame us; let them not approach.
BEROWNE. We are shame-proof, my lord, and 'tis some policy
To have one show worse than the King's and his company.
KING. I say they shall not come.
PRINCESS OF FRANCE. Nay, my good lord, let me o'errule you now.
That sport best pleases that doth least know how;
Where zeal strives to content, and the contents
Dies in the zeal of that which it presents.
Their form confounded makes most form in mirth,
When great things labouring perish in their birth.
BEROWNE. A right description of our sport, my lord.
Enter ARMADO
ARMADO. Anointed, I implore so much expense of thy royal sweet
breath as will utter a brace of words.
[Converses apart with the KING, and delivers a paper]
PRINCESS OF FRANCE. Doth this man serve God?
BEROWNE. Why ask you?
PRINCESS OF FRANCE. 'A speaks not like a man of God his making.
ARMADO. That is all one, my fair, sweet, honey monarch; for, I
protest, the schoolmaster is exceeding fantastical; too too vain,
too too vain; but we will put it, as they say, to fortuna de la
guerra. I wish you the peace of mind, most royal couplement!
Exit ARMADO
KING. Here is like to be a good presence of Worthies. He presents
Hector of Troy; the swain, Pompey the Great; the parish curate,
Alexander; Arinado's page, Hercules; the pedant, Judas
Maccabaeus.
And if these four Worthies in their first show thrive,
These four will change habits and present the other five.
BEROWNE. There is five in the first show.
KING. You are deceived, 'tis not so.
BEROWNE. The pedant, the braggart, the hedge-priest, the fool, and
the boy:
Abate throw at novum, and the whole world again
Cannot pick out five such, take each one in his vein.
KING. The ship is under sail, and here she comes amain.
Enter COSTARD, armed for POMPEY
COSTARD. I Pompey am-
BEROWNE. You lie, you are not he.
COSTARD. I Pompey am-
BOYET. With libbard's head on knee.
BEROWNE. Well said, old mocker; I must needs be friends with thee.
COSTARD. I Pompey am, Pompey surnam'd the Big-
DUMAIN. The Great.
COSTARD. It is Great, sir.
Pompey surnam'd the Great,
That oft in field, with targe and shield, did make my foe to
sweat;
And travelling along this coast, I bere am come by chance,
And lay my arms before the legs of this sweet lass of France.
If your ladyship would say 'Thanks, Pompey,' I had done.
PRINCESS OF FRANCE. Great thanks, great Pompey.
COSTARD. 'Tis not so much worth; but I hope I was perfect.
I made a little fault in Great.
BEROWNE. My hat to a halfpenny, Pompey proves the best Worthy.
Enter SIR NATHANIEL, for ALEXANDER
NATHANIEL. When in the world I liv'd, I was the world's commander;
By east, west, north, and south, I spread my conquering might.
My scutcheon plain declares that I am Alisander-
BOYET. Your nose says, no, you are not; for it stands to right.
BEROWNE. Your nose smells 'no' in this, most tender-smelling
knight.
PRINCESS OF FRANCE. The conqueror is dismay'd. Proceed, good
Alexander.
NATHANIEL. When in the world I liv'd, I was the world's commander-
BOYET. Most true, 'tis right, you were so, Alisander.
BEROWNE. Pompey the Great!
COSTARD. Your servant, and Costard.
BEROWNE. Take away the conqueror, take away Alisander.
COSTARD. [To Sir Nathaniel] O, Sir, you have overthrown Alisander
the conqueror! You will be scrap'd out of the painted cloth for
this. Your lion, that holds his poleaxe sitting on a close-stool,
will be given to Ajax. He will be the ninth Worthy. A conqueror
and afeard to speak! Run away for shame, Alisander.
[Sir Nathaniel retires] There, an't shall please you, a foolish
mild man; an honest man, look you, and soon dash'd. He is a
marvellous good neighbour, faith, and a very good bowler; but for
Alisander- alas! you see how 'tis- a little o'erparted. But there
are Worthies a-coming will speak their mind in some other sort.
PRINCESS OF FRANCE. Stand aside, good Pompey.
Enter HOLOFERNES, for JUDAS; and MOTH, for HERCULES
HOLOFERNES. Great Hercules is presented by this imp,
Whose club kill'd Cerberus, that three-headed canus;
And when be was a babe, a child, a shrimp,
Thus did he strangle serpents in his manus.
Quoniam he seemeth in minority,
Ergo I come with this apology.
Keep some state in thy exit, and vanish. [MOTH retires]
Judas I am-
DUMAIN. A Judas!
HOLOFERNES. Not Iscariot, sir.
Judas I am, ycliped Maccabaeus.
DUMAIN. Judas Maccabaeus clipt is plain Judas.
BEROWNE. A kissing traitor. How art thou prov'd Judas?
HOLOFERNES. Judas I am-
DUMAIN. The more shame for you, Judas!
HOLOFERNES. What mean you, sir?
BOYET. To make Judas hang himself.
HOLOFERNES. Begin, sir; you are my elder.
BEROWNE. Well followed: Judas was hanged on an elder.
HOLOFERNES. I will not be put out of countenance.
BEROWNE. Because thou hast no face.
HOLOFERNES. What is this?
BOYET. A cittern-head.
DUMAIN. The head of a bodkin.
BEROWNE. A death's face in a ring.
LONGAVILLE. The face of an old Roman coin, scarce seen.
BOYET. The pommel of Coesar's falchion.
DUMAIN. The carv'd-bone face on a flask.
BEROWNE. Saint George's half-cheek in a brooch.
DUMAIN. Ay, and in a brooch of lead.
BEROWNE. Ay, and worn in the cap of a tooth-drawer. And now,
forward; for we have put thee in countenance.
HOLOFERNES. You have put me out of countenance.
BEROWNE. False: we have given thee faces.
HOLOFERNES. But you have outfac'd them all.
BEROWNE. An thou wert a lion we would do so.
BOYET. Therefore, as he is an ass, let him go.
And so adieu, sweet Jude! Nay, why dost thou stay?
DUMAIN. For the latter end of his name.
BEROWNE. For the ass to the Jude; give it him- Jud-as, away.
HOLOFERNES. This is not generous, not gentle, not humble.
BOYET. A light for Monsieur Judas! It grows dark, he may stumble.
[HOLOFERNES retires]
PRINCESS OF FRANCE. Alas, poor Maccabaeus, how hath he been baited!
Enter ARMADO, for HECTOR
BEROWNE. Hide thy head, Achilles; here comes Hector in arms.
DUMAIN. Though my mocks come home by me, I will now be merry.
KING. Hector was but a Troyan in respect of this.
BOYET. But is this Hector?
DUMAIN. I think Hector was not so clean-timber'd.
LONGAVILLE. His leg is too big for Hector's.
DUMAIN. More calf, certain.
BOYET. No; he is best indued in the small.
BEROWNE. This cannot be Hector.
DUMAIN. He's a god or a painter, for he makes faces.
ARMADO. The armipotent Mars, of lances the almighty,
Gave Hector a gift-
DUMAIN. A gilt nutmeg.
BEROWNE. A lemon.
LONGAVILLE. Stuck with cloves.
DUMAIN. No, cloven.
ARMADO. Peace!
The armipotent Mars, of lances the almighty,
Gave Hector a gift, the heir of Ilion;
A man so breathed that certain he would fight ye,
From morn till night out of his pavilion.
I am that flower-
DUMAIN. That mint.
LONGAVILLE. That columbine.
ARMADO. Sweet Lord Longaville, rein thy tongue.
LONGAVILLE. I must rather give it the rein, for it runs against
Hector.
DUMAIN. Ay, and Hector's a greyhound.
ARMADO. The sweet war-man is dead and rotten; sweet chucks, beat
not the bones of the buried; when he breathed, he was a man. But
I will forward with my device. [To the PRINCESS] Sweet royalty,
bestow on me the sense of hearing.
[BEROWNE steps forth, and speaks to COSTARD]
PRINCESS OF FRANCE. Speak, brave Hector; we are much delighted.
ARMADO. I do adore thy sweet Grace's slipper.
BOYET. [Aside to DUMAIN] Loves her by the foot.
DUMAIN. [Aside to BOYET] He may not by the yard.
ARMADO. This Hector far surmounted Hannibal-
COSTARD. The party is gone, fellow Hector, she is gone; she is two
months on her way.
ARMADO. What meanest thou?
COSTARD. Faith, unless you play the honest Troyan, the poor wench
is cast away. She's quick; the child brags in her belly already;
'tis yours.
ARMADO. Dost thou infamonize me among potentates? Thou shalt die.
COSTARD. Then shall Hector be whipt for Jaquenetta that is quick by
him, and hang'd for Pompey that is dead by him.
DUMAIN. Most rare Pompey!
BOYET. Renowned Pompey!
BEROWNE. Greater than Great! Great, great, great Pompey! Pompey the
Huge!
DUMAIN. Hector trembles.
BEROWNE. Pompey is moved. More Ates, more Ates! Stir them on! stir
them on!
DUMAIN. Hector will challenge him.
BEROWNE. Ay, if 'a have no more man's blood in his belly than will
sup a flea.
ARMADO. By the North Pole, I do challenge thee.
COSTARD. I will not fight with a pole, like a Northern man; I'll
slash; I'll do it by the sword. I bepray you, let me borrow my
arms again.
DUMAIN. Room for the incensed Worthies!
COSTARD. I'll do it in my shirt.
DUMAIN. Most resolute Pompey!
MOTH. Master, let me take you a buttonhole lower. Do you not see
Pompey is uncasing for the combat? What mean you? You will lose
your reputation.
ARMADO. Gentlemen and soldiers, pardon me; I will not combat in my
shirt.
DUMAIN. You may not deny it: Pompey hath made the challenge.
ARMADO. Sweet bloods, I both may and will.
BEROWNE. What reason have you for 't?
ARMADO. The naked truth of it is: I have no shirt; I go woolward
for penance.
BOYET. True, and it was enjoined him in Rome for want of linen;
since when, I'll be sworn, he wore none but a dishclout of
Jaquenetta's, and that 'a wears next his heart for a favour.
Enter as messenger, MONSIEUR MARCADE
MARCADE. God save you, madam!
PRINCESS OF FRANCE. Welcome, Marcade;
But that thou interruptest our merriment.
MARCADE. I am sorry, madam; for the news I bring
Is heavy in my tongue. The King your father-
PRINCESS OF FRANCE. Dead, for my life!
MARCADE. Even so; my tale is told.
BEROWNE. WOrthies away; the scene begins to cloud.
ARMADO. For mine own part, I breathe free breath. I have seen the
day of wrong through the little hole of discretion, and I will
right myself like a soldier. Exeunt WORTHIES
KING. How fares your Majesty?
PRINCESS OF FRANCE. Boyet, prepare; I will away to-night.
KING. Madam, not so; I do beseech you stay.
PRINCESS OF FRANCE. Prepare, I say. I thank you, gracious lords,
For all your fair endeavours, and entreat,
Out of a new-sad soul, that you vouchsafe
In your rich wisdom to excuse or hide
The liberal opposition of our spirits,
If over-boldly we have borne ourselves
In the converse of breath- your gentleness
Was guilty of it. Farewell, worthy lord.
A heavy heart bears not a nimble tongue.
Excuse me so, coming too short of thanks
For my great suit so easily obtain'd.
KING. The extreme parts of time extremely forms
All causes to the purpose of his speed;
And often at his very loose decides
That which long process could not arbitrate.
And though the mourning brow of progeny
Forbid the smiling courtesy of love
The holy suit which fain it would convince,
Yet, since love's argument was first on foot,
Let not the cloud of sorrow justle it
From what it purpos'd; since to wail friends lost
Is not by much so wholesome-profitable
As to rejoice at friends but newly found.
PRINCESS OF FRANCE. I understand you not; my griefs are double.
BEROWNE. Honest plain words best pierce the ear of grief;
And by these badges understand the King.
For your fair sakes have we neglected time,
Play'd foul play with our oaths; your beauty, ladies,
Hath much deformed us, fashioning our humours
Even to the opposed end of our intents;
And what in us hath seem'd ridiculous,
As love is full of unbefitting strains,
All wanton as a child, skipping and vain;
Form'd by the eye and therefore, like the eye,
Full of strange shapes, of habits, and of forms,
Varying in subjects as the eye doth roll
To every varied object in his glance;
Which parti-coated presence of loose love
Put on by us, if in your heavenly eyes
Have misbecom'd our oaths and gravities,
Those heavenly eyes that look into these faults
Suggested us to make. Therefore, ladies,
Our love being yours, the error that love makes
Is likewise yours. We to ourselves prove false,
By being once false for ever to be true
To those that make us both- fair ladies, you;
And even that falsehood, in itself a sin,
Thus purifies itself and turns to grace.
PRINCESS OF FRANCE. We have receiv'd your letters, full of love;
Your favours, the ambassadors of love;
And, in our maiden council, rated them
At courtship, pleasant jest, and courtesy,
As bombast and as lining to the time;
But more devout than this in our respects
Have we not been; and therefore met your loves
In their own fashion, like a merriment.
DUMAIN. Our letters, madam, show'd much more than jest.
LONGAVILLE. So did our looks.
ROSALINE. We did not quote them so.
KING. Now, at the latest minute of the hour,
Grant us your loves.
PRINCESS OF FRANCE. A time, methinks, too short
To make a world-without-end bargain in.
No, no, my lord, your Grace is perjur'd much,
Full of dear guiltiness; and therefore this,
If for my love, as there is no such cause,
You will do aught- this shall you do for me:
Your oath I will not trust; but go with speed
To some forlorn and naked hermitage,
Remote from all the pleasures of the world;
There stay until the twelve celestial signs
Have brought about the annual reckoning.
If this austere insociable life
Change not your offer made in heat of blood,
If frosts and fasts, hard lodging and thin weeds,
Nip not the gaudy blossoms of your love,
But that it bear this trial, and last love,
Then, at the expiration of the year,
Come, challenge me, challenge me by these deserts;
And, by this virgin palm now kissing thine,
I will be thine; and, till that instant, shut
My woeful self up in a mournful house,
Raining the tears of lamentation
For the remembrance of my father's death.
If this thou do deny, let our hands part,
Neither intitled in the other's heart.
KING. If this, or more than this, I would deny,
To flatter up these powers of mine with rest,
The sudden hand of death close up mine eye!
Hence hermit then, my heart is in thy breast.
BEROWNE. And what to me, my love? and what to me?
ROSALINE. You must he purged too, your sins are rack'd;
You are attaint with faults and perjury;
Therefore, if you my favour mean to get,
A twelvemonth shall you spend, and never rest,
But seek the weary beds of people sick.
DUMAIN. But what to me, my love? but what to me?
A wife?
KATHARINE. A beard, fair health, and honesty;
With threefold love I wish you all these three.
DUMAIN. O, shall I say I thank you, gentle wife?
KATHARINE. No so, my lord; a twelvemonth and a day
I'll mark no words that smooth-fac'd wooers say.
Come when the King doth to my lady come;
Then, if I have much love, I'll give you some.
DUMAIN. I'll serve thee true and faithfully till then.
KATHARINE. Yet swear not, lest ye be forsworn again.
LONGAVILLE. What says Maria?
MARIA. At the twelvemonth's end
I'll change my black gown for a faithful friend.
LONGAVILLE. I'll stay with patience; but the time is long.
MARIA. The liker you; few taller are so young.
BEROWNE. Studies my lady? Mistress, look on me;
Behold the window of my heart, mine eye,
What humble suit attends thy answer there.
Impose some service on me for thy love.
ROSALINE. Oft have I heard of you, my Lord Berowne,
Before I saw you; and the world's large tongue
Proclaims you for a man replete with mocks,
Full of comparisons and wounding flouts,
Which you on all estates will execute
That lie within the mercy of your wit.
To weed this wormwood from your fruitful brain,
And therewithal to win me, if you please,
Without the which I am not to be won,
You shall this twelvemonth term from day to day
Visit the speechless sick, and still converse
With groaning wretches; and your task shall be,
With all the fierce endeavour of your wit,
To enforce the pained impotent to smile.
BEROWNE. To move wild laughter in the throat of death?
It cannot be; it is impossible;
Mirth cannot move a soul in agony.
ROSALINE. Why, that's the way to choke a gibing spirit,
Whose influence is begot of that loose grace
Which shallow laughing hearers give to fools.
A jest's prosperity lies in the ear
Of him that hears it, never in the tongue
Of him that makes it; then, if sickly ears,
Deaf'd with the clamours of their own dear groans,
Will hear your idle scorns, continue then,
And I will have you and that fault withal.
But if they will not, throw away that spirit,
And I shall find you empty of that fault,
Right joyful of your reformation.
BEROWNE. A twelvemonth? Well, befall what will befall,
I'll jest a twelvemonth in an hospital.
PRINCESS OF FRANCE. [ To the King] Ay, sweet my lord, and so I take
my leave.
KING. No, madam; we will bring you on your way.
BEROWNE. Our wooing doth not end like an old play:
Jack hath not Jill. These ladies' courtesy
Might well have made our sport a comedy.
KING. Come, sir, it wants a twelvemonth an' a day,
And then 'twill end.
BEROWNE. That's too long for a play.
Re-enter ARMADO
ARMADO. Sweet Majesty, vouchsafe me-
PRINCESS OF FRANCE. Was not that not Hector?
DUMAIN. The worthy knight of Troy.
ARMADO. I will kiss thy royal finger, and take leave. I am a
votary: I have vow'd to Jaquenetta to hold the plough for her
sweet love three year. But, most esteemed greatness, will you
hear the dialogue that the two learned men have compiled in
praise of the Owl and the Cuckoo? It should have followed in the
end of our show.
KING. Call them forth quickly; we will do so.
ARMADO. Holla! approach.
Enter All
This side is Hiems, Winter; this Ver, the Spring- the one
maintained by the Owl, th' other by the Cuckoo. Ver, begin.
SPRING
When daisies pied and violets blue
And lady-smocks all silver-white
And cuckoo-buds of yellow hue
Do paint the meadows with delight,
The cuckoo then on every tree
Mocks married men, for thus sings he:
'Cuckoo;
Cuckoo, cuckoo'- O word of fear,
Unpleasing to a married ear!
When shepherds pipe on oaten straws,
And merry larks are ploughmen's clocks;
When turtles tread, and rooks and daws,
And maidens bleach their summer smocks;
The cuckoo then on every tree
Mocks married men, for thus sings he:
'Cuckoo;
Cuckoo, cuckoo'- O word of fear,
Unpleasing to a married ear!
WINTER
When icicles hang by the wall,
And Dick the shepherd blows his nail,
And Tom bears logs into the hall,
And milk comes frozen home in pail,
When blood is nipp'd, and ways be foul,
Then nightly sings the staring owl:
'Tu-who;
Tu-whit, Tu-who'- A merry note,
While greasy Joan doth keel the pot.
When all aloud the wind doth blow,
And coughing drowns the parson's saw,
And birds sit brooding in the snow,
And Marian's nose looks red and raw,
When roasted crabs hiss in the bowl,
Then nightly sings the staring owl:
'Tu-who;
Tu-whit, To-who'- A merry note,
While greasy Joan doth keel the pot.
ARMADO. The words of Mercury are harsh after the songs of Apollo.
You that way: we this way. Exeunt
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