Texts:Shakespeare/cw162337: Difference between revisions
https://aplacetostudy.org/>Robbie McClintock m 1 revision imported |
mNo edit summary |
||
(3 intermediate revisions by 2 users not shown) | |||
Line 1: | Line 1: | ||
{{ | __NOTITLE__ | ||
{{Setup|tick=Where}} | |||
[[Texts:Shakespeare|Links to Shakespeare's Works]] | |||
<h2>THE TWO GENTLEMEN OF VERONA</h2> | <h2>THE TWO GENTLEMEN OF VERONA</h2> | ||
__TOC__ | |||
<hr> | |||
<h4>DRAMATIS PERSONAE</h4> | <h4>DRAMATIS PERSONAE</h4> | ||
<p> DUKE OF MILAN, father to Silvia<br/> | <p> DUKE OF MILAN, father to Silvia<br/> | ||
VALENTINE, one of the two gentlemen<br/> | VALENTINE, one of the two gentlemen<br/> | ||
PROTEUS, " " " " "<br/> | PROTEUS, " " " " "<br/> | ||
ANTONIO, father to Proteus<br/> | ANTONIO, father to Proteus<br/> | ||
THURIO, a foolish rival to Valentine<br/> | THURIO, a foolish rival to Valentine<br/> | ||
EGLAMOUR, agent for Silvia in her escape<br/> | EGLAMOUR, agent for Silvia in her escape<br/> | ||
SPEED, a clownish servant to Valentine<br/> | SPEED, a clownish servant to Valentine<br/> | ||
LAUNCE, the like to Proteus<br/> | LAUNCE, the like to Proteus<br/> | ||
PANTHINO, servant to Antonio<br/> | PANTHINO, servant to Antonio<br/> | ||
HOST, where Julia lodges in Milan<br/> | HOST, where Julia lodges in Milan<br/> | ||
OUTLAWS, with Valentine<br/> | OUTLAWS, with Valentine<br/> | ||
</p> | </p> | ||
<p> JULIA, a lady of Verona, beloved of Proteus<br/> | <p> JULIA, a lady of Verona, beloved of Proteus<br/> | ||
SILVIA, the Duke's daughter, beloved of Valentine<br/> | SILVIA, the Duke's daughter, beloved of Valentine<br/> | ||
LUCETTA, waiting-woman to Julia<br/> | LUCETTA, waiting-woman to Julia<br/> | ||
</p> | </p> | ||
<p> SERVANTS | <p> SERVANTS | ||
MUSICIANS</p> | MUSICIANS</p> | ||
<h4>SCENE: | <h4>SCENE: | ||
Verona; Milan; the frontiers of Mantua</h4> | Verona; Milan; the frontiers of Mantua</h4> | ||
<h4>ACT I. SCENE I. | <h4>ACT I. SCENE I. | ||
Verona. An open place</h4> | Verona. An open place</h4> | ||
Line 35: | Line 54: | ||
<p> VALENTINE. Cease to persuade, my loving Proteus:<br/> | <p> VALENTINE. Cease to persuade, my loving Proteus:<br/> | ||
Home-keeping youth have ever homely wits.<br/> | Home-keeping youth have ever homely wits.<br/> | ||
Were't not affection chains thy tender days<br/> | Were't not affection chains thy tender days<br/> | ||
To the sweet glances of thy honour'd love,<br/> | To the sweet glances of thy honour'd love,<br/> | ||
I rather would entreat thy company<br/> | I rather would entreat thy company<br/> | ||
To see the wonders of the world abroad,<br/> | To see the wonders of the world abroad,<br/> | ||
Than, living dully sluggardiz'd at home,<br/> | Than, living dully sluggardiz'd at home,<br/> | ||
Wear out thy youth with shapeless idleness.<br/> | Wear out thy youth with shapeless idleness.<br/> | ||
But since thou lov'st, love still, and thrive therein,<br/> | But since thou lov'st, love still, and thrive therein,<br/> | ||
Even as I would, when I to love begin.<br/> | Even as I would, when I to love begin.<br/> | ||
PROTEUS. Wilt thou be gone? Sweet Valentine, adieu!<br/> | PROTEUS. Wilt thou be gone? Sweet Valentine, adieu!<br/> | ||
Think on thy Proteus, when thou haply seest<br/> | Think on thy Proteus, when thou haply seest<br/> | ||
Some rare noteworthy object in thy travel.<br/> | Some rare noteworthy object in thy travel.<br/> | ||
Wish me partaker in thy happiness<br/> | Wish me partaker in thy happiness<br/> | ||
When thou dost meet good hap; and in thy danger,<br/> | When thou dost meet good hap; and in thy danger,<br/> | ||
If ever danger do environ thee,<br/> | If ever danger do environ thee,<br/> | ||
Commend thy grievance to my holy prayers,<br/> | Commend thy grievance to my holy prayers,<br/> | ||
For I will be thy headsman, Valentine.<br/> | For I will be thy headsman, Valentine.<br/> | ||
VALENTINE. And on a love-book pray for my success?<br/> | VALENTINE. And on a love-book pray for my success?<br/> | ||
PROTEUS. Upon some book I love I'll pray for thee.<br/> | PROTEUS. Upon some book I love I'll pray for thee.<br/> | ||
VALENTINE. That's on some shallow story of deep love:<br/> | VALENTINE. That's on some shallow story of deep love:<br/> | ||
How young Leander cross'd the Hellespont.<br/> | How young Leander cross'd the Hellespont.<br/> | ||
PROTEUS. That's a deep story of a deeper love;<br/> | PROTEUS. That's a deep story of a deeper love;<br/> | ||
For he was more than over shoes in love.<br/> | For he was more than over shoes in love.<br/> | ||
VALENTINE. 'Tis true; for you are over boots in love,<br/> | VALENTINE. 'Tis true; for you are over boots in love,<br/> | ||
And yet you never swum the Hellespont.<br/> | And yet you never swum the Hellespont.<br/> | ||
PROTEUS. Over the boots! Nay, give me not the boots.<br/> | PROTEUS. Over the boots! Nay, give me not the boots.<br/> | ||
VALENTINE. No, I will not, for it boots thee not.<br/> | VALENTINE. No, I will not, for it boots thee not.<br/> | ||
PROTEUS. What?<br/> | PROTEUS. What?<br/> | ||
VALENTINE. To be in love- where scorn is bought with groans,<br/> | VALENTINE. To be in love- where scorn is bought with groans,<br/> | ||
Coy looks with heart-sore sighs, one fading moment's mirth<br/> | Coy looks with heart-sore sighs, one fading moment's mirth<br/> | ||
With twenty watchful, weary, tedious nights;<br/> | With twenty watchful, weary, tedious nights;<br/> | ||
If haply won, perhaps a hapless gain;<br/> | If haply won, perhaps a hapless gain;<br/> | ||
If lost, why then a grievous labour won;<br/> | If lost, why then a grievous labour won;<br/> | ||
However, but a folly bought with wit,<br/> | However, but a folly bought with wit,<br/> | ||
Or else a wit by folly vanquished.<br/> | Or else a wit by folly vanquished.<br/> | ||
PROTEUS. So, by your circumstance, you call me fool.<br/> | PROTEUS. So, by your circumstance, you call me fool.<br/> | ||
VALENTINE. So, by your circumstance, I fear you'll prove.<br/> | VALENTINE. So, by your circumstance, I fear you'll prove.<br/> | ||
PROTEUS. 'Tis love you cavil at; I am not Love.<br/> | PROTEUS. 'Tis love you cavil at; I am not Love.<br/> | ||
VALENTINE. Love is your master, for he masters you;<br/> | VALENTINE. Love is your master, for he masters you;<br/> | ||
And he that is so yoked by a fool,<br/> | And he that is so yoked by a fool,<br/> | ||
Methinks, should not be chronicled for wise.<br/> | Methinks, should not be chronicled for wise.<br/> | ||
PROTEUS. Yet writers say, as in the sweetest bud<br/> | PROTEUS. Yet writers say, as in the sweetest bud<br/> | ||
The eating canker dwells, so eating love<br/> | The eating canker dwells, so eating love<br/> | ||
Inhabits in the finest wits of all.<br/> | Inhabits in the finest wits of all.<br/> | ||
VALENTINE. And writers say, as the most forward bud<br/> | VALENTINE. And writers say, as the most forward bud<br/> | ||
Is eaten by the canker ere it blow,<br/> | Is eaten by the canker ere it blow,<br/> | ||
Even so by love the young and tender wit<br/> | Even so by love the young and tender wit<br/> | ||
Is turn'd to folly, blasting in the bud,<br/> | Is turn'd to folly, blasting in the bud,<br/> | ||
Losing his verdure even in the prime,<br/> | Losing his verdure even in the prime,<br/> | ||
And all the fair effects of future hopes.<br/> | And all the fair effects of future hopes.<br/> | ||
But wherefore waste I time to counsel the<br/> | But wherefore waste I time to counsel the<br/> | ||
That art a votary to fond desire?<br/> | That art a votary to fond desire?<br/> | ||
Once more adieu. My father at the road<br/> | Once more adieu. My father at the road<br/> | ||
Expects my coming, there to see me shipp'd.<br/> | Expects my coming, there to see me shipp'd.<br/> | ||
PROTEUS. And thither will I bring thee, Valentine.<br/> | PROTEUS. And thither will I bring thee, Valentine.<br/> | ||
VALENTINE. Sweet Proteus, no; now let us take our leave.<br/> | VALENTINE. Sweet Proteus, no; now let us take our leave.<br/> | ||
To Milan let me hear from thee by letters<br/> | To Milan let me hear from thee by letters<br/> | ||
Of thy success in love, and what news else<br/> | Of thy success in love, and what news else<br/> | ||
Betideth here in absence of thy friend;<br/> | Betideth here in absence of thy friend;<br/> | ||
And I likewise will visit thee with mine.<br/> | And I likewise will visit thee with mine.<br/> | ||
PROTEUS. All happiness bechance to thee in Milan!<br/> | PROTEUS. All happiness bechance to thee in Milan!<br/> | ||
VALENTINE. As much to you at home; and so farewell!<br/> | VALENTINE. As much to you at home; and so farewell!<br/> | ||
Exit VALENTINE<br/> | Exit VALENTINE<br/> | ||
PROTEUS. He after honour hunts, I after love;<br/> | PROTEUS. He after honour hunts, I after love;<br/> | ||
He leaves his friends to dignify them more:<br/> | He leaves his friends to dignify them more:<br/> | ||
I leave myself, my friends, and all for love.<br/> | I leave myself, my friends, and all for love.<br/> | ||
Thou, Julia, thou hast metamorphis'd me,<br/> | Thou, Julia, thou hast metamorphis'd me,<br/> | ||
Made me neglect my studies, lose my time,<br/> | Made me neglect my studies, lose my time,<br/> | ||
War with good counsel, set the world at nought;<br/> | War with good counsel, set the world at nought;<br/> | ||
Made wit with musing weak, heart sick with thought.<br/> | Made wit with musing weak, heart sick with thought.<br/> | ||
</p> | </p> | ||
Line 110: | Line 200: | ||
<p> SPEED. Sir Proteus, save you! Saw you my master?<br/> | <p> SPEED. Sir Proteus, save you! Saw you my master?<br/> | ||
PROTEUS. But now he parted hence to embark for Milan.<br/> | PROTEUS. But now he parted hence to embark for Milan.<br/> | ||
SPEED. Twenty to one then he is shipp'd already,<br/> | SPEED. Twenty to one then he is shipp'd already,<br/> | ||
And I have play'd the sheep in losing him.<br/> | And I have play'd the sheep in losing him.<br/> | ||
PROTEUS. Indeed a sheep doth very often stray,<br/> | PROTEUS. Indeed a sheep doth very often stray,<br/> | ||
An if the shepherd be awhile away.<br/> | An if the shepherd be awhile away.<br/> | ||
SPEED. You conclude that my master is a shepherd then, and<br/> | SPEED. You conclude that my master is a shepherd then, and<br/> | ||
I a sheep?<br/> | I a sheep?<br/> | ||
PROTEUS. I do.<br/> | PROTEUS. I do.<br/> | ||
SPEED. Why then, my horns are his horns, whether I wake or sleep.<br/> | SPEED. Why then, my horns are his horns, whether I wake or sleep.<br/> | ||
PROTEUS. A silly answer, and fitting well a sheep.<br/> | PROTEUS. A silly answer, and fitting well a sheep.<br/> | ||
SPEED. This proves me still a sheep.<br/> | SPEED. This proves me still a sheep.<br/> | ||
PROTEUS. True; and thy master a shepherd.<br/> | PROTEUS. True; and thy master a shepherd.<br/> | ||
SPEED. Nay, that I can deny by a circumstance.<br/> | SPEED. Nay, that I can deny by a circumstance.<br/> | ||
PROTEUS. It shall go hard but I'll prove it by another.<br/> | PROTEUS. It shall go hard but I'll prove it by another.<br/> | ||
SPEED. The shepherd seeks the sheep, and not the sheep the<br/> | SPEED. The shepherd seeks the sheep, and not the sheep the<br/> | ||
shepherd; but I seek my master, and my master seeks not me;<br/> | shepherd; but I seek my master, and my master seeks not me;<br/> | ||
therefore, I am no sheep.<br/> | therefore, I am no sheep.<br/> | ||
PROTEUS. The sheep for fodder follow the shepherd; the shepherd for<br/> | PROTEUS. The sheep for fodder follow the shepherd; the shepherd for<br/> | ||
food follows not the sheep: thou for wages followest thy master;<br/> | food follows not the sheep: thou for wages followest thy master;<br/> | ||
thy master for wages follows not thee. Therefore, thou art a<br/> | thy master for wages follows not thee. Therefore, thou art a<br/> | ||
sheep.<br/> | sheep.<br/> | ||
SPEED. Such another proof will make me cry 'baa.'<br/> | SPEED. Such another proof will make me cry 'baa.'<br/> | ||
PROTEUS. But dost thou hear? Gav'st thou my letter to Julia?<br/> | PROTEUS. But dost thou hear? Gav'st thou my letter to Julia?<br/> | ||
SPEED. Ay, sir; I, a lost mutton, gave your letter to her, a lac'd<br/> | SPEED. Ay, sir; I, a lost mutton, gave your letter to her, a lac'd<br/> | ||
mutton; and she, a lac'd mutton, gave me, a lost mutton, nothing<br/> | mutton; and she, a lac'd mutton, gave me, a lost mutton, nothing<br/> | ||
for my labour.<br/> | for my labour.<br/> | ||
PROTEUS. Here's too small a pasture for such store of muttons.<br/> | PROTEUS. Here's too small a pasture for such store of muttons.<br/> | ||
SPEED. If the ground be overcharg'd, you were best stick her.<br/> | SPEED. If the ground be overcharg'd, you were best stick her.<br/> | ||
PROTEUS. Nay, in that you are astray: 'twere best pound you.<br/> | PROTEUS. Nay, in that you are astray: 'twere best pound you.<br/> | ||
SPEED. Nay, sir, less than a pound shall serve me for carrying your<br/> | SPEED. Nay, sir, less than a pound shall serve me for carrying your<br/> | ||
letter.<br/> | letter.<br/> | ||
PROTEUS. You mistake; I mean the pound- a pinfold.<br/> | PROTEUS. You mistake; I mean the pound- a pinfold.<br/> | ||
SPEED. From a pound to a pin? Fold it over and over,<br/> | SPEED. From a pound to a pin? Fold it over and over,<br/> | ||
'Tis threefold too little for carrying a letter to your lover.<br/> | 'Tis threefold too little for carrying a letter to your lover.<br/> | ||
PROTEUS. But what said she?<br/> | PROTEUS. But what said she?<br/> | ||
SPEED. [Nodding] Ay.<br/> | SPEED. [Nodding] Ay.<br/> | ||
PROTEUS. Nod- ay. Why, that's 'noddy.'<br/> | PROTEUS. Nod- ay. Why, that's 'noddy.'<br/> | ||
SPEED. You mistook, sir; I say she did nod; and you ask me if she<br/> | SPEED. You mistook, sir; I say she did nod; and you ask me if she<br/> | ||
did nod; and I say 'Ay.'<br/> | did nod; and I say 'Ay.'<br/> | ||
PROTEUS. And that set together is 'noddy.'<br/> | PROTEUS. And that set together is 'noddy.'<br/> | ||
SPEED. Now you have taken the pains to set it together, take it for<br/> | SPEED. Now you have taken the pains to set it together, take it for<br/> | ||
your pains.<br/> | your pains.<br/> | ||
PROTEUS. No, no; you shall have it for bearing the letter.<br/> | PROTEUS. No, no; you shall have it for bearing the letter.<br/> | ||
SPEED. Well, I perceive I must be fain to bear with you.<br/> | SPEED. Well, I perceive I must be fain to bear with you.<br/> | ||
PROTEUS. Why, sir, how do you bear with me?<br/> | PROTEUS. Why, sir, how do you bear with me?<br/> | ||
SPEED. Marry, sir, the letter, very orderly; having nothing but the<br/> | SPEED. Marry, sir, the letter, very orderly; having nothing but the<br/> | ||
word 'noddy' for my pains.<br/> | word 'noddy' for my pains.<br/> | ||
PROTEUS. Beshrew me, but you have a quick wit.<br/> | PROTEUS. Beshrew me, but you have a quick wit.<br/> | ||
SPEED. And yet it cannot overtake your slow purse.<br/> | SPEED. And yet it cannot overtake your slow purse.<br/> | ||
PROTEUS. Come, come, open the matter; in brief, what said she?<br/> | PROTEUS. Come, come, open the matter; in brief, what said she?<br/> | ||
SPEED. Open your purse, that the money and the matter may be both<br/> | SPEED. Open your purse, that the money and the matter may be both<br/> | ||
at once delivered.<br/> | at once delivered.<br/> | ||
PROTEUS. Well, sir, here is for your pains. What said she?<br/> | PROTEUS. Well, sir, here is for your pains. What said she?<br/> | ||
SPEED. Truly, sir, I think you'll hardly win her.<br/> | SPEED. Truly, sir, I think you'll hardly win her.<br/> | ||
PROTEUS. Why, couldst thou perceive so much from her?<br/> | PROTEUS. Why, couldst thou perceive so much from her?<br/> | ||
SPEED. Sir, I could perceive nothing at all from her; no, not so<br/> | SPEED. Sir, I could perceive nothing at all from her; no, not so<br/> | ||
much as a ducat for delivering your letter; and being so hard to<br/> | much as a ducat for delivering your letter; and being so hard to<br/> | ||
me that brought your mind, I fear she'll prove as hard to you in<br/> | me that brought your mind, I fear she'll prove as hard to you in<br/> | ||
telling your mind. Give her no token but stones, for she's as<br/> | telling your mind. Give her no token but stones, for she's as<br/> | ||
hard as steel.<br/> | hard as steel.<br/> | ||
PROTEUS. What said she? Nothing?<br/> | PROTEUS. What said she? Nothing?<br/> | ||
SPEED. No, not so much as 'Take this for thy pains.' To testify<br/> | SPEED. No, not so much as 'Take this for thy pains.' To testify<br/> | ||
your bounty, I thank you, you have testern'd me; in requital<br/> | your bounty, I thank you, you have testern'd me; in requital<br/> | ||
whereof, henceforth carry your letters yourself; and so, sir,<br/> | whereof, henceforth carry your letters yourself; and so, sir,<br/> | ||
I'll commend you to my master.<br/> | I'll commend you to my master.<br/> | ||
PROTEUS. Go, go, be gone, to save your ship from wreck,<br/> | PROTEUS. Go, go, be gone, to save your ship from wreck,<br/> | ||
Which cannot perish, having thee aboard,<br/> | Which cannot perish, having thee aboard,<br/> | ||
Being destin'd to a drier death on shore. Exit SPEED<br/> | Being destin'd to a drier death on shore. Exit SPEED<br/> | ||
I must go send some better messenger.<br/> | I must go send some better messenger.<br/> | ||
I fear my Julia would not deign my lines,<br/> | I fear my Julia would not deign my lines,<br/> | ||
Receiving them from such a worthless post. Exit<br/> | Receiving them from such a worthless post. Exit<br/> | ||
</p> | </p> | ||
<h4>SCENE II. | <h4>SCENE II. | ||
Verona. The garden Of JULIA'S house</h4> | Verona. The garden Of JULIA'S house</h4> | ||
Line 189: | Line 352: | ||
<p> JULIA. But say, Lucetta, now we are alone,<br/> | <p> JULIA. But say, Lucetta, now we are alone,<br/> | ||
Wouldst thou then counsel me to fall in love?<br/> | Wouldst thou then counsel me to fall in love?<br/> | ||
LUCETTA. Ay, madam; so you stumble not unheedfully.<br/> | LUCETTA. Ay, madam; so you stumble not unheedfully.<br/> | ||
JULIA. Of all the fair resort of gentlemen<br/> | JULIA. Of all the fair resort of gentlemen<br/> | ||
That every day with parle encounter me,<br/> | That every day with parle encounter me,<br/> | ||
In thy opinion which is worthiest love?<br/> | In thy opinion which is worthiest love?<br/> | ||
LUCETTA. Please you, repeat their names; I'll show my mind<br/> | LUCETTA. Please you, repeat their names; I'll show my mind<br/> | ||
According to my shallow simple skill.<br/> | According to my shallow simple skill.<br/> | ||
JULIA. What think'st thou of the fair Sir Eglamour?<br/> | JULIA. What think'st thou of the fair Sir Eglamour?<br/> | ||
LUCETTA. As of a knight well-spoken, neat, and fine;<br/> | LUCETTA. As of a knight well-spoken, neat, and fine;<br/> | ||
But, were I you, he never should be mine.<br/> | But, were I you, he never should be mine.<br/> | ||
JULIA. What think'st thou of the rich Mercatio?<br/> | JULIA. What think'st thou of the rich Mercatio?<br/> | ||
LUCETTA. Well of his wealth; but of himself, so so.<br/> | LUCETTA. Well of his wealth; but of himself, so so.<br/> | ||
JULIA. What think'st thou of the gentle Proteus?<br/> | JULIA. What think'st thou of the gentle Proteus?<br/> | ||
LUCETTA. Lord, Lord! to see what folly reigns in us!<br/> | LUCETTA. Lord, Lord! to see what folly reigns in us!<br/> | ||
JULIA. How now! what means this passion at his name?<br/> | JULIA. How now! what means this passion at his name?<br/> | ||
LUCETTA. Pardon, dear madam; 'tis a passing shame<br/> | LUCETTA. Pardon, dear madam; 'tis a passing shame<br/> | ||
That I, unworthy body as I am,<br/> | That I, unworthy body as I am,<br/> | ||
Should censure thus on lovely gentlemen.<br/> | Should censure thus on lovely gentlemen.<br/> | ||
JULIA. Why not on Proteus, as of all the rest?<br/> | JULIA. Why not on Proteus, as of all the rest?<br/> | ||
LUCETTA. Then thus: of many good I think him best.<br/> | LUCETTA. Then thus: of many good I think him best.<br/> | ||
JULIA. Your reason?<br/> | JULIA. Your reason?<br/> | ||
LUCETTA. I have no other but a woman's reason:<br/> | LUCETTA. I have no other but a woman's reason:<br/> | ||
I think him so, because I think him so.<br/> | I think him so, because I think him so.<br/> | ||
JULIA. And wouldst thou have me cast my love on him?<br/> | JULIA. And wouldst thou have me cast my love on him?<br/> | ||
LUCETTA. Ay, if you thought your love not cast away.<br/> | LUCETTA. Ay, if you thought your love not cast away.<br/> | ||
JULIA. Why, he, of all the rest, hath never mov'd me.<br/> | JULIA. Why, he, of all the rest, hath never mov'd me.<br/> | ||
LUCETTA. Yet he, of all the rest, I think, best loves ye.<br/> | LUCETTA. Yet he, of all the rest, I think, best loves ye.<br/> | ||
JULIA. His little speaking shows his love but small.<br/> | JULIA. His little speaking shows his love but small.<br/> | ||
LUCETTA. Fire that's closest kept burns most of all.<br/> | LUCETTA. Fire that's closest kept burns most of all.<br/> | ||
JULIA. They do not love that do not show their love.<br/> | JULIA. They do not love that do not show their love.<br/> | ||
LUCETTA. O, they love least that let men know their love.<br/> | LUCETTA. O, they love least that let men know their love.<br/> | ||
JULIA. I would I knew his mind.<br/> | JULIA. I would I knew his mind.<br/> | ||
LUCETTA. Peruse this paper, madam.<br/> | LUCETTA. Peruse this paper, madam.<br/> | ||
JULIA. 'To Julia'- Say, from whom?<br/> | JULIA. 'To Julia'- Say, from whom?<br/> | ||
LUCETTA. That the contents will show.<br/> | LUCETTA. That the contents will show.<br/> | ||
JULIA. Say, say, who gave it thee?<br/> | JULIA. Say, say, who gave it thee?<br/> | ||
LUCETTA. Sir Valentine's page; and sent, I think, from Proteus.<br/> | LUCETTA. Sir Valentine's page; and sent, I think, from Proteus.<br/> | ||
He would have given it you; but I, being in the way,<br/> | He would have given it you; but I, being in the way,<br/> | ||
Did in your name receive it; pardon the fault, I pray.<br/> | Did in your name receive it; pardon the fault, I pray.<br/> | ||
JULIA. Now, by my modesty, a goodly broker!<br/> | JULIA. Now, by my modesty, a goodly broker!<br/> | ||
Dare you presume to harbour wanton lines?<br/> | Dare you presume to harbour wanton lines?<br/> | ||
To whisper and conspire against my youth?<br/> | To whisper and conspire against my youth?<br/> | ||
Now, trust me, 'tis an office of great worth,<br/> | Now, trust me, 'tis an office of great worth,<br/> | ||
And you an officer fit for the place.<br/> | And you an officer fit for the place.<br/> | ||
There, take the paper; see it be return'd;<br/> | There, take the paper; see it be return'd;<br/> | ||
Or else return no more into my sight.<br/> | Or else return no more into my sight.<br/> | ||
LUCETTA. To plead for love deserves more fee than hate.<br/> | LUCETTA. To plead for love deserves more fee than hate.<br/> | ||
JULIA. Will ye be gone?<br/> | JULIA. Will ye be gone?<br/> | ||
LUCETTA. That you may ruminate. Exit<br/> | LUCETTA. That you may ruminate. Exit<br/> | ||
JULIA. And yet, I would I had o'erlook'd the letter.<br/> | JULIA. And yet, I would I had o'erlook'd the letter.<br/> | ||
It were a shame to call her back again,<br/> | It were a shame to call her back again,<br/> | ||
And pray her to a fault for which I chid her.<br/> | And pray her to a fault for which I chid her.<br/> | ||
What fool is she, that knows I am a maid<br/> | What fool is she, that knows I am a maid<br/> | ||
And would not force the letter to my view!<br/> | And would not force the letter to my view!<br/> | ||
Since maids, in modesty, say 'No' to that<br/> | Since maids, in modesty, say 'No' to that<br/> | ||
Which they would have the profferer construe 'Ay.'<br/> | Which they would have the profferer construe 'Ay.'<br/> | ||
Fie, fie, how wayward is this foolish love,<br/> | Fie, fie, how wayward is this foolish love,<br/> | ||
That like a testy babe will scratch the nurse,<br/> | That like a testy babe will scratch the nurse,<br/> | ||
And presently, all humbled, kiss the rod!<br/> | And presently, all humbled, kiss the rod!<br/> | ||
How churlishly I chid Lucetta hence,<br/> | How churlishly I chid Lucetta hence,<br/> | ||
When willingly I would have had her here!<br/> | When willingly I would have had her here!<br/> | ||
How angerly I taught my brow to frown,<br/> | How angerly I taught my brow to frown,<br/> | ||
When inward joy enforc'd my heart to smile!<br/> | When inward joy enforc'd my heart to smile!<br/> | ||
My penance is to call Lucetta back<br/> | My penance is to call Lucetta back<br/> | ||
And ask remission for my folly past.<br/> | And ask remission for my folly past.<br/> | ||
What ho! Lucetta!<br/> | What ho! Lucetta!<br/> | ||
</p> | </p> | ||
Line 260: | Line 490: | ||
<p> LUCETTA. What would your ladyship?<br/> | <p> LUCETTA. What would your ladyship?<br/> | ||
JULIA. Is't near dinner time?<br/> | JULIA. Is't near dinner time?<br/> | ||
LUCETTA. I would it were,<br/> | LUCETTA. I would it were,<br/> | ||
That you might kill your stomach on your meat<br/> | That you might kill your stomach on your meat<br/> | ||
And not upon your maid.<br/> | And not upon your maid.<br/> | ||
JULIA. What is't that you took up so gingerly?<br/> | JULIA. What is't that you took up so gingerly?<br/> | ||
LUCETTA. Nothing.<br/> | LUCETTA. Nothing.<br/> | ||
JULIA. Why didst thou stoop then?<br/> | JULIA. Why didst thou stoop then?<br/> | ||
LUCETTA. To take a paper up that I let fall.<br/> | LUCETTA. To take a paper up that I let fall.<br/> | ||
JULIA. And is that paper nothing?<br/> | JULIA. And is that paper nothing?<br/> | ||
LUCETTA. Nothing concerning me.<br/> | LUCETTA. Nothing concerning me.<br/> | ||
JULIA. Then let it lie for those that it concerns.<br/> | JULIA. Then let it lie for those that it concerns.<br/> | ||
LUCETTA. Madam, it will not lie where it concerns,<br/> | LUCETTA. Madam, it will not lie where it concerns,<br/> | ||
Unless it have a false interpreter.<br/> | Unless it have a false interpreter.<br/> | ||
JULIA. Some love of yours hath writ to you in rhyme.<br/> | JULIA. Some love of yours hath writ to you in rhyme.<br/> | ||
LUCETTA. That I might sing it, madam, to a tune.<br/> | LUCETTA. That I might sing it, madam, to a tune.<br/> | ||
Give me a note; your ladyship can set.<br/> | Give me a note; your ladyship can set.<br/> | ||
JULIA. As little by such toys as may be possible.<br/> | JULIA. As little by such toys as may be possible.<br/> | ||
Best sing it to the tune of 'Light o' Love.'<br/> | Best sing it to the tune of 'Light o' Love.'<br/> | ||
LUCETTA. It is too heavy for so light a tune.<br/> | LUCETTA. It is too heavy for so light a tune.<br/> | ||
JULIA. Heavy! belike it hath some burden then.<br/> | JULIA. Heavy! belike it hath some burden then.<br/> | ||
LUCETTA. Ay; and melodious were it, would you sing it.<br/> | LUCETTA. Ay; and melodious were it, would you sing it.<br/> | ||
JULIA. And why not you?<br/> | JULIA. And why not you?<br/> | ||
LUCETTA. I cannot reach so high.<br/> | LUCETTA. I cannot reach so high.<br/> | ||
JULIA. Let's see your song. [LUCETTA withholds the letter]<br/> | JULIA. Let's see your song. [LUCETTA withholds the letter]<br/> | ||
How now, minion!<br/> | How now, minion!<br/> | ||
LUCETTA. Keep tune there still, so you will sing it out.<br/> | LUCETTA. Keep tune there still, so you will sing it out.<br/> | ||
And yet methinks I do not like this tune.<br/> | And yet methinks I do not like this tune.<br/> | ||
JULIA. You do not!<br/> | JULIA. You do not!<br/> | ||
LUCETTA. No, madam; 'tis too sharp.<br/> | LUCETTA. No, madam; 'tis too sharp.<br/> | ||
JULIA. You, minion, are too saucy.<br/> | JULIA. You, minion, are too saucy.<br/> | ||
LUCETTA. Nay, now you are too flat<br/> | LUCETTA. Nay, now you are too flat<br/> | ||
And mar the concord with too harsh a descant;<br/> | And mar the concord with too harsh a descant;<br/> | ||
There wanteth but a mean to fill your song.<br/> | There wanteth but a mean to fill your song.<br/> | ||
JULIA. The mean is drown'd with your unruly bass.<br/> | JULIA. The mean is drown'd with your unruly bass.<br/> | ||
LUCETTA. Indeed, I bid the base for Proteus.<br/> | LUCETTA. Indeed, I bid the base for Proteus.<br/> | ||
JULIA. This babble shall not henceforth trouble me.<br/> | JULIA. This babble shall not henceforth trouble me.<br/> | ||
Here is a coil with protestation! [Tears the letter]<br/> | Here is a coil with protestation! [Tears the letter]<br/> | ||
Go, get you gone; and let the papers lie.<br/> | Go, get you gone; and let the papers lie.<br/> | ||
You would be fing'ring them, to anger me.<br/> | You would be fing'ring them, to anger me.<br/> | ||
LUCETTA. She makes it strange; but she would be best pleas'd<br/> | LUCETTA. She makes it strange; but she would be best pleas'd<br/> | ||
To be so ang'red with another letter. Exit<br/> | To be so ang'red with another letter. Exit<br/> | ||
JULIA. Nay, would I were so ang'red with the same!<br/> | JULIA. Nay, would I were so ang'red with the same!<br/> | ||
O hateful hands, to tear such loving words!<br/> | O hateful hands, to tear such loving words!<br/> | ||
Injurious wasps, to feed on such sweet honey<br/> | Injurious wasps, to feed on such sweet honey<br/> | ||
And kill the bees that yield it with your stings!<br/> | And kill the bees that yield it with your stings!<br/> | ||
I'll kiss each several paper for amends.<br/> | I'll kiss each several paper for amends.<br/> | ||
Look, here is writ 'kind Julia.' Unkind Julia,<br/> | Look, here is writ 'kind Julia.' Unkind Julia,<br/> | ||
As in revenge of thy ingratitude,<br/> | As in revenge of thy ingratitude,<br/> | ||
I throw thy name against the bruising stones,<br/> | I throw thy name against the bruising stones,<br/> | ||
Trampling contemptuously on thy disdain.<br/> | Trampling contemptuously on thy disdain.<br/> | ||
And here is writ 'love-wounded Proteus.'<br/> | And here is writ 'love-wounded Proteus.'<br/> | ||
Poor wounded name! my bosom,,as a bed,<br/> | Poor wounded name! my bosom,,as a bed,<br/> | ||
Shall lodge thee till thy wound be throughly heal'd;<br/> | Shall lodge thee till thy wound be throughly heal'd;<br/> | ||
And thus I search it with a sovereign kiss.<br/> | And thus I search it with a sovereign kiss.<br/> | ||
But twice or thrice was 'Proteus' written down.<br/> | But twice or thrice was 'Proteus' written down.<br/> | ||
Be calm, good wind, blow not a word away<br/> | Be calm, good wind, blow not a word away<br/> | ||
Till I have found each letter in the letter-<br/> | Till I have found each letter in the letter-<br/> | ||
Except mine own name; that some whirlwind bear<br/> | Except mine own name; that some whirlwind bear<br/> | ||
Unto a ragged, fearful, hanging rock,<br/> | Unto a ragged, fearful, hanging rock,<br/> | ||
And throw it thence into the raging sea.<br/> | And throw it thence into the raging sea.<br/> | ||
Lo, here in one line is his name twice writ:<br/> | Lo, here in one line is his name twice writ:<br/> | ||
'Poor forlorn Proteus, passionate Proteus,<br/> | 'Poor forlorn Proteus, passionate Proteus,<br/> | ||
To the sweet Julia.' That I'll tear away;<br/> | To the sweet Julia.' That I'll tear away;<br/> | ||
And yet I will not, sith so prettily<br/> | And yet I will not, sith so prettily<br/> | ||
He couples it to his complaining names.<br/> | He couples it to his complaining names.<br/> | ||
Thus will I fold them one upon another;<br/> | Thus will I fold them one upon another;<br/> | ||
Now kiss, embrace, contend, do what you will.<br/> | Now kiss, embrace, contend, do what you will.<br/> | ||
</p> | </p> | ||
Line 332: | Line 630: | ||
<p> LUCETTA. Madam,<br/> | <p> LUCETTA. Madam,<br/> | ||
Dinner is ready, and your father stays.<br/> | Dinner is ready, and your father stays.<br/> | ||
JULIA. Well, let us go.<br/> | JULIA. Well, let us go.<br/> | ||
LUCETTA. What, shall these papers lie like tell-tales here?<br/> | LUCETTA. What, shall these papers lie like tell-tales here?<br/> | ||
JULIA. If you respect them, best to take them up.<br/> | JULIA. If you respect them, best to take them up.<br/> | ||
LUCETTA. Nay, I was taken up for laying them down;<br/> | LUCETTA. Nay, I was taken up for laying them down;<br/> | ||
Yet here they shall not lie for catching cold.<br/> | Yet here they shall not lie for catching cold.<br/> | ||
JULIA. I see you have a month's mind to them.<br/> | JULIA. I see you have a month's mind to them.<br/> | ||
LUCETTA. Ay, madam, you may say what sights you see;<br/> | LUCETTA. Ay, madam, you may say what sights you see;<br/> | ||
I see things too, although you judge I wink.<br/> | I see things too, although you judge I wink.<br/> | ||
JULIA. Come, come; will't please you go? Exeunt<br/> | JULIA. Come, come; will't please you go? Exeunt<br/> | ||
</p> | </p> | ||
<h4>SCENE III. | <h4>SCENE III. | ||
Verona. ANTONIO'S house</h4> | Verona. ANTONIO'S house</h4> | ||
Line 350: | Line 660: | ||
<p> ANTONIO. Tell me, Panthino, what sad talk was that<br/> | <p> ANTONIO. Tell me, Panthino, what sad talk was that<br/> | ||
Wherewith my brother held you in the cloister?<br/> | Wherewith my brother held you in the cloister?<br/> | ||
PANTHINO. 'Twas of his nephew Proteus, your son.<br/> | PANTHINO. 'Twas of his nephew Proteus, your son.<br/> | ||
ANTONIO. Why, what of him?<br/> | ANTONIO. Why, what of him?<br/> | ||
PANTHINO. He wond'red that your lordship<br/> | PANTHINO. He wond'red that your lordship<br/> | ||
Would suffer him to spend his youth at home,<br/> | Would suffer him to spend his youth at home,<br/> | ||
While other men, of slender reputation,<br/> | While other men, of slender reputation,<br/> | ||
Put forth their sons to seek preferment out:<br/> | Put forth their sons to seek preferment out:<br/> | ||
Some to the wars, to try their fortune there;<br/> | Some to the wars, to try their fortune there;<br/> | ||
Some to discover islands far away;<br/> | Some to discover islands far away;<br/> | ||
Some to the studious universities.<br/> | Some to the studious universities.<br/> | ||
For any, or for all these exercises,<br/> | For any, or for all these exercises,<br/> | ||
He said that Proteus, your son, was meet;<br/> | He said that Proteus, your son, was meet;<br/> | ||
And did request me to importune you<br/> | And did request me to importune you<br/> | ||
To let him spend his time no more at home,<br/> | To let him spend his time no more at home,<br/> | ||
Which would be great impeachment to his age,<br/> | Which would be great impeachment to his age,<br/> | ||
In having known no travel in his youth.<br/> | In having known no travel in his youth.<br/> | ||
ANTONIO. Nor need'st thou much importune me to that<br/> | ANTONIO. Nor need'st thou much importune me to that<br/> | ||
Whereon this month I have been hammering.<br/> | Whereon this month I have been hammering.<br/> | ||
I have consider'd well his loss of time,<br/> | I have consider'd well his loss of time,<br/> | ||
And how he cannot be a perfect man,<br/> | And how he cannot be a perfect man,<br/> | ||
Not being tried and tutor'd in the world:<br/> | Not being tried and tutor'd in the world:<br/> | ||
Experience is by industry achiev'd,<br/> | Experience is by industry achiev'd,<br/> | ||
And perfected by the swift course of time.<br/> | And perfected by the swift course of time.<br/> | ||
Then tell me whither were I best to send him.<br/> | Then tell me whither were I best to send him.<br/> | ||
PANTHINO. I think your lordship is not ignorant<br/> | PANTHINO. I think your lordship is not ignorant<br/> | ||
How his companion, youthful Valentine,<br/> | How his companion, youthful Valentine,<br/> | ||
Attends the Emperor in his royal court.<br/> | Attends the Emperor in his royal court.<br/> | ||
ANTONIO. I know it well.<br/> | ANTONIO. I know it well.<br/> | ||
PANTHINO. 'Twere good, I think, your lordship sent him thither:<br/> | PANTHINO. 'Twere good, I think, your lordship sent him thither:<br/> | ||
There shall he practise tilts and tournaments,<br/> | There shall he practise tilts and tournaments,<br/> | ||
Hear sweet discourse, converse with noblemen,<br/> | Hear sweet discourse, converse with noblemen,<br/> | ||
And be in eye of every exercise<br/> | And be in eye of every exercise<br/> | ||
Worthy his youth and nobleness of birth.<br/> | Worthy his youth and nobleness of birth.<br/> | ||
ANTONIO. I like thy counsel; well hast thou advis'd;<br/> | ANTONIO. I like thy counsel; well hast thou advis'd;<br/> | ||
And that thou mayst perceive how well I like it,<br/> | And that thou mayst perceive how well I like it,<br/> | ||
The execution of it shall make known:<br/> | The execution of it shall make known:<br/> | ||
Even with the speediest expedition<br/> | Even with the speediest expedition<br/> | ||
I will dispatch him to the Emperor's court.<br/> | I will dispatch him to the Emperor's court.<br/> | ||
PANTHINO. To-morrow, may it please you, Don Alphonso<br/> | PANTHINO. To-morrow, may it please you, Don Alphonso<br/> | ||
With other gentlemen of good esteem<br/> | With other gentlemen of good esteem<br/> | ||
Are journeying to salute the Emperor,<br/> | Are journeying to salute the Emperor,<br/> | ||
And to commend their service to his will.<br/> | And to commend their service to his will.<br/> | ||
ANTONIO. Good company; with them shall Proteus go.<br/> | ANTONIO. Good company; with them shall Proteus go.<br/> | ||
</p> | </p> | ||
Line 398: | Line 752: | ||
<p> And- in good time!- now will we break with him.<br/> | <p> And- in good time!- now will we break with him.<br/> | ||
PROTEUS. Sweet love! sweet lines! sweet life!<br/> | PROTEUS. Sweet love! sweet lines! sweet life!<br/> | ||
Here is her hand, the agent of her heart;<br/> | Here is her hand, the agent of her heart;<br/> | ||
Here is her oath for love, her honour's pawn.<br/> | Here is her oath for love, her honour's pawn.<br/> | ||
O that our fathers would applaud our loves,<br/> | O that our fathers would applaud our loves,<br/> | ||
To seal our happiness with their consents!<br/> | To seal our happiness with their consents!<br/> | ||
O heavenly Julia!<br/> | O heavenly Julia!<br/> | ||
ANTONIO. How now! What letter are you reading there?<br/> | ANTONIO. How now! What letter are you reading there?<br/> | ||
PROTEUS. May't please your lordship, 'tis a word or two<br/> | PROTEUS. May't please your lordship, 'tis a word or two<br/> | ||
Of commendations sent from Valentine,<br/> | Of commendations sent from Valentine,<br/> | ||
Deliver'd by a friend that came from him.<br/> | Deliver'd by a friend that came from him.<br/> | ||
ANTONIO. Lend me the letter; let me see what news.<br/> | ANTONIO. Lend me the letter; let me see what news.<br/> | ||
PROTEUS. There is no news, my lord; but that he writes<br/> | PROTEUS. There is no news, my lord; but that he writes<br/> | ||
How happily he lives, how well-belov'd<br/> | How happily he lives, how well-belov'd<br/> | ||
And daily graced by the Emperor;<br/> | And daily graced by the Emperor;<br/> | ||
Wishing me with him, partner of his fortune.<br/> | Wishing me with him, partner of his fortune.<br/> | ||
ANTONIO. And how stand you affected to his wish?<br/> | ANTONIO. And how stand you affected to his wish?<br/> | ||
PROTEUS. As one relying on your lordship's will,<br/> | PROTEUS. As one relying on your lordship's will,<br/> | ||
And not depending on his friendly wish.<br/> | And not depending on his friendly wish.<br/> | ||
ANTONIO. My will is something sorted with his wish.<br/> | ANTONIO. My will is something sorted with his wish.<br/> | ||
Muse not that I thus suddenly proceed;<br/> | Muse not that I thus suddenly proceed;<br/> | ||
For what I will, I will, and there an end.<br/> | For what I will, I will, and there an end.<br/> | ||
I am resolv'd that thou shalt spend some time<br/> | I am resolv'd that thou shalt spend some time<br/> | ||
With Valentinus in the Emperor's court;<br/> | With Valentinus in the Emperor's court;<br/> | ||
What maintenance he from his friends receives,<br/> | What maintenance he from his friends receives,<br/> | ||
Like exhibition thou shalt have from me.<br/> | Like exhibition thou shalt have from me.<br/> | ||
To-morrow be in readiness to go-<br/> | To-morrow be in readiness to go-<br/> | ||
Excuse it not, for I am peremptory.<br/> | Excuse it not, for I am peremptory.<br/> | ||
PROTEUS. My lord, I cannot be so soon provided;<br/> | PROTEUS. My lord, I cannot be so soon provided;<br/> | ||
Please you, deliberate a day or two.<br/> | Please you, deliberate a day or two.<br/> | ||
ANTONIO. Look what thou want'st shall be sent after thee.<br/> | ANTONIO. Look what thou want'st shall be sent after thee.<br/> | ||
No more of stay; to-morrow thou must go.<br/> | No more of stay; to-morrow thou must go.<br/> | ||
Come on, Panthino; you shall be employ'd<br/> | Come on, Panthino; you shall be employ'd<br/> | ||
To hasten on his expedition.<br/> | To hasten on his expedition.<br/> | ||
Exeunt ANTONIO and PANTHINO<br/> | Exeunt ANTONIO and PANTHINO<br/> | ||
PROTEUS. Thus have I shunn'd the fire for fear of burning,<br/> | PROTEUS. Thus have I shunn'd the fire for fear of burning,<br/> | ||
And drench'd me in the sea, where I am drown'd.<br/> | And drench'd me in the sea, where I am drown'd.<br/> | ||
I fear'd to show my father Julia's letter,<br/> | I fear'd to show my father Julia's letter,<br/> | ||
Lest he should take exceptions to my love;<br/> | Lest he should take exceptions to my love;<br/> | ||
And with the vantage of mine own excuse<br/> | And with the vantage of mine own excuse<br/> | ||
Hath he excepted most against my love.<br/> | Hath he excepted most against my love.<br/> | ||
O, how this spring of love resembleth<br/> | O, how this spring of love resembleth<br/> | ||
The uncertain glory of an April day,<br/> | The uncertain glory of an April day,<br/> | ||
Which now shows all the beauty of the sun,<br/> | Which now shows all the beauty of the sun,<br/> | ||
And by an by a cloud takes all away!<br/> | And by an by a cloud takes all away!<br/> | ||
</p> | </p> | ||
Line 447: | Line 846: | ||
<p> PANTHINO. Sir Proteus, your father calls for you;<br/> | <p> PANTHINO. Sir Proteus, your father calls for you;<br/> | ||
He is in haste; therefore, I pray you, go.<br/> | He is in haste; therefore, I pray you, go.<br/> | ||
PROTEUS. Why, this it is: my heart accords thereto;<br/> | PROTEUS. Why, this it is: my heart accords thereto;<br/> | ||
And yet a thousand times it answers 'No.' Exeunt<br/> | And yet a thousand times it answers 'No.' Exeunt<br/> | ||
</p> | </p> | ||
<h4>ACT II. SCENE I. | <h4>ACT II. SCENE I. | ||
Milan. The DUKE'S palace</h4> | Milan. The DUKE'S palace</h4> | ||
Line 458: | Line 862: | ||
<p> SPEED. Sir, your glove.<br/> | <p> SPEED. Sir, your glove.<br/> | ||
VALENTINE. Not mine: my gloves are on.<br/> | VALENTINE. Not mine: my gloves are on.<br/> | ||
SPEED. Why, then, this may be yours; for this is but one.<br/> | SPEED. Why, then, this may be yours; for this is but one.<br/> | ||
VALENTINE. Ha! let me see; ay, give it me, it's mine;<br/> | VALENTINE. Ha! let me see; ay, give it me, it's mine;<br/> | ||
Sweet ornament that decks a thing divine!<br/> | Sweet ornament that decks a thing divine!<br/> | ||
Ah, Silvia! Silvia!<br/> | Ah, Silvia! Silvia!<br/> | ||
SPEED. [Calling] Madam Silvia! Madam Silvia!<br/> | SPEED. [Calling] Madam Silvia! Madam Silvia!<br/> | ||
VALENTINE. How now, sirrah?<br/> | VALENTINE. How now, sirrah?<br/> | ||
SPEED. She is not within hearing, sir.<br/> | SPEED. She is not within hearing, sir.<br/> | ||
VALENTINE. Why, sir, who bade you call her?<br/> | VALENTINE. Why, sir, who bade you call her?<br/> | ||
SPEED. Your worship, sir; or else I mistook.<br/> | SPEED. Your worship, sir; or else I mistook.<br/> | ||
VALENTINE. Well, you'll still be too forward.<br/> | VALENTINE. Well, you'll still be too forward.<br/> | ||
SPEED. And yet I was last chidden for being too slow.<br/> | SPEED. And yet I was last chidden for being too slow.<br/> | ||
VALENTINE. Go to, sir; tell me, do you know Madam Silvia?<br/> | VALENTINE. Go to, sir; tell me, do you know Madam Silvia?<br/> | ||
SPEED. She that your worship loves?<br/> | SPEED. She that your worship loves?<br/> | ||
VALENTINE. Why, how know you that I am in love?<br/> | VALENTINE. Why, how know you that I am in love?<br/> | ||
SPEED. Marry, by these special marks: first, you have learn'd, like<br/> | SPEED. Marry, by these special marks: first, you have learn'd, like<br/> | ||
Sir Proteus, to wreath your arms like a malcontent; to relish a<br/> | Sir Proteus, to wreath your arms like a malcontent; to relish a<br/> | ||
love-song, like a robin redbreast; to walk alone, like one that<br/> | love-song, like a robin redbreast; to walk alone, like one that<br/> | ||
had the pestilence; to sigh, like a school-boy that had lost his<br/> | had the pestilence; to sigh, like a school-boy that had lost his<br/> | ||
A B C; to weep, like a young wench that had buried her grandam;<br/> | A B C; to weep, like a young wench that had buried her grandam;<br/> | ||
to fast, like one that takes diet; to watch, like one that fears<br/> | to fast, like one that takes diet; to watch, like one that fears<br/> | ||
robbing; to speak puling, like a beggar at Hallowmas. You were<br/> | robbing; to speak puling, like a beggar at Hallowmas. You were<br/> | ||
wont, when you laughed, to crow like a cock; when you walk'd, to<br/> | wont, when you laughed, to crow like a cock; when you walk'd, to<br/> | ||
walk like one of the lions; when you fasted, it was presently<br/> | walk like one of the lions; when you fasted, it was presently<br/> | ||
after dinner; when you look'd sadly, it was for want of money.<br/> | after dinner; when you look'd sadly, it was for want of money.<br/> | ||
And now you are metamorphis'd with a mistress, that, when I look<br/> | And now you are metamorphis'd with a mistress, that, when I look<br/> | ||
on you, I can hardly think you my master.<br/> | on you, I can hardly think you my master.<br/> | ||
VALENTINE. Are all these things perceiv'd in me?<br/> | VALENTINE. Are all these things perceiv'd in me?<br/> | ||
SPEED. They are all perceiv'd without ye.<br/> | SPEED. They are all perceiv'd without ye.<br/> | ||
VALENTINE. Without me? They cannot.<br/> | VALENTINE. Without me? They cannot.<br/> | ||
SPEED. Without you! Nay, that's certain; for, without you were so<br/> | SPEED. Without you! Nay, that's certain; for, without you were so<br/> | ||
simple, none else would; but you are so without these follies<br/> | simple, none else would; but you are so without these follies<br/> | ||
that these follies are within you, and shine through you like the<br/> | that these follies are within you, and shine through you like the<br/> | ||
water in an urinal, that not an eye that sees you but is a<br/> | water in an urinal, that not an eye that sees you but is a<br/> | ||
physician to comment on your malady.<br/> | physician to comment on your malady.<br/> | ||
VALENTINE. But tell me, dost thou know my lady Silvia?<br/> | VALENTINE. But tell me, dost thou know my lady Silvia?<br/> | ||
SPEED. She that you gaze on so, as she sits at supper?<br/> | SPEED. She that you gaze on so, as she sits at supper?<br/> | ||
VALENTINE. Hast thou observ'd that? Even she, I mean.<br/> | VALENTINE. Hast thou observ'd that? Even she, I mean.<br/> | ||
SPEED. Why, sir, I know her not.<br/> | SPEED. Why, sir, I know her not.<br/> | ||
VALENTINE. Dost thou know her by my gazing on her, and yet know'st<br/> | VALENTINE. Dost thou know her by my gazing on her, and yet know'st<br/> | ||
her not?<br/> | her not?<br/> | ||
SPEED. Is she not hard-favour'd, sir?<br/> | SPEED. Is she not hard-favour'd, sir?<br/> | ||
VALENTINE. Not so fair, boy, as well-favour'd.<br/> | VALENTINE. Not so fair, boy, as well-favour'd.<br/> | ||
SPEED. Sir, I know that well enough.<br/> | SPEED. Sir, I know that well enough.<br/> | ||
VALENTINE. What dost thou know?<br/> | VALENTINE. What dost thou know?<br/> | ||
SPEED. That she is not so fair as, of you, well-favour'd.<br/> | SPEED. That she is not so fair as, of you, well-favour'd.<br/> | ||
VALENTINE. I mean that her beauty is exquisite, but her favour<br/> | VALENTINE. I mean that her beauty is exquisite, but her favour<br/> | ||
infinite.<br/> | infinite.<br/> | ||
SPEED. That's because the one is painted, and the other out of all<br/> | SPEED. That's because the one is painted, and the other out of all<br/> | ||
count.<br/> | count.<br/> | ||
VALENTINE. How painted? and how out of count?<br/> | VALENTINE. How painted? and how out of count?<br/> | ||
SPEED. Marry, sir, so painted, to make her fair, that no man counts<br/> | SPEED. Marry, sir, so painted, to make her fair, that no man counts<br/> | ||
of her beauty.<br/> | of her beauty.<br/> | ||
VALENTINE. How esteem'st thou me? I account of her beauty.<br/> | VALENTINE. How esteem'st thou me? I account of her beauty.<br/> | ||
SPEED. You never saw her since she was deform'd.<br/> | SPEED. You never saw her since she was deform'd.<br/> | ||
VALENTINE. How long hath she been deform'd?<br/> | VALENTINE. How long hath she been deform'd?<br/> | ||
SPEED. Ever since you lov'd her.<br/> | SPEED. Ever since you lov'd her.<br/> | ||
VALENTINE. I have lov'd her ever since I saw her, and still<br/> | VALENTINE. I have lov'd her ever since I saw her, and still<br/> | ||
I see her beautiful.<br/> | I see her beautiful.<br/> | ||
SPEED. If you love her, you cannot see her.<br/> | SPEED. If you love her, you cannot see her.<br/> | ||
VALENTINE. Why?<br/> | VALENTINE. Why?<br/> | ||
SPEED. Because Love is blind. O that you had mine eyes; or your own<br/> | SPEED. Because Love is blind. O that you had mine eyes; or your own<br/> | ||
eyes had the lights they were wont to have when you chid at Sir<br/> | eyes had the lights they were wont to have when you chid at Sir<br/> | ||
Proteus for going ungarter'd!<br/> | Proteus for going ungarter'd!<br/> | ||
VALENTINE. What should I see then?<br/> | VALENTINE. What should I see then?<br/> | ||
SPEED. Your own present folly and her passing deformity; for he,<br/> | SPEED. Your own present folly and her passing deformity; for he,<br/> | ||
being in love, could not see to garter his hose; and you, being<br/> | being in love, could not see to garter his hose; and you, being<br/> | ||
in love, cannot see to put on your hose.<br/> | in love, cannot see to put on your hose.<br/> | ||
VALENTINE. Belike, boy, then you are in love; for last morning you<br/> | VALENTINE. Belike, boy, then you are in love; for last morning you<br/> | ||
could not see to wipe my shoes.<br/> | could not see to wipe my shoes.<br/> | ||
SPEED. True, sir; I was in love with my bed. I thank you, you<br/> | SPEED. True, sir; I was in love with my bed. I thank you, you<br/> | ||
swing'd me for my love, which makes me the bolder to chide you<br/> | swing'd me for my love, which makes me the bolder to chide you<br/> | ||
for yours.<br/> | for yours.<br/> | ||
VALENTINE. In conclusion, I stand affected to her.<br/> | VALENTINE. In conclusion, I stand affected to her.<br/> | ||
SPEED. I would you were set, so your affection would cease.<br/> | SPEED. I would you were set, so your affection would cease.<br/> | ||
VALENTINE. Last night she enjoin'd me to write some lines to one<br/> | VALENTINE. Last night she enjoin'd me to write some lines to one<br/> | ||
she loves.<br/> | she loves.<br/> | ||
SPEED. And have you?<br/> | SPEED. And have you?<br/> | ||
VALENTINE. I have.<br/> | VALENTINE. I have.<br/> | ||
SPEED. Are they not lamely writ?<br/> | SPEED. Are they not lamely writ?<br/> | ||
VALENTINE. No, boy, but as well as I can do them.<br/> | VALENTINE. No, boy, but as well as I can do them.<br/> | ||
</p> | </p> | ||
Line 544: | Line 1,030: | ||
<p> Peace! here she comes.<br/> | <p> Peace! here she comes.<br/> | ||
SPEED. [Aside] O excellent motion! O exceeding puppet!<br/> | SPEED. [Aside] O excellent motion! O exceeding puppet!<br/> | ||
Now will he interpret to her.<br/> | Now will he interpret to her.<br/> | ||
VALENTINE. Madam and mistress, a thousand good morrows.<br/> | VALENTINE. Madam and mistress, a thousand good morrows.<br/> | ||
SPEED. [Aside] O, give ye good ev'n!<br/> | SPEED. [Aside] O, give ye good ev'n!<br/> | ||
Here's a million of manners.<br/> | Here's a million of manners.<br/> | ||
SILVIA. Sir Valentine and servant, to you two thousand.<br/> | SILVIA. Sir Valentine and servant, to you two thousand.<br/> | ||
SPEED. [Aside] He should give her interest, and she gives it him.<br/> | SPEED. [Aside] He should give her interest, and she gives it him.<br/> | ||
VALENTINE. As you enjoin'd me, I have writ your letter<br/> | VALENTINE. As you enjoin'd me, I have writ your letter<br/> | ||
Unto the secret nameless friend of yours;<br/> | Unto the secret nameless friend of yours;<br/> | ||
Which I was much unwilling to proceed in,<br/> | Which I was much unwilling to proceed in,<br/> | ||
But for my duty to your ladyship.<br/> | But for my duty to your ladyship.<br/> | ||
SILVIA. I thank you, gentle servant. 'Tis very clerkly done.<br/> | SILVIA. I thank you, gentle servant. 'Tis very clerkly done.<br/> | ||
VALENTINE. Now trust me, madam, it came hardly off;<br/> | VALENTINE. Now trust me, madam, it came hardly off;<br/> | ||
For, being ignorant to whom it goes,<br/> | For, being ignorant to whom it goes,<br/> | ||
I writ at random, very doubtfully.<br/> | I writ at random, very doubtfully.<br/> | ||
SILVIA. Perchance you think too much of so much pains?<br/> | SILVIA. Perchance you think too much of so much pains?<br/> | ||
VALENTINE. No, madam; so it stead you, I will write,<br/> | VALENTINE. No, madam; so it stead you, I will write,<br/> | ||
Please you command, a thousand times as much;<br/> | Please you command, a thousand times as much;<br/> | ||
And yet-<br/> | And yet-<br/> | ||
SILVIA. A pretty period! Well, I guess the sequel;<br/> | SILVIA. A pretty period! Well, I guess the sequel;<br/> | ||
And yet I will not name it- and yet I care not.<br/> | And yet I will not name it- and yet I care not.<br/> | ||
And yet take this again- and yet I thank you-<br/> | And yet take this again- and yet I thank you-<br/> | ||
Meaning henceforth to trouble you no more.<br/> | Meaning henceforth to trouble you no more.<br/> | ||
SPEED. [Aside] And yet you will; and yet another' yet.'<br/> | SPEED. [Aside] And yet you will; and yet another' yet.'<br/> | ||
VALENTINE. What means your ladyship? Do you not like it?<br/> | VALENTINE. What means your ladyship? Do you not like it?<br/> | ||
SILVIA. Yes, yes; the lines are very quaintly writ;<br/> | SILVIA. Yes, yes; the lines are very quaintly writ;<br/> | ||
But, since unwillingly, take them again.<br/> | But, since unwillingly, take them again.<br/> | ||
Nay, take them. [Gives hack the letter]<br/> | Nay, take them. [Gives hack the letter]<br/> | ||
VALENTINE. Madam, they are for you.<br/> | VALENTINE. Madam, they are for you.<br/> | ||
SILVIA. Ay, ay, you writ them, sir, at my request;<br/> | SILVIA. Ay, ay, you writ them, sir, at my request;<br/> | ||
But I will none of them; they are for you:<br/> | But I will none of them; they are for you:<br/> | ||
I would have had them writ more movingly.<br/> | I would have had them writ more movingly.<br/> | ||
VALENTINE. Please you, I'll write your ladyship another.<br/> | VALENTINE. Please you, I'll write your ladyship another.<br/> | ||
SILVIA. And when it's writ, for my sake read it over;<br/> | SILVIA. And when it's writ, for my sake read it over;<br/> | ||
And if it please you, so; if not, why, so.<br/> | And if it please you, so; if not, why, so.<br/> | ||
VALENTINE. If it please me, madam, what then?<br/> | VALENTINE. If it please me, madam, what then?<br/> | ||
SILVIA. Why, if it please you, take it for your labour.<br/> | SILVIA. Why, if it please you, take it for your labour.<br/> | ||
And so good morrow, servant. Exit SILVIA<br/> | And so good morrow, servant. Exit SILVIA<br/> | ||
SPEED. O jest unseen, inscrutable, invisible,<br/> | SPEED. O jest unseen, inscrutable, invisible,<br/> | ||
As a nose on a man's face, or a weathercock on a steeple!<br/> | As a nose on a man's face, or a weathercock on a steeple!<br/> | ||
My master sues to her; and she hath taught her suitor,<br/> | My master sues to her; and she hath taught her suitor,<br/> | ||
He being her pupil, to become her tutor.<br/> | He being her pupil, to become her tutor.<br/> | ||
O excellent device! Was there ever heard a better,<br/> | O excellent device! Was there ever heard a better,<br/> | ||
That my master, being scribe, to himself should write the letter?<br/> | That my master, being scribe, to himself should write the letter?<br/> | ||
VALENTINE. How now, sir! What are you reasoning with yourself?<br/> | VALENTINE. How now, sir! What are you reasoning with yourself?<br/> | ||
SPEED. Nay, I was rhyming: 'tis you that have the reason.<br/> | SPEED. Nay, I was rhyming: 'tis you that have the reason.<br/> | ||
VALENTINE. To do what?<br/> | VALENTINE. To do what?<br/> | ||
SPEED. To be a spokesman from Madam Silvia?<br/> | SPEED. To be a spokesman from Madam Silvia?<br/> | ||
VALENTINE. To whom?<br/> | VALENTINE. To whom?<br/> | ||
SPEED. To yourself; why, she woos you by a figure.<br/> | SPEED. To yourself; why, she woos you by a figure.<br/> | ||
VALENTINE. What figure?<br/> | VALENTINE. What figure?<br/> | ||
SPEED. By a letter, I should say.<br/> | SPEED. By a letter, I should say.<br/> | ||
VALENTINE. Why, she hath not writ to me.<br/> | VALENTINE. Why, she hath not writ to me.<br/> | ||
SPEED. What need she, when she hath made you write to yourself?<br/> | SPEED. What need she, when she hath made you write to yourself?<br/> | ||
Why, do you not perceive the jest?<br/> | Why, do you not perceive the jest?<br/> | ||
VALENTINE. No, believe me.<br/> | VALENTINE. No, believe me.<br/> | ||
SPEED. No believing you indeed, sir. But did you perceive her<br/> | SPEED. No believing you indeed, sir. But did you perceive her<br/> | ||
earnest?<br/> | earnest?<br/> | ||
VALENTINE. She gave me none except an angry word.<br/> | VALENTINE. She gave me none except an angry word.<br/> | ||
SPEED. Why, she hath given you a letter.<br/> | SPEED. Why, she hath given you a letter.<br/> | ||
VALENTINE. That's the letter I writ to her friend.<br/> | VALENTINE. That's the letter I writ to her friend.<br/> | ||
SPEED. And that letter hath she deliver'd, and there an end.<br/> | SPEED. And that letter hath she deliver'd, and there an end.<br/> | ||
VALENTINE. I would it were no worse.<br/> | VALENTINE. I would it were no worse.<br/> | ||
SPEED. I'll warrant you 'tis as well.<br/> | SPEED. I'll warrant you 'tis as well.<br/> | ||
'For often have you writ to her; and she, in modesty,<br/> | 'For often have you writ to her; and she, in modesty,<br/> | ||
Or else for want of idle time, could not again reply;<br/> | Or else for want of idle time, could not again reply;<br/> | ||
Or fearing else some messenger that might her mind discover,<br/> | Or fearing else some messenger that might her mind discover,<br/> | ||
Herself hath taught her love himself to write unto her lover.'<br/> | Herself hath taught her love himself to write unto her lover.'<br/> | ||
All this I speak in print, for in print I found it. Why muse you,<br/> | All this I speak in print, for in print I found it. Why muse you,<br/> | ||
sir? 'Tis dinner time.<br/> | sir? 'Tis dinner time.<br/> | ||
VALENTINE. I have din'd.<br/> | VALENTINE. I have din'd.<br/> | ||
SPEED. Ay, but hearken, sir; though the chameleon Love can feed on<br/> | SPEED. Ay, but hearken, sir; though the chameleon Love can feed on<br/> | ||
the air, I am one that am nourish'd by my victuals, and would<br/> | the air, I am one that am nourish'd by my victuals, and would<br/> | ||
fain have meat. O, be not like your mistress! Be moved, be moved.<br/> | fain have meat. O, be not like your mistress! Be moved, be moved.<br/> | ||
Exeunt<br/> | Exeunt<br/> | ||
</p> | </p> | ||
<h4>SCENE II. | <h4>SCENE II. | ||
Verona. JULIA'S house</h4> | Verona. JULIA'S house</h4> | ||
Line 627: | Line 1,190: | ||
<p> PROTEUS. Have patience, gentle Julia.<br/> | <p> PROTEUS. Have patience, gentle Julia.<br/> | ||
JULIA. I must, where is no remedy.<br/> | JULIA. I must, where is no remedy.<br/> | ||
PROTEUS. When possibly I can, I will return.<br/> | PROTEUS. When possibly I can, I will return.<br/> | ||
JULIA. If you turn not, you will return the sooner.<br/> | JULIA. If you turn not, you will return the sooner.<br/> | ||
Keep this remembrance for thy Julia's sake.<br/> | Keep this remembrance for thy Julia's sake.<br/> | ||
[Giving a ring]<br/> | [Giving a ring]<br/> | ||
PROTEUS. Why, then, we'll make exchange. Here, take you this.<br/> | PROTEUS. Why, then, we'll make exchange. Here, take you this.<br/> | ||
JULIA. And seal the bargain with a holy kiss.<br/> | JULIA. And seal the bargain with a holy kiss.<br/> | ||
PROTEUS. Here is my hand for my true constancy;<br/> | PROTEUS. Here is my hand for my true constancy;<br/> | ||
And when that hour o'erslips me in the day<br/> | And when that hour o'erslips me in the day<br/> | ||
Wherein I sigh not, Julia, for thy sake,<br/> | Wherein I sigh not, Julia, for thy sake,<br/> | ||
The next ensuing hour some foul mischance<br/> | The next ensuing hour some foul mischance<br/> | ||
Torment me for my love's forgetfulness!<br/> | Torment me for my love's forgetfulness!<br/> | ||
My father stays my coming; answer not;<br/> | My father stays my coming; answer not;<br/> | ||
The tide is now- nay, not thy tide of tears:<br/> | The tide is now- nay, not thy tide of tears:<br/> | ||
That tide will stay me longer than I should.<br/> | That tide will stay me longer than I should.<br/> | ||
Julia, farewell! Exit JULIA<br/> | Julia, farewell! Exit JULIA<br/> | ||
What, gone without a word?<br/> | What, gone without a word?<br/> | ||
Ay, so true love should do: it cannot speak;<br/> | Ay, so true love should do: it cannot speak;<br/> | ||
For truth hath better deeds than words to grace it.<br/> | For truth hath better deeds than words to grace it.<br/> | ||
</p> | </p> | ||
Line 651: | Line 1,234: | ||
<p> PANTHINO. Sir Proteus, you are stay'd for.<br/> | <p> PANTHINO. Sir Proteus, you are stay'd for.<br/> | ||
PROTEUS. Go; I come, I come.<br/> | PROTEUS. Go; I come, I come.<br/> | ||
Alas! this parting strikes poor lovers dumb. Exeunt<br/> | Alas! this parting strikes poor lovers dumb. Exeunt<br/> | ||
</p> | </p> | ||
<h4>SCENE III. | <h4>SCENE III. | ||
Verona. A street</h4> | Verona. A street</h4> | ||
Line 661: | Line 1,248: | ||
<p> LAUNCE. Nay, 'twill be this hour ere I have | <p> LAUNCE. Nay, 'twill be this hour ere I have | ||
done weeping; all the | done weeping; all the | ||
kind of the Launces have this very fault. I have receiv'd my | kind of the Launces have this very fault. I have receiv'd my | ||
proportion, like the Prodigious Son, and am going with Sir | proportion, like the Prodigious Son, and am going with Sir | ||
Proteus to the Imperial's court. I think Crab my dog be the | Proteus to the Imperial's court. I think Crab my dog be the | ||
sourest-natured dog that lives: my mother weeping, my father | sourest-natured dog that lives: my mother weeping, my father | ||
wailing, my sister crying, our maid howling, our cat wringing her | wailing, my sister crying, our maid howling, our cat wringing her | ||
hands, and all our house in a great perplexity; yet did not this | hands, and all our house in a great perplexity; yet did not this | ||
cruel-hearted cur shed one tear. He is a stone, a very pebble | cruel-hearted cur shed one tear. He is a stone, a very pebble | ||
stone, and has no more pity in him than a dog. A Jew would have | stone, and has no more pity in him than a dog. A Jew would have | ||
wept to have seen our parting; why, my grandam having no eyes, | wept to have seen our parting; why, my grandam having no eyes, | ||
look you, wept herself blind at my parting. Nay, I'll show you | look you, wept herself blind at my parting. Nay, I'll show you | ||
the manner of it. This shoe is my father; no, this left shoe is | the manner of it. This shoe is my father; no, this left shoe is | ||
my father; no, no, left shoe is my mother; nay, that cannot be so | my father; no, no, left shoe is my mother; nay, that cannot be so | ||
neither; yes, it is so, it is so, it hath the worser sole. This | neither; yes, it is so, it is so, it hath the worser sole. This | ||
shoe with the hole in it is my mother, and this my father. A | shoe with the hole in it is my mother, and this my father. A | ||
vengeance on 't! There 'tis. Now, sir, this staff is my sister, | vengeance on 't! There 'tis. Now, sir, this staff is my sister, | ||
for, look you, she is as white as a lily and as small as a wand; | for, look you, she is as white as a lily and as small as a wand; | ||
this hat is Nan our maid; I am the dog; no, the dog is himself, | this hat is Nan our maid; I am the dog; no, the dog is himself, | ||
and I am the dog- O, the dog is me, and I am myself; ay, so, so. | and I am the dog- O, the dog is me, and I am myself; ay, so, so. | ||
Now come I to my father: 'Father, your blessing.' Now should not | Now come I to my father: 'Father, your blessing.' Now should not | ||
the shoe speak a word for weeping; now should I kiss my father; | the shoe speak a word for weeping; now should I kiss my father; | ||
well, he weeps on. Now come I to my mother. O that she could | well, he weeps on. Now come I to my mother. O that she could | ||
speak now like a wood woman! Well, I kiss her- why there 'tis; | speak now like a wood woman! Well, I kiss her- why there 'tis; | ||
here's my mother's breath up and down. Now come I to my sister; | here's my mother's breath up and down. Now come I to my sister; | ||
mark the moan she makes. Now the dog all this while sheds not a | mark the moan she makes. Now the dog all this while sheds not a | ||
tear, nor speaks a word; but see how I lay the dust with my | tear, nor speaks a word; but see how I lay the dust with my | ||
tears.</p> | tears.</p> | ||
Line 692: | Line 1,306: | ||
<p> PANTHINO. Launce, away, away, aboard! Thy master is shipp'd, and<br/> | <p> PANTHINO. Launce, away, away, aboard! Thy master is shipp'd, and<br/> | ||
thou art to post after with oars. What's the matter? Why weep'st<br/> | thou art to post after with oars. What's the matter? Why weep'st<br/> | ||
thou, man? Away, ass! You'll lose the tide if you tarry any<br/> | thou, man? Away, ass! You'll lose the tide if you tarry any<br/> | ||
longer.<br/> | longer.<br/> | ||
LAUNCE. It is no matter if the tied were lost; for it is the<br/> | LAUNCE. It is no matter if the tied were lost; for it is the<br/> | ||
unkindest tied that ever any man tied.<br/> | unkindest tied that ever any man tied.<br/> | ||
PANTHINO. What's the unkindest tide?<br/> | PANTHINO. What's the unkindest tide?<br/> | ||
LAUNCE. Why, he that's tied here, Crab, my dog.<br/> | LAUNCE. Why, he that's tied here, Crab, my dog.<br/> | ||
PANTHINO. Tut, man, I mean thou'lt lose the flood, and, in losing<br/> | PANTHINO. Tut, man, I mean thou'lt lose the flood, and, in losing<br/> | ||
the flood, lose thy voyage, and, in losing thy voyage, lose thy<br/> | the flood, lose thy voyage, and, in losing thy voyage, lose thy<br/> | ||
master, and, in losing thy master, lose thy service, and, in<br/> | master, and, in losing thy master, lose thy service, and, in<br/> | ||
losing thy service- Why dost thou stop my mouth?<br/> | losing thy service- Why dost thou stop my mouth?<br/> | ||
LAUNCE. For fear thou shouldst lose thy tongue.<br/> | LAUNCE. For fear thou shouldst lose thy tongue.<br/> | ||
PANTHINO. Where should I lose my tongue?<br/> | PANTHINO. Where should I lose my tongue?<br/> | ||
LAUNCE. In thy tale.<br/> | LAUNCE. In thy tale.<br/> | ||
PANTHINO. In thy tail!<br/> | PANTHINO. In thy tail!<br/> | ||
LAUNCE. Lose the tide, and the voyage, and the master, and the<br/> | LAUNCE. Lose the tide, and the voyage, and the master, and the<br/> | ||
service, and the tied! Why, man, if the river were dry, I am able<br/> | service, and the tied! Why, man, if the river were dry, I am able<br/> | ||
to fill it with my tears; if the wind were down, I could drive<br/> | to fill it with my tears; if the wind were down, I could drive<br/> | ||
the boat with my sighs.<br/> | the boat with my sighs.<br/> | ||
PANTHINO. Come, come away, man; I was sent to call thee.<br/> | PANTHINO. Come, come away, man; I was sent to call thee.<br/> | ||
LAUNCE. Sir, call me what thou dar'st.<br/> | LAUNCE. Sir, call me what thou dar'st.<br/> | ||
PANTHINO. Will thou go?<br/> | PANTHINO. Will thou go?<br/> | ||
LAUNCE. Well, I will go. Exeunt<br/> | LAUNCE. Well, I will go. Exeunt<br/> | ||
</p> | </p> | ||
<h4>SCENE IV. | <h4>SCENE IV. | ||
Milan. The DUKE'S palace</h4> | Milan. The DUKE'S palace</h4> | ||
Line 723: | Line 1,362: | ||
<p> SILVIA. Servant!<br/> | <p> SILVIA. Servant!<br/> | ||
VALENTINE. Mistress?<br/> | VALENTINE. Mistress?<br/> | ||
SPEED. Master, Sir Thurio frowns on you.<br/> | SPEED. Master, Sir Thurio frowns on you.<br/> | ||
VALENTINE. Ay, boy, it's for love.<br/> | VALENTINE. Ay, boy, it's for love.<br/> | ||
SPEED. Not of you.<br/> | SPEED. Not of you.<br/> | ||
VALENTINE. Of my mistress, then.<br/> | VALENTINE. Of my mistress, then.<br/> | ||
SPEED. 'Twere good you knock'd him. Exit<br/> | SPEED. 'Twere good you knock'd him. Exit<br/> | ||
SILVIA. Servant, you are sad.<br/> | SILVIA. Servant, you are sad.<br/> | ||
VALENTINE. Indeed, madam, I seem so.<br/> | VALENTINE. Indeed, madam, I seem so.<br/> | ||
THURIO. Seem you that you are not?<br/> | THURIO. Seem you that you are not?<br/> | ||
VALENTINE. Haply I do.<br/> | VALENTINE. Haply I do.<br/> | ||
THURIO. So do counterfeits.<br/> | THURIO. So do counterfeits.<br/> | ||
VALENTINE. So do you.<br/> | VALENTINE. So do you.<br/> | ||
THURIO. What seem I that I am not?<br/> | THURIO. What seem I that I am not?<br/> | ||
VALENTINE. Wise.<br/> | VALENTINE. Wise.<br/> | ||
THURIO. What instance of the contrary?<br/> | THURIO. What instance of the contrary?<br/> | ||
VALENTINE. Your folly.<br/> | VALENTINE. Your folly.<br/> | ||
THURIO. And how quote you my folly?<br/> | THURIO. And how quote you my folly?<br/> | ||
VALENTINE. I quote it in your jerkin.<br/> | VALENTINE. I quote it in your jerkin.<br/> | ||
THURIO. My jerkin is a doublet.<br/> | THURIO. My jerkin is a doublet.<br/> | ||
VALENTINE. Well, then, I'll double your folly.<br/> | VALENTINE. Well, then, I'll double your folly.<br/> | ||
THURIO. How?<br/> | THURIO. How?<br/> | ||
SILVIA. What, angry, Sir Thurio! Do you change colour?<br/> | SILVIA. What, angry, Sir Thurio! Do you change colour?<br/> | ||
VALENTINE. Give him leave, madam; he is a kind of chameleon.<br/> | VALENTINE. Give him leave, madam; he is a kind of chameleon.<br/> | ||
THURIO. That hath more mind to feed on your blood than live in your<br/> | THURIO. That hath more mind to feed on your blood than live in your<br/> | ||
air.<br/> | air.<br/> | ||
VALENTINE. You have said, sir.<br/> | VALENTINE. You have said, sir.<br/> | ||
THURIO. Ay, sir, and done too, for this time.<br/> | THURIO. Ay, sir, and done too, for this time.<br/> | ||
VALENTINE. I know it well, sir; you always end ere you begin.<br/> | VALENTINE. I know it well, sir; you always end ere you begin.<br/> | ||
SILVIA. A fine volley of words, gentlemen, and quickly shot off.<br/> | SILVIA. A fine volley of words, gentlemen, and quickly shot off.<br/> | ||
VALENTINE. 'Tis indeed, madam; we thank the giver.<br/> | VALENTINE. 'Tis indeed, madam; we thank the giver.<br/> | ||
SILVIA. Who is that, servant?<br/> | SILVIA. Who is that, servant?<br/> | ||
VALENTINE. Yourself, sweet lady; for you gave the fire. Sir Thurio<br/> | VALENTINE. Yourself, sweet lady; for you gave the fire. Sir Thurio<br/> | ||
borrows his wit from your ladyship's looks, and spends what he<br/> | borrows his wit from your ladyship's looks, and spends what he<br/> | ||
borrows kindly in your company.<br/> | borrows kindly in your company.<br/> | ||
THURIO. Sir, if you spend word for word with me, I shall make your<br/> | THURIO. Sir, if you spend word for word with me, I shall make your<br/> | ||
wit bankrupt.<br/> | wit bankrupt.<br/> | ||
VALENTINE. I know it well, sir; you have an exchequer of words,<br/> | VALENTINE. I know it well, sir; you have an exchequer of words,<br/> | ||
and, I think, no other treasure to give your followers; for it<br/> | and, I think, no other treasure to give your followers; for it<br/> | ||
appears by their bare liveries that they live by your bare words.<br/> | appears by their bare liveries that they live by your bare words.<br/> | ||
</p> | </p> | ||
Line 767: | Line 1,446: | ||
<p> SILVIA. No more, gentlemen, no more. Here comes my father.<br/> | <p> SILVIA. No more, gentlemen, no more. Here comes my father.<br/> | ||
DUKE. Now, daughter Silvia, you are hard beset.<br/> | DUKE. Now, daughter Silvia, you are hard beset.<br/> | ||
Sir Valentine, your father is in good health.<br/> | Sir Valentine, your father is in good health.<br/> | ||
What say you to a letter from your friends<br/> | What say you to a letter from your friends<br/> | ||
Of much good news?<br/> | Of much good news?<br/> | ||
VALENTINE. My lord, I will be thankful<br/> | VALENTINE. My lord, I will be thankful<br/> | ||
To any happy messenger from thence.<br/> | To any happy messenger from thence.<br/> | ||
DUKE. Know ye Don Antonio, your countryman?<br/> | DUKE. Know ye Don Antonio, your countryman?<br/> | ||
VALENTINE. Ay, my good lord, I know the gentleman<br/> | VALENTINE. Ay, my good lord, I know the gentleman<br/> | ||
To be of worth and worthy estimation,<br/> | To be of worth and worthy estimation,<br/> | ||
And not without desert so well reputed.<br/> | And not without desert so well reputed.<br/> | ||
DUKE. Hath he not a son?<br/> | DUKE. Hath he not a son?<br/> | ||
VALENTINE. Ay, my good lord; a son that well deserves<br/> | VALENTINE. Ay, my good lord; a son that well deserves<br/> | ||
The honour and regard of such a father.<br/> | The honour and regard of such a father.<br/> | ||
DUKE. You know him well?<br/> | DUKE. You know him well?<br/> | ||
VALENTINE. I knew him as myself; for from our infancy<br/> | VALENTINE. I knew him as myself; for from our infancy<br/> | ||
We have convers'd and spent our hours together;<br/> | We have convers'd and spent our hours together;<br/> | ||
And though myself have been an idle truant,<br/> | And though myself have been an idle truant,<br/> | ||
Omitting the sweet benefit of time<br/> | Omitting the sweet benefit of time<br/> | ||
To clothe mine age with angel-like perfection,<br/> | To clothe mine age with angel-like perfection,<br/> | ||
Yet hath Sir Proteus, for that's his name,<br/> | Yet hath Sir Proteus, for that's his name,<br/> | ||
Made use and fair advantage of his days:<br/> | Made use and fair advantage of his days:<br/> | ||
His years but young, but his experience old;<br/> | His years but young, but his experience old;<br/> | ||
His head unmellowed, but his judgment ripe;<br/> | His head unmellowed, but his judgment ripe;<br/> | ||
And, in a word, for far behind his worth<br/> | And, in a word, for far behind his worth<br/> | ||
Comes all the praises that I now bestow,<br/> | Comes all the praises that I now bestow,<br/> | ||
He is complete in feature and in mind,<br/> | He is complete in feature and in mind,<br/> | ||
With all good grace to grace a gentleman.<br/> | With all good grace to grace a gentleman.<br/> | ||
DUKE. Beshrew me, sir, but if he make this good,<br/> | DUKE. Beshrew me, sir, but if he make this good,<br/> | ||
He is as worthy for an empress' love<br/> | He is as worthy for an empress' love<br/> | ||
As meet to be an emperor's counsellor.<br/> | As meet to be an emperor's counsellor.<br/> | ||
Well, sir, this gentleman is come to me<br/> | Well, sir, this gentleman is come to me<br/> | ||
With commendation from great potentates,<br/> | With commendation from great potentates,<br/> | ||
And here he means to spend his time awhile.<br/> | And here he means to spend his time awhile.<br/> | ||
I think 'tis no unwelcome news to you.<br/> | I think 'tis no unwelcome news to you.<br/> | ||
VALENTINE. Should I have wish'd a thing, it had been he.<br/> | VALENTINE. Should I have wish'd a thing, it had been he.<br/> | ||
DUKE. Welcome him, then, according to his worth-<br/> | DUKE. Welcome him, then, according to his worth-<br/> | ||
Silvia, I speak to you, and you, Sir Thurio;<br/> | Silvia, I speak to you, and you, Sir Thurio;<br/> | ||
For Valentine, I need not cite him to it.<br/> | For Valentine, I need not cite him to it.<br/> | ||
I will send him hither to you presently. Exit DUKE<br/> | I will send him hither to you presently. Exit DUKE<br/> | ||
VALENTINE. This is the gentleman I told your ladyship<br/> | VALENTINE. This is the gentleman I told your ladyship<br/> | ||
Had come along with me but that his mistresss<br/> | Had come along with me but that his mistresss<br/> | ||
Did hold his eyes lock'd in her crystal looks.<br/> | Did hold his eyes lock'd in her crystal looks.<br/> | ||
SILVIA. Belike that now she hath enfranchis'd them<br/> | SILVIA. Belike that now she hath enfranchis'd them<br/> | ||
Upon some other pawn for fealty.<br/> | Upon some other pawn for fealty.<br/> | ||
VALENTINE. Nay, sure, I think she holds them prisoners still.<br/> | VALENTINE. Nay, sure, I think she holds them prisoners still.<br/> | ||
SILVIA. Nay, then, he should be blind; and, being blind,<br/> | SILVIA. Nay, then, he should be blind; and, being blind,<br/> | ||
How could he see his way to seek out you?<br/> | How could he see his way to seek out you?<br/> | ||
VALENTINE. Why, lady, Love hath twenty pair of eyes.<br/> | VALENTINE. Why, lady, Love hath twenty pair of eyes.<br/> | ||
THURIO. They say that Love hath not an eye at all.<br/> | THURIO. They say that Love hath not an eye at all.<br/> | ||
VALENTINE. To see such lovers, Thurio, as yourself;<br/> | VALENTINE. To see such lovers, Thurio, as yourself;<br/> | ||
Upon a homely object Love can wink. Exit THURIO<br/> | Upon a homely object Love can wink. Exit THURIO<br/> | ||
</p> | </p> | ||
Line 823: | Line 1,554: | ||
<p> SILVIA. Have done, have done; here comes the gentleman.<br/> | <p> SILVIA. Have done, have done; here comes the gentleman.<br/> | ||
VALENTINE. Welcome, dear Proteus! Mistress, I beseech you<br/> | VALENTINE. Welcome, dear Proteus! Mistress, I beseech you<br/> | ||
Confirm his welcome with some special favour.<br/> | Confirm his welcome with some special favour.<br/> | ||
SILVIA. His worth is warrant for his welcome hither,<br/> | SILVIA. His worth is warrant for his welcome hither,<br/> | ||
If this be he you oft have wish'd to hear from.<br/> | If this be he you oft have wish'd to hear from.<br/> | ||
VALENTINE. Mistress, it is; sweet lady, entertain him<br/> | VALENTINE. Mistress, it is; sweet lady, entertain him<br/> | ||
To be my fellow-servant to your ladyship.<br/> | To be my fellow-servant to your ladyship.<br/> | ||
SILVIA. Too low a mistress for so high a servant.<br/> | SILVIA. Too low a mistress for so high a servant.<br/> | ||
PROTEUS. Not so, sweet lady; but too mean a servant<br/> | PROTEUS. Not so, sweet lady; but too mean a servant<br/> | ||
To have a look of such a worthy mistress.<br/> | To have a look of such a worthy mistress.<br/> | ||
VALENTINE. Leave off discourse of disability;<br/> | VALENTINE. Leave off discourse of disability;<br/> | ||
Sweet lady, entertain him for your servant.<br/> | Sweet lady, entertain him for your servant.<br/> | ||
PROTEUS. My duty will I boast of, nothing else.<br/> | PROTEUS. My duty will I boast of, nothing else.<br/> | ||
SILVIA. And duty never yet did want his meed.<br/> | SILVIA. And duty never yet did want his meed.<br/> | ||
Servant, you are welcome to a worthless mistress.<br/> | Servant, you are welcome to a worthless mistress.<br/> | ||
PROTEUS. I'll die on him that says so but yourself.<br/> | PROTEUS. I'll die on him that says so but yourself.<br/> | ||
SILVIA. That you are welcome?<br/> | SILVIA. That you are welcome?<br/> | ||
PROTEUS. That you are worthless.<br/> | PROTEUS. That you are worthless.<br/> | ||
</p> | </p> | ||
Line 845: | Line 1,594: | ||
<p> THURIO. Madam, my lord your father would speak with you.<br/> | <p> THURIO. Madam, my lord your father would speak with you.<br/> | ||
SILVIA. I wait upon his pleasure. Come, Sir Thurio,<br/> | SILVIA. I wait upon his pleasure. Come, Sir Thurio,<br/> | ||
Go with me. Once more, new servant, welcome.<br/> | Go with me. Once more, new servant, welcome.<br/> | ||
I'll leave you to confer of home affairs;<br/> | I'll leave you to confer of home affairs;<br/> | ||
When you have done we look to hear from you.<br/> | When you have done we look to hear from you.<br/> | ||
PROTEUS. We'll both attend upon your ladyship.<br/> | PROTEUS. We'll both attend upon your ladyship.<br/> | ||
Exeunt SILVIA and THURIO<br/> | Exeunt SILVIA and THURIO<br/> | ||
VALENTINE. Now, tell me, how do all from whence you came?<br/> | VALENTINE. Now, tell me, how do all from whence you came?<br/> | ||
PROTEUS. Your friends are well, and have them much commended.<br/> | PROTEUS. Your friends are well, and have them much commended.<br/> | ||
VALENTINE. And how do yours?<br/> | VALENTINE. And how do yours?<br/> | ||
PROTEUS. I left them all in health.<br/> | PROTEUS. I left them all in health.<br/> | ||
VALENTINE. How does your lady, and how thrives your love?<br/> | VALENTINE. How does your lady, and how thrives your love?<br/> | ||
PROTEUS. My tales of love were wont to weary you;<br/> | PROTEUS. My tales of love were wont to weary you;<br/> | ||
I know you joy not in a love-discourse.<br/> | I know you joy not in a love-discourse.<br/> | ||
VALENTINE. Ay, Proteus, but that life is alter'd now;<br/> | VALENTINE. Ay, Proteus, but that life is alter'd now;<br/> | ||
I have done penance for contemning Love,<br/> | I have done penance for contemning Love,<br/> | ||
Whose high imperious thoughts have punish'd me<br/> | Whose high imperious thoughts have punish'd me<br/> | ||
With bitter fasts, with penitential groans,<br/> | With bitter fasts, with penitential groans,<br/> | ||
With nightly tears, and daily heart-sore sighs;<br/> | With nightly tears, and daily heart-sore sighs;<br/> | ||
For, in revenge of my contempt of love,<br/> | For, in revenge of my contempt of love,<br/> | ||
Love hath chas'd sleep from my enthralled eyes<br/> | Love hath chas'd sleep from my enthralled eyes<br/> | ||
And made them watchers of mine own heart's sorrow.<br/> | And made them watchers of mine own heart's sorrow.<br/> | ||
O gentle Proteus, Love's a mighty lord,<br/> | O gentle Proteus, Love's a mighty lord,<br/> | ||
And hath so humbled me as I confess<br/> | And hath so humbled me as I confess<br/> | ||
There is no woe to his correction,<br/> | There is no woe to his correction,<br/> | ||
Nor to his service no such joy on earth.<br/> | Nor to his service no such joy on earth.<br/> | ||
Now no discourse, except it be of love;<br/> | Now no discourse, except it be of love;<br/> | ||
Now can I break my fast, dine, sup, and sleep,<br/> | Now can I break my fast, dine, sup, and sleep,<br/> | ||
Upon the very naked name of love.<br/> | Upon the very naked name of love.<br/> | ||
PROTEUS. Enough; I read your fortune in your eye.<br/> | PROTEUS. Enough; I read your fortune in your eye.<br/> | ||
Was this the idol that you worship so?<br/> | Was this the idol that you worship so?<br/> | ||
VALENTINE. Even she; and is she not a heavenly saint?<br/> | VALENTINE. Even she; and is she not a heavenly saint?<br/> | ||
PROTEUS. No; but she is an earthly paragon.<br/> | PROTEUS. No; but she is an earthly paragon.<br/> | ||
VALENTINE. Call her divine.<br/> | VALENTINE. Call her divine.<br/> | ||
PROTEUS. I will not flatter her.<br/> | PROTEUS. I will not flatter her.<br/> | ||
VALENTINE. O, flatter me; for love delights in praises!<br/> | VALENTINE. O, flatter me; for love delights in praises!<br/> | ||
PROTEUS. When I was sick you gave me bitter pills,<br/> | PROTEUS. When I was sick you gave me bitter pills,<br/> | ||
And I must minister the like to you.<br/> | And I must minister the like to you.<br/> | ||
VALENTINE. Then speak the truth by her; if not divine,<br/> | VALENTINE. Then speak the truth by her; if not divine,<br/> | ||
Yet let her be a principality,<br/> | Yet let her be a principality,<br/> | ||
Sovereign to all the creatures on the earth.<br/> | Sovereign to all the creatures on the earth.<br/> | ||
PROTEUS. Except my mistress.<br/> | PROTEUS. Except my mistress.<br/> | ||
VALENTINE. Sweet, except not any;<br/> | VALENTINE. Sweet, except not any;<br/> | ||
Except thou wilt except against my love.<br/> | Except thou wilt except against my love.<br/> | ||
PROTEUS. Have I not reason to prefer mine own?<br/> | PROTEUS. Have I not reason to prefer mine own?<br/> | ||
VALENTINE. And I will help thee to prefer her too:<br/> | VALENTINE. And I will help thee to prefer her too:<br/> | ||
She shall be dignified with this high honour-<br/> | She shall be dignified with this high honour-<br/> | ||
To bear my lady's train, lest the base earth<br/> | To bear my lady's train, lest the base earth<br/> | ||
Should from her vesture chance to steal a kiss<br/> | Should from her vesture chance to steal a kiss<br/> | ||
And, of so great a favour growing proud,<br/> | And, of so great a favour growing proud,<br/> | ||
Disdain to root the summer-swelling flow'r<br/> | Disdain to root the summer-swelling flow'r<br/> | ||
And make rough winter everlastingly.<br/> | And make rough winter everlastingly.<br/> | ||
PROTEUS. Why, Valentine, what braggardism is this?<br/> | PROTEUS. Why, Valentine, what braggardism is this?<br/> | ||
VALENTINE. Pardon me, Proteus; all I can is nothing<br/> | VALENTINE. Pardon me, Proteus; all I can is nothing<br/> | ||
To her, whose worth makes other worthies nothing;<br/> | To her, whose worth makes other worthies nothing;<br/> | ||
She is alone.<br/> | She is alone.<br/> | ||
PROTEUS. Then let her alone.<br/> | PROTEUS. Then let her alone.<br/> | ||
VALENTINE. Not for the world! Why, man, she is mine own;<br/> | VALENTINE. Not for the world! Why, man, she is mine own;<br/> | ||
And I as rich in having such a jewel<br/> | And I as rich in having such a jewel<br/> | ||
As twenty seas, if all their sand were pearl,<br/> | As twenty seas, if all their sand were pearl,<br/> | ||
The water nectar, and the rocks pure gold.<br/> | The water nectar, and the rocks pure gold.<br/> | ||
Forgive me that I do not dream on thee,<br/> | Forgive me that I do not dream on thee,<br/> | ||
Because thou seest me dote upon my love.<br/> | Because thou seest me dote upon my love.<br/> | ||
My foolish rival, that her father likes<br/> | My foolish rival, that her father likes<br/> | ||
Only for his possessions are so huge,<br/> | Only for his possessions are so huge,<br/> | ||
Is gone with her along; and I must after,<br/> | Is gone with her along; and I must after,<br/> | ||
For love, thou know'st, is full of jealousy.<br/> | For love, thou know'st, is full of jealousy.<br/> | ||
PROTEUS. But she loves you?<br/> | PROTEUS. But she loves you?<br/> | ||
VALENTINE. Ay, and we are betroth'd; nay more, our marriage-hour,<br/> | VALENTINE. Ay, and we are betroth'd; nay more, our marriage-hour,<br/> | ||
With all the cunning manner of our flight,<br/> | With all the cunning manner of our flight,<br/> | ||
Determin'd of- how I must climb her window,<br/> | Determin'd of- how I must climb her window,<br/> | ||
The ladder made of cords, and all the means<br/> | The ladder made of cords, and all the means<br/> | ||
Plotted and 'greed on for my happiness.<br/> | Plotted and 'greed on for my happiness.<br/> | ||
Good Proteus, go with me to my chamber,<br/> | Good Proteus, go with me to my chamber,<br/> | ||
In these affairs to aid me with thy counsel.<br/> | In these affairs to aid me with thy counsel.<br/> | ||
PROTEUS. Go on before; I shall enquire you forth;<br/> | PROTEUS. Go on before; I shall enquire you forth;<br/> | ||
I must unto the road to disembark<br/> | I must unto the road to disembark<br/> | ||
Some necessaries that I needs must use;<br/> | Some necessaries that I needs must use;<br/> | ||
And then I'll presently attend you.<br/> | And then I'll presently attend you.<br/> | ||
VALENTINE. Will you make haste?<br/> | VALENTINE. Will you make haste?<br/> | ||
PROTEUS. I will. Exit VALENTINE<br/> | PROTEUS. I will. Exit VALENTINE<br/> | ||
Even as one heat another heat expels<br/> | Even as one heat another heat expels<br/> | ||
Or as one nail by strength drives out another,<br/> | Or as one nail by strength drives out another,<br/> | ||
So the remembrance of my former love<br/> | So the remembrance of my former love<br/> | ||
Is by a newer object quite forgotten.<br/> | Is by a newer object quite forgotten.<br/> | ||
Is it my mind, or Valentinus' praise,<br/> | Is it my mind, or Valentinus' praise,<br/> | ||
Her true perfection, or my false transgression,<br/> | Her true perfection, or my false transgression,<br/> | ||
That makes me reasonless to reason thus?<br/> | That makes me reasonless to reason thus?<br/> | ||
She is fair; and so is Julia that I love-<br/> | She is fair; and so is Julia that I love-<br/> | ||
That I did love, for now my love is thaw'd;<br/> | That I did love, for now my love is thaw'd;<br/> | ||
Which like a waxen image 'gainst a fire<br/> | Which like a waxen image 'gainst a fire<br/> | ||
Bears no impression of the thing it was.<br/> | Bears no impression of the thing it was.<br/> | ||
Methinks my zeal to Valentine is cold,<br/> | Methinks my zeal to Valentine is cold,<br/> | ||
And that I love him not as I was wont.<br/> | And that I love him not as I was wont.<br/> | ||
O! but I love his lady too too much,<br/> | O! but I love his lady too too much,<br/> | ||
And that's the reason I love him so little.<br/> | And that's the reason I love him so little.<br/> | ||
How shall I dote on her with more advice<br/> | How shall I dote on her with more advice<br/> | ||
That thus without advice begin to love her!<br/> | That thus without advice begin to love her!<br/> | ||
'Tis but her picture I have yet beheld,<br/> | 'Tis but her picture I have yet beheld,<br/> | ||
And that hath dazzled my reason's light;<br/> | And that hath dazzled my reason's light;<br/> | ||
But when I look on her perfections,<br/> | But when I look on her perfections,<br/> | ||
There is no reason but I shall be blind.<br/> | There is no reason but I shall be blind.<br/> | ||
If I can check my erring love, I will;<br/> | If I can check my erring love, I will;<br/> | ||
If not, to compass her I'll use my skill. Exit<br/> | If not, to compass her I'll use my skill. Exit<br/> | ||
</p> | </p> | ||
<h4>SCENE V. | <h4>SCENE V. | ||
Milan. A street</h4> | Milan. A street</h4> | ||
Line 956: | Line 1,810: | ||
<p> SPEED. Launce! by mine honesty, welcome to Padua.<br/> | <p> SPEED. Launce! by mine honesty, welcome to Padua.<br/> | ||
LAUNCE. Forswear not thyself, sweet youth, for I am not welcome. I<br/> | LAUNCE. Forswear not thyself, sweet youth, for I am not welcome. I<br/> | ||
reckon this always, that a man is never undone till he be hang'd,<br/> | reckon this always, that a man is never undone till he be hang'd,<br/> | ||
nor never welcome to a place till some certain shot be paid, and<br/> | nor never welcome to a place till some certain shot be paid, and<br/> | ||
the hostess say 'Welcome!'<br/> | the hostess say 'Welcome!'<br/> | ||
SPEED. Come on, you madcap; I'll to the alehouse with you<br/> | SPEED. Come on, you madcap; I'll to the alehouse with you<br/> | ||
presently; where, for one shot of five pence, thou shalt have<br/> | presently; where, for one shot of five pence, thou shalt have<br/> | ||
five thousand welcomes. But, sirrah, how did thy master part with<br/> | five thousand welcomes. But, sirrah, how did thy master part with<br/> | ||
Madam Julia?<br/> | Madam Julia?<br/> | ||
LAUNCE. Marry, after they clos'd in earnest, they parted very<br/> | LAUNCE. Marry, after they clos'd in earnest, they parted very<br/> | ||
fairly in jest.<br/> | fairly in jest.<br/> | ||
SPEED. But shall she marry him?<br/> | SPEED. But shall she marry him?<br/> | ||
LAUNCE. No.<br/> | LAUNCE. No.<br/> | ||
SPEED. How then? Shall he marry her?<br/> | SPEED. How then? Shall he marry her?<br/> | ||
LAUNCE. No, neither.<br/> | LAUNCE. No, neither.<br/> | ||
SPEED. What, are they broken?<br/> | SPEED. What, are they broken?<br/> | ||
LAUNCE. No, they are both as whole as a fish.<br/> | LAUNCE. No, they are both as whole as a fish.<br/> | ||
SPEED. Why then, how stands the matter with them?<br/> | SPEED. Why then, how stands the matter with them?<br/> | ||
LAUNCE. Marry, thus: when it stands well with him, it stands well<br/> | LAUNCE. Marry, thus: when it stands well with him, it stands well<br/> | ||
with her.<br/> | with her.<br/> | ||
SPEED. What an ass art thou! I understand thee not.<br/> | SPEED. What an ass art thou! I understand thee not.<br/> | ||
LAUNCE. What a block art thou that thou canst not! My staff<br/> | LAUNCE. What a block art thou that thou canst not! My staff<br/> | ||
understands me.<br/> | understands me.<br/> | ||
SPEED. What thou say'st?<br/> | SPEED. What thou say'st?<br/> | ||
LAUNCE. Ay, and what I do too; look thee, I'll but lean, and my<br/> | LAUNCE. Ay, and what I do too; look thee, I'll but lean, and my<br/> | ||
staff understands me.<br/> | staff understands me.<br/> | ||
SPEED. It stands under thee, indeed.<br/> | SPEED. It stands under thee, indeed.<br/> | ||
LAUNCE. Why, stand-under and under-stand is all one.<br/> | LAUNCE. Why, stand-under and under-stand is all one.<br/> | ||
SPEED. But tell me true, will't be a match?<br/> | SPEED. But tell me true, will't be a match?<br/> | ||
LAUNCE. Ask my dog. If he say ay, it will; if he say no, it will;<br/> | LAUNCE. Ask my dog. If he say ay, it will; if he say no, it will;<br/> | ||
if he shake his tail and say nothing, it will.<br/> | if he shake his tail and say nothing, it will.<br/> | ||
SPEED. The conclusion is, then, that it will.<br/> | SPEED. The conclusion is, then, that it will.<br/> | ||
LAUNCE. Thou shalt never get such a secret from me but by a<br/> | LAUNCE. Thou shalt never get such a secret from me but by a<br/> | ||
parable.<br/> | parable.<br/> | ||
SPEED. 'Tis well that I get it so. But, Launce, how say'st thou<br/> | SPEED. 'Tis well that I get it so. But, Launce, how say'st thou<br/> | ||
that my master is become a notable lover?<br/> | that my master is become a notable lover?<br/> | ||
LAUNCE. I never knew him otherwise.<br/> | LAUNCE. I never knew him otherwise.<br/> | ||
SPEED. Than how?<br/> | SPEED. Than how?<br/> | ||
LAUNCE. A notable lubber, as thou reportest him to be.<br/> | LAUNCE. A notable lubber, as thou reportest him to be.<br/> | ||
SPEED. Why, thou whoreson ass, thou mistak'st me.<br/> | SPEED. Why, thou whoreson ass, thou mistak'st me.<br/> | ||
LAUNCE. Why, fool, I meant not thee, I meant thy master.<br/> | LAUNCE. Why, fool, I meant not thee, I meant thy master.<br/> | ||
SPEED. I tell thee my master is become a hot lover.<br/> | SPEED. I tell thee my master is become a hot lover.<br/> | ||
LAUNCE. Why, I tell thee I care not though he burn himself in love.<br/> | LAUNCE. Why, I tell thee I care not though he burn himself in love.<br/> | ||
If thou wilt, go with me to the alehouse; if not, thou art an<br/> | If thou wilt, go with me to the alehouse; if not, thou art an<br/> | ||
Hebrew, a Jew, and not worth the name of a Christian.<br/> | Hebrew, a Jew, and not worth the name of a Christian.<br/> | ||
SPEED. Why?<br/> | SPEED. Why?<br/> | ||
LAUNCE. Because thou hast not so much charity in thee as to go to<br/> | LAUNCE. Because thou hast not so much charity in thee as to go to<br/> | ||
the ale with a Christian. Wilt thou go?<br/> | the ale with a Christian. Wilt thou go?<br/> | ||
SPEED. At thy service. Exeunt<br/> | SPEED. At thy service. Exeunt<br/> | ||
</p> | </p> | ||
<h4>SCENE VI. | <h4>SCENE VI. | ||
Milan. The DUKE's palace</h4> | Milan. The DUKE's palace</h4> | ||
Line 1,012: | Line 1,916: | ||
<p> PROTEUS. To leave my Julia, shall I be forsworn;<br/> | <p> PROTEUS. To leave my Julia, shall I be forsworn;<br/> | ||
To love fair Silvia, shall I be forsworn;<br/> | To love fair Silvia, shall I be forsworn;<br/> | ||
To wrong my friend, I shall be much forsworn;<br/> | To wrong my friend, I shall be much forsworn;<br/> | ||
And ev'n that pow'r which gave me first my oath<br/> | And ev'n that pow'r which gave me first my oath<br/> | ||
Provokes me to this threefold perjury:<br/> | Provokes me to this threefold perjury:<br/> | ||
Love bade me swear, and Love bids me forswear.<br/> | Love bade me swear, and Love bids me forswear.<br/> | ||
O sweet-suggesting Love, if thou hast sinn'd,<br/> | O sweet-suggesting Love, if thou hast sinn'd,<br/> | ||
Teach me, thy tempted subject, to excuse it!<br/> | Teach me, thy tempted subject, to excuse it!<br/> | ||
At first I did adore a twinkling star,<br/> | At first I did adore a twinkling star,<br/> | ||
But now I worship a celestial sun.<br/> | But now I worship a celestial sun.<br/> | ||
Unheedful vows may heedfully be broken;<br/> | Unheedful vows may heedfully be broken;<br/> | ||
And he wants wit that wants resolved will<br/> | And he wants wit that wants resolved will<br/> | ||
To learn his wit t' exchange the bad for better.<br/> | To learn his wit t' exchange the bad for better.<br/> | ||
Fie, fie, unreverend tongue, to call her bad<br/> | Fie, fie, unreverend tongue, to call her bad<br/> | ||
Whose sovereignty so oft thou hast preferr'd<br/> | Whose sovereignty so oft thou hast preferr'd<br/> | ||
With twenty thousand soul-confirming oaths!<br/> | With twenty thousand soul-confirming oaths!<br/> | ||
I cannot leave to love, and yet I do;<br/> | I cannot leave to love, and yet I do;<br/> | ||
But there I leave to love where I should love.<br/> | But there I leave to love where I should love.<br/> | ||
Julia I lose, and Valentine I lose;<br/> | Julia I lose, and Valentine I lose;<br/> | ||
If I keep them, I needs must lose myself;<br/> | If I keep them, I needs must lose myself;<br/> | ||
If I lose them, thus find I by their loss:<br/> | If I lose them, thus find I by their loss:<br/> | ||
For Valentine, myself; for Julia, Silvia.<br/> | For Valentine, myself; for Julia, Silvia.<br/> | ||
I to myself am dearer than a friend;<br/> | I to myself am dearer than a friend;<br/> | ||
For love is still most precious in itself;<br/> | For love is still most precious in itself;<br/> | ||
And Silvia- witness heaven, that made her fair!-<br/> | And Silvia- witness heaven, that made her fair!-<br/> | ||
Shows Julia but a swarthy Ethiope.<br/> | Shows Julia but a swarthy Ethiope.<br/> | ||
I will forget that Julia is alive,<br/> | I will forget that Julia is alive,<br/> | ||
Rememb'ring that my love to her is dead;<br/> | Rememb'ring that my love to her is dead;<br/> | ||
And Valentine I'll hold an enemy,<br/> | And Valentine I'll hold an enemy,<br/> | ||
Aiming at Silvia as a sweeter friend.<br/> | Aiming at Silvia as a sweeter friend.<br/> | ||
I cannot now prove constant to myself<br/> | I cannot now prove constant to myself<br/> | ||
Without some treachery us'd to Valentine.<br/> | Without some treachery us'd to Valentine.<br/> | ||
This night he meaneth with a corded ladder<br/> | This night he meaneth with a corded ladder<br/> | ||
To climb celestial Silvia's chamber window,<br/> | To climb celestial Silvia's chamber window,<br/> | ||
Myself in counsel, his competitor.<br/> | Myself in counsel, his competitor.<br/> | ||
Now presently I'll give her father notice<br/> | Now presently I'll give her father notice<br/> | ||
Of their disguising and pretended flight,<br/> | Of their disguising and pretended flight,<br/> | ||
Who, all enrag'd, will banish Valentine,<br/> | Who, all enrag'd, will banish Valentine,<br/> | ||
For Thurio, he intends, shall wed his daughter;<br/> | For Thurio, he intends, shall wed his daughter;<br/> | ||
But, Valentine being gone, I'll quickly cross<br/> | But, Valentine being gone, I'll quickly cross<br/> | ||
By some sly trick blunt Thurio's dull proceeding.<br/> | By some sly trick blunt Thurio's dull proceeding.<br/> | ||
Love, lend me wings to make my purpose swift,<br/> | Love, lend me wings to make my purpose swift,<br/> | ||
As thou hast lent me wit to plot this drift. Exit<br/> | As thou hast lent me wit to plot this drift. Exit<br/> | ||
</p> | </p> | ||
<h4>SCENE VII. | <h4>SCENE VII. | ||
Verona. JULIA'S house</h4> | Verona. JULIA'S house</h4> | ||
Line 1,062: | Line 2,010: | ||
<p> JULIA. Counsel, Lucetta; gentle girl, assist me;<br/> | <p> JULIA. Counsel, Lucetta; gentle girl, assist me;<br/> | ||
And, ev'n in kind love, I do conjure thee,<br/> | And, ev'n in kind love, I do conjure thee,<br/> | ||
Who art the table wherein all my thoughts<br/> | Who art the table wherein all my thoughts<br/> | ||
Are visibly character'd and engrav'd,<br/> | Are visibly character'd and engrav'd,<br/> | ||
To lesson me and tell me some good mean<br/> | To lesson me and tell me some good mean<br/> | ||
How, with my honour, I may undertake<br/> | How, with my honour, I may undertake<br/> | ||
A journey to my loving Proteus.<br/> | A journey to my loving Proteus.<br/> | ||
LUCETTA. Alas, the way is wearisome and long!<br/> | LUCETTA. Alas, the way is wearisome and long!<br/> | ||
JULIA. A true-devoted pilgrim is not weary<br/> | JULIA. A true-devoted pilgrim is not weary<br/> | ||
To measure kingdoms with his feeble steps;<br/> | To measure kingdoms with his feeble steps;<br/> | ||
Much less shall she that hath Love's wings to fly,<br/> | Much less shall she that hath Love's wings to fly,<br/> | ||
And when the flight is made to one so dear,<br/> | And when the flight is made to one so dear,<br/> | ||
Of such divine perfection, as Sir Proteus.<br/> | Of such divine perfection, as Sir Proteus.<br/> | ||
LUCETTA. Better forbear till Proteus make return.<br/> | LUCETTA. Better forbear till Proteus make return.<br/> | ||
JULIA. O, know'st thou not his looks are my soul's food?<br/> | JULIA. O, know'st thou not his looks are my soul's food?<br/> | ||
Pity the dearth that I have pined in<br/> | Pity the dearth that I have pined in<br/> | ||
By longing for that food so long a time.<br/> | By longing for that food so long a time.<br/> | ||
Didst thou but know the inly touch of love.<br/> | Didst thou but know the inly touch of love.<br/> | ||
Thou wouldst as soon go kindle fire with snow<br/> | Thou wouldst as soon go kindle fire with snow<br/> | ||
As seek to quench the fire of love with words.<br/> | As seek to quench the fire of love with words.<br/> | ||
LUCETTA. I do not seek to quench your love's hot fire,<br/> | LUCETTA. I do not seek to quench your love's hot fire,<br/> | ||
But qualify the fire's extreme rage,<br/> | But qualify the fire's extreme rage,<br/> | ||
Lest it should burn above the bounds of reason.<br/> | Lest it should burn above the bounds of reason.<br/> | ||
JULIA. The more thou dam'st it up, the more it burns.<br/> | JULIA. The more thou dam'st it up, the more it burns.<br/> | ||
The current that with gentle murmur glides,<br/> | The current that with gentle murmur glides,<br/> | ||
Thou know'st, being stopp'd, impatiently doth rage;<br/> | Thou know'st, being stopp'd, impatiently doth rage;<br/> | ||
But when his fair course is not hindered,<br/> | But when his fair course is not hindered,<br/> | ||
He makes sweet music with th' enamell'd stones,<br/> | He makes sweet music with th' enamell'd stones,<br/> | ||
Giving a gentle kiss to every sedge<br/> | Giving a gentle kiss to every sedge<br/> | ||
He overtaketh in his pilgrimage;<br/> | He overtaketh in his pilgrimage;<br/> | ||
And so by many winding nooks he strays,<br/> | And so by many winding nooks he strays,<br/> | ||
With willing sport, to the wild ocean.<br/> | With willing sport, to the wild ocean.<br/> | ||
Then let me go, and hinder not my course.<br/> | Then let me go, and hinder not my course.<br/> | ||
I'll be as patient as a gentle stream,<br/> | I'll be as patient as a gentle stream,<br/> | ||
And make a pastime of each weary step,<br/> | And make a pastime of each weary step,<br/> | ||
Till the last step have brought me to my love;<br/> | Till the last step have brought me to my love;<br/> | ||
And there I'll rest as, after much turmoil,<br/> | And there I'll rest as, after much turmoil,<br/> | ||
A blessed soul doth in Elysium.<br/> | A blessed soul doth in Elysium.<br/> | ||
LUCETTA. But in what habit will you go along?<br/> | LUCETTA. But in what habit will you go along?<br/> | ||
JULIA. Not like a woman, for I would prevent<br/> | JULIA. Not like a woman, for I would prevent<br/> | ||
The loose encounters of lascivious men;<br/> | The loose encounters of lascivious men;<br/> | ||
Gentle Lucetta, fit me with such weeds<br/> | Gentle Lucetta, fit me with such weeds<br/> | ||
As may beseem some well-reputed page.<br/> | As may beseem some well-reputed page.<br/> | ||
LUCETTA. Why then, your ladyship must cut your hair.<br/> | LUCETTA. Why then, your ladyship must cut your hair.<br/> | ||
JULIA. No, girl; I'll knit it up in silken strings<br/> | JULIA. No, girl; I'll knit it up in silken strings<br/> | ||
With twenty odd-conceited true-love knots-<br/> | With twenty odd-conceited true-love knots-<br/> | ||
To be fantastic may become a youth<br/> | To be fantastic may become a youth<br/> | ||
Of greater time than I shall show to be.<br/> | Of greater time than I shall show to be.<br/> | ||
LUCETTA. What fashion, madam, shall I make your breeches?<br/> | LUCETTA. What fashion, madam, shall I make your breeches?<br/> | ||
JULIA. That fits as well as 'Tell me, good my lord,<br/> | JULIA. That fits as well as 'Tell me, good my lord,<br/> | ||
What compass will you wear your farthingale.'<br/> | What compass will you wear your farthingale.'<br/> | ||
Why ev'n what fashion thou best likes, Lucetta.<br/> | Why ev'n what fashion thou best likes, Lucetta.<br/> | ||
LUCETTA. You must needs have them with a codpiece, madam.<br/> | LUCETTA. You must needs have them with a codpiece, madam.<br/> | ||
JULIA. Out, out, Lucetta, that will be ill-favour'd.<br/> | JULIA. Out, out, Lucetta, that will be ill-favour'd.<br/> | ||
LUCETTA. A round hose, madam, now's not worth a pin,<br/> | LUCETTA. A round hose, madam, now's not worth a pin,<br/> | ||
Unless you have a codpiece to stick pins on.<br/> | Unless you have a codpiece to stick pins on.<br/> | ||
JULIA. Lucetta, as thou lov'st me, let me have<br/> | JULIA. Lucetta, as thou lov'st me, let me have<br/> | ||
What thou think'st meet, and is most mannerly.<br/> | What thou think'st meet, and is most mannerly.<br/> | ||
But tell me, wench, how will the world repute me<br/> | But tell me, wench, how will the world repute me<br/> | ||
For undertaking so unstaid a journey?<br/> | For undertaking so unstaid a journey?<br/> | ||
I fear me it will make me scandaliz'd.<br/> | I fear me it will make me scandaliz'd.<br/> | ||
LUCETTA. If you think so, then stay at home and go not.<br/> | LUCETTA. If you think so, then stay at home and go not.<br/> | ||
JULIA. Nay, that I will not.<br/> | JULIA. Nay, that I will not.<br/> | ||
LUCETTA. Then never dream on infamy, but go.<br/> | LUCETTA. Then never dream on infamy, but go.<br/> | ||
If Proteus like your journey when you come,<br/> | If Proteus like your journey when you come,<br/> | ||
No matter who's displeas'd when you are gone.<br/> | No matter who's displeas'd when you are gone.<br/> | ||
I fear me he will scarce be pleas'd withal.<br/> | I fear me he will scarce be pleas'd withal.<br/> | ||
JULIA. That is the least, Lucetta, of my fear:<br/> | JULIA. That is the least, Lucetta, of my fear:<br/> | ||
A thousand oaths, an ocean of his tears,<br/> | A thousand oaths, an ocean of his tears,<br/> | ||
And instances of infinite of love,<br/> | And instances of infinite of love,<br/> | ||
Warrant me welcome to my Proteus.<br/> | Warrant me welcome to my Proteus.<br/> | ||
LUCETTA. All these are servants to deceitful men.<br/> | LUCETTA. All these are servants to deceitful men.<br/> | ||
JULIA. Base men that use them to so base effect!<br/> | JULIA. Base men that use them to so base effect!<br/> | ||
But truer stars did govern Proteus' birth;<br/> | But truer stars did govern Proteus' birth;<br/> | ||
His words are bonds, his oaths are oracles,<br/> | His words are bonds, his oaths are oracles,<br/> | ||
His love sincere, his thoughts immaculate,<br/> | His love sincere, his thoughts immaculate,<br/> | ||
His tears pure messengers sent from his heart,<br/> | His tears pure messengers sent from his heart,<br/> | ||
His heart as far from fraud as heaven from earth.<br/> | His heart as far from fraud as heaven from earth.<br/> | ||
LUCETTA. Pray heav'n he prove so when you come to him.<br/> | LUCETTA. Pray heav'n he prove so when you come to him.<br/> | ||
JULIA. Now, as thou lov'st me, do him not that wrong<br/> | JULIA. Now, as thou lov'st me, do him not that wrong<br/> | ||
To bear a hard opinion of his truth;<br/> | To bear a hard opinion of his truth;<br/> | ||
Only deserve my love by loving him.<br/> | Only deserve my love by loving him.<br/> | ||
And presently go with me to my chamber,<br/> | And presently go with me to my chamber,<br/> | ||
To take a note of what I stand in need of<br/> | To take a note of what I stand in need of<br/> | ||
To furnish me upon my longing journey.<br/> | To furnish me upon my longing journey.<br/> | ||
All that is mine I leave at thy dispose,<br/> | All that is mine I leave at thy dispose,<br/> | ||
My goods, my lands, my reputation;<br/> | My goods, my lands, my reputation;<br/> | ||
Only, in lieu thereof, dispatch me hence.<br/> | Only, in lieu thereof, dispatch me hence.<br/> | ||
Come, answer not, but to it presently;<br/> | Come, answer not, but to it presently;<br/> | ||
I am impatient of my tarriance. Exeunt<br/> | I am impatient of my tarriance. Exeunt<br/> | ||
</p> | </p> | ||
<h4>ACT III. SCENE I. | <h4>ACT III. SCENE I. | ||
Milan. The DUKE'S palace</h4> | Milan. The DUKE'S palace</h4> | ||
Line 1,159: | Line 2,198: | ||
<p> DUKE. Sir Thurio, give us leave, I pray, awhile;<br/> | <p> DUKE. Sir Thurio, give us leave, I pray, awhile;<br/> | ||
We have some secrets to confer about. Exit THURIO<br/> | We have some secrets to confer about. Exit THURIO<br/> | ||
Now tell me, Proteus, what's your will with me?<br/> | Now tell me, Proteus, what's your will with me?<br/> | ||
PROTEUS. My gracious lord, that which I would discover<br/> | PROTEUS. My gracious lord, that which I would discover<br/> | ||
The law of friendship bids me to conceal;<br/> | The law of friendship bids me to conceal;<br/> | ||
But, when I call to mind your gracious favours<br/> | But, when I call to mind your gracious favours<br/> | ||
Done to me, undeserving as I am,<br/> | Done to me, undeserving as I am,<br/> | ||
My duty pricks me on to utter that<br/> | My duty pricks me on to utter that<br/> | ||
Which else no worldly good should draw from me.<br/> | Which else no worldly good should draw from me.<br/> | ||
Know, worthy prince, Sir Valentine, my friend,<br/> | Know, worthy prince, Sir Valentine, my friend,<br/> | ||
This night intends to steal away your daughter;<br/> | This night intends to steal away your daughter;<br/> | ||
Myself am one made privy to the plot.<br/> | Myself am one made privy to the plot.<br/> | ||
I know you have determin'd to bestow her<br/> | I know you have determin'd to bestow her<br/> | ||
On Thurio, whom your gentle daughter hates;<br/> | On Thurio, whom your gentle daughter hates;<br/> | ||
And should she thus be stol'n away from you,<br/> | And should she thus be stol'n away from you,<br/> | ||
It would be much vexation to your age.<br/> | It would be much vexation to your age.<br/> | ||
Thus, for my duty's sake, I rather chose<br/> | Thus, for my duty's sake, I rather chose<br/> | ||
To cross my friend in his intended drift<br/> | To cross my friend in his intended drift<br/> | ||
Than, by concealing it, heap on your head<br/> | Than, by concealing it, heap on your head<br/> | ||
A pack of sorrows which would press you down,<br/> | A pack of sorrows which would press you down,<br/> | ||
Being unprevented, to your timeless grave.<br/> | Being unprevented, to your timeless grave.<br/> | ||
DUKE. Proteus, I thank thee for thine honest care,<br/> | DUKE. Proteus, I thank thee for thine honest care,<br/> | ||
Which to requite, command me while I live.<br/> | Which to requite, command me while I live.<br/> | ||
This love of theirs myself have often seen,<br/> | This love of theirs myself have often seen,<br/> | ||
Haply when they have judg'd me fast asleep,<br/> | Haply when they have judg'd me fast asleep,<br/> | ||
And oftentimes have purpos'd to forbid<br/> | And oftentimes have purpos'd to forbid<br/> | ||
Sir Valentine her company and my court;<br/> | Sir Valentine her company and my court;<br/> | ||
But, fearing lest my jealous aim might err<br/> | But, fearing lest my jealous aim might err<br/> | ||
And so, unworthily, disgrace the man,<br/> | And so, unworthily, disgrace the man,<br/> | ||
A rashness that I ever yet have shunn'd,<br/> | A rashness that I ever yet have shunn'd,<br/> | ||
I gave him gentle looks, thereby to find<br/> | I gave him gentle looks, thereby to find<br/> | ||
That which thyself hast now disclos'd to me.<br/> | That which thyself hast now disclos'd to me.<br/> | ||
And, that thou mayst perceive my fear of this,<br/> | And, that thou mayst perceive my fear of this,<br/> | ||
Knowing that tender youth is soon suggested,<br/> | Knowing that tender youth is soon suggested,<br/> | ||
I nightly lodge her in an upper tow'r,<br/> | I nightly lodge her in an upper tow'r,<br/> | ||
The key whereof myself have ever kept;<br/> | The key whereof myself have ever kept;<br/> | ||
And thence she cannot be convey'd away.<br/> | And thence she cannot be convey'd away.<br/> | ||
PROTEUS. Know, noble lord, they have devis'd a mean<br/> | PROTEUS. Know, noble lord, they have devis'd a mean<br/> | ||
How he her chamber window will ascend<br/> | How he her chamber window will ascend<br/> | ||
And with a corded ladder fetch her down;<br/> | And with a corded ladder fetch her down;<br/> | ||
For which the youthful lover now is gone,<br/> | For which the youthful lover now is gone,<br/> | ||
And this way comes he with it presently;<br/> | And this way comes he with it presently;<br/> | ||
Where, if it please you, you may intercept him.<br/> | Where, if it please you, you may intercept him.<br/> | ||
But, good my lord, do it so cunningly<br/> | But, good my lord, do it so cunningly<br/> | ||
That my discovery be not aimed at;<br/> | That my discovery be not aimed at;<br/> | ||
For love of you, not hate unto my friend,<br/> | For love of you, not hate unto my friend,<br/> | ||
Hath made me publisher of this pretence.<br/> | Hath made me publisher of this pretence.<br/> | ||
DUKE. Upon mine honour, he shall never know<br/> | DUKE. Upon mine honour, he shall never know<br/> | ||
That I had any light from thee of this.<br/> | That I had any light from thee of this.<br/> | ||
PROTEUS. Adieu, my lord; Sir Valentine is coming. Exit<br/> | PROTEUS. Adieu, my lord; Sir Valentine is coming. Exit<br/> | ||
</p> | </p> | ||
Line 1,213: | Line 2,302: | ||
<p> DUKE. Sir Valentine, whither away so fast?<br/> | <p> DUKE. Sir Valentine, whither away so fast?<br/> | ||
VALENTINE. Please it your Grace, there is a messenger<br/> | VALENTINE. Please it your Grace, there is a messenger<br/> | ||
That stays to bear my letters to my friends,<br/> | That stays to bear my letters to my friends,<br/> | ||
And I am going to deliver them.<br/> | And I am going to deliver them.<br/> | ||
DUKE. Be they of much import?<br/> | DUKE. Be they of much import?<br/> | ||
VALENTINE. The tenour of them doth but signify<br/> | VALENTINE. The tenour of them doth but signify<br/> | ||
My health and happy being at your court.<br/> | My health and happy being at your court.<br/> | ||
DUKE. Nay then, no matter; stay with me awhile;<br/> | DUKE. Nay then, no matter; stay with me awhile;<br/> | ||
I am to break with thee of some affairs<br/> | I am to break with thee of some affairs<br/> | ||
That touch me near, wherein thou must be secret.<br/> | That touch me near, wherein thou must be secret.<br/> | ||
'Tis not unknown to thee that I have sought<br/> | 'Tis not unknown to thee that I have sought<br/> | ||
To match my friend Sir Thurio to my daughter.<br/> | To match my friend Sir Thurio to my daughter.<br/> | ||
VALENTINE. I know it well, my lord; and, sure, the match<br/> | VALENTINE. I know it well, my lord; and, sure, the match<br/> | ||
Were rich and honourable; besides, the gentleman<br/> | Were rich and honourable; besides, the gentleman<br/> | ||
Is full of virtue, bounty, worth, and qualities<br/> | Is full of virtue, bounty, worth, and qualities<br/> | ||
Beseeming such a wife as your fair daughter.<br/> | Beseeming such a wife as your fair daughter.<br/> | ||
Cannot your grace win her to fancy him?<br/> | Cannot your grace win her to fancy him?<br/> | ||
DUKE. No, trust me; she is peevish, sullen, froward,<br/> | DUKE. No, trust me; she is peevish, sullen, froward,<br/> | ||
Proud, disobedient, stubborn, lacking duty;<br/> | Proud, disobedient, stubborn, lacking duty;<br/> | ||
Neither regarding that she is my child<br/> | Neither regarding that she is my child<br/> | ||
Nor fearing me as if I were her father;<br/> | Nor fearing me as if I were her father;<br/> | ||
And, may I say to thee, this pride of hers,<br/> | And, may I say to thee, this pride of hers,<br/> | ||
Upon advice, hath drawn my love from her;<br/> | Upon advice, hath drawn my love from her;<br/> | ||
And, where I thought the remnant of mine age<br/> | And, where I thought the remnant of mine age<br/> | ||
Should have been cherish'd by her childlike duty,<br/> | Should have been cherish'd by her childlike duty,<br/> | ||
I now am full resolv'd to take a wife<br/> | I now am full resolv'd to take a wife<br/> | ||
And turn her out to who will take her in.<br/> | And turn her out to who will take her in.<br/> | ||
Then let her beauty be her wedding-dow'r;<br/> | Then let her beauty be her wedding-dow'r;<br/> | ||
For me and my possessions she esteems not.<br/> | For me and my possessions she esteems not.<br/> | ||
VALENTINE. What would your Grace have me to do in this?<br/> | VALENTINE. What would your Grace have me to do in this?<br/> | ||
DUKE. There is a lady, in Verona here,<br/> | DUKE. There is a lady, in Verona here,<br/> | ||
Whom I affect; but she is nice, and coy,<br/> | Whom I affect; but she is nice, and coy,<br/> | ||
And nought esteems my aged eloquence.<br/> | And nought esteems my aged eloquence.<br/> | ||
Now, therefore, would I have thee to my tutor-<br/> | Now, therefore, would I have thee to my tutor-<br/> | ||
For long agone I have forgot to court;<br/> | For long agone I have forgot to court;<br/> | ||
Besides, the fashion of the time is chang'd-<br/> | Besides, the fashion of the time is chang'd-<br/> | ||
How and which way I may bestow myself<br/> | How and which way I may bestow myself<br/> | ||
To be regarded in her sun-bright eye.<br/> | To be regarded in her sun-bright eye.<br/> | ||
VALENTINE. Win her with gifts, if she respect not words:<br/> | VALENTINE. Win her with gifts, if she respect not words:<br/> | ||
Dumb jewels often in their silent kind<br/> | Dumb jewels often in their silent kind<br/> | ||
More than quick words do move a woman's mind.<br/> | More than quick words do move a woman's mind.<br/> | ||
DUKE. But she did scorn a present that I sent her.<br/> | DUKE. But she did scorn a present that I sent her.<br/> | ||
VALENTINE. A woman sometime scorns what best contents her.<br/> | VALENTINE. A woman sometime scorns what best contents her.<br/> | ||
Send her another; never give her o'er,<br/> | Send her another; never give her o'er,<br/> | ||
For scorn at first makes after-love the more.<br/> | For scorn at first makes after-love the more.<br/> | ||
If she do frown, 'tis not in hate of you,<br/> | If she do frown, 'tis not in hate of you,<br/> | ||
But rather to beget more love in you;<br/> | But rather to beget more love in you;<br/> | ||
If she do chide, 'tis not to have you gone,<br/> | If she do chide, 'tis not to have you gone,<br/> | ||
For why, the fools are mad if left alone.<br/> | For why, the fools are mad if left alone.<br/> | ||
Take no repulse, whatever she doth say;<br/> | Take no repulse, whatever she doth say;<br/> | ||
For 'Get you gone' she doth not mean 'Away!'<br/> | For 'Get you gone' she doth not mean 'Away!'<br/> | ||
Flatter and praise, commend, extol their graces;<br/> | Flatter and praise, commend, extol their graces;<br/> | ||
Though ne'er so black, say they have angels' faces.<br/> | Though ne'er so black, say they have angels' faces.<br/> | ||
That man that hath a tongue, I say, is no man,<br/> | That man that hath a tongue, I say, is no man,<br/> | ||
If with his tongue he cannot win a woman.<br/> | If with his tongue he cannot win a woman.<br/> | ||
DUKE. But she I mean is promis'd by her friends<br/> | DUKE. But she I mean is promis'd by her friends<br/> | ||
Unto a youthful gentleman of worth;<br/> | Unto a youthful gentleman of worth;<br/> | ||
And kept severely from resort of men,<br/> | And kept severely from resort of men,<br/> | ||
That no man hath access by day to her.<br/> | That no man hath access by day to her.<br/> | ||
VALENTINE. Why then I would resort to her by night.<br/> | VALENTINE. Why then I would resort to her by night.<br/> | ||
DUKE. Ay, but the doors be lock'd and keys kept safe,<br/> | DUKE. Ay, but the doors be lock'd and keys kept safe,<br/> | ||
That no man hath recourse to her by night.<br/> | That no man hath recourse to her by night.<br/> | ||
VALENTINE. What lets but one may enter at her window?<br/> | VALENTINE. What lets but one may enter at her window?<br/> | ||
DUKE. Her chamber is aloft, far from the ground,<br/> | DUKE. Her chamber is aloft, far from the ground,<br/> | ||
And built so shelving that one cannot climb it<br/> | And built so shelving that one cannot climb it<br/> | ||
Without apparent hazard of his life.<br/> | Without apparent hazard of his life.<br/> | ||
VALENTINE. Why then a ladder, quaintly made of cords,<br/> | VALENTINE. Why then a ladder, quaintly made of cords,<br/> | ||
To cast up with a pair of anchoring hooks,<br/> | To cast up with a pair of anchoring hooks,<br/> | ||
Would serve to scale another Hero's tow'r,<br/> | Would serve to scale another Hero's tow'r,<br/> | ||
So bold Leander would adventure it.<br/> | So bold Leander would adventure it.<br/> | ||
DUKE. Now, as thou art a gentleman of blood,<br/> | DUKE. Now, as thou art a gentleman of blood,<br/> | ||
Advise me where I may have such a ladder.<br/> | Advise me where I may have such a ladder.<br/> | ||
VALENTINE. When would you use it? Pray, sir, tell me that.<br/> | VALENTINE. When would you use it? Pray, sir, tell me that.<br/> | ||
DUKE. This very night; for Love is like a child,<br/> | DUKE. This very night; for Love is like a child,<br/> | ||
That longs for everything that he can come by.<br/> | That longs for everything that he can come by.<br/> | ||
VALENTINE. By seven o'clock I'll get you such a ladder.<br/> | VALENTINE. By seven o'clock I'll get you such a ladder.<br/> | ||
DUKE. But, hark thee; I will go to her alone;<br/> | DUKE. But, hark thee; I will go to her alone;<br/> | ||
How shall I best convey the ladder thither?<br/> | How shall I best convey the ladder thither?<br/> | ||
VALENTINE. It will be light, my lord, that you may bear it<br/> | VALENTINE. It will be light, my lord, that you may bear it<br/> | ||
Under a cloak that is of any length.<br/> | Under a cloak that is of any length.<br/> | ||
DUKE. A cloak as long as thine will serve the turn?<br/> | DUKE. A cloak as long as thine will serve the turn?<br/> | ||
VALENTINE. Ay, my good lord.<br/> | VALENTINE. Ay, my good lord.<br/> | ||
DUKE. Then let me see thy cloak.<br/> | DUKE. Then let me see thy cloak.<br/> | ||
I'll get me one of such another length.<br/> | I'll get me one of such another length.<br/> | ||
VALENTINE. Why, any cloak will serve the turn, my lord.<br/> | VALENTINE. Why, any cloak will serve the turn, my lord.<br/> | ||
DUKE. How shall I fashion me to wear a cloak?<br/> | DUKE. How shall I fashion me to wear a cloak?<br/> | ||
I pray thee, let me feel thy cloak upon me.<br/> | I pray thee, let me feel thy cloak upon me.<br/> | ||
What letter is this same? What's here? 'To Silvia'!<br/> | What letter is this same? What's here? 'To Silvia'!<br/> | ||
And here an engine fit for my proceeding!<br/> | And here an engine fit for my proceeding!<br/> | ||
I'll be so bold to break the seal for once. [Reads]<br/> | I'll be so bold to break the seal for once. [Reads]<br/> | ||
'My thoughts do harbour with my Silvia nightly,<br/> | 'My thoughts do harbour with my Silvia nightly,<br/> | ||
And slaves they are to me, that send them flying.<br/> | And slaves they are to me, that send them flying.<br/> | ||
O, could their master come and go as lightly,<br/> | O, could their master come and go as lightly,<br/> | ||
Himself would lodge where, senseless, they are lying!<br/> | Himself would lodge where, senseless, they are lying!<br/> | ||
My herald thoughts in thy pure bosom rest them,<br/> | My herald thoughts in thy pure bosom rest them,<br/> | ||
While I, their king, that thither them importune,<br/> | While I, their king, that thither them importune,<br/> | ||
Do curse the grace that with such grace hath blest them,<br/> | Do curse the grace that with such grace hath blest them,<br/> | ||
Because myself do want my servants' fortune.<br/> | Because myself do want my servants' fortune.<br/> | ||
I curse myself, for they are sent by me,<br/> | I curse myself, for they are sent by me,<br/> | ||
That they should harbour where their lord should be.'<br/> | That they should harbour where their lord should be.'<br/> | ||
What's here?<br/> | What's here?<br/> | ||
'Silvia, this night I will enfranchise thee.'<br/> | 'Silvia, this night I will enfranchise thee.'<br/> | ||
'Tis so; and here's the ladder for the purpose.<br/> | 'Tis so; and here's the ladder for the purpose.<br/> | ||
Why, Phaethon- for thou art Merops' son-<br/> | Why, Phaethon- for thou art Merops' son-<br/> | ||
Wilt thou aspire to guide the heavenly car,<br/> | Wilt thou aspire to guide the heavenly car,<br/> | ||
And with thy daring folly burn the world?<br/> | And with thy daring folly burn the world?<br/> | ||
Wilt thou reach stars because they shine on thee?<br/> | Wilt thou reach stars because they shine on thee?<br/> | ||
Go, base intruder, over-weening slave,<br/> | Go, base intruder, over-weening slave,<br/> | ||
Bestow thy fawning smiles on equal mates;<br/> | Bestow thy fawning smiles on equal mates;<br/> | ||
And think my patience, more than thy desert,<br/> | And think my patience, more than thy desert,<br/> | ||
Is privilege for thy departure hence.<br/> | Is privilege for thy departure hence.<br/> | ||
Thank me for this more than for all the favours<br/> | Thank me for this more than for all the favours<br/> | ||
Which, all too much, I have bestow'd on thee.<br/> | Which, all too much, I have bestow'd on thee.<br/> | ||
But if thou linger in my territories<br/> | But if thou linger in my territories<br/> | ||
Longer than swiftest expedition<br/> | Longer than swiftest expedition<br/> | ||
Will give thee time to leave our royal court,<br/> | Will give thee time to leave our royal court,<br/> | ||
By heaven! my wrath shall far exceed the love<br/> | By heaven! my wrath shall far exceed the love<br/> | ||
I ever bore my daughter or thyself.<br/> | I ever bore my daughter or thyself.<br/> | ||
Be gone; I will not hear thy vain excuse,<br/> | Be gone; I will not hear thy vain excuse,<br/> | ||
But, as thou lov'st thy life, make speed from hence. Exit<br/> | But, as thou lov'st thy life, make speed from hence. Exit<br/> | ||
VALENTINE. And why not death rather than living torment?<br/> | VALENTINE. And why not death rather than living torment?<br/> | ||
To die is to be banish'd from myself,<br/> | To die is to be banish'd from myself,<br/> | ||
And Silvia is myself; banish'd from her<br/> | And Silvia is myself; banish'd from her<br/> | ||
Is self from self, a deadly banishment.<br/> | Is self from self, a deadly banishment.<br/> | ||
What light is light, if Silvia be not seen?<br/> | What light is light, if Silvia be not seen?<br/> | ||
What joy is joy, if Silvia be not by?<br/> | What joy is joy, if Silvia be not by?<br/> | ||
Unless it be to think that she is by,<br/> | Unless it be to think that she is by,<br/> | ||
And feed upon the shadow of perfection.<br/> | And feed upon the shadow of perfection.<br/> | ||
Except I be by Silvia in the night,<br/> | Except I be by Silvia in the night,<br/> | ||
There is no music in the nightingale;<br/> | There is no music in the nightingale;<br/> | ||
Unless I look on Silvia in the day,<br/> | Unless I look on Silvia in the day,<br/> | ||
There is no day for me to look upon.<br/> | There is no day for me to look upon.<br/> | ||
She is my essence, and I leave to be<br/> | She is my essence, and I leave to be<br/> | ||
If I be not by her fair influence<br/> | If I be not by her fair influence<br/> | ||
Foster'd, illumin'd, cherish'd, kept alive.<br/> | Foster'd, illumin'd, cherish'd, kept alive.<br/> | ||
I fly not death, to fly his deadly doom:<br/> | I fly not death, to fly his deadly doom:<br/> | ||
Tarry I here, I but attend on death;<br/> | Tarry I here, I but attend on death;<br/> | ||
But fly I hence, I fly away from life.<br/> | But fly I hence, I fly away from life.<br/> | ||
</p> | </p> | ||
Line 1,355: | Line 2,582: | ||
<p> PROTEUS. Run, boy, run, run, seek him out.<br/> | <p> PROTEUS. Run, boy, run, run, seek him out.<br/> | ||
LAUNCE. So-ho, so-ho!<br/> | LAUNCE. So-ho, so-ho!<br/> | ||
PROTEUS. What seest thou?<br/> | PROTEUS. What seest thou?<br/> | ||
LAUNCE. Him we go to find: there's not a hair on 's head but 'tis a<br/> | LAUNCE. Him we go to find: there's not a hair on 's head but 'tis a<br/> | ||
Valentine.<br/> | Valentine.<br/> | ||
PROTEUS. Valentine?<br/> | PROTEUS. Valentine?<br/> | ||
VALENTINE. No.<br/> | VALENTINE. No.<br/> | ||
PROTEUS. Who then? his spirit?<br/> | PROTEUS. Who then? his spirit?<br/> | ||
VALENTINE. Neither.<br/> | VALENTINE. Neither.<br/> | ||
PROTEUS. What then?<br/> | PROTEUS. What then?<br/> | ||
VALENTINE. Nothing.<br/> | VALENTINE. Nothing.<br/> | ||
LAUNCE. Can nothing speak? Master, shall I strike?<br/> | LAUNCE. Can nothing speak? Master, shall I strike?<br/> | ||
PROTEUS. Who wouldst thou strike?<br/> | PROTEUS. Who wouldst thou strike?<br/> | ||
LAUNCE. Nothing.<br/> | LAUNCE. Nothing.<br/> | ||
PROTEUS. Villain, forbear.<br/> | PROTEUS. Villain, forbear.<br/> | ||
LAUNCE. Why, sir, I'll strike nothing. I pray you-<br/> | LAUNCE. Why, sir, I'll strike nothing. I pray you-<br/> | ||
PROTEUS. Sirrah, I say, forbear. Friend Valentine, a word.<br/> | PROTEUS. Sirrah, I say, forbear. Friend Valentine, a word.<br/> | ||
VALENTINE. My ears are stopp'd and cannot hear good news,<br/> | VALENTINE. My ears are stopp'd and cannot hear good news,<br/> | ||
So much of bad already hath possess'd them.<br/> | So much of bad already hath possess'd them.<br/> | ||
PROTEUS. Then in dumb silence will I bury mine,<br/> | PROTEUS. Then in dumb silence will I bury mine,<br/> | ||
For they are harsh, untuneable, and bad.<br/> | For they are harsh, untuneable, and bad.<br/> | ||
VALENTINE. Is Silvia dead?<br/> | VALENTINE. Is Silvia dead?<br/> | ||
PROTEUS. No, Valentine.<br/> | PROTEUS. No, Valentine.<br/> | ||
VALENTINE. No Valentine, indeed, for sacred Silvia.<br/> | VALENTINE. No Valentine, indeed, for sacred Silvia.<br/> | ||
Hath she forsworn me?<br/> | Hath she forsworn me?<br/> | ||
PROTEUS. No, Valentine.<br/> | PROTEUS. No, Valentine.<br/> | ||
VALENTINE. No Valentine, if Silvia have forsworn me.<br/> | VALENTINE. No Valentine, if Silvia have forsworn me.<br/> | ||
What is your news?<br/> | What is your news?<br/> | ||
LAUNCE. Sir, there is a proclamation that you are vanished.<br/> | LAUNCE. Sir, there is a proclamation that you are vanished.<br/> | ||
PROTEUS. That thou art banished- O, that's the news!-<br/> | PROTEUS. That thou art banished- O, that's the news!-<br/> | ||
From hence, from Silvia, and from me thy friend.<br/> | From hence, from Silvia, and from me thy friend.<br/> | ||
VALENTINE. O, I have fed upon this woe already,<br/> | VALENTINE. O, I have fed upon this woe already,<br/> | ||
And now excess of it will make me surfeit.<br/> | And now excess of it will make me surfeit.<br/> | ||
Doth Silvia know that I am banished?<br/> | Doth Silvia know that I am banished?<br/> | ||
PROTEUS. Ay, ay; and she hath offered to the doom-<br/> | PROTEUS. Ay, ay; and she hath offered to the doom-<br/> | ||
Which, unrevers'd, stands in effectual force-<br/> | Which, unrevers'd, stands in effectual force-<br/> | ||
A sea of melting pearl, which some call tears;<br/> | A sea of melting pearl, which some call tears;<br/> | ||
Those at her father's churlish feet she tender'd;<br/> | Those at her father's churlish feet she tender'd;<br/> | ||
With them, upon her knees, her humble self,<br/> | With them, upon her knees, her humble self,<br/> | ||
Wringing her hands, whose whiteness so became them<br/> | Wringing her hands, whose whiteness so became them<br/> | ||
As if but now they waxed pale for woe.<br/> | As if but now they waxed pale for woe.<br/> | ||
But neither bended knees, pure hands held up,<br/> | But neither bended knees, pure hands held up,<br/> | ||
Sad sighs, deep groans, nor silver-shedding tears,<br/> | Sad sighs, deep groans, nor silver-shedding tears,<br/> | ||
Could penetrate her uncompassionate sire-<br/> | Could penetrate her uncompassionate sire-<br/> | ||
But Valentine, if he be ta'en, must die.<br/> | But Valentine, if he be ta'en, must die.<br/> | ||
Besides, her intercession chaf'd him so,<br/> | Besides, her intercession chaf'd him so,<br/> | ||
When she for thy repeal was suppliant,<br/> | When she for thy repeal was suppliant,<br/> | ||
That to close prison he commanded her,<br/> | That to close prison he commanded her,<br/> | ||
With many bitter threats of biding there.<br/> | With many bitter threats of biding there.<br/> | ||
VALENTINE. No more; unless the next word that thou speak'st<br/> | VALENTINE. No more; unless the next word that thou speak'st<br/> | ||
Have some malignant power upon my life:<br/> | Have some malignant power upon my life:<br/> | ||
If so, I pray thee breathe it in mine ear,<br/> | If so, I pray thee breathe it in mine ear,<br/> | ||
As ending anthem of my endless dolour.<br/> | As ending anthem of my endless dolour.<br/> | ||
PROTEUS. Cease to lament for that thou canst not help,<br/> | PROTEUS. Cease to lament for that thou canst not help,<br/> | ||
And study help for that which thou lament'st.<br/> | And study help for that which thou lament'st.<br/> | ||
Time is the nurse and breeder of all good.<br/> | Time is the nurse and breeder of all good.<br/> | ||
Here if thou stay thou canst not see thy love;<br/> | Here if thou stay thou canst not see thy love;<br/> | ||
Besides, thy staying will abridge thy life.<br/> | Besides, thy staying will abridge thy life.<br/> | ||
Hope is a lover's staff; walk hence with that,<br/> | Hope is a lover's staff; walk hence with that,<br/> | ||
And manage it against despairing thoughts.<br/> | And manage it against despairing thoughts.<br/> | ||
Thy letters may be here, though thou art hence,<br/> | Thy letters may be here, though thou art hence,<br/> | ||
Which, being writ to me, shall be deliver'd<br/> | Which, being writ to me, shall be deliver'd<br/> | ||
Even in the milk-white bosom of thy love.<br/> | Even in the milk-white bosom of thy love.<br/> | ||
The time now serves not to expostulate.<br/> | The time now serves not to expostulate.<br/> | ||
Come, I'll convey thee through the city gate;<br/> | Come, I'll convey thee through the city gate;<br/> | ||
And, ere I part with thee, confer at large<br/> | And, ere I part with thee, confer at large<br/> | ||
Of all that may concern thy love affairs.<br/> | Of all that may concern thy love affairs.<br/> | ||
As thou lov'st Silvia, though not for thyself,<br/> | As thou lov'st Silvia, though not for thyself,<br/> | ||
Regard thy danger, and along with me.<br/> | Regard thy danger, and along with me.<br/> | ||
VALENTINE. I pray thee, Launce, an if thou seest my boy,<br/> | VALENTINE. I pray thee, Launce, an if thou seest my boy,<br/> | ||
Bid him make haste and meet me at the Northgate.<br/> | Bid him make haste and meet me at the Northgate.<br/> | ||
PROTEUS. Go, sirrah, find him out. Come, Valentine.<br/> | PROTEUS. Go, sirrah, find him out. Come, Valentine.<br/> | ||
VALENTINE. O my dear Silvia! Hapless Valentine!<br/> | VALENTINE. O my dear Silvia! Hapless Valentine!<br/> | ||
Exeunt VALENTINE and PROTEUS<br/> | Exeunt VALENTINE and PROTEUS<br/> | ||
LAUNCE. I am but a fool, look you, and yet I have the wit to think<br/> | LAUNCE. I am but a fool, look you, and yet I have the wit to think<br/> | ||
my master is a kind of a knave; but that's all one if he be but<br/> | my master is a kind of a knave; but that's all one if he be but<br/> | ||
one knave. He lives not now that knows me to be in love; yet I am<br/> | one knave. He lives not now that knows me to be in love; yet I am<br/> | ||
in love; but a team of horse shall not pluck that from me; nor<br/> | in love; but a team of horse shall not pluck that from me; nor<br/> | ||
who 'tis I love; and yet 'tis a woman; but what woman I will not<br/> | who 'tis I love; and yet 'tis a woman; but what woman I will not<br/> | ||
tell myself; and yet 'tis a milkmaid; yet 'tis not a maid, for<br/> | tell myself; and yet 'tis a milkmaid; yet 'tis not a maid, for<br/> | ||
she hath had gossips; yet 'tis a maid, for she is her master's<br/> | she hath had gossips; yet 'tis a maid, for she is her master's<br/> | ||
maid and serves for wages. She hath more qualities than a<br/> | maid and serves for wages. She hath more qualities than a<br/> | ||
water-spaniel- which is much in a bare Christian. Here is the<br/> | water-spaniel- which is much in a bare Christian. Here is the<br/> | ||
cate-log [Pulling out a paper] of her condition. 'Inprimis: She<br/> | cate-log [Pulling out a paper] of her condition. 'Inprimis: She<br/> | ||
can fetch and carry.' Why, a horse can do no more; nay, a horse<br/> | can fetch and carry.' Why, a horse can do no more; nay, a horse<br/> | ||
cannot fetch, but only carry; therefore is she better than a<br/> | cannot fetch, but only carry; therefore is she better than a<br/> | ||
jade. 'Item: She can milk.' Look you, a sweet virtue in a maid<br/> | jade. 'Item: She can milk.' Look you, a sweet virtue in a maid<br/> | ||
with clean hands.<br/> | with clean hands.<br/> | ||
</p> | </p> | ||
Line 1,447: | Line 2,762: | ||
<p> SPEED. How now, Signior Launce! What news with your mastership?<br/> | <p> SPEED. How now, Signior Launce! What news with your mastership?<br/> | ||
LAUNCE. With my master's ship? Why, it is at sea.<br/> | LAUNCE. With my master's ship? Why, it is at sea.<br/> | ||
SPEED. Well, your old vice still: mistake the word. What news,<br/> | SPEED. Well, your old vice still: mistake the word. What news,<br/> | ||
then, in your paper?<br/> | then, in your paper?<br/> | ||
LAUNCE. The black'st news that ever thou heard'st.<br/> | LAUNCE. The black'st news that ever thou heard'st.<br/> | ||
SPEED. Why, man? how black?<br/> | SPEED. Why, man? how black?<br/> | ||
LAUNCE. Why, as black as ink.<br/> | LAUNCE. Why, as black as ink.<br/> | ||
SPEED. Let me read them.<br/> | SPEED. Let me read them.<br/> | ||
LAUNCE. Fie on thee, jolt-head; thou canst not read.<br/> | LAUNCE. Fie on thee, jolt-head; thou canst not read.<br/> | ||
SPEED. Thou liest; I can.<br/> | SPEED. Thou liest; I can.<br/> | ||
LAUNCE. I will try thee. Tell me this: Who begot thee?<br/> | LAUNCE. I will try thee. Tell me this: Who begot thee?<br/> | ||
SPEED. Marry, the son of my grandfather.<br/> | SPEED. Marry, the son of my grandfather.<br/> | ||
LAUNCE. O illiterate loiterer. It was the son of thy grandmother.<br/> | LAUNCE. O illiterate loiterer. It was the son of thy grandmother.<br/> | ||
This proves that thou canst not read.<br/> | This proves that thou canst not read.<br/> | ||
SPEED. Come, fool, come; try me in thy paper.<br/> | SPEED. Come, fool, come; try me in thy paper.<br/> | ||
LAUNCE. [Handing over the paper] There; and Saint Nicholas be thy<br/> | LAUNCE. [Handing over the paper] There; and Saint Nicholas be thy<br/> | ||
speed.<br/> | speed.<br/> | ||
SPEED. [Reads] 'Inprimis: She can milk.'<br/> | SPEED. [Reads] 'Inprimis: She can milk.'<br/> | ||
LAUNCE. Ay, that she can.<br/> | LAUNCE. Ay, that she can.<br/> | ||
SPEED. 'Item: She brews good ale.'<br/> | SPEED. 'Item: She brews good ale.'<br/> | ||
LAUNCE. And thereof comes the proverb: Blessing of your heart, you<br/> | LAUNCE. And thereof comes the proverb: Blessing of your heart, you<br/> | ||
brew good ale.<br/> | brew good ale.<br/> | ||
SPEED. 'Item: She can sew.'<br/> | SPEED. 'Item: She can sew.'<br/> | ||
LAUNCE. That's as much as to say 'Can she so?'<br/> | LAUNCE. That's as much as to say 'Can she so?'<br/> | ||
SPEED. 'Item: She can knit.'<br/> | SPEED. 'Item: She can knit.'<br/> | ||
LAUNCE. What need a man care for a stock with a wench, when she can<br/> | LAUNCE. What need a man care for a stock with a wench, when she can<br/> | ||
knit him a stock.<br/> | knit him a stock.<br/> | ||
SPEED. 'Item: She can wash and scour.'<br/> | SPEED. 'Item: She can wash and scour.'<br/> | ||
LAUNCE. A special virtue; for then she need not be wash'd and<br/> | LAUNCE. A special virtue; for then she need not be wash'd and<br/> | ||
scour'd.<br/> | scour'd.<br/> | ||
SPEED. 'Item: She can spin.'<br/> | SPEED. 'Item: She can spin.'<br/> | ||
LAUNCE. Then may I set the world on wheels, when she can spin for<br/> | LAUNCE. Then may I set the world on wheels, when she can spin for<br/> | ||
her living.<br/> | her living.<br/> | ||
SPEED. 'Item: She hath many nameless virtues.'<br/> | SPEED. 'Item: She hath many nameless virtues.'<br/> | ||
LAUNCE. That's as much as to say 'bastard virtues'; that indeed<br/> | LAUNCE. That's as much as to say 'bastard virtues'; that indeed<br/> | ||
know not their fathers, and therefore have no names.<br/> | know not their fathers, and therefore have no names.<br/> | ||
SPEED. 'Here follow her vices.'<br/> | SPEED. 'Here follow her vices.'<br/> | ||
LAUNCE. Close at the heels of her virtues.<br/> | LAUNCE. Close at the heels of her virtues.<br/> | ||
SPEED. 'Item: She is not to be kiss'd fasting, in respect of her<br/> | SPEED. 'Item: She is not to be kiss'd fasting, in respect of her<br/> | ||
breath.'<br/> | breath.'<br/> | ||
LAUNCE. Well, that fault may be mended with a breakfast.<br/> | LAUNCE. Well, that fault may be mended with a breakfast.<br/> | ||
Read on.<br/> | Read on.<br/> | ||
SPEED. 'Item: She hath a sweet mouth.'<br/> | SPEED. 'Item: She hath a sweet mouth.'<br/> | ||
LAUNCE. That makes amends for her sour breath.<br/> | LAUNCE. That makes amends for her sour breath.<br/> | ||
SPEED. 'Item: She doth talk in her sleep.'<br/> | SPEED. 'Item: She doth talk in her sleep.'<br/> | ||
LAUNCE. It's no matter for that, so she sleep not in her talk.<br/> | LAUNCE. It's no matter for that, so she sleep not in her talk.<br/> | ||
SPEED. 'Item: She is slow in words.'<br/> | SPEED. 'Item: She is slow in words.'<br/> | ||
LAUNCE. O villain, that set this down among her vices! To be slow<br/> | LAUNCE. O villain, that set this down among her vices! To be slow<br/> | ||
in words is a woman's only virtue. I pray thee, out with't; and<br/> | in words is a woman's only virtue. I pray thee, out with't; and<br/> | ||
place it for her chief virtue.<br/> | place it for her chief virtue.<br/> | ||
SPEED. 'Item: She is proud.'<br/> | SPEED. 'Item: She is proud.'<br/> | ||
LAUNCE. Out with that too; it was Eve's legacy, and cannot be ta'en<br/> | LAUNCE. Out with that too; it was Eve's legacy, and cannot be ta'en<br/> | ||
from her.<br/> | from her.<br/> | ||
SPEED. 'Item: She hath no teeth.'<br/> | SPEED. 'Item: She hath no teeth.'<br/> | ||
LAUNCE. I care not for that neither, because I love crusts.<br/> | LAUNCE. I care not for that neither, because I love crusts.<br/> | ||
SPEED. 'Item: She is curst.'<br/> | SPEED. 'Item: She is curst.'<br/> | ||
LAUNCE. Well, the best is, she hath no teeth to bite.<br/> | LAUNCE. Well, the best is, she hath no teeth to bite.<br/> | ||
SPEED. 'Item: She will often praise her liquor.'<br/> | SPEED. 'Item: She will often praise her liquor.'<br/> | ||
LAUNCE. If her liquor be good, she shall; if she will not, I will;<br/> | LAUNCE. If her liquor be good, she shall; if she will not, I will;<br/> | ||
for good things should be praised.<br/> | for good things should be praised.<br/> | ||
SPEED. 'Item: She is too liberal.'<br/> | SPEED. 'Item: She is too liberal.'<br/> | ||
LAUNCE. Of her tongue she cannot, for that's writ down she is slow<br/> | LAUNCE. Of her tongue she cannot, for that's writ down she is slow<br/> | ||
of; of her purse she shall not, for that I'll keep shut. Now of<br/> | of; of her purse she shall not, for that I'll keep shut. Now of<br/> | ||
another thing she may, and that cannot I help. Well, proceed.<br/> | another thing she may, and that cannot I help. Well, proceed.<br/> | ||
SPEED. 'Item: She hath more hair than wit, and more faults<br/> | SPEED. 'Item: She hath more hair than wit, and more faults<br/> | ||
than hairs, and more wealth than faults.'<br/> | than hairs, and more wealth than faults.'<br/> | ||
LAUNCE. Stop there; I'll have her; she was mine, and not mine,<br/> | LAUNCE. Stop there; I'll have her; she was mine, and not mine,<br/> | ||
twice or thrice in that last article. Rehearse that once more.<br/> | twice or thrice in that last article. Rehearse that once more.<br/> | ||
SPEED. 'Item: She hath more hair than wit'-<br/> | SPEED. 'Item: She hath more hair than wit'-<br/> | ||
LAUNCE. More hair than wit. It may be; I'll prove it: the cover of<br/> | LAUNCE. More hair than wit. It may be; I'll prove it: the cover of<br/> | ||
the salt hides the salt, and therefore it is more than the salt;<br/> | the salt hides the salt, and therefore it is more than the salt;<br/> | ||
the hair that covers the wit is more than the wit, for the<br/> | the hair that covers the wit is more than the wit, for the<br/> | ||
greater hides the less. What's next?<br/> | greater hides the less. What's next?<br/> | ||
SPEED. 'And more faults than hairs'-<br/> | SPEED. 'And more faults than hairs'-<br/> | ||
LAUNCE. That's monstrous. O that that were out!<br/> | LAUNCE. That's monstrous. O that that were out!<br/> | ||
SPEED. 'And more wealth than faults.'<br/> | SPEED. 'And more wealth than faults.'<br/> | ||
LAUNCE. Why, that word makes the faults gracious. Well, I'll have<br/> | LAUNCE. Why, that word makes the faults gracious. Well, I'll have<br/> | ||
her; an if it be a match, as nothing is impossible-<br/> | her; an if it be a match, as nothing is impossible-<br/> | ||
SPEED. What then?<br/> | SPEED. What then?<br/> | ||
LAUNCE. Why, then will I tell thee- that thy master stays for thee<br/> | LAUNCE. Why, then will I tell thee- that thy master stays for thee<br/> | ||
at the Northgate.<br/> | at the Northgate.<br/> | ||
SPEED. For me?<br/> | SPEED. For me?<br/> | ||
LAUNCE. For thee! ay, who art thou? He hath stay'd for a better man<br/> | LAUNCE. For thee! ay, who art thou? He hath stay'd for a better man<br/> | ||
than thee.<br/> | than thee.<br/> | ||
SPEED. And must I go to him?<br/> | SPEED. And must I go to him?<br/> | ||
LAUNCE. Thou must run to him, for thou hast stay'd so long that<br/> | LAUNCE. Thou must run to him, for thou hast stay'd so long that<br/> | ||
going will scarce serve the turn.<br/> | going will scarce serve the turn.<br/> | ||
SPEED. Why didst not tell me sooner? Pox of your love letters!<br/> | SPEED. Why didst not tell me sooner? Pox of your love letters!<br/> | ||
Exit<br/> | Exit<br/> | ||
LAUNCE. Now will he be swing'd for reading my letter. An unmannerly<br/> | LAUNCE. Now will he be swing'd for reading my letter. An unmannerly<br/> | ||
slave that will thrust himself into secrets! I'll after, to<br/> | slave that will thrust himself into secrets! I'll after, to<br/> | ||
rejoice in the boy's correction. Exit<br/> | rejoice in the boy's correction. Exit<br/> | ||
</p> | </p> | ||
<h4>SCENE II. | <h4>SCENE II. | ||
Milan. The DUKE'S palace</h4> | Milan. The DUKE'S palace</h4> | ||
Line 1,546: | Line 2,954: | ||
<p> DUKE. Sir Thurio, fear not but that she will love you<br/> | <p> DUKE. Sir Thurio, fear not but that she will love you<br/> | ||
Now Valentine is banish'd from her sight.<br/> | Now Valentine is banish'd from her sight.<br/> | ||
THURIO. Since his exile she hath despis'd me most,<br/> | THURIO. Since his exile she hath despis'd me most,<br/> | ||
Forsworn my company and rail'd at me,<br/> | Forsworn my company and rail'd at me,<br/> | ||
That I am desperate of obtaining her.<br/> | That I am desperate of obtaining her.<br/> | ||
DUKE. This weak impress of love is as a figure<br/> | DUKE. This weak impress of love is as a figure<br/> | ||
Trenched in ice, which with an hour's heat<br/> | Trenched in ice, which with an hour's heat<br/> | ||
Dissolves to water and doth lose his form.<br/> | Dissolves to water and doth lose his form.<br/> | ||
A little time will melt her frozen thoughts,<br/> | A little time will melt her frozen thoughts,<br/> | ||
And worthless Valentine shall be forgot.<br/> | And worthless Valentine shall be forgot.<br/> | ||
</p> | </p> | ||
Line 1,560: | Line 2,978: | ||
<p> How now, Sir Proteus! Is your countryman,<br/> | <p> How now, Sir Proteus! Is your countryman,<br/> | ||
According to our proclamation, gone?<br/> | According to our proclamation, gone?<br/> | ||
PROTEUS. Gone, my good lord.<br/> | PROTEUS. Gone, my good lord.<br/> | ||
DUKE. My daughter takes his going grievously.<br/> | DUKE. My daughter takes his going grievously.<br/> | ||
PROTEUS. A little time, my lord, will kill that grief.<br/> | PROTEUS. A little time, my lord, will kill that grief.<br/> | ||
DUKE. So I believe; but Thurio thinks not so.<br/> | DUKE. So I believe; but Thurio thinks not so.<br/> | ||
Proteus, the good conceit I hold of thee-<br/> | Proteus, the good conceit I hold of thee-<br/> | ||
For thou hast shown some sign of good desert-<br/> | For thou hast shown some sign of good desert-<br/> | ||
Makes me the better to confer with thee.<br/> | Makes me the better to confer with thee.<br/> | ||
PROTEUS. Longer than I prove loyal to your Grace<br/> | PROTEUS. Longer than I prove loyal to your Grace<br/> | ||
Let me not live to look upon your Grace.<br/> | Let me not live to look upon your Grace.<br/> | ||
DUKE. Thou know'st how willingly I would effect<br/> | DUKE. Thou know'st how willingly I would effect<br/> | ||
The match between Sir Thurio and my daughter.<br/> | The match between Sir Thurio and my daughter.<br/> | ||
PROTEUS. I do, my lord.<br/> | PROTEUS. I do, my lord.<br/> | ||
DUKE. And also, I think, thou art not ignorant<br/> | DUKE. And also, I think, thou art not ignorant<br/> | ||
How she opposes her against my will.<br/> | How she opposes her against my will.<br/> | ||
PROTEUS. She did, my lord, when Valentine was here.<br/> | PROTEUS. She did, my lord, when Valentine was here.<br/> | ||
DUKE. Ay, and perversely she persevers so.<br/> | DUKE. Ay, and perversely she persevers so.<br/> | ||
What might we do to make the girl forget<br/> | What might we do to make the girl forget<br/> | ||
The love of Valentine, and love Sir Thurio?<br/> | The love of Valentine, and love Sir Thurio?<br/> | ||
PROTEUS. The best way is to slander Valentine<br/> | PROTEUS. The best way is to slander Valentine<br/> | ||
With falsehood, cowardice, and poor descent-<br/> | With falsehood, cowardice, and poor descent-<br/> | ||
Three things that women highly hold in hate.<br/> | Three things that women highly hold in hate.<br/> | ||
DUKE. Ay, but she'll think that it is spoke in hate.<br/> | DUKE. Ay, but she'll think that it is spoke in hate.<br/> | ||
PROTEUS. Ay, if his enemy deliver it;<br/> | PROTEUS. Ay, if his enemy deliver it;<br/> | ||
Therefore it must with circumstance be spoken<br/> | Therefore it must with circumstance be spoken<br/> | ||
By one whom she esteemeth as his friend.<br/> | By one whom she esteemeth as his friend.<br/> | ||
DUKE. Then you must undertake to slander him.<br/> | DUKE. Then you must undertake to slander him.<br/> | ||
PROTEUS. And that, my lord, I shall be loath to do:<br/> | PROTEUS. And that, my lord, I shall be loath to do:<br/> | ||
'Tis an ill office for a gentleman,<br/> | 'Tis an ill office for a gentleman,<br/> | ||
Especially against his very friend.<br/> | Especially against his very friend.<br/> | ||
DUKE. Where your good word cannot advantage him,<br/> | DUKE. Where your good word cannot advantage him,<br/> | ||
Your slander never can endamage him;<br/> | Your slander never can endamage him;<br/> | ||
Therefore the office is indifferent,<br/> | Therefore the office is indifferent,<br/> | ||
Being entreated to it by your friend.<br/> | Being entreated to it by your friend.<br/> | ||
PROTEUS. You have prevail'd, my lord; if I can do it<br/> | PROTEUS. You have prevail'd, my lord; if I can do it<br/> | ||
By aught that I can speak in his dispraise,<br/> | By aught that I can speak in his dispraise,<br/> | ||
She shall not long continue love to him.<br/> | She shall not long continue love to him.<br/> | ||
But say this weed her love from Valentine,<br/> | But say this weed her love from Valentine,<br/> | ||
It follows not that she will love Sir Thurio.<br/> | It follows not that she will love Sir Thurio.<br/> | ||
THURIO. Therefore, as you unwind her love from him,<br/> | THURIO. Therefore, as you unwind her love from him,<br/> | ||
Lest it should ravel and be good to none,<br/> | Lest it should ravel and be good to none,<br/> | ||
You must provide to bottom it on me;<br/> | You must provide to bottom it on me;<br/> | ||
Which must be done by praising me as much<br/> | Which must be done by praising me as much<br/> | ||
As you in worth dispraise Sir Valentine.<br/> | As you in worth dispraise Sir Valentine.<br/> | ||
DUKE. And, Proteus, we dare trust you in this kind,<br/> | DUKE. And, Proteus, we dare trust you in this kind,<br/> | ||
Because we know, on Valentine's report,<br/> | Because we know, on Valentine's report,<br/> | ||
You are already Love's firm votary<br/> | You are already Love's firm votary<br/> | ||
And cannot soon revolt and change your mind.<br/> | And cannot soon revolt and change your mind.<br/> | ||
Upon this warrant shall you have access<br/> | Upon this warrant shall you have access<br/> | ||
Where you with Silvia may confer at large-<br/> | Where you with Silvia may confer at large-<br/> | ||
For she is lumpish, heavy, melancholy,<br/> | For she is lumpish, heavy, melancholy,<br/> | ||
And, for your friend's sake, will be glad of you-<br/> | And, for your friend's sake, will be glad of you-<br/> | ||
Where you may temper her by your persuasion<br/> | Where you may temper her by your persuasion<br/> | ||
To hate young Valentine and love my friend.<br/> | To hate young Valentine and love my friend.<br/> | ||
PROTEUS. As much as I can do I will effect.<br/> | PROTEUS. As much as I can do I will effect.<br/> | ||
But you, Sir Thurio, are not sharp enough;<br/> | But you, Sir Thurio, are not sharp enough;<br/> | ||
You must lay lime to tangle her desires<br/> | You must lay lime to tangle her desires<br/> | ||
By wailful sonnets, whose composed rhymes<br/> | By wailful sonnets, whose composed rhymes<br/> | ||
Should be full-fraught with serviceable vows.<br/> | Should be full-fraught with serviceable vows.<br/> | ||
DUKE. Ay,<br/> | DUKE. Ay,<br/> | ||
Much is the force of heaven-bred poesy.<br/> | Much is the force of heaven-bred poesy.<br/> | ||
PROTEUS. Say that upon the altar of her beauty<br/> | PROTEUS. Say that upon the altar of her beauty<br/> | ||
You sacrifice your tears, your sighs, your heart;<br/> | You sacrifice your tears, your sighs, your heart;<br/> | ||
Write till your ink be dry, and with your tears<br/> | Write till your ink be dry, and with your tears<br/> | ||
Moist it again, and frame some feeling line<br/> | Moist it again, and frame some feeling line<br/> | ||
That may discover such integrity;<br/> | That may discover such integrity;<br/> | ||
For Orpheus' lute was strung with poets' sinews,<br/> | For Orpheus' lute was strung with poets' sinews,<br/> | ||
Whose golden touch could soften steel and stones,<br/> | Whose golden touch could soften steel and stones,<br/> | ||
Make tigers tame, and huge leviathans<br/> | Make tigers tame, and huge leviathans<br/> | ||
Forsake unsounded deeps to dance on sands.<br/> | Forsake unsounded deeps to dance on sands.<br/> | ||
After your dire-lamenting elegies,<br/> | After your dire-lamenting elegies,<br/> | ||
Visit by night your lady's chamber window<br/> | Visit by night your lady's chamber window<br/> | ||
With some sweet consort; to their instruments<br/> | With some sweet consort; to their instruments<br/> | ||
Tune a deploring dump- the night's dead silence<br/> | Tune a deploring dump- the night's dead silence<br/> | ||
Will well become such sweet-complaining grievance.<br/> | Will well become such sweet-complaining grievance.<br/> | ||
This, or else nothing, will inherit her.<br/> | This, or else nothing, will inherit her.<br/> | ||
DUKE. This discipline shows thou hast been in love.<br/> | DUKE. This discipline shows thou hast been in love.<br/> | ||
THURIO. And thy advice this night I'll put in practice;<br/> | THURIO. And thy advice this night I'll put in practice;<br/> | ||
Therefore, sweet Proteus, my direction-giver,<br/> | Therefore, sweet Proteus, my direction-giver,<br/> | ||
Let us into the city presently<br/> | Let us into the city presently<br/> | ||
To sort some gentlemen well skill'd in music.<br/> | To sort some gentlemen well skill'd in music.<br/> | ||
I have a sonnet that will serve the turn<br/> | I have a sonnet that will serve the turn<br/> | ||
To give the onset to thy good advice.<br/> | To give the onset to thy good advice.<br/> | ||
DUKE. About it, gentlemen!<br/> | DUKE. About it, gentlemen!<br/> | ||
PROTEUS. We'll wait upon your Grace till after supper,<br/> | PROTEUS. We'll wait upon your Grace till after supper,<br/> | ||
And afterward determine our proceedings.<br/> | And afterward determine our proceedings.<br/> | ||
DUKE. Even now about it! I will pardon you. Exeunt<br/> | DUKE. Even now about it! I will pardon you. Exeunt<br/> | ||
</p> | </p> | ||
<h4>ACT IV. SCENE I. | <h4>ACT IV. SCENE I. | ||
The frontiers of Mantua. A forest</h4> | The frontiers of Mantua. A forest</h4> | ||
Line 1,655: | Line 3,162: | ||
<p> FIRST OUTLAW. Fellows, stand fast; I see a passenger.<br/> | <p> FIRST OUTLAW. Fellows, stand fast; I see a passenger.<br/> | ||
SECOND OUTLAW. If there be ten, shrink not, but down with 'em.<br/> | SECOND OUTLAW. If there be ten, shrink not, but down with 'em.<br/> | ||
</p> | </p> | ||
Line 1,661: | Line 3,170: | ||
<p> THIRD OUTLAW. Stand, sir, and throw us that you have about ye;<br/> | <p> THIRD OUTLAW. Stand, sir, and throw us that you have about ye;<br/> | ||
If not, we'll make you sit, and rifle you.<br/> | If not, we'll make you sit, and rifle you.<br/> | ||
SPEED. Sir, we are undone; these are the villains<br/> | SPEED. Sir, we are undone; these are the villains<br/> | ||
That all the travellers do fear so much.<br/> | That all the travellers do fear so much.<br/> | ||
VALENTINE. My friends-<br/> | VALENTINE. My friends-<br/> | ||
FIRST OUTLAW. That's not so, sir; we are your enemies.<br/> | FIRST OUTLAW. That's not so, sir; we are your enemies.<br/> | ||
SECOND OUTLAW. Peace! we'll hear him.<br/> | SECOND OUTLAW. Peace! we'll hear him.<br/> | ||
THIRD OUTLAW. Ay, by my beard, will we; for he is a proper man.<br/> | THIRD OUTLAW. Ay, by my beard, will we; for he is a proper man.<br/> | ||
VALENTINE. Then know that I have little wealth to lose;<br/> | VALENTINE. Then know that I have little wealth to lose;<br/> | ||
A man I am cross'd with adversity;<br/> | A man I am cross'd with adversity;<br/> | ||
My riches are these poor habiliments,<br/> | My riches are these poor habiliments,<br/> | ||
Of which if you should here disfurnish me,<br/> | Of which if you should here disfurnish me,<br/> | ||
You take the sum and substance that I have.<br/> | You take the sum and substance that I have.<br/> | ||
SECOND OUTLAW. Whither travel you?<br/> | SECOND OUTLAW. Whither travel you?<br/> | ||
VALENTINE. To Verona.<br/> | VALENTINE. To Verona.<br/> | ||
FIRST OUTLAW. Whence came you?<br/> | FIRST OUTLAW. Whence came you?<br/> | ||
VALENTINE. From Milan.<br/> | VALENTINE. From Milan.<br/> | ||
THIRD OUTLAW. Have you long sojourn'd there?<br/> | THIRD OUTLAW. Have you long sojourn'd there?<br/> | ||
VALENTINE. Some sixteen months, and longer might have stay'd,<br/> | VALENTINE. Some sixteen months, and longer might have stay'd,<br/> | ||
If crooked fortune had not thwarted me.<br/> | If crooked fortune had not thwarted me.<br/> | ||
FIRST OUTLAW. What, were you banish'd thence?<br/> | FIRST OUTLAW. What, were you banish'd thence?<br/> | ||
VALENTINE. I was.<br/> | VALENTINE. I was.<br/> | ||
SECOND OUTLAW. For what offence?<br/> | SECOND OUTLAW. For what offence?<br/> | ||
VALENTINE. For that which now torments me to rehearse:<br/> | VALENTINE. For that which now torments me to rehearse:<br/> | ||
I kill'd a man, whose death I much repent;<br/> | I kill'd a man, whose death I much repent;<br/> | ||
But yet I slew him manfully in fight,<br/> | But yet I slew him manfully in fight,<br/> | ||
Without false vantage or base treachery.<br/> | Without false vantage or base treachery.<br/> | ||
FIRST OUTLAW. Why, ne'er repent it, if it were done so.<br/> | FIRST OUTLAW. Why, ne'er repent it, if it were done so.<br/> | ||
But were you banish'd for so small a fault?<br/> | But were you banish'd for so small a fault?<br/> | ||
VALENTINE. I was, and held me glad of such a doom.<br/> | VALENTINE. I was, and held me glad of such a doom.<br/> | ||
SECOND OUTLAW. Have you the tongues?<br/> | SECOND OUTLAW. Have you the tongues?<br/> | ||
VALENTINE. My youthful travel therein made me happy,<br/> | VALENTINE. My youthful travel therein made me happy,<br/> | ||
Or else I often had been miserable.<br/> | Or else I often had been miserable.<br/> | ||
THIRD OUTLAW. By the bare scalp of Robin Hood's fat friar,<br/> | THIRD OUTLAW. By the bare scalp of Robin Hood's fat friar,<br/> | ||
This fellow were a king for our wild faction!<br/> | This fellow were a king for our wild faction!<br/> | ||
FIRST OUTLAW. We'll have him. Sirs, a word.<br/> | FIRST OUTLAW. We'll have him. Sirs, a word.<br/> | ||
SPEED. Master, be one of them; it's an honourable kind of thievery.<br/> | SPEED. Master, be one of them; it's an honourable kind of thievery.<br/> | ||
VALENTINE. Peace, villain!<br/> | VALENTINE. Peace, villain!<br/> | ||
SECOND OUTLAW. Tell us this: have you anything to take to?<br/> | SECOND OUTLAW. Tell us this: have you anything to take to?<br/> | ||
VALENTINE. Nothing but my fortune.<br/> | VALENTINE. Nothing but my fortune.<br/> | ||
THIRD OUTLAW. Know, then, that some of us are gentlemen,<br/> | THIRD OUTLAW. Know, then, that some of us are gentlemen,<br/> | ||
Such as the fury of ungovern'd youth<br/> | Such as the fury of ungovern'd youth<br/> | ||
Thrust from the company of awful men;<br/> | Thrust from the company of awful men;<br/> | ||
Myself was from Verona banished<br/> | Myself was from Verona banished<br/> | ||
For practising to steal away a lady,<br/> | For practising to steal away a lady,<br/> | ||
An heir, and near allied unto the Duke.<br/> | An heir, and near allied unto the Duke.<br/> | ||
SECOND OUTLAW. And I from Mantua, for a gentleman<br/> | SECOND OUTLAW. And I from Mantua, for a gentleman<br/> | ||
Who, in my mood, I stabb'd unto the heart.<br/> | Who, in my mood, I stabb'd unto the heart.<br/> | ||
FIRST OUTLAW. And I for such-like petty crimes as these.<br/> | FIRST OUTLAW. And I for such-like petty crimes as these.<br/> | ||
But to the purpose- for we cite our faults<br/> | But to the purpose- for we cite our faults<br/> | ||
That they may hold excus'd our lawless lives;<br/> | That they may hold excus'd our lawless lives;<br/> | ||
And, partly, seeing you are beautified<br/> | And, partly, seeing you are beautified<br/> | ||
With goodly shape, and by your own report<br/> | With goodly shape, and by your own report<br/> | ||
A linguist, and a man of such perfection<br/> | A linguist, and a man of such perfection<br/> | ||
As we do in our quality much want-<br/> | As we do in our quality much want-<br/> | ||
SECOND OUTLAW. Indeed, because you are a banish'd man,<br/> | SECOND OUTLAW. Indeed, because you are a banish'd man,<br/> | ||
Therefore, above the rest, we parley to you.<br/> | Therefore, above the rest, we parley to you.<br/> | ||
Are you content to be our general-<br/> | Are you content to be our general-<br/> | ||
To make a virtue of necessity,<br/> | To make a virtue of necessity,<br/> | ||
And live as we do in this wilderness?<br/> | And live as we do in this wilderness?<br/> | ||
THIRD OUTLAW. What say'st thou? Wilt thou be of our consort?<br/> | THIRD OUTLAW. What say'st thou? Wilt thou be of our consort?<br/> | ||
Say 'ay' and be the captain of us all.<br/> | Say 'ay' and be the captain of us all.<br/> | ||
We'll do thee homage, and be rul'd by thee,<br/> | We'll do thee homage, and be rul'd by thee,<br/> | ||
Love thee as our commander and our king.<br/> | Love thee as our commander and our king.<br/> | ||
FIRST OUTLAW. But if thou scorn our courtesy thou diest.<br/> | FIRST OUTLAW. But if thou scorn our courtesy thou diest.<br/> | ||
SECOND OUTLAW. Thou shalt not live to brag what we have offer'd.<br/> | SECOND OUTLAW. Thou shalt not live to brag what we have offer'd.<br/> | ||
VALENTINE. I take your offer, and will live with you,<br/> | VALENTINE. I take your offer, and will live with you,<br/> | ||
Provided that you do no outrages<br/> | Provided that you do no outrages<br/> | ||
On silly women or poor passengers.<br/> | On silly women or poor passengers.<br/> | ||
THIRD OUTLAW. No, we detest such vile base practices.<br/> | THIRD OUTLAW. No, we detest such vile base practices.<br/> | ||
Come, go with us; we'll bring thee to our crews,<br/> | Come, go with us; we'll bring thee to our crews,<br/> | ||
And show thee all the treasure we have got;<br/> | And show thee all the treasure we have got;<br/> | ||
Which, with ourselves, all rest at thy dispose. Exeunt<br/> | Which, with ourselves, all rest at thy dispose. Exeunt<br/> | ||
</p> | </p> | ||
<h4>SCENE II. | <h4>SCENE II. | ||
Milan. Outside the DUKE'S palace, under SILVIA'S window</h4> | Milan. Outside the DUKE'S palace, under SILVIA'S window</h4> | ||
Line 1,741: | Line 3,324: | ||
<p> PROTEUS. Already have I been false to Valentine,<br/> | <p> PROTEUS. Already have I been false to Valentine,<br/> | ||
And now I must be as unjust to Thurio.<br/> | And now I must be as unjust to Thurio.<br/> | ||
Under the colour of commending him<br/> | Under the colour of commending him<br/> | ||
I have access my own love to prefer;<br/> | I have access my own love to prefer;<br/> | ||
But Silvia is too fair, too true, too holy,<br/> | But Silvia is too fair, too true, too holy,<br/> | ||
To be corrupted with my worthless gifts.<br/> | To be corrupted with my worthless gifts.<br/> | ||
When I protest true loyalty to her,<br/> | When I protest true loyalty to her,<br/> | ||
She twits me with my falsehood to my friend;<br/> | She twits me with my falsehood to my friend;<br/> | ||
When to her beauty I commend my vows,<br/> | When to her beauty I commend my vows,<br/> | ||
She bids me think how I have been forsworn<br/> | She bids me think how I have been forsworn<br/> | ||
In breaking faith with Julia whom I lov'd;<br/> | In breaking faith with Julia whom I lov'd;<br/> | ||
And notwithstanding all her sudden quips,<br/> | And notwithstanding all her sudden quips,<br/> | ||
The least whereof would quell a lover's hope,<br/> | The least whereof would quell a lover's hope,<br/> | ||
Yet, spaniel-like, the more she spurns my love<br/> | Yet, spaniel-like, the more she spurns my love<br/> | ||
The more it grows and fawneth on her still.<br/> | The more it grows and fawneth on her still.<br/> | ||
</p> | </p> | ||
Line 1,760: | Line 3,358: | ||
<p> But here comes Thurio. Now must we to her window,<br/> | <p> But here comes Thurio. Now must we to her window,<br/> | ||
And give some evening music to her ear.<br/> | And give some evening music to her ear.<br/> | ||
THURIO. How now, Sir Proteus, are you crept before us?<br/> | THURIO. How now, Sir Proteus, are you crept before us?<br/> | ||
PROTEUS. Ay, gentle Thurio; for you know that love<br/> | PROTEUS. Ay, gentle Thurio; for you know that love<br/> | ||
Will creep in service where it cannot go.<br/> | Will creep in service where it cannot go.<br/> | ||
THURIO. Ay, but I hope, sir, that you love not here.<br/> | THURIO. Ay, but I hope, sir, that you love not here.<br/> | ||
PROTEUS. Sir, but I do; or else I would be hence.<br/> | PROTEUS. Sir, but I do; or else I would be hence.<br/> | ||
THURIO. Who? Silvia?<br/> | THURIO. Who? Silvia?<br/> | ||
PROTEUS. Ay, Silvia- for your sake.<br/> | PROTEUS. Ay, Silvia- for your sake.<br/> | ||
THURIO. I thank you for your own. Now, gentlemen,<br/> | THURIO. I thank you for your own. Now, gentlemen,<br/> | ||
Let's tune, and to it lustily awhile.<br/> | Let's tune, and to it lustily awhile.<br/> | ||
</p> | </p> | ||
Line 1,775: | Line 3,384: | ||
<p> HOST. Now, my young guest, methinks you're allycholly; I pray you,<br/> | <p> HOST. Now, my young guest, methinks you're allycholly; I pray you,<br/> | ||
why is it?<br/> | why is it?<br/> | ||
JULIA. Marry, mine host, because I cannot be merry.<br/> | JULIA. Marry, mine host, because I cannot be merry.<br/> | ||
HOST. Come, we'll have you merry; I'll bring you where you shall<br/> | HOST. Come, we'll have you merry; I'll bring you where you shall<br/> | ||
hear music, and see the gentleman that you ask'd for.<br/> | hear music, and see the gentleman that you ask'd for.<br/> | ||
JULIA. But shall I hear him speak?<br/> | JULIA. But shall I hear him speak?<br/> | ||
HOST. Ay, that you shall. [Music plays]<br/> | HOST. Ay, that you shall. [Music plays]<br/> | ||
JULIA. That will be music.<br/> | JULIA. That will be music.<br/> | ||
HOST. Hark, hark!<br/> | HOST. Hark, hark!<br/> | ||
JULIA. Is he among these?<br/> | JULIA. Is he among these?<br/> | ||
HOST. Ay; but peace! let's hear 'em.<br/> | HOST. Ay; but peace! let's hear 'em.<br/> | ||
</p> | </p> | ||
<p> SONG<br/> | <p> SONG<br/> | ||
Who is Silvia? What is she,<br/> | Who is Silvia? What is she,<br/> | ||
That all our swains commend her?<br/> | That all our swains commend her?<br/> | ||
Holy, fair, and wise is she;<br/> | Holy, fair, and wise is she;<br/> | ||
The heaven such grace did lend her,<br/> | The heaven such grace did lend her,<br/> | ||
That she might admired be.<br/> | That she might admired be.<br/> | ||
</p> | </p> | ||
<p> Is she kind as she is fair?<br/> | <p> Is she kind as she is fair?<br/> | ||
For beauty lives with kindness.<br/> | For beauty lives with kindness.<br/> | ||
Love doth to her eyes repair,<br/> | Love doth to her eyes repair,<br/> | ||
To help him of his blindness;<br/> | To help him of his blindness;<br/> | ||
And, being help'd, inhabits there.<br/> | And, being help'd, inhabits there.<br/> | ||
</p> | </p> | ||
<p> Then to Silvia let us sing<br/> | <p> Then to Silvia let us sing<br/> | ||
That Silvia is excelling;<br/> | That Silvia is excelling;<br/> | ||
She excels each mortal thing<br/> | She excels each mortal thing<br/> | ||
Upon the dull earth dwelling.<br/> | Upon the dull earth dwelling.<br/> | ||
'To her let us garlands bring.<br/> | 'To her let us garlands bring.<br/> | ||
</p> | </p> | ||
<p> HOST. How now, are you sadder than you were before?<br/> | <p> HOST. How now, are you sadder than you were before?<br/> | ||
How do you, man? The music likes you not.<br/> | How do you, man? The music likes you not.<br/> | ||
JULIA. You mistake; the musician likes me not.<br/> | JULIA. You mistake; the musician likes me not.<br/> | ||
HOST. Why, my pretty youth?<br/> | HOST. Why, my pretty youth?<br/> | ||
JULIA. He plays false, father.<br/> | JULIA. He plays false, father.<br/> | ||
HOST. How, out of tune on the strings?<br/> | HOST. How, out of tune on the strings?<br/> | ||
JULIA. Not so; but yet so false that he grieves my very<br/> | JULIA. Not so; but yet so false that he grieves my very<br/> | ||
heart-strings.<br/> | heart-strings.<br/> | ||
HOST. You have a quick ear.<br/> | HOST. You have a quick ear.<br/> | ||
JULIA. Ay, I would I were deaf; it makes me have a slow heart.<br/> | JULIA. Ay, I would I were deaf; it makes me have a slow heart.<br/> | ||
HOST. I perceive you delight not in music.<br/> | HOST. I perceive you delight not in music.<br/> | ||
JULIA. Not a whit, when it jars so.<br/> | JULIA. Not a whit, when it jars so.<br/> | ||
HOST. Hark, what fine change is in the music!<br/> | HOST. Hark, what fine change is in the music!<br/> | ||
JULIA. Ay, that change is the spite.<br/> | JULIA. Ay, that change is the spite.<br/> | ||
HOST. You would have them always play but one thing?<br/> | HOST. You would have them always play but one thing?<br/> | ||
JULIA. I would always have one play but one thing.<br/> | JULIA. I would always have one play but one thing.<br/> | ||
But, Host, doth this Sir Proteus, that we talk on,<br/> | But, Host, doth this Sir Proteus, that we talk on,<br/> | ||
Often resort unto this gentlewoman?<br/> | Often resort unto this gentlewoman?<br/> | ||
HOST. I tell you what Launce, his man, told me: he lov'd her out of<br/> | HOST. I tell you what Launce, his man, told me: he lov'd her out of<br/> | ||
all nick.<br/> | all nick.<br/> | ||
JULIA. Where is Launce?<br/> | JULIA. Where is Launce?<br/> | ||
HOST. Gone to seek his dog, which to-morrow, by his master's<br/> | HOST. Gone to seek his dog, which to-morrow, by his master's<br/> | ||
command, he must carry for a present to his lady.<br/> | command, he must carry for a present to his lady.<br/> | ||
JULIA. Peace, stand aside; the company parts.<br/> | JULIA. Peace, stand aside; the company parts.<br/> | ||
PROTEUS. Sir Thurio, fear not you; I will so plead<br/> | PROTEUS. Sir Thurio, fear not you; I will so plead<br/> | ||
That you shall say my cunning drift excels.<br/> | That you shall say my cunning drift excels.<br/> | ||
THURIO. Where meet we?<br/> | THURIO. Where meet we?<br/> | ||
PROTEUS. At Saint Gregory's well.<br/> | PROTEUS. At Saint Gregory's well.<br/> | ||
THURIO. Farewell. Exeunt THURIO and MUSICIANS<br/> | THURIO. Farewell. Exeunt THURIO and MUSICIANS<br/> | ||
</p> | </p> | ||
Line 1,843: | Line 3,508: | ||
<p> PROTEUS. Madam, good ev'n to your ladyship.<br/> | <p> PROTEUS. Madam, good ev'n to your ladyship.<br/> | ||
SILVIA. I thank you for your music, gentlemen.<br/> | SILVIA. I thank you for your music, gentlemen.<br/> | ||
Who is that that spake?<br/> | Who is that that spake?<br/> | ||
PROTEUS. One, lady, if you knew his pure heart's truth,<br/> | PROTEUS. One, lady, if you knew his pure heart's truth,<br/> | ||
You would quickly learn to know him by his voice.<br/> | You would quickly learn to know him by his voice.<br/> | ||
SILVIA. Sir Proteus, as I take it.<br/> | SILVIA. Sir Proteus, as I take it.<br/> | ||
PROTEUS. Sir Proteus, gentle lady, and your servant.<br/> | PROTEUS. Sir Proteus, gentle lady, and your servant.<br/> | ||
SILVIA. What's your will?<br/> | SILVIA. What's your will?<br/> | ||
PROTEUS. That I may compass yours.<br/> | PROTEUS. That I may compass yours.<br/> | ||
SILVIA. You have your wish; my will is even this,<br/> | SILVIA. You have your wish; my will is even this,<br/> | ||
That presently you hie you home to bed.<br/> | That presently you hie you home to bed.<br/> | ||
Thou subtle, perjur'd, false, disloyal man,<br/> | Thou subtle, perjur'd, false, disloyal man,<br/> | ||
Think'st thou I am so shallow, so conceitless,<br/> | Think'st thou I am so shallow, so conceitless,<br/> | ||
To be seduced by thy flattery<br/> | To be seduced by thy flattery<br/> | ||
That hast deceiv'd so many with thy vows?<br/> | That hast deceiv'd so many with thy vows?<br/> | ||
Return, return, and make thy love amends.<br/> | Return, return, and make thy love amends.<br/> | ||
For me, by this pale queen of night I swear,<br/> | For me, by this pale queen of night I swear,<br/> | ||
I am so far from granting thy request<br/> | I am so far from granting thy request<br/> | ||
That I despise thee for thy wrongful suit,<br/> | That I despise thee for thy wrongful suit,<br/> | ||
And by and by intend to chide myself<br/> | And by and by intend to chide myself<br/> | ||
Even for this time I spend in talking to thee.<br/> | Even for this time I spend in talking to thee.<br/> | ||
PROTEUS. I grant, sweet love, that I did love a lady;<br/> | PROTEUS. I grant, sweet love, that I did love a lady;<br/> | ||
But she is dead.<br/> | But she is dead.<br/> | ||
JULIA. [Aside] 'Twere false, if I should speak it;<br/> | JULIA. [Aside] 'Twere false, if I should speak it;<br/> | ||
For I am sure she is not buried.<br/> | For I am sure she is not buried.<br/> | ||
SILVIA. Say that she be; yet Valentine, thy friend,<br/> | SILVIA. Say that she be; yet Valentine, thy friend,<br/> | ||
Survives, to whom, thyself art witness,<br/> | Survives, to whom, thyself art witness,<br/> | ||
I am betroth'd; and art thou not asham'd<br/> | I am betroth'd; and art thou not asham'd<br/> | ||
To wrong him with thy importunacy?<br/> | To wrong him with thy importunacy?<br/> | ||
PROTEUS. I likewise hear that Valentine is dead.<br/> | PROTEUS. I likewise hear that Valentine is dead.<br/> | ||
SILVIA. And so suppose am I; for in his grave<br/> | SILVIA. And so suppose am I; for in his grave<br/> | ||
Assure thyself my love is buried.<br/> | Assure thyself my love is buried.<br/> | ||
PROTEUS. Sweet lady, let me rake it from the earth.<br/> | PROTEUS. Sweet lady, let me rake it from the earth.<br/> | ||
SILVIA. Go to thy lady's grave, and call hers thence;<br/> | SILVIA. Go to thy lady's grave, and call hers thence;<br/> | ||
Or, at the least, in hers sepulchre thine.<br/> | Or, at the least, in hers sepulchre thine.<br/> | ||
JULIA. [Aside] He heard not that.<br/> | JULIA. [Aside] He heard not that.<br/> | ||
PROTEUS. Madam, if your heart be so obdurate,<br/> | PROTEUS. Madam, if your heart be so obdurate,<br/> | ||
Vouchsafe me yet your picture for my love,<br/> | Vouchsafe me yet your picture for my love,<br/> | ||
The picture that is hanging in your chamber;<br/> | The picture that is hanging in your chamber;<br/> | ||
To that I'll speak, to that I'll sigh and weep;<br/> | To that I'll speak, to that I'll sigh and weep;<br/> | ||
For, since the substance of your perfect self<br/> | For, since the substance of your perfect self<br/> | ||
Is else devoted, I am but a shadow;<br/> | Is else devoted, I am but a shadow;<br/> | ||
And to your shadow will I make true love.<br/> | And to your shadow will I make true love.<br/> | ||
JULIA. [Aside] If 'twere a substance, you would, sure, deceive it<br/> | JULIA. [Aside] If 'twere a substance, you would, sure, deceive it<br/> | ||
And make it but a shadow, as I am.<br/> | And make it but a shadow, as I am.<br/> | ||
SILVIA. I am very loath to be your idol, sir;<br/> | SILVIA. I am very loath to be your idol, sir;<br/> | ||
But since your falsehood shall become you well<br/> | But since your falsehood shall become you well<br/> | ||
To worship shadows and adore false shapes,<br/> | To worship shadows and adore false shapes,<br/> | ||
Send to me in the morning, and I'll send it;<br/> | Send to me in the morning, and I'll send it;<br/> | ||
And so, good rest.<br/> | And so, good rest.<br/> | ||
PROTEUS. As wretches have o'ernight<br/> | PROTEUS. As wretches have o'ernight<br/> | ||
That wait for execution in the morn.<br/> | That wait for execution in the morn.<br/> | ||
Exeunt PROTEUS and SILVIA<br/> | Exeunt PROTEUS and SILVIA<br/> | ||
JULIA. Host, will you go?<br/> | JULIA. Host, will you go?<br/> | ||
HOST. By my halidom, I was fast asleep.<br/> | HOST. By my halidom, I was fast asleep.<br/> | ||
JULIA. Pray you, where lies Sir Proteus?<br/> | JULIA. Pray you, where lies Sir Proteus?<br/> | ||
HOST. Marry, at my house. Trust me, I think 'tis almost day.<br/> | HOST. Marry, at my house. Trust me, I think 'tis almost day.<br/> | ||
JULIA. Not so; but it hath been the longest night<br/> | JULIA. Not so; but it hath been the longest night<br/> | ||
That e'er I watch'd, and the most heaviest. Exeunt<br/> | That e'er I watch'd, and the most heaviest. Exeunt<br/> | ||
</p> | </p> | ||
<h4>SCENE III. | <h4>SCENE III. | ||
Under SILVIA'S window</h4> | Under SILVIA'S window</h4> | ||
Line 1,909: | Line 3,634: | ||
<p> EGLAMOUR. This is the hour that Madam Silvia<br/> | <p> EGLAMOUR. This is the hour that Madam Silvia<br/> | ||
Entreated me to call and know her mind;<br/> | Entreated me to call and know her mind;<br/> | ||
There's some great matter she'd employ me in.<br/> | There's some great matter she'd employ me in.<br/> | ||
Madam, madam!<br/> | Madam, madam!<br/> | ||
</p> | </p> | ||
Line 1,917: | Line 3,646: | ||
<p> SILVIA. Who calls?<br/> | <p> SILVIA. Who calls?<br/> | ||
EGLAMOUR. Your servant and your friend;<br/> | EGLAMOUR. Your servant and your friend;<br/> | ||
One that attends your ladyship's command.<br/> | One that attends your ladyship's command.<br/> | ||
SILVIA. Sir Eglamour, a thousand times good morrow!<br/> | SILVIA. Sir Eglamour, a thousand times good morrow!<br/> | ||
EGLAMOUR. As many, worthy lady, to yourself!<br/> | EGLAMOUR. As many, worthy lady, to yourself!<br/> | ||
According to your ladyship's impose,<br/> | According to your ladyship's impose,<br/> | ||
I am thus early come to know what service<br/> | I am thus early come to know what service<br/> | ||
It is your pleasure to command me in.<br/> | It is your pleasure to command me in.<br/> | ||
SILVIA. O Eglamour, thou art a gentleman-<br/> | SILVIA. O Eglamour, thou art a gentleman-<br/> | ||
Think not I flatter, for I swear I do not-<br/> | Think not I flatter, for I swear I do not-<br/> | ||
Valiant, wise, remorseful, well accomplish'd.<br/> | Valiant, wise, remorseful, well accomplish'd.<br/> | ||
Thou art not ignorant what dear good will<br/> | Thou art not ignorant what dear good will<br/> | ||
I bear unto the banish'd Valentine;<br/> | I bear unto the banish'd Valentine;<br/> | ||
Nor how my father would enforce me marry<br/> | Nor how my father would enforce me marry<br/> | ||
Vain Thurio, whom my very soul abhors.<br/> | Vain Thurio, whom my very soul abhors.<br/> | ||
Thyself hast lov'd; and I have heard thee say<br/> | Thyself hast lov'd; and I have heard thee say<br/> | ||
No grief did ever come so near thy heart<br/> | No grief did ever come so near thy heart<br/> | ||
As when thy lady and thy true love died,<br/> | As when thy lady and thy true love died,<br/> | ||
Upon whose grave thou vow'dst pure chastity.<br/> | Upon whose grave thou vow'dst pure chastity.<br/> | ||
Sir Eglamour, I would to Valentine,<br/> | Sir Eglamour, I would to Valentine,<br/> | ||
To Mantua, where I hear he makes abode;<br/> | To Mantua, where I hear he makes abode;<br/> | ||
And, for the ways are dangerous to pass,<br/> | And, for the ways are dangerous to pass,<br/> | ||
I do desire thy worthy company,<br/> | I do desire thy worthy company,<br/> | ||
Upon whose faith and honour I repose.<br/> | Upon whose faith and honour I repose.<br/> | ||
Urge not my father's anger, Eglamour,<br/> | Urge not my father's anger, Eglamour,<br/> | ||
But think upon my grief, a lady's grief,<br/> | But think upon my grief, a lady's grief,<br/> | ||
And on the justice of my flying hence<br/> | And on the justice of my flying hence<br/> | ||
To keep me from a most unholy match,<br/> | To keep me from a most unholy match,<br/> | ||
Which heaven and fortune still rewards with plagues.<br/> | Which heaven and fortune still rewards with plagues.<br/> | ||
I do desire thee, even from a heart<br/> | I do desire thee, even from a heart<br/> | ||
As full of sorrows as the sea of sands,<br/> | As full of sorrows as the sea of sands,<br/> | ||
To bear me company and go with me;<br/> | To bear me company and go with me;<br/> | ||
If not, to hide what I have said to thee,<br/> | If not, to hide what I have said to thee,<br/> | ||
That I may venture to depart alone.<br/> | That I may venture to depart alone.<br/> | ||
EGLAMOUR. Madam, I pity much your grievances;<br/> | EGLAMOUR. Madam, I pity much your grievances;<br/> | ||
Which since I know they virtuously are plac'd,<br/> | Which since I know they virtuously are plac'd,<br/> | ||
I give consent to go along with you,<br/> | I give consent to go along with you,<br/> | ||
Recking as little what betideth me<br/> | Recking as little what betideth me<br/> | ||
As much I wish all good befortune you.<br/> | As much I wish all good befortune you.<br/> | ||
When will you go?<br/> | When will you go?<br/> | ||
SILVIA. This evening coming.<br/> | SILVIA. This evening coming.<br/> | ||
EGLAMOUR. Where shall I meet you?<br/> | EGLAMOUR. Where shall I meet you?<br/> | ||
SILVIA. At Friar Patrick's cell,<br/> | SILVIA. At Friar Patrick's cell,<br/> | ||
Where I intend holy confession.<br/> | Where I intend holy confession.<br/> | ||
EGLAMOUR. I will not fail your ladyship. Good morrow, gentle lady.<br/> | EGLAMOUR. I will not fail your ladyship. Good morrow, gentle lady.<br/> | ||
SILVIA. Good morrow, kind Sir Eglamour. Exeunt<br/> | SILVIA. Good morrow, kind Sir Eglamour. Exeunt<br/> | ||
</p> | </p> | ||
<h4>SCENE IV. | <h4>SCENE IV. | ||
Under SILVIA'S Window</h4> | Under SILVIA'S Window</h4> | ||
Line 1,970: | Line 3,746: | ||
<p> LAUNCE. When a man's servant shall play the | <p> LAUNCE. When a man's servant shall play the | ||
cur with him, look you, | cur with him, look you, | ||
it goes hard- one that I brought up of a puppy; one that I sav'd | it goes hard- one that I brought up of a puppy; one that I sav'd | ||
from drowning, when three or four of his blind brothers and | from drowning, when three or four of his blind brothers and | ||
sisters went to it. I have taught him, even as one would say | sisters went to it. I have taught him, even as one would say | ||
precisely 'Thus I would teach a dog.' I was sent to deliver him | precisely 'Thus I would teach a dog.' I was sent to deliver him | ||
as a present to Mistress Silvia from my master; and I came no | as a present to Mistress Silvia from my master; and I came no | ||
sooner into the dining-chamber, but he steps me to her trencher | sooner into the dining-chamber, but he steps me to her trencher | ||
and steals her capon's leg. O, 'tis a foul thing when a cur | and steals her capon's leg. O, 'tis a foul thing when a cur | ||
cannot keep himself in all companies! I would have, as one should | cannot keep himself in all companies! I would have, as one should | ||
say, one that takes upon him to be a dog indeed, to be, as it | say, one that takes upon him to be a dog indeed, to be, as it | ||
were, a dog at all things. If I had not had more wit than he, to | were, a dog at all things. If I had not had more wit than he, to | ||
take a fault upon me that he did, I think verily he had been | take a fault upon me that he did, I think verily he had been | ||
hang'd for't; sure as I live, he had suffer'd for't. You shall | hang'd for't; sure as I live, he had suffer'd for't. You shall | ||
judge. He thrusts me himself into the company of three or four | judge. He thrusts me himself into the company of three or four | ||
gentleman-like dogs under the Duke's table; he had not been | gentleman-like dogs under the Duke's table; he had not been | ||
there, bless the mark, a pissing while but all the chamber smelt | there, bless the mark, a pissing while but all the chamber smelt | ||
him. 'Out with the dog' says one; 'What cur is that?' says | him. 'Out with the dog' says one; 'What cur is that?' says | ||
another; 'Whip him out' says the third; 'Hang him up' says the | another; 'Whip him out' says the third; 'Hang him up' says the | ||
Duke. I, having been acquainted with the smell before, knew it | Duke. I, having been acquainted with the smell before, knew it | ||
was Crab, and goes me to the fellow that whips the dogs. | was Crab, and goes me to the fellow that whips the dogs. | ||
'Friend,' quoth I 'you mean to whip the dog.' 'Ay, marry do I' | 'Friend,' quoth I 'you mean to whip the dog.' 'Ay, marry do I' | ||
quoth he. 'You do him the more wrong,' quoth I; "twas I did the | quoth he. 'You do him the more wrong,' quoth I; "twas I did the | ||
thing you wot of.' He makes me no more ado, but whips me out of | thing you wot of.' He makes me no more ado, but whips me out of | ||
the chamber. How many masters would do this for his servant? Nay, | the chamber. How many masters would do this for his servant? Nay, | ||
I'll be sworn, I have sat in the stock for puddings he hath | I'll be sworn, I have sat in the stock for puddings he hath | ||
stol'n, otherwise he had been executed; I have stood on the | stol'n, otherwise he had been executed; I have stood on the | ||
pillory for geese he hath kill'd, otherwise he had suffer'd | pillory for geese he hath kill'd, otherwise he had suffer'd | ||
for't. Thou think'st not of this now. Nay, I remember the trick | for't. Thou think'st not of this now. Nay, I remember the trick | ||
you serv'd me when I took my leave of Madam Silvia. Did not I bid | you serv'd me when I took my leave of Madam Silvia. Did not I bid | ||
thee still mark me and do as I do? When didst thou see me heave | thee still mark me and do as I do? When didst thou see me heave | ||
up my leg and make water against a gentlewoman's farthingale? | up my leg and make water against a gentlewoman's farthingale? | ||
Didst thou ever see me do such a trick?</p> | Didst thou ever see me do such a trick?</p> | ||
Line 2,006: | Line 3,814: | ||
<p> PROTEUS. Sebastian is thy name? I like thee well,<br/> | <p> PROTEUS. Sebastian is thy name? I like thee well,<br/> | ||
And will employ thee in some service presently.<br/> | And will employ thee in some service presently.<br/> | ||
JULIA. In what you please; I'll do what I can.<br/> | JULIA. In what you please; I'll do what I can.<br/> | ||
PROTEUS..I hope thou wilt. [To LAUNCE] How now, you whoreson<br/> | PROTEUS..I hope thou wilt. [To LAUNCE] How now, you whoreson<br/> | ||
peasant!<br/> | peasant!<br/> | ||
Where have you been these two days loitering?<br/> | Where have you been these two days loitering?<br/> | ||
LAUNCE. Marry, sir, I carried Mistress Silvia the dog you bade me.<br/> | LAUNCE. Marry, sir, I carried Mistress Silvia the dog you bade me.<br/> | ||
PROTEUS. And what says she to my little jewel?<br/> | PROTEUS. And what says she to my little jewel?<br/> | ||
LAUNCE. Marry, she says your dog was a cur, and tells you currish<br/> | LAUNCE. Marry, she says your dog was a cur, and tells you currish<br/> | ||
thanks is good enough for such a present.<br/> | thanks is good enough for such a present.<br/> | ||
PROTEUS. But she receiv'd my dog?<br/> | PROTEUS. But she receiv'd my dog?<br/> | ||
LAUNCE. No, indeed, did she not; here have I brought him back<br/> | LAUNCE. No, indeed, did she not; here have I brought him back<br/> | ||
again.<br/> | again.<br/> | ||
PROTEUS. What, didst thou offer her this from me?<br/> | PROTEUS. What, didst thou offer her this from me?<br/> | ||
LAUNCE. Ay, sir; the other squirrel was stol'n from me by the<br/> | LAUNCE. Ay, sir; the other squirrel was stol'n from me by the<br/> | ||
hangman's boys in the market-place; and then I offer'd her mine<br/> | hangman's boys in the market-place; and then I offer'd her mine<br/> | ||
own, who is a dog as big as ten of yours, and therefore the gift<br/> | own, who is a dog as big as ten of yours, and therefore the gift<br/> | ||
the greater.<br/> | the greater.<br/> | ||
PROTEUS. Go, get thee hence and find my dog again,<br/> | PROTEUS. Go, get thee hence and find my dog again,<br/> | ||
Or ne'er return again into my sight.<br/> | Or ne'er return again into my sight.<br/> | ||
Away, I say. Stayest thou to vex me here? Exit LAUNCE<br/> | Away, I say. Stayest thou to vex me here? Exit LAUNCE<br/> | ||
A slave that still an end turns me to shame!<br/> | A slave that still an end turns me to shame!<br/> | ||
Sebastian, I have entertained thee<br/> | Sebastian, I have entertained thee<br/> | ||
Partly that I have need of such a youth<br/> | Partly that I have need of such a youth<br/> | ||
That can with some discretion do my business,<br/> | That can with some discretion do my business,<br/> | ||
For 'tis no trusting to yond foolish lout,<br/> | For 'tis no trusting to yond foolish lout,<br/> | ||
But chiefly for thy face and thy behaviour,<br/> | But chiefly for thy face and thy behaviour,<br/> | ||
Which, if my augury deceive me not,<br/> | Which, if my augury deceive me not,<br/> | ||
Witness good bringing up, fortune, and truth;<br/> | Witness good bringing up, fortune, and truth;<br/> | ||
Therefore, know thou, for this I entertain thee.<br/> | Therefore, know thou, for this I entertain thee.<br/> | ||
Go presently, and take this ring with thee,<br/> | Go presently, and take this ring with thee,<br/> | ||
Deliver it to Madam Silvia-<br/> | Deliver it to Madam Silvia-<br/> | ||
She lov'd me well deliver'd it to me.<br/> | She lov'd me well deliver'd it to me.<br/> | ||
JULIA. It seems you lov'd not her, to leave her token.<br/> | JULIA. It seems you lov'd not her, to leave her token.<br/> | ||
She is dead, belike?<br/> | She is dead, belike?<br/> | ||
PROTEUS. Not so; I think she lives.<br/> | PROTEUS. Not so; I think she lives.<br/> | ||
JULIA. Alas!<br/> | JULIA. Alas!<br/> | ||
PROTEUS. Why dost thou cry 'Alas'?<br/> | PROTEUS. Why dost thou cry 'Alas'?<br/> | ||
JULIA. I cannot choose<br/> | JULIA. I cannot choose<br/> | ||
But pity her.<br/> | But pity her.<br/> | ||
PROTEUS. Wherefore shouldst thou pity her?<br/> | PROTEUS. Wherefore shouldst thou pity her?<br/> | ||
JULIA. Because methinks that she lov'd you as well<br/> | JULIA. Because methinks that she lov'd you as well<br/> | ||
As you do love your lady Silvia.<br/> | As you do love your lady Silvia.<br/> | ||
She dreams on him that has forgot her love:<br/> | She dreams on him that has forgot her love:<br/> | ||
You dote on her that cares not for your love.<br/> | You dote on her that cares not for your love.<br/> | ||
'Tis pity love should be so contrary;<br/> | 'Tis pity love should be so contrary;<br/> | ||
And thinking on it makes me cry 'Alas!'<br/> | And thinking on it makes me cry 'Alas!'<br/> | ||
PROTEUS. Well, give her that ring, and therewithal<br/> | PROTEUS. Well, give her that ring, and therewithal<br/> | ||
This letter. That's her chamber. Tell my lady<br/> | This letter. That's her chamber. Tell my lady<br/> | ||
I claim the promise for her heavenly picture.<br/> | I claim the promise for her heavenly picture.<br/> | ||
Your message done, hie home unto my chamber,<br/> | Your message done, hie home unto my chamber,<br/> | ||
Where thou shalt find me sad and solitary. Exit PROTEUS<br/> | Where thou shalt find me sad and solitary. Exit PROTEUS<br/> | ||
JULIA. How many women would do such a message?<br/> | JULIA. How many women would do such a message?<br/> | ||
Alas, poor Proteus, thou hast entertain'd<br/> | Alas, poor Proteus, thou hast entertain'd<br/> | ||
A fox to be the shepherd of thy lambs.<br/> | A fox to be the shepherd of thy lambs.<br/> | ||
Alas, poor fool, why do I pity him<br/> | Alas, poor fool, why do I pity him<br/> | ||
That with his very heart despiseth me?<br/> | That with his very heart despiseth me?<br/> | ||
Because he loves her, he despiseth me;<br/> | Because he loves her, he despiseth me;<br/> | ||
Because I love him, I must pity him.<br/> | Because I love him, I must pity him.<br/> | ||
This ring I gave him, when he parted from me,<br/> | This ring I gave him, when he parted from me,<br/> | ||
To bind him to remember my good will;<br/> | To bind him to remember my good will;<br/> | ||
And now am I, unhappy messenger,<br/> | And now am I, unhappy messenger,<br/> | ||
To plead for that which I would not obtain,<br/> | To plead for that which I would not obtain,<br/> | ||
To carry that which I would have refus'd,<br/> | To carry that which I would have refus'd,<br/> | ||
To praise his faith, which I would have disprais'd.<br/> | To praise his faith, which I would have disprais'd.<br/> | ||
I am my master's true confirmed love,<br/> | I am my master's true confirmed love,<br/> | ||
But cannot be true servant to my master<br/> | But cannot be true servant to my master<br/> | ||
Unless I prove false traitor to myself.<br/> | Unless I prove false traitor to myself.<br/> | ||
Yet will I woo for him, but yet so coldly<br/> | Yet will I woo for him, but yet so coldly<br/> | ||
As, heaven it knows, I would not have him speed.<br/> | As, heaven it knows, I would not have him speed.<br/> | ||
</p> | </p> | ||
Line 2,080: | Line 3,958: | ||
<p> Gentlewoman, good day! I pray you be my mean<br/> | <p> Gentlewoman, good day! I pray you be my mean<br/> | ||
To bring me where to speak with Madam Silvia.<br/> | To bring me where to speak with Madam Silvia.<br/> | ||
SILVIA. What would you with her, if that I be she?<br/> | SILVIA. What would you with her, if that I be she?<br/> | ||
JULIA. If you be she, I do entreat your patience<br/> | JULIA. If you be she, I do entreat your patience<br/> | ||
To hear me speak the message I am sent on.<br/> | To hear me speak the message I am sent on.<br/> | ||
SILVIA. From whom?<br/> | SILVIA. From whom?<br/> | ||
JULIA. From my master, Sir Proteus, madam.<br/> | JULIA. From my master, Sir Proteus, madam.<br/> | ||
SILVIA. O, he sends you for a picture?<br/> | SILVIA. O, he sends you for a picture?<br/> | ||
JULIA. Ay, madam.<br/> | JULIA. Ay, madam.<br/> | ||
SILVIA. Ursula, bring my picture there.<br/> | SILVIA. Ursula, bring my picture there.<br/> | ||
Go, give your master this. Tell him from me,<br/> | Go, give your master this. Tell him from me,<br/> | ||
One Julia, that his changing thoughts forget,<br/> | One Julia, that his changing thoughts forget,<br/> | ||
Would better fit his chamber than this shadow.<br/> | Would better fit his chamber than this shadow.<br/> | ||
JULIA. Madam, please you peruse this letter.<br/> | JULIA. Madam, please you peruse this letter.<br/> | ||
Pardon me, madam; I have unadvis'd<br/> | Pardon me, madam; I have unadvis'd<br/> | ||
Deliver'd you a paper that I should not.<br/> | Deliver'd you a paper that I should not.<br/> | ||
This is the letter to your ladyship.<br/> | This is the letter to your ladyship.<br/> | ||
SILVIA. I pray thee let me look on that again.<br/> | SILVIA. I pray thee let me look on that again.<br/> | ||
JULIA. It may not be; good madam, pardon me.<br/> | JULIA. It may not be; good madam, pardon me.<br/> | ||
SILVIA. There, hold!<br/> | SILVIA. There, hold!<br/> | ||
I will not look upon your master's lines.<br/> | I will not look upon your master's lines.<br/> | ||
I know they are stuff'd with protestations,<br/> | I know they are stuff'd with protestations,<br/> | ||
And full of new-found oaths, which he wul break<br/> | And full of new-found oaths, which he wul break<br/> | ||
As easily as I do tear his paper.<br/> | As easily as I do tear his paper.<br/> | ||
JULIA. Madam, he sends your ladyship this ring.<br/> | JULIA. Madam, he sends your ladyship this ring.<br/> | ||
SILVIA. The more shame for him that he sends it me;<br/> | SILVIA. The more shame for him that he sends it me;<br/> | ||
For I have heard him say a thousand times<br/> | For I have heard him say a thousand times<br/> | ||
His Julia gave it him at his departure.<br/> | His Julia gave it him at his departure.<br/> | ||
Though his false finger have profan'd the ring,<br/> | Though his false finger have profan'd the ring,<br/> | ||
Mine shall not do his Julia so much wrong.<br/> | Mine shall not do his Julia so much wrong.<br/> | ||
JULIA. She thanks you.<br/> | JULIA. She thanks you.<br/> | ||
SILVIA. What say'st thou?<br/> | SILVIA. What say'st thou?<br/> | ||
JULIA. I thank you, madam, that you tender her.<br/> | JULIA. I thank you, madam, that you tender her.<br/> | ||
Poor gentlewoman, my master wrongs her much.<br/> | Poor gentlewoman, my master wrongs her much.<br/> | ||
SILVIA. Dost thou know her?<br/> | SILVIA. Dost thou know her?<br/> | ||
JULIA. Almost as well as I do know myself.<br/> | JULIA. Almost as well as I do know myself.<br/> | ||
To think upon her woes, I do protest<br/> | To think upon her woes, I do protest<br/> | ||
That I have wept a hundred several times.<br/> | That I have wept a hundred several times.<br/> | ||
SILVIA. Belike she thinks that Proteus hath forsook her.<br/> | SILVIA. Belike she thinks that Proteus hath forsook her.<br/> | ||
JULIA. I think she doth, and that's her cause of sorrow.<br/> | JULIA. I think she doth, and that's her cause of sorrow.<br/> | ||
SILVIA. Is she not passing fair?<br/> | SILVIA. Is she not passing fair?<br/> | ||
JULIA. She hath been fairer, madam, than she is.<br/> | JULIA. She hath been fairer, madam, than she is.<br/> | ||
When she did think my master lov'd her well,<br/> | When she did think my master lov'd her well,<br/> | ||
She, in my judgment, was as fair as you;<br/> | She, in my judgment, was as fair as you;<br/> | ||
But since she did neglect her looking-glass<br/> | But since she did neglect her looking-glass<br/> | ||
And threw her sun-expelling mask away,<br/> | And threw her sun-expelling mask away,<br/> | ||
The air hath starv'd the roses in her cheeks<br/> | The air hath starv'd the roses in her cheeks<br/> | ||
And pinch'd the lily-tincture of her face,<br/> | And pinch'd the lily-tincture of her face,<br/> | ||
That now she is become as black as I.<br/> | That now she is become as black as I.<br/> | ||
SILVIA. How tall was she?<br/> | SILVIA. How tall was she?<br/> | ||
JULIA. About my stature; for at Pentecost,<br/> | JULIA. About my stature; for at Pentecost,<br/> | ||
When all our pageants of delight were play'd,<br/> | When all our pageants of delight were play'd,<br/> | ||
Our youth got me to play the woman's part,<br/> | Our youth got me to play the woman's part,<br/> | ||
And I was trimm'd in Madam Julia's gown;<br/> | And I was trimm'd in Madam Julia's gown;<br/> | ||
Which served me as fit, by all men's judgments,<br/> | Which served me as fit, by all men's judgments,<br/> | ||
As if the garment had been made for me;<br/> | As if the garment had been made for me;<br/> | ||
Therefore I know she is about my height.<br/> | Therefore I know she is about my height.<br/> | ||
And at that time I made her weep a good,<br/> | And at that time I made her weep a good,<br/> | ||
For I did play a lamentable part.<br/> | For I did play a lamentable part.<br/> | ||
Madam, 'twas Ariadne passioning<br/> | Madam, 'twas Ariadne passioning<br/> | ||
For Theseus' perjury and unjust flight;<br/> | For Theseus' perjury and unjust flight;<br/> | ||
Which I so lively acted with my tears<br/> | Which I so lively acted with my tears<br/> | ||
That my poor mistress, moved therewithal,<br/> | That my poor mistress, moved therewithal,<br/> | ||
Wept bitterly; and would I might be dead<br/> | Wept bitterly; and would I might be dead<br/> | ||
If I in thought felt not her very sorrow.<br/> | If I in thought felt not her very sorrow.<br/> | ||
SILVIA. She is beholding to thee, gentle youth.<br/> | SILVIA. She is beholding to thee, gentle youth.<br/> | ||
Alas, poor lady, desolate and left!<br/> | Alas, poor lady, desolate and left!<br/> | ||
I weep myself, to think upon thy words.<br/> | I weep myself, to think upon thy words.<br/> | ||
Here, youth, there is my purse; I give thee this<br/> | Here, youth, there is my purse; I give thee this<br/> | ||
For thy sweet mistress' sake, because thou lov'st her.<br/> | For thy sweet mistress' sake, because thou lov'st her.<br/> | ||
Farewell. Exit SILVIA with ATTENDANTS<br/> | Farewell. Exit SILVIA with ATTENDANTS<br/> | ||
JULIA. And she shall thank you for't, if e'er you know her.<br/> | JULIA. And she shall thank you for't, if e'er you know her.<br/> | ||
A virtuous gentlewoman, mild and beautiful!<br/> | A virtuous gentlewoman, mild and beautiful!<br/> | ||
I hope my master's suit will be but cold,<br/> | I hope my master's suit will be but cold,<br/> | ||
Since she respects my mistress' love so much.<br/> | Since she respects my mistress' love so much.<br/> | ||
Alas, how love can trifle with itself!<br/> | Alas, how love can trifle with itself!<br/> | ||
Here is her picture; let me see. I think,<br/> | Here is her picture; let me see. I think,<br/> | ||
If I had such a tire, this face of mine<br/> | If I had such a tire, this face of mine<br/> | ||
Were full as lovely as is this of hers;<br/> | Were full as lovely as is this of hers;<br/> | ||
And yet the painter flatter'd her a little,<br/> | And yet the painter flatter'd her a little,<br/> | ||
Unless I flatter with myself too much.<br/> | Unless I flatter with myself too much.<br/> | ||
Her hair is auburn, mine is perfect yellow;<br/> | Her hair is auburn, mine is perfect yellow;<br/> | ||
If that be all the difference in his love,<br/> | If that be all the difference in his love,<br/> | ||
I'll get me such a colour'd periwig.<br/> | I'll get me such a colour'd periwig.<br/> | ||
Her eyes are grey as glass, and so are mine;<br/> | Her eyes are grey as glass, and so are mine;<br/> | ||
Ay, but her forehead's low, and mine's as high.<br/> | Ay, but her forehead's low, and mine's as high.<br/> | ||
What should it be that he respects in her<br/> | What should it be that he respects in her<br/> | ||
But I can make respective in myself,<br/> | But I can make respective in myself,<br/> | ||
If this fond Love were not a blinded god?<br/> | If this fond Love were not a blinded god?<br/> | ||
Come, shadow, come, and take this shadow up,<br/> | Come, shadow, come, and take this shadow up,<br/> | ||
For 'tis thy rival. O thou senseless form,<br/> | For 'tis thy rival. O thou senseless form,<br/> | ||
Thou shalt be worshipp'd, kiss'd, lov'd, and ador'd!<br/> | Thou shalt be worshipp'd, kiss'd, lov'd, and ador'd!<br/> | ||
And were there sense in his idolatry<br/> | And were there sense in his idolatry<br/> | ||
My substance should be statue in thy stead.<br/> | My substance should be statue in thy stead.<br/> | ||
I'll use thee kindly for thy mistress' sake,<br/> | I'll use thee kindly for thy mistress' sake,<br/> | ||
That us'd me so; or else, by Jove I vow,<br/> | That us'd me so; or else, by Jove I vow,<br/> | ||
I should have scratch'd out your unseeing eyes,<br/> | I should have scratch'd out your unseeing eyes,<br/> | ||
To make my master out of love with thee. Exit<br/> | To make my master out of love with thee. Exit<br/> | ||
</p> | </p> | ||
<h4>ACT V. SCENE I. | <h4>ACT V. SCENE I. | ||
Milan. An abbey</h4> | Milan. An abbey</h4> | ||
Line 2,185: | Line 4,162: | ||
<p> EGLAMOUR. The sun begins to gild the western sky,<br/> | <p> EGLAMOUR. The sun begins to gild the western sky,<br/> | ||
And now it is about the very hour<br/> | And now it is about the very hour<br/> | ||
That Silvia at Friar Patrick's cell should meet me.<br/> | That Silvia at Friar Patrick's cell should meet me.<br/> | ||
She will not fail, for lovers break not hours<br/> | She will not fail, for lovers break not hours<br/> | ||
Unless it be to come before their time,<br/> | Unless it be to come before their time,<br/> | ||
So much they spur their expedition.<br/> | So much they spur their expedition.<br/> | ||
</p> | </p> | ||
Line 2,195: | Line 4,178: | ||
<p> See where she comes. Lady, a happy evening!<br/> | <p> See where she comes. Lady, a happy evening!<br/> | ||
SILVIA. Amen, amen! Go on, good Eglamour,<br/> | SILVIA. Amen, amen! Go on, good Eglamour,<br/> | ||
Out at the postern by the abbey wall;<br/> | Out at the postern by the abbey wall;<br/> | ||
I fear I am attended by some spies.<br/> | I fear I am attended by some spies.<br/> | ||
EGLAMOUR. Fear not. The forest is not three leagues off;<br/> | EGLAMOUR. Fear not. The forest is not three leagues off;<br/> | ||
If we recover that, we are sure enough. Exeunt<br/> | If we recover that, we are sure enough. Exeunt<br/> | ||
</p> | </p> | ||
<h4>SCENE II. | <h4>SCENE II. | ||
Milan. The DUKE'S palace</h4> | Milan. The DUKE'S palace</h4> | ||
Line 2,208: | Line 4,198: | ||
<p> THURIO. Sir Proteus, what says Silvia to my suit?<br/> | <p> THURIO. Sir Proteus, what says Silvia to my suit?<br/> | ||
PROTEUS. O, sir, I find her milder than she was;<br/> | PROTEUS. O, sir, I find her milder than she was;<br/> | ||
And yet she takes exceptions at your person.<br/> | And yet she takes exceptions at your person.<br/> | ||
THURIO. What, that my leg is too long?<br/> | THURIO. What, that my leg is too long?<br/> | ||
PROTEUS. No; that it is too little.<br/> | PROTEUS. No; that it is too little.<br/> | ||
THURIO. I'll wear a boot to make it somewhat rounder.<br/> | THURIO. I'll wear a boot to make it somewhat rounder.<br/> | ||
JULIA. [Aside] But love will not be spurr'd to what it loathes.<br/> | JULIA. [Aside] But love will not be spurr'd to what it loathes.<br/> | ||
THURIO. What says she to my face?<br/> | THURIO. What says she to my face?<br/> | ||
PROTEUS. She says it is a fair one.<br/> | PROTEUS. She says it is a fair one.<br/> | ||
THURIO. Nay, then, the wanton lies; my face is black.<br/> | THURIO. Nay, then, the wanton lies; my face is black.<br/> | ||
PROTEUS. But pearls are fair; and the old saying is:<br/> | PROTEUS. But pearls are fair; and the old saying is:<br/> | ||
Black men are pearls in beauteous ladies' eyes.<br/> | Black men are pearls in beauteous ladies' eyes.<br/> | ||
JULIA. [Aside] 'Tis true, such pearls as put out ladies' eyes;<br/> | JULIA. [Aside] 'Tis true, such pearls as put out ladies' eyes;<br/> | ||
For I had rather wink than look on them.<br/> | For I had rather wink than look on them.<br/> | ||
THURIO. How likes she my discourse?<br/> | THURIO. How likes she my discourse?<br/> | ||
PROTEUS. Ill, when you talk of war.<br/> | PROTEUS. Ill, when you talk of war.<br/> | ||
THURIO. But well when I discourse of love and peace?<br/> | THURIO. But well when I discourse of love and peace?<br/> | ||
JULIA. [Aside] But better, indeed, when you hold your peace.<br/> | JULIA. [Aside] But better, indeed, when you hold your peace.<br/> | ||
THURIO. What says she to my valour?<br/> | THURIO. What says she to my valour?<br/> | ||
PROTEUS. O, sir, she makes no doubt of that.<br/> | PROTEUS. O, sir, she makes no doubt of that.<br/> | ||
JULIA. [Aside] She needs not, when she knows it cowardice.<br/> | JULIA. [Aside] She needs not, when she knows it cowardice.<br/> | ||
THURIO. What says she to my birth?<br/> | THURIO. What says she to my birth?<br/> | ||
PROTEUS. That you are well deriv'd.<br/> | PROTEUS. That you are well deriv'd.<br/> | ||
JULIA. [Aside] True; from a gentleman to a fool.<br/> | JULIA. [Aside] True; from a gentleman to a fool.<br/> | ||
THURIO. Considers she my possessions?<br/> | THURIO. Considers she my possessions?<br/> | ||
PROTEUS. O, ay; and pities them.<br/> | PROTEUS. O, ay; and pities them.<br/> | ||
THURIO. Wherefore?<br/> | THURIO. Wherefore?<br/> | ||
JULIA. [Aside] That such an ass should owe them.<br/> | JULIA. [Aside] That such an ass should owe them.<br/> | ||
PROTEUS. That they are out by lease.<br/> | PROTEUS. That they are out by lease.<br/> | ||
JULIA. Here comes the Duke.<br/> | JULIA. Here comes the Duke.<br/> | ||
</p> | </p> | ||
Line 2,242: | Line 4,262: | ||
<p> DUKE. How now, Sir Proteus! how now, Thurio!<br/> | <p> DUKE. How now, Sir Proteus! how now, Thurio!<br/> | ||
Which of you saw Sir Eglamour of late?<br/> | Which of you saw Sir Eglamour of late?<br/> | ||
THURIO. Not I.<br/> | THURIO. Not I.<br/> | ||
PROTEUS. Nor I.<br/> | PROTEUS. Nor I.<br/> | ||
DUKE. Saw you my daughter?<br/> | DUKE. Saw you my daughter?<br/> | ||
PROTEUS. Neither.<br/> | PROTEUS. Neither.<br/> | ||
DUKE. Why then,<br/> | DUKE. Why then,<br/> | ||
She's fled unto that peasant Valentine;<br/> | She's fled unto that peasant Valentine;<br/> | ||
And Eglamour is in her company.<br/> | And Eglamour is in her company.<br/> | ||
'Tis true; for Friar Lawrence met them both<br/> | 'Tis true; for Friar Lawrence met them both<br/> | ||
As he in penance wander'd through the forest;<br/> | As he in penance wander'd through the forest;<br/> | ||
Him he knew well, and guess'd that it was she,<br/> | Him he knew well, and guess'd that it was she,<br/> | ||
But, being mask'd, he was not sure of it;<br/> | But, being mask'd, he was not sure of it;<br/> | ||
Besides, she did intend confession<br/> | Besides, she did intend confession<br/> | ||
At Patrick's cell this even; and there she was not.<br/> | At Patrick's cell this even; and there she was not.<br/> | ||
These likelihoods confirm her flight from hence;<br/> | These likelihoods confirm her flight from hence;<br/> | ||
Therefore, I pray you, stand not to discourse,<br/> | Therefore, I pray you, stand not to discourse,<br/> | ||
But mount you presently, and meet with me<br/> | But mount you presently, and meet with me<br/> | ||
Upon the rising of the mountain foot<br/> | Upon the rising of the mountain foot<br/> | ||
That leads toward Mantua, whither they are fled.<br/> | That leads toward Mantua, whither they are fled.<br/> | ||
Dispatch, sweet gentlemen, and follow me. Exit<br/> | Dispatch, sweet gentlemen, and follow me. Exit<br/> | ||
THURIO. Why, this it is to be a peevish girl<br/> | THURIO. Why, this it is to be a peevish girl<br/> | ||
That flies her fortune when it follows her.<br/> | That flies her fortune when it follows her.<br/> | ||
I'll after, more to be reveng'd on Eglamour<br/> | I'll after, more to be reveng'd on Eglamour<br/> | ||
Than for the love of reckless Silvia. Exit<br/> | Than for the love of reckless Silvia. Exit<br/> | ||
PROTEUS. And I will follow, more for Silvia's love<br/> | PROTEUS. And I will follow, more for Silvia's love<br/> | ||
Than hate of Eglamour, that goes with her. Exit<br/> | Than hate of Eglamour, that goes with her. Exit<br/> | ||
JULIA. And I will follow, more to cross that love<br/> | JULIA. And I will follow, more to cross that love<br/> | ||
Than hate for Silvia, that is gone for love. Exit<br/> | Than hate for Silvia, that is gone for love. Exit<br/> | ||
</p> | </p> | ||
<h4>SCENE III. | <h4>SCENE III. | ||
The frontiers of Mantua. The forest</h4> | The frontiers of Mantua. The forest</h4> | ||
Line 2,278: | Line 4,328: | ||
<p> FIRST OUTLAW. Come, come.<br/> | <p> FIRST OUTLAW. Come, come.<br/> | ||
Be patient; we must bring you to our captain.<br/> | Be patient; we must bring you to our captain.<br/> | ||
SILVIA. A thousand more mischances than this one<br/> | SILVIA. A thousand more mischances than this one<br/> | ||
Have learn'd me how to brook this patiently.<br/> | Have learn'd me how to brook this patiently.<br/> | ||
SECOND OUTLAW. Come, bring her away.<br/> | SECOND OUTLAW. Come, bring her away.<br/> | ||
FIRST OUTLAW. Where is the gentleman that was with her?<br/> | FIRST OUTLAW. Where is the gentleman that was with her?<br/> | ||
SECOND OUTLAW. Being nimble-footed, he hath outrun us,<br/> | SECOND OUTLAW. Being nimble-footed, he hath outrun us,<br/> | ||
But Moyses and Valerius follow him.<br/> | But Moyses and Valerius follow him.<br/> | ||
Go thou with her to the west end of the wood;<br/> | Go thou with her to the west end of the wood;<br/> | ||
There is our captain; we'll follow him that's fled.<br/> | There is our captain; we'll follow him that's fled.<br/> | ||
The thicket is beset; he cannot 'scape.<br/> | The thicket is beset; he cannot 'scape.<br/> | ||
FIRST OUTLAW. Come, I must bring you to our captain's cave;<br/> | FIRST OUTLAW. Come, I must bring you to our captain's cave;<br/> | ||
Fear not; he bears an honourable mind,<br/> | Fear not; he bears an honourable mind,<br/> | ||
And will not use a woman lawlessly.<br/> | And will not use a woman lawlessly.<br/> | ||
SILVIA. O Valentine, this I endure for thee! Exeunt<br/> | SILVIA. O Valentine, this I endure for thee! Exeunt<br/> | ||
</p> | </p> | ||
<h4>SCENE IV. | <h4>SCENE IV. | ||
Another part of the forest</h4> | Another part of the forest</h4> | ||
Line 2,300: | Line 4,366: | ||
<p> VALENTINE. How use doth breed a habit in a man!<br/> | <p> VALENTINE. How use doth breed a habit in a man!<br/> | ||
This shadowy desert, unfrequented woods,<br/> | This shadowy desert, unfrequented woods,<br/> | ||
I better brook than flourishing peopled towns.<br/> | I better brook than flourishing peopled towns.<br/> | ||
Here can I sit alone, unseen of any,<br/> | Here can I sit alone, unseen of any,<br/> | ||
And to the nightingale's complaining notes<br/> | And to the nightingale's complaining notes<br/> | ||
Tune my distresses and record my woes.<br/> | Tune my distresses and record my woes.<br/> | ||
O thou that dost inhabit in my breast,<br/> | O thou that dost inhabit in my breast,<br/> | ||
Leave not the mansion so long tenantless,<br/> | Leave not the mansion so long tenantless,<br/> | ||
Lest, growing ruinous, the building fall<br/> | Lest, growing ruinous, the building fall<br/> | ||
And leave no memory of what it was!<br/> | And leave no memory of what it was!<br/> | ||
Repair me with thy presence, Silvia:<br/> | Repair me with thy presence, Silvia:<br/> | ||
Thou gentle nymph, cherish thy forlorn swain.<br/> | Thou gentle nymph, cherish thy forlorn swain.<br/> | ||
What halloing and what stir is this to-day?<br/> | What halloing and what stir is this to-day?<br/> | ||
These are my mates, that make their wills their law,<br/> | These are my mates, that make their wills their law,<br/> | ||
Have some unhappy passenger in chase.<br/> | Have some unhappy passenger in chase.<br/> | ||
They love me well; yet I have much to do<br/> | They love me well; yet I have much to do<br/> | ||
To keep them from uncivil outrages.<br/> | To keep them from uncivil outrages.<br/> | ||
Withdraw thee, Valentine. Who's this comes here?<br/> | Withdraw thee, Valentine. Who's this comes here?<br/> | ||
[Steps aside]<br/> | [Steps aside]<br/> | ||
</p> | </p> | ||
Line 2,323: | Line 4,408: | ||
<p> PROTEUS. Madam, this service I have done for you,<br/> | <p> PROTEUS. Madam, this service I have done for you,<br/> | ||
Though you respect not aught your servant doth,<br/> | Though you respect not aught your servant doth,<br/> | ||
To hazard life, and rescue you from him<br/> | To hazard life, and rescue you from him<br/> | ||
That would have forc'd your honour and your love.<br/> | That would have forc'd your honour and your love.<br/> | ||
Vouchsafe me, for my meed, but one fair look;<br/> | Vouchsafe me, for my meed, but one fair look;<br/> | ||
A smaller boon than this I cannot beg,<br/> | A smaller boon than this I cannot beg,<br/> | ||
And less than this, I am sure, you cannot give.<br/> | And less than this, I am sure, you cannot give.<br/> | ||
VALENTINE. [Aside] How like a dream is this I see and hear!<br/> | VALENTINE. [Aside] How like a dream is this I see and hear!<br/> | ||
Love, lend me patience to forbear awhile.<br/> | Love, lend me patience to forbear awhile.<br/> | ||
SILVIA. O miserable, unhappy that I am!<br/> | SILVIA. O miserable, unhappy that I am!<br/> | ||
PROTEUS. Unhappy were you, madam, ere I came;<br/> | PROTEUS. Unhappy were you, madam, ere I came;<br/> | ||
But by my coming I have made you happy.<br/> | But by my coming I have made you happy.<br/> | ||
SILVIA. By thy approach thou mak'st me most unhappy.<br/> | SILVIA. By thy approach thou mak'st me most unhappy.<br/> | ||
JULIA. [Aside] And me, when he approacheth to your presence.<br/> | JULIA. [Aside] And me, when he approacheth to your presence.<br/> | ||
SILVIA. Had I been seized by a hungry lion,<br/> | SILVIA. Had I been seized by a hungry lion,<br/> | ||
I would have been a breakfast to the beast<br/> | I would have been a breakfast to the beast<br/> | ||
Rather than have false Proteus rescue me.<br/> | Rather than have false Proteus rescue me.<br/> | ||
O, heaven be judge how I love Valentine,<br/> | O, heaven be judge how I love Valentine,<br/> | ||
Whose life's as tender to me as my soul!<br/> | Whose life's as tender to me as my soul!<br/> | ||
And full as much, for more there cannot be,<br/> | And full as much, for more there cannot be,<br/> | ||
I do detest false, perjur'd Proteus.<br/> | I do detest false, perjur'd Proteus.<br/> | ||
Therefore be gone; solicit me no more.<br/> | Therefore be gone; solicit me no more.<br/> | ||
PROTEUS. What dangerous action, stood it next to death,<br/> | PROTEUS. What dangerous action, stood it next to death,<br/> | ||
Would I not undergo for one calm look?<br/> | Would I not undergo for one calm look?<br/> | ||
O, 'tis the curse in love, and still approv'd,<br/> | O, 'tis the curse in love, and still approv'd,<br/> | ||
When women cannot love where they're belov'd!<br/> | When women cannot love where they're belov'd!<br/> | ||
SILVIA. When Proteus cannot love where he's belov'd!<br/> | SILVIA. When Proteus cannot love where he's belov'd!<br/> | ||
Read over Julia's heart, thy first best love,<br/> | Read over Julia's heart, thy first best love,<br/> | ||
For whose dear sake thou didst then rend thy faith<br/> | For whose dear sake thou didst then rend thy faith<br/> | ||
Into a thousand oaths; and all those oaths<br/> | Into a thousand oaths; and all those oaths<br/> | ||
Descended into perjury, to love me.<br/> | Descended into perjury, to love me.<br/> | ||
Thou hast no faith left now, unless thou'dst two,<br/> | Thou hast no faith left now, unless thou'dst two,<br/> | ||
And that's far worse than none; better have none<br/> | And that's far worse than none; better have none<br/> | ||
Than plural faith, which is too much by one.<br/> | Than plural faith, which is too much by one.<br/> | ||
Thou counterfeit to thy true friend!<br/> | Thou counterfeit to thy true friend!<br/> | ||
PROTEUS. In love,<br/> | PROTEUS. In love,<br/> | ||
Who respects friend?<br/> | Who respects friend?<br/> | ||
SILVIA. All men but Proteus.<br/> | SILVIA. All men but Proteus.<br/> | ||
PROTEUS. Nay, if the gentle spirit of moving words<br/> | PROTEUS. Nay, if the gentle spirit of moving words<br/> | ||
Can no way change you to a milder form,<br/> | Can no way change you to a milder form,<br/> | ||
I'll woo you like a soldier, at arms' end,<br/> | I'll woo you like a soldier, at arms' end,<br/> | ||
And love you 'gainst the nature of love- force ye.<br/> | And love you 'gainst the nature of love- force ye.<br/> | ||
SILVIA. O heaven!<br/> | SILVIA. O heaven!<br/> | ||
PROTEUS. I'll force thee yield to my desire.<br/> | PROTEUS. I'll force thee yield to my desire.<br/> | ||
VALENTINE. Ruffian! let go that rude uncivil touch;<br/> | VALENTINE. Ruffian! let go that rude uncivil touch;<br/> | ||
Thou friend of an ill fashion!<br/> | Thou friend of an ill fashion!<br/> | ||
PROTEUS. Valentine!<br/> | PROTEUS. Valentine!<br/> | ||
VALENTINE. Thou common friend, that's without faith or love-<br/> | VALENTINE. Thou common friend, that's without faith or love-<br/> | ||
For such is a friend now; treacherous man,<br/> | For such is a friend now; treacherous man,<br/> | ||
Thou hast beguil'd my hopes; nought but mine eye<br/> | Thou hast beguil'd my hopes; nought but mine eye<br/> | ||
Could have persuaded me. Now I dare not say<br/> | Could have persuaded me. Now I dare not say<br/> | ||
I have one friend alive: thou wouldst disprove me.<br/> | I have one friend alive: thou wouldst disprove me.<br/> | ||
Who should be trusted, when one's own right hand<br/> | Who should be trusted, when one's own right hand<br/> | ||
Is perjured to the bosom? Proteus,<br/> | Is perjured to the bosom? Proteus,<br/> | ||
I am sorry I must never trust thee more,<br/> | I am sorry I must never trust thee more,<br/> | ||
But count the world a stranger for thy sake.<br/> | But count the world a stranger for thy sake.<br/> | ||
The private wound is deepest. O time most accurst!<br/> | The private wound is deepest. O time most accurst!<br/> | ||
'Mongst all foes that a friend should be the worst!<br/> | 'Mongst all foes that a friend should be the worst!<br/> | ||
PROTEUS. My shame and guilt confounds me.<br/> | PROTEUS. My shame and guilt confounds me.<br/> | ||
Forgive me, Valentine; if hearty sorrow<br/> | Forgive me, Valentine; if hearty sorrow<br/> | ||
Be a sufficient ransom for offence,<br/> | Be a sufficient ransom for offence,<br/> | ||
I tender 't here; I do as truly suffer<br/> | I tender 't here; I do as truly suffer<br/> | ||
As e'er I did commit.<br/> | As e'er I did commit.<br/> | ||
VALENTINE. Then I am paid;<br/> | VALENTINE. Then I am paid;<br/> | ||
And once again I do receive thee honest.<br/> | And once again I do receive thee honest.<br/> | ||
Who by repentance is not satisfied<br/> | Who by repentance is not satisfied<br/> | ||
Is nor of heaven nor earth, for these are pleas'd;<br/> | Is nor of heaven nor earth, for these are pleas'd;<br/> | ||
By penitence th' Eternal's wrath's appeas'd.<br/> | By penitence th' Eternal's wrath's appeas'd.<br/> | ||
And, that my love may appear plain and free,<br/> | And, that my love may appear plain and free,<br/> | ||
All that was mine in Silvia I give thee.<br/> | All that was mine in Silvia I give thee.<br/> | ||
JULIA. O me unhappy! [Swoons]<br/> | JULIA. O me unhappy! [Swoons]<br/> | ||
PROTEUS. Look to the boy.<br/> | PROTEUS. Look to the boy.<br/> | ||
VALENTINE. Why, boy! why, wag! how now!<br/> | VALENTINE. Why, boy! why, wag! how now!<br/> | ||
What's the matter? Look up; speak.<br/> | What's the matter? Look up; speak.<br/> | ||
JULIA. O good sir, my master charg'd me to deliver a ring to Madam<br/> | JULIA. O good sir, my master charg'd me to deliver a ring to Madam<br/> | ||
Silvia, which, out of my neglect, was never done.<br/> | Silvia, which, out of my neglect, was never done.<br/> | ||
PROTEUS. Where is that ring, boy?<br/> | PROTEUS. Where is that ring, boy?<br/> | ||
JULIA. Here 'tis; this is it.<br/> | JULIA. Here 'tis; this is it.<br/> | ||
PROTEUS. How! let me see. Why, this is the ring I gave to Julia.<br/> | PROTEUS. How! let me see. Why, this is the ring I gave to Julia.<br/> | ||
JULIA. O, cry you mercy, sir, I have mistook;<br/> | JULIA. O, cry you mercy, sir, I have mistook;<br/> | ||
This is the ring you sent to Silvia.<br/> | This is the ring you sent to Silvia.<br/> | ||
PROTEUS. But how cam'st thou by this ring?<br/> | PROTEUS. But how cam'st thou by this ring?<br/> | ||
At my depart I gave this unto Julia.<br/> | At my depart I gave this unto Julia.<br/> | ||
JULIA. And Julia herself did give it me;<br/> | JULIA. And Julia herself did give it me;<br/> | ||
And Julia herself have brought it hither.<br/> | And Julia herself have brought it hither.<br/> | ||
PROTEUS. How! Julia!<br/> | PROTEUS. How! Julia!<br/> | ||
JULIA. Behold her that gave aim to all thy oaths,<br/> | JULIA. Behold her that gave aim to all thy oaths,<br/> | ||
And entertain'd 'em deeply in her heart.<br/> | And entertain'd 'em deeply in her heart.<br/> | ||
How oft hast thou with perjury cleft the root!<br/> | How oft hast thou with perjury cleft the root!<br/> | ||
O Proteus, let this habit make thee blush!<br/> | O Proteus, let this habit make thee blush!<br/> | ||
Be thou asham'd that I have took upon me<br/> | Be thou asham'd that I have took upon me<br/> | ||
Such an immodest raiment- if shame live<br/> | Such an immodest raiment- if shame live<br/> | ||
In a disguise of love.<br/> | In a disguise of love.<br/> | ||
It is the lesser blot, modesty finds,<br/> | It is the lesser blot, modesty finds,<br/> | ||
Women to change their shapes than men their minds.<br/> | Women to change their shapes than men their minds.<br/> | ||
PROTEUS. Than men their minds! 'tis true. O heaven, were man<br/> | PROTEUS. Than men their minds! 'tis true. O heaven, were man<br/> | ||
But constant, he were perfect! That one error<br/> | But constant, he were perfect! That one error<br/> | ||
Fills him with faults; makes him run through all th' sins:<br/> | Fills him with faults; makes him run through all th' sins:<br/> | ||
Inconstancy falls off ere it begins.<br/> | Inconstancy falls off ere it begins.<br/> | ||
What is in Silvia's face but I may spy<br/> | What is in Silvia's face but I may spy<br/> | ||
More fresh in Julia's with a constant eye?<br/> | More fresh in Julia's with a constant eye?<br/> | ||
VALENTINE. Come, come, a hand from either.<br/> | VALENTINE. Come, come, a hand from either.<br/> | ||
Let me be blest to make this happy close;<br/> | Let me be blest to make this happy close;<br/> | ||
'Twere pity two such friends should be long foes.<br/> | 'Twere pity two such friends should be long foes.<br/> | ||
PROTEUS. Bear witness, heaven, I have my wish for ever.<br/> | PROTEUS. Bear witness, heaven, I have my wish for ever.<br/> | ||
JULIA. And I mine.<br/> | JULIA. And I mine.<br/> | ||
</p> | </p> | ||
Line 2,433: | Line 4,624: | ||
<p> OUTLAW. A prize, a prize, a prize!<br/> | <p> OUTLAW. A prize, a prize, a prize!<br/> | ||
VALENTINE. Forbear, forbear, I say; it is my lord the Duke.<br/> | VALENTINE. Forbear, forbear, I say; it is my lord the Duke.<br/> | ||
Your Grace is welcome to a man disgrac'd,<br/> | Your Grace is welcome to a man disgrac'd,<br/> | ||
Banished Valentine.<br/> | Banished Valentine.<br/> | ||
DUKE. Sir Valentine!<br/> | DUKE. Sir Valentine!<br/> | ||
THURIO. Yonder is Silvia; and Silvia's mine.<br/> | THURIO. Yonder is Silvia; and Silvia's mine.<br/> | ||
VALENTINE. Thurio, give back, or else embrace thy death;<br/> | VALENTINE. Thurio, give back, or else embrace thy death;<br/> | ||
Come not within the measure of my wrath;<br/> | Come not within the measure of my wrath;<br/> | ||
Do not name Silvia thine; if once again,<br/> | Do not name Silvia thine; if once again,<br/> | ||
Verona shall not hold thee. Here she stands<br/> | Verona shall not hold thee. Here she stands<br/> | ||
Take but possession of her with a touch-<br/> | Take but possession of her with a touch-<br/> | ||
I dare thee but to breathe upon my love.<br/> | I dare thee but to breathe upon my love.<br/> | ||
THURIO. Sir Valentine, I care not for her, I;<br/> | THURIO. Sir Valentine, I care not for her, I;<br/> | ||
I hold him but a fool that will endanger<br/> | I hold him but a fool that will endanger<br/> | ||
His body for a girl that loves him not.<br/> | His body for a girl that loves him not.<br/> | ||
I claim her not, and therefore she is thine.<br/> | I claim her not, and therefore she is thine.<br/> | ||
DUKE. The more degenerate and base art thou<br/> | DUKE. The more degenerate and base art thou<br/> | ||
To make such means for her as thou hast done<br/> | To make such means for her as thou hast done<br/> | ||
And leave her on such slight conditions.<br/> | And leave her on such slight conditions.<br/> | ||
Now, by the honour of my ancestry,<br/> | Now, by the honour of my ancestry,<br/> | ||
I do applaud thy spirit, Valentine,<br/> | I do applaud thy spirit, Valentine,<br/> | ||
And think thee worthy of an empress' love.<br/> | And think thee worthy of an empress' love.<br/> | ||
Know then, I here forget all former griefs,<br/> | Know then, I here forget all former griefs,<br/> | ||
Cancel all grudge, repeal thee home again,<br/> | Cancel all grudge, repeal thee home again,<br/> | ||
Plead a new state in thy unrivall'd merit,<br/> | Plead a new state in thy unrivall'd merit,<br/> | ||
To which I thus subscribe: Sir Valentine,<br/> | To which I thus subscribe: Sir Valentine,<br/> | ||
Thou art a gentleman, and well deriv'd;<br/> | Thou art a gentleman, and well deriv'd;<br/> | ||
Take thou thy Silvia, for thou hast deserv'd her.<br/> | Take thou thy Silvia, for thou hast deserv'd her.<br/> | ||
VALENTINE. I thank your Grace; the gift hath made me happy.<br/> | VALENTINE. I thank your Grace; the gift hath made me happy.<br/> | ||
I now beseech you, for your daughter's sake,<br/> | I now beseech you, for your daughter's sake,<br/> | ||
To grant one boon that I shall ask of you.<br/> | To grant one boon that I shall ask of you.<br/> | ||
DUKE. I grant it for thine own, whate'er it be.<br/> | DUKE. I grant it for thine own, whate'er it be.<br/> | ||
VALENTINE. These banish'd men, that I have kept withal,<br/> | VALENTINE. These banish'd men, that I have kept withal,<br/> | ||
Are men endu'd with worthy qualities;<br/> | Are men endu'd with worthy qualities;<br/> | ||
Forgive them what they have committed here,<br/> | Forgive them what they have committed here,<br/> | ||
And let them be recall'd from their exile:<br/> | And let them be recall'd from their exile:<br/> | ||
They are reformed, civil, full of good,<br/> | They are reformed, civil, full of good,<br/> | ||
And fit for great employment, worthy lord.<br/> | And fit for great employment, worthy lord.<br/> | ||
DUKE. Thou hast prevail'd; I pardon them, and thee;<br/> | DUKE. Thou hast prevail'd; I pardon them, and thee;<br/> | ||
Dispose of them as thou know'st their deserts.<br/> | Dispose of them as thou know'st their deserts.<br/> | ||
Come, let us go; we will include all jars<br/> | Come, let us go; we will include all jars<br/> | ||
With triumphs, mirth, and rare solemnity.<br/> | With triumphs, mirth, and rare solemnity.<br/> | ||
VALENTINE. And, as we walk along, I dare be bold<br/> | VALENTINE. And, as we walk along, I dare be bold<br/> | ||
With our discourse to make your Grace to smile.<br/> | With our discourse to make your Grace to smile.<br/> | ||
What think you of this page, my lord?<br/> | What think you of this page, my lord?<br/> | ||
DUKE. I think the boy hath grace in him; he blushes.<br/> | DUKE. I think the boy hath grace in him; he blushes.<br/> | ||
VALENTINE. I warrant you, my lord- more grace than boy.<br/> | VALENTINE. I warrant you, my lord- more grace than boy.<br/> | ||
DUKE. What mean you by that saying?<br/> | DUKE. What mean you by that saying?<br/> | ||
VALENTINE. Please you, I'll tell you as we pass along,<br/> | VALENTINE. Please you, I'll tell you as we pass along,<br/> | ||
That you will wonder what hath fortuned.<br/> | That you will wonder what hath fortuned.<br/> | ||
Come, Proteus, 'tis your penance but to hear<br/> | Come, Proteus, 'tis your penance but to hear<br/> | ||
The story of your loves discovered.<br/> | The story of your loves discovered.<br/> | ||
That done, our day of marriage shall be yours;<br/> | That done, our day of marriage shall be yours;<br/> | ||
One feast, one house, one mutual happiness! Exeunt<br/> | One feast, one house, one mutual happiness! Exeunt<br/> | ||
</p> | </p> | ||
{{close-shakespeare}} | {{close-shakespeare}}</text> |
Latest revision as of 14:53, 6 January 2025
THE TWO GENTLEMEN OF VERONA
DRAMATIS PERSONAE
DUKE OF MILAN, father to Silvia
VALENTINE, one of the two gentlemen
PROTEUS, " " " " "
ANTONIO, father to Proteus
THURIO, a foolish rival to Valentine
EGLAMOUR, agent for Silvia in her escape
SPEED, a clownish servant to Valentine
LAUNCE, the like to Proteus
PANTHINO, servant to Antonio
HOST, where Julia lodges in Milan
OUTLAWS, with Valentine
JULIA, a lady of Verona, beloved of Proteus
SILVIA, the Duke's daughter, beloved of Valentine
LUCETTA, waiting-woman to Julia
SERVANTS MUSICIANS
SCENE: Verona; Milan; the frontiers of Mantua
ACT I. SCENE I. Verona. An open place
Enter VALENTINE and PROTEUS
VALENTINE. Cease to persuade, my loving Proteus:
Home-keeping youth have ever homely wits.
Were't not affection chains thy tender days
To the sweet glances of thy honour'd love,
I rather would entreat thy company
To see the wonders of the world abroad,
Than, living dully sluggardiz'd at home,
Wear out thy youth with shapeless idleness.
But since thou lov'st, love still, and thrive therein,
Even as I would, when I to love begin.
PROTEUS. Wilt thou be gone? Sweet Valentine, adieu!
Think on thy Proteus, when thou haply seest
Some rare noteworthy object in thy travel.
Wish me partaker in thy happiness
When thou dost meet good hap; and in thy danger,
If ever danger do environ thee,
Commend thy grievance to my holy prayers,
For I will be thy headsman, Valentine.
VALENTINE. And on a love-book pray for my success?
PROTEUS. Upon some book I love I'll pray for thee.
VALENTINE. That's on some shallow story of deep love:
How young Leander cross'd the Hellespont.
PROTEUS. That's a deep story of a deeper love;
For he was more than over shoes in love.
VALENTINE. 'Tis true; for you are over boots in love,
And yet you never swum the Hellespont.
PROTEUS. Over the boots! Nay, give me not the boots.
VALENTINE. No, I will not, for it boots thee not.
PROTEUS. What?
VALENTINE. To be in love- where scorn is bought with groans,
Coy looks with heart-sore sighs, one fading moment's mirth
With twenty watchful, weary, tedious nights;
If haply won, perhaps a hapless gain;
If lost, why then a grievous labour won;
However, but a folly bought with wit,
Or else a wit by folly vanquished.
PROTEUS. So, by your circumstance, you call me fool.
VALENTINE. So, by your circumstance, I fear you'll prove.
PROTEUS. 'Tis love you cavil at; I am not Love.
VALENTINE. Love is your master, for he masters you;
And he that is so yoked by a fool,
Methinks, should not be chronicled for wise.
PROTEUS. Yet writers say, as in the sweetest bud
The eating canker dwells, so eating love
Inhabits in the finest wits of all.
VALENTINE. And writers say, as the most forward bud
Is eaten by the canker ere it blow,
Even so by love the young and tender wit
Is turn'd to folly, blasting in the bud,
Losing his verdure even in the prime,
And all the fair effects of future hopes.
But wherefore waste I time to counsel the
That art a votary to fond desire?
Once more adieu. My father at the road
Expects my coming, there to see me shipp'd.
PROTEUS. And thither will I bring thee, Valentine.
VALENTINE. Sweet Proteus, no; now let us take our leave.
To Milan let me hear from thee by letters
Of thy success in love, and what news else
Betideth here in absence of thy friend;
And I likewise will visit thee with mine.
PROTEUS. All happiness bechance to thee in Milan!
VALENTINE. As much to you at home; and so farewell!
Exit VALENTINE
PROTEUS. He after honour hunts, I after love;
He leaves his friends to dignify them more:
I leave myself, my friends, and all for love.
Thou, Julia, thou hast metamorphis'd me,
Made me neglect my studies, lose my time,
War with good counsel, set the world at nought;
Made wit with musing weak, heart sick with thought.
Enter SPEED
SPEED. Sir Proteus, save you! Saw you my master?
PROTEUS. But now he parted hence to embark for Milan.
SPEED. Twenty to one then he is shipp'd already,
And I have play'd the sheep in losing him.
PROTEUS. Indeed a sheep doth very often stray,
An if the shepherd be awhile away.
SPEED. You conclude that my master is a shepherd then, and
I a sheep?
PROTEUS. I do.
SPEED. Why then, my horns are his horns, whether I wake or sleep.
PROTEUS. A silly answer, and fitting well a sheep.
SPEED. This proves me still a sheep.
PROTEUS. True; and thy master a shepherd.
SPEED. Nay, that I can deny by a circumstance.
PROTEUS. It shall go hard but I'll prove it by another.
SPEED. The shepherd seeks the sheep, and not the sheep the
shepherd; but I seek my master, and my master seeks not me;
therefore, I am no sheep.
PROTEUS. The sheep for fodder follow the shepherd; the shepherd for
food follows not the sheep: thou for wages followest thy master;
thy master for wages follows not thee. Therefore, thou art a
sheep.
SPEED. Such another proof will make me cry 'baa.'
PROTEUS. But dost thou hear? Gav'st thou my letter to Julia?
SPEED. Ay, sir; I, a lost mutton, gave your letter to her, a lac'd
mutton; and she, a lac'd mutton, gave me, a lost mutton, nothing
for my labour.
PROTEUS. Here's too small a pasture for such store of muttons.
SPEED. If the ground be overcharg'd, you were best stick her.
PROTEUS. Nay, in that you are astray: 'twere best pound you.
SPEED. Nay, sir, less than a pound shall serve me for carrying your
letter.
PROTEUS. You mistake; I mean the pound- a pinfold.
SPEED. From a pound to a pin? Fold it over and over,
'Tis threefold too little for carrying a letter to your lover.
PROTEUS. But what said she?
SPEED. [Nodding] Ay.
PROTEUS. Nod- ay. Why, that's 'noddy.'
SPEED. You mistook, sir; I say she did nod; and you ask me if she
did nod; and I say 'Ay.'
PROTEUS. And that set together is 'noddy.'
SPEED. Now you have taken the pains to set it together, take it for
your pains.
PROTEUS. No, no; you shall have it for bearing the letter.
SPEED. Well, I perceive I must be fain to bear with you.
PROTEUS. Why, sir, how do you bear with me?
SPEED. Marry, sir, the letter, very orderly; having nothing but the
word 'noddy' for my pains.
PROTEUS. Beshrew me, but you have a quick wit.
SPEED. And yet it cannot overtake your slow purse.
PROTEUS. Come, come, open the matter; in brief, what said she?
SPEED. Open your purse, that the money and the matter may be both
at once delivered.
PROTEUS. Well, sir, here is for your pains. What said she?
SPEED. Truly, sir, I think you'll hardly win her.
PROTEUS. Why, couldst thou perceive so much from her?
SPEED. Sir, I could perceive nothing at all from her; no, not so
much as a ducat for delivering your letter; and being so hard to
me that brought your mind, I fear she'll prove as hard to you in
telling your mind. Give her no token but stones, for she's as
hard as steel.
PROTEUS. What said she? Nothing?
SPEED. No, not so much as 'Take this for thy pains.' To testify
your bounty, I thank you, you have testern'd me; in requital
whereof, henceforth carry your letters yourself; and so, sir,
I'll commend you to my master.
PROTEUS. Go, go, be gone, to save your ship from wreck,
Which cannot perish, having thee aboard,
Being destin'd to a drier death on shore. Exit SPEED
I must go send some better messenger.
I fear my Julia would not deign my lines,
Receiving them from such a worthless post. Exit
SCENE II. Verona. The garden Of JULIA'S house
Enter JULIA and LUCETTA
JULIA. But say, Lucetta, now we are alone,
Wouldst thou then counsel me to fall in love?
LUCETTA. Ay, madam; so you stumble not unheedfully.
JULIA. Of all the fair resort of gentlemen
That every day with parle encounter me,
In thy opinion which is worthiest love?
LUCETTA. Please you, repeat their names; I'll show my mind
According to my shallow simple skill.
JULIA. What think'st thou of the fair Sir Eglamour?
LUCETTA. As of a knight well-spoken, neat, and fine;
But, were I you, he never should be mine.
JULIA. What think'st thou of the rich Mercatio?
LUCETTA. Well of his wealth; but of himself, so so.
JULIA. What think'st thou of the gentle Proteus?
LUCETTA. Lord, Lord! to see what folly reigns in us!
JULIA. How now! what means this passion at his name?
LUCETTA. Pardon, dear madam; 'tis a passing shame
That I, unworthy body as I am,
Should censure thus on lovely gentlemen.
JULIA. Why not on Proteus, as of all the rest?
LUCETTA. Then thus: of many good I think him best.
JULIA. Your reason?
LUCETTA. I have no other but a woman's reason:
I think him so, because I think him so.
JULIA. And wouldst thou have me cast my love on him?
LUCETTA. Ay, if you thought your love not cast away.
JULIA. Why, he, of all the rest, hath never mov'd me.
LUCETTA. Yet he, of all the rest, I think, best loves ye.
JULIA. His little speaking shows his love but small.
LUCETTA. Fire that's closest kept burns most of all.
JULIA. They do not love that do not show their love.
LUCETTA. O, they love least that let men know their love.
JULIA. I would I knew his mind.
LUCETTA. Peruse this paper, madam.
JULIA. 'To Julia'- Say, from whom?
LUCETTA. That the contents will show.
JULIA. Say, say, who gave it thee?
LUCETTA. Sir Valentine's page; and sent, I think, from Proteus.
He would have given it you; but I, being in the way,
Did in your name receive it; pardon the fault, I pray.
JULIA. Now, by my modesty, a goodly broker!
Dare you presume to harbour wanton lines?
To whisper and conspire against my youth?
Now, trust me, 'tis an office of great worth,
And you an officer fit for the place.
There, take the paper; see it be return'd;
Or else return no more into my sight.
LUCETTA. To plead for love deserves more fee than hate.
JULIA. Will ye be gone?
LUCETTA. That you may ruminate. Exit
JULIA. And yet, I would I had o'erlook'd the letter.
It were a shame to call her back again,
And pray her to a fault for which I chid her.
What fool is she, that knows I am a maid
And would not force the letter to my view!
Since maids, in modesty, say 'No' to that
Which they would have the profferer construe 'Ay.'
Fie, fie, how wayward is this foolish love,
That like a testy babe will scratch the nurse,
And presently, all humbled, kiss the rod!
How churlishly I chid Lucetta hence,
When willingly I would have had her here!
How angerly I taught my brow to frown,
When inward joy enforc'd my heart to smile!
My penance is to call Lucetta back
And ask remission for my folly past.
What ho! Lucetta!
Re-enter LUCETTA
LUCETTA. What would your ladyship?
JULIA. Is't near dinner time?
LUCETTA. I would it were,
That you might kill your stomach on your meat
And not upon your maid.
JULIA. What is't that you took up so gingerly?
LUCETTA. Nothing.
JULIA. Why didst thou stoop then?
LUCETTA. To take a paper up that I let fall.
JULIA. And is that paper nothing?
LUCETTA. Nothing concerning me.
JULIA. Then let it lie for those that it concerns.
LUCETTA. Madam, it will not lie where it concerns,
Unless it have a false interpreter.
JULIA. Some love of yours hath writ to you in rhyme.
LUCETTA. That I might sing it, madam, to a tune.
Give me a note; your ladyship can set.
JULIA. As little by such toys as may be possible.
Best sing it to the tune of 'Light o' Love.'
LUCETTA. It is too heavy for so light a tune.
JULIA. Heavy! belike it hath some burden then.
LUCETTA. Ay; and melodious were it, would you sing it.
JULIA. And why not you?
LUCETTA. I cannot reach so high.
JULIA. Let's see your song. [LUCETTA withholds the letter]
How now, minion!
LUCETTA. Keep tune there still, so you will sing it out.
And yet methinks I do not like this tune.
JULIA. You do not!
LUCETTA. No, madam; 'tis too sharp.
JULIA. You, minion, are too saucy.
LUCETTA. Nay, now you are too flat
And mar the concord with too harsh a descant;
There wanteth but a mean to fill your song.
JULIA. The mean is drown'd with your unruly bass.
LUCETTA. Indeed, I bid the base for Proteus.
JULIA. This babble shall not henceforth trouble me.
Here is a coil with protestation! [Tears the letter]
Go, get you gone; and let the papers lie.
You would be fing'ring them, to anger me.
LUCETTA. She makes it strange; but she would be best pleas'd
To be so ang'red with another letter. Exit
JULIA. Nay, would I were so ang'red with the same!
O hateful hands, to tear such loving words!
Injurious wasps, to feed on such sweet honey
And kill the bees that yield it with your stings!
I'll kiss each several paper for amends.
Look, here is writ 'kind Julia.' Unkind Julia,
As in revenge of thy ingratitude,
I throw thy name against the bruising stones,
Trampling contemptuously on thy disdain.
And here is writ 'love-wounded Proteus.'
Poor wounded name! my bosom,,as a bed,
Shall lodge thee till thy wound be throughly heal'd;
And thus I search it with a sovereign kiss.
But twice or thrice was 'Proteus' written down.
Be calm, good wind, blow not a word away
Till I have found each letter in the letter-
Except mine own name; that some whirlwind bear
Unto a ragged, fearful, hanging rock,
And throw it thence into the raging sea.
Lo, here in one line is his name twice writ:
'Poor forlorn Proteus, passionate Proteus,
To the sweet Julia.' That I'll tear away;
And yet I will not, sith so prettily
He couples it to his complaining names.
Thus will I fold them one upon another;
Now kiss, embrace, contend, do what you will.
Re-enter LUCETTA
LUCETTA. Madam,
Dinner is ready, and your father stays.
JULIA. Well, let us go.
LUCETTA. What, shall these papers lie like tell-tales here?
JULIA. If you respect them, best to take them up.
LUCETTA. Nay, I was taken up for laying them down;
Yet here they shall not lie for catching cold.
JULIA. I see you have a month's mind to them.
LUCETTA. Ay, madam, you may say what sights you see;
I see things too, although you judge I wink.
JULIA. Come, come; will't please you go? Exeunt
SCENE III. Verona. ANTONIO'S house
Enter ANTONIO and PANTHINO
ANTONIO. Tell me, Panthino, what sad talk was that
Wherewith my brother held you in the cloister?
PANTHINO. 'Twas of his nephew Proteus, your son.
ANTONIO. Why, what of him?
PANTHINO. He wond'red that your lordship
Would suffer him to spend his youth at home,
While other men, of slender reputation,
Put forth their sons to seek preferment out:
Some to the wars, to try their fortune there;
Some to discover islands far away;
Some to the studious universities.
For any, or for all these exercises,
He said that Proteus, your son, was meet;
And did request me to importune you
To let him spend his time no more at home,
Which would be great impeachment to his age,
In having known no travel in his youth.
ANTONIO. Nor need'st thou much importune me to that
Whereon this month I have been hammering.
I have consider'd well his loss of time,
And how he cannot be a perfect man,
Not being tried and tutor'd in the world:
Experience is by industry achiev'd,
And perfected by the swift course of time.
Then tell me whither were I best to send him.
PANTHINO. I think your lordship is not ignorant
How his companion, youthful Valentine,
Attends the Emperor in his royal court.
ANTONIO. I know it well.
PANTHINO. 'Twere good, I think, your lordship sent him thither:
There shall he practise tilts and tournaments,
Hear sweet discourse, converse with noblemen,
And be in eye of every exercise
Worthy his youth and nobleness of birth.
ANTONIO. I like thy counsel; well hast thou advis'd;
And that thou mayst perceive how well I like it,
The execution of it shall make known:
Even with the speediest expedition
I will dispatch him to the Emperor's court.
PANTHINO. To-morrow, may it please you, Don Alphonso
With other gentlemen of good esteem
Are journeying to salute the Emperor,
And to commend their service to his will.
ANTONIO. Good company; with them shall Proteus go.
Enter PROTEUS
And- in good time!- now will we break with him.
PROTEUS. Sweet love! sweet lines! sweet life!
Here is her hand, the agent of her heart;
Here is her oath for love, her honour's pawn.
O that our fathers would applaud our loves,
To seal our happiness with their consents!
O heavenly Julia!
ANTONIO. How now! What letter are you reading there?
PROTEUS. May't please your lordship, 'tis a word or two
Of commendations sent from Valentine,
Deliver'd by a friend that came from him.
ANTONIO. Lend me the letter; let me see what news.
PROTEUS. There is no news, my lord; but that he writes
How happily he lives, how well-belov'd
And daily graced by the Emperor;
Wishing me with him, partner of his fortune.
ANTONIO. And how stand you affected to his wish?
PROTEUS. As one relying on your lordship's will,
And not depending on his friendly wish.
ANTONIO. My will is something sorted with his wish.
Muse not that I thus suddenly proceed;
For what I will, I will, and there an end.
I am resolv'd that thou shalt spend some time
With Valentinus in the Emperor's court;
What maintenance he from his friends receives,
Like exhibition thou shalt have from me.
To-morrow be in readiness to go-
Excuse it not, for I am peremptory.
PROTEUS. My lord, I cannot be so soon provided;
Please you, deliberate a day or two.
ANTONIO. Look what thou want'st shall be sent after thee.
No more of stay; to-morrow thou must go.
Come on, Panthino; you shall be employ'd
To hasten on his expedition.
Exeunt ANTONIO and PANTHINO
PROTEUS. Thus have I shunn'd the fire for fear of burning,
And drench'd me in the sea, where I am drown'd.
I fear'd to show my father Julia's letter,
Lest he should take exceptions to my love;
And with the vantage of mine own excuse
Hath he excepted most against my love.
O, how this spring of love resembleth
The uncertain glory of an April day,
Which now shows all the beauty of the sun,
And by an by a cloud takes all away!
Re-enter PANTHINO
PANTHINO. Sir Proteus, your father calls for you;
He is in haste; therefore, I pray you, go.
PROTEUS. Why, this it is: my heart accords thereto;
And yet a thousand times it answers 'No.' Exeunt
ACT II. SCENE I. Milan. The DUKE'S palace
Enter VALENTINE and SPEED
SPEED. Sir, your glove.
VALENTINE. Not mine: my gloves are on.
SPEED. Why, then, this may be yours; for this is but one.
VALENTINE. Ha! let me see; ay, give it me, it's mine;
Sweet ornament that decks a thing divine!
Ah, Silvia! Silvia!
SPEED. [Calling] Madam Silvia! Madam Silvia!
VALENTINE. How now, sirrah?
SPEED. She is not within hearing, sir.
VALENTINE. Why, sir, who bade you call her?
SPEED. Your worship, sir; or else I mistook.
VALENTINE. Well, you'll still be too forward.
SPEED. And yet I was last chidden for being too slow.
VALENTINE. Go to, sir; tell me, do you know Madam Silvia?
SPEED. She that your worship loves?
VALENTINE. Why, how know you that I am in love?
SPEED. Marry, by these special marks: first, you have learn'd, like
Sir Proteus, to wreath your arms like a malcontent; to relish a
love-song, like a robin redbreast; to walk alone, like one that
had the pestilence; to sigh, like a school-boy that had lost his
A B C; to weep, like a young wench that had buried her grandam;
to fast, like one that takes diet; to watch, like one that fears
robbing; to speak puling, like a beggar at Hallowmas. You were
wont, when you laughed, to crow like a cock; when you walk'd, to
walk like one of the lions; when you fasted, it was presently
after dinner; when you look'd sadly, it was for want of money.
And now you are metamorphis'd with a mistress, that, when I look
on you, I can hardly think you my master.
VALENTINE. Are all these things perceiv'd in me?
SPEED. They are all perceiv'd without ye.
VALENTINE. Without me? They cannot.
SPEED. Without you! Nay, that's certain; for, without you were so
simple, none else would; but you are so without these follies
that these follies are within you, and shine through you like the
water in an urinal, that not an eye that sees you but is a
physician to comment on your malady.
VALENTINE. But tell me, dost thou know my lady Silvia?
SPEED. She that you gaze on so, as she sits at supper?
VALENTINE. Hast thou observ'd that? Even she, I mean.
SPEED. Why, sir, I know her not.
VALENTINE. Dost thou know her by my gazing on her, and yet know'st
her not?
SPEED. Is she not hard-favour'd, sir?
VALENTINE. Not so fair, boy, as well-favour'd.
SPEED. Sir, I know that well enough.
VALENTINE. What dost thou know?
SPEED. That she is not so fair as, of you, well-favour'd.
VALENTINE. I mean that her beauty is exquisite, but her favour
infinite.
SPEED. That's because the one is painted, and the other out of all
count.
VALENTINE. How painted? and how out of count?
SPEED. Marry, sir, so painted, to make her fair, that no man counts
of her beauty.
VALENTINE. How esteem'st thou me? I account of her beauty.
SPEED. You never saw her since she was deform'd.
VALENTINE. How long hath she been deform'd?
SPEED. Ever since you lov'd her.
VALENTINE. I have lov'd her ever since I saw her, and still
I see her beautiful.
SPEED. If you love her, you cannot see her.
VALENTINE. Why?
SPEED. Because Love is blind. O that you had mine eyes; or your own
eyes had the lights they were wont to have when you chid at Sir
Proteus for going ungarter'd!
VALENTINE. What should I see then?
SPEED. Your own present folly and her passing deformity; for he,
being in love, could not see to garter his hose; and you, being
in love, cannot see to put on your hose.
VALENTINE. Belike, boy, then you are in love; for last morning you
could not see to wipe my shoes.
SPEED. True, sir; I was in love with my bed. I thank you, you
swing'd me for my love, which makes me the bolder to chide you
for yours.
VALENTINE. In conclusion, I stand affected to her.
SPEED. I would you were set, so your affection would cease.
VALENTINE. Last night she enjoin'd me to write some lines to one
she loves.
SPEED. And have you?
VALENTINE. I have.
SPEED. Are they not lamely writ?
VALENTINE. No, boy, but as well as I can do them.
Enter SILVIA
Peace! here she comes.
SPEED. [Aside] O excellent motion! O exceeding puppet!
Now will he interpret to her.
VALENTINE. Madam and mistress, a thousand good morrows.
SPEED. [Aside] O, give ye good ev'n!
Here's a million of manners.
SILVIA. Sir Valentine and servant, to you two thousand.
SPEED. [Aside] He should give her interest, and she gives it him.
VALENTINE. As you enjoin'd me, I have writ your letter
Unto the secret nameless friend of yours;
Which I was much unwilling to proceed in,
But for my duty to your ladyship.
SILVIA. I thank you, gentle servant. 'Tis very clerkly done.
VALENTINE. Now trust me, madam, it came hardly off;
For, being ignorant to whom it goes,
I writ at random, very doubtfully.
SILVIA. Perchance you think too much of so much pains?
VALENTINE. No, madam; so it stead you, I will write,
Please you command, a thousand times as much;
And yet-
SILVIA. A pretty period! Well, I guess the sequel;
And yet I will not name it- and yet I care not.
And yet take this again- and yet I thank you-
Meaning henceforth to trouble you no more.
SPEED. [Aside] And yet you will; and yet another' yet.'
VALENTINE. What means your ladyship? Do you not like it?
SILVIA. Yes, yes; the lines are very quaintly writ;
But, since unwillingly, take them again.
Nay, take them. [Gives hack the letter]
VALENTINE. Madam, they are for you.
SILVIA. Ay, ay, you writ them, sir, at my request;
But I will none of them; they are for you:
I would have had them writ more movingly.
VALENTINE. Please you, I'll write your ladyship another.
SILVIA. And when it's writ, for my sake read it over;
And if it please you, so; if not, why, so.
VALENTINE. If it please me, madam, what then?
SILVIA. Why, if it please you, take it for your labour.
And so good morrow, servant. Exit SILVIA
SPEED. O jest unseen, inscrutable, invisible,
As a nose on a man's face, or a weathercock on a steeple!
My master sues to her; and she hath taught her suitor,
He being her pupil, to become her tutor.
O excellent device! Was there ever heard a better,
That my master, being scribe, to himself should write the letter?
VALENTINE. How now, sir! What are you reasoning with yourself?
SPEED. Nay, I was rhyming: 'tis you that have the reason.
VALENTINE. To do what?
SPEED. To be a spokesman from Madam Silvia?
VALENTINE. To whom?
SPEED. To yourself; why, she woos you by a figure.
VALENTINE. What figure?
SPEED. By a letter, I should say.
VALENTINE. Why, she hath not writ to me.
SPEED. What need she, when she hath made you write to yourself?
Why, do you not perceive the jest?
VALENTINE. No, believe me.
SPEED. No believing you indeed, sir. But did you perceive her
earnest?
VALENTINE. She gave me none except an angry word.
SPEED. Why, she hath given you a letter.
VALENTINE. That's the letter I writ to her friend.
SPEED. And that letter hath she deliver'd, and there an end.
VALENTINE. I would it were no worse.
SPEED. I'll warrant you 'tis as well.
'For often have you writ to her; and she, in modesty,
Or else for want of idle time, could not again reply;
Or fearing else some messenger that might her mind discover,
Herself hath taught her love himself to write unto her lover.'
All this I speak in print, for in print I found it. Why muse you,
sir? 'Tis dinner time.
VALENTINE. I have din'd.
SPEED. Ay, but hearken, sir; though the chameleon Love can feed on
the air, I am one that am nourish'd by my victuals, and would
fain have meat. O, be not like your mistress! Be moved, be moved.
Exeunt
SCENE II. Verona. JULIA'S house
Enter PROTEUS and JULIA
PROTEUS. Have patience, gentle Julia.
JULIA. I must, where is no remedy.
PROTEUS. When possibly I can, I will return.
JULIA. If you turn not, you will return the sooner.
Keep this remembrance for thy Julia's sake.
[Giving a ring]
PROTEUS. Why, then, we'll make exchange. Here, take you this.
JULIA. And seal the bargain with a holy kiss.
PROTEUS. Here is my hand for my true constancy;
And when that hour o'erslips me in the day
Wherein I sigh not, Julia, for thy sake,
The next ensuing hour some foul mischance
Torment me for my love's forgetfulness!
My father stays my coming; answer not;
The tide is now- nay, not thy tide of tears:
That tide will stay me longer than I should.
Julia, farewell! Exit JULIA
What, gone without a word?
Ay, so true love should do: it cannot speak;
For truth hath better deeds than words to grace it.
Enter PANTHINO
PANTHINO. Sir Proteus, you are stay'd for.
PROTEUS. Go; I come, I come.
Alas! this parting strikes poor lovers dumb. Exeunt
SCENE III. Verona. A street
Enter LAUNCE, leading a dog
LAUNCE. Nay, 'twill be this hour ere I have done weeping; all the kind of the Launces have this very fault. I have receiv'd my proportion, like the Prodigious Son, and am going with Sir Proteus to the Imperial's court. I think Crab my dog be the sourest-natured dog that lives: my mother weeping, my father wailing, my sister crying, our maid howling, our cat wringing her hands, and all our house in a great perplexity; yet did not this cruel-hearted cur shed one tear. He is a stone, a very pebble stone, and has no more pity in him than a dog. A Jew would have wept to have seen our parting; why, my grandam having no eyes, look you, wept herself blind at my parting. Nay, I'll show you the manner of it. This shoe is my father; no, this left shoe is my father; no, no, left shoe is my mother; nay, that cannot be so neither; yes, it is so, it is so, it hath the worser sole. This shoe with the hole in it is my mother, and this my father. A vengeance on 't! There 'tis. Now, sir, this staff is my sister, for, look you, she is as white as a lily and as small as a wand; this hat is Nan our maid; I am the dog; no, the dog is himself, and I am the dog- O, the dog is me, and I am myself; ay, so, so. Now come I to my father: 'Father, your blessing.' Now should not the shoe speak a word for weeping; now should I kiss my father; well, he weeps on. Now come I to my mother. O that she could speak now like a wood woman! Well, I kiss her- why there 'tis; here's my mother's breath up and down. Now come I to my sister; mark the moan she makes. Now the dog all this while sheds not a tear, nor speaks a word; but see how I lay the dust with my tears.
Enter PANTHINO
PANTHINO. Launce, away, away, aboard! Thy master is shipp'd, and
thou art to post after with oars. What's the matter? Why weep'st
thou, man? Away, ass! You'll lose the tide if you tarry any
longer.
LAUNCE. It is no matter if the tied were lost; for it is the
unkindest tied that ever any man tied.
PANTHINO. What's the unkindest tide?
LAUNCE. Why, he that's tied here, Crab, my dog.
PANTHINO. Tut, man, I mean thou'lt lose the flood, and, in losing
the flood, lose thy voyage, and, in losing thy voyage, lose thy
master, and, in losing thy master, lose thy service, and, in
losing thy service- Why dost thou stop my mouth?
LAUNCE. For fear thou shouldst lose thy tongue.
PANTHINO. Where should I lose my tongue?
LAUNCE. In thy tale.
PANTHINO. In thy tail!
LAUNCE. Lose the tide, and the voyage, and the master, and the
service, and the tied! Why, man, if the river were dry, I am able
to fill it with my tears; if the wind were down, I could drive
the boat with my sighs.
PANTHINO. Come, come away, man; I was sent to call thee.
LAUNCE. Sir, call me what thou dar'st.
PANTHINO. Will thou go?
LAUNCE. Well, I will go. Exeunt
SCENE IV. Milan. The DUKE'S palace
Enter SILVIA, VALENTINE, THURIO, and SPEED
SILVIA. Servant!
VALENTINE. Mistress?
SPEED. Master, Sir Thurio frowns on you.
VALENTINE. Ay, boy, it's for love.
SPEED. Not of you.
VALENTINE. Of my mistress, then.
SPEED. 'Twere good you knock'd him. Exit
SILVIA. Servant, you are sad.
VALENTINE. Indeed, madam, I seem so.
THURIO. Seem you that you are not?
VALENTINE. Haply I do.
THURIO. So do counterfeits.
VALENTINE. So do you.
THURIO. What seem I that I am not?
VALENTINE. Wise.
THURIO. What instance of the contrary?
VALENTINE. Your folly.
THURIO. And how quote you my folly?
VALENTINE. I quote it in your jerkin.
THURIO. My jerkin is a doublet.
VALENTINE. Well, then, I'll double your folly.
THURIO. How?
SILVIA. What, angry, Sir Thurio! Do you change colour?
VALENTINE. Give him leave, madam; he is a kind of chameleon.
THURIO. That hath more mind to feed on your blood than live in your
air.
VALENTINE. You have said, sir.
THURIO. Ay, sir, and done too, for this time.
VALENTINE. I know it well, sir; you always end ere you begin.
SILVIA. A fine volley of words, gentlemen, and quickly shot off.
VALENTINE. 'Tis indeed, madam; we thank the giver.
SILVIA. Who is that, servant?
VALENTINE. Yourself, sweet lady; for you gave the fire. Sir Thurio
borrows his wit from your ladyship's looks, and spends what he
borrows kindly in your company.
THURIO. Sir, if you spend word for word with me, I shall make your
wit bankrupt.
VALENTINE. I know it well, sir; you have an exchequer of words,
and, I think, no other treasure to give your followers; for it
appears by their bare liveries that they live by your bare words.
Enter DUKE
SILVIA. No more, gentlemen, no more. Here comes my father.
DUKE. Now, daughter Silvia, you are hard beset.
Sir Valentine, your father is in good health.
What say you to a letter from your friends
Of much good news?
VALENTINE. My lord, I will be thankful
To any happy messenger from thence.
DUKE. Know ye Don Antonio, your countryman?
VALENTINE. Ay, my good lord, I know the gentleman
To be of worth and worthy estimation,
And not without desert so well reputed.
DUKE. Hath he not a son?
VALENTINE. Ay, my good lord; a son that well deserves
The honour and regard of such a father.
DUKE. You know him well?
VALENTINE. I knew him as myself; for from our infancy
We have convers'd and spent our hours together;
And though myself have been an idle truant,
Omitting the sweet benefit of time
To clothe mine age with angel-like perfection,
Yet hath Sir Proteus, for that's his name,
Made use and fair advantage of his days:
His years but young, but his experience old;
His head unmellowed, but his judgment ripe;
And, in a word, for far behind his worth
Comes all the praises that I now bestow,
He is complete in feature and in mind,
With all good grace to grace a gentleman.
DUKE. Beshrew me, sir, but if he make this good,
He is as worthy for an empress' love
As meet to be an emperor's counsellor.
Well, sir, this gentleman is come to me
With commendation from great potentates,
And here he means to spend his time awhile.
I think 'tis no unwelcome news to you.
VALENTINE. Should I have wish'd a thing, it had been he.
DUKE. Welcome him, then, according to his worth-
Silvia, I speak to you, and you, Sir Thurio;
For Valentine, I need not cite him to it.
I will send him hither to you presently. Exit DUKE
VALENTINE. This is the gentleman I told your ladyship
Had come along with me but that his mistresss
Did hold his eyes lock'd in her crystal looks.
SILVIA. Belike that now she hath enfranchis'd them
Upon some other pawn for fealty.
VALENTINE. Nay, sure, I think she holds them prisoners still.
SILVIA. Nay, then, he should be blind; and, being blind,
How could he see his way to seek out you?
VALENTINE. Why, lady, Love hath twenty pair of eyes.
THURIO. They say that Love hath not an eye at all.
VALENTINE. To see such lovers, Thurio, as yourself;
Upon a homely object Love can wink. Exit THURIO
Enter PROTEUS
SILVIA. Have done, have done; here comes the gentleman.
VALENTINE. Welcome, dear Proteus! Mistress, I beseech you
Confirm his welcome with some special favour.
SILVIA. His worth is warrant for his welcome hither,
If this be he you oft have wish'd to hear from.
VALENTINE. Mistress, it is; sweet lady, entertain him
To be my fellow-servant to your ladyship.
SILVIA. Too low a mistress for so high a servant.
PROTEUS. Not so, sweet lady; but too mean a servant
To have a look of such a worthy mistress.
VALENTINE. Leave off discourse of disability;
Sweet lady, entertain him for your servant.
PROTEUS. My duty will I boast of, nothing else.
SILVIA. And duty never yet did want his meed.
Servant, you are welcome to a worthless mistress.
PROTEUS. I'll die on him that says so but yourself.
SILVIA. That you are welcome?
PROTEUS. That you are worthless.
Re-enter THURIO
THURIO. Madam, my lord your father would speak with you.
SILVIA. I wait upon his pleasure. Come, Sir Thurio,
Go with me. Once more, new servant, welcome.
I'll leave you to confer of home affairs;
When you have done we look to hear from you.
PROTEUS. We'll both attend upon your ladyship.
Exeunt SILVIA and THURIO
VALENTINE. Now, tell me, how do all from whence you came?
PROTEUS. Your friends are well, and have them much commended.
VALENTINE. And how do yours?
PROTEUS. I left them all in health.
VALENTINE. How does your lady, and how thrives your love?
PROTEUS. My tales of love were wont to weary you;
I know you joy not in a love-discourse.
VALENTINE. Ay, Proteus, but that life is alter'd now;
I have done penance for contemning Love,
Whose high imperious thoughts have punish'd me
With bitter fasts, with penitential groans,
With nightly tears, and daily heart-sore sighs;
For, in revenge of my contempt of love,
Love hath chas'd sleep from my enthralled eyes
And made them watchers of mine own heart's sorrow.
O gentle Proteus, Love's a mighty lord,
And hath so humbled me as I confess
There is no woe to his correction,
Nor to his service no such joy on earth.
Now no discourse, except it be of love;
Now can I break my fast, dine, sup, and sleep,
Upon the very naked name of love.
PROTEUS. Enough; I read your fortune in your eye.
Was this the idol that you worship so?
VALENTINE. Even she; and is she not a heavenly saint?
PROTEUS. No; but she is an earthly paragon.
VALENTINE. Call her divine.
PROTEUS. I will not flatter her.
VALENTINE. O, flatter me; for love delights in praises!
PROTEUS. When I was sick you gave me bitter pills,
And I must minister the like to you.
VALENTINE. Then speak the truth by her; if not divine,
Yet let her be a principality,
Sovereign to all the creatures on the earth.
PROTEUS. Except my mistress.
VALENTINE. Sweet, except not any;
Except thou wilt except against my love.
PROTEUS. Have I not reason to prefer mine own?
VALENTINE. And I will help thee to prefer her too:
She shall be dignified with this high honour-
To bear my lady's train, lest the base earth
Should from her vesture chance to steal a kiss
And, of so great a favour growing proud,
Disdain to root the summer-swelling flow'r
And make rough winter everlastingly.
PROTEUS. Why, Valentine, what braggardism is this?
VALENTINE. Pardon me, Proteus; all I can is nothing
To her, whose worth makes other worthies nothing;
She is alone.
PROTEUS. Then let her alone.
VALENTINE. Not for the world! Why, man, she is mine own;
And I as rich in having such a jewel
As twenty seas, if all their sand were pearl,
The water nectar, and the rocks pure gold.
Forgive me that I do not dream on thee,
Because thou seest me dote upon my love.
My foolish rival, that her father likes
Only for his possessions are so huge,
Is gone with her along; and I must after,
For love, thou know'st, is full of jealousy.
PROTEUS. But she loves you?
VALENTINE. Ay, and we are betroth'd; nay more, our marriage-hour,
With all the cunning manner of our flight,
Determin'd of- how I must climb her window,
The ladder made of cords, and all the means
Plotted and 'greed on for my happiness.
Good Proteus, go with me to my chamber,
In these affairs to aid me with thy counsel.
PROTEUS. Go on before; I shall enquire you forth;
I must unto the road to disembark
Some necessaries that I needs must use;
And then I'll presently attend you.
VALENTINE. Will you make haste?
PROTEUS. I will. Exit VALENTINE
Even as one heat another heat expels
Or as one nail by strength drives out another,
So the remembrance of my former love
Is by a newer object quite forgotten.
Is it my mind, or Valentinus' praise,
Her true perfection, or my false transgression,
That makes me reasonless to reason thus?
She is fair; and so is Julia that I love-
That I did love, for now my love is thaw'd;
Which like a waxen image 'gainst a fire
Bears no impression of the thing it was.
Methinks my zeal to Valentine is cold,
And that I love him not as I was wont.
O! but I love his lady too too much,
And that's the reason I love him so little.
How shall I dote on her with more advice
That thus without advice begin to love her!
'Tis but her picture I have yet beheld,
And that hath dazzled my reason's light;
But when I look on her perfections,
There is no reason but I shall be blind.
If I can check my erring love, I will;
If not, to compass her I'll use my skill. Exit
SCENE V. Milan. A street
Enter SPEED and LAUNCE severally
SPEED. Launce! by mine honesty, welcome to Padua.
LAUNCE. Forswear not thyself, sweet youth, for I am not welcome. I
reckon this always, that a man is never undone till he be hang'd,
nor never welcome to a place till some certain shot be paid, and
the hostess say 'Welcome!'
SPEED. Come on, you madcap; I'll to the alehouse with you
presently; where, for one shot of five pence, thou shalt have
five thousand welcomes. But, sirrah, how did thy master part with
Madam Julia?
LAUNCE. Marry, after they clos'd in earnest, they parted very
fairly in jest.
SPEED. But shall she marry him?
LAUNCE. No.
SPEED. How then? Shall he marry her?
LAUNCE. No, neither.
SPEED. What, are they broken?
LAUNCE. No, they are both as whole as a fish.
SPEED. Why then, how stands the matter with them?
LAUNCE. Marry, thus: when it stands well with him, it stands well
with her.
SPEED. What an ass art thou! I understand thee not.
LAUNCE. What a block art thou that thou canst not! My staff
understands me.
SPEED. What thou say'st?
LAUNCE. Ay, and what I do too; look thee, I'll but lean, and my
staff understands me.
SPEED. It stands under thee, indeed.
LAUNCE. Why, stand-under and under-stand is all one.
SPEED. But tell me true, will't be a match?
LAUNCE. Ask my dog. If he say ay, it will; if he say no, it will;
if he shake his tail and say nothing, it will.
SPEED. The conclusion is, then, that it will.
LAUNCE. Thou shalt never get such a secret from me but by a
parable.
SPEED. 'Tis well that I get it so. But, Launce, how say'st thou
that my master is become a notable lover?
LAUNCE. I never knew him otherwise.
SPEED. Than how?
LAUNCE. A notable lubber, as thou reportest him to be.
SPEED. Why, thou whoreson ass, thou mistak'st me.
LAUNCE. Why, fool, I meant not thee, I meant thy master.
SPEED. I tell thee my master is become a hot lover.
LAUNCE. Why, I tell thee I care not though he burn himself in love.
If thou wilt, go with me to the alehouse; if not, thou art an
Hebrew, a Jew, and not worth the name of a Christian.
SPEED. Why?
LAUNCE. Because thou hast not so much charity in thee as to go to
the ale with a Christian. Wilt thou go?
SPEED. At thy service. Exeunt
SCENE VI. Milan. The DUKE's palace
Enter PROTEUS
PROTEUS. To leave my Julia, shall I be forsworn;
To love fair Silvia, shall I be forsworn;
To wrong my friend, I shall be much forsworn;
And ev'n that pow'r which gave me first my oath
Provokes me to this threefold perjury:
Love bade me swear, and Love bids me forswear.
O sweet-suggesting Love, if thou hast sinn'd,
Teach me, thy tempted subject, to excuse it!
At first I did adore a twinkling star,
But now I worship a celestial sun.
Unheedful vows may heedfully be broken;
And he wants wit that wants resolved will
To learn his wit t' exchange the bad for better.
Fie, fie, unreverend tongue, to call her bad
Whose sovereignty so oft thou hast preferr'd
With twenty thousand soul-confirming oaths!
I cannot leave to love, and yet I do;
But there I leave to love where I should love.
Julia I lose, and Valentine I lose;
If I keep them, I needs must lose myself;
If I lose them, thus find I by their loss:
For Valentine, myself; for Julia, Silvia.
I to myself am dearer than a friend;
For love is still most precious in itself;
And Silvia- witness heaven, that made her fair!-
Shows Julia but a swarthy Ethiope.
I will forget that Julia is alive,
Rememb'ring that my love to her is dead;
And Valentine I'll hold an enemy,
Aiming at Silvia as a sweeter friend.
I cannot now prove constant to myself
Without some treachery us'd to Valentine.
This night he meaneth with a corded ladder
To climb celestial Silvia's chamber window,
Myself in counsel, his competitor.
Now presently I'll give her father notice
Of their disguising and pretended flight,
Who, all enrag'd, will banish Valentine,
For Thurio, he intends, shall wed his daughter;
But, Valentine being gone, I'll quickly cross
By some sly trick blunt Thurio's dull proceeding.
Love, lend me wings to make my purpose swift,
As thou hast lent me wit to plot this drift. Exit
SCENE VII. Verona. JULIA'S house
Enter JULIA and LUCETTA
JULIA. Counsel, Lucetta; gentle girl, assist me;
And, ev'n in kind love, I do conjure thee,
Who art the table wherein all my thoughts
Are visibly character'd and engrav'd,
To lesson me and tell me some good mean
How, with my honour, I may undertake
A journey to my loving Proteus.
LUCETTA. Alas, the way is wearisome and long!
JULIA. A true-devoted pilgrim is not weary
To measure kingdoms with his feeble steps;
Much less shall she that hath Love's wings to fly,
And when the flight is made to one so dear,
Of such divine perfection, as Sir Proteus.
LUCETTA. Better forbear till Proteus make return.
JULIA. O, know'st thou not his looks are my soul's food?
Pity the dearth that I have pined in
By longing for that food so long a time.
Didst thou but know the inly touch of love.
Thou wouldst as soon go kindle fire with snow
As seek to quench the fire of love with words.
LUCETTA. I do not seek to quench your love's hot fire,
But qualify the fire's extreme rage,
Lest it should burn above the bounds of reason.
JULIA. The more thou dam'st it up, the more it burns.
The current that with gentle murmur glides,
Thou know'st, being stopp'd, impatiently doth rage;
But when his fair course is not hindered,
He makes sweet music with th' enamell'd stones,
Giving a gentle kiss to every sedge
He overtaketh in his pilgrimage;
And so by many winding nooks he strays,
With willing sport, to the wild ocean.
Then let me go, and hinder not my course.
I'll be as patient as a gentle stream,
And make a pastime of each weary step,
Till the last step have brought me to my love;
And there I'll rest as, after much turmoil,
A blessed soul doth in Elysium.
LUCETTA. But in what habit will you go along?
JULIA. Not like a woman, for I would prevent
The loose encounters of lascivious men;
Gentle Lucetta, fit me with such weeds
As may beseem some well-reputed page.
LUCETTA. Why then, your ladyship must cut your hair.
JULIA. No, girl; I'll knit it up in silken strings
With twenty odd-conceited true-love knots-
To be fantastic may become a youth
Of greater time than I shall show to be.
LUCETTA. What fashion, madam, shall I make your breeches?
JULIA. That fits as well as 'Tell me, good my lord,
What compass will you wear your farthingale.'
Why ev'n what fashion thou best likes, Lucetta.
LUCETTA. You must needs have them with a codpiece, madam.
JULIA. Out, out, Lucetta, that will be ill-favour'd.
LUCETTA. A round hose, madam, now's not worth a pin,
Unless you have a codpiece to stick pins on.
JULIA. Lucetta, as thou lov'st me, let me have
What thou think'st meet, and is most mannerly.
But tell me, wench, how will the world repute me
For undertaking so unstaid a journey?
I fear me it will make me scandaliz'd.
LUCETTA. If you think so, then stay at home and go not.
JULIA. Nay, that I will not.
LUCETTA. Then never dream on infamy, but go.
If Proteus like your journey when you come,
No matter who's displeas'd when you are gone.
I fear me he will scarce be pleas'd withal.
JULIA. That is the least, Lucetta, of my fear:
A thousand oaths, an ocean of his tears,
And instances of infinite of love,
Warrant me welcome to my Proteus.
LUCETTA. All these are servants to deceitful men.
JULIA. Base men that use them to so base effect!
But truer stars did govern Proteus' birth;
His words are bonds, his oaths are oracles,
His love sincere, his thoughts immaculate,
His tears pure messengers sent from his heart,
His heart as far from fraud as heaven from earth.
LUCETTA. Pray heav'n he prove so when you come to him.
JULIA. Now, as thou lov'st me, do him not that wrong
To bear a hard opinion of his truth;
Only deserve my love by loving him.
And presently go with me to my chamber,
To take a note of what I stand in need of
To furnish me upon my longing journey.
All that is mine I leave at thy dispose,
My goods, my lands, my reputation;
Only, in lieu thereof, dispatch me hence.
Come, answer not, but to it presently;
I am impatient of my tarriance. Exeunt
ACT III. SCENE I. Milan. The DUKE'S palace
Enter DUKE, THURIO, and PROTEUS
DUKE. Sir Thurio, give us leave, I pray, awhile;
We have some secrets to confer about. Exit THURIO
Now tell me, Proteus, what's your will with me?
PROTEUS. My gracious lord, that which I would discover
The law of friendship bids me to conceal;
But, when I call to mind your gracious favours
Done to me, undeserving as I am,
My duty pricks me on to utter that
Which else no worldly good should draw from me.
Know, worthy prince, Sir Valentine, my friend,
This night intends to steal away your daughter;
Myself am one made privy to the plot.
I know you have determin'd to bestow her
On Thurio, whom your gentle daughter hates;
And should she thus be stol'n away from you,
It would be much vexation to your age.
Thus, for my duty's sake, I rather chose
To cross my friend in his intended drift
Than, by concealing it, heap on your head
A pack of sorrows which would press you down,
Being unprevented, to your timeless grave.
DUKE. Proteus, I thank thee for thine honest care,
Which to requite, command me while I live.
This love of theirs myself have often seen,
Haply when they have judg'd me fast asleep,
And oftentimes have purpos'd to forbid
Sir Valentine her company and my court;
But, fearing lest my jealous aim might err
And so, unworthily, disgrace the man,
A rashness that I ever yet have shunn'd,
I gave him gentle looks, thereby to find
That which thyself hast now disclos'd to me.
And, that thou mayst perceive my fear of this,
Knowing that tender youth is soon suggested,
I nightly lodge her in an upper tow'r,
The key whereof myself have ever kept;
And thence she cannot be convey'd away.
PROTEUS. Know, noble lord, they have devis'd a mean
How he her chamber window will ascend
And with a corded ladder fetch her down;
For which the youthful lover now is gone,
And this way comes he with it presently;
Where, if it please you, you may intercept him.
But, good my lord, do it so cunningly
That my discovery be not aimed at;
For love of you, not hate unto my friend,
Hath made me publisher of this pretence.
DUKE. Upon mine honour, he shall never know
That I had any light from thee of this.
PROTEUS. Adieu, my lord; Sir Valentine is coming. Exit
Enter VALENTINE
DUKE. Sir Valentine, whither away so fast?
VALENTINE. Please it your Grace, there is a messenger
That stays to bear my letters to my friends,
And I am going to deliver them.
DUKE. Be they of much import?
VALENTINE. The tenour of them doth but signify
My health and happy being at your court.
DUKE. Nay then, no matter; stay with me awhile;
I am to break with thee of some affairs
That touch me near, wherein thou must be secret.
'Tis not unknown to thee that I have sought
To match my friend Sir Thurio to my daughter.
VALENTINE. I know it well, my lord; and, sure, the match
Were rich and honourable; besides, the gentleman
Is full of virtue, bounty, worth, and qualities
Beseeming such a wife as your fair daughter.
Cannot your grace win her to fancy him?
DUKE. No, trust me; she is peevish, sullen, froward,
Proud, disobedient, stubborn, lacking duty;
Neither regarding that she is my child
Nor fearing me as if I were her father;
And, may I say to thee, this pride of hers,
Upon advice, hath drawn my love from her;
And, where I thought the remnant of mine age
Should have been cherish'd by her childlike duty,
I now am full resolv'd to take a wife
And turn her out to who will take her in.
Then let her beauty be her wedding-dow'r;
For me and my possessions she esteems not.
VALENTINE. What would your Grace have me to do in this?
DUKE. There is a lady, in Verona here,
Whom I affect; but she is nice, and coy,
And nought esteems my aged eloquence.
Now, therefore, would I have thee to my tutor-
For long agone I have forgot to court;
Besides, the fashion of the time is chang'd-
How and which way I may bestow myself
To be regarded in her sun-bright eye.
VALENTINE. Win her with gifts, if she respect not words:
Dumb jewels often in their silent kind
More than quick words do move a woman's mind.
DUKE. But she did scorn a present that I sent her.
VALENTINE. A woman sometime scorns what best contents her.
Send her another; never give her o'er,
For scorn at first makes after-love the more.
If she do frown, 'tis not in hate of you,
But rather to beget more love in you;
If she do chide, 'tis not to have you gone,
For why, the fools are mad if left alone.
Take no repulse, whatever she doth say;
For 'Get you gone' she doth not mean 'Away!'
Flatter and praise, commend, extol their graces;
Though ne'er so black, say they have angels' faces.
That man that hath a tongue, I say, is no man,
If with his tongue he cannot win a woman.
DUKE. But she I mean is promis'd by her friends
Unto a youthful gentleman of worth;
And kept severely from resort of men,
That no man hath access by day to her.
VALENTINE. Why then I would resort to her by night.
DUKE. Ay, but the doors be lock'd and keys kept safe,
That no man hath recourse to her by night.
VALENTINE. What lets but one may enter at her window?
DUKE. Her chamber is aloft, far from the ground,
And built so shelving that one cannot climb it
Without apparent hazard of his life.
VALENTINE. Why then a ladder, quaintly made of cords,
To cast up with a pair of anchoring hooks,
Would serve to scale another Hero's tow'r,
So bold Leander would adventure it.
DUKE. Now, as thou art a gentleman of blood,
Advise me where I may have such a ladder.
VALENTINE. When would you use it? Pray, sir, tell me that.
DUKE. This very night; for Love is like a child,
That longs for everything that he can come by.
VALENTINE. By seven o'clock I'll get you such a ladder.
DUKE. But, hark thee; I will go to her alone;
How shall I best convey the ladder thither?
VALENTINE. It will be light, my lord, that you may bear it
Under a cloak that is of any length.
DUKE. A cloak as long as thine will serve the turn?
VALENTINE. Ay, my good lord.
DUKE. Then let me see thy cloak.
I'll get me one of such another length.
VALENTINE. Why, any cloak will serve the turn, my lord.
DUKE. How shall I fashion me to wear a cloak?
I pray thee, let me feel thy cloak upon me.
What letter is this same? What's here? 'To Silvia'!
And here an engine fit for my proceeding!
I'll be so bold to break the seal for once. [Reads]
'My thoughts do harbour with my Silvia nightly,
And slaves they are to me, that send them flying.
O, could their master come and go as lightly,
Himself would lodge where, senseless, they are lying!
My herald thoughts in thy pure bosom rest them,
While I, their king, that thither them importune,
Do curse the grace that with such grace hath blest them,
Because myself do want my servants' fortune.
I curse myself, for they are sent by me,
That they should harbour where their lord should be.'
What's here?
'Silvia, this night I will enfranchise thee.'
'Tis so; and here's the ladder for the purpose.
Why, Phaethon- for thou art Merops' son-
Wilt thou aspire to guide the heavenly car,
And with thy daring folly burn the world?
Wilt thou reach stars because they shine on thee?
Go, base intruder, over-weening slave,
Bestow thy fawning smiles on equal mates;
And think my patience, more than thy desert,
Is privilege for thy departure hence.
Thank me for this more than for all the favours
Which, all too much, I have bestow'd on thee.
But if thou linger in my territories
Longer than swiftest expedition
Will give thee time to leave our royal court,
By heaven! my wrath shall far exceed the love
I ever bore my daughter or thyself.
Be gone; I will not hear thy vain excuse,
But, as thou lov'st thy life, make speed from hence. Exit
VALENTINE. And why not death rather than living torment?
To die is to be banish'd from myself,
And Silvia is myself; banish'd from her
Is self from self, a deadly banishment.
What light is light, if Silvia be not seen?
What joy is joy, if Silvia be not by?
Unless it be to think that she is by,
And feed upon the shadow of perfection.
Except I be by Silvia in the night,
There is no music in the nightingale;
Unless I look on Silvia in the day,
There is no day for me to look upon.
She is my essence, and I leave to be
If I be not by her fair influence
Foster'd, illumin'd, cherish'd, kept alive.
I fly not death, to fly his deadly doom:
Tarry I here, I but attend on death;
But fly I hence, I fly away from life.
Enter PROTEUS and LAUNCE
PROTEUS. Run, boy, run, run, seek him out.
LAUNCE. So-ho, so-ho!
PROTEUS. What seest thou?
LAUNCE. Him we go to find: there's not a hair on 's head but 'tis a
Valentine.
PROTEUS. Valentine?
VALENTINE. No.
PROTEUS. Who then? his spirit?
VALENTINE. Neither.
PROTEUS. What then?
VALENTINE. Nothing.
LAUNCE. Can nothing speak? Master, shall I strike?
PROTEUS. Who wouldst thou strike?
LAUNCE. Nothing.
PROTEUS. Villain, forbear.
LAUNCE. Why, sir, I'll strike nothing. I pray you-
PROTEUS. Sirrah, I say, forbear. Friend Valentine, a word.
VALENTINE. My ears are stopp'd and cannot hear good news,
So much of bad already hath possess'd them.
PROTEUS. Then in dumb silence will I bury mine,
For they are harsh, untuneable, and bad.
VALENTINE. Is Silvia dead?
PROTEUS. No, Valentine.
VALENTINE. No Valentine, indeed, for sacred Silvia.
Hath she forsworn me?
PROTEUS. No, Valentine.
VALENTINE. No Valentine, if Silvia have forsworn me.
What is your news?
LAUNCE. Sir, there is a proclamation that you are vanished.
PROTEUS. That thou art banished- O, that's the news!-
From hence, from Silvia, and from me thy friend.
VALENTINE. O, I have fed upon this woe already,
And now excess of it will make me surfeit.
Doth Silvia know that I am banished?
PROTEUS. Ay, ay; and she hath offered to the doom-
Which, unrevers'd, stands in effectual force-
A sea of melting pearl, which some call tears;
Those at her father's churlish feet she tender'd;
With them, upon her knees, her humble self,
Wringing her hands, whose whiteness so became them
As if but now they waxed pale for woe.
But neither bended knees, pure hands held up,
Sad sighs, deep groans, nor silver-shedding tears,
Could penetrate her uncompassionate sire-
But Valentine, if he be ta'en, must die.
Besides, her intercession chaf'd him so,
When she for thy repeal was suppliant,
That to close prison he commanded her,
With many bitter threats of biding there.
VALENTINE. No more; unless the next word that thou speak'st
Have some malignant power upon my life:
If so, I pray thee breathe it in mine ear,
As ending anthem of my endless dolour.
PROTEUS. Cease to lament for that thou canst not help,
And study help for that which thou lament'st.
Time is the nurse and breeder of all good.
Here if thou stay thou canst not see thy love;
Besides, thy staying will abridge thy life.
Hope is a lover's staff; walk hence with that,
And manage it against despairing thoughts.
Thy letters may be here, though thou art hence,
Which, being writ to me, shall be deliver'd
Even in the milk-white bosom of thy love.
The time now serves not to expostulate.
Come, I'll convey thee through the city gate;
And, ere I part with thee, confer at large
Of all that may concern thy love affairs.
As thou lov'st Silvia, though not for thyself,
Regard thy danger, and along with me.
VALENTINE. I pray thee, Launce, an if thou seest my boy,
Bid him make haste and meet me at the Northgate.
PROTEUS. Go, sirrah, find him out. Come, Valentine.
VALENTINE. O my dear Silvia! Hapless Valentine!
Exeunt VALENTINE and PROTEUS
LAUNCE. I am but a fool, look you, and yet I have the wit to think
my master is a kind of a knave; but that's all one if he be but
one knave. He lives not now that knows me to be in love; yet I am
in love; but a team of horse shall not pluck that from me; nor
who 'tis I love; and yet 'tis a woman; but what woman I will not
tell myself; and yet 'tis a milkmaid; yet 'tis not a maid, for
she hath had gossips; yet 'tis a maid, for she is her master's
maid and serves for wages. She hath more qualities than a
water-spaniel- which is much in a bare Christian. Here is the
cate-log [Pulling out a paper] of her condition. 'Inprimis: She
can fetch and carry.' Why, a horse can do no more; nay, a horse
cannot fetch, but only carry; therefore is she better than a
jade. 'Item: She can milk.' Look you, a sweet virtue in a maid
with clean hands.
Enter SPEED
SPEED. How now, Signior Launce! What news with your mastership?
LAUNCE. With my master's ship? Why, it is at sea.
SPEED. Well, your old vice still: mistake the word. What news,
then, in your paper?
LAUNCE. The black'st news that ever thou heard'st.
SPEED. Why, man? how black?
LAUNCE. Why, as black as ink.
SPEED. Let me read them.
LAUNCE. Fie on thee, jolt-head; thou canst not read.
SPEED. Thou liest; I can.
LAUNCE. I will try thee. Tell me this: Who begot thee?
SPEED. Marry, the son of my grandfather.
LAUNCE. O illiterate loiterer. It was the son of thy grandmother.
This proves that thou canst not read.
SPEED. Come, fool, come; try me in thy paper.
LAUNCE. [Handing over the paper] There; and Saint Nicholas be thy
speed.
SPEED. [Reads] 'Inprimis: She can milk.'
LAUNCE. Ay, that she can.
SPEED. 'Item: She brews good ale.'
LAUNCE. And thereof comes the proverb: Blessing of your heart, you
brew good ale.
SPEED. 'Item: She can sew.'
LAUNCE. That's as much as to say 'Can she so?'
SPEED. 'Item: She can knit.'
LAUNCE. What need a man care for a stock with a wench, when she can
knit him a stock.
SPEED. 'Item: She can wash and scour.'
LAUNCE. A special virtue; for then she need not be wash'd and
scour'd.
SPEED. 'Item: She can spin.'
LAUNCE. Then may I set the world on wheels, when she can spin for
her living.
SPEED. 'Item: She hath many nameless virtues.'
LAUNCE. That's as much as to say 'bastard virtues'; that indeed
know not their fathers, and therefore have no names.
SPEED. 'Here follow her vices.'
LAUNCE. Close at the heels of her virtues.
SPEED. 'Item: She is not to be kiss'd fasting, in respect of her
breath.'
LAUNCE. Well, that fault may be mended with a breakfast.
Read on.
SPEED. 'Item: She hath a sweet mouth.'
LAUNCE. That makes amends for her sour breath.
SPEED. 'Item: She doth talk in her sleep.'
LAUNCE. It's no matter for that, so she sleep not in her talk.
SPEED. 'Item: She is slow in words.'
LAUNCE. O villain, that set this down among her vices! To be slow
in words is a woman's only virtue. I pray thee, out with't; and
place it for her chief virtue.
SPEED. 'Item: She is proud.'
LAUNCE. Out with that too; it was Eve's legacy, and cannot be ta'en
from her.
SPEED. 'Item: She hath no teeth.'
LAUNCE. I care not for that neither, because I love crusts.
SPEED. 'Item: She is curst.'
LAUNCE. Well, the best is, she hath no teeth to bite.
SPEED. 'Item: She will often praise her liquor.'
LAUNCE. If her liquor be good, she shall; if she will not, I will;
for good things should be praised.
SPEED. 'Item: She is too liberal.'
LAUNCE. Of her tongue she cannot, for that's writ down she is slow
of; of her purse she shall not, for that I'll keep shut. Now of
another thing she may, and that cannot I help. Well, proceed.
SPEED. 'Item: She hath more hair than wit, and more faults
than hairs, and more wealth than faults.'
LAUNCE. Stop there; I'll have her; she was mine, and not mine,
twice or thrice in that last article. Rehearse that once more.
SPEED. 'Item: She hath more hair than wit'-
LAUNCE. More hair than wit. It may be; I'll prove it: the cover of
the salt hides the salt, and therefore it is more than the salt;
the hair that covers the wit is more than the wit, for the
greater hides the less. What's next?
SPEED. 'And more faults than hairs'-
LAUNCE. That's monstrous. O that that were out!
SPEED. 'And more wealth than faults.'
LAUNCE. Why, that word makes the faults gracious. Well, I'll have
her; an if it be a match, as nothing is impossible-
SPEED. What then?
LAUNCE. Why, then will I tell thee- that thy master stays for thee
at the Northgate.
SPEED. For me?
LAUNCE. For thee! ay, who art thou? He hath stay'd for a better man
than thee.
SPEED. And must I go to him?
LAUNCE. Thou must run to him, for thou hast stay'd so long that
going will scarce serve the turn.
SPEED. Why didst not tell me sooner? Pox of your love letters!
Exit
LAUNCE. Now will he be swing'd for reading my letter. An unmannerly
slave that will thrust himself into secrets! I'll after, to
rejoice in the boy's correction. Exit
SCENE II. Milan. The DUKE'S palace
Enter DUKE and THURIO
DUKE. Sir Thurio, fear not but that she will love you
Now Valentine is banish'd from her sight.
THURIO. Since his exile she hath despis'd me most,
Forsworn my company and rail'd at me,
That I am desperate of obtaining her.
DUKE. This weak impress of love is as a figure
Trenched in ice, which with an hour's heat
Dissolves to water and doth lose his form.
A little time will melt her frozen thoughts,
And worthless Valentine shall be forgot.
Enter PROTEUS
How now, Sir Proteus! Is your countryman,
According to our proclamation, gone?
PROTEUS. Gone, my good lord.
DUKE. My daughter takes his going grievously.
PROTEUS. A little time, my lord, will kill that grief.
DUKE. So I believe; but Thurio thinks not so.
Proteus, the good conceit I hold of thee-
For thou hast shown some sign of good desert-
Makes me the better to confer with thee.
PROTEUS. Longer than I prove loyal to your Grace
Let me not live to look upon your Grace.
DUKE. Thou know'st how willingly I would effect
The match between Sir Thurio and my daughter.
PROTEUS. I do, my lord.
DUKE. And also, I think, thou art not ignorant
How she opposes her against my will.
PROTEUS. She did, my lord, when Valentine was here.
DUKE. Ay, and perversely she persevers so.
What might we do to make the girl forget
The love of Valentine, and love Sir Thurio?
PROTEUS. The best way is to slander Valentine
With falsehood, cowardice, and poor descent-
Three things that women highly hold in hate.
DUKE. Ay, but she'll think that it is spoke in hate.
PROTEUS. Ay, if his enemy deliver it;
Therefore it must with circumstance be spoken
By one whom she esteemeth as his friend.
DUKE. Then you must undertake to slander him.
PROTEUS. And that, my lord, I shall be loath to do:
'Tis an ill office for a gentleman,
Especially against his very friend.
DUKE. Where your good word cannot advantage him,
Your slander never can endamage him;
Therefore the office is indifferent,
Being entreated to it by your friend.
PROTEUS. You have prevail'd, my lord; if I can do it
By aught that I can speak in his dispraise,
She shall not long continue love to him.
But say this weed her love from Valentine,
It follows not that she will love Sir Thurio.
THURIO. Therefore, as you unwind her love from him,
Lest it should ravel and be good to none,
You must provide to bottom it on me;
Which must be done by praising me as much
As you in worth dispraise Sir Valentine.
DUKE. And, Proteus, we dare trust you in this kind,
Because we know, on Valentine's report,
You are already Love's firm votary
And cannot soon revolt and change your mind.
Upon this warrant shall you have access
Where you with Silvia may confer at large-
For she is lumpish, heavy, melancholy,
And, for your friend's sake, will be glad of you-
Where you may temper her by your persuasion
To hate young Valentine and love my friend.
PROTEUS. As much as I can do I will effect.
But you, Sir Thurio, are not sharp enough;
You must lay lime to tangle her desires
By wailful sonnets, whose composed rhymes
Should be full-fraught with serviceable vows.
DUKE. Ay,
Much is the force of heaven-bred poesy.
PROTEUS. Say that upon the altar of her beauty
You sacrifice your tears, your sighs, your heart;
Write till your ink be dry, and with your tears
Moist it again, and frame some feeling line
That may discover such integrity;
For Orpheus' lute was strung with poets' sinews,
Whose golden touch could soften steel and stones,
Make tigers tame, and huge leviathans
Forsake unsounded deeps to dance on sands.
After your dire-lamenting elegies,
Visit by night your lady's chamber window
With some sweet consort; to their instruments
Tune a deploring dump- the night's dead silence
Will well become such sweet-complaining grievance.
This, or else nothing, will inherit her.
DUKE. This discipline shows thou hast been in love.
THURIO. And thy advice this night I'll put in practice;
Therefore, sweet Proteus, my direction-giver,
Let us into the city presently
To sort some gentlemen well skill'd in music.
I have a sonnet that will serve the turn
To give the onset to thy good advice.
DUKE. About it, gentlemen!
PROTEUS. We'll wait upon your Grace till after supper,
And afterward determine our proceedings.
DUKE. Even now about it! I will pardon you. Exeunt
ACT IV. SCENE I. The frontiers of Mantua. A forest
Enter certain OUTLAWS
FIRST OUTLAW. Fellows, stand fast; I see a passenger.
SECOND OUTLAW. If there be ten, shrink not, but down with 'em.
Enter VALENTINE and SPEED
THIRD OUTLAW. Stand, sir, and throw us that you have about ye;
If not, we'll make you sit, and rifle you.
SPEED. Sir, we are undone; these are the villains
That all the travellers do fear so much.
VALENTINE. My friends-
FIRST OUTLAW. That's not so, sir; we are your enemies.
SECOND OUTLAW. Peace! we'll hear him.
THIRD OUTLAW. Ay, by my beard, will we; for he is a proper man.
VALENTINE. Then know that I have little wealth to lose;
A man I am cross'd with adversity;
My riches are these poor habiliments,
Of which if you should here disfurnish me,
You take the sum and substance that I have.
SECOND OUTLAW. Whither travel you?
VALENTINE. To Verona.
FIRST OUTLAW. Whence came you?
VALENTINE. From Milan.
THIRD OUTLAW. Have you long sojourn'd there?
VALENTINE. Some sixteen months, and longer might have stay'd,
If crooked fortune had not thwarted me.
FIRST OUTLAW. What, were you banish'd thence?
VALENTINE. I was.
SECOND OUTLAW. For what offence?
VALENTINE. For that which now torments me to rehearse:
I kill'd a man, whose death I much repent;
But yet I slew him manfully in fight,
Without false vantage or base treachery.
FIRST OUTLAW. Why, ne'er repent it, if it were done so.
But were you banish'd for so small a fault?
VALENTINE. I was, and held me glad of such a doom.
SECOND OUTLAW. Have you the tongues?
VALENTINE. My youthful travel therein made me happy,
Or else I often had been miserable.
THIRD OUTLAW. By the bare scalp of Robin Hood's fat friar,
This fellow were a king for our wild faction!
FIRST OUTLAW. We'll have him. Sirs, a word.
SPEED. Master, be one of them; it's an honourable kind of thievery.
VALENTINE. Peace, villain!
SECOND OUTLAW. Tell us this: have you anything to take to?
VALENTINE. Nothing but my fortune.
THIRD OUTLAW. Know, then, that some of us are gentlemen,
Such as the fury of ungovern'd youth
Thrust from the company of awful men;
Myself was from Verona banished
For practising to steal away a lady,
An heir, and near allied unto the Duke.
SECOND OUTLAW. And I from Mantua, for a gentleman
Who, in my mood, I stabb'd unto the heart.
FIRST OUTLAW. And I for such-like petty crimes as these.
But to the purpose- for we cite our faults
That they may hold excus'd our lawless lives;
And, partly, seeing you are beautified
With goodly shape, and by your own report
A linguist, and a man of such perfection
As we do in our quality much want-
SECOND OUTLAW. Indeed, because you are a banish'd man,
Therefore, above the rest, we parley to you.
Are you content to be our general-
To make a virtue of necessity,
And live as we do in this wilderness?
THIRD OUTLAW. What say'st thou? Wilt thou be of our consort?
Say 'ay' and be the captain of us all.
We'll do thee homage, and be rul'd by thee,
Love thee as our commander and our king.
FIRST OUTLAW. But if thou scorn our courtesy thou diest.
SECOND OUTLAW. Thou shalt not live to brag what we have offer'd.
VALENTINE. I take your offer, and will live with you,
Provided that you do no outrages
On silly women or poor passengers.
THIRD OUTLAW. No, we detest such vile base practices.
Come, go with us; we'll bring thee to our crews,
And show thee all the treasure we have got;
Which, with ourselves, all rest at thy dispose. Exeunt
SCENE II. Milan. Outside the DUKE'S palace, under SILVIA'S window
Enter PROTEUS
PROTEUS. Already have I been false to Valentine,
And now I must be as unjust to Thurio.
Under the colour of commending him
I have access my own love to prefer;
But Silvia is too fair, too true, too holy,
To be corrupted with my worthless gifts.
When I protest true loyalty to her,
She twits me with my falsehood to my friend;
When to her beauty I commend my vows,
She bids me think how I have been forsworn
In breaking faith with Julia whom I lov'd;
And notwithstanding all her sudden quips,
The least whereof would quell a lover's hope,
Yet, spaniel-like, the more she spurns my love
The more it grows and fawneth on her still.
Enter THURIO and MUSICIANS
But here comes Thurio. Now must we to her window,
And give some evening music to her ear.
THURIO. How now, Sir Proteus, are you crept before us?
PROTEUS. Ay, gentle Thurio; for you know that love
Will creep in service where it cannot go.
THURIO. Ay, but I hope, sir, that you love not here.
PROTEUS. Sir, but I do; or else I would be hence.
THURIO. Who? Silvia?
PROTEUS. Ay, Silvia- for your sake.
THURIO. I thank you for your own. Now, gentlemen,
Let's tune, and to it lustily awhile.
Enter at a distance, HOST, and JULIA in boy's clothes
HOST. Now, my young guest, methinks you're allycholly; I pray you,
why is it?
JULIA. Marry, mine host, because I cannot be merry.
HOST. Come, we'll have you merry; I'll bring you where you shall
hear music, and see the gentleman that you ask'd for.
JULIA. But shall I hear him speak?
HOST. Ay, that you shall. [Music plays]
JULIA. That will be music.
HOST. Hark, hark!
JULIA. Is he among these?
HOST. Ay; but peace! let's hear 'em.
SONG
Who is Silvia? What is she,
That all our swains commend her?
Holy, fair, and wise is she;
The heaven such grace did lend her,
That she might admired be.
Is she kind as she is fair?
For beauty lives with kindness.
Love doth to her eyes repair,
To help him of his blindness;
And, being help'd, inhabits there.
Then to Silvia let us sing
That Silvia is excelling;
She excels each mortal thing
Upon the dull earth dwelling.
'To her let us garlands bring.
HOST. How now, are you sadder than you were before?
How do you, man? The music likes you not.
JULIA. You mistake; the musician likes me not.
HOST. Why, my pretty youth?
JULIA. He plays false, father.
HOST. How, out of tune on the strings?
JULIA. Not so; but yet so false that he grieves my very
heart-strings.
HOST. You have a quick ear.
JULIA. Ay, I would I were deaf; it makes me have a slow heart.
HOST. I perceive you delight not in music.
JULIA. Not a whit, when it jars so.
HOST. Hark, what fine change is in the music!
JULIA. Ay, that change is the spite.
HOST. You would have them always play but one thing?
JULIA. I would always have one play but one thing.
But, Host, doth this Sir Proteus, that we talk on,
Often resort unto this gentlewoman?
HOST. I tell you what Launce, his man, told me: he lov'd her out of
all nick.
JULIA. Where is Launce?
HOST. Gone to seek his dog, which to-morrow, by his master's
command, he must carry for a present to his lady.
JULIA. Peace, stand aside; the company parts.
PROTEUS. Sir Thurio, fear not you; I will so plead
That you shall say my cunning drift excels.
THURIO. Where meet we?
PROTEUS. At Saint Gregory's well.
THURIO. Farewell. Exeunt THURIO and MUSICIANS
Enter SILVIA above, at her window
PROTEUS. Madam, good ev'n to your ladyship.
SILVIA. I thank you for your music, gentlemen.
Who is that that spake?
PROTEUS. One, lady, if you knew his pure heart's truth,
You would quickly learn to know him by his voice.
SILVIA. Sir Proteus, as I take it.
PROTEUS. Sir Proteus, gentle lady, and your servant.
SILVIA. What's your will?
PROTEUS. That I may compass yours.
SILVIA. You have your wish; my will is even this,
That presently you hie you home to bed.
Thou subtle, perjur'd, false, disloyal man,
Think'st thou I am so shallow, so conceitless,
To be seduced by thy flattery
That hast deceiv'd so many with thy vows?
Return, return, and make thy love amends.
For me, by this pale queen of night I swear,
I am so far from granting thy request
That I despise thee for thy wrongful suit,
And by and by intend to chide myself
Even for this time I spend in talking to thee.
PROTEUS. I grant, sweet love, that I did love a lady;
But she is dead.
JULIA. [Aside] 'Twere false, if I should speak it;
For I am sure she is not buried.
SILVIA. Say that she be; yet Valentine, thy friend,
Survives, to whom, thyself art witness,
I am betroth'd; and art thou not asham'd
To wrong him with thy importunacy?
PROTEUS. I likewise hear that Valentine is dead.
SILVIA. And so suppose am I; for in his grave
Assure thyself my love is buried.
PROTEUS. Sweet lady, let me rake it from the earth.
SILVIA. Go to thy lady's grave, and call hers thence;
Or, at the least, in hers sepulchre thine.
JULIA. [Aside] He heard not that.
PROTEUS. Madam, if your heart be so obdurate,
Vouchsafe me yet your picture for my love,
The picture that is hanging in your chamber;
To that I'll speak, to that I'll sigh and weep;
For, since the substance of your perfect self
Is else devoted, I am but a shadow;
And to your shadow will I make true love.
JULIA. [Aside] If 'twere a substance, you would, sure, deceive it
And make it but a shadow, as I am.
SILVIA. I am very loath to be your idol, sir;
But since your falsehood shall become you well
To worship shadows and adore false shapes,
Send to me in the morning, and I'll send it;
And so, good rest.
PROTEUS. As wretches have o'ernight
That wait for execution in the morn.
Exeunt PROTEUS and SILVIA
JULIA. Host, will you go?
HOST. By my halidom, I was fast asleep.
JULIA. Pray you, where lies Sir Proteus?
HOST. Marry, at my house. Trust me, I think 'tis almost day.
JULIA. Not so; but it hath been the longest night
That e'er I watch'd, and the most heaviest. Exeunt
SCENE III. Under SILVIA'S window
Enter EGLAMOUR
EGLAMOUR. This is the hour that Madam Silvia
Entreated me to call and know her mind;
There's some great matter she'd employ me in.
Madam, madam!
Enter SILVIA above, at her window
SILVIA. Who calls?
EGLAMOUR. Your servant and your friend;
One that attends your ladyship's command.
SILVIA. Sir Eglamour, a thousand times good morrow!
EGLAMOUR. As many, worthy lady, to yourself!
According to your ladyship's impose,
I am thus early come to know what service
It is your pleasure to command me in.
SILVIA. O Eglamour, thou art a gentleman-
Think not I flatter, for I swear I do not-
Valiant, wise, remorseful, well accomplish'd.
Thou art not ignorant what dear good will
I bear unto the banish'd Valentine;
Nor how my father would enforce me marry
Vain Thurio, whom my very soul abhors.
Thyself hast lov'd; and I have heard thee say
No grief did ever come so near thy heart
As when thy lady and thy true love died,
Upon whose grave thou vow'dst pure chastity.
Sir Eglamour, I would to Valentine,
To Mantua, where I hear he makes abode;
And, for the ways are dangerous to pass,
I do desire thy worthy company,
Upon whose faith and honour I repose.
Urge not my father's anger, Eglamour,
But think upon my grief, a lady's grief,
And on the justice of my flying hence
To keep me from a most unholy match,
Which heaven and fortune still rewards with plagues.
I do desire thee, even from a heart
As full of sorrows as the sea of sands,
To bear me company and go with me;
If not, to hide what I have said to thee,
That I may venture to depart alone.
EGLAMOUR. Madam, I pity much your grievances;
Which since I know they virtuously are plac'd,
I give consent to go along with you,
Recking as little what betideth me
As much I wish all good befortune you.
When will you go?
SILVIA. This evening coming.
EGLAMOUR. Where shall I meet you?
SILVIA. At Friar Patrick's cell,
Where I intend holy confession.
EGLAMOUR. I will not fail your ladyship. Good morrow, gentle lady.
SILVIA. Good morrow, kind Sir Eglamour. Exeunt
SCENE IV. Under SILVIA'S Window
Enter LAUNCE with his dog
LAUNCE. When a man's servant shall play the cur with him, look you, it goes hard- one that I brought up of a puppy; one that I sav'd from drowning, when three or four of his blind brothers and sisters went to it. I have taught him, even as one would say precisely 'Thus I would teach a dog.' I was sent to deliver him as a present to Mistress Silvia from my master; and I came no sooner into the dining-chamber, but he steps me to her trencher and steals her capon's leg. O, 'tis a foul thing when a cur cannot keep himself in all companies! I would have, as one should say, one that takes upon him to be a dog indeed, to be, as it were, a dog at all things. If I had not had more wit than he, to take a fault upon me that he did, I think verily he had been hang'd for't; sure as I live, he had suffer'd for't. You shall judge. He thrusts me himself into the company of three or four gentleman-like dogs under the Duke's table; he had not been there, bless the mark, a pissing while but all the chamber smelt him. 'Out with the dog' says one; 'What cur is that?' says another; 'Whip him out' says the third; 'Hang him up' says the Duke. I, having been acquainted with the smell before, knew it was Crab, and goes me to the fellow that whips the dogs. 'Friend,' quoth I 'you mean to whip the dog.' 'Ay, marry do I' quoth he. 'You do him the more wrong,' quoth I; "twas I did the thing you wot of.' He makes me no more ado, but whips me out of the chamber. How many masters would do this for his servant? Nay, I'll be sworn, I have sat in the stock for puddings he hath stol'n, otherwise he had been executed; I have stood on the pillory for geese he hath kill'd, otherwise he had suffer'd for't. Thou think'st not of this now. Nay, I remember the trick you serv'd me when I took my leave of Madam Silvia. Did not I bid thee still mark me and do as I do? When didst thou see me heave up my leg and make water against a gentlewoman's farthingale? Didst thou ever see me do such a trick?
Enter PROTEUS, and JULIA in boy's clothes
PROTEUS. Sebastian is thy name? I like thee well,
And will employ thee in some service presently.
JULIA. In what you please; I'll do what I can.
PROTEUS..I hope thou wilt. [To LAUNCE] How now, you whoreson
peasant!
Where have you been these two days loitering?
LAUNCE. Marry, sir, I carried Mistress Silvia the dog you bade me.
PROTEUS. And what says she to my little jewel?
LAUNCE. Marry, she says your dog was a cur, and tells you currish
thanks is good enough for such a present.
PROTEUS. But she receiv'd my dog?
LAUNCE. No, indeed, did she not; here have I brought him back
again.
PROTEUS. What, didst thou offer her this from me?
LAUNCE. Ay, sir; the other squirrel was stol'n from me by the
hangman's boys in the market-place; and then I offer'd her mine
own, who is a dog as big as ten of yours, and therefore the gift
the greater.
PROTEUS. Go, get thee hence and find my dog again,
Or ne'er return again into my sight.
Away, I say. Stayest thou to vex me here? Exit LAUNCE
A slave that still an end turns me to shame!
Sebastian, I have entertained thee
Partly that I have need of such a youth
That can with some discretion do my business,
For 'tis no trusting to yond foolish lout,
But chiefly for thy face and thy behaviour,
Which, if my augury deceive me not,
Witness good bringing up, fortune, and truth;
Therefore, know thou, for this I entertain thee.
Go presently, and take this ring with thee,
Deliver it to Madam Silvia-
She lov'd me well deliver'd it to me.
JULIA. It seems you lov'd not her, to leave her token.
She is dead, belike?
PROTEUS. Not so; I think she lives.
JULIA. Alas!
PROTEUS. Why dost thou cry 'Alas'?
JULIA. I cannot choose
But pity her.
PROTEUS. Wherefore shouldst thou pity her?
JULIA. Because methinks that she lov'd you as well
As you do love your lady Silvia.
She dreams on him that has forgot her love:
You dote on her that cares not for your love.
'Tis pity love should be so contrary;
And thinking on it makes me cry 'Alas!'
PROTEUS. Well, give her that ring, and therewithal
This letter. That's her chamber. Tell my lady
I claim the promise for her heavenly picture.
Your message done, hie home unto my chamber,
Where thou shalt find me sad and solitary. Exit PROTEUS
JULIA. How many women would do such a message?
Alas, poor Proteus, thou hast entertain'd
A fox to be the shepherd of thy lambs.
Alas, poor fool, why do I pity him
That with his very heart despiseth me?
Because he loves her, he despiseth me;
Because I love him, I must pity him.
This ring I gave him, when he parted from me,
To bind him to remember my good will;
And now am I, unhappy messenger,
To plead for that which I would not obtain,
To carry that which I would have refus'd,
To praise his faith, which I would have disprais'd.
I am my master's true confirmed love,
But cannot be true servant to my master
Unless I prove false traitor to myself.
Yet will I woo for him, but yet so coldly
As, heaven it knows, I would not have him speed.
Enter SILVIA, attended
Gentlewoman, good day! I pray you be my mean
To bring me where to speak with Madam Silvia.
SILVIA. What would you with her, if that I be she?
JULIA. If you be she, I do entreat your patience
To hear me speak the message I am sent on.
SILVIA. From whom?
JULIA. From my master, Sir Proteus, madam.
SILVIA. O, he sends you for a picture?
JULIA. Ay, madam.
SILVIA. Ursula, bring my picture there.
Go, give your master this. Tell him from me,
One Julia, that his changing thoughts forget,
Would better fit his chamber than this shadow.
JULIA. Madam, please you peruse this letter.
Pardon me, madam; I have unadvis'd
Deliver'd you a paper that I should not.
This is the letter to your ladyship.
SILVIA. I pray thee let me look on that again.
JULIA. It may not be; good madam, pardon me.
SILVIA. There, hold!
I will not look upon your master's lines.
I know they are stuff'd with protestations,
And full of new-found oaths, which he wul break
As easily as I do tear his paper.
JULIA. Madam, he sends your ladyship this ring.
SILVIA. The more shame for him that he sends it me;
For I have heard him say a thousand times
His Julia gave it him at his departure.
Though his false finger have profan'd the ring,
Mine shall not do his Julia so much wrong.
JULIA. She thanks you.
SILVIA. What say'st thou?
JULIA. I thank you, madam, that you tender her.
Poor gentlewoman, my master wrongs her much.
SILVIA. Dost thou know her?
JULIA. Almost as well as I do know myself.
To think upon her woes, I do protest
That I have wept a hundred several times.
SILVIA. Belike she thinks that Proteus hath forsook her.
JULIA. I think she doth, and that's her cause of sorrow.
SILVIA. Is she not passing fair?
JULIA. She hath been fairer, madam, than she is.
When she did think my master lov'd her well,
She, in my judgment, was as fair as you;
But since she did neglect her looking-glass
And threw her sun-expelling mask away,
The air hath starv'd the roses in her cheeks
And pinch'd the lily-tincture of her face,
That now she is become as black as I.
SILVIA. How tall was she?
JULIA. About my stature; for at Pentecost,
When all our pageants of delight were play'd,
Our youth got me to play the woman's part,
And I was trimm'd in Madam Julia's gown;
Which served me as fit, by all men's judgments,
As if the garment had been made for me;
Therefore I know she is about my height.
And at that time I made her weep a good,
For I did play a lamentable part.
Madam, 'twas Ariadne passioning
For Theseus' perjury and unjust flight;
Which I so lively acted with my tears
That my poor mistress, moved therewithal,
Wept bitterly; and would I might be dead
If I in thought felt not her very sorrow.
SILVIA. She is beholding to thee, gentle youth.
Alas, poor lady, desolate and left!
I weep myself, to think upon thy words.
Here, youth, there is my purse; I give thee this
For thy sweet mistress' sake, because thou lov'st her.
Farewell. Exit SILVIA with ATTENDANTS
JULIA. And she shall thank you for't, if e'er you know her.
A virtuous gentlewoman, mild and beautiful!
I hope my master's suit will be but cold,
Since she respects my mistress' love so much.
Alas, how love can trifle with itself!
Here is her picture; let me see. I think,
If I had such a tire, this face of mine
Were full as lovely as is this of hers;
And yet the painter flatter'd her a little,
Unless I flatter with myself too much.
Her hair is auburn, mine is perfect yellow;
If that be all the difference in his love,
I'll get me such a colour'd periwig.
Her eyes are grey as glass, and so are mine;
Ay, but her forehead's low, and mine's as high.
What should it be that he respects in her
But I can make respective in myself,
If this fond Love were not a blinded god?
Come, shadow, come, and take this shadow up,
For 'tis thy rival. O thou senseless form,
Thou shalt be worshipp'd, kiss'd, lov'd, and ador'd!
And were there sense in his idolatry
My substance should be statue in thy stead.
I'll use thee kindly for thy mistress' sake,
That us'd me so; or else, by Jove I vow,
I should have scratch'd out your unseeing eyes,
To make my master out of love with thee. Exit
ACT V. SCENE I. Milan. An abbey
Enter EGLAMOUR
EGLAMOUR. The sun begins to gild the western sky,
And now it is about the very hour
That Silvia at Friar Patrick's cell should meet me.
She will not fail, for lovers break not hours
Unless it be to come before their time,
So much they spur their expedition.
Enter SILVIA
See where she comes. Lady, a happy evening!
SILVIA. Amen, amen! Go on, good Eglamour,
Out at the postern by the abbey wall;
I fear I am attended by some spies.
EGLAMOUR. Fear not. The forest is not three leagues off;
If we recover that, we are sure enough. Exeunt
SCENE II. Milan. The DUKE'S palace
Enter THURIO, PROTEUS, and JULIA as SEBASTIAN
THURIO. Sir Proteus, what says Silvia to my suit?
PROTEUS. O, sir, I find her milder than she was;
And yet she takes exceptions at your person.
THURIO. What, that my leg is too long?
PROTEUS. No; that it is too little.
THURIO. I'll wear a boot to make it somewhat rounder.
JULIA. [Aside] But love will not be spurr'd to what it loathes.
THURIO. What says she to my face?
PROTEUS. She says it is a fair one.
THURIO. Nay, then, the wanton lies; my face is black.
PROTEUS. But pearls are fair; and the old saying is:
Black men are pearls in beauteous ladies' eyes.
JULIA. [Aside] 'Tis true, such pearls as put out ladies' eyes;
For I had rather wink than look on them.
THURIO. How likes she my discourse?
PROTEUS. Ill, when you talk of war.
THURIO. But well when I discourse of love and peace?
JULIA. [Aside] But better, indeed, when you hold your peace.
THURIO. What says she to my valour?
PROTEUS. O, sir, she makes no doubt of that.
JULIA. [Aside] She needs not, when she knows it cowardice.
THURIO. What says she to my birth?
PROTEUS. That you are well deriv'd.
JULIA. [Aside] True; from a gentleman to a fool.
THURIO. Considers she my possessions?
PROTEUS. O, ay; and pities them.
THURIO. Wherefore?
JULIA. [Aside] That such an ass should owe them.
PROTEUS. That they are out by lease.
JULIA. Here comes the Duke.
Enter DUKE
DUKE. How now, Sir Proteus! how now, Thurio!
Which of you saw Sir Eglamour of late?
THURIO. Not I.
PROTEUS. Nor I.
DUKE. Saw you my daughter?
PROTEUS. Neither.
DUKE. Why then,
She's fled unto that peasant Valentine;
And Eglamour is in her company.
'Tis true; for Friar Lawrence met them both
As he in penance wander'd through the forest;
Him he knew well, and guess'd that it was she,
But, being mask'd, he was not sure of it;
Besides, she did intend confession
At Patrick's cell this even; and there she was not.
These likelihoods confirm her flight from hence;
Therefore, I pray you, stand not to discourse,
But mount you presently, and meet with me
Upon the rising of the mountain foot
That leads toward Mantua, whither they are fled.
Dispatch, sweet gentlemen, and follow me. Exit
THURIO. Why, this it is to be a peevish girl
That flies her fortune when it follows her.
I'll after, more to be reveng'd on Eglamour
Than for the love of reckless Silvia. Exit
PROTEUS. And I will follow, more for Silvia's love
Than hate of Eglamour, that goes with her. Exit
JULIA. And I will follow, more to cross that love
Than hate for Silvia, that is gone for love. Exit
SCENE III. The frontiers of Mantua. The forest
Enter OUTLAWS with SILVA
FIRST OUTLAW. Come, come.
Be patient; we must bring you to our captain.
SILVIA. A thousand more mischances than this one
Have learn'd me how to brook this patiently.
SECOND OUTLAW. Come, bring her away.
FIRST OUTLAW. Where is the gentleman that was with her?
SECOND OUTLAW. Being nimble-footed, he hath outrun us,
But Moyses and Valerius follow him.
Go thou with her to the west end of the wood;
There is our captain; we'll follow him that's fled.
The thicket is beset; he cannot 'scape.
FIRST OUTLAW. Come, I must bring you to our captain's cave;
Fear not; he bears an honourable mind,
And will not use a woman lawlessly.
SILVIA. O Valentine, this I endure for thee! Exeunt
SCENE IV. Another part of the forest
Enter VALENTINE
VALENTINE. How use doth breed a habit in a man!
This shadowy desert, unfrequented woods,
I better brook than flourishing peopled towns.
Here can I sit alone, unseen of any,
And to the nightingale's complaining notes
Tune my distresses and record my woes.
O thou that dost inhabit in my breast,
Leave not the mansion so long tenantless,
Lest, growing ruinous, the building fall
And leave no memory of what it was!
Repair me with thy presence, Silvia:
Thou gentle nymph, cherish thy forlorn swain.
What halloing and what stir is this to-day?
These are my mates, that make their wills their law,
Have some unhappy passenger in chase.
They love me well; yet I have much to do
To keep them from uncivil outrages.
Withdraw thee, Valentine. Who's this comes here?
[Steps aside]
Enter PROTEUS, SILVIA, and JULIA as Sebastian
PROTEUS. Madam, this service I have done for you,
Though you respect not aught your servant doth,
To hazard life, and rescue you from him
That would have forc'd your honour and your love.
Vouchsafe me, for my meed, but one fair look;
A smaller boon than this I cannot beg,
And less than this, I am sure, you cannot give.
VALENTINE. [Aside] How like a dream is this I see and hear!
Love, lend me patience to forbear awhile.
SILVIA. O miserable, unhappy that I am!
PROTEUS. Unhappy were you, madam, ere I came;
But by my coming I have made you happy.
SILVIA. By thy approach thou mak'st me most unhappy.
JULIA. [Aside] And me, when he approacheth to your presence.
SILVIA. Had I been seized by a hungry lion,
I would have been a breakfast to the beast
Rather than have false Proteus rescue me.
O, heaven be judge how I love Valentine,
Whose life's as tender to me as my soul!
And full as much, for more there cannot be,
I do detest false, perjur'd Proteus.
Therefore be gone; solicit me no more.
PROTEUS. What dangerous action, stood it next to death,
Would I not undergo for one calm look?
O, 'tis the curse in love, and still approv'd,
When women cannot love where they're belov'd!
SILVIA. When Proteus cannot love where he's belov'd!
Read over Julia's heart, thy first best love,
For whose dear sake thou didst then rend thy faith
Into a thousand oaths; and all those oaths
Descended into perjury, to love me.
Thou hast no faith left now, unless thou'dst two,
And that's far worse than none; better have none
Than plural faith, which is too much by one.
Thou counterfeit to thy true friend!
PROTEUS. In love,
Who respects friend?
SILVIA. All men but Proteus.
PROTEUS. Nay, if the gentle spirit of moving words
Can no way change you to a milder form,
I'll woo you like a soldier, at arms' end,
And love you 'gainst the nature of love- force ye.
SILVIA. O heaven!
PROTEUS. I'll force thee yield to my desire.
VALENTINE. Ruffian! let go that rude uncivil touch;
Thou friend of an ill fashion!
PROTEUS. Valentine!
VALENTINE. Thou common friend, that's without faith or love-
For such is a friend now; treacherous man,
Thou hast beguil'd my hopes; nought but mine eye
Could have persuaded me. Now I dare not say
I have one friend alive: thou wouldst disprove me.
Who should be trusted, when one's own right hand
Is perjured to the bosom? Proteus,
I am sorry I must never trust thee more,
But count the world a stranger for thy sake.
The private wound is deepest. O time most accurst!
'Mongst all foes that a friend should be the worst!
PROTEUS. My shame and guilt confounds me.
Forgive me, Valentine; if hearty sorrow
Be a sufficient ransom for offence,
I tender 't here; I do as truly suffer
As e'er I did commit.
VALENTINE. Then I am paid;
And once again I do receive thee honest.
Who by repentance is not satisfied
Is nor of heaven nor earth, for these are pleas'd;
By penitence th' Eternal's wrath's appeas'd.
And, that my love may appear plain and free,
All that was mine in Silvia I give thee.
JULIA. O me unhappy! [Swoons]
PROTEUS. Look to the boy.
VALENTINE. Why, boy! why, wag! how now!
What's the matter? Look up; speak.
JULIA. O good sir, my master charg'd me to deliver a ring to Madam
Silvia, which, out of my neglect, was never done.
PROTEUS. Where is that ring, boy?
JULIA. Here 'tis; this is it.
PROTEUS. How! let me see. Why, this is the ring I gave to Julia.
JULIA. O, cry you mercy, sir, I have mistook;
This is the ring you sent to Silvia.
PROTEUS. But how cam'st thou by this ring?
At my depart I gave this unto Julia.
JULIA. And Julia herself did give it me;
And Julia herself have brought it hither.
PROTEUS. How! Julia!
JULIA. Behold her that gave aim to all thy oaths,
And entertain'd 'em deeply in her heart.
How oft hast thou with perjury cleft the root!
O Proteus, let this habit make thee blush!
Be thou asham'd that I have took upon me
Such an immodest raiment- if shame live
In a disguise of love.
It is the lesser blot, modesty finds,
Women to change their shapes than men their minds.
PROTEUS. Than men their minds! 'tis true. O heaven, were man
But constant, he were perfect! That one error
Fills him with faults; makes him run through all th' sins:
Inconstancy falls off ere it begins.
What is in Silvia's face but I may spy
More fresh in Julia's with a constant eye?
VALENTINE. Come, come, a hand from either.
Let me be blest to make this happy close;
'Twere pity two such friends should be long foes.
PROTEUS. Bear witness, heaven, I have my wish for ever.
JULIA. And I mine.
Enter OUTLAWS, with DUKE and THURIO
OUTLAW. A prize, a prize, a prize!
VALENTINE. Forbear, forbear, I say; it is my lord the Duke.
Your Grace is welcome to a man disgrac'd,
Banished Valentine.
DUKE. Sir Valentine!
THURIO. Yonder is Silvia; and Silvia's mine.
VALENTINE. Thurio, give back, or else embrace thy death;
Come not within the measure of my wrath;
Do not name Silvia thine; if once again,
Verona shall not hold thee. Here she stands
Take but possession of her with a touch-
I dare thee but to breathe upon my love.
THURIO. Sir Valentine, I care not for her, I;
I hold him but a fool that will endanger
His body for a girl that loves him not.
I claim her not, and therefore she is thine.
DUKE. The more degenerate and base art thou
To make such means for her as thou hast done
And leave her on such slight conditions.
Now, by the honour of my ancestry,
I do applaud thy spirit, Valentine,
And think thee worthy of an empress' love.
Know then, I here forget all former griefs,
Cancel all grudge, repeal thee home again,
Plead a new state in thy unrivall'd merit,
To which I thus subscribe: Sir Valentine,
Thou art a gentleman, and well deriv'd;
Take thou thy Silvia, for thou hast deserv'd her.
VALENTINE. I thank your Grace; the gift hath made me happy.
I now beseech you, for your daughter's sake,
To grant one boon that I shall ask of you.
DUKE. I grant it for thine own, whate'er it be.
VALENTINE. These banish'd men, that I have kept withal,
Are men endu'd with worthy qualities;
Forgive them what they have committed here,
And let them be recall'd from their exile:
They are reformed, civil, full of good,
And fit for great employment, worthy lord.
DUKE. Thou hast prevail'd; I pardon them, and thee;
Dispose of them as thou know'st their deserts.
Come, let us go; we will include all jars
With triumphs, mirth, and rare solemnity.
VALENTINE. And, as we walk along, I dare be bold
With our discourse to make your Grace to smile.
What think you of this page, my lord?
DUKE. I think the boy hath grace in him; he blushes.
VALENTINE. I warrant you, my lord- more grace than boy.
DUKE. What mean you by that saying?
VALENTINE. Please you, I'll tell you as we pass along,
That you will wonder what hath fortuned.
Come, Proteus, 'tis your penance but to hear
The story of your loves discovered.
That done, our day of marriage shall be yours;
One feast, one house, one mutual happiness! Exeunt
Template:Close-shakespeare</text>