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{{ | __NOTITLE__ | ||
{{Setup|tick=Where}} | |||
[[Texts:Shakespeare|Links to Shakespeare's Works]] | |||
<h2>MACBETH</h2> | <h2>MACBETH</h2> | ||
__TOC__ | |||
<hr /> | <hr /> | ||
<h2> | <h2>Dramatis Personæ</h2> | ||
<p> | <p> | ||
DUNCAN, King of Scotland.<br/> | |||
<br/> | |||
MALCOLM, his Son.<br/> | |||
<br/> | |||
DONALBAIN, his Son.<br/> | |||
<br/> | |||
MACBETH, General in the King's Army.<br/> | |||
< | BANQUO, General in the King's Army.<br/> | ||
MACDUFF, Nobleman of Scotland.<br/> | MACDUFF, Nobleman of Scotland.<br/> | ||
LENNOX, Nobleman of Scotland.<br/> | LENNOX, Nobleman of Scotland.<br/> | ||
ROSS, Nobleman of Scotland.<br/> | ROSS, Nobleman of Scotland.<br/> | ||
MENTEITH, Nobleman of Scotland.<br/> | MENTEITH, Nobleman of Scotland.<br/> | ||
ANGUS, Nobleman of Scotland.<br/> | ANGUS, Nobleman of Scotland.<br/> | ||
CAITHNESS, Nobleman of Scotland.<br/> | CAITHNESS, Nobleman of Scotland.<br/> | ||
FLEANCE, Son to Banquo.<br/> | FLEANCE, Son to Banquo.<br/> | ||
SIWARD, Earl of Northumberland, General of the English Forces.<br/> | SIWARD, Earl of Northumberland, General of the English Forces.<br/> | ||
YOUNG SIWARD, his Son.<br/> | YOUNG SIWARD, his Son.<br/> | ||
SEYTON, an Officer attending on Macbeth.<br/> | SEYTON, an Officer attending on Macbeth.<br/> | ||
BOY, Son to Macduff.<br/> | BOY, Son to Macduff.<br/> | ||
An English Doctor.<br/> | An English Doctor.<br/> | ||
A Scottish Doctor.<br/> | A Scottish Doctor.<br/> | ||
A Soldier.<br/> | A Soldier.<br/> | ||
A Porter.<br/> | A Porter.<br/> | ||
An Old Man. | An Old Man. | ||
</p> | </p> | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
LADY MACDUFF.<br/> | LADY MACDUFF.<br/> | ||
Gentlewoman attending on Lady Macbeth.<br/> | Gentlewoman attending on Lady Macbeth.<br/> | ||
HECATE, and three Witches. | HECATE, and three Witches. | ||
</p> | </p> | ||
<p>Lords, Gentlemen, Officers, Soldiers, Murderers, Attendants and Messengers. | <p>Lords, Gentlemen, Officers, Soldiers, Murderers, Attendants and Messengers. | ||
</p> | </p> | ||
<p>The Ghost of Banquo and several other Apparitions. | <p>The Ghost of Banquo and several other Apparitions. | ||
</p> | </p> | ||
<h3><b>SCENE: In the end of the Fourth Act, in England; through the rest of the | <h3><b>SCENE: In the end of the Fourth Act, in England; through the rest of the | ||
Play, in Scotland; and chiefly at Macbeth's Castle.</b></h3> | Play, in Scotland; and chiefly at Macbeth's Castle.</b></h3> | ||
<h2 id="sceneI_20.1"> | |||
<b>ACT I</b></h2> | <b>ACT I</b></h2> | ||
Line 130: | Line 83: | ||
<p class="scenedesc"> Thunder and Lightning. Enter three | <p class="scenedesc"> Thunder and Lightning. Enter three | ||
<span class="charname">Witches</span>.</p> | <span class="charname">Witches</span>.</p> | ||
<p>FIRST WITCH.<br/> | <p>FIRST WITCH.<br/> | ||
When shall we three meet again?<br/> | When shall we three meet again?<br/> | ||
In thunder, lightning, or in rain? | In thunder, lightning, or in rain? | ||
</p> | </p> | ||
<p>SECOND WITCH.<br/> | <p>SECOND WITCH.<br/> | ||
When the hurlyburly's done,<br/> | When the hurlyburly's done,<br/> | ||
When the battle's lost and won. | When the battle's lost and won. | ||
</p> | </p> | ||
<p>THIRD WITCH.<br/> | <p>THIRD WITCH.<br/> | ||
That will be ere the set of sun. | That will be ere the set of sun. | ||
</p> | </p> | ||
<p>FIRST WITCH.<br/> | <p>FIRST WITCH.<br/> | ||
Where the place? | Where the place? | ||
</p> | </p> | ||
<p>SECOND WITCH.<br/> | <p>SECOND WITCH.<br/> | ||
Upon the heath. | Upon the heath. | ||
</p> | </p> | ||
<p>THIRD WITCH.<br/> | <p>THIRD WITCH.<br/> | ||
There to meet with Macbeth. | There to meet with Macbeth. | ||
</p> | </p> | ||
<p>FIRST WITCH.<br/> | <p>FIRST WITCH.<br/> | ||
I come, Graymalkin! | I come, Graymalkin! | ||
</p> | </p> | ||
<p>SECOND WITCH.<br/> | <p>SECOND WITCH.<br/> | ||
Paddock calls. | Paddock calls. | ||
</p> | </p> | ||
<p>THIRD WITCH.<br/> | <p>THIRD WITCH.<br/> | ||
Anon. | Anon. | ||
</p> | </p> | ||
<p>ALL.<br/> | <p>ALL.<br/> | ||
Fair is foul, and foul is fair:<br/> | Fair is foul, and foul is fair:<br/> | ||
Hover through the fog and filthy air. | Hover through the fog and filthy air. | ||
</p> | </p> | ||
Line 178: | Line 155: | ||
<h3 id="sceneI_20.2"> | <h3 id="sceneI_20.2"> | ||
<b>SCENE II. A Camp near Forres.</b></h3> | <b>SCENE II. A Camp near Forres.</b></h3> | ||
<p class="scenedesc"> Alarum within. Enter <span class="charname">King Duncan, | <p class="scenedesc"> Alarum within. Enter <span class="charname">King Duncan, | ||
Malcolm, Donalbain, Lennox,</span> with Attendants, meeting a bleeding | Malcolm, Donalbain, Lennox,</span> with Attendants, meeting a bleeding | ||
<span class="charname">Captain</span>.</p> | <span class="charname">Captain</span>.</p> | ||
<p>DUNCAN.<br/> | |||
What bloody man is that? He can report,<br/> | What bloody man is that? He can report,<br/> | ||
As seemeth by his plight, of the revolt<br/> | As seemeth by his plight, of the revolt<br/> | ||
The newest state. | The newest state. | ||
</p> | </p> | ||
<p>MALCOLM.<br/> | <p>MALCOLM.<br/> | ||
This is the sergeant<br/> | This is the sergeant<br/> | ||
Who, like a good and hardy soldier, fought<br/> | Who, like a good and hardy soldier, fought<br/> | ||
'Gainst my captivity.—Hail, brave friend!<br/> | |||
'Gainst my captivity.&mdash;Hail, brave friend!<br/> | |||
Say to the King the knowledge of the broil<br/> | Say to the King the knowledge of the broil<br/> | ||
As thou didst leave it. | As thou didst leave it. | ||
</p> | </p> | ||
<p>SOLDIER.<br/> | <p>SOLDIER.<br/> | ||
Doubtful it stood;<br/> | Doubtful it stood;<br/> | ||
As two spent swimmers that do cling together<br/> | As two spent swimmers that do cling together<br/> | ||
And choke their art. The merciless Macdonwald<br/> | And choke their art. The merciless Macdonwald<br/> | ||
(Worthy to be a rebel, for to that<br/> | (Worthy to be a rebel, for to that<br/> | ||
The multiplying villainies of nature<br/> | The multiplying villainies of nature<br/> | ||
Do swarm upon him) from the Western Isles<br/> | Do swarm upon him) from the Western Isles<br/> | ||
Of kerns and gallowglasses is supplied;<br/> | Of kerns and gallowglasses is supplied;<br/> | ||
And Fortune, on his damned quarrel smiling,<br/> | And Fortune, on his damned quarrel smiling,<br/> | ||
Show'd like a rebel's whore. But all's too weak;<br/> | Show'd like a rebel's whore. But all's too weak;<br/> | ||
For brave Macbeth (well he deserves that name),<br/> | For brave Macbeth (well he deserves that name),<br/> | ||
Disdaining Fortune, with his brandish'd steel,<br/> | Disdaining Fortune, with his brandish'd steel,<br/> | ||
Which smok'd with bloody execution,<br/> | Which smok'd with bloody execution,<br/> | ||
Like Valour's minion, carv'd out his passage,<br/> | Like Valour's minion, carv'd out his passage,<br/> | ||
Till he fac'd the slave;<br/> | Till he fac'd the slave;<br/> | ||
Which ne'er shook hands, nor bade farewell to him,<br/> | Which ne'er shook hands, nor bade farewell to him,<br/> | ||
Till he unseam'd him from the nave to the chops,<br/> | Till he unseam'd him from the nave to the chops,<br/> | ||
And fix'd his head upon our battlements. | And fix'd his head upon our battlements. | ||
</p> | </p> | ||
<p>DUNCAN.<br/> | <p>DUNCAN.<br/> | ||
O valiant cousin! worthy gentleman! | O valiant cousin! worthy gentleman! | ||
</p> | </p> | ||
<p>SOLDIER.<br/> | <p>SOLDIER.<br/> | ||
As whence the sun 'gins his reflection<br/> | As whence the sun 'gins his reflection<br/> | ||
Shipwracking storms and direful thunders break,<br/> | Shipwracking storms and direful thunders break,<br/> | ||
So from that spring, whence comfort seem'd to come<br/> | So from that spring, whence comfort seem'd to come<br/> | ||
Discomfort swells. Mark, King of Scotland, mark:<br/> | Discomfort swells. Mark, King of Scotland, mark:<br/> | ||
No sooner justice had, with valour arm'd,<br/> | No sooner justice had, with valour arm'd,<br/> | ||
Compell'd these skipping kerns to trust their heels,<br/> | Compell'd these skipping kerns to trust their heels,<br/> | ||
But the Norweyan lord, surveying vantage,<br/> | But the Norweyan lord, surveying vantage,<br/> | ||
With furbish'd arms and new supplies of men,<br/> | With furbish'd arms and new supplies of men,<br/> | ||
Began a fresh assault. | Began a fresh assault. | ||
</p> | </p> | ||
<p>DUNCAN.<br/> | <p>DUNCAN.<br/> | ||
Dismay'd not this<br/> | Dismay'd not this<br/> | ||
Our captains, Macbeth and Banquo? | Our captains, Macbeth and Banquo? | ||
</p> | </p> | ||
<p>SOLDIER.<br/> | <p>SOLDIER.<br/> | ||
Yes;<br/> | Yes;<br/> | ||
As sparrows eagles, or the hare the lion.<br/> | As sparrows eagles, or the hare the lion.<br/> | ||
If I say sooth, I must report they were<br/> | If I say sooth, I must report they were<br/> | ||
As cannons overcharg'd with double cracks;<br/> | As cannons overcharg'd with double cracks;<br/> | ||
So they<br/> | So they<br/> | ||
Doubly redoubled strokes upon the foe:<br/> | Doubly redoubled strokes upon the foe:<br/> | ||
Except they meant to bathe in reeking wounds,<br/> | Except they meant to bathe in reeking wounds,<br/> | ||
Or memorize another Golgotha,<br/> | Or memorize another Golgotha,<br/> | ||
I cannot tell—<br/> | |||
I cannot tell&mdash;<br/> | |||
But I am faint, my gashes cry for help. | But I am faint, my gashes cry for help. | ||
</p> | </p> | ||
<p>DUNCAN.<br/> | <p>DUNCAN.<br/> | ||
So well thy words become thee as thy wounds:<br/> | So well thy words become thee as thy wounds:<br/> | ||
They smack of honour both.—Go, get him surgeons. | |||
They smack of honour both.&mdash;Go, get him surgeons. | |||
</p> | </p> | ||
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<p class="scenedesc"> Enter <span class="charname">Ross</span> and | <p class="scenedesc"> Enter <span class="charname">Ross</span> and | ||
<span class="charname">Angus</span>.</p> | <span class="charname">Angus</span>.</p> | ||
<p> | <p> | ||
Who comes here? | Who comes here? | ||
</p> | </p> | ||
<p>MALCOLM.<br/> | <p>MALCOLM.<br/> | ||
The worthy Thane of Ross. | The worthy Thane of Ross. | ||
</p> | </p> | ||
<p>LENNOX.<br/> | <p>LENNOX.<br/> | ||
What a haste looks through his eyes! So should he look<br/> | What a haste looks through his eyes! So should he look<br/> | ||
That seems to speak things strange. | That seems to speak things strange. | ||
</p> | </p> | ||
<p>ROSS.<br/> | <p>ROSS.<br/> | ||
God save the King! | God save the King! | ||
</p> | </p> | ||
<p>DUNCAN.<br/> | <p>DUNCAN.<br/> | ||
Whence cam'st thou, worthy thane? | Whence cam'st thou, worthy thane? | ||
</p> | </p> | ||
<p>ROSS.<br/> | <p>ROSS.<br/> | ||
From Fife, great King,<br/> | From Fife, great King,<br/> | ||
Where the Norweyan banners flout the sky<br/> | Where the Norweyan banners flout the sky<br/> | ||
And fan our people cold.<br/> | And fan our people cold.<br/> | ||
Norway himself, with terrible numbers,<br/> | Norway himself, with terrible numbers,<br/> | ||
Assisted by that most disloyal traitor,<br/> | Assisted by that most disloyal traitor,<br/> | ||
The Thane of Cawdor, began a dismal conflict;<br/> | The Thane of Cawdor, began a dismal conflict;<br/> | ||
Till that Bellona's bridegroom, lapp'd in proof,<br/> | Till that Bellona's bridegroom, lapp'd in proof,<br/> | ||
Confronted him with self-comparisons,<br/> | Confronted him with self-comparisons,<br/> | ||
Point against point, rebellious arm 'gainst arm,<br/> | Point against point, rebellious arm 'gainst arm,<br/> | ||
Curbing his lavish spirit: and, to conclude,<br/> | Curbing his lavish spirit: and, to conclude,<br/> | ||
The victory fell on us. | The victory fell on us. | ||
</p> | </p> | ||
<p>DUNCAN.<br/> | <p>DUNCAN.<br/> | ||
Great happiness! | Great happiness! | ||
</p> | </p> | ||
<p>ROSS.<br/> | <p>ROSS.<br/> | ||
That now<br/> | That now<br/> | ||
Sweno, the Norways' king, craves composition;<br/> | Sweno, the Norways' king, craves composition;<br/> | ||
Nor would we deign him burial of his men<br/> | Nor would we deign him burial of his men<br/> | ||
Till he disbursed at Saint Colme's Inch<br/> | Till he disbursed at Saint Colme's Inch<br/> | ||
Ten thousand dollars to our general use. | Ten thousand dollars to our general use. | ||
</p> | </p> | ||
<p>DUNCAN.<br/> | <p>DUNCAN.<br/> | ||
No more that Thane of Cawdor shall deceive<br/> | No more that Thane of Cawdor shall deceive<br/> | ||
Our bosom interest. Go pronounce his present death,<br/> | Our bosom interest. Go pronounce his present death,<br/> | ||
And with his former title greet Macbeth. | And with his former title greet Macbeth. | ||
</p> | </p> | ||
<p>ROSS.<br/> | <p>ROSS.<br/> | ||
I'll see it done. | I'll see it done. | ||
</p> | </p> | ||
<p>DUNCAN.<br/> | <p>DUNCAN.<br/> | ||
What he hath lost, noble Macbeth hath won. | What he hath lost, noble Macbeth hath won. | ||
</p> | </p> | ||
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<h3 id="sceneI_20.3"> | <h3 id="sceneI_20.3"> | ||
<b>SCENE III. A heath.</b></h3> | <b>SCENE III. A heath.</b></h3> | ||
Line 332: | Line 409: | ||
<p>FIRST WITCH.<br/> | <p>FIRST WITCH.<br/> | ||
Where hast thou been, sister? | Where hast thou been, sister? | ||
</p> | </p> | ||
<p>SECOND WITCH.<br/> | <p>SECOND WITCH.<br/> | ||
Killing swine. | Killing swine. | ||
</p> | </p> | ||
<p>THIRD WITCH.<br/> | <p>THIRD WITCH.<br/> | ||
Sister, where thou? | Sister, where thou? | ||
</p> | </p> | ||
<p>FIRST WITCH.<br/> | <p>FIRST WITCH.<br/> | ||
A sailor's wife had chestnuts in her lap,<br/> | A sailor's wife had chestnuts in her lap,<br/> | ||
And mounch'd, and mounch'd, and mounch'd. “Give | |||
me,” quoth I.<br/> | And mounch'd, and mounch'd, and mounch'd. &ldquo;Give | ||
“Aroint thee, witch!” the rump-fed ronyon cries.<br/> | |||
me,&rdquo; quoth I.<br/> | |||
&ldquo;Aroint thee, witch!&rdquo; the rump-fed ronyon cries.<br/> | |||
Her husband's to Aleppo gone, master o' th' <i>Tiger:</i><br/> | Her husband's to Aleppo gone, master o' th' <i>Tiger:</i><br/> | ||
But in a sieve I'll thither sail,<br/> | But in a sieve I'll thither sail,<br/> | ||
And, like a rat without a tail,<br/> | And, like a rat without a tail,<br/> | ||
I'll do, I'll do, and I'll do. | I'll do, I'll do, and I'll do. | ||
</p> | </p> | ||
<p>SECOND WITCH.<br/> | <p>SECOND WITCH.<br/> | ||
I'll give thee a wind. | I'll give thee a wind. | ||
</p> | </p> | ||
<p>FIRST WITCH.<br/> | <p>FIRST WITCH.<br/> | ||
Th'art kind. | Th'art kind. | ||
</p> | </p> | ||
<p>THIRD WITCH.<br/> | <p>THIRD WITCH.<br/> | ||
And I another. | And I another. | ||
</p> | </p> | ||
<p>FIRST WITCH.<br/> | <p>FIRST WITCH.<br/> | ||
I myself have all the other,<br/> | I myself have all the other,<br/> | ||
And the very ports they blow,<br/> | And the very ports they blow,<br/> | ||
All the quarters that they know<br/> | All the quarters that they know<br/> | ||
I' the shipman's card.<br/> | I' the shipman's card.<br/> | ||
I will drain him dry as hay:<br/> | I will drain him dry as hay:<br/> | ||
Sleep shall neither night nor day<br/> | Sleep shall neither night nor day<br/> | ||
Hang upon his pent-house lid;<br/> | Hang upon his pent-house lid;<br/> | ||
He shall live a man forbid.<br/> | He shall live a man forbid.<br/> | ||
Weary sev'n-nights nine times nine,<br/> | Weary sev'n-nights nine times nine,<br/> | ||
Shall he dwindle, peak, and pine:<br/> | Shall he dwindle, peak, and pine:<br/> | ||
Though his bark cannot be lost,<br/> | Though his bark cannot be lost,<br/> | ||
Yet it shall be tempest-tost.<br/> | Yet it shall be tempest-tost.<br/> | ||
Look what I have. | Look what I have. | ||
</p> | </p> | ||
<p>SECOND WITCH.<br/> | <p>SECOND WITCH.<br/> | ||
Show me, show me. | Show me, show me. | ||
</p> | </p> | ||
<p>FIRST WITCH.<br/> | <p>FIRST WITCH.<br/> | ||
Here I have a pilot's thumb,<br/> | Here I have a pilot's thumb,<br/> | ||
Wrack'd as homeward he did come. | Wrack'd as homeward he did come. | ||
</p> | </p> | ||
Line 394: | Line 511: | ||
<p>THIRD WITCH.<br/> | <p>THIRD WITCH.<br/> | ||
A drum, a drum!<br/> | A drum, a drum!<br/> | ||
Macbeth doth come. | Macbeth doth come. | ||
</p> | </p> | ||
<p>ALL.<br/> | <p>ALL.<br/> | ||
The Weird Sisters, hand in hand,<br/> | The Weird Sisters, hand in hand,<br/> | ||
Posters of the sea and land,<br/> | Posters of the sea and land,<br/> | ||
Thus do go about, about:<br/> | Thus do go about, about:<br/> | ||
Thrice to thine, and thrice to mine,<br/> | Thrice to thine, and thrice to mine,<br/> | ||
And thrice again, to make up nine.<br/> | And thrice again, to make up nine.<br/> | ||
Peace!—the charm's wound up. | |||
Peace!&mdash;the charm's wound up. | |||
</p> | </p> | ||
<p class="scenedesc"> Enter <span class="charname">Macbeth</span> and | <p class="scenedesc"> Enter <span class="charname">Macbeth</span> and | ||
<span class="charname">Banquo</span>.</p> | <span class="charname">Banquo</span>.</p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
So foul and fair a day I have not seen. | So foul and fair a day I have not seen. | ||
</p> | </p> | ||
<p>BANQUO.<br/> | <p>BANQUO.<br/> | ||
How far is't call'd to Forres?—What are these,<br/> | |||
How far is't call'd to Forres?&mdash;What are these,<br/> | |||
So wither'd, and so wild in their attire,<br/> | So wither'd, and so wild in their attire,<br/> | ||
That look not like the inhabitants o' th' earth,<br/> | That look not like the inhabitants o' th' earth,<br/> | ||
And yet are on't?—Live you? or are you aught<br/> | |||
And yet are on't?&mdash;Live you? or are you aught<br/> | |||
That man may question? You seem to understand me,<br/> | That man may question? You seem to understand me,<br/> | ||
By each at once her choppy finger laying<br/> | By each at once her choppy finger laying<br/> | ||
Upon her skinny lips. You should be women,<br/> | Upon her skinny lips. You should be women,<br/> | ||
And yet your beards forbid me to interpret<br/> | And yet your beards forbid me to interpret<br/> | ||
That you are so. | That you are so. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Speak, if you can;—what are you? | |||
Speak, if you can;&mdash;what are you? | |||
</p> | </p> | ||
<p>FIRST WITCH.<br/> | <p>FIRST WITCH.<br/> | ||
All hail, Macbeth! hail to thee, Thane of Glamis! | All hail, Macbeth! hail to thee, Thane of Glamis! | ||
</p> | </p> | ||
<p>SECOND WITCH.<br/> | <p>SECOND WITCH.<br/> | ||
All hail, Macbeth! hail to thee, Thane of Cawdor! | All hail, Macbeth! hail to thee, Thane of Cawdor! | ||
</p> | </p> | ||
<p>THIRD WITCH.<br/> | <p>THIRD WITCH.<br/> | ||
All hail, Macbeth! that shalt be king hereafter! | All hail, Macbeth! that shalt be king hereafter! | ||
</p> | </p> | ||
<p>BANQUO.<br/> | <p>BANQUO.<br/> | ||
Good sir, why do you start and seem to fear<br/> | Good sir, why do you start and seem to fear<br/> | ||
Things that do sound so fair?—I' th' name of truth,<br/> | |||
Things that do sound so fair?&mdash;I' th' name of truth,<br/> | |||
Are ye fantastical, or that indeed<br/> | Are ye fantastical, or that indeed<br/> | ||
Which outwardly ye show? My noble partner<br/> | Which outwardly ye show? My noble partner<br/> | ||
You greet with present grace and great prediction<br/> | You greet with present grace and great prediction<br/> | ||
Of noble having and of royal hope,<br/> | Of noble having and of royal hope,<br/> | ||
That he seems rapt withal. To me you speak not.<br/> | That he seems rapt withal. To me you speak not.<br/> | ||
If you can look into the seeds of time,<br/> | If you can look into the seeds of time,<br/> | ||
And say which grain will grow, and which will not,<br/> | And say which grain will grow, and which will not,<br/> | ||
Speak then to me, who neither beg nor fear<br/> | Speak then to me, who neither beg nor fear<br/> | ||
Your favours nor your hate. | Your favours nor your hate. | ||
</p> | </p> | ||
<p>FIRST WITCH.<br/> | <p>FIRST WITCH.<br/> | ||
Hail! | Hail! | ||
</p> | </p> | ||
<p>SECOND WITCH.<br/> | <p>SECOND WITCH.<br/> | ||
Hail! | Hail! | ||
</p> | </p> | ||
<p>THIRD WITCH.<br/> | <p>THIRD WITCH.<br/> | ||
Hail! | Hail! | ||
</p> | </p> | ||
<p>FIRST WITCH.<br/> | <p>FIRST WITCH.<br/> | ||
Lesser than Macbeth, and greater. | Lesser than Macbeth, and greater. | ||
</p> | </p> | ||
<p>SECOND WITCH.<br/> | <p>SECOND WITCH.<br/> | ||
Not so happy, yet much happier. | Not so happy, yet much happier. | ||
</p> | </p> | ||
<p>THIRD WITCH.<br/> | <p>THIRD WITCH.<br/> | ||
Thou shalt get kings, though thou be none:<br/> | Thou shalt get kings, though thou be none:<br/> | ||
So all hail, Macbeth and Banquo! | So all hail, Macbeth and Banquo! | ||
</p> | </p> | ||
<p>FIRST WITCH.<br/> | <p>FIRST WITCH.<br/> | ||
Banquo and Macbeth, all hail! | Banquo and Macbeth, all hail! | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Stay, you imperfect speakers, tell me more.<br/> | Stay, you imperfect speakers, tell me more.<br/> | ||
By Sinel's death I know I am Thane of Glamis;<br/> | By Sinel's death I know I am Thane of Glamis;<br/> | ||
But how of Cawdor? The Thane of Cawdor lives,<br/> | But how of Cawdor? The Thane of Cawdor lives,<br/> | ||
A prosperous gentleman; and to be king<br/> | A prosperous gentleman; and to be king<br/> | ||
Stands not within the prospect of belief,<br/> | Stands not within the prospect of belief,<br/> | ||
No more than to be Cawdor. Say from whence<br/> | No more than to be Cawdor. Say from whence<br/> | ||
You owe this strange intelligence? or why<br/> | You owe this strange intelligence? or why<br/> | ||
Upon this blasted heath you stop our way<br/> | Upon this blasted heath you stop our way<br/> | ||
With such prophetic greeting?—Speak, I charge you. | |||
With such prophetic greeting?&mdash;Speak, I charge you. | |||
</p> | </p> | ||
Line 500: | Line 685: | ||
<p>BANQUO.<br/> | <p>BANQUO.<br/> | ||
The earth hath bubbles, as the water has,<br/> | The earth hath bubbles, as the water has,<br/> | ||
And these are of them. Whither are they vanish'd? | And these are of them. Whither are they vanish'd? | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Into the air; and what seem'd corporal,<br/> | Into the air; and what seem'd corporal,<br/> | ||
Melted as breath into the wind.<br/> | Melted as breath into the wind.<br/> | ||
Would they had stay'd! | Would they had stay'd! | ||
</p> | </p> | ||
<p>BANQUO.<br/> | <p>BANQUO.<br/> | ||
Were such things here as we do speak about?<br/> | Were such things here as we do speak about?<br/> | ||
Or have we eaten on the insane root<br/> | Or have we eaten on the insane root<br/> | ||
That takes the reason prisoner? | That takes the reason prisoner? | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Your children shall be kings. | Your children shall be kings. | ||
</p> | </p> | ||
<p>BANQUO.<br/> | <p>BANQUO.<br/> | ||
You shall be king. | You shall be king. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
And Thane of Cawdor too; went it not so? | And Thane of Cawdor too; went it not so? | ||
</p> | </p> | ||
<p>BANQUO.<br/> | <p>BANQUO.<br/> | ||
To the selfsame tune and words. Who's here? | To the selfsame tune and words. Who's here? | ||
</p> | </p> | ||
<p class="scenedesc"> Enter <span class="charname">Ross</span> and | <p class="scenedesc"> Enter <span class="charname">Ross</span> and | ||
<span class="charname">Angus</span>.</p> | <span class="charname">Angus</span>.</p> | ||
<p>ROSS.<br/> | <p>ROSS.<br/> | ||
The King hath happily receiv'd, Macbeth,<br/> | The King hath happily receiv'd, Macbeth,<br/> | ||
The news of thy success, and when he reads<br/> | The news of thy success, and when he reads<br/> | ||
Thy personal venture in the rebels' fight,<br/> | Thy personal venture in the rebels' fight,<br/> | ||
His wonders and his praises do contend<br/> | His wonders and his praises do contend<br/> | ||
Which should be thine or his: silenc'd with that,<br/> | Which should be thine or his: silenc'd with that,<br/> | ||
In viewing o'er the rest o' th' selfsame day,<br/> | In viewing o'er the rest o' th' selfsame day,<br/> | ||
He finds thee in the stout Norweyan ranks,<br/> | He finds thee in the stout Norweyan ranks,<br/> | ||
Nothing afeard of what thyself didst make,<br/> | Nothing afeard of what thyself didst make,<br/> | ||
Strange images of death. As thick as tale<br/> | Strange images of death. As thick as tale<br/> | ||
Came post with post; and everyone did bear<br/> | Came post with post; and everyone did bear<br/> | ||
Thy praises in his kingdom's great defence,<br/> | Thy praises in his kingdom's great defence,<br/> | ||
And pour'd them down before him. | And pour'd them down before him. | ||
</p> | </p> | ||
<p>ANGUS.<br/> | <p>ANGUS.<br/> | ||
We are sent<br/> | We are sent<br/> | ||
To give thee from our royal master thanks;<br/> | To give thee from our royal master thanks;<br/> | ||
Only to herald thee into his sight,<br/> | Only to herald thee into his sight,<br/> | ||
Not pay thee. | Not pay thee. | ||
</p> | </p> | ||
<p>ROSS.<br/> | <p>ROSS.<br/> | ||
And, for an earnest of a greater honour,<br/> | And, for an earnest of a greater honour,<br/> | ||
He bade me, from him, call thee Thane of Cawdor:<br/> | He bade me, from him, call thee Thane of Cawdor:<br/> | ||
In which addition, hail, most worthy thane,<br/> | In which addition, hail, most worthy thane,<br/> | ||
For it is thine. | For it is thine. | ||
</p> | </p> | ||
<p>BANQUO.<br/> | <p>BANQUO.<br/> | ||
What, can the devil speak true? | What, can the devil speak true? | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
The Thane of Cawdor lives: why do you dress me<br/> | The Thane of Cawdor lives: why do you dress me<br/> | ||
In borrow'd robes? | In borrow'd robes? | ||
</p> | </p> | ||
<p>ANGUS.<br/> | <p>ANGUS.<br/> | ||
Who was the Thane lives yet,<br/> | Who was the Thane lives yet,<br/> | ||
But under heavy judgement bears that life<br/> | But under heavy judgement bears that life<br/> | ||
Which he deserves to lose. Whether he was combin'd<br/> | Which he deserves to lose. Whether he was combin'd<br/> | ||
With those of Norway, or did line the rebel<br/> | With those of Norway, or did line the rebel<br/> | ||
With hidden help and vantage, or that with both<br/> | With hidden help and vantage, or that with both<br/> | ||
He labour'd in his country's wrack, I know not;<br/> | He labour'd in his country's wrack, I know not;<br/> | ||
But treasons capital, confess'd and prov'd,<br/> | But treasons capital, confess'd and prov'd,<br/> | ||
Have overthrown him. | Have overthrown him. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
[<i>Aside.</i>] Glamis, and Thane of Cawdor:<br/> | [<i>Aside.</i>] Glamis, and Thane of Cawdor:<br/> | ||
The greatest is behind. [<i>To Ross and Angus.</i>] Thanks for your pains.<br/> | The greatest is behind. [<i>To Ross and Angus.</i>] Thanks for your pains.<br/> | ||
[<i>To Banquo.</i>] Do you not hope your children shall be kings,<br/> | [<i>To Banquo.</i>] Do you not hope your children shall be kings,<br/> | ||
When those that gave the Thane of Cawdor to me<br/> | When those that gave the Thane of Cawdor to me<br/> | ||
Promis'd no less to them? | Promis'd no less to them? | ||
</p> | </p> | ||
<p>BANQUO.<br/> | <p>BANQUO.<br/> | ||
That, trusted home,<br/> | That, trusted home,<br/> | ||
Might yet enkindle you unto the crown,<br/> | Might yet enkindle you unto the crown,<br/> | ||
Besides the Thane of Cawdor. But 'tis strange:<br/> | Besides the Thane of Cawdor. But 'tis strange:<br/> | ||
And oftentimes to win us to our harm,<br/> | And oftentimes to win us to our harm,<br/> | ||
The instruments of darkness tell us truths;<br/> | The instruments of darkness tell us truths;<br/> | ||
Win us with honest trifles, to betray's<br/> | Win us with honest trifles, to betray's<br/> | ||
In deepest consequence.—<br/> | |||
In deepest consequence.&mdash;<br/> | |||
Cousins, a word, I pray you. | Cousins, a word, I pray you. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
[<i>Aside.</i>] Two truths are told,<br/> | [<i>Aside.</i>] Two truths are told,<br/> | ||
As happy prologues to the swelling act<br/> | As happy prologues to the swelling act<br/> | ||
Of the imperial theme.—I thank you, gentlemen.—<br/> | |||
Of the imperial theme.&mdash;I thank you, gentlemen.&mdash;<br/> | |||
[<i>Aside.</i>] This supernatural soliciting<br/> | [<i>Aside.</i>] This supernatural soliciting<br/> | ||
Cannot be ill; cannot be good. If ill,<br/> | Cannot be ill; cannot be good. If ill,<br/> | ||
Why hath it given me earnest of success,<br/> | Why hath it given me earnest of success,<br/> | ||
Commencing in a truth? I am Thane of Cawdor:<br/> | Commencing in a truth? I am Thane of Cawdor:<br/> | ||
If good, why do I yield to that suggestion<br/> | If good, why do I yield to that suggestion<br/> | ||
Whose horrid image doth unfix my hair,<br/> | Whose horrid image doth unfix my hair,<br/> | ||
And make my seated heart knock at my ribs,<br/> | And make my seated heart knock at my ribs,<br/> | ||
Against the use of nature? Present fears<br/> | Against the use of nature? Present fears<br/> | ||
Are less than horrible imaginings.<br/> | Are less than horrible imaginings.<br/> | ||
My thought, whose murder yet is but fantastical,<br/> | My thought, whose murder yet is but fantastical,<br/> | ||
Shakes so my single state of man<br/> | Shakes so my single state of man<br/> | ||
That function is smother'd in surmise,<br/> | That function is smother'd in surmise,<br/> | ||
And nothing is but what is not. | And nothing is but what is not. | ||
</p> | </p> | ||
<p>BANQUO.<br/> | <p>BANQUO.<br/> | ||
Look, how our partner's rapt. | Look, how our partner's rapt. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
[<i>Aside.</i>] If chance will have me king, why, chance may crown me<br/> | [<i>Aside.</i>] If chance will have me king, why, chance may crown me<br/> | ||
Without my stir. | Without my stir. | ||
</p> | </p> | ||
<p>BANQUO.<br/> | <p>BANQUO.<br/> | ||
New honours come upon him,<br/> | New honours come upon him,<br/> | ||
Like our strange garments, cleave not to their mould<br/> | Like our strange garments, cleave not to their mould<br/> | ||
But with the aid of use. | But with the aid of use. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
[<i>Aside.</i>] Come what come may,<br/> | [<i>Aside.</i>] Come what come may,<br/> | ||
Time and the hour runs through the roughest day. | Time and the hour runs through the roughest day. | ||
</p> | </p> | ||
<p>BANQUO.<br/> | <p>BANQUO.<br/> | ||
Worthy Macbeth, we stay upon your leisure. | Worthy Macbeth, we stay upon your leisure. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Give me your favour. My dull brain was wrought<br/> | Give me your favour. My dull brain was wrought<br/> | ||
With things forgotten. Kind gentlemen, your pains<br/> | With things forgotten. Kind gentlemen, your pains<br/> | ||
Are register'd where every day I turn<br/> | Are register'd where every day I turn<br/> | ||
The leaf to read them.—Let us toward the King.—<br/> | |||
The leaf to read them.&mdash;Let us toward the King.&mdash;<br/> | |||
Think upon what hath chanc'd; and at more time,<br/> | Think upon what hath chanc'd; and at more time,<br/> | ||
The interim having weigh'd it, let us speak<br/> | The interim having weigh'd it, let us speak<br/> | ||
Our free hearts each to other. | Our free hearts each to other. | ||
</p> | </p> | ||
<p>BANQUO.<br/> | <p>BANQUO.<br/> | ||
Very gladly. | Very gladly. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Till then, enough.—Come, friends. | |||
Till then, enough.&mdash;Come, friends. | |||
</p> | </p> | ||
Line 667: | Line 967: | ||
<h3 id="sceneI_20.4"> | <h3 id="sceneI_20.4"> | ||
<b>SCENE IV. Forres. A Room in the Palace.</b></h3> | <b>SCENE IV. Forres. A Room in the Palace.</b></h3> | ||
<p class="scenedesc"> Flourish. Enter <span class="charname">Duncan, Malcolm, | <p class="scenedesc"> Flourish. Enter <span class="charname">Duncan, Malcolm, | ||
Donalbain, Lennox</span> and Attendants.</p> | Donalbain, Lennox</span> and Attendants.</p> | ||
<p>DUNCAN.<br/> | <p>DUNCAN.<br/> | ||
Is execution done on Cawdor? Are not<br/> | Is execution done on Cawdor? Are not<br/> | ||
Those in commission yet return'd? | Those in commission yet return'd? | ||
</p> | </p> | ||
<p>MALCOLM.<br/> | <p>MALCOLM.<br/> | ||
My liege,<br/> | My liege,<br/> | ||
They are not yet come back. But I have spoke<br/> | They are not yet come back. But I have spoke<br/> | ||
With one that saw him die, who did report,<br/> | With one that saw him die, who did report,<br/> | ||
That very frankly he confess'd his treasons,<br/> | That very frankly he confess'd his treasons,<br/> | ||
Implor'd your Highness' pardon, and set forth<br/> | Implor'd your Highness' pardon, and set forth<br/> | ||
A deep repentance. Nothing in his life<br/> | A deep repentance. Nothing in his life<br/> | ||
Became him like the leaving it; he died<br/> | Became him like the leaving it; he died<br/> | ||
As one that had been studied in his death,<br/> | As one that had been studied in his death,<br/> | ||
To throw away the dearest thing he ow'd<br/> | To throw away the dearest thing he ow'd<br/> | ||
As 'twere a careless trifle. | As 'twere a careless trifle. | ||
</p> | </p> | ||
<p>DUNCAN.<br/> | <p>DUNCAN.<br/> | ||
There's no art<br/> | There's no art<br/> | ||
To find the mind's construction in the face:<br/> | To find the mind's construction in the face:<br/> | ||
He was a gentleman on whom I built<br/> | He was a gentleman on whom I built<br/> | ||
An absolute trust. | An absolute trust. | ||
</p> | </p> | ||
<p class="scenedesc"> Enter <span class="charname">Macbeth, Banquo, Ross</span> and | <p class="scenedesc"> Enter <span class="charname">Macbeth, Banquo, Ross</span> and | ||
<span class="charname">Angus</span>.</p> | <span class="charname">Angus</span>.</p> | ||
<p>O worthiest cousin!<br/> | <p>O worthiest cousin!<br/> | ||
The sin of my ingratitude even now<br/> | The sin of my ingratitude even now<br/> | ||
Was heavy on me. Thou art so far before,<br/> | Was heavy on me. Thou art so far before,<br/> | ||
That swiftest wing of recompense is slow<br/> | That swiftest wing of recompense is slow<br/> | ||
To overtake thee. Would thou hadst less deserv'd;<br/> | To overtake thee. Would thou hadst less deserv'd;<br/> | ||
That the proportion both of thanks and payment<br/> | That the proportion both of thanks and payment<br/> | ||
Might have been mine! only I have left to say,<br/> | Might have been mine! only I have left to say,<br/> | ||
More is thy due than more than all can pay. | More is thy due than more than all can pay. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
The service and the loyalty I owe,<br/> | The service and the loyalty I owe,<br/> | ||
In doing it, pays itself. Your Highness' part<br/> | In doing it, pays itself. Your Highness' part<br/> | ||
Is to receive our duties: and our duties<br/> | Is to receive our duties: and our duties<br/> | ||
Are to your throne and state, children and servants;<br/> | Are to your throne and state, children and servants;<br/> | ||
Which do but what they should, by doing everything<br/> | Which do but what they should, by doing everything<br/> | ||
Safe toward your love and honour. | Safe toward your love and honour. | ||
</p> | </p> | ||
<p>DUNCAN.<br/> | <p>DUNCAN.<br/> | ||
Welcome hither:<br/> | Welcome hither:<br/> | ||
I have begun to plant thee, and will labour<br/> | I have begun to plant thee, and will labour<br/> | ||
To make thee full of growing.—Noble Banquo,<br/> | |||
To make thee full of growing.&mdash;Noble Banquo,<br/> | |||
That hast no less deserv'd, nor must be known<br/> | That hast no less deserv'd, nor must be known<br/> | ||
No less to have done so, let me infold thee<br/> | No less to have done so, let me infold thee<br/> | ||
And hold thee to my heart. | And hold thee to my heart. | ||
</p> | </p> | ||
<p>BANQUO.<br/> | <p>BANQUO.<br/> | ||
There if I grow,<br/> | There if I grow,<br/> | ||
The harvest is your own. | The harvest is your own. | ||
</p> | </p> | ||
<p>DUNCAN.<br/> | <p>DUNCAN.<br/> | ||
My plenteous joys,<br/> | My plenteous joys,<br/> | ||
Wanton in fulness, seek to hide themselves<br/> | Wanton in fulness, seek to hide themselves<br/> | ||
In drops of sorrow.—Sons, kinsmen, thanes,<br/> | |||
In drops of sorrow.&mdash;Sons, kinsmen, thanes,<br/> | |||
And you whose places are the nearest, know,<br/> | And you whose places are the nearest, know,<br/> | ||
We will establish our estate upon<br/> | We will establish our estate upon<br/> | ||
Our eldest, Malcolm; whom we name hereafter<br/> | Our eldest, Malcolm; whom we name hereafter<br/> | ||
The Prince of Cumberland: which honour must<br/> | The Prince of Cumberland: which honour must<br/> | ||
Not unaccompanied invest him only,<br/> | Not unaccompanied invest him only,<br/> | ||
But signs of nobleness, like stars, shall shine<br/> | But signs of nobleness, like stars, shall shine<br/> | ||
On all deservers.—From hence to Inverness,<br/> | |||
On all deservers.&mdash;From hence to Inverness,<br/> | |||
And bind us further to you. | And bind us further to you. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
The rest is labour, which is not us'd for you:<br/> | The rest is labour, which is not us'd for you:<br/> | ||
I'll be myself the harbinger, and make joyful<br/> | I'll be myself the harbinger, and make joyful<br/> | ||
The hearing of my wife with your approach;<br/> | The hearing of my wife with your approach;<br/> | ||
So, humbly take my leave. | So, humbly take my leave. | ||
</p> | </p> | ||
<p>DUNCAN.<br/> | <p>DUNCAN.<br/> | ||
My worthy Cawdor! | My worthy Cawdor! | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
[<i>Aside.</i>] The Prince of Cumberland!—That is a step<br/> | |||
[<i>Aside.</i>] The Prince of Cumberland!&mdash;That is a step<br/> | |||
On which I must fall down, or else o'erleap,<br/> | On which I must fall down, or else o'erleap,<br/> | ||
For in my way it lies. Stars, hide your fires!<br/> | For in my way it lies. Stars, hide your fires!<br/> | ||
Let not light see my black and deep desires.<br/> | Let not light see my black and deep desires.<br/> | ||
The eye wink at the hand, yet let that be,<br/> | The eye wink at the hand, yet let that be,<br/> | ||
Which the eye fears, when it is done, to see. | Which the eye fears, when it is done, to see. | ||
</p> | </p> | ||
Line 770: | Line 1,143: | ||
<p>DUNCAN.<br/> | <p>DUNCAN.<br/> | ||
True, worthy Banquo! He is full so valiant;<br/> | True, worthy Banquo! He is full so valiant;<br/> | ||
And in his commendations I am fed.<br/> | And in his commendations I am fed.<br/> | ||
It is a banquet to me. Let's after him,<br/> | It is a banquet to me. Let's after him,<br/> | ||
Whose care is gone before to bid us welcome:<br/> | Whose care is gone before to bid us welcome:<br/> | ||
It is a peerless kinsman. | It is a peerless kinsman. | ||
</p> | </p> | ||
Line 780: | Line 1,159: | ||
<h3 id="sceneI_20.5"> | <h3 id="sceneI_20.5"> | ||
<b>SCENE V. Inverness. A Room in Macbeth's Castle.</b></h3> | <b>SCENE V. Inverness. A Room in Macbeth's Castle.</b></h3> | ||
<p class="scenedesc"> Enter <span class="charname">Lady Macbeth,</span> reading | <p class="scenedesc"> Enter <span class="charname">Lady Macbeth,</span> reading | ||
a letter.</p> | a letter.</p> | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
“They met me in the day of success; and I have learned by the | |||
&ldquo;They met me in the day of success; and I have learned by the | |||
perfect'st report they have more in them than mortal knowledge. When I | perfect'st report they have more in them than mortal knowledge. When I | ||
burned in desire to question them further, they made themselves air, into which | burned in desire to question them further, they made themselves air, into which | ||
they vanished. Whiles I stood rapt in the wonder of it, came missives from the | they vanished. Whiles I stood rapt in the wonder of it, came missives from the | ||
King, who all-hailed me, 'Thane of Cawdor'; by which title, before, | King, who all-hailed me, 'Thane of Cawdor'; by which title, before, | ||
these Weird Sisters saluted me, and referred me to the coming on of time, with | these Weird Sisters saluted me, and referred me to the coming on of time, with | ||
'Hail, king that shalt be!' This have I thought good to deliver | 'Hail, king that shalt be!' This have I thought good to deliver | ||
thee (my dearest partner of greatness) that thou might'st not lose the | thee (my dearest partner of greatness) that thou might'st not lose the | ||
dues of rejoicing, by being ignorant of what greatness is promis'd thee. | dues of rejoicing, by being ignorant of what greatness is promis'd thee. | ||
Lay it to thy heart, and farewell.” | |||
Lay it to thy heart, and farewell.&rdquo; | |||
</p> | </p> | ||
<p>Glamis thou art, and Cawdor; and shalt be<br/> | <p>Glamis thou art, and Cawdor; and shalt be<br/> | ||
What thou art promis'd. Yet do I fear thy nature;<br/> | What thou art promis'd. Yet do I fear thy nature;<br/> | ||
It is too full o' th' milk of human kindness<br/> | It is too full o' th' milk of human kindness<br/> | ||
To catch the nearest way. Thou wouldst be great;<br/> | To catch the nearest way. Thou wouldst be great;<br/> | ||
Art not without ambition, but without<br/> | Art not without ambition, but without<br/> | ||
The illness should attend it. What thou wouldst highly,<br/> | The illness should attend it. What thou wouldst highly,<br/> | ||
That wouldst thou holily; wouldst not play false,<br/> | That wouldst thou holily; wouldst not play false,<br/> | ||
And yet wouldst wrongly win. Thou'dst have, great Glamis,<br/> | And yet wouldst wrongly win. Thou'dst have, great Glamis,<br/> | ||
That which cries, “Thus thou must do,” if thou have it;<br/> | |||
That which cries, &ldquo;Thus thou must do,&rdquo; if thou have it;<br/> | |||
And that which rather thou dost fear to do,<br/> | And that which rather thou dost fear to do,<br/> | ||
Than wishest should be undone. Hie thee hither,<br/> | Than wishest should be undone. Hie thee hither,<br/> | ||
That I may pour my spirits in thine ear,<br/> | That I may pour my spirits in thine ear,<br/> | ||
And chastise with the valour of my tongue<br/> | And chastise with the valour of my tongue<br/> | ||
All that impedes thee from the golden round,<br/> | All that impedes thee from the golden round,<br/> | ||
Which fate and metaphysical aid doth seem<br/> | Which fate and metaphysical aid doth seem<br/> | ||
To have thee crown'd withal. | To have thee crown'd withal. | ||
</p> | </p> | ||
Line 819: | Line 1,227: | ||
<p>What is your tidings? | <p>What is your tidings? | ||
</p> | </p> | ||
<p>MESSENGER.<br/> | <p>MESSENGER.<br/> | ||
The King comes here tonight. | The King comes here tonight. | ||
</p> | </p> | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
Thou'rt mad to say it.<br/> | Thou'rt mad to say it.<br/> | ||
Is not thy master with him? who, were't so,<br/> | Is not thy master with him? who, were't so,<br/> | ||
Would have inform'd for preparation. | Would have inform'd for preparation. | ||
</p> | </p> | ||
<p>MESSENGER.<br/> | <p>MESSENGER.<br/> | ||
So please you, it is true. Our thane is coming.<br/> | So please you, it is true. Our thane is coming.<br/> | ||
One of my fellows had the speed of him,<br/> | One of my fellows had the speed of him,<br/> | ||
Who, almost dead for breath, had scarcely more<br/> | Who, almost dead for breath, had scarcely more<br/> | ||
Than would make up his message. | Than would make up his message. | ||
</p> | </p> | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
Give him tending.<br/> | Give him tending.<br/> | ||
He brings great news. | He brings great news. | ||
</p> | </p> | ||
Line 846: | Line 1,269: | ||
<p>The raven himself is hoarse<br/> | <p>The raven himself is hoarse<br/> | ||
That croaks the fatal entrance of Duncan<br/> | That croaks the fatal entrance of Duncan<br/> | ||
Under my battlements. Come, you spirits<br/> | Under my battlements. Come, you spirits<br/> | ||
That tend on mortal thoughts, unsex me here,<br/> | That tend on mortal thoughts, unsex me here,<br/> | ||
And fill me, from the crown to the toe, top-full<br/> | And fill me, from the crown to the toe, top-full<br/> | ||
Of direst cruelty! make thick my blood,<br/> | Of direst cruelty! make thick my blood,<br/> | ||
Stop up th' access and passage to remorse,<br/> | Stop up th' access and passage to remorse,<br/> | ||
That no compunctious visitings of nature<br/> | That no compunctious visitings of nature<br/> | ||
Shake my fell purpose, nor keep peace between<br/> | Shake my fell purpose, nor keep peace between<br/> | ||
Th' effect and it! Come to my woman's breasts,<br/> | Th' effect and it! Come to my woman's breasts,<br/> | ||
And take my milk for gall, your murd'ring ministers,<br/> | And take my milk for gall, your murd'ring ministers,<br/> | ||
Wherever in your sightless substances<br/> | Wherever in your sightless substances<br/> | ||
You wait on nature's mischief! Come, thick night,<br/> | You wait on nature's mischief! Come, thick night,<br/> | ||
And pall thee in the dunnest smoke of hell<br/> | And pall thee in the dunnest smoke of hell<br/> | ||
That my keen knife see not the wound it makes,<br/> | That my keen knife see not the wound it makes,<br/> | ||
Nor heaven peep through the blanket of the dark<br/> | Nor heaven peep through the blanket of the dark<br/> | ||
To cry, “Hold, hold!” | |||
To cry, &ldquo;Hold, hold!&rdquo; | |||
</p> | </p> | ||
Line 867: | Line 1,307: | ||
<p>Great Glamis, worthy Cawdor!<br/> | <p>Great Glamis, worthy Cawdor!<br/> | ||
Greater than both, by the all-hail hereafter!<br/> | Greater than both, by the all-hail hereafter!<br/> | ||
Thy letters have transported me beyond<br/> | Thy letters have transported me beyond<br/> | ||
This ignorant present, and I feel now<br/> | This ignorant present, and I feel now<br/> | ||
The future in the instant. | The future in the instant. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
My dearest love,<br/> | My dearest love,<br/> | ||
Duncan comes here tonight. | Duncan comes here tonight. | ||
</p> | </p> | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
And when goes hence? | And when goes hence? | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Tomorrow, as he purposes. | Tomorrow, as he purposes. | ||
</p> | </p> | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
O, never<br/> | O, never<br/> | ||
Shall sun that morrow see!<br/> | Shall sun that morrow see!<br/> | ||
Your face, my thane, is as a book where men<br/> | Your face, my thane, is as a book where men<br/> | ||
May read strange matters. To beguile the time,<br/> | May read strange matters. To beguile the time,<br/> | ||
Look like the time; bear welcome in your eye,<br/> | Look like the time; bear welcome in your eye,<br/> | ||
Your hand, your tongue: look like the innocent flower,<br/> | Your hand, your tongue: look like the innocent flower,<br/> | ||
But be the serpent under't. He that's coming<br/> | But be the serpent under't. He that's coming<br/> | ||
Must be provided for; and you shall put<br/> | Must be provided for; and you shall put<br/> | ||
This night's great business into my dispatch;<br/> | This night's great business into my dispatch;<br/> | ||
Which shall to all our nights and days to come<br/> | Which shall to all our nights and days to come<br/> | ||
Give solely sovereign sway and masterdom. | Give solely sovereign sway and masterdom. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
We will speak further. | We will speak further. | ||
</p> | </p> | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
Only look up clear;<br/> | Only look up clear;<br/> | ||
To alter favour ever is to fear.<br/> | To alter favour ever is to fear.<br/> | ||
Leave all the rest to me. | Leave all the rest to me. | ||
</p> | </p> | ||
Line 913: | Line 1,383: | ||
<h3 id="sceneI_20.6"> | <h3 id="sceneI_20.6"> | ||
<b>SCENE VI. The same. Before the Castle.</b></h3> | <b>SCENE VI. The same. Before the Castle.</b></h3> | ||
Line 918: | Line 1,389: | ||
<p class="scenedesc"> Enter <span class="charname">Duncan, Malcolm, Donalbain, | <p class="scenedesc"> Enter <span class="charname">Duncan, Malcolm, Donalbain, | ||
Banquo, Lennox, Macduff, Ross, Angus</span> and Attendants.</p> | Banquo, Lennox, Macduff, Ross, Angus</span> and Attendants.</p> | ||
<p>DUNCAN.<br/> | <p>DUNCAN.<br/> | ||
This castle hath a pleasant seat. The air<br/> | This castle hath a pleasant seat. The air<br/> | ||
Nimbly and sweetly recommends itself<br/> | Nimbly and sweetly recommends itself<br/> | ||
Unto our gentle senses. | Unto our gentle senses. | ||
</p> | </p> | ||
<p>BANQUO.<br/> | <p>BANQUO.<br/> | ||
This guest of summer,<br/> | This guest of summer,<br/> | ||
The temple-haunting martlet, does approve,<br/> | The temple-haunting martlet, does approve,<br/> | ||
By his loved mansionry, that the heaven's breath<br/> | By his loved mansionry, that the heaven's breath<br/> | ||
Smells wooingly here: no jutty, frieze,<br/> | Smells wooingly here: no jutty, frieze,<br/> | ||
Buttress, nor coign of vantage, but this bird<br/> | Buttress, nor coign of vantage, but this bird<br/> | ||
hath made his pendant bed and procreant cradle.<br/> | hath made his pendant bed and procreant cradle.<br/> | ||
Where they most breed and haunt, I have observ'd<br/> | Where they most breed and haunt, I have observ'd<br/> | ||
The air is delicate. | The air is delicate. | ||
</p> | </p> | ||
Line 940: | Line 1,425: | ||
<p>DUNCAN.<br/> | <p>DUNCAN.<br/> | ||
See, see, our honour'd hostess!—<br/> | |||
See, see, our honour'd hostess!&mdash;<br/> | |||
The love that follows us sometime is our trouble,<br/> | The love that follows us sometime is our trouble,<br/> | ||
Which still we thank as love. Herein I teach you<br/> | Which still we thank as love. Herein I teach you<br/> | ||
How you shall bid God 'ild us for your pains,<br/> | How you shall bid God 'ild us for your pains,<br/> | ||
And thank us for your trouble. | And thank us for your trouble. | ||
</p> | </p> | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
All our service,<br/> | All our service,<br/> | ||
In every point twice done, and then done double,<br/> | In every point twice done, and then done double,<br/> | ||
Were poor and single business to contend<br/> | Were poor and single business to contend<br/> | ||
Against those honours deep and broad wherewith<br/> | Against those honours deep and broad wherewith<br/> | ||
Your Majesty loads our house: for those of old,<br/> | Your Majesty loads our house: for those of old,<br/> | ||
And the late dignities heap'd up to them,<br/> | And the late dignities heap'd up to them,<br/> | ||
We rest your hermits. | We rest your hermits. | ||
</p> | </p> | ||
<p>DUNCAN.<br/> | <p>DUNCAN.<br/> | ||
Where's the Thane of Cawdor?<br/> | Where's the Thane of Cawdor?<br/> | ||
We cours'd him at the heels, and had a purpose<br/> | We cours'd him at the heels, and had a purpose<br/> | ||
To be his purveyor: but he rides well;<br/> | To be his purveyor: but he rides well;<br/> | ||
And his great love, sharp as his spur, hath holp him<br/> | And his great love, sharp as his spur, hath holp him<br/> | ||
To his home before us. Fair and noble hostess,<br/> | To his home before us. Fair and noble hostess,<br/> | ||
We are your guest tonight. | We are your guest tonight. | ||
</p> | </p> | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
Your servants ever<br/> | Your servants ever<br/> | ||
Have theirs, themselves, and what is theirs, in compt,<br/> | Have theirs, themselves, and what is theirs, in compt,<br/> | ||
To make their audit at your Highness' pleasure,<br/> | To make their audit at your Highness' pleasure,<br/> | ||
Still to return your own. | Still to return your own. | ||
</p> | </p> | ||
<p>DUNCAN.<br/> | <p>DUNCAN.<br/> | ||
Give me your hand;<br/> | Give me your hand;<br/> | ||
Conduct me to mine host: we love him highly,<br/> | Conduct me to mine host: we love him highly,<br/> | ||
And shall continue our graces towards him.<br/> | And shall continue our graces towards him.<br/> | ||
By your leave, hostess. | By your leave, hostess. | ||
</p> | </p> | ||
Line 983: | Line 1,499: | ||
<h3 id="sceneI_20.7"> | <h3 id="sceneI_20.7"> | ||
<b>SCENE VII. The same. A Lobby in the Castle.</b></h3> | <b>SCENE VII. The same. A Lobby in the Castle.</b></h3> | ||
<p class="scenedesc"> Hautboys and torches. Enter, and pass over, a Sewer and | <p class="scenedesc"> Hautboys and torches. Enter, and pass over, a Sewer and | ||
divers Servants with dishes and service. Then enter <span | divers Servants with dishes and service. Then enter <span | ||
class="charname">Macbeth</span>.</p> | class="charname">Macbeth</span>.</p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
If it were done when 'tis done, then 'twere well<br/> | If it were done when 'tis done, then 'twere well<br/> | ||
It were done quickly. If th' assassination<br/> | It were done quickly. If th' assassination<br/> | ||
Could trammel up the consequence, and catch<br/> | Could trammel up the consequence, and catch<br/> | ||
With his surcease success; that but this blow<br/> | With his surcease success; that but this blow<br/> | ||
Might be the be-all and the end-all—here,<br/> | |||
Might be the be-all and the end-all&mdash;here,<br/> | |||
But here, upon this bank and shoal of time,<br/> | But here, upon this bank and shoal of time,<br/> | ||
We'd jump the life to come. But in these cases<br/> | We'd jump the life to come. But in these cases<br/> | ||
We still have judgement here; that we but teach<br/> | We still have judgement here; that we but teach<br/> | ||
Bloody instructions, which being taught, return<br/> | Bloody instructions, which being taught, return<br/> | ||
To plague th' inventor. This even-handed justice<br/> | To plague th' inventor. This even-handed justice<br/> | ||
Commends th' ingredience of our poison'd chalice<br/> | Commends th' ingredience of our poison'd chalice<br/> | ||
To our own lips. He's here in double trust:<br/> | To our own lips. He's here in double trust:<br/> | ||
First, as I am his kinsman and his subject,<br/> | First, as I am his kinsman and his subject,<br/> | ||
Strong both against the deed; then, as his host,<br/> | Strong both against the deed; then, as his host,<br/> | ||
Who should against his murderer shut the door,<br/> | Who should against his murderer shut the door,<br/> | ||
Not bear the knife myself. Besides, this Duncan<br/> | Not bear the knife myself. Besides, this Duncan<br/> | ||
Hath borne his faculties so meek, hath been<br/> | Hath borne his faculties so meek, hath been<br/> | ||
So clear in his great office, that his virtues<br/> | So clear in his great office, that his virtues<br/> | ||
Will plead like angels, trumpet-tongued, against<br/> | Will plead like angels, trumpet-tongued, against<br/> | ||
The deep damnation of his taking-off;<br/> | The deep damnation of his taking-off;<br/> | ||
And pity, like a naked new-born babe,<br/> | And pity, like a naked new-born babe,<br/> | ||
Striding the blast, or heaven's cherubin, hors'd<br/> | Striding the blast, or heaven's cherubin, hors'd<br/> | ||
Upon the sightless couriers of the air,<br/> | Upon the sightless couriers of the air,<br/> | ||
Shall blow the horrid deed in every eye,<br/> | Shall blow the horrid deed in every eye,<br/> | ||
That tears shall drown the wind.—I have no spur<br/> | |||
That tears shall drown the wind.&mdash;I have no spur<br/> | |||
To prick the sides of my intent, but only<br/> | To prick the sides of my intent, but only<br/> | ||
Vaulting ambition, which o'erleaps itself<br/> | Vaulting ambition, which o'erleaps itself<br/> | ||
And falls on th' other— | |||
And falls on th' other&mdash; | |||
</p> | </p> | ||
Line 1,023: | Line 1,571: | ||
<p>How now! what news? | <p>How now! what news? | ||
</p> | </p> | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
He has almost supp'd. Why have you left the chamber? | He has almost supp'd. Why have you left the chamber? | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Hath he ask'd for me? | Hath he ask'd for me? | ||
</p> | </p> | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
Know you not he has? | Know you not he has? | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
We will proceed no further in this business:<br/> | We will proceed no further in this business:<br/> | ||
He hath honour'd me of late; and I have bought<br/> | He hath honour'd me of late; and I have bought<br/> | ||
Golden opinions from all sorts of people,<br/> | Golden opinions from all sorts of people,<br/> | ||
Which would be worn now in their newest gloss,<br/> | Which would be worn now in their newest gloss,<br/> | ||
Not cast aside so soon. | Not cast aside so soon. | ||
</p> | </p> | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
Was the hope drunk<br/> | Was the hope drunk<br/> | ||
Wherein you dress'd yourself? Hath it slept since?<br/> | Wherein you dress'd yourself? Hath it slept since?<br/> | ||
And wakes it now, to look so green and pale<br/> | And wakes it now, to look so green and pale<br/> | ||
At what it did so freely? From this time<br/> | At what it did so freely? From this time<br/> | ||
Such I account thy love. Art thou afeard<br/> | Such I account thy love. Art thou afeard<br/> | ||
To be the same in thine own act and valour<br/> | To be the same in thine own act and valour<br/> | ||
As thou art in desire? Wouldst thou have that<br/> | As thou art in desire? Wouldst thou have that<br/> | ||
Which thou esteem'st the ornament of life,<br/> | Which thou esteem'st the ornament of life,<br/> | ||
And live a coward in thine own esteem,<br/> | And live a coward in thine own esteem,<br/> | ||
Letting “I dare not” wait upon “I would,”<br/> | |||
Letting &ldquo;I dare not&rdquo; wait upon &ldquo;I would,&rdquo;<br/> | |||
Like the poor cat i' th' adage? | Like the poor cat i' th' adage? | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Pr'ythee, peace!<br/> | Pr'ythee, peace!<br/> | ||
I dare do all that may become a man;<br/> | I dare do all that may become a man;<br/> | ||
Who dares do more is none. | Who dares do more is none. | ||
</p> | </p> | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
What beast was't, then,<br/> | What beast was't, then,<br/> | ||
That made you break this enterprise to me?<br/> | That made you break this enterprise to me?<br/> | ||
When you durst do it, then you were a man;<br/> | When you durst do it, then you were a man;<br/> | ||
And, to be more than what you were, you would<br/> | And, to be more than what you were, you would<br/> | ||
Be so much more the man. Nor time nor place<br/> | Be so much more the man. Nor time nor place<br/> | ||
Did then adhere, and yet you would make both:<br/> | Did then adhere, and yet you would make both:<br/> | ||
They have made themselves, and that their fitness now<br/> | They have made themselves, and that their fitness now<br/> | ||
Does unmake you. I have given suck, and know<br/> | Does unmake you. I have given suck, and know<br/> | ||
How tender 'tis to love the babe that milks me:<br/> | How tender 'tis to love the babe that milks me:<br/> | ||
I would, while it was smiling in my face,<br/> | I would, while it was smiling in my face,<br/> | ||
Have pluck'd my nipple from his boneless gums<br/> | Have pluck'd my nipple from his boneless gums<br/> | ||
And dash'd the brains out, had I so sworn as you<br/> | And dash'd the brains out, had I so sworn as you<br/> | ||
Have done to this. | Have done to this. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
If we should fail? | If we should fail? | ||
</p> | </p> | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
We fail?<br/> | We fail?<br/> | ||
But screw your courage to the sticking-place,<br/> | But screw your courage to the sticking-place,<br/> | ||
And we'll not fail. When Duncan is asleep<br/> | And we'll not fail. When Duncan is asleep<br/> | ||
(Whereto the rather shall his day's hard journey<br/> | (Whereto the rather shall his day's hard journey<br/> | ||
Soundly invite him), his two chamberlains<br/> | Soundly invite him), his two chamberlains<br/> | ||
Will I with wine and wassail so convince<br/> | Will I with wine and wassail so convince<br/> | ||
That memory, the warder of the brain,<br/> | That memory, the warder of the brain,<br/> | ||
Shall be a fume, and the receipt of reason<br/> | Shall be a fume, and the receipt of reason<br/> | ||
A limbeck only: when in swinish sleep<br/> | A limbeck only: when in swinish sleep<br/> | ||
Their drenched natures lie as in a death,<br/> | Their drenched natures lie as in a death,<br/> | ||
What cannot you and I perform upon<br/> | What cannot you and I perform upon<br/> | ||
Th' unguarded Duncan? what not put upon<br/> | Th' unguarded Duncan? what not put upon<br/> | ||
His spongy officers; who shall bear the guilt<br/> | His spongy officers; who shall bear the guilt<br/> | ||
Of our great quell? | Of our great quell? | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Bring forth men-children only;<br/> | Bring forth men-children only;<br/> | ||
For thy undaunted mettle should compose<br/> | For thy undaunted mettle should compose<br/> | ||
Nothing but males. Will it not be receiv'd,<br/> | Nothing but males. Will it not be receiv'd,<br/> | ||
When we have mark'd with blood those sleepy two<br/> | When we have mark'd with blood those sleepy two<br/> | ||
Of his own chamber, and us'd their very daggers,<br/> | Of his own chamber, and us'd their very daggers,<br/> | ||
That they have done't? | That they have done't? | ||
</p> | </p> | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
Who dares receive it other,<br/> | Who dares receive it other,<br/> | ||
As we shall make our griefs and clamour roar<br/> | As we shall make our griefs and clamour roar<br/> | ||
Upon his death? | Upon his death? | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
I am settled, and bend up<br/> | I am settled, and bend up<br/> | ||
Each corporal agent to this terrible feat.<br/> | Each corporal agent to this terrible feat.<br/> | ||
Away, and mock the time with fairest show:<br/> | Away, and mock the time with fairest show:<br/> | ||
False face must hide what the false heart doth know. | False face must hide what the false heart doth know. | ||
</p> | </p> | ||
<p class="right"> [<i>Exeunt.</i>]</p> | <p class="right"> [<i>Exeunt.</i>]</p> | ||
<h2 id="sceneII_20.1"> | |||
<b>ACT II</b></h2> | <b>ACT II</b></h2> | ||
Line 1,136: | Line 1,757: | ||
<p class="scenedesc"> Enter <span class="charname">Banquo</span> and | <p class="scenedesc"> Enter <span class="charname">Banquo</span> and | ||
<span class="charname">Fleance</span> with a torch before him.</p> | <span class="charname">Fleance</span> with a torch before him.</p> | ||
<p>BANQUO.<br/> | <p>BANQUO.<br/> | ||
How goes the night, boy? | How goes the night, boy? | ||
</p> | </p> | ||
<p>FLEANCE.<br/> | <p>FLEANCE.<br/> | ||
The moon is down; I have not heard the clock. | The moon is down; I have not heard the clock. | ||
</p> | </p> | ||
<p>BANQUO.<br/> | <p>BANQUO.<br/> | ||
And she goes down at twelve. | And she goes down at twelve. | ||
</p> | </p> | ||
<p>FLEANCE.<br/> | <p>FLEANCE.<br/> | ||
I take't, 'tis later, sir. | I take't, 'tis later, sir. | ||
</p> | </p> | ||
<p>BANQUO.<br/> | <p>BANQUO.<br/> | ||
Hold, take my sword.—There's husbandry in heaven;<br/> | |||
Hold, take my sword.&mdash;There's husbandry in heaven;<br/> | |||
Their candles are all out. Take thee that too.<br/> | Their candles are all out. Take thee that too.<br/> | ||
A heavy summons lies like lead upon me,<br/> | A heavy summons lies like lead upon me,<br/> | ||
And yet I would not sleep. Merciful powers,<br/> | And yet I would not sleep. Merciful powers,<br/> | ||
Restrain in me the cursed thoughts that nature<br/> | Restrain in me the cursed thoughts that nature<br/> | ||
Gives way to in repose!<br/> | Gives way to in repose!<br/> | ||
</p> | </p> | ||
<p class="scenedesc"> Enter <span class="charname">Macbeth</span> and a Servant | <p class="scenedesc"> Enter <span class="charname">Macbeth</span> and a Servant | ||
with a torch.</p> | with a torch.</p> | ||
<p> | <p> | ||
Give me my sword.—Who's there? | |||
Give me my sword.&mdash;Who's there? | |||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
A friend. | A friend. | ||
</p> | </p> | ||
<p>BANQUO.<br/> | <p>BANQUO.<br/> | ||
What, sir, not yet at rest? The King's abed:<br/> | What, sir, not yet at rest? The King's abed:<br/> | ||
He hath been in unusual pleasure and<br/> | He hath been in unusual pleasure and<br/> | ||
Sent forth great largess to your offices.<br/> | Sent forth great largess to your offices.<br/> | ||
This diamond he greets your wife withal,<br/> | This diamond he greets your wife withal,<br/> | ||
By the name of most kind hostess, and shut up<br/> | By the name of most kind hostess, and shut up<br/> | ||
In measureless content. | In measureless content. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Being unprepar'd,<br/> | Being unprepar'd,<br/> | ||
Our will became the servant to defect,<br/> | Our will became the servant to defect,<br/> | ||
Which else should free have wrought. | Which else should free have wrought. | ||
</p> | </p> | ||
<p>BANQUO.<br/> | <p>BANQUO.<br/> | ||
All's well.<br/> | All's well.<br/> | ||
I dreamt last night of the three Weird Sisters:<br/> | I dreamt last night of the three Weird Sisters:<br/> | ||
To you they have show'd some truth. | To you they have show'd some truth. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
I think not of them:<br/> | I think not of them:<br/> | ||
Yet, when we can entreat an hour to serve,<br/> | Yet, when we can entreat an hour to serve,<br/> | ||
We would spend it in some words upon that business,<br/> | We would spend it in some words upon that business,<br/> | ||
If you would grant the time. | If you would grant the time. | ||
</p> | </p> | ||
<p>BANQUO.<br/> | <p>BANQUO.<br/> | ||
At your kind'st leisure. | At your kind'st leisure. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
If you shall cleave to my consent, when 'tis,<br/> | If you shall cleave to my consent, when 'tis,<br/> | ||
It shall make honour for you. | It shall make honour for you. | ||
</p> | </p> | ||
<p>BANQUO.<br/> | <p>BANQUO.<br/> | ||
So I lose none<br/> | So I lose none<br/> | ||
In seeking to augment it, but still keep<br/> | In seeking to augment it, but still keep<br/> | ||
My bosom franchis'd, and allegiance clear,<br/> | My bosom franchis'd, and allegiance clear,<br/> | ||
I shall be counsell'd. | I shall be counsell'd. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Good repose the while! | Good repose the while! | ||
</p> | </p> | ||
<p>BANQUO.<br/> | <p>BANQUO.<br/> | ||
Thanks, sir: the like to you. | Thanks, sir: the like to you. | ||
</p> | </p> | ||
<p class="right"> [<i>Exeunt <span class="charname">Banquo</span> and | <p class="right"> [<i>Exeunt <span class="charname">Banquo</span> and | ||
<span class="charname">Fleance</span>.</i>]</p> | <span class="charname">Fleance</span>.</i>]</p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Go bid thy mistress, when my drink is ready,<br/> | Go bid thy mistress, when my drink is ready,<br/> | ||
She strike upon the bell. Get thee to bed. | She strike upon the bell. Get thee to bed. | ||
</p> | </p> | ||
Line 1,237: | Line 1,917: | ||
<p>Is this a dagger which I see before me,<br/> | <p>Is this a dagger which I see before me,<br/> | ||
The handle toward my hand? Come, let me clutch thee:—<br/> | |||
The handle toward my hand? Come, let me clutch thee:&mdash;<br/> | |||
I have thee not, and yet I see thee still.<br/> | I have thee not, and yet I see thee still.<br/> | ||
Art thou not, fatal vision, sensible<br/> | Art thou not, fatal vision, sensible<br/> | ||
To feeling as to sight? or art thou but<br/> | To feeling as to sight? or art thou but<br/> | ||
A dagger of the mind, a false creation,<br/> | A dagger of the mind, a false creation,<br/> | ||
Proceeding from the heat-oppressed brain?<br/> | Proceeding from the heat-oppressed brain?<br/> | ||
I see thee yet, in form as palpable<br/> | I see thee yet, in form as palpable<br/> | ||
As this which now I draw.<br/> | As this which now I draw.<br/> | ||
Thou marshall'st me the way that I was going;<br/> | Thou marshall'st me the way that I was going;<br/> | ||
And such an instrument I was to use.<br/> | And such an instrument I was to use.<br/> | ||
Mine eyes are made the fools o' the other senses,<br/> | Mine eyes are made the fools o' the other senses,<br/> | ||
Or else worth all the rest: I see thee still;<br/> | Or else worth all the rest: I see thee still;<br/> | ||
And on thy blade and dudgeon, gouts of blood,<br/> | And on thy blade and dudgeon, gouts of blood,<br/> | ||
Which was not so before.—There's no such thing.<br/> | |||
Which was not so before.&mdash;There's no such thing.<br/> | |||
It is the bloody business which informs<br/> | It is the bloody business which informs<br/> | ||
Thus to mine eyes.—Now o'er the one half-world<br/> | |||
Thus to mine eyes.&mdash;Now o'er the one half-world<br/> | |||
Nature seems dead, and wicked dreams abuse<br/> | Nature seems dead, and wicked dreams abuse<br/> | ||
The curtain'd sleep. Witchcraft celebrates<br/> | The curtain'd sleep. Witchcraft celebrates<br/> | ||
Pale Hecate's off'rings; and wither'd murder,<br/> | Pale Hecate's off'rings; and wither'd murder,<br/> | ||
Alarum'd by his sentinel, the wolf,<br/> | Alarum'd by his sentinel, the wolf,<br/> | ||
Whose howl's his watch, thus with his stealthy pace,<br/> | Whose howl's his watch, thus with his stealthy pace,<br/> | ||
With Tarquin's ravishing strides, towards his design<br/> | With Tarquin's ravishing strides, towards his design<br/> | ||
Moves like a ghost.—Thou sure and firm-set earth,<br/> | |||
Moves like a ghost.&mdash;Thou sure and firm-set earth,<br/> | |||
Hear not my steps, which way they walk, for fear<br/> | Hear not my steps, which way they walk, for fear<br/> | ||
Thy very stones prate of my whereabout,<br/> | Thy very stones prate of my whereabout,<br/> | ||
And take the present horror from the time,<br/> | And take the present horror from the time,<br/> | ||
Which now suits with it.—Whiles I threat, he lives.<br/> | |||
Which now suits with it.&mdash;Whiles I threat, he lives.<br/> | |||
Words to the heat of deeds too cold breath gives. | Words to the heat of deeds too cold breath gives. | ||
</p> | </p> | ||
Line 1,270: | Line 1,979: | ||
<p>I go, and it is done. The bell invites me.<br/> | <p>I go, and it is done. The bell invites me.<br/> | ||
Hear it not, Duncan, for it is a knell<br/> | Hear it not, Duncan, for it is a knell<br/> | ||
That summons thee to heaven or to hell. | That summons thee to heaven or to hell. | ||
</p> | </p> | ||
Line 1,277: | Line 1,989: | ||
<h3 id="sceneII_20.2"> | <h3 id="sceneII_20.2"> | ||
<b>SCENE II. The same.</b></h3> | <b>SCENE II. The same.</b></h3> | ||
Line 1,282: | Line 1,995: | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
That which hath made them drunk hath made me bold:<br/> | That which hath made them drunk hath made me bold:<br/> | ||
What hath quench'd them hath given me fire.—Hark!—Peace!<br/> | |||
What hath quench'd them hath given me fire.&mdash;Hark!&mdash;Peace!<br/> | |||
It was the owl that shriek'd, the fatal bellman,<br/> | It was the owl that shriek'd, the fatal bellman,<br/> | ||
Which gives the stern'st good night. He is about it.<br/> | Which gives the stern'st good night. He is about it.<br/> | ||
The doors are open; and the surfeited grooms<br/> | The doors are open; and the surfeited grooms<br/> | ||
Do mock their charge with snores: I have drugg'd their possets,<br/> | Do mock their charge with snores: I have drugg'd their possets,<br/> | ||
That death and nature do contend about them,<br/> | That death and nature do contend about them,<br/> | ||
Whether they live or die. | Whether they live or die. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
[<i>Within.</i>] Who's there?—what, ho! | |||
[<i>Within.</i>] Who's there?&mdash;what, ho! | |||
</p> | </p> | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
Alack! I am afraid they have awak'd,<br/> | Alack! I am afraid they have awak'd,<br/> | ||
And 'tis not done. Th' attempt and not the deed<br/> | And 'tis not done. Th' attempt and not the deed<br/> | ||
Confounds us.—Hark!—I laid their daggers ready;<br/> | |||
He could not miss 'em.—Had he not resembled<br/> | Confounds us.&mdash;Hark!&mdash;I laid their daggers ready;<br/> | ||
My father as he slept, I had done't.—My husband! | |||
He could not miss 'em.&mdash;Had he not resembled<br/> | |||
My father as he slept, I had done't.&mdash;My husband! | |||
</p> | </p> | ||
Line 1,307: | Line 2,037: | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
I have done the deed.—Didst thou not hear a noise? | |||
I have done the deed.&mdash;Didst thou not hear a noise? | |||
</p> | </p> | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
I heard the owl scream and the crickets cry.<br/> | I heard the owl scream and the crickets cry.<br/> | ||
Did not you speak? | Did not you speak? | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
When? | When? | ||
</p> | </p> | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
Now. | Now. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
As I descended? | As I descended? | ||
</p> | </p> | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
Ay. | Ay. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Hark!—Who lies i' th' second chamber? | |||
Hark!&mdash;Who lies i' th' second chamber? | |||
</p> | </p> | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
Donalbain. | Donalbain. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
This is a sorry sight. | This is a sorry sight. | ||
</p> | </p> | ||
Line 1,346: | Line 2,095: | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
A foolish thought, to say a sorry sight. | A foolish thought, to say a sorry sight. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
There's one did laugh in's sleep, and one cried, | There's one did laugh in's sleep, and one cried, | ||
“Murder!”<br/> | |||
&ldquo;Murder!&rdquo;<br/> | |||
That they did wake each other: I stood and heard them.<br/> | That they did wake each other: I stood and heard them.<br/> | ||
But they did say their prayers, and address'd them<br/> | But they did say their prayers, and address'd them<br/> | ||
Again to sleep. | Again to sleep. | ||
</p> | </p> | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
There are two lodg'd together. | There are two lodg'd together. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
One cried, “God bless us!” and, “Amen,” the other,<br/> | |||
One cried, &ldquo;God bless us!&rdquo; and, &ldquo;Amen,&rdquo; the other,<br/> | |||
As they had seen me with these hangman's hands.<br/> | As they had seen me with these hangman's hands.<br/> | ||
List'ning their fear, I could not say “Amen,”<br/> | |||
When they did say, “God bless us.” | List'ning their fear, I could not say &ldquo;Amen,&rdquo;<br/> | ||
When they did say, &ldquo;God bless us.&rdquo; | |||
</p> | </p> | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
Consider it not so deeply. | Consider it not so deeply. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
But wherefore could not I pronounce “Amen”?<br/> | |||
I had most need of blessing, and “Amen”<br/> | But wherefore could not I pronounce &ldquo;Amen&rdquo;?<br/> | ||
I had most need of blessing, and &ldquo;Amen&rdquo;<br/> | |||
Stuck in my throat. | Stuck in my throat. | ||
</p> | </p> | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
These deeds must not be thought<br/> | These deeds must not be thought<br/> | ||
After these ways; so, it will make us mad. | After these ways; so, it will make us mad. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Methought I heard a voice cry, “Sleep no more!<br/> | |||
Macbeth does murder sleep,”—the innocent sleep;<br/> | Methought I heard a voice cry, &ldquo;Sleep no more!<br/> | ||
Macbeth does murder sleep,&rdquo;&mdash;the innocent sleep;<br/> | |||
Sleep that knits up the ravell'd sleave of care,<br/> | Sleep that knits up the ravell'd sleave of care,<br/> | ||
The death of each day's life, sore labour's bath,<br/> | The death of each day's life, sore labour's bath,<br/> | ||
Balm of hurt minds, great nature's second course,<br/> | Balm of hurt minds, great nature's second course,<br/> | ||
Chief nourisher in life's feast. | Chief nourisher in life's feast. | ||
</p> | </p> | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
What do you mean? | What do you mean? | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Still it cried, “Sleep no more!” to all the house:<br/> | |||
“Glamis hath murder'd sleep, and therefore Cawdor<br/> | Still it cried, &ldquo;Sleep no more!&rdquo; to all the house:<br/> | ||
Shall sleep no more. Macbeth shall sleep no more!” | |||
&ldquo;Glamis hath murder'd sleep, and therefore Cawdor<br/> | |||
Shall sleep no more. Macbeth shall sleep no more!&rdquo; | |||
</p> | </p> | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
Who was it that thus cried? Why, worthy thane,<br/> | Who was it that thus cried? Why, worthy thane,<br/> | ||
You do unbend your noble strength to think<br/> | You do unbend your noble strength to think<br/> | ||
So brainsickly of things. Go get some water,<br/> | So brainsickly of things. Go get some water,<br/> | ||
And wash this filthy witness from your hand.—<br/> | |||
And wash this filthy witness from your hand.&mdash;<br/> | |||
Why did you bring these daggers from the place?<br/> | Why did you bring these daggers from the place?<br/> | ||
They must lie there: go carry them, and smear<br/> | They must lie there: go carry them, and smear<br/> | ||
The sleepy grooms with blood. | The sleepy grooms with blood. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
I'll go no more:<br/> | I'll go no more:<br/> | ||
I am afraid to think what I have done;<br/> | I am afraid to think what I have done;<br/> | ||
Look on't again I dare not. | Look on't again I dare not. | ||
</p> | </p> | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
Infirm of purpose!<br/> | Infirm of purpose!<br/> | ||
Give me the daggers. The sleeping and the dead<br/> | Give me the daggers. The sleeping and the dead<br/> | ||
Are but as pictures. 'Tis the eye of childhood<br/> | Are but as pictures. 'Tis the eye of childhood<br/> | ||
That fears a painted devil. If he do bleed,<br/> | That fears a painted devil. If he do bleed,<br/> | ||
I'll gild the faces of the grooms withal,<br/> | I'll gild the faces of the grooms withal,<br/> | ||
For it must seem their guilt. | For it must seem their guilt. | ||
</p> | </p> | ||
Line 1,430: | Line 2,235: | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Whence is that knocking?<br/> | Whence is that knocking?<br/> | ||
How is't with me, when every noise appals me?<br/> | How is't with me, when every noise appals me?<br/> | ||
What hands are here? Ha, they pluck out mine eyes!<br/> | What hands are here? Ha, they pluck out mine eyes!<br/> | ||
Will all great Neptune's ocean wash this blood<br/> | Will all great Neptune's ocean wash this blood<br/> | ||
Clean from my hand? No, this my hand will rather<br/> | Clean from my hand? No, this my hand will rather<br/> | ||
The multitudinous seas incarnadine,<br/> | The multitudinous seas incarnadine,<br/> | ||
Making the green one red. | Making the green one red. | ||
</p> | </p> | ||
Line 1,442: | Line 2,255: | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
My hands are of your color, but I shame<br/> | My hands are of your color, but I shame<br/> | ||
To wear a heart so white. [<i>Knocking within.</i>] I hear knocking<br/> | To wear a heart so white. [<i>Knocking within.</i>] I hear knocking<br/> | ||
At the south entry:—retire we to our chamber.<br/> | |||
At the south entry:&mdash;retire we to our chamber.<br/> | |||
A little water clears us of this deed:<br/> | A little water clears us of this deed:<br/> | ||
How easy is it then! Your constancy<br/> | How easy is it then! Your constancy<br/> | ||
Hath left you unattended.—[<i>Knocking within.</i>] Hark, more knocking.<br/> | |||
Hath left you unattended.&mdash;[<i>Knocking within.</i>] Hark, more knocking.<br/> | |||
Get on your nightgown, lest occasion call us<br/> | Get on your nightgown, lest occasion call us<br/> | ||
And show us to be watchers. Be not lost<br/> | And show us to be watchers. Be not lost<br/> | ||
So poorly in your thoughts. | So poorly in your thoughts. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
To know my deed, 'twere best not know myself. [<i>Knocking within.</i>]<br/> | To know my deed, 'twere best not know myself. [<i>Knocking within.</i>]<br/> | ||
Wake Duncan with thy knocking! I would thou couldst! | Wake Duncan with thy knocking! I would thou couldst! | ||
</p> | </p> | ||
Line 1,461: | Line 2,287: | ||
<h3 id="sceneII_20.3"> | <h3 id="sceneII_20.3"> | ||
<b>SCENE III. The same.</b></h3> | <b>SCENE III. The same.</b></h3> | ||
<p class="scenedesc"> Enter a <span class="charname">Porter.</span> Knocking | <p class="scenedesc"> Enter a <span class="charname">Porter.</span> Knocking | ||
within.</p> | within.</p> | ||
<p>PORTER.<br/> | <p>PORTER.<br/> | ||
Here's a knocking indeed! If a man were porter of hell gate, he should | Here's a knocking indeed! If a man were porter of hell gate, he should | ||
have old turning the key. [<i>Knocking.</i>] Knock, knock, knock. Who's | have old turning the key. [<i>Knocking.</i>] Knock, knock, knock. Who's | ||
there, i' th' name of Belzebub? Here's a farmer that hanged | there, i' th' name of Belzebub? Here's a farmer that hanged | ||
himself on the expectation of plenty: come in time; have napkins enow about | himself on the expectation of plenty: come in time; have napkins enow about | ||
you; here you'll sweat for't. [<i>Knocking.</i>] Knock, knock! | you; here you'll sweat for't. [<i>Knocking.</i>] Knock, knock! | ||
Who's there, i' th' other devil's name? Faith, | Who's there, i' th' other devil's name? Faith, | ||
here's an equivocator, that could swear in both the scales against either | here's an equivocator, that could swear in both the scales against either | ||
scale, who committed treason enough for God's sake, yet could not | scale, who committed treason enough for God's sake, yet could not | ||
equivocate to heaven: O, come in, equivocator. [<i>Knocking.</i>] Knock, knock, | equivocate to heaven: O, come in, equivocator. [<i>Knocking.</i>] Knock, knock, | ||
knock! Who's there? Faith, here's an English tailor come hither, | knock! Who's there? Faith, here's an English tailor come hither, | ||
for stealing out of a French hose: come in, tailor; here you may roast your | for stealing out of a French hose: come in, tailor; here you may roast your | ||
goose. [<i>Knocking.</i>] Knock, knock. Never at quiet! What are you?—But | |||
goose. [<i>Knocking.</i>] Knock, knock. Never at quiet! What are you?&mdash;But | |||
this place is too cold for hell. I'll devil-porter it no further: I had | this place is too cold for hell. I'll devil-porter it no further: I had | ||
thought to have let in some of all professions, that go the primrose way to | thought to have let in some of all professions, that go the primrose way to | ||
th' everlasting bonfire. [<i>Knocking.</i>] Anon, anon! I pray you, | th' everlasting bonfire. [<i>Knocking.</i>] Anon, anon! I pray you, | ||
remember the porter. | remember the porter. | ||
</p> | </p> | ||
Line 1,488: | Line 2,333: | ||
<p class="scenedesc"> Enter <span class="charname">Macduff</span> and | <p class="scenedesc"> Enter <span class="charname">Macduff</span> and | ||
<span class="charname">Lennox</span>.</p> | <span class="charname">Lennox</span>.</p> | ||
<p>MACDUFF.<br/> | <p>MACDUFF.<br/> | ||
Was it so late, friend, ere you went to bed,<br/> | Was it so late, friend, ere you went to bed,<br/> | ||
That you do lie so late? | That you do lie so late? | ||
</p> | </p> | ||
<p>PORTER.<br/> | <p>PORTER.<br/> | ||
Faith, sir, we were carousing till the second cock; and drink, sir, is a great | Faith, sir, we were carousing till the second cock; and drink, sir, is a great | ||
provoker of three things. | provoker of three things. | ||
</p> | </p> | ||
<p>MACDUFF.<br/> | <p>MACDUFF.<br/> | ||
What three things does drink especially provoke? | What three things does drink especially provoke? | ||
</p> | </p> | ||
<p>PORTER.<br/> | <p>PORTER.<br/> | ||
Marry, sir, nose-painting, sleep, and urine. Lechery, sir, it provokes and | Marry, sir, nose-painting, sleep, and urine. Lechery, sir, it provokes and | ||
unprovokes; it provokes the desire, but it takes away the performance. | unprovokes; it provokes the desire, but it takes away the performance. | ||
Therefore much drink may be said to be an equivocator with lechery: it makes | Therefore much drink may be said to be an equivocator with lechery: it makes | ||
him, and it mars him; it sets him on, and it takes him off; it persuades him, | him, and it mars him; it sets him on, and it takes him off; it persuades him, | ||
and disheartens him; makes him stand to, and not stand to; in conclusion, | and disheartens him; makes him stand to, and not stand to; in conclusion, | ||
equivocates him in a sleep, and giving him the lie, leaves him. | equivocates him in a sleep, and giving him the lie, leaves him. | ||
</p> | </p> | ||
<p>MACDUFF.<br/> | <p>MACDUFF.<br/> | ||
I believe drink gave thee the lie last night. | I believe drink gave thee the lie last night. | ||
</p> | </p> | ||
<p>PORTER.<br/> | <p>PORTER.<br/> | ||
That it did, sir, i' the very throat on me; but I requited him for his | That it did, sir, i' the very throat on me; but I requited him for his | ||
lie; and (I think) being too strong for him, though he took up my legs | lie; and (I think) being too strong for him, though he took up my legs | ||
sometime, yet I made a shift to cast him. | sometime, yet I made a shift to cast him. | ||
</p> | </p> | ||
<p>MACDUFF.<br/> | <p>MACDUFF.<br/> | ||
Is thy master stirring?<br/> | Is thy master stirring?<br/> | ||
</p> | </p> | ||
Line 1,530: | Line 2,399: | ||
<p> | <p> | ||
Our knocking has awak'd him; here he comes. | Our knocking has awak'd him; here he comes. | ||
</p> | </p> | ||
<p>LENNOX.<br/> | <p>LENNOX.<br/> | ||
Good morrow, noble sir! | Good morrow, noble sir! | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Good morrow, both! | Good morrow, both! | ||
</p> | </p> | ||
<p>MACDUFF.<br/> | <p>MACDUFF.<br/> | ||
Is the King stirring, worthy thane? | Is the King stirring, worthy thane? | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Not yet. | Not yet. | ||
</p> | </p> | ||
<p>MACDUFF.<br/> | <p>MACDUFF.<br/> | ||
He did command me to call timely on him.<br/> | He did command me to call timely on him.<br/> | ||
I have almost slipp'd the hour. | I have almost slipp'd the hour. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
I'll bring you to him. | I'll bring you to him. | ||
</p> | </p> | ||
<p>MACDUFF.<br/> | <p>MACDUFF.<br/> | ||
I know this is a joyful trouble to you;<br/> | I know this is a joyful trouble to you;<br/> | ||
But yet 'tis one. | But yet 'tis one. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
The labour we delight in physics pain.<br/> | The labour we delight in physics pain.<br/> | ||
This is the door. | This is the door. | ||
</p> | </p> | ||
<p>MACDUFF.<br/> | <p>MACDUFF.<br/> | ||
I'll make so bold to call.<br/> | I'll make so bold to call.<br/> | ||
For 'tis my limited service. | For 'tis my limited service. | ||
</p> | </p> | ||
Line 1,576: | Line 2,469: | ||
<p>LENNOX.<br/> | <p>LENNOX.<br/> | ||
Goes the King hence today? | Goes the King hence today? | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
He does. He did appoint so. | He does. He did appoint so. | ||
</p> | </p> | ||
<p>LENNOX.<br/> | <p>LENNOX.<br/> | ||
The night has been unruly: where we lay,<br/> | The night has been unruly: where we lay,<br/> | ||
Our chimneys were blown down and, as they say,<br/> | Our chimneys were blown down and, as they say,<br/> | ||
Lamentings heard i' th' air, strange screams of death,<br/> | Lamentings heard i' th' air, strange screams of death,<br/> | ||
And prophesying, with accents terrible,<br/> | And prophesying, with accents terrible,<br/> | ||
Of dire combustion and confus'd events,<br/> | Of dire combustion and confus'd events,<br/> | ||
New hatch'd to the woeful time. The obscure bird<br/> | New hatch'd to the woeful time. The obscure bird<br/> | ||
Clamour'd the live-long night. Some say the earth<br/> | Clamour'd the live-long night. Some say the earth<br/> | ||
Was feverous, and did shake. | Was feverous, and did shake. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
'Twas a rough night. | 'Twas a rough night. | ||
</p> | </p> | ||
<p>LENNOX.<br/> | <p>LENNOX.<br/> | ||
My young remembrance cannot parallel<br/> | My young remembrance cannot parallel<br/> | ||
A fellow to it. | A fellow to it. | ||
</p> | </p> | ||
Line 1,606: | Line 2,517: | ||
<p>MACDUFF.<br/> | <p>MACDUFF.<br/> | ||
O horror, horror, horror!<br/> | O horror, horror, horror!<br/> | ||
Tongue nor heart cannot conceive nor name thee! | Tongue nor heart cannot conceive nor name thee! | ||
</p> | </p> | ||
<p>MACBETH, LENNOX.<br/> | <p>MACBETH, LENNOX.<br/> | ||
What's the matter? | What's the matter? | ||
</p> | </p> | ||
<p>MACDUFF.<br/> | <p>MACDUFF.<br/> | ||
Confusion now hath made his masterpiece!<br/> | Confusion now hath made his masterpiece!<br/> | ||
Most sacrilegious murder hath broke ope<br/> | Most sacrilegious murder hath broke ope<br/> | ||
The Lord's anointed temple, and stole thence<br/> | The Lord's anointed temple, and stole thence<br/> | ||
The life o' th' building. | The life o' th' building. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
What is't you say? the life? | What is't you say? the life? | ||
</p> | </p> | ||
<p>LENNOX.<br/> | <p>LENNOX.<br/> | ||
Mean you his majesty? | Mean you his majesty? | ||
</p> | </p> | ||
<p>MACDUFF.<br/> | <p>MACDUFF.<br/> | ||
Approach the chamber, and destroy your sight<br/> | Approach the chamber, and destroy your sight<br/> | ||
With a new Gorgon. Do not bid me speak.<br/> | With a new Gorgon. Do not bid me speak.<br/> | ||
See, and then speak yourselves. | See, and then speak yourselves. | ||
</p> | </p> | ||
<p class="right"> [<i>Exeunt <span class="charname">Macbeth</span> and | <p class="right"> [<i>Exeunt <span class="charname">Macbeth</span> and | ||
<span class="charname">Lennox</span>.</i>]</p> | <span class="charname">Lennox</span>.</i>]</p> | ||
<p>Awake, awake!—<br/> | <p>Awake, awake!&mdash;<br/> | ||
Ring the alarum bell.—Murder and treason!<br/> | |||
Ring the alarum bell.&mdash;Murder and treason!<br/> | |||
Banquo and Donalbain! Malcolm! awake!<br/> | Banquo and Donalbain! Malcolm! awake!<br/> | ||
Shake off this downy sleep, death's counterfeit,<br/> | Shake off this downy sleep, death's counterfeit,<br/> | ||
And look on death itself! Up, up, and see<br/> | And look on death itself! Up, up, and see<br/> | ||
The great doom's image. Malcolm! Banquo!<br/> | The great doom's image. Malcolm! Banquo!<br/> | ||
As from your graves rise up, and walk like sprites<br/> | As from your graves rise up, and walk like sprites<br/> | ||
To countenance this horror! | To countenance this horror! | ||
</p> | </p> | ||
Line 1,653: | Line 2,591: | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
What's the business,<br/> | What's the business,<br/> | ||
That such a hideous trumpet calls to parley<br/> | That such a hideous trumpet calls to parley<br/> | ||
The sleepers of the house? Speak, speak! | The sleepers of the house? Speak, speak! | ||
</p> | </p> | ||
<p>MACDUFF.<br/> | <p>MACDUFF.<br/> | ||
O gentle lady,<br/> | O gentle lady,<br/> | ||
'Tis not for you to hear what I can speak:<br/> | 'Tis not for you to hear what I can speak:<br/> | ||
The repetition, in a woman's ear,<br/> | The repetition, in a woman's ear,<br/> | ||
Would murder as it fell. | Would murder as it fell. | ||
</p> | </p> | ||
Line 1,668: | Line 2,615: | ||
<p>O Banquo, Banquo!<br/> | <p>O Banquo, Banquo!<br/> | ||
Our royal master's murder'd! | Our royal master's murder'd! | ||
</p> | </p> | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
Woe, alas!<br/> | Woe, alas!<br/> | ||
What, in our house? | What, in our house? | ||
</p> | </p> | ||
<p>BANQUO.<br/> | <p>BANQUO.<br/> | ||
Too cruel anywhere.—<br/> | |||
Too cruel anywhere.&mdash;<br/> | |||
Dear Duff, I pr'ythee, contradict thyself,<br/> | Dear Duff, I pr'ythee, contradict thyself,<br/> | ||
And say it is not so. | And say it is not so. | ||
</p> | </p> | ||
<p class="scenedesc"> Enter <span class="charname">Macbeth</span> and | <p class="scenedesc"> Enter <span class="charname">Macbeth</span> and | ||
<span class="charname">Lennox</span> with <span class="charname">Ross</span>.</p> | <span class="charname">Lennox</span> with <span class="charname">Ross</span>.</p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Had I but died an hour before this chance,<br/> | Had I but died an hour before this chance,<br/> | ||
I had liv'd a blessed time; for, from this instant<br/> | I had liv'd a blessed time; for, from this instant<br/> | ||
There's nothing serious in mortality.<br/> | There's nothing serious in mortality.<br/> | ||
All is but toys: renown and grace is dead;<br/> | All is but toys: renown and grace is dead;<br/> | ||
The wine of life is drawn, and the mere lees<br/> | The wine of life is drawn, and the mere lees<br/> | ||
Is left this vault to brag of. | Is left this vault to brag of. | ||
</p> | </p> | ||
<p class="scenedesc"> Enter <span class="charname">Malcolm</span> and | <p class="scenedesc"> Enter <span class="charname">Malcolm</span> and | ||
<span class="charname">Donalbain</span>.</p> | <span class="charname">Donalbain</span>.</p> | ||
<p>DONALBAIN.<br/> | <p>DONALBAIN.<br/> | ||
What is amiss? | What is amiss? | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
You are, and do not know't:<br/> | You are, and do not know't:<br/> | ||
The spring, the head, the fountain of your blood<br/> | The spring, the head, the fountain of your blood<br/> | ||
Is stopp'd; the very source of it is stopp'd. | Is stopp'd; the very source of it is stopp'd. | ||
</p> | </p> | ||
<p>MACDUFF.<br/> | <p>MACDUFF.<br/> | ||
Your royal father's murder'd. | Your royal father's murder'd. | ||
</p> | </p> | ||
<p>MALCOLM.<br/> | <p>MALCOLM.<br/> | ||
O, by whom? | O, by whom? | ||
</p> | </p> | ||
<p>LENNOX.<br/> | <p>LENNOX.<br/> | ||
Those of his chamber, as it seem'd, had done't:<br/> | Those of his chamber, as it seem'd, had done't:<br/> | ||
Their hands and faces were all badg'd with blood;<br/> | Their hands and faces were all badg'd with blood;<br/> | ||
So were their daggers, which, unwip'd, we found<br/> | So were their daggers, which, unwip'd, we found<br/> | ||
Upon their pillows. They star'd, and were distracted;<br/> | Upon their pillows. They star'd, and were distracted;<br/> | ||
No man's life was to be trusted with them. | No man's life was to be trusted with them. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
O, yet I do repent me of my fury,<br/> | O, yet I do repent me of my fury,<br/> | ||
That I did kill them. | That I did kill them. | ||
</p> | </p> | ||
<p>MACDUFF.<br/> | <p>MACDUFF.<br/> | ||
Wherefore did you so? | Wherefore did you so? | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Who can be wise, amaz'd, temperate, and furious,<br/> | Who can be wise, amaz'd, temperate, and furious,<br/> | ||
Loyal and neutral, in a moment? No man:<br/> | Loyal and neutral, in a moment? No man:<br/> | ||
Th' expedition of my violent love<br/> | Th' expedition of my violent love<br/> | ||
Outrun the pauser, reason. Here lay Duncan,<br/> | Outrun the pauser, reason. Here lay Duncan,<br/> | ||
His silver skin lac'd with his golden blood;<br/> | His silver skin lac'd with his golden blood;<br/> | ||
And his gash'd stabs look'd like a breach in nature<br/> | And his gash'd stabs look'd like a breach in nature<br/> | ||
For ruin's wasteful entrance: there, the murderers,<br/> | For ruin's wasteful entrance: there, the murderers,<br/> | ||
Steep'd in the colours of their trade, their daggers<br/> | Steep'd in the colours of their trade, their daggers<br/> | ||
Unmannerly breech'd with gore. Who could refrain,<br/> | Unmannerly breech'd with gore. Who could refrain,<br/> | ||
That had a heart to love, and in that heart<br/> | That had a heart to love, and in that heart<br/> | ||
Courage to make's love known? | Courage to make's love known? | ||
</p> | </p> | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
Help me hence, ho! | Help me hence, ho! | ||
</p> | </p> | ||
<p>MACDUFF.<br/> | <p>MACDUFF.<br/> | ||
Look to the lady. | Look to the lady. | ||
</p> | </p> | ||
<p>MALCOLM.<br/> | <p>MALCOLM.<br/> | ||
Why do we hold our tongues,<br/> | Why do we hold our tongues,<br/> | ||
That most may claim this argument for ours? | That most may claim this argument for ours? | ||
</p> | </p> | ||
<p>DONALBAIN.<br/> | <p>DONALBAIN.<br/> | ||
What should be spoken here, where our fate,<br/> | What should be spoken here, where our fate,<br/> | ||
Hid in an auger hole, may rush, and seize us?<br/> | Hid in an auger hole, may rush, and seize us?<br/> | ||
Let's away. Our tears are not yet brew'd. | Let's away. Our tears are not yet brew'd. | ||
</p> | </p> | ||
<p>MALCOLM.<br/> | <p>MALCOLM.<br/> | ||
Nor our strong sorrow<br/> | Nor our strong sorrow<br/> | ||
Upon the foot of motion. | Upon the foot of motion. | ||
</p> | </p> | ||
<p>BANQUO.<br/> | <p>BANQUO.<br/> | ||
Look to the lady:— | |||
Look to the lady:&mdash; | |||
</p> | </p> | ||
Line 1,777: | Line 2,791: | ||
<p>And when we have our naked frailties hid,<br/> | <p>And when we have our naked frailties hid,<br/> | ||
That suffer in exposure, let us meet,<br/> | That suffer in exposure, let us meet,<br/> | ||
And question this most bloody piece of work<br/> | And question this most bloody piece of work<br/> | ||
To know it further. Fears and scruples shake us:<br/> | To know it further. Fears and scruples shake us:<br/> | ||
In the great hand of God I stand; and thence<br/> | In the great hand of God I stand; and thence<br/> | ||
Against the undivulg'd pretence I fight<br/> | Against the undivulg'd pretence I fight<br/> | ||
Of treasonous malice. | Of treasonous malice. | ||
</p> | </p> | ||
<p>MACDUFF.<br/> | <p>MACDUFF.<br/> | ||
And so do I. | And so do I. | ||
</p> | </p> | ||
<p>ALL.<br/> | <p>ALL.<br/> | ||
So all. | So all. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Let's briefly put on manly readiness,<br/> | Let's briefly put on manly readiness,<br/> | ||
And meet i' th' hall together. | And meet i' th' hall together. | ||
</p> | </p> | ||
<p>ALL.<br/> | <p>ALL.<br/> | ||
Well contented. | Well contented. | ||
</p> | </p> | ||
<p class="right"> [<i>Exeunt all but <span class="charname">Malcolm</span> and | <p class="right"> [<i>Exeunt all but <span class="charname">Malcolm</span> and | ||
<span class="charname">Donalbain</span>.</i>]</p> | <span class="charname">Donalbain</span>.</i>]</p> | ||
<p>MALCOLM.<br/> | <p>MALCOLM.<br/> | ||
What will you do? Let's not consort with them:<br/> | What will you do? Let's not consort with them:<br/> | ||
To show an unfelt sorrow is an office<br/> | To show an unfelt sorrow is an office<br/> | ||
Which the false man does easy. I'll to England. | Which the false man does easy. I'll to England. | ||
</p> | </p> | ||
<p>DONALBAIN.<br/> | <p>DONALBAIN.<br/> | ||
To Ireland, I. Our separated fortune<br/> | To Ireland, I. Our separated fortune<br/> | ||
Shall keep us both the safer. Where we are,<br/> | Shall keep us both the safer. Where we are,<br/> | ||
There's daggers in men's smiles: the near in blood,<br/> | There's daggers in men's smiles: the near in blood,<br/> | ||
The nearer bloody. | The nearer bloody. | ||
</p> | </p> | ||
<p>MALCOLM.<br/> | <p>MALCOLM.<br/> | ||
This murderous shaft that's shot<br/> | This murderous shaft that's shot<br/> | ||
Hath not yet lighted; and our safest way<br/> | Hath not yet lighted; and our safest way<br/> | ||
Is to avoid the aim. Therefore to horse;<br/> | Is to avoid the aim. Therefore to horse;<br/> | ||
And let us not be dainty of leave-taking,<br/> | And let us not be dainty of leave-taking,<br/> | ||
But shift away. There's warrant in that theft<br/> | But shift away. There's warrant in that theft<br/> | ||
Which steals itself, when there's no mercy left. | Which steals itself, when there's no mercy left. | ||
</p> | </p> | ||
Line 1,830: | Line 2,877: | ||
<h3 id="sceneII_20.4"> | <h3 id="sceneII_20.4"> | ||
<b>SCENE IV. The same. Without the Castle.</b></h3> | <b>SCENE IV. The same. Without the Castle.</b></h3> | ||
<p class="scenedesc"> Enter <span class="charname">Ross</span> and an | <p class="scenedesc"> Enter <span class="charname">Ross</span> and an | ||
<span class="charname">Old Man</span>.</p> | <span class="charname">Old Man</span>.</p> | ||
<p>OLD MAN.<br/> | <p>OLD MAN.<br/> | ||
Threescore and ten I can remember well,<br/> | Threescore and ten I can remember well,<br/> | ||
Within the volume of which time I have seen<br/> | Within the volume of which time I have seen<br/> | ||
Hours dreadful and things strange, but this sore night<br/> | Hours dreadful and things strange, but this sore night<br/> | ||
Hath trifled former knowings. | Hath trifled former knowings. | ||
</p> | </p> | ||
<p>ROSS.<br/> | <p>ROSS.<br/> | ||
Ha, good father,<br/> | Ha, good father,<br/> | ||
Thou seest the heavens, as troubled with man's act,<br/> | Thou seest the heavens, as troubled with man's act,<br/> | ||
Threatens his bloody stage: by the clock 'tis day,<br/> | Threatens his bloody stage: by the clock 'tis day,<br/> | ||
And yet dark night strangles the travelling lamp.<br/> | And yet dark night strangles the travelling lamp.<br/> | ||
Is't night's predominance, or the day's shame,<br/> | Is't night's predominance, or the day's shame,<br/> | ||
That darkness does the face of earth entomb,<br/> | That darkness does the face of earth entomb,<br/> | ||
When living light should kiss it? | When living light should kiss it? | ||
</p> | </p> | ||
<p>OLD MAN.<br/> | <p>OLD MAN.<br/> | ||
'Tis unnatural,<br/> | 'Tis unnatural,<br/> | ||
Even like the deed that's done. On Tuesday last,<br/> | Even like the deed that's done. On Tuesday last,<br/> | ||
A falcon, towering in her pride of place,<br/> | A falcon, towering in her pride of place,<br/> | ||
Was by a mousing owl hawk'd at and kill'd. | Was by a mousing owl hawk'd at and kill'd. | ||
</p> | </p> | ||
<p>ROSS.<br/> | <p>ROSS.<br/> | ||
And Duncan's horses (a thing most strange and certain)<br/> | And Duncan's horses (a thing most strange and certain)<br/> | ||
Beauteous and swift, the minions of their race,<br/> | Beauteous and swift, the minions of their race,<br/> | ||
Turn'd wild in nature, broke their stalls, flung out,<br/> | Turn'd wild in nature, broke their stalls, flung out,<br/> | ||
Contending 'gainst obedience, as they would make<br/> | Contending 'gainst obedience, as they would make<br/> | ||
War with mankind. | War with mankind. | ||
</p> | </p> | ||
<p>OLD MAN.<br/> | <p>OLD MAN.<br/> | ||
'Tis said they eat each other. | 'Tis said they eat each other. | ||
</p> | </p> | ||
<p>ROSS.<br/> | <p>ROSS.<br/> | ||
They did so; to the amazement of mine eyes,<br/> | They did so; to the amazement of mine eyes,<br/> | ||
That look'd upon't.<br/> | That look'd upon't.<br/> | ||
Here comes the good Macduff. | Here comes the good Macduff. | ||
</p> | </p> | ||
Line 1,880: | Line 2,959: | ||
<p>How goes the world, sir, now? | <p>How goes the world, sir, now? | ||
</p> | </p> | ||
<p>MACDUFF.<br/> | <p>MACDUFF.<br/> | ||
Why, see you not? | Why, see you not? | ||
</p> | </p> | ||
<p>ROSS.<br/> | <p>ROSS.<br/> | ||
Is't known who did this more than bloody deed? | Is't known who did this more than bloody deed? | ||
</p> | </p> | ||
<p>MACDUFF.<br/> | <p>MACDUFF.<br/> | ||
Those that Macbeth hath slain. | Those that Macbeth hath slain. | ||
</p> | </p> | ||
<p>ROSS.<br/> | <p>ROSS.<br/> | ||
Alas, the day!<br/> | Alas, the day!<br/> | ||
What good could they pretend? | What good could they pretend? | ||
</p> | </p> | ||
<p>MACDUFF.<br/> | <p>MACDUFF.<br/> | ||
They were suborn'd.<br/> | They were suborn'd.<br/> | ||
Malcolm and Donalbain, the King's two sons,<br/> | Malcolm and Donalbain, the King's two sons,<br/> | ||
Are stol'n away and fled; which puts upon them<br/> | Are stol'n away and fled; which puts upon them<br/> | ||
Suspicion of the deed. | Suspicion of the deed. | ||
</p> | </p> | ||
<p>ROSS.<br/> | <p>ROSS.<br/> | ||
'Gainst nature still:<br/> | 'Gainst nature still:<br/> | ||
Thriftless ambition, that will ravin up<br/> | Thriftless ambition, that will ravin up<br/> | ||
Thine own life's means!—Then 'tis most like<br/> | |||
Thine own life's means!&mdash;Then 'tis most like<br/> | |||
The sovereignty will fall upon Macbeth. | The sovereignty will fall upon Macbeth. | ||
</p> | </p> | ||
<p>MACDUFF.<br/> | <p>MACDUFF.<br/> | ||
He is already nam'd; and gone to Scone<br/> | He is already nam'd; and gone to Scone<br/> | ||
To be invested. | To be invested. | ||
</p> | </p> | ||
<p>ROSS.<br/> | <p>ROSS.<br/> | ||
Where is Duncan's body? | Where is Duncan's body? | ||
</p> | </p> | ||
<p>MACDUFF.<br/> | <p>MACDUFF.<br/> | ||
Carried to Colmekill,<br/> | Carried to Colmekill,<br/> | ||
The sacred storehouse of his predecessors,<br/> | The sacred storehouse of his predecessors,<br/> | ||
And guardian of their bones. | And guardian of their bones. | ||
</p> | </p> | ||
<p>ROSS.<br/> | <p>ROSS.<br/> | ||
Will you to Scone? | Will you to Scone? | ||
</p> | </p> | ||
<p>MACDUFF.<br/> | <p>MACDUFF.<br/> | ||
No, cousin, I'll to Fife. | No, cousin, I'll to Fife. | ||
</p> | </p> | ||
<p>ROSS.<br/> | <p>ROSS.<br/> | ||
Well, I will thither. | Well, I will thither. | ||
</p> | </p> | ||
<p>MACDUFF.<br/> | <p>MACDUFF.<br/> | ||
Well, may you see things well done there. Adieu!<br/> | Well, may you see things well done there. Adieu!<br/> | ||
Lest our old robes sit easier than our new! | Lest our old robes sit easier than our new! | ||
</p> | </p> | ||
<p>ROSS.<br/> | <p>ROSS.<br/> | ||
Farewell, father. | Farewell, father. | ||
</p> | </p> | ||
<p>OLD MAN.<br/> | <p>OLD MAN.<br/> | ||
God's benison go with you; and with those<br/> | God's benison go with you; and with those<br/> | ||
That would make good of bad, and friends of foes! | That would make good of bad, and friends of foes! | ||
</p> | </p> | ||
<p class="right"> [<i>Exeunt.</i>]</p> | <p class="right"> [<i>Exeunt.</i>]</p> | ||
<h2 id="sceneIII_20.1"> | |||
<b>ACT III</b></h2> | <b>ACT III</b></h2> | ||
Line 1,968: | Line 3,087: | ||
<p>BANQUO.<br/> | <p>BANQUO.<br/> | ||
Thou hast it now, King, Cawdor, Glamis, all,<br/> | Thou hast it now, King, Cawdor, Glamis, all,<br/> | ||
As the Weird Women promis'd; and, I fear,<br/> | As the Weird Women promis'd; and, I fear,<br/> | ||
Thou play'dst most foully for't; yet it was said<br/> | Thou play'dst most foully for't; yet it was said<br/> | ||
It should not stand in thy posterity;<br/> | It should not stand in thy posterity;<br/> | ||
But that myself should be the root and father<br/> | But that myself should be the root and father<br/> | ||
Of many kings. If there come truth from them<br/> | Of many kings. If there come truth from them<br/> | ||
(As upon thee, Macbeth, their speeches shine)<br/> | (As upon thee, Macbeth, their speeches shine)<br/> | ||
Why, by the verities on thee made good,<br/> | Why, by the verities on thee made good,<br/> | ||
May they not be my oracles as well,<br/> | May they not be my oracles as well,<br/> | ||
And set me up in hope? But hush; no more. | And set me up in hope? But hush; no more. | ||
</p> | </p> | ||
<p class="scenedesc"> Sennet sounded. Enter <span class="charname">Macbeth</span> | <p class="scenedesc"> Sennet sounded. Enter <span class="charname">Macbeth</span> | ||
as King, <span class="charname">Lady Macbeth</span> as Queen; | as King, <span class="charname">Lady Macbeth</span> as Queen; | ||
<span class="charname">Lennox, Ross,</span> Lords, and Attendants.</p> | <span class="charname">Lennox, Ross,</span> Lords, and Attendants.</p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Here's our chief guest. | Here's our chief guest. | ||
</p> | </p> | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
If he had been forgotten,<br/> | If he had been forgotten,<br/> | ||
It had been as a gap in our great feast,<br/> | It had been as a gap in our great feast,<br/> | ||
And all-thing unbecoming. | And all-thing unbecoming. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Tonight we hold a solemn supper, sir,<br/> | Tonight we hold a solemn supper, sir,<br/> | ||
And I'll request your presence. | And I'll request your presence. | ||
</p> | </p> | ||
<p>BANQUO.<br/> | <p>BANQUO.<br/> | ||
Let your Highness<br/> | Let your Highness<br/> | ||
Command upon me, to the which my duties<br/> | Command upon me, to the which my duties<br/> | ||
Are with a most indissoluble tie<br/> | Are with a most indissoluble tie<br/> | ||
For ever knit. | For ever knit. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Ride you this afternoon? | Ride you this afternoon? | ||
</p> | </p> | ||
<p>BANQUO.<br/> | <p>BANQUO.<br/> | ||
Ay, my good lord. | Ay, my good lord. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
We should have else desir'd your good advice<br/> | We should have else desir'd your good advice<br/> | ||
(Which still hath been both grave and prosperous)<br/> | (Which still hath been both grave and prosperous)<br/> | ||
In this day's council; but we'll take tomorrow.<br/> | In this day's council; but we'll take tomorrow.<br/> | ||
Is't far you ride? | Is't far you ride? | ||
</p> | </p> | ||
<p>BANQUO.<br/> | <p>BANQUO.<br/> | ||
As far, my lord, as will fill up the time<br/> | As far, my lord, as will fill up the time<br/> | ||
'Twixt this and supper: go not my horse the better,<br/> | 'Twixt this and supper: go not my horse the better,<br/> | ||
I must become a borrower of the night,<br/> | I must become a borrower of the night,<br/> | ||
For a dark hour or twain. | For a dark hour or twain. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Fail not our feast. | Fail not our feast. | ||
</p> | </p> | ||
<p>BANQUO.<br/> | <p>BANQUO.<br/> | ||
My lord, I will not. | My lord, I will not. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
We hear our bloody cousins are bestow'd<br/> | We hear our bloody cousins are bestow'd<br/> | ||
In England and in Ireland; not confessing<br/> | In England and in Ireland; not confessing<br/> | ||
Their cruel parricide, filling their hearers<br/> | Their cruel parricide, filling their hearers<br/> | ||
With strange invention. But of that tomorrow,<br/> | With strange invention. But of that tomorrow,<br/> | ||
When therewithal we shall have cause of state<br/> | When therewithal we shall have cause of state<br/> | ||
Craving us jointly. Hie you to horse: adieu,<br/> | Craving us jointly. Hie you to horse: adieu,<br/> | ||
Till you return at night. Goes Fleance with you? | Till you return at night. Goes Fleance with you? | ||
</p> | </p> | ||
<p>BANQUO.<br/> | <p>BANQUO.<br/> | ||
Ay, my good lord: our time does call upon's. | Ay, my good lord: our time does call upon's. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
I wish your horses swift and sure of foot;<br/> | I wish your horses swift and sure of foot;<br/> | ||
And so I do commend you to their backs.<br/> | And so I do commend you to their backs.<br/> | ||
Farewell.— | |||
Farewell.&mdash; | |||
</p> | </p> | ||
Line 2,059: | Line 3,237: | ||
<p>Let every man be master of his time<br/> | <p>Let every man be master of his time<br/> | ||
Till seven at night; to make society<br/> | Till seven at night; to make society<br/> | ||
The sweeter welcome, we will keep ourself<br/> | The sweeter welcome, we will keep ourself<br/> | ||
Till supper time alone: while then, God be with you. | Till supper time alone: while then, God be with you. | ||
</p> | </p> | ||
<p class="right"> [<i>Exeunt <span class="charname">Lady Macbeth,</span> Lords, | <p class="right"> [<i>Exeunt <span class="charname">Lady Macbeth,</span> Lords, | ||
&c.</i>]</p> | |||
&amp;c.</i>]</p> | |||
<p>Sirrah, a word with you. Attend those men<br/> | <p>Sirrah, a word with you. Attend those men<br/> | ||
Our pleasure? | Our pleasure? | ||
</p> | </p> | ||
<p>SERVANT.<br/> | <p>SERVANT.<br/> | ||
They are, my lord, without the palace gate. | They are, my lord, without the palace gate. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Bring them before us. | Bring them before us. | ||
</p> | </p> | ||
Line 2,082: | Line 3,271: | ||
<p>To be thus is nothing,<br/> | <p>To be thus is nothing,<br/> | ||
But to be safely thus. Our fears in Banquo<br/> | But to be safely thus. Our fears in Banquo<br/> | ||
Stick deep, and in his royalty of nature<br/> | Stick deep, and in his royalty of nature<br/> | ||
Reigns that which would be fear'd: 'tis much he dares;<br/> | Reigns that which would be fear'd: 'tis much he dares;<br/> | ||
And, to that dauntless temper of his mind,<br/> | And, to that dauntless temper of his mind,<br/> | ||
He hath a wisdom that doth guide his valour<br/> | He hath a wisdom that doth guide his valour<br/> | ||
To act in safety. There is none but he<br/> | To act in safety. There is none but he<br/> | ||
Whose being I do fear: and under him<br/> | Whose being I do fear: and under him<br/> | ||
My genius is rebuk'd; as, it is said,<br/> | My genius is rebuk'd; as, it is said,<br/> | ||
Mark Antony's was by Caesar. He chid the sisters<br/> | Mark Antony's was by Caesar. He chid the sisters<br/> | ||
When first they put the name of king upon me,<br/> | When first they put the name of king upon me,<br/> | ||
And bade them speak to him; then, prophet-like,<br/> | And bade them speak to him; then, prophet-like,<br/> | ||
They hail'd him father to a line of kings:<br/> | They hail'd him father to a line of kings:<br/> | ||
Upon my head they plac'd a fruitless crown,<br/> | Upon my head they plac'd a fruitless crown,<br/> | ||
And put a barren sceptre in my gripe,<br/> | And put a barren sceptre in my gripe,<br/> | ||
Thence to be wrench'd with an unlineal hand,<br/> | Thence to be wrench'd with an unlineal hand,<br/> | ||
No son of mine succeeding. If't be so,<br/> | No son of mine succeeding. If't be so,<br/> | ||
For Banquo's issue have I fil'd my mind;<br/> | For Banquo's issue have I fil'd my mind;<br/> | ||
For them the gracious Duncan have I murder'd;<br/> | For them the gracious Duncan have I murder'd;<br/> | ||
Put rancours in the vessel of my peace<br/> | Put rancours in the vessel of my peace<br/> | ||
Only for them; and mine eternal jewel<br/> | Only for them; and mine eternal jewel<br/> | ||
Given to the common enemy of man,<br/> | Given to the common enemy of man,<br/> | ||
To make them kings, the seed of Banquo kings!<br/> | To make them kings, the seed of Banquo kings!<br/> | ||
Rather than so, come, fate, into the list,<br/> | Rather than so, come, fate, into the list,<br/> | ||
And champion me to th' utterance!—Who's there?— | |||
And champion me to th' utterance!&mdash;Who's there?&mdash; | |||
</p> | </p> | ||
<p class="scenedesc"> Enter <span class="charname">Servant</span> with two | <p class="scenedesc"> Enter <span class="charname">Servant</span> with two | ||
<span class="charname">Murderers</span>.</p> | <span class="charname">Murderers</span>.</p> | ||
<p>Now go to the door, and stay there till we call. | <p>Now go to the door, and stay there till we call. | ||
</p> | </p> | ||
Line 2,117: | Line 3,333: | ||
<p>Was it not yesterday we spoke together? | <p>Was it not yesterday we spoke together? | ||
</p> | </p> | ||
<p>FIRST MURDERER.<br/> | <p>FIRST MURDERER.<br/> | ||
It was, so please your Highness. | It was, so please your Highness. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Well then, now<br/> | Well then, now<br/> | ||
Have you consider'd of my speeches? Know<br/> | Have you consider'd of my speeches? Know<br/> | ||
That it was he, in the times past, which held you<br/> | That it was he, in the times past, which held you<br/> | ||
So under fortune, which you thought had been<br/> | So under fortune, which you thought had been<br/> | ||
Our innocent self? This I made good to you<br/> | Our innocent self? This I made good to you<br/> | ||
In our last conference, pass'd in probation with you<br/> | In our last conference, pass'd in probation with you<br/> | ||
How you were borne in hand, how cross'd, the instruments,<br/> | How you were borne in hand, how cross'd, the instruments,<br/> | ||
Who wrought with them, and all things else that might<br/> | Who wrought with them, and all things else that might<br/> | ||
To half a soul and to a notion craz'd<br/> | To half a soul and to a notion craz'd<br/> | ||
Say, “Thus did Banquo.” | |||
Say, &ldquo;Thus did Banquo.&rdquo; | |||
</p> | </p> | ||
<p>FIRST MURDERER.<br/> | <p>FIRST MURDERER.<br/> | ||
You made it known to us. | You made it known to us. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
I did so; and went further, which is now<br/> | I did so; and went further, which is now<br/> | ||
Our point of second meeting. Do you find<br/> | Our point of second meeting. Do you find<br/> | ||
Your patience so predominant in your nature,<br/> | Your patience so predominant in your nature,<br/> | ||
That you can let this go? Are you so gospell'd,<br/> | That you can let this go? Are you so gospell'd,<br/> | ||
To pray for this good man and for his issue,<br/> | To pray for this good man and for his issue,<br/> | ||
Whose heavy hand hath bow'd you to the grave,<br/> | Whose heavy hand hath bow'd you to the grave,<br/> | ||
And beggar'd yours forever? | And beggar'd yours forever? | ||
</p> | </p> | ||
<p>FIRST MURDERER.<br/> | <p>FIRST MURDERER.<br/> | ||
We are men, my liege. | We are men, my liege. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Ay, in the catalogue ye go for men;<br/> | Ay, in the catalogue ye go for men;<br/> | ||
As hounds, and greyhounds, mongrels, spaniels, curs,<br/> | As hounds, and greyhounds, mongrels, spaniels, curs,<br/> | ||
Shoughs, water-rugs, and demi-wolves are clept<br/> | Shoughs, water-rugs, and demi-wolves are clept<br/> | ||
All by the name of dogs: the valu'd file<br/> | All by the name of dogs: the valu'd file<br/> | ||
Distinguishes the swift, the slow, the subtle,<br/> | Distinguishes the swift, the slow, the subtle,<br/> | ||
The housekeeper, the hunter, every one<br/> | The housekeeper, the hunter, every one<br/> | ||
According to the gift which bounteous nature<br/> | According to the gift which bounteous nature<br/> | ||
Hath in him clos'd; whereby he does receive<br/> | Hath in him clos'd; whereby he does receive<br/> | ||
Particular addition, from the bill<br/> | Particular addition, from the bill<br/> | ||
That writes them all alike: and so of men.<br/> | That writes them all alike: and so of men.<br/> | ||
Now, if you have a station in the file,<br/> | Now, if you have a station in the file,<br/> | ||
Not i' th' worst rank of manhood, say't;<br/> | Not i' th' worst rank of manhood, say't;<br/> | ||
And I will put that business in your bosoms,<br/> | And I will put that business in your bosoms,<br/> | ||
Whose execution takes your enemy off,<br/> | Whose execution takes your enemy off,<br/> | ||
Grapples you to the heart and love of us,<br/> | Grapples you to the heart and love of us,<br/> | ||
Who wear our health but sickly in his life,<br/> | Who wear our health but sickly in his life,<br/> | ||
Which in his death were perfect. | Which in his death were perfect. | ||
</p> | </p> | ||
<p>SECOND MURDERER.<br/> | <p>SECOND MURDERER.<br/> | ||
I am one, my liege,<br/> | I am one, my liege,<br/> | ||
Whom the vile blows and buffets of the world<br/> | Whom the vile blows and buffets of the world<br/> | ||
Hath so incens'd that I am reckless what<br/> | Hath so incens'd that I am reckless what<br/> | ||
I do to spite the world. | I do to spite the world. | ||
</p> | </p> | ||
<p>FIRST MURDERER.<br/> | <p>FIRST MURDERER.<br/> | ||
And I another,<br/> | And I another,<br/> | ||
So weary with disasters, tugg'd with fortune,<br/> | So weary with disasters, tugg'd with fortune,<br/> | ||
That I would set my life on any chance,<br/> | That I would set my life on any chance,<br/> | ||
To mend it or be rid on't. | To mend it or be rid on't. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Both of you<br/> | Both of you<br/> | ||
Know Banquo was your enemy. | Know Banquo was your enemy. | ||
</p> | </p> | ||
<p>BOTH MURDERERS.<br/> | <p>BOTH MURDERERS.<br/> | ||
True, my lord. | True, my lord. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
So is he mine; and in such bloody distance,<br/> | So is he mine; and in such bloody distance,<br/> | ||
That every minute of his being thrusts<br/> | That every minute of his being thrusts<br/> | ||
Against my near'st of life; and though I could<br/> | Against my near'st of life; and though I could<br/> | ||
With barefac'd power sweep him from my sight,<br/> | With barefac'd power sweep him from my sight,<br/> | ||
And bid my will avouch it, yet I must not,<br/> | And bid my will avouch it, yet I must not,<br/> | ||
For certain friends that are both his and mine,<br/> | For certain friends that are both his and mine,<br/> | ||
Whose loves I may not drop, but wail his fall<br/> | Whose loves I may not drop, but wail his fall<br/> | ||
Who I myself struck down: and thence it is<br/> | Who I myself struck down: and thence it is<br/> | ||
That I to your assistance do make love,<br/> | That I to your assistance do make love,<br/> | ||
Masking the business from the common eye<br/> | Masking the business from the common eye<br/> | ||
For sundry weighty reasons. | For sundry weighty reasons. | ||
</p> | </p> | ||
<p>SECOND MURDERER.<br/> | <p>SECOND MURDERER.<br/> | ||
We shall, my lord,<br/> | We shall, my lord,<br/> | ||
Perform what you command us. | Perform what you command us. | ||
</p> | </p> | ||
<p>FIRST MURDERER.<br/> | <p>FIRST MURDERER.<br/> | ||
Though our lives— | |||
Though our lives&mdash; | |||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Your spirits shine through you. Within this hour at most,<br/> | Your spirits shine through you. Within this hour at most,<br/> | ||
I will advise you where to plant yourselves,<br/> | I will advise you where to plant yourselves,<br/> | ||
Acquaint you with the perfect spy o' th' time,<br/> | Acquaint you with the perfect spy o' th' time,<br/> | ||
The moment on't; for't must be done tonight<br/> | The moment on't; for't must be done tonight<br/> | ||
And something from the palace; always thought<br/> | And something from the palace; always thought<br/> | ||
That I require a clearness. And with him<br/> | That I require a clearness. And with him<br/> | ||
(To leave no rubs nor botches in the work)<br/> | (To leave no rubs nor botches in the work)<br/> | ||
Fleance his son, that keeps him company,<br/> | Fleance his son, that keeps him company,<br/> | ||
Whose absence is no less material to me<br/> | Whose absence is no less material to me<br/> | ||
Than is his father's, must embrace the fate<br/> | Than is his father's, must embrace the fate<br/> | ||
Of that dark hour. Resolve yourselves apart.<br/> | Of that dark hour. Resolve yourselves apart.<br/> | ||
I'll come to you anon. | I'll come to you anon. | ||
</p> | </p> | ||
<p>BOTH MURDERERS.<br/> | <p>BOTH MURDERERS.<br/> | ||
We are resolv'd, my lord. | We are resolv'd, my lord. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
I'll call upon you straight: abide within. | I'll call upon you straight: abide within. | ||
</p> | </p> | ||
Line 2,246: | Line 3,555: | ||
<p>It is concluded. Banquo, thy soul's flight,<br/> | <p>It is concluded. Banquo, thy soul's flight,<br/> | ||
If it find heaven, must find it out tonight. | If it find heaven, must find it out tonight. | ||
</p> | </p> | ||
Line 2,252: | Line 3,563: | ||
<h3 id="sceneIII_20.2"> | <h3 id="sceneIII_20.2"> | ||
<b>SCENE II. The same. Another Room in the Palace.</b></h3> | <b>SCENE II. The same. Another Room in the Palace.</b></h3> | ||
<p class="scenedesc"> Enter <span class="charname">Lady Macbeth</span> and a | <p class="scenedesc"> Enter <span class="charname">Lady Macbeth</span> and a | ||
<span class="charname">Servant</span>.</p> | <span class="charname">Servant</span>.</p> | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
Is Banquo gone from court? | Is Banquo gone from court? | ||
</p> | </p> | ||
<p>SERVANT.<br/> | <p>SERVANT.<br/> | ||
Ay, madam, but returns again tonight. | Ay, madam, but returns again tonight. | ||
</p> | </p> | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
Say to the King, I would attend his leisure<br/> | Say to the King, I would attend his leisure<br/> | ||
For a few words. | For a few words. | ||
</p> | </p> | ||
<p>SERVANT.<br/> | <p>SERVANT.<br/> | ||
Madam, I will. | Madam, I will. | ||
</p> | </p> | ||
Line 2,277: | Line 3,599: | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
Naught's had, all's spent,<br/> | Naught's had, all's spent,<br/> | ||
Where our desire is got without content:<br/> | Where our desire is got without content:<br/> | ||
'Tis safer to be that which we destroy,<br/> | 'Tis safer to be that which we destroy,<br/> | ||
Than by destruction dwell in doubtful joy. | Than by destruction dwell in doubtful joy. | ||
</p> | </p> | ||
Line 2,286: | Line 3,613: | ||
<p>How now, my lord, why do you keep alone,<br/> | <p>How now, my lord, why do you keep alone,<br/> | ||
Of sorriest fancies your companions making,<br/> | Of sorriest fancies your companions making,<br/> | ||
Using those thoughts which should indeed have died<br/> | Using those thoughts which should indeed have died<br/> | ||
With them they think on? Things without all remedy<br/> | With them they think on? Things without all remedy<br/> | ||
Should be without regard: what's done is done. | Should be without regard: what's done is done. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
We have scorch'd the snake, not kill'd it.<br/> | We have scorch'd the snake, not kill'd it.<br/> | ||
She'll close, and be herself; whilst our poor malice<br/> | She'll close, and be herself; whilst our poor malice<br/> | ||
Remains in danger of her former tooth.<br/> | Remains in danger of her former tooth.<br/> | ||
But let the frame of things disjoint,<br/> | But let the frame of things disjoint,<br/> | ||
Both the worlds suffer,<br/> | Both the worlds suffer,<br/> | ||
Ere we will eat our meal in fear, and sleep<br/> | Ere we will eat our meal in fear, and sleep<br/> | ||
In the affliction of these terrible dreams<br/> | In the affliction of these terrible dreams<br/> | ||
That shake us nightly. Better be with the dead,<br/> | That shake us nightly. Better be with the dead,<br/> | ||
Whom we, to gain our peace, have sent to peace,<br/> | Whom we, to gain our peace, have sent to peace,<br/> | ||
Than on the torture of the mind to lie<br/> | Than on the torture of the mind to lie<br/> | ||
In restless ecstasy. Duncan is in his grave;<br/> | In restless ecstasy. Duncan is in his grave;<br/> | ||
After life's fitful fever he sleeps well;<br/> | After life's fitful fever he sleeps well;<br/> | ||
Treason has done his worst: nor steel, nor poison,<br/> | Treason has done his worst: nor steel, nor poison,<br/> | ||
Malice domestic, foreign levy, nothing<br/> | Malice domestic, foreign levy, nothing<br/> | ||
Can touch him further. | Can touch him further. | ||
</p> | </p> | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
Come on,<br/> | Come on,<br/> | ||
Gently my lord, sleek o'er your rugged looks;<br/> | Gently my lord, sleek o'er your rugged looks;<br/> | ||
Be bright and jovial among your guests tonight. | Be bright and jovial among your guests tonight. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
So shall I, love; and so, I pray, be you.<br/> | So shall I, love; and so, I pray, be you.<br/> | ||
Let your remembrance apply to Banquo;<br/> | Let your remembrance apply to Banquo;<br/> | ||
Present him eminence, both with eye and tongue:<br/> | Present him eminence, both with eye and tongue:<br/> | ||
Unsafe the while, that we<br/> | Unsafe the while, that we<br/> | ||
Must lave our honours in these flattering streams,<br/> | Must lave our honours in these flattering streams,<br/> | ||
And make our faces vizards to our hearts,<br/> | And make our faces vizards to our hearts,<br/> | ||
Disguising what they are. | Disguising what they are. | ||
</p> | </p> | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
You must leave this. | You must leave this. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
O, full of scorpions is my mind, dear wife!<br/> | O, full of scorpions is my mind, dear wife!<br/> | ||
Thou know'st that Banquo, and his Fleance, lives. | Thou know'st that Banquo, and his Fleance, lives. | ||
</p> | </p> | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
But in them nature's copy's not eterne. | But in them nature's copy's not eterne. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
There's comfort yet; they are assailable.<br/> | There's comfort yet; they are assailable.<br/> | ||
Then be thou jocund. Ere the bat hath flown<br/> | Then be thou jocund. Ere the bat hath flown<br/> | ||
His cloister'd flight, ere to black Hecate's summons<br/> | His cloister'd flight, ere to black Hecate's summons<br/> | ||
The shard-born beetle, with his drowsy hums,<br/> | The shard-born beetle, with his drowsy hums,<br/> | ||
Hath rung night's yawning peal, there shall be done<br/> | Hath rung night's yawning peal, there shall be done<br/> | ||
A deed of dreadful note. | A deed of dreadful note. | ||
</p> | </p> | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
What's to be done? | What's to be done? | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Be innocent of the knowledge, dearest chuck,<br/> | Be innocent of the knowledge, dearest chuck,<br/> | ||
Till thou applaud the deed. Come, seeling night,<br/> | Till thou applaud the deed. Come, seeling night,<br/> | ||
Scarf up the tender eye of pitiful day,<br/> | Scarf up the tender eye of pitiful day,<br/> | ||
And with thy bloody and invisible hand<br/> | And with thy bloody and invisible hand<br/> | ||
Cancel and tear to pieces that great bond<br/> | Cancel and tear to pieces that great bond<br/> | ||
Which keeps me pale!—Light thickens; and the crow<br/> | |||
Which keeps me pale!&mdash;Light thickens; and the crow<br/> | |||
Makes wing to th' rooky wood.<br/> | Makes wing to th' rooky wood.<br/> | ||
Good things of day begin to droop and drowse,<br/> | Good things of day begin to droop and drowse,<br/> | ||
Whiles night's black agents to their preys do rouse.<br/> | Whiles night's black agents to their preys do rouse.<br/> | ||
Thou marvell'st at my words: but hold thee still;<br/> | Thou marvell'st at my words: but hold thee still;<br/> | ||
Things bad begun make strong themselves by ill.<br/> | Things bad begun make strong themselves by ill.<br/> | ||
So, pr'ythee, go with me. | So, pr'ythee, go with me. | ||
</p> | </p> | ||
Line 2,370: | Line 3,759: | ||
<h3 id="sceneIII_20.3"> | <h3 id="sceneIII_20.3"> | ||
<b>SCENE III. The same. A Park or Lawn, with a gate leading to the Palace.</b></h3> | <b>SCENE III. The same. A Park or Lawn, with a gate leading to the Palace.</b></h3> | ||
Line 2,375: | Line 3,765: | ||
<p>FIRST MURDERER.<br/> | <p>FIRST MURDERER.<br/> | ||
But who did bid thee join with us? | But who did bid thee join with us? | ||
</p> | </p> | ||
<p>THIRD MURDERER.<br/> | <p>THIRD MURDERER.<br/> | ||
Macbeth. | Macbeth. | ||
</p> | </p> | ||
<p>SECOND MURDERER.<br/> | <p>SECOND MURDERER.<br/> | ||
He needs not our mistrust; since he delivers<br/> | He needs not our mistrust; since he delivers<br/> | ||
Our offices and what we have to do<br/> | Our offices and what we have to do<br/> | ||
To the direction just. | To the direction just. | ||
</p> | </p> | ||
<p>FIRST MURDERER.<br/> | <p>FIRST MURDERER.<br/> | ||
Then stand with us.<br/> | Then stand with us.<br/> | ||
The west yet glimmers with some streaks of day.<br/> | The west yet glimmers with some streaks of day.<br/> | ||
Now spurs the lated traveller apace,<br/> | Now spurs the lated traveller apace,<br/> | ||
To gain the timely inn; and near approaches<br/> | To gain the timely inn; and near approaches<br/> | ||
The subject of our watch. | The subject of our watch. | ||
</p> | </p> | ||
<p>THIRD MURDERER.<br/> | <p>THIRD MURDERER.<br/> | ||
Hark! I hear horses. | Hark! I hear horses. | ||
</p> | </p> | ||
<p>BANQUO.<br/> | <p>BANQUO.<br/> | ||
[<i>Within.</i>] Give us a light there, ho! | [<i>Within.</i>] Give us a light there, ho! | ||
</p> | </p> | ||
<p>SECOND MURDERER.<br/> | <p>SECOND MURDERER.<br/> | ||
Then 'tis he; the rest<br/> | Then 'tis he; the rest<br/> | ||
That are within the note of expectation<br/> | That are within the note of expectation<br/> | ||
Already are i' th' court. | Already are i' th' court. | ||
</p> | </p> | ||
<p>FIRST MURDERER.<br/> | <p>FIRST MURDERER.<br/> | ||
His horses go about. | His horses go about. | ||
</p> | </p> | ||
<p>THIRD MURDERER.<br/> | <p>THIRD MURDERER.<br/> | ||
Almost a mile; but he does usually,<br/> | Almost a mile; but he does usually,<br/> | ||
So all men do, from hence to the palace gate<br/> | So all men do, from hence to the palace gate<br/> | ||
Make it their walk. | Make it their walk. | ||
</p> | </p> | ||
<p class="scenedesc"> Enter <span class="charname">Banquo</span> and | <p class="scenedesc"> Enter <span class="charname">Banquo</span> and | ||
<span class="charname">Fleance</span> with a torch.</p> | <span class="charname">Fleance</span> with a torch.</p> | ||
<p>SECOND MURDERER.<br/> | <p>SECOND MURDERER.<br/> | ||
A light, a light! | A light, a light! | ||
</p> | </p> | ||
<p>THIRD MURDERER.<br/> | <p>THIRD MURDERER.<br/> | ||
'Tis he. | 'Tis he. | ||
</p> | </p> | ||
<p>FIRST MURDERER.<br/> | <p>FIRST MURDERER.<br/> | ||
Stand to't. | Stand to't. | ||
</p> | </p> | ||
<p>BANQUO.<br/> | <p>BANQUO.<br/> | ||
It will be rain tonight. | It will be rain tonight. | ||
</p> | </p> | ||
<p>FIRST MURDERER.<br/> | <p>FIRST MURDERER.<br/> | ||
Let it come down. | Let it come down. | ||
</p> | </p> | ||
Line 2,446: | Line 3,875: | ||
<p>BANQUO.<br/> | <p>BANQUO.<br/> | ||
O, treachery! Fly, good Fleance, fly, fly, fly!<br/> | O, treachery! Fly, good Fleance, fly, fly, fly!<br/> | ||
Thou mayst revenge—O slave! | |||
Thou mayst revenge&mdash;O slave! | |||
</p> | </p> | ||
Line 2,453: | Line 3,885: | ||
<p>THIRD MURDERER.<br/> | <p>THIRD MURDERER.<br/> | ||
Who did strike out the light? | Who did strike out the light? | ||
</p> | </p> | ||
<p>FIRST MURDERER.<br/> | <p>FIRST MURDERER.<br/> | ||
Was't not the way? | Was't not the way? | ||
</p> | </p> | ||
<p>THIRD MURDERER.<br/> | <p>THIRD MURDERER.<br/> | ||
There's but one down: the son is fled. | There's but one down: the son is fled. | ||
</p> | </p> | ||
<p>SECOND MURDERER.<br/> | <p>SECOND MURDERER.<br/> | ||
We have lost best half of our affair. | We have lost best half of our affair. | ||
</p> | </p> | ||
<p>FIRST MURDERER.<br/> | <p>FIRST MURDERER.<br/> | ||
Well, let's away, and say how much is done. | Well, let's away, and say how much is done. | ||
</p> | </p> | ||
Line 2,475: | Line 3,917: | ||
<h3 id="sceneIII_20.4"> | <h3 id="sceneIII_20.4"> | ||
<b>SCENE IV. The same. A Room of state in the Palace.</b></h3> | <b>SCENE IV. The same. A Room of state in the Palace.</b></h3> | ||
<p class="scenedesc"> A banquet prepared. Enter <span class="charname">Macbeth, | <p class="scenedesc"> A banquet prepared. Enter <span class="charname">Macbeth, | ||
Lady Macbeth, Ross, Lennox,</span> Lords and Attendants.</p> | Lady Macbeth, Ross, Lennox,</span> Lords and Attendants.</p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
You know your own degrees, sit down. At first<br/> | You know your own degrees, sit down. At first<br/> | ||
And last the hearty welcome. | And last the hearty welcome. | ||
</p> | </p> | ||
<p>LORDS.<br/> | <p>LORDS.<br/> | ||
Thanks to your Majesty. | Thanks to your Majesty. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Ourself will mingle with society,<br/> | Ourself will mingle with society,<br/> | ||
And play the humble host.<br/> | And play the humble host.<br/> | ||
Our hostess keeps her state; but, in best time,<br/> | Our hostess keeps her state; but, in best time,<br/> | ||
We will require her welcome. | We will require her welcome. | ||
</p> | </p> | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
Pronounce it for me, sir, to all our friends;<br/> | Pronounce it for me, sir, to all our friends;<br/> | ||
For my heart speaks they are welcome. | For my heart speaks they are welcome. | ||
</p> | </p> | ||
Line 2,504: | Line 3,961: | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
See, they encounter thee with their hearts' thanks.<br/> | See, they encounter thee with their hearts' thanks.<br/> | ||
Both sides are even: here I'll sit i' th' midst. | Both sides are even: here I'll sit i' th' midst. | ||
</p> | </p> | ||
<p>Be large in mirth; anon we'll drink a measure<br/> | <p>Be large in mirth; anon we'll drink a measure<br/> | ||
The table round. There's blood upon thy face. | The table round. There's blood upon thy face. | ||
</p> | </p> | ||
<p>MURDERER.<br/> | <p>MURDERER.<br/> | ||
'Tis Banquo's then. | 'Tis Banquo's then. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
'Tis better thee without than he within.<br/> | 'Tis better thee without than he within.<br/> | ||
Is he dispatch'd? | Is he dispatch'd? | ||
</p> | </p> | ||
<p>MURDERER.<br/> | <p>MURDERER.<br/> | ||
My lord, his throat is cut. That I did for him. | My lord, his throat is cut. That I did for him. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Thou art the best o' th' cut-throats;<br/> | Thou art the best o' th' cut-throats;<br/> | ||
Yet he's good that did the like for Fleance:<br/> | Yet he's good that did the like for Fleance:<br/> | ||
If thou didst it, thou art the nonpareil. | If thou didst it, thou art the nonpareil. | ||
</p> | </p> | ||
<p>MURDERER.<br/> | <p>MURDERER.<br/> | ||
Most royal sir,<br/> | Most royal sir,<br/> | ||
Fleance is 'scap'd. | Fleance is 'scap'd. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Then comes my fit again: I had else been perfect;<br/> | Then comes my fit again: I had else been perfect;<br/> | ||
Whole as the marble, founded as the rock,<br/> | Whole as the marble, founded as the rock,<br/> | ||
As broad and general as the casing air:<br/> | As broad and general as the casing air:<br/> | ||
But now I am cabin'd, cribb'd, confin'd, bound in<br/> | But now I am cabin'd, cribb'd, confin'd, bound in<br/> | ||
To saucy doubts and fears. But Banquo's safe? | To saucy doubts and fears. But Banquo's safe? | ||
</p> | </p> | ||
<p>MURDERER.<br/> | <p>MURDERER.<br/> | ||
Ay, my good lord. Safe in a ditch he bides,<br/> | Ay, my good lord. Safe in a ditch he bides,<br/> | ||
With twenty trenched gashes on his head;<br/> | With twenty trenched gashes on his head;<br/> | ||
The least a death to nature. | The least a death to nature. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Thanks for that.<br/> | Thanks for that.<br/> | ||
There the grown serpent lies; the worm that's fled<br/> | There the grown serpent lies; the worm that's fled<br/> | ||
Hath nature that in time will venom breed,<br/> | Hath nature that in time will venom breed,<br/> | ||
No teeth for th' present.—Get thee gone; tomorrow<br/> | |||
No teeth for th' present.&mdash;Get thee gone; tomorrow<br/> | |||
We'll hear, ourselves, again. | We'll hear, ourselves, again. | ||
</p> | </p> | ||
Line 2,561: | Line 4,053: | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
My royal lord,<br/> | My royal lord,<br/> | ||
You do not give the cheer: the feast is sold<br/> | You do not give the cheer: the feast is sold<br/> | ||
That is not often vouch'd, while 'tis a-making,<br/> | That is not often vouch'd, while 'tis a-making,<br/> | ||
'Tis given with welcome. To feed were best at home;<br/> | 'Tis given with welcome. To feed were best at home;<br/> | ||
From thence the sauce to meat is ceremony;<br/> | From thence the sauce to meat is ceremony;<br/> | ||
Meeting were bare without it. | Meeting were bare without it. | ||
</p> | </p> | ||
Line 2,572: | Line 4,071: | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Sweet remembrancer!—<br/> | |||
Sweet remembrancer!&mdash;<br/> | |||
Now, good digestion wait on appetite,<br/> | Now, good digestion wait on appetite,<br/> | ||
And health on both! | And health on both! | ||
</p> | </p> | ||
<p>LENNOX.<br/> | <p>LENNOX.<br/> | ||
May't please your Highness sit. | May't please your Highness sit. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Here had we now our country's honour roof'd,<br/> | Here had we now our country's honour roof'd,<br/> | ||
Were the grac'd person of our Banquo present;<br/> | Were the grac'd person of our Banquo present;<br/> | ||
Who may I rather challenge for unkindness<br/> | Who may I rather challenge for unkindness<br/> | ||
Than pity for mischance! | Than pity for mischance! | ||
</p> | </p> | ||
<p>ROSS.<br/> | <p>ROSS.<br/> | ||
His absence, sir,<br/> | His absence, sir,<br/> | ||
Lays blame upon his promise. Please't your Highness<br/> | Lays blame upon his promise. Please't your Highness<br/> | ||
To grace us with your royal company? | To grace us with your royal company? | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
The table's full. | The table's full. | ||
</p> | </p> | ||
<p>LENNOX.<br/> | <p>LENNOX.<br/> | ||
Here is a place reserv'd, sir. | Here is a place reserv'd, sir. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Where? | Where? | ||
</p> | </p> | ||
<p>LENNOX.<br/> | <p>LENNOX.<br/> | ||
Here, my good lord. What is't that moves your Highness? | Here, my good lord. What is't that moves your Highness? | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Which of you have done this? | Which of you have done this? | ||
</p> | </p> | ||
<p>LORDS.<br/> | <p>LORDS.<br/> | ||
What, my good lord? | What, my good lord? | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Thou canst not say I did it. Never shake<br/> | Thou canst not say I did it. Never shake<br/> | ||
Thy gory locks at me. | Thy gory locks at me. | ||
</p> | </p> | ||
<p>ROSS.<br/> | <p>ROSS.<br/> | ||
Gentlemen, rise; his Highness is not well. | Gentlemen, rise; his Highness is not well. | ||
</p> | </p> | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
Sit, worthy friends. My lord is often thus,<br/> | Sit, worthy friends. My lord is often thus,<br/> | ||
And hath been from his youth: pray you, keep seat;<br/> | And hath been from his youth: pray you, keep seat;<br/> | ||
The fit is momentary; upon a thought<br/> | The fit is momentary; upon a thought<br/> | ||
He will again be well. If much you note him,<br/> | He will again be well. If much you note him,<br/> | ||
You shall offend him, and extend his passion.<br/> | You shall offend him, and extend his passion.<br/> | ||
Feed, and regard him not.—Are you a man? | |||
Feed, and regard him not.&mdash;Are you a man? | |||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Ay, and a bold one, that dare look on that<br/> | Ay, and a bold one, that dare look on that<br/> | ||
Which might appal the devil. | Which might appal the devil. | ||
</p> | </p> | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
O proper stuff!<br/> | O proper stuff!<br/> | ||
This is the very painting of your fear:<br/> | This is the very painting of your fear:<br/> | ||
This is the air-drawn dagger which you said,<br/> | This is the air-drawn dagger which you said,<br/> | ||
Led you to Duncan. O, these flaws, and starts<br/> | Led you to Duncan. O, these flaws, and starts<br/> | ||
(Impostors to true fear), would well become<br/> | (Impostors to true fear), would well become<br/> | ||
A woman's story at a winter's fire,<br/> | A woman's story at a winter's fire,<br/> | ||
Authoris'd by her grandam. Shame itself!<br/> | Authoris'd by her grandam. Shame itself!<br/> | ||
Why do you make such faces? When all's done,<br/> | Why do you make such faces? When all's done,<br/> | ||
You look but on a stool. | You look but on a stool. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Pr'ythee, see there!<br/> | Pr'ythee, see there!<br/> | ||
Behold! look! lo! how say you?<br/> | Behold! look! lo! how say you?<br/> | ||
Why, what care I? If thou canst nod, speak too.—<br/> | |||
Why, what care I? If thou canst nod, speak too.&mdash;<br/> | |||
If charnel houses and our graves must send<br/> | If charnel houses and our graves must send<br/> | ||
Those that we bury back, our monuments<br/> | Those that we bury back, our monuments<br/> | ||
Shall be the maws of kites. | Shall be the maws of kites. | ||
</p> | </p> | ||
Line 2,665: | Line 4,223: | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
What, quite unmann'd in folly? | What, quite unmann'd in folly? | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
If I stand here, I saw him. | If I stand here, I saw him. | ||
</p> | </p> | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
Fie, for shame! | Fie, for shame! | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Blood hath been shed ere now, i' th' olden time,<br/> | Blood hath been shed ere now, i' th' olden time,<br/> | ||
Ere humane statute purg'd the gentle weal;<br/> | Ere humane statute purg'd the gentle weal;<br/> | ||
Ay, and since too, murders have been perform'd<br/> | Ay, and since too, murders have been perform'd<br/> | ||
Too terrible for the ear: the time has been,<br/> | Too terrible for the ear: the time has been,<br/> | ||
That, when the brains were out, the man would die,<br/> | That, when the brains were out, the man would die,<br/> | ||
And there an end; but now they rise again,<br/> | And there an end; but now they rise again,<br/> | ||
With twenty mortal murders on their crowns,<br/> | With twenty mortal murders on their crowns,<br/> | ||
And push us from our stools. This is more strange<br/> | And push us from our stools. This is more strange<br/> | ||
Than such a murder is. | Than such a murder is. | ||
</p> | </p> | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
My worthy lord,<br/> | My worthy lord,<br/> | ||
Your noble friends do lack you. | Your noble friends do lack you. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
I do forget.—<br/> | |||
I do forget.&mdash;<br/> | |||
Do not muse at me, my most worthy friends.<br/> | Do not muse at me, my most worthy friends.<br/> | ||
I have a strange infirmity, which is nothing<br/> | I have a strange infirmity, which is nothing<br/> | ||
To those that know me. Come, love and health to all;<br/> | To those that know me. Come, love and health to all;<br/> | ||
Then I'll sit down.—Give me some wine, fill full.—<br/> | |||
Then I'll sit down.&mdash;Give me some wine, fill full.&mdash;<br/> | |||
I drink to the general joy o' th' whole table,<br/> | I drink to the general joy o' th' whole table,<br/> | ||
And to our dear friend Banquo, whom we miss:<br/> | And to our dear friend Banquo, whom we miss:<br/> | ||
Would he were here. | Would he were here. | ||
</p> | </p> | ||
Line 2,707: | Line 4,293: | ||
<p> | <p> | ||
To all, and him, we thirst,<br/> | To all, and him, we thirst,<br/> | ||
And all to all. | And all to all. | ||
</p> | </p> | ||
<p>LORDS.<br/> | <p>LORDS.<br/> | ||
Our duties, and the pledge. | Our duties, and the pledge. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Avaunt! and quit my sight! let the earth hide thee!<br/> | Avaunt! and quit my sight! let the earth hide thee!<br/> | ||
Thy bones are marrowless, thy blood is cold;<br/> | Thy bones are marrowless, thy blood is cold;<br/> | ||
Thou hast no speculation in those eyes<br/> | Thou hast no speculation in those eyes<br/> | ||
Which thou dost glare with! | Which thou dost glare with! | ||
</p> | </p> | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
Think of this, good peers,<br/> | Think of this, good peers,<br/> | ||
But as a thing of custom: 'tis no other,<br/> | But as a thing of custom: 'tis no other,<br/> | ||
Only it spoils the pleasure of the time. | Only it spoils the pleasure of the time. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
What man dare, I dare:<br/> | What man dare, I dare:<br/> | ||
Approach thou like the rugged Russian bear,<br/> | Approach thou like the rugged Russian bear,<br/> | ||
The arm'd rhinoceros, or th' Hyrcan tiger;<br/> | The arm'd rhinoceros, or th' Hyrcan tiger;<br/> | ||
Take any shape but that, and my firm nerves<br/> | Take any shape but that, and my firm nerves<br/> | ||
Shall never tremble: or be alive again,<br/> | Shall never tremble: or be alive again,<br/> | ||
And dare me to the desert with thy sword;<br/> | And dare me to the desert with thy sword;<br/> | ||
If trembling I inhabit then, protest me<br/> | If trembling I inhabit then, protest me<br/> | ||
The baby of a girl. Hence, horrible shadow!<br/> | The baby of a girl. Hence, horrible shadow!<br/> | ||
Unreal mock'ry, hence! | Unreal mock'ry, hence! | ||
</p> | </p> | ||
<p class="right"> [<i>Ghost disappears.</i>]</p> | <p class="right"> [<i>Ghost disappears.</i>]</p> | ||
<p>Why, so;—being gone,<br/> | <p>Why, so;&mdash;being gone,<br/> | ||
I am a man again.—Pray you, sit still. | |||
I am a man again.&mdash;Pray you, sit still. | |||
</p> | </p> | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
You have displaced the mirth, broke the good meeting<br/> | You have displaced the mirth, broke the good meeting<br/> | ||
With most admir'd disorder. | With most admir'd disorder. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Can such things be,<br/> | Can such things be,<br/> | ||
And overcome us like a summer's cloud,<br/> | And overcome us like a summer's cloud,<br/> | ||
Without our special wonder? You make me strange<br/> | Without our special wonder? You make me strange<br/> | ||
Even to the disposition that I owe,<br/> | Even to the disposition that I owe,<br/> | ||
When now I think you can behold such sights,<br/> | When now I think you can behold such sights,<br/> | ||
And keep the natural ruby of your cheeks,<br/> | And keep the natural ruby of your cheeks,<br/> | ||
When mine are blanch'd with fear. | When mine are blanch'd with fear. | ||
</p> | </p> | ||
<p>ROSS.<br/> | <p>ROSS.<br/> | ||
What sights, my lord? | What sights, my lord? | ||
</p> | </p> | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
I pray you, speak not; he grows worse and worse;<br/> | I pray you, speak not; he grows worse and worse;<br/> | ||
Question enrages him. At once, good night:—<br/> | |||
Question enrages him. At once, good night:&mdash;<br/> | |||
Stand not upon the order of your going,<br/> | Stand not upon the order of your going,<br/> | ||
But go at once. | But go at once. | ||
</p> | </p> | ||
<p>LENNOX.<br/> | <p>LENNOX.<br/> | ||
Good night; and better health<br/> | Good night; and better health<br/> | ||
Attend his Majesty! | Attend his Majesty! | ||
</p> | </p> | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
A kind good night to all! | A kind good night to all! | ||
</p> | </p> | ||
Line 2,784: | Line 4,419: | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
It will have blood, they say, blood will have blood.<br/> | It will have blood, they say, blood will have blood.<br/> | ||
Stones have been known to move, and trees to speak;<br/> | Stones have been known to move, and trees to speak;<br/> | ||
Augurs, and understood relations, have<br/> | Augurs, and understood relations, have<br/> | ||
By magot-pies, and choughs, and rooks, brought forth<br/> | By magot-pies, and choughs, and rooks, brought forth<br/> | ||
The secret'st man of blood.—What is the night? | |||
The secret'st man of blood.&mdash;What is the night? | |||
</p> | </p> | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
Almost at odds with morning, which is which. | Almost at odds with morning, which is which. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
How say'st thou, that Macduff denies his person<br/> | How say'st thou, that Macduff denies his person<br/> | ||
At our great bidding? | At our great bidding? | ||
</p> | </p> | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
Did you send to him, sir? | Did you send to him, sir? | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
I hear it by the way; but I will send.<br/> | I hear it by the way; but I will send.<br/> | ||
There's not a one of them but in his house<br/> | There's not a one of them but in his house<br/> | ||
I keep a servant fee'd. I will tomorrow<br/> | I keep a servant fee'd. I will tomorrow<br/> | ||
(And betimes I will) to the Weird Sisters:<br/> | (And betimes I will) to the Weird Sisters:<br/> | ||
More shall they speak; for now I am bent to know,<br/> | More shall they speak; for now I am bent to know,<br/> | ||
By the worst means, the worst. For mine own good,<br/> | By the worst means, the worst. For mine own good,<br/> | ||
All causes shall give way: I am in blood<br/> | All causes shall give way: I am in blood<br/> | ||
Stepp'd in so far that, should I wade no more,<br/> | Stepp'd in so far that, should I wade no more,<br/> | ||
Returning were as tedious as go o'er.<br/> | Returning were as tedious as go o'er.<br/> | ||
Strange things I have in head, that will to hand,<br/> | Strange things I have in head, that will to hand,<br/> | ||
Which must be acted ere they may be scann'd. | Which must be acted ere they may be scann'd. | ||
</p> | </p> | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
You lack the season of all natures, sleep. | You lack the season of all natures, sleep. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Come, we'll to sleep. My strange and self-abuse<br/> | Come, we'll to sleep. My strange and self-abuse<br/> | ||
Is the initiate fear that wants hard use.<br/> | Is the initiate fear that wants hard use.<br/> | ||
We are yet but young in deed. | We are yet but young in deed. | ||
</p> | </p> | ||
Line 2,831: | Line 4,497: | ||
<h3 id="sceneIII_20.5"> | <h3 id="sceneIII_20.5"> | ||
<b>SCENE V. The heath.</b></h3> | <b>SCENE V. The heath.</b></h3> | ||
<p class="scenedesc"> Thunder. Enter the three <span class="charname">Witches</span> | <p class="scenedesc"> Thunder. Enter the three <span class="charname">Witches</span> | ||
meeting <span class="charname">Hecate</span>.</p> | meeting <span class="charname">Hecate</span>.</p> | ||
<p>FIRST WITCH.<br/> | <p>FIRST WITCH.<br/> | ||
Why, how now, Hecate? you look angerly. | Why, how now, Hecate? you look angerly. | ||
</p> | </p> | ||
<p>HECATE.<br/> | <p>HECATE.<br/> | ||
Have I not reason, beldams as you are,<br/> | Have I not reason, beldams as you are,<br/> | ||
Saucy and overbold? How did you dare<br/> | Saucy and overbold? How did you dare<br/> | ||
To trade and traffic with Macbeth<br/> | To trade and traffic with Macbeth<br/> | ||
In riddles and affairs of death;<br/> | In riddles and affairs of death;<br/> | ||
And I, the mistress of your charms,<br/> | And I, the mistress of your charms,<br/> | ||
The close contriver of all harms,<br/> | The close contriver of all harms,<br/> | ||
Was never call'd to bear my part,<br/> | Was never call'd to bear my part,<br/> | ||
Or show the glory of our art?<br/> | Or show the glory of our art?<br/> | ||
And, which is worse, all you have done<br/> | And, which is worse, all you have done<br/> | ||
Hath been but for a wayward son,<br/> | Hath been but for a wayward son,<br/> | ||
Spiteful and wrathful; who, as others do,<br/> | Spiteful and wrathful; who, as others do,<br/> | ||
Loves for his own ends, not for you.<br/> | Loves for his own ends, not for you.<br/> | ||
But make amends now: get you gone,<br/> | But make amends now: get you gone,<br/> | ||
And at the pit of Acheron<br/> | And at the pit of Acheron<br/> | ||
Meet me i' th' morning: thither he<br/> | Meet me i' th' morning: thither he<br/> | ||
Will come to know his destiny.<br/> | Will come to know his destiny.<br/> | ||
Your vessels and your spells provide,<br/> | Your vessels and your spells provide,<br/> | ||
Your charms, and everything beside.<br/> | Your charms, and everything beside.<br/> | ||
I am for th' air; this night I'll spend<br/> | I am for th' air; this night I'll spend<br/> | ||
Unto a dismal and a fatal end.<br/> | Unto a dismal and a fatal end.<br/> | ||
Great business must be wrought ere noon.<br/> | Great business must be wrought ere noon.<br/> | ||
Upon the corner of the moon<br/> | Upon the corner of the moon<br/> | ||
There hangs a vap'rous drop profound;<br/> | There hangs a vap'rous drop profound;<br/> | ||
I'll catch it ere it come to ground:<br/> | I'll catch it ere it come to ground:<br/> | ||
And that, distill'd by magic sleights,<br/> | And that, distill'd by magic sleights,<br/> | ||
Shall raise such artificial sprites,<br/> | Shall raise such artificial sprites,<br/> | ||
As, by the strength of their illusion,<br/> | As, by the strength of their illusion,<br/> | ||
Shall draw him on to his confusion.<br/> | Shall draw him on to his confusion.<br/> | ||
He shall spurn fate, scorn death, and bear<br/> | He shall spurn fate, scorn death, and bear<br/> | ||
His hopes 'bove wisdom, grace, and fear.<br/> | His hopes 'bove wisdom, grace, and fear.<br/> | ||
And you all know, security<br/> | And you all know, security<br/> | ||
Is mortals' chiefest enemy. | Is mortals' chiefest enemy. | ||
</p> | </p> | ||
<p class="right"> [<i>Music and song within, “Come away, come away” &c.</i>]</p> | <p class="right"> [<i>Music and song within, &ldquo;Come away, come away&rdquo; &amp;c.</i>]</p> | ||
<p>Hark! I am call'd; my little spirit, see,<br/> | <p>Hark! I am call'd; my little spirit, see,<br/> | ||
Sits in a foggy cloud and stays for me. | Sits in a foggy cloud and stays for me. | ||
</p> | </p> | ||
Line 2,884: | Line 4,589: | ||
<p>FIRST WITCH.<br/> | <p>FIRST WITCH.<br/> | ||
Come, let's make haste; she'll soon be back again. | Come, let's make haste; she'll soon be back again. | ||
</p> | </p> | ||
Line 2,890: | Line 4,597: | ||
<h3 id="sceneIII_20.6"> | <h3 id="sceneIII_20.6"> | ||
<b>SCENE VI. Forres. A Room in the Palace.</b></h3> | <b>SCENE VI. Forres. A Room in the Palace.</b></h3> | ||
<p class="scenedesc"> Enter <span class="charname">Lennox</span> and another | <p class="scenedesc"> Enter <span class="charname">Lennox</span> and another | ||
<span class="charname">Lord</span>.</p> | <span class="charname">Lord</span>.</p> | ||
<p>LENNOX.<br/> | <p>LENNOX.<br/> | ||
My former speeches have but hit your thoughts,<br/> | My former speeches have but hit your thoughts,<br/> | ||
Which can interpret farther: only, I say,<br/> | Which can interpret farther: only, I say,<br/> | ||
Thing's have been strangely borne. The gracious Duncan<br/> | Thing's have been strangely borne. The gracious Duncan<br/> | ||
Was pitied of Macbeth:—marry, he was dead:—<br/> | |||
Was pitied of Macbeth:&mdash;marry, he was dead:&mdash;<br/> | |||
And the right valiant Banquo walk'd too late;<br/> | And the right valiant Banquo walk'd too late;<br/> | ||
Whom, you may say, if't please you, Fleance kill'd,<br/> | Whom, you may say, if't please you, Fleance kill'd,<br/> | ||
For Fleance fled. Men must not walk too late.<br/> | For Fleance fled. Men must not walk too late.<br/> | ||
Who cannot want the thought, how monstrous<br/> | Who cannot want the thought, how monstrous<br/> | ||
It was for Malcolm and for Donalbain<br/> | It was for Malcolm and for Donalbain<br/> | ||
To kill their gracious father? damned fact!<br/> | To kill their gracious father? damned fact!<br/> | ||
How it did grieve Macbeth! did he not straight,<br/> | How it did grieve Macbeth! did he not straight,<br/> | ||
In pious rage, the two delinquents tear<br/> | In pious rage, the two delinquents tear<br/> | ||
That were the slaves of drink and thralls of sleep?<br/> | That were the slaves of drink and thralls of sleep?<br/> | ||
Was not that nobly done? Ay, and wisely too;<br/> | Was not that nobly done? Ay, and wisely too;<br/> | ||
For 'twould have anger'd any heart alive,<br/> | For 'twould have anger'd any heart alive,<br/> | ||
To hear the men deny't. So that, I say,<br/> | To hear the men deny't. So that, I say,<br/> | ||
He has borne all things well: and I do think,<br/> | He has borne all things well: and I do think,<br/> | ||
That had he Duncan's sons under his key<br/> | That had he Duncan's sons under his key<br/> | ||
(As, and't please heaven, he shall not) they should find<br/> | (As, and't please heaven, he shall not) they should find<br/> | ||
What 'twere to kill a father; so should Fleance.<br/> | What 'twere to kill a father; so should Fleance.<br/> | ||
But, peace!—for from broad words, and 'cause he fail'd<br/> | |||
But, peace!&mdash;for from broad words, and 'cause he fail'd<br/> | |||
His presence at the tyrant's feast, I hear,<br/> | His presence at the tyrant's feast, I hear,<br/> | ||
Macduff lives in disgrace. Sir, can you tell<br/> | Macduff lives in disgrace. Sir, can you tell<br/> | ||
Where he bestows himself? | Where he bestows himself? | ||
</p> | </p> | ||
<p>LORD.<br/> | <p>LORD.<br/> | ||
The son of Duncan,<br/> | The son of Duncan,<br/> | ||
From whom this tyrant holds the due of birth,<br/> | From whom this tyrant holds the due of birth,<br/> | ||
Lives in the English court and is receiv'd<br/> | Lives in the English court and is receiv'd<br/> | ||
Of the most pious Edward with such grace<br/> | Of the most pious Edward with such grace<br/> | ||
That the malevolence of fortune nothing<br/> | That the malevolence of fortune nothing<br/> | ||
Takes from his high respect. Thither Macduff<br/> | Takes from his high respect. Thither Macduff<br/> | ||
Is gone to pray the holy king, upon his aid<br/> | Is gone to pray the holy king, upon his aid<br/> | ||
To wake Northumberland, and warlike Siward<br/> | To wake Northumberland, and warlike Siward<br/> | ||
That, by the help of these (with Him above<br/> | That, by the help of these (with Him above<br/> | ||
To ratify the work), we may again<br/> | To ratify the work), we may again<br/> | ||
Give to our tables meat, sleep to our nights;<br/> | Give to our tables meat, sleep to our nights;<br/> | ||
Free from our feasts and banquets bloody knives,<br/> | Free from our feasts and banquets bloody knives,<br/> | ||
Do faithful homage, and receive free honours,<br/> | Do faithful homage, and receive free honours,<br/> | ||
All which we pine for now. And this report<br/> | All which we pine for now. And this report<br/> | ||
Hath so exasperate the King that he<br/> | Hath so exasperate the King that he<br/> | ||
Prepares for some attempt of war. | Prepares for some attempt of war. | ||
</p> | </p> | ||
<p>LENNOX.<br/> | <p>LENNOX.<br/> | ||
Sent he to Macduff? | Sent he to Macduff? | ||
</p> | </p> | ||
<p>LORD.<br/> | <p>LORD.<br/> | ||
He did: and with an absolute “Sir, not I,”<br/> | |||
He did: and with an absolute &ldquo;Sir, not I,&rdquo;<br/> | |||
The cloudy messenger turns me his back,<br/> | The cloudy messenger turns me his back,<br/> | ||
And hums, as who should say, “You'll rue the time<br/> | |||
That clogs me with this answer.” | And hums, as who should say, &ldquo;You'll rue the time<br/> | ||
That clogs me with this answer.&rdquo; | |||
</p> | </p> | ||
<p>LENNOX.<br/> | <p>LENNOX.<br/> | ||
And that well might<br/> | And that well might<br/> | ||
Advise him to a caution, t' hold what distance<br/> | Advise him to a caution, t' hold what distance<br/> | ||
His wisdom can provide. Some holy angel<br/> | His wisdom can provide. Some holy angel<br/> | ||
Fly to the court of England, and unfold<br/> | Fly to the court of England, and unfold<br/> | ||
His message ere he come, that a swift blessing<br/> | His message ere he come, that a swift blessing<br/> | ||
May soon return to this our suffering country<br/> | May soon return to this our suffering country<br/> | ||
Under a hand accurs'd! | Under a hand accurs'd! | ||
</p> | </p> | ||
<p>LORD.<br/> | <p>LORD.<br/> | ||
I'll send my prayers with him. | I'll send my prayers with him. | ||
</p> | </p> | ||
<p class="right"> [<i>Exeunt.</i>]</p> | <p class="right"> [<i>Exeunt.</i>]</p> | ||
<h2 id="sceneIV_20.1"> | |||
<b>ACT IV</b></h2> | <b>ACT IV</b></h2> | ||
Line 2,980: | Line 4,745: | ||
<p>FIRST WITCH.<br/> | <p>FIRST WITCH.<br/> | ||
Thrice the brinded cat hath mew'd. | Thrice the brinded cat hath mew'd. | ||
</p> | </p> | ||
<p>SECOND WITCH.<br/> | <p>SECOND WITCH.<br/> | ||
Thrice, and once the hedge-pig whin'd. | Thrice, and once the hedge-pig whin'd. | ||
</p> | </p> | ||
<p>THIRD WITCH.<br/> | <p>THIRD WITCH.<br/> | ||
Harpier cries:—'Tis time, 'tis time. | |||
</p> | Harpier cries:&mdash;'Tis time, 'tis time. | ||
</p> | |||
<p>FIRST WITCH.<br/> | <p>FIRST WITCH.<br/> | ||
Round about the cauldron go;<br/> | Round about the cauldron go;<br/> | ||
In the poison'd entrails throw.—<br/> | |||
In the poison'd entrails throw.&mdash;<br/> | |||
Toad, that under cold stone<br/> | Toad, that under cold stone<br/> | ||
Days and nights has thirty-one<br/> | Days and nights has thirty-one<br/> | ||
Swelter'd venom sleeping got,<br/> | Swelter'd venom sleeping got,<br/> | ||
Boil thou first i' th' charmed pot! | Boil thou first i' th' charmed pot! | ||
</p> | </p> | ||
<p>ALL.<br/> | <p>ALL.<br/> | ||
Double, double, toil and trouble;<br/> | Double, double, toil and trouble;<br/> | ||
Fire, burn; and cauldron, bubble. | Fire, burn; and cauldron, bubble. | ||
</p> | </p> | ||
<p>SECOND WITCH.<br/> | <p>SECOND WITCH.<br/> | ||
Fillet of a fenny snake,<br/> | Fillet of a fenny snake,<br/> | ||
In the cauldron boil and bake;<br/> | In the cauldron boil and bake;<br/> | ||
Eye of newt, and toe of frog,<br/> | Eye of newt, and toe of frog,<br/> | ||
Wool of bat, and tongue of dog,<br/> | Wool of bat, and tongue of dog,<br/> | ||
Adder's fork, and blind-worm's sting,<br/> | Adder's fork, and blind-worm's sting,<br/> | ||
Lizard's leg, and howlet's wing,<br/> | Lizard's leg, and howlet's wing,<br/> | ||
For a charm of powerful trouble,<br/> | For a charm of powerful trouble,<br/> | ||
Like a hell-broth boil and bubble. | Like a hell-broth boil and bubble. | ||
</p> | </p> | ||
<p>ALL.<br/> | <p>ALL.<br/> | ||
Double, double, toil and trouble;<br/> | Double, double, toil and trouble;<br/> | ||
Fire, burn; and cauldron, bubble. | Fire, burn; and cauldron, bubble. | ||
</p> | </p> | ||
<p>THIRD WITCH.<br/> | <p>THIRD WITCH.<br/> | ||
Scale of dragon, tooth of wolf,<br/> | Scale of dragon, tooth of wolf,<br/> | ||
Witch's mummy, maw and gulf<br/> | Witch's mummy, maw and gulf<br/> | ||
Of the ravin'd salt-sea shark,<br/> | Of the ravin'd salt-sea shark,<br/> | ||
Root of hemlock digg'd i' th' dark,<br/> | Root of hemlock digg'd i' th' dark,<br/> | ||
Liver of blaspheming Jew,<br/> | Liver of blaspheming Jew,<br/> | ||
Gall of goat, and slips of yew<br/> | Gall of goat, and slips of yew<br/> | ||
Sliver'd in the moon's eclipse,<br/> | Sliver'd in the moon's eclipse,<br/> | ||
Nose of Turk, and Tartar's lips,<br/> | Nose of Turk, and Tartar's lips,<br/> | ||
Finger of birth-strangled babe<br/> | Finger of birth-strangled babe<br/> | ||
Ditch-deliver'd by a drab,<br/> | Ditch-deliver'd by a drab,<br/> | ||
Make the gruel thick and slab:<br/> | Make the gruel thick and slab:<br/> | ||
Add thereto a tiger's chaudron,<br/> | Add thereto a tiger's chaudron,<br/> | ||
For th' ingredients of our cauldron. | For th' ingredients of our cauldron. | ||
</p> | </p> | ||
<p>ALL.<br/> | <p>ALL.<br/> | ||
Double, double, toil and trouble;<br/> | Double, double, toil and trouble;<br/> | ||
Fire, burn; and cauldron, bubble. | Fire, burn; and cauldron, bubble. | ||
</p> | </p> | ||
<p>SECOND WITCH.<br/> | <p>SECOND WITCH.<br/> | ||
Cool it with a baboon's blood.<br/> | Cool it with a baboon's blood.<br/> | ||
Then the charm is firm and good. | Then the charm is firm and good. | ||
</p> | </p> | ||
Line 3,050: | Line 4,863: | ||
<p>HECATE.<br/> | <p>HECATE.<br/> | ||
O, well done! I commend your pains,<br/> | O, well done! I commend your pains,<br/> | ||
And everyone shall share i' th' gains.<br/> | And everyone shall share i' th' gains.<br/> | ||
And now about the cauldron sing,<br/> | And now about the cauldron sing,<br/> | ||
Like elves and fairies in a ring,<br/> | Like elves and fairies in a ring,<br/> | ||
Enchanting all that you put in. | Enchanting all that you put in. | ||
</p> | </p> | ||
<p class="right"> [<i>Music and a song: “Black Spirits,” &c.</i>]</p> | <p class="right"> [<i>Music and a song: &ldquo;Black Spirits,&rdquo; &amp;c.</i>]</p> | ||
<p class="right"> [<i>Exit <span class="charname">Hecate</span>.</i>]</p> | <p class="right"> [<i>Exit <span class="charname">Hecate</span>.</i>]</p> | ||
<p>SECOND WITCH.<br/> | <p>SECOND WITCH.<br/> | ||
By the pricking of my thumbs,<br/> | By the pricking of my thumbs,<br/> | ||
Something wicked this way comes.<br/> | Something wicked this way comes.<br/> | ||
Open, locks,<br/> | Open, locks,<br/> | ||
Whoever knocks! | Whoever knocks! | ||
</p> | </p> | ||
Line 3,071: | Line 4,895: | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
How now, you secret, black, and midnight hags!<br/> | How now, you secret, black, and midnight hags!<br/> | ||
What is't you do? | What is't you do? | ||
</p> | </p> | ||
<p>ALL.<br/> | <p>ALL.<br/> | ||
A deed without a name. | A deed without a name. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
I conjure you, by that which you profess,<br/> | I conjure you, by that which you profess,<br/> | ||
(Howe'er you come to know it) answer me:<br/> | (Howe'er you come to know it) answer me:<br/> | ||
Though you untie the winds, and let them fight<br/> | Though you untie the winds, and let them fight<br/> | ||
Against the churches; though the yesty waves<br/> | Against the churches; though the yesty waves<br/> | ||
Confound and swallow navigation up;<br/> | Confound and swallow navigation up;<br/> | ||
Though bladed corn be lodg'd, and trees blown down;<br/> | Though bladed corn be lodg'd, and trees blown down;<br/> | ||
Though castles topple on their warders' heads;<br/> | Though castles topple on their warders' heads;<br/> | ||
Though palaces and pyramids do slope<br/> | Though palaces and pyramids do slope<br/> | ||
Their heads to their foundations; though the treasure<br/> | Their heads to their foundations; though the treasure<br/> | ||
Of nature's germens tumble all together,<br/> | Of nature's germens tumble all together,<br/> | ||
Even till destruction sicken, answer me<br/> | Even till destruction sicken, answer me<br/> | ||
To what I ask you. | To what I ask you. | ||
</p> | </p> | ||
<p>FIRST WITCH.<br/> | <p>FIRST WITCH.<br/> | ||
Speak. | Speak. | ||
</p> | </p> | ||
<p>SECOND WITCH.<br/> | <p>SECOND WITCH.<br/> | ||
Demand. | Demand. | ||
</p> | </p> | ||
<p>THIRD WITCH.<br/> | <p>THIRD WITCH.<br/> | ||
We'll answer. | We'll answer. | ||
</p> | </p> | ||
<p>FIRST WITCH.<br/> | <p>FIRST WITCH.<br/> | ||
Say, if thou'dst rather hear it from our mouths,<br/> | Say, if thou'dst rather hear it from our mouths,<br/> | ||
Or from our masters? | Or from our masters? | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Call 'em, let me see 'em. | Call 'em, let me see 'em. | ||
</p> | </p> | ||
<p>FIRST WITCH.<br/> | <p>FIRST WITCH.<br/> | ||
Pour in sow's blood, that hath eaten<br/> | Pour in sow's blood, that hath eaten<br/> | ||
Her nine farrow; grease that's sweaten<br/> | Her nine farrow; grease that's sweaten<br/> | ||
From the murderer's gibbet throw<br/> | From the murderer's gibbet throw<br/> | ||
Into the flame. | Into the flame. | ||
</p> | </p> | ||
<p>ALL.<br/> | <p>ALL.<br/> | ||
Come, high or low;<br/> | Come, high or low;<br/> | ||
Thyself and office deftly show! | Thyself and office deftly show! | ||
</p> | </p> | ||
Line 3,130: | Line 4,991: | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Tell me, thou unknown power,— | |||
Tell me, thou unknown power,&mdash; | |||
</p> | </p> | ||
<p>FIRST WITCH.<br/> | <p>FIRST WITCH.<br/> | ||
He knows thy thought:<br/> | He knows thy thought:<br/> | ||
Hear his speech, but say thou naught. | Hear his speech, but say thou naught. | ||
</p> | </p> | ||
<p>APPARITION.<br/> | <p>APPARITION.<br/> | ||
Macbeth! Macbeth! Macbeth! Beware Macduff;<br/> | Macbeth! Macbeth! Macbeth! Beware Macduff;<br/> | ||
Beware the Thane of Fife.—Dismiss me.—Enough. | |||
Beware the Thane of Fife.&mdash;Dismiss me.&mdash;Enough. | |||
</p> | </p> | ||
Line 3,146: | Line 5,015: | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Whate'er thou art, for thy good caution, thanks;<br/> | Whate'er thou art, for thy good caution, thanks;<br/> | ||
Thou hast harp'd my fear aright.—But one word more. | |||
Thou hast harp'd my fear aright.&mdash;But one word more. | |||
</p> | </p> | ||
<p>FIRST WITCH.<br/> | <p>FIRST WITCH.<br/> | ||
He will not be commanded. Here's another,<br/> | He will not be commanded. Here's another,<br/> | ||
More potent than the first. | More potent than the first. | ||
</p> | </p> | ||
Line 3,158: | Line 5,033: | ||
<p>APPARITION.<br/> | <p>APPARITION.<br/> | ||
Macbeth! Macbeth! Macbeth! | Macbeth! Macbeth! Macbeth! | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Had I three ears, I'd hear thee. | Had I three ears, I'd hear thee. | ||
</p> | </p> | ||
<p>APPARITION.<br/> | <p>APPARITION.<br/> | ||
Be bloody, bold, and resolute. Laugh to scorn<br/> | Be bloody, bold, and resolute. Laugh to scorn<br/> | ||
The power of man, for none of woman born<br/> | The power of man, for none of woman born<br/> | ||
Shall harm Macbeth. | Shall harm Macbeth. | ||
</p> | </p> | ||
Line 3,174: | Line 5,057: | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Then live, Macduff: what need I fear of thee?<br/> | Then live, Macduff: what need I fear of thee?<br/> | ||
But yet I'll make assurance double sure,<br/> | But yet I'll make assurance double sure,<br/> | ||
And take a bond of fate. Thou shalt not live;<br/> | And take a bond of fate. Thou shalt not live;<br/> | ||
That I may tell pale-hearted fear it lies,<br/> | That I may tell pale-hearted fear it lies,<br/> | ||
And sleep in spite of thunder. | And sleep in spite of thunder. | ||
</p> | </p> | ||
<p class="right"> [<i>Thunder. An Apparition of a Child crowned, with a tree in | <p class="right"> [<i>Thunder. An Apparition of a Child crowned, with a tree in | ||
his hand, rises.</i>]</p> | his hand, rises.</i>]</p> | ||
<p> | <p> | ||
What is this,<br/> | What is this,<br/> | ||
That rises like the issue of a king,<br/> | That rises like the issue of a king,<br/> | ||
And wears upon his baby brow the round<br/> | And wears upon his baby brow the round<br/> | ||
And top of sovereignty? | And top of sovereignty? | ||
</p> | </p> | ||
<p>ALL.<br/> | <p>ALL.<br/> | ||
Listen, but speak not to't. | Listen, but speak not to't. | ||
</p> | </p> | ||
<p>APPARITION.<br/> | <p>APPARITION.<br/> | ||
Be lion-mettled, proud, and take no care<br/> | Be lion-mettled, proud, and take no care<br/> | ||
Who chafes, who frets, or where conspirers are:<br/> | Who chafes, who frets, or where conspirers are:<br/> | ||
Macbeth shall never vanquish'd be, until<br/> | Macbeth shall never vanquish'd be, until<br/> | ||
Great Birnam wood to high Dunsinane hill<br/> | Great Birnam wood to high Dunsinane hill<br/> | ||
Shall come against him. | Shall come against him. | ||
</p> | </p> | ||
Line 3,206: | Line 5,109: | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
That will never be:<br/> | That will never be:<br/> | ||
Who can impress the forest; bid the tree<br/> | Who can impress the forest; bid the tree<br/> | ||
Unfix his earth-bound root? Sweet bodements, good!<br/> | Unfix his earth-bound root? Sweet bodements, good!<br/> | ||
Rebellious head, rise never till the wood<br/> | Rebellious head, rise never till the wood<br/> | ||
Of Birnam rise, and our high-plac'd Macbeth<br/> | Of Birnam rise, and our high-plac'd Macbeth<br/> | ||
Shall live the lease of nature, pay his breath<br/> | Shall live the lease of nature, pay his breath<br/> | ||
To time and mortal custom.—Yet my heart<br/> | |||
To time and mortal custom.&mdash;Yet my heart<br/> | |||
Throbs to know one thing: tell me, if your art<br/> | Throbs to know one thing: tell me, if your art<br/> | ||
Can tell so much, shall Banquo's issue ever<br/> | Can tell so much, shall Banquo's issue ever<br/> | ||
Reign in this kingdom? | Reign in this kingdom? | ||
</p> | </p> | ||
<p>ALL.<br/> | <p>ALL.<br/> | ||
Seek to know no more. | Seek to know no more. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
I will be satisfied: deny me this,<br/> | I will be satisfied: deny me this,<br/> | ||
And an eternal curse fall on you! Let me know.<br/> | And an eternal curse fall on you! Let me know.<br/> | ||
Why sinks that cauldron? and what noise is this? | Why sinks that cauldron? and what noise is this? | ||
</p> | </p> | ||
Line 3,231: | Line 5,151: | ||
<p>FIRST WITCH.<br/> | <p>FIRST WITCH.<br/> | ||
Show! | Show! | ||
</p> | </p> | ||
<p>SECOND WITCH.<br/> | <p>SECOND WITCH.<br/> | ||
Show! | Show! | ||
</p> | </p> | ||
<p>THIRD WITCH.<br/> | <p>THIRD WITCH.<br/> | ||
Show! | Show! | ||
</p> | </p> | ||
<p>ALL.<br/> | <p>ALL.<br/> | ||
Show his eyes, and grieve his heart;<br/> | Show his eyes, and grieve his heart;<br/> | ||
Come like shadows, so depart! | Come like shadows, so depart! | ||
</p> | </p> | ||
<p class="right"> [<i>A show of eight kings appear, and pass over in order, the | <p class="right"> [<i>A show of eight kings appear, and pass over in order, the | ||
last with a glass in his hand; Banquo following.</i>]</p> | last with a glass in his hand; Banquo following.</i>]</p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Thou are too like the spirit of Banquo. Down!<br/> | Thou are too like the spirit of Banquo. Down!<br/> | ||
Thy crown does sear mine eyeballs:—and thy hair,<br/> | |||
Thy crown does sear mine eyeballs:&mdash;and thy hair,<br/> | |||
Thou other gold-bound brow, is like the first.<br/> | Thou other gold-bound brow, is like the first.<br/> | ||
A third is like the former.—Filthy hags!<br/> | |||
Why do you show me this?—A fourth!—Start, eyes!<br/> | A third is like the former.&mdash;Filthy hags!<br/> | ||
Why do you show me this?&mdash;A fourth!&mdash;Start, eyes!<br/> | |||
What, will the line stretch out to th' crack of doom?<br/> | What, will the line stretch out to th' crack of doom?<br/> | ||
Another yet!—A seventh!—I'll see no more:—<br/> | |||
Another yet!&mdash;A seventh!&mdash;I'll see no more:&mdash;<br/> | |||
And yet the eighth appears, who bears a glass<br/> | And yet the eighth appears, who bears a glass<br/> | ||
Which shows me many more; and some I see<br/> | Which shows me many more; and some I see<br/> | ||
That twofold balls and treble sceptres carry.<br/> | That twofold balls and treble sceptres carry.<br/> | ||
Horrible sight!—Now I see 'tis true;<br/> | |||
Horrible sight!&mdash;Now I see 'tis true;<br/> | |||
For the blood-bolter'd Banquo smiles upon me,<br/> | For the blood-bolter'd Banquo smiles upon me,<br/> | ||
And points at them for his.—What! is this so? | |||
And points at them for his.&mdash;What! is this so? | |||
</p> | </p> | ||
<p>FIRST WITCH.<br/> | <p>FIRST WITCH.<br/> | ||
Ay, sir, all this is so:—but why<br/> | |||
Stands Macbeth thus amazedly?—<br/> | Ay, sir, all this is so:&mdash;but why<br/> | ||
Stands Macbeth thus amazedly?&mdash;<br/> | |||
Come, sisters, cheer we up his sprites,<br/> | Come, sisters, cheer we up his sprites,<br/> | ||
And show the best of our delights.<br/> | And show the best of our delights.<br/> | ||
I'll charm the air to give a sound,<br/> | I'll charm the air to give a sound,<br/> | ||
While you perform your antic round;<br/> | While you perform your antic round;<br/> | ||
That this great king may kindly say,<br/> | That this great king may kindly say,<br/> | ||
Our duties did his welcome pay. | Our duties did his welcome pay. | ||
</p> | </p> | ||
Line 3,280: | Line 5,233: | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Where are they? Gone?—Let this pernicious hour<br/> | |||
Stand aye accursed in the calendar!—<br/> | Where are they? Gone?&mdash;Let this pernicious hour<br/> | ||
Stand aye accursed in the calendar!&mdash;<br/> | |||
Come in, without there! | Come in, without there! | ||
</p> | </p> | ||
Line 3,288: | Line 5,245: | ||
<p>LENNOX.<br/> | <p>LENNOX.<br/> | ||
What's your Grace's will? | What's your Grace's will? | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Saw you the Weird Sisters? | Saw you the Weird Sisters? | ||
</p> | </p> | ||
<p>LENNOX.<br/> | <p>LENNOX.<br/> | ||
No, my lord. | No, my lord. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Came they not by you? | Came they not by you? | ||
</p> | </p> | ||
<p>LENNOX.<br/> | <p>LENNOX.<br/> | ||
No, indeed, my lord. | No, indeed, my lord. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Infected be the air whereon they ride;<br/> | Infected be the air whereon they ride;<br/> | ||
And damn'd all those that trust them!—I did hear<br/> | |||
And damn'd all those that trust them!&mdash;I did hear<br/> | |||
The galloping of horse: who was't came by? | The galloping of horse: who was't came by? | ||
</p> | </p> | ||
<p>LENNOX.<br/> | <p>LENNOX.<br/> | ||
'Tis two or three, my lord, that bring you word<br/> | 'Tis two or three, my lord, that bring you word<br/> | ||
Macduff is fled to England. | Macduff is fled to England. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Fled to England! | Fled to England! | ||
</p> | </p> | ||
<p>LENNOX.<br/> | <p>LENNOX.<br/> | ||
Ay, my good lord. | Ay, my good lord. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Time, thou anticipat'st my dread exploits:<br/> | Time, thou anticipat'st my dread exploits:<br/> | ||
The flighty purpose never is o'ertook<br/> | The flighty purpose never is o'ertook<br/> | ||
Unless the deed go with it. From this moment<br/> | Unless the deed go with it. From this moment<br/> | ||
The very firstlings of my heart shall be<br/> | The very firstlings of my heart shall be<br/> | ||
The firstlings of my hand. And even now,<br/> | The firstlings of my hand. And even now,<br/> | ||
To crown my thoughts with acts, be it thought and done:<br/> | To crown my thoughts with acts, be it thought and done:<br/> | ||
The castle of Macduff I will surprise;<br/> | The castle of Macduff I will surprise;<br/> | ||
Seize upon Fife; give to th' edge o' th' sword<br/> | Seize upon Fife; give to th' edge o' th' sword<br/> | ||
His wife, his babes, and all unfortunate souls<br/> | His wife, his babes, and all unfortunate souls<br/> | ||
That trace him in his line. No boasting like a fool;<br/> | That trace him in his line. No boasting like a fool;<br/> | ||
This deed I'll do before this purpose cool:<br/> | This deed I'll do before this purpose cool:<br/> | ||
But no more sights!—Where are these gentlemen?<br/> | |||
But no more sights!&mdash;Where are these gentlemen?<br/> | |||
Come, bring me where they are. | Come, bring me where they are. | ||
</p> | </p> | ||
Line 3,345: | Line 5,337: | ||
<h3 id="sceneIV_20.2"> | <h3 id="sceneIV_20.2"> | ||
<b>SCENE II. Fife. A Room in Macduff's Castle.</b></h3> | <b>SCENE II. Fife. A Room in Macduff's Castle.</b></h3> | ||
<p class="scenedesc"> Enter <span class="charname">Lady Macduff</span> her | <p class="scenedesc"> Enter <span class="charname">Lady Macduff</span> her | ||
<span class="charname">Son</span> and <span class="charname">Ross</span>.</p> | <span class="charname">Son</span> and <span class="charname">Ross</span>.</p> | ||
<p>LADY MACDUFF.<br/> | <p>LADY MACDUFF.<br/> | ||
What had he done, to make him fly the land? | What had he done, to make him fly the land? | ||
</p> | </p> | ||
<p>ROSS.<br/> | <p>ROSS.<br/> | ||
You must have patience, madam. | You must have patience, madam. | ||
</p> | </p> | ||
<p>LADY MACDUFF.<br/> | <p>LADY MACDUFF.<br/> | ||
He had none:<br/> | He had none:<br/> | ||
His flight was madness: when our actions do not,<br/> | His flight was madness: when our actions do not,<br/> | ||
Our fears do make us traitors. | Our fears do make us traitors. | ||
</p> | </p> | ||
<p>ROSS.<br/> | <p>ROSS.<br/> | ||
You know not<br/> | You know not<br/> | ||
Whether it was his wisdom or his fear. | Whether it was his wisdom or his fear. | ||
</p> | </p> | ||
<p>LADY MACDUFF.<br/> | <p>LADY MACDUFF.<br/> | ||
Wisdom! to leave his wife, to leave his babes,<br/> | Wisdom! to leave his wife, to leave his babes,<br/> | ||
His mansion, and his titles, in a place<br/> | His mansion, and his titles, in a place<br/> | ||
From whence himself does fly? He loves us not:<br/> | From whence himself does fly? He loves us not:<br/> | ||
He wants the natural touch; for the poor wren,<br/> | He wants the natural touch; for the poor wren,<br/> | ||
The most diminutive of birds, will fight,<br/> | The most diminutive of birds, will fight,<br/> | ||
Her young ones in her nest, against the owl.<br/> | Her young ones in her nest, against the owl.<br/> | ||
All is the fear, and nothing is the love;<br/> | All is the fear, and nothing is the love;<br/> | ||
As little is the wisdom, where the flight<br/> | As little is the wisdom, where the flight<br/> | ||
So runs against all reason. | So runs against all reason. | ||
</p> | </p> | ||
<p>ROSS.<br/> | <p>ROSS.<br/> | ||
My dearest coz,<br/> | My dearest coz,<br/> | ||
I pray you, school yourself: but, for your husband,<br/> | I pray you, school yourself: but, for your husband,<br/> | ||
He is noble, wise, judicious, and best knows<br/> | He is noble, wise, judicious, and best knows<br/> | ||
The fits o' th' season. I dare not speak much further:<br/> | The fits o' th' season. I dare not speak much further:<br/> | ||
But cruel are the times, when we are traitors,<br/> | But cruel are the times, when we are traitors,<br/> | ||
And do not know ourselves; when we hold rumour<br/> | And do not know ourselves; when we hold rumour<br/> | ||
From what we fear, yet know not what we fear,<br/> | From what we fear, yet know not what we fear,<br/> | ||
But float upon a wild and violent sea<br/> | But float upon a wild and violent sea<br/> | ||
Each way and move—I take my leave of you:<br/> | |||
Each way and move&mdash;I take my leave of you:<br/> | |||
Shall not be long but I'll be here again.<br/> | Shall not be long but I'll be here again.<br/> | ||
Things at the worst will cease, or else climb upward<br/> | Things at the worst will cease, or else climb upward<br/> | ||
To what they were before.—My pretty cousin,<br/> | |||
To what they were before.&mdash;My pretty cousin,<br/> | |||
Blessing upon you! | Blessing upon you! | ||
</p> | </p> | ||
<p>LADY MACDUFF.<br/> | <p>LADY MACDUFF.<br/> | ||
Father'd he is, and yet he's fatherless. | Father'd he is, and yet he's fatherless. | ||
</p> | </p> | ||
<p>ROSS.<br/> | <p>ROSS.<br/> | ||
I am so much a fool, should I stay longer,<br/> | I am so much a fool, should I stay longer,<br/> | ||
It would be my disgrace and your discomfort:<br/> | It would be my disgrace and your discomfort:<br/> | ||
I take my leave at once. | I take my leave at once. | ||
</p> | </p> | ||
Line 3,410: | Line 5,445: | ||
<p>LADY MACDUFF.<br/> | <p>LADY MACDUFF.<br/> | ||
Sirrah, your father's dead.<br/> | Sirrah, your father's dead.<br/> | ||
And what will you do now? How will you live? | And what will you do now? How will you live? | ||
</p> | </p> | ||
<p>SON.<br/> | <p>SON.<br/> | ||
As birds do, mother. | As birds do, mother. | ||
</p> | </p> | ||
<p>LADY MACDUFF.<br/> | <p>LADY MACDUFF.<br/> | ||
What, with worms and flies? | What, with worms and flies? | ||
</p> | </p> | ||
<p>SON.<br/> | <p>SON.<br/> | ||
With what I get, I mean; and so do they. | With what I get, I mean; and so do they. | ||
</p> | </p> | ||
<p>LADY MACDUFF.<br/> | <p>LADY MACDUFF.<br/> | ||
Poor bird! thou'dst never fear the net nor lime,<br/> | Poor bird! thou'dst never fear the net nor lime,<br/> | ||
The pit-fall nor the gin. | The pit-fall nor the gin. | ||
</p> | </p> | ||
<p>SON.<br/> | <p>SON.<br/> | ||
Why should I, mother? Poor birds they are not set for.<br/> | Why should I, mother? Poor birds they are not set for.<br/> | ||
My father is not dead, for all your saying. | My father is not dead, for all your saying. | ||
</p> | </p> | ||
<p>LADY MACDUFF.<br/> | <p>LADY MACDUFF.<br/> | ||
Yes, he is dead: how wilt thou do for a father? | Yes, he is dead: how wilt thou do for a father? | ||
</p> | </p> | ||
<p>SON.<br/> | <p>SON.<br/> | ||
Nay, how will you do for a husband? | Nay, how will you do for a husband? | ||
</p> | </p> | ||
<p>LADY MACDUFF.<br/> | <p>LADY MACDUFF.<br/> | ||
Why, I can buy me twenty at any market. | Why, I can buy me twenty at any market. | ||
</p> | </p> | ||
<p>SON.<br/> | <p>SON.<br/> | ||
Then you'll buy 'em to sell again. | Then you'll buy 'em to sell again. | ||
</p> | </p> | ||
<p>LADY MACDUFF.<br/> | <p>LADY MACDUFF.<br/> | ||
Thou speak'st with all thy wit;<br/> | Thou speak'st with all thy wit;<br/> | ||
And yet, i' faith, with wit enough for thee. | And yet, i' faith, with wit enough for thee. | ||
</p> | </p> | ||
<p>SON.<br/> | <p>SON.<br/> | ||
Was my father a traitor, mother? | Was my father a traitor, mother? | ||
</p> | </p> | ||
<p>LADY MACDUFF.<br/> | <p>LADY MACDUFF.<br/> | ||
Ay, that he was. | Ay, that he was. | ||
</p> | </p> | ||
<p>SON.<br/> | <p>SON.<br/> | ||
What is a traitor? | What is a traitor? | ||
</p> | </p> | ||
<p>LADY MACDUFF.<br/> | <p>LADY MACDUFF.<br/> | ||
Why, one that swears and lies. | Why, one that swears and lies. | ||
</p> | </p> | ||
<p>SON.<br/> | <p>SON.<br/> | ||
And be all traitors that do so? | And be all traitors that do so? | ||
</p> | </p> | ||
<p>LADY MACDUFF.<br/> | <p>LADY MACDUFF.<br/> | ||
Every one that does so is a traitor, and must be hanged. | Every one that does so is a traitor, and must be hanged. | ||
</p> | </p> | ||
<p>SON.<br/> | <p>SON.<br/> | ||
And must they all be hanged that swear and lie? | And must they all be hanged that swear and lie? | ||
</p> | </p> | ||
<p>LADY MACDUFF.<br/> | <p>LADY MACDUFF.<br/> | ||
Every one. | Every one. | ||
</p> | </p> | ||
<p>SON.<br/> | <p>SON.<br/> | ||
Who must hang them? | Who must hang them? | ||
</p> | </p> | ||
<p>LADY MACDUFF.<br/> | <p>LADY MACDUFF.<br/> | ||
Why, the honest men. | Why, the honest men. | ||
</p> | </p> | ||
<p>SON.<br/> | <p>SON.<br/> | ||
Then the liars and swearers are fools: for there are liars and swearers enow to | Then the liars and swearers are fools: for there are liars and swearers enow to | ||
beat the honest men and hang up them. | beat the honest men and hang up them. | ||
</p> | </p> | ||
<p>LADY MACDUFF.<br/> | <p>LADY MACDUFF.<br/> | ||
Now, God help thee, poor monkey! But how wilt thou do for a father? | Now, God help thee, poor monkey! But how wilt thou do for a father? | ||
</p> | </p> | ||
<p>SON.<br/> | <p>SON.<br/> | ||
If he were dead, you'ld weep for him: if you would not, it were a good | If he were dead, you'ld weep for him: if you would not, it were a good | ||
sign that I should quickly have a new father. | sign that I should quickly have a new father. | ||
</p> | </p> | ||
<p>LADY MACDUFF.<br/> | <p>LADY MACDUFF.<br/> | ||
Poor prattler, how thou talk'st! | Poor prattler, how thou talk'st! | ||
</p> | </p> | ||
Line 3,518: | Line 5,609: | ||
<p>MESSENGER.<br/> | <p>MESSENGER.<br/> | ||
Bless you, fair dame! I am not to you known,<br/> | Bless you, fair dame! I am not to you known,<br/> | ||
Though in your state of honour I am perfect.<br/> | Though in your state of honour I am perfect.<br/> | ||
I doubt some danger does approach you nearly:<br/> | I doubt some danger does approach you nearly:<br/> | ||
If you will take a homely man's advice,<br/> | If you will take a homely man's advice,<br/> | ||
Be not found here; hence, with your little ones.<br/> | Be not found here; hence, with your little ones.<br/> | ||
To fright you thus, methinks, I am too savage;<br/> | To fright you thus, methinks, I am too savage;<br/> | ||
To do worse to you were fell cruelty,<br/> | To do worse to you were fell cruelty,<br/> | ||
Which is too nigh your person. Heaven preserve you!<br/> | Which is too nigh your person. Heaven preserve you!<br/> | ||
I dare abide no longer. | I dare abide no longer. | ||
</p> | </p> | ||
Line 3,532: | Line 5,633: | ||
<p>LADY MACDUFF.<br/> | <p>LADY MACDUFF.<br/> | ||
Whither should I fly?<br/> | Whither should I fly?<br/> | ||
I have done no harm. But I remember now<br/> | I have done no harm. But I remember now<br/> | ||
I am in this earthly world, where to do harm<br/> | I am in this earthly world, where to do harm<br/> | ||
Is often laudable; to do good sometime<br/> | Is often laudable; to do good sometime<br/> | ||
Accounted dangerous folly: why then, alas,<br/> | Accounted dangerous folly: why then, alas,<br/> | ||
Do I put up that womanly defence,<br/> | Do I put up that womanly defence,<br/> | ||
To say I have done no harm? What are these faces? | To say I have done no harm? What are these faces? | ||
</p> | </p> | ||
Line 3,544: | Line 5,653: | ||
<p>FIRST MURDERER.<br/> | <p>FIRST MURDERER.<br/> | ||
Where is your husband? | Where is your husband? | ||
</p> | </p> | ||
<p>LADY MACDUFF.<br/> | <p>LADY MACDUFF.<br/> | ||
I hope, in no place so unsanctified<br/> | I hope, in no place so unsanctified<br/> | ||
Where such as thou mayst find him. | Where such as thou mayst find him. | ||
</p> | </p> | ||
<p>FIRST MURDERER.<br/> | <p>FIRST MURDERER.<br/> | ||
He's a traitor. | He's a traitor. | ||
</p> | </p> | ||
<p>SON.<br/> | <p>SON.<br/> | ||
Thou liest, thou shag-ear'd villain! | Thou liest, thou shag-ear'd villain! | ||
</p> | </p> | ||
<p>FIRST MURDERER.<br/> | <p>FIRST MURDERER.<br/> | ||
What, you egg! | What, you egg! | ||
</p> | </p> | ||
Line 3,567: | Line 5,687: | ||
<p>Young fry of treachery! | <p>Young fry of treachery! | ||
</p> | </p> | ||
<p>SON.<br/> | <p>SON.<br/> | ||
He has kill'd me, mother:<br/> | He has kill'd me, mother:<br/> | ||
Run away, I pray you! | Run away, I pray you! | ||
</p> | </p> | ||
<p class="right"> [<i>Dies. Exit <span class="charname">Lady Macduff,</span> | <p class="right"> [<i>Dies. Exit <span class="charname">Lady Macduff,</span> | ||
crying “Murder!” and pursued by the Murderers.</i>]</p> | |||
crying &ldquo;Murder!&rdquo; and pursued by the Murderers.</i>]</p> | |||
<h3 id="sceneIV_20.3"> | <h3 id="sceneIV_20.3"> | ||
<b>SCENE III. England. Before the King's Palace.</b></h3> | <b>SCENE III. England. Before the King's Palace.</b></h3> | ||
<p class="scenedesc"> Enter <span class="charname">Malcolm</span> and | <p class="scenedesc"> Enter <span class="charname">Malcolm</span> and | ||
<span class="charname">Macduff</span>.</p> | <span class="charname">Macduff</span>.</p> | ||
<p>MALCOLM.<br/> | <p>MALCOLM.<br/> | ||
Let us seek out some desolate shade and there<br/> | Let us seek out some desolate shade and there<br/> | ||
Weep our sad bosoms empty. | Weep our sad bosoms empty. | ||
</p> | </p> | ||
<p>MACDUFF.<br/> | <p>MACDUFF.<br/> | ||
Let us rather<br/> | Let us rather<br/> | ||
Hold fast the mortal sword, and, like good men,<br/> | Hold fast the mortal sword, and, like good men,<br/> | ||
Bestride our down-fall'n birthdom. Each new morn<br/> | Bestride our down-fall'n birthdom. Each new morn<br/> | ||
New widows howl, new orphans cry; new sorrows<br/> | New widows howl, new orphans cry; new sorrows<br/> | ||
Strike heaven on the face, that it resounds<br/> | Strike heaven on the face, that it resounds<br/> | ||
As if it felt with Scotland, and yell'd out<br/> | As if it felt with Scotland, and yell'd out<br/> | ||
Like syllable of dolour. | Like syllable of dolour. | ||
</p> | </p> | ||
<p>MALCOLM.<br/> | <p>MALCOLM.<br/> | ||
What I believe, I'll wail;<br/> | What I believe, I'll wail;<br/> | ||
What know, believe; and what I can redress,<br/> | What know, believe; and what I can redress,<br/> | ||
As I shall find the time to friend, I will.<br/> | As I shall find the time to friend, I will.<br/> | ||
What you have spoke, it may be so, perchance.<br/> | What you have spoke, it may be so, perchance.<br/> | ||
This tyrant, whose sole name blisters our tongues,<br/> | This tyrant, whose sole name blisters our tongues,<br/> | ||
Was once thought honest: you have loved him well;<br/> | Was once thought honest: you have loved him well;<br/> | ||
He hath not touch'd you yet. I am young; but something<br/> | He hath not touch'd you yet. I am young; but something<br/> | ||
You may deserve of him through me; and wisdom<br/> | You may deserve of him through me; and wisdom<br/> | ||
To offer up a weak, poor, innocent lamb<br/> | To offer up a weak, poor, innocent lamb<br/> | ||
To appease an angry god. | To appease an angry god. | ||
</p> | </p> | ||
<p>MACDUFF.<br/> | <p>MACDUFF.<br/> | ||
I am not treacherous. | I am not treacherous. | ||
</p> | </p> | ||
<p>MALCOLM.<br/> | <p>MALCOLM.<br/> | ||
But Macbeth is.<br/> | But Macbeth is.<br/> | ||
A good and virtuous nature may recoil<br/> | A good and virtuous nature may recoil<br/> | ||
In an imperial charge. But I shall crave your pardon.<br/> | In an imperial charge. But I shall crave your pardon.<br/> | ||
That which you are, my thoughts cannot transpose.<br/> | That which you are, my thoughts cannot transpose.<br/> | ||
Angels are bright still, though the brightest fell:<br/> | Angels are bright still, though the brightest fell:<br/> | ||
Though all things foul would wear the brows of grace,<br/> | Though all things foul would wear the brows of grace,<br/> | ||
Yet grace must still look so. | Yet grace must still look so. | ||
</p> | </p> | ||
<p>MACDUFF.<br/> | <p>MACDUFF.<br/> | ||
I have lost my hopes. | I have lost my hopes. | ||
</p> | </p> | ||
<p>MALCOLM.<br/> | <p>MALCOLM.<br/> | ||
Perchance even there where I did find my doubts.<br/> | Perchance even there where I did find my doubts.<br/> | ||
Why in that rawness left you wife and child,<br/> | Why in that rawness left you wife and child,<br/> | ||
Those precious motives, those strong knots of love,<br/> | Those precious motives, those strong knots of love,<br/> | ||
Without leave-taking?—I pray you,<br/> | |||
Without leave-taking?&mdash;I pray you,<br/> | |||
Let not my jealousies be your dishonours,<br/> | Let not my jealousies be your dishonours,<br/> | ||
But mine own safeties. You may be rightly just,<br/> | But mine own safeties. You may be rightly just,<br/> | ||
Whatever I shall think. | Whatever I shall think. | ||
</p> | </p> | ||
<p>MACDUFF.<br/> | <p>MACDUFF.<br/> | ||
Bleed, bleed, poor country!<br/> | Bleed, bleed, poor country!<br/> | ||
Great tyranny, lay thou thy basis sure,<br/> | Great tyranny, lay thou thy basis sure,<br/> | ||
For goodness dare not check thee! wear thou thy wrongs;<br/> | For goodness dare not check thee! wear thou thy wrongs;<br/> | ||
The title is affeer'd.—Fare thee well, lord:<br/> | |||
The title is affeer'd.&mdash;Fare thee well, lord:<br/> | |||
I would not be the villain that thou think'st<br/> | I would not be the villain that thou think'st<br/> | ||
For the whole space that's in the tyrant's grasp<br/> | For the whole space that's in the tyrant's grasp<br/> | ||
And the rich East to boot. | And the rich East to boot. | ||
</p> | </p> | ||
<p>MALCOLM.<br/> | <p>MALCOLM.<br/> | ||
Be not offended:<br/> | Be not offended:<br/> | ||
I speak not as in absolute fear of you.<br/> | I speak not as in absolute fear of you.<br/> | ||
I think our country sinks beneath the yoke;<br/> | I think our country sinks beneath the yoke;<br/> | ||
It weeps, it bleeds; and each new day a gash<br/> | It weeps, it bleeds; and each new day a gash<br/> | ||
Is added to her wounds. I think, withal,<br/> | Is added to her wounds. I think, withal,<br/> | ||
There would be hands uplifted in my right;<br/> | There would be hands uplifted in my right;<br/> | ||
And here, from gracious England, have I offer<br/> | And here, from gracious England, have I offer<br/> | ||
Of goodly thousands: but, for all this,<br/> | Of goodly thousands: but, for all this,<br/> | ||
When I shall tread upon the tyrant's head,<br/> | When I shall tread upon the tyrant's head,<br/> | ||
Or wear it on my sword, yet my poor country<br/> | Or wear it on my sword, yet my poor country<br/> | ||
Shall have more vices than it had before,<br/> | Shall have more vices than it had before,<br/> | ||
More suffer, and more sundry ways than ever,<br/> | More suffer, and more sundry ways than ever,<br/> | ||
By him that shall succeed. | By him that shall succeed. | ||
</p> | </p> | ||
<p>MACDUFF.<br/> | <p>MACDUFF.<br/> | ||
What should he be? | What should he be? | ||
</p> | </p> | ||
<p>MALCOLM.<br/> | <p>MALCOLM.<br/> | ||
It is myself I mean; in whom I know<br/> | It is myself I mean; in whom I know<br/> | ||
All the particulars of vice so grafted<br/> | All the particulars of vice so grafted<br/> | ||
That, when they shall be open'd, black Macbeth<br/> | That, when they shall be open'd, black Macbeth<br/> | ||
Will seem as pure as snow; and the poor state<br/> | Will seem as pure as snow; and the poor state<br/> | ||
Esteem him as a lamb, being compar'd<br/> | Esteem him as a lamb, being compar'd<br/> | ||
With my confineless harms. | With my confineless harms. | ||
</p> | </p> | ||
<p>MACDUFF.<br/> | <p>MACDUFF.<br/> | ||
Not in the legions<br/> | Not in the legions<br/> | ||
Of horrid hell can come a devil more damn'd<br/> | Of horrid hell can come a devil more damn'd<br/> | ||
In evils to top Macbeth. | In evils to top Macbeth. | ||
</p> | </p> | ||
<p>MALCOLM.<br/> | <p>MALCOLM.<br/> | ||
I grant him bloody,<br/> | I grant him bloody,<br/> | ||
Luxurious, avaricious, false, deceitful,<br/> | Luxurious, avaricious, false, deceitful,<br/> | ||
Sudden, malicious, smacking of every sin<br/> | Sudden, malicious, smacking of every sin<br/> | ||
That has a name: but there's no bottom, none,<br/> | That has a name: but there's no bottom, none,<br/> | ||
In my voluptuousness: your wives, your daughters,<br/> | In my voluptuousness: your wives, your daughters,<br/> | ||
Your matrons, and your maids, could not fill up<br/> | Your matrons, and your maids, could not fill up<br/> | ||
The cistern of my lust; and my desire<br/> | The cistern of my lust; and my desire<br/> | ||
All continent impediments would o'erbear,<br/> | All continent impediments would o'erbear,<br/> | ||
That did oppose my will: better Macbeth<br/> | That did oppose my will: better Macbeth<br/> | ||
Than such an one to reign. | Than such an one to reign. | ||
</p> | </p> | ||
<p>MACDUFF.<br/> | <p>MACDUFF.<br/> | ||
Boundless intemperance<br/> | Boundless intemperance<br/> | ||
In nature is a tyranny; it hath been<br/> | In nature is a tyranny; it hath been<br/> | ||
Th' untimely emptying of the happy throne,<br/> | Th' untimely emptying of the happy throne,<br/> | ||
And fall of many kings. But fear not yet<br/> | And fall of many kings. But fear not yet<br/> | ||
To take upon you what is yours: you may<br/> | To take upon you what is yours: you may<br/> | ||
Convey your pleasures in a spacious plenty,<br/> | Convey your pleasures in a spacious plenty,<br/> | ||
And yet seem cold—the time you may so hoodwink.<br/> | |||
And yet seem cold&mdash;the time you may so hoodwink.<br/> | |||
We have willing dames enough; there cannot be<br/> | We have willing dames enough; there cannot be<br/> | ||
That vulture in you, to devour so many<br/> | That vulture in you, to devour so many<br/> | ||
As will to greatness dedicate themselves,<br/> | As will to greatness dedicate themselves,<br/> | ||
Finding it so inclin'd. | Finding it so inclin'd. | ||
</p> | </p> | ||
<p>MALCOLM.<br/> | <p>MALCOLM.<br/> | ||
With this there grows<br/> | With this there grows<br/> | ||
In my most ill-compos'd affection such<br/> | In my most ill-compos'd affection such<br/> | ||
A staunchless avarice, that, were I king,<br/> | A staunchless avarice, that, were I king,<br/> | ||
I should cut off the nobles for their lands;<br/> | I should cut off the nobles for their lands;<br/> | ||
Desire his jewels, and this other's house:<br/> | Desire his jewels, and this other's house:<br/> | ||
And my more-having would be as a sauce<br/> | And my more-having would be as a sauce<br/> | ||
To make me hunger more; that I should forge<br/> | To make me hunger more; that I should forge<br/> | ||
Quarrels unjust against the good and loyal,<br/> | Quarrels unjust against the good and loyal,<br/> | ||
Destroying them for wealth. | Destroying them for wealth. | ||
</p> | </p> | ||
<p>MACDUFF.<br/> | <p>MACDUFF.<br/> | ||
This avarice<br/> | This avarice<br/> | ||
Sticks deeper; grows with more pernicious root<br/> | Sticks deeper; grows with more pernicious root<br/> | ||
Than summer-seeming lust; and it hath been<br/> | Than summer-seeming lust; and it hath been<br/> | ||
The sword of our slain kings: yet do not fear;<br/> | The sword of our slain kings: yet do not fear;<br/> | ||
Scotland hath foisons to fill up your will,<br/> | Scotland hath foisons to fill up your will,<br/> | ||
Of your mere own. All these are portable,<br/> | Of your mere own. All these are portable,<br/> | ||
With other graces weigh'd. | With other graces weigh'd. | ||
</p> | </p> | ||
<p>MALCOLM.<br/> | <p>MALCOLM.<br/> | ||
But I have none: the king-becoming graces,<br/> | But I have none: the king-becoming graces,<br/> | ||
As justice, verity, temp'rance, stableness,<br/> | As justice, verity, temp'rance, stableness,<br/> | ||
Bounty, perseverance, mercy, lowliness,<br/> | Bounty, perseverance, mercy, lowliness,<br/> | ||
Devotion, patience, courage, fortitude,<br/> | Devotion, patience, courage, fortitude,<br/> | ||
I have no relish of them; but abound<br/> | I have no relish of them; but abound<br/> | ||
In the division of each several crime,<br/> | In the division of each several crime,<br/> | ||
Acting it many ways. Nay, had I power, I should<br/> | Acting it many ways. Nay, had I power, I should<br/> | ||
Pour the sweet milk of concord into hell,<br/> | Pour the sweet milk of concord into hell,<br/> | ||
Uproar the universal peace, confound<br/> | Uproar the universal peace, confound<br/> | ||
All unity on earth. | All unity on earth. | ||
</p> | </p> | ||
<p>MACDUFF.<br/> | <p>MACDUFF.<br/> | ||
O Scotland, Scotland! | O Scotland, Scotland! | ||
</p> | </p> | ||
<p>MALCOLM.<br/> | <p>MALCOLM.<br/> | ||
If such a one be fit to govern, speak:<br/> | If such a one be fit to govern, speak:<br/> | ||
I am as I have spoken. | I am as I have spoken. | ||
</p> | </p> | ||
<p>MACDUFF.<br/> | <p>MACDUFF.<br/> | ||
Fit to govern?<br/> | Fit to govern?<br/> | ||
No, not to live.—O nation miserable,<br/> | |||
No, not to live.&mdash;O nation miserable,<br/> | |||
With an untitled tyrant bloody-scepter'd,<br/> | With an untitled tyrant bloody-scepter'd,<br/> | ||
When shalt thou see thy wholesome days again,<br/> | When shalt thou see thy wholesome days again,<br/> | ||
Since that the truest issue of thy throne<br/> | Since that the truest issue of thy throne<br/> | ||
By his own interdiction stands accus'd,<br/> | By his own interdiction stands accus'd,<br/> | ||
And does blaspheme his breed? Thy royal father<br/> | And does blaspheme his breed? Thy royal father<br/> | ||
Was a most sainted king. The queen that bore thee,<br/> | Was a most sainted king. The queen that bore thee,<br/> | ||
Oft'ner upon her knees than on her feet,<br/> | Oft'ner upon her knees than on her feet,<br/> | ||
Died every day she lived. Fare thee well!<br/> | Died every day she lived. Fare thee well!<br/> | ||
These evils thou repeat'st upon thyself<br/> | These evils thou repeat'st upon thyself<br/> | ||
Have banish'd me from Scotland.—O my breast,<br/> | |||
Have banish'd me from Scotland.&mdash;O my breast,<br/> | |||
Thy hope ends here! | Thy hope ends here! | ||
</p> | </p> | ||
<p>MALCOLM.<br/> | <p>MALCOLM.<br/> | ||
Macduff, this noble passion,<br/> | Macduff, this noble passion,<br/> | ||
Child of integrity, hath from my soul<br/> | Child of integrity, hath from my soul<br/> | ||
Wiped the black scruples, reconcil'd my thoughts<br/> | Wiped the black scruples, reconcil'd my thoughts<br/> | ||
To thy good truth and honour. Devilish Macbeth<br/> | To thy good truth and honour. Devilish Macbeth<br/> | ||
By many of these trains hath sought to win me<br/> | By many of these trains hath sought to win me<br/> | ||
Into his power, and modest wisdom plucks me<br/> | Into his power, and modest wisdom plucks me<br/> | ||
From over-credulous haste: but God above<br/> | From over-credulous haste: but God above<br/> | ||
Deal between thee and me! for even now<br/> | Deal between thee and me! for even now<br/> | ||
I put myself to thy direction, and<br/> | I put myself to thy direction, and<br/> | ||
Unspeak mine own detraction; here abjure<br/> | Unspeak mine own detraction; here abjure<br/> | ||
The taints and blames I laid upon myself,<br/> | The taints and blames I laid upon myself,<br/> | ||
For strangers to my nature. I am yet<br/> | For strangers to my nature. I am yet<br/> | ||
Unknown to woman; never was forsworn;<br/> | Unknown to woman; never was forsworn;<br/> | ||
Scarcely have coveted what was mine own;<br/> | Scarcely have coveted what was mine own;<br/> | ||
At no time broke my faith; would not betray<br/> | At no time broke my faith; would not betray<br/> | ||
The devil to his fellow; and delight<br/> | The devil to his fellow; and delight<br/> | ||
No less in truth than life: my first false speaking<br/> | No less in truth than life: my first false speaking<br/> | ||
Was this upon myself. What I am truly,<br/> | Was this upon myself. What I am truly,<br/> | ||
Is thine and my poor country's to command:<br/> | Is thine and my poor country's to command:<br/> | ||
Whither, indeed, before thy here-approach,<br/> | Whither, indeed, before thy here-approach,<br/> | ||
Old Siward, with ten thousand warlike men,<br/> | Old Siward, with ten thousand warlike men,<br/> | ||
Already at a point, was setting forth.<br/> | Already at a point, was setting forth.<br/> | ||
Now we'll together, and the chance of goodness<br/> | Now we'll together, and the chance of goodness<br/> | ||
Be like our warranted quarrel. Why are you silent? | Be like our warranted quarrel. Why are you silent? | ||
</p> | </p> | ||
<p>MACDUFF.<br/> | <p>MACDUFF.<br/> | ||
Such welcome and unwelcome things at once<br/> | Such welcome and unwelcome things at once<br/> | ||
'Tis hard to reconcile. | 'Tis hard to reconcile. | ||
</p> | </p> | ||
Line 3,806: | Line 6,109: | ||
<p>MALCOLM.<br/> | <p>MALCOLM.<br/> | ||
Well; more anon.—Comes the King forth, I pray you? | |||
Well; more anon.&mdash;Comes the King forth, I pray you? | |||
</p> | </p> | ||
<p>DOCTOR.<br/> | <p>DOCTOR.<br/> | ||
Ay, sir. There are a crew of wretched souls<br/> | Ay, sir. There are a crew of wretched souls<br/> | ||
That stay his cure: their malady convinces<br/> | That stay his cure: their malady convinces<br/> | ||
The great assay of art; but at his touch,<br/> | The great assay of art; but at his touch,<br/> | ||
Such sanctity hath heaven given his hand,<br/> | Such sanctity hath heaven given his hand,<br/> | ||
They presently amend. | They presently amend. | ||
</p> | </p> | ||
<p>MALCOLM.<br/> | <p>MALCOLM.<br/> | ||
I thank you, doctor. | I thank you, doctor. | ||
</p> | </p> | ||
Line 3,824: | Line 6,137: | ||
<p>MACDUFF.<br/> | <p>MACDUFF.<br/> | ||
What's the disease he means? | What's the disease he means? | ||
</p> | </p> | ||
<p>MALCOLM.<br/> | <p>MALCOLM.<br/> | ||
'Tis call'd the evil:<br/> | 'Tis call'd the evil:<br/> | ||
A most miraculous work in this good king;<br/> | A most miraculous work in this good king;<br/> | ||
Which often, since my here-remain in England,<br/> | Which often, since my here-remain in England,<br/> | ||
I have seen him do. How he solicits heaven,<br/> | I have seen him do. How he solicits heaven,<br/> | ||
Himself best knows, but strangely-visited people,<br/> | Himself best knows, but strangely-visited people,<br/> | ||
All swoln and ulcerous, pitiful to the eye,<br/> | All swoln and ulcerous, pitiful to the eye,<br/> | ||
The mere despair of surgery, he cures;<br/> | The mere despair of surgery, he cures;<br/> | ||
Hanging a golden stamp about their necks,<br/> | Hanging a golden stamp about their necks,<br/> | ||
Put on with holy prayers: and 'tis spoken,<br/> | Put on with holy prayers: and 'tis spoken,<br/> | ||
To the succeeding royalty he leaves<br/> | To the succeeding royalty he leaves<br/> | ||
The healing benediction. With this strange virtue,<br/> | The healing benediction. With this strange virtue,<br/> | ||
He hath a heavenly gift of prophecy;<br/> | He hath a heavenly gift of prophecy;<br/> | ||
And sundry blessings hang about his throne,<br/> | And sundry blessings hang about his throne,<br/> | ||
That speak him full of grace. | That speak him full of grace. | ||
</p> | </p> | ||
Line 3,847: | Line 6,177: | ||
<p>MACDUFF.<br/> | <p>MACDUFF.<br/> | ||
See, who comes here? | See, who comes here? | ||
</p> | </p> | ||
<p>MALCOLM.<br/> | <p>MALCOLM.<br/> | ||
My countryman; but yet I know him not. | My countryman; but yet I know him not. | ||
</p> | </p> | ||
<p>MACDUFF.<br/> | <p>MACDUFF.<br/> | ||
My ever-gentle cousin, welcome hither. | My ever-gentle cousin, welcome hither. | ||
</p> | </p> | ||
<p>MALCOLM.<br/> | <p>MALCOLM.<br/> | ||
I know him now. Good God, betimes remove<br/> | I know him now. Good God, betimes remove<br/> | ||
The means that makes us strangers! | The means that makes us strangers! | ||
</p> | </p> | ||
<p>ROSS.<br/> | <p>ROSS.<br/> | ||
Sir, amen. | Sir, amen. | ||
</p> | </p> | ||
<p>MACDUFF.<br/> | <p>MACDUFF.<br/> | ||
Stands Scotland where it did? | Stands Scotland where it did? | ||
</p> | </p> | ||
<p>ROSS.<br/> | <p>ROSS.<br/> | ||
Alas, poor country,<br/> | Alas, poor country,<br/> | ||
Almost afraid to know itself! It cannot<br/> | Almost afraid to know itself! It cannot<br/> | ||
Be call'd our mother, but our grave, where nothing,<br/> | Be call'd our mother, but our grave, where nothing,<br/> | ||
But who knows nothing, is once seen to smile;<br/> | But who knows nothing, is once seen to smile;<br/> | ||
Where sighs, and groans, and shrieks, that rent the air,<br/> | Where sighs, and groans, and shrieks, that rent the air,<br/> | ||
Are made, not mark'd; where violent sorrow seems<br/> | Are made, not mark'd; where violent sorrow seems<br/> | ||
A modern ecstasy. The dead man's knell<br/> | A modern ecstasy. The dead man's knell<br/> | ||
Is there scarce ask'd for who; and good men's lives<br/> | Is there scarce ask'd for who; and good men's lives<br/> | ||
Expire before the flowers in their caps,<br/> | Expire before the flowers in their caps,<br/> | ||
Dying or ere they sicken. | Dying or ere they sicken. | ||
</p> | </p> | ||
<p>MACDUFF.<br/> | <p>MACDUFF.<br/> | ||
O, relation<br/> | O, relation<br/> | ||
Too nice, and yet too true! | Too nice, and yet too true! | ||
</p> | </p> | ||
<p>MALCOLM.<br/> | <p>MALCOLM.<br/> | ||
What's the newest grief? | What's the newest grief? | ||
</p> | </p> | ||
<p>ROSS.<br/> | <p>ROSS.<br/> | ||
That of an hour's age doth hiss the speaker;<br/> | That of an hour's age doth hiss the speaker;<br/> | ||
Each minute teems a new one. | Each minute teems a new one. | ||
</p> | </p> | ||
<p>MACDUFF.<br/> | <p>MACDUFF.<br/> | ||
How does my wife? | How does my wife? | ||
</p> | </p> | ||
<p>ROSS.<br/> | <p>ROSS.<br/> | ||
Why, well. | Why, well. | ||
</p> | </p> | ||
<p>MACDUFF.<br/> | <p>MACDUFF.<br/> | ||
And all my children? | And all my children? | ||
</p> | </p> | ||
<p>ROSS.<br/> | <p>ROSS.<br/> | ||
Well too. | Well too. | ||
</p> | </p> | ||
<p>MACDUFF.<br/> | <p>MACDUFF.<br/> | ||
The tyrant has not batter'd at their peace? | The tyrant has not batter'd at their peace? | ||
</p> | </p> | ||
<p>ROSS.<br/> | <p>ROSS.<br/> | ||
No; they were well at peace when I did leave 'em. | No; they were well at peace when I did leave 'em. | ||
</p> | </p> | ||
<p>MACDUFF.<br/> | <p>MACDUFF.<br/> | ||
Be not a niggard of your speech: how goes't? | Be not a niggard of your speech: how goes't? | ||
</p> | </p> | ||
<p>ROSS.<br/> | <p>ROSS.<br/> | ||
When I came hither to transport the tidings,<br/> | When I came hither to transport the tidings,<br/> | ||
Which I have heavily borne, there ran a rumour<br/> | Which I have heavily borne, there ran a rumour<br/> | ||
Of many worthy fellows that were out;<br/> | Of many worthy fellows that were out;<br/> | ||
Which was to my belief witness'd the rather,<br/> | Which was to my belief witness'd the rather,<br/> | ||
For that I saw the tyrant's power afoot.<br/> | For that I saw the tyrant's power afoot.<br/> | ||
Now is the time of help. Your eye in Scotland<br/> | Now is the time of help. Your eye in Scotland<br/> | ||
Would create soldiers, make our women fight,<br/> | Would create soldiers, make our women fight,<br/> | ||
To doff their dire distresses. | To doff their dire distresses. | ||
</p> | </p> | ||
<p>MALCOLM.<br/> | <p>MALCOLM.<br/> | ||
Be't their comfort<br/> | Be't their comfort<br/> | ||
We are coming thither. Gracious England hath<br/> | We are coming thither. Gracious England hath<br/> | ||
Lent us good Siward and ten thousand men;<br/> | Lent us good Siward and ten thousand men;<br/> | ||
An older and a better soldier none<br/> | An older and a better soldier none<br/> | ||
That Christendom gives out. | That Christendom gives out. | ||
</p> | </p> | ||
<p>ROSS.<br/> | <p>ROSS.<br/> | ||
Would I could answer<br/> | Would I could answer<br/> | ||
This comfort with the like! But I have words<br/> | This comfort with the like! But I have words<br/> | ||
That would be howl'd out in the desert air,<br/> | That would be howl'd out in the desert air,<br/> | ||
Where hearing should not latch them. | Where hearing should not latch them. | ||
</p> | </p> | ||
<p>MACDUFF.<br/> | <p>MACDUFF.<br/> | ||
What concern they?<br/> | What concern they?<br/> | ||
The general cause? or is it a fee-grief<br/> | The general cause? or is it a fee-grief<br/> | ||
Due to some single breast? | Due to some single breast? | ||
</p> | </p> | ||
<p>ROSS.<br/> | <p>ROSS.<br/> | ||
No mind that's honest<br/> | No mind that's honest<br/> | ||
But in it shares some woe, though the main part<br/> | But in it shares some woe, though the main part<br/> | ||
Pertains to you alone. | Pertains to you alone. | ||
</p> | </p> | ||
<p>MACDUFF.<br/> | <p>MACDUFF.<br/> | ||
If it be mine,<br/> | If it be mine,<br/> | ||
Keep it not from me, quickly let me have it. | Keep it not from me, quickly let me have it. | ||
</p> | </p> | ||
<p>ROSS.<br/> | <p>ROSS.<br/> | ||
Let not your ears despise my tongue for ever,<br/> | Let not your ears despise my tongue for ever,<br/> | ||
Which shall possess them with the heaviest sound<br/> | Which shall possess them with the heaviest sound<br/> | ||
That ever yet they heard. | That ever yet they heard. | ||
</p> | </p> | ||
<p>MACDUFF.<br/> | <p>MACDUFF.<br/> | ||
Humh! I guess at it. | Humh! I guess at it. | ||
</p> | </p> | ||
<p>ROSS.<br/> | <p>ROSS.<br/> | ||
Your castle is surpris'd; your wife and babes<br/> | Your castle is surpris'd; your wife and babes<br/> | ||
Savagely slaughter'd. To relate the manner<br/> | Savagely slaughter'd. To relate the manner<br/> | ||
Were, on the quarry of these murder'd deer,<br/> | Were, on the quarry of these murder'd deer,<br/> | ||
To add the death of you. | To add the death of you. | ||
</p> | </p> | ||
<p>MALCOLM.<br/> | <p>MALCOLM.<br/> | ||
Merciful heaven!—<br/> | |||
Merciful heaven!&mdash;<br/> | |||
What, man! ne'er pull your hat upon your brows.<br/> | What, man! ne'er pull your hat upon your brows.<br/> | ||
Give sorrow words. The grief that does not speak<br/> | Give sorrow words. The grief that does not speak<br/> | ||
Whispers the o'er-fraught heart, and bids it break. | Whispers the o'er-fraught heart, and bids it break. | ||
</p> | </p> | ||
<p>MACDUFF.<br/> | <p>MACDUFF.<br/> | ||
My children too? | My children too? | ||
</p> | </p> | ||
<p>ROSS.<br/> | <p>ROSS.<br/> | ||
Wife, children, servants, all<br/> | Wife, children, servants, all<br/> | ||
That could be found. | That could be found. | ||
</p> | </p> | ||
<p>MACDUFF.<br/> | <p>MACDUFF.<br/> | ||
And I must be from thence!<br/> | And I must be from thence!<br/> | ||
My wife kill'd too? | My wife kill'd too? | ||
</p> | </p> | ||
<p>ROSS.<br/> | <p>ROSS.<br/> | ||
I have said. | I have said. | ||
</p> | </p> | ||
<p>MALCOLM.<br/> | <p>MALCOLM.<br/> | ||
Be comforted:<br/> | Be comforted:<br/> | ||
Let's make us med'cines of our great revenge,<br/> | Let's make us med'cines of our great revenge,<br/> | ||
To cure this deadly grief. | To cure this deadly grief. | ||
</p> | </p> | ||
<p>MACDUFF.<br/> | <p>MACDUFF.<br/> | ||
He has no children.—All my pretty ones?<br/> | |||
Did you say all?—O hell-kite!—All?<br/> | He has no children.&mdash;All my pretty ones?<br/> | ||
Did you say all?&mdash;O hell-kite!&mdash;All?<br/> | |||
What, all my pretty chickens and their dam<br/> | What, all my pretty chickens and their dam<br/> | ||
At one fell swoop? | At one fell swoop? | ||
</p> | </p> | ||
<p>MALCOLM.<br/> | <p>MALCOLM.<br/> | ||
Dispute it like a man. | Dispute it like a man. | ||
</p> | </p> | ||
<p>MACDUFF.<br/> | <p>MACDUFF.<br/> | ||
I shall do so;<br/> | I shall do so;<br/> | ||
But I must also feel it as a man:<br/> | But I must also feel it as a man:<br/> | ||
I cannot but remember such things were,<br/> | I cannot but remember such things were,<br/> | ||
That were most precious to me.—Did heaven look on,<br/> | |||
That were most precious to me.&mdash;Did heaven look on,<br/> | |||
And would not take their part? Sinful Macduff,<br/> | And would not take their part? Sinful Macduff,<br/> | ||
They were all struck for thee! Naught that I am,<br/> | They were all struck for thee! Naught that I am,<br/> | ||
Not for their own demerits, but for mine,<br/> | Not for their own demerits, but for mine,<br/> | ||
Fell slaughter on their souls: heaven rest them now! | Fell slaughter on their souls: heaven rest them now! | ||
</p> | </p> | ||
<p>MALCOLM.<br/> | <p>MALCOLM.<br/> | ||
Be this the whetstone of your sword. Let grief<br/> | Be this the whetstone of your sword. Let grief<br/> | ||
Convert to anger; blunt not the heart, enrage it. | Convert to anger; blunt not the heart, enrage it. | ||
</p> | </p> | ||
<p>MACDUFF.<br/> | <p>MACDUFF.<br/> | ||
O, I could play the woman with mine eyes,<br/> | O, I could play the woman with mine eyes,<br/> | ||
And braggart with my tongue!—But, gentle heavens,<br/> | |||
And braggart with my tongue!&mdash;But, gentle heavens,<br/> | |||
Cut short all intermission; front to front,<br/> | Cut short all intermission; front to front,<br/> | ||
Bring thou this fiend of Scotland and myself;<br/> | Bring thou this fiend of Scotland and myself;<br/> | ||
Within my sword's length set him; if he 'scape,<br/> | Within my sword's length set him; if he 'scape,<br/> | ||
Heaven forgive him too! | Heaven forgive him too! | ||
</p> | </p> | ||
<p>MALCOLM.<br/> | <p>MALCOLM.<br/> | ||
This tune goes manly.<br/> | This tune goes manly.<br/> | ||
Come, go we to the King. Our power is ready;<br/> | Come, go we to the King. Our power is ready;<br/> | ||
Our lack is nothing but our leave. Macbeth<br/> | Our lack is nothing but our leave. Macbeth<br/> | ||
Is ripe for shaking, and the powers above<br/> | Is ripe for shaking, and the powers above<br/> | ||
Put on their instruments. Receive what cheer you may;<br/> | Put on their instruments. Receive what cheer you may;<br/> | ||
The night is long that never finds the day. | The night is long that never finds the day. | ||
</p> | </p> | ||
<p class="right"> [<i>Exeunt.</i>]</p> | <p class="right"> [<i>Exeunt.</i>]</p> | ||
<h2 id="sceneV_20.1"> | |||
<b>ACT V</b></h2> | <b>ACT V</b></h2> | ||
Line 4,074: | Line 6,541: | ||
<p class="scenedesc"> Enter a <span class="charname">Doctor of Physic</span> and a | <p class="scenedesc"> Enter a <span class="charname">Doctor of Physic</span> and a | ||
<span class="charname">Waiting-Gentlewoman</span>.</p> | <span class="charname">Waiting-Gentlewoman</span>.</p> | ||
<p>DOCTOR.<br/> | <p>DOCTOR.<br/> | ||
I have two nights watched with you, but can perceive no truth in your report. | I have two nights watched with you, but can perceive no truth in your report. | ||
When was it she last walked? | When was it she last walked? | ||
</p> | </p> | ||
<p>GENTLEWOMAN.<br/> | <p>GENTLEWOMAN.<br/> | ||
Since his Majesty went into the field, I have seen her rise from her bed, throw | Since his Majesty went into the field, I have seen her rise from her bed, throw | ||
her nightgown upon her, unlock her closet, take forth paper, fold it, write | her nightgown upon her, unlock her closet, take forth paper, fold it, write | ||
upon't, read it, afterwards seal it, and again return to bed; yet all | upon't, read it, afterwards seal it, and again return to bed; yet all | ||
this while in a most fast sleep. | this while in a most fast sleep. | ||
</p> | </p> | ||
<p>DOCTOR.<br/> | <p>DOCTOR.<br/> | ||
A great perturbation in nature, to receive at once the benefit of sleep, and do | A great perturbation in nature, to receive at once the benefit of sleep, and do | ||
the effects of watching. In this slumbery agitation, besides her walking and | the effects of watching. In this slumbery agitation, besides her walking and | ||
other actual performances, what, at any time, have you heard her say? | other actual performances, what, at any time, have you heard her say? | ||
</p> | </p> | ||
<p>GENTLEWOMAN.<br/> | <p>GENTLEWOMAN.<br/> | ||
That, sir, which I will not report after her. | That, sir, which I will not report after her. | ||
</p> | </p> | ||
<p>DOCTOR.<br/> | <p>DOCTOR.<br/> | ||
You may to me; and 'tis most meet you should. | You may to me; and 'tis most meet you should. | ||
</p> | </p> | ||
<p>GENTLEWOMAN.<br/> | <p>GENTLEWOMAN.<br/> | ||
Neither to you nor anyone; having no witness to confirm my speech. | Neither to you nor anyone; having no witness to confirm my speech. | ||
</p> | </p> | ||
Line 4,109: | Line 6,595: | ||
<p>Lo you, here she comes! This is her very guise; and, upon my life, fast | <p>Lo you, here she comes! This is her very guise; and, upon my life, fast | ||
asleep. Observe her; stand close. | asleep. Observe her; stand close. | ||
</p> | </p> | ||
<p>DOCTOR.<br/> | <p>DOCTOR.<br/> | ||
How came she by that light? | How came she by that light? | ||
</p> | </p> | ||
<p>GENTLEWOMAN.<br/> | <p>GENTLEWOMAN.<br/> | ||
Why, it stood by her: she has light by her continually; 'tis her command. | Why, it stood by her: she has light by her continually; 'tis her command. | ||
</p> | </p> | ||
<p>DOCTOR.<br/> | <p>DOCTOR.<br/> | ||
You see, her eyes are open. | You see, her eyes are open. | ||
</p> | </p> | ||
<p>GENTLEWOMAN.<br/> | <p>GENTLEWOMAN.<br/> | ||
Ay, but their sense are shut. | Ay, but their sense are shut. | ||
</p> | </p> | ||
<p>DOCTOR.<br/> | <p>DOCTOR.<br/> | ||
What is it she does now? Look how she rubs her hands. | What is it she does now? Look how she rubs her hands. | ||
</p> | </p> | ||
<p>GENTLEWOMAN.<br/> | <p>GENTLEWOMAN.<br/> | ||
It is an accustomed action with her, to seem thus washing her hands. I have | It is an accustomed action with her, to seem thus washing her hands. I have | ||
known her continue in this a quarter of an hour. | known her continue in this a quarter of an hour. | ||
</p> | </p> | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
Yet here's a spot. | Yet here's a spot. | ||
</p> | </p> | ||
<p>DOCTOR.<br/> | <p>DOCTOR.<br/> | ||
Hark, she speaks. I will set down what comes from her, to satisfy my | Hark, she speaks. I will set down what comes from her, to satisfy my | ||
remembrance the more strongly. | remembrance the more strongly. | ||
</p> | </p> | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
Out, damned spot! out, I say! One; two. Why, then 'tis time to | Out, damned spot! out, I say! One; two. Why, then 'tis time to | ||
do't. Hell is murky! Fie, my lord, fie! a soldier, and afeard? What need | do't. Hell is murky! Fie, my lord, fie! a soldier, and afeard? What need | ||
we fear who knows it, when none can call our power to account? Yet who would | we fear who knows it, when none can call our power to account? Yet who would | ||
have thought the old man to have had so much blood in him? | have thought the old man to have had so much blood in him? | ||
</p> | </p> | ||
<p>DOCTOR.<br/> | <p>DOCTOR.<br/> | ||
Do you mark that? | Do you mark that? | ||
</p> | </p> | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
The Thane of Fife had a wife. Where is she now?—What, will these hands | |||
The Thane of Fife had a wife. Where is she now?&mdash;What, will these hands | |||
ne'er be clean? No more o' that, my lord, no more o' that: | ne'er be clean? No more o' that, my lord, no more o' that: | ||
you mar all with this starting. | you mar all with this starting. | ||
</p> | </p> | ||
<p>DOCTOR.<br/> | <p>DOCTOR.<br/> | ||
Go to, go to. You have known what you should not. | Go to, go to. You have known what you should not. | ||
</p> | </p> | ||
<p>GENTLEWOMAN.<br/> | <p>GENTLEWOMAN.<br/> | ||
She has spoke what she should not, I am sure of that: heaven knows what she has | She has spoke what she should not, I am sure of that: heaven knows what she has | ||
known. | known. | ||
</p> | </p> | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
Here's the smell of the blood still: all the perfumes of Arabia will not | Here's the smell of the blood still: all the perfumes of Arabia will not | ||
sweeten this little hand. Oh, oh, oh! | sweeten this little hand. Oh, oh, oh! | ||
</p> | </p> | ||
<p>DOCTOR.<br/> | <p>DOCTOR.<br/> | ||
What a sigh is there! The heart is sorely charged. | What a sigh is there! The heart is sorely charged. | ||
</p> | </p> | ||
<p>GENTLEWOMAN.<br/> | <p>GENTLEWOMAN.<br/> | ||
I would not have such a heart in my bosom for the dignity of the whole body. | I would not have such a heart in my bosom for the dignity of the whole body. | ||
</p> | </p> | ||
<p>DOCTOR.<br/> | <p>DOCTOR.<br/> | ||
Well, well, well. | Well, well, well. | ||
</p> | </p> | ||
<p>GENTLEWOMAN.<br/> | <p>GENTLEWOMAN.<br/> | ||
Pray God it be, sir. | Pray God it be, sir. | ||
</p> | </p> | ||
<p>DOCTOR.<br/> | <p>DOCTOR.<br/> | ||
This disease is beyond my practice: yet I have known those which have walked in | This disease is beyond my practice: yet I have known those which have walked in | ||
their sleep, who have died holily in their beds. | their sleep, who have died holily in their beds. | ||
</p> | </p> | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
Wash your hands, put on your nightgown; look not so pale. I tell you yet again, | Wash your hands, put on your nightgown; look not so pale. I tell you yet again, | ||
Banquo's buried; he cannot come out on's grave. | Banquo's buried; he cannot come out on's grave. | ||
</p> | </p> | ||
<p>DOCTOR.<br/> | <p>DOCTOR.<br/> | ||
Even so? | Even so? | ||
</p> | </p> | ||
<p>LADY MACBETH.<br/> | <p>LADY MACBETH.<br/> | ||
To bed, to bed. There's knocking at the gate. Come, come, come, come, | To bed, to bed. There's knocking at the gate. Come, come, come, come, | ||
give me your hand. What's done cannot be undone. To bed, to bed, to bed. | give me your hand. What's done cannot be undone. To bed, to bed, to bed. | ||
</p> | </p> | ||
Line 4,215: | Line 6,759: | ||
<p>DOCTOR.<br/> | <p>DOCTOR.<br/> | ||
Will she go now to bed? | Will she go now to bed? | ||
</p> | </p> | ||
<p>GENTLEWOMAN.<br/> | <p>GENTLEWOMAN.<br/> | ||
Directly. | Directly. | ||
</p> | </p> | ||
<p>DOCTOR.<br/> | <p>DOCTOR.<br/> | ||
Foul whisp'rings are abroad. Unnatural deeds<br/> | Foul whisp'rings are abroad. Unnatural deeds<br/> | ||
Do breed unnatural troubles: infected minds<br/> | Do breed unnatural troubles: infected minds<br/> | ||
To their deaf pillows will discharge their secrets.<br/> | To their deaf pillows will discharge their secrets.<br/> | ||
More needs she the divine than the physician.—<br/> | |||
More needs she the divine than the physician.&mdash;<br/> | |||
God, God, forgive us all! Look after her;<br/> | God, God, forgive us all! Look after her;<br/> | ||
Remove from her the means of all annoyance,<br/> | Remove from her the means of all annoyance,<br/> | ||
And still keep eyes upon her. So, good night:<br/> | And still keep eyes upon her. So, good night:<br/> | ||
My mind she has mated, and amaz'd my sight.<br/> | My mind she has mated, and amaz'd my sight.<br/> | ||
I think, but dare not speak. | I think, but dare not speak. | ||
</p> | </p> | ||
<p>GENTLEWOMAN.<br/> | <p>GENTLEWOMAN.<br/> | ||
Good night, good doctor. | Good night, good doctor. | ||
</p> | </p> | ||
Line 4,241: | Line 6,801: | ||
<h3 id="sceneV_20.2"> | <h3 id="sceneV_20.2"> | ||
<b>SCENE II. The Country near Dunsinane.</b></h3> | <b>SCENE II. The Country near Dunsinane.</b></h3> | ||
<p class="scenedesc"> Enter, with drum and colours <span class="charname">Menteith, | <p class="scenedesc"> Enter, with drum and colours <span class="charname">Menteith, | ||
Caithness, Angus, Lennox</span> and Soldiers.</p> | Caithness, Angus, Lennox</span> and Soldiers.</p> | ||
<p>MENTEITH.<br/> | <p>MENTEITH.<br/> | ||
The English power is near, led on by Malcolm,<br/> | The English power is near, led on by Malcolm,<br/> | ||
His uncle Siward, and the good Macduff.<br/> | His uncle Siward, and the good Macduff.<br/> | ||
Revenges burn in them; for their dear causes<br/> | Revenges burn in them; for their dear causes<br/> | ||
Would to the bleeding and the grim alarm<br/> | Would to the bleeding and the grim alarm<br/> | ||
Excite the mortified man. | Excite the mortified man. | ||
</p> | </p> | ||
<p>ANGUS.<br/> | <p>ANGUS.<br/> | ||
Near Birnam wood<br/> | Near Birnam wood<br/> | ||
Shall we well meet them. That way are they coming. | Shall we well meet them. That way are they coming. | ||
</p> | </p> | ||
<p>CAITHNESS.<br/> | <p>CAITHNESS.<br/> | ||
Who knows if Donalbain be with his brother? | Who knows if Donalbain be with his brother? | ||
</p> | </p> | ||
<p>LENNOX.<br/> | <p>LENNOX.<br/> | ||
For certain, sir, he is not. I have a file<br/> | For certain, sir, he is not. I have a file<br/> | ||
Of all the gentry: there is Siward's son<br/> | Of all the gentry: there is Siward's son<br/> | ||
And many unrough youths, that even now<br/> | And many unrough youths, that even now<br/> | ||
Protest their first of manhood. | Protest their first of manhood. | ||
</p> | </p> | ||
<p>MENTEITH.<br/> | <p>MENTEITH.<br/> | ||
What does the tyrant? | What does the tyrant? | ||
</p> | </p> | ||
<p>CAITHNESS.<br/> | <p>CAITHNESS.<br/> | ||
Great Dunsinane he strongly fortifies.<br/> | Great Dunsinane he strongly fortifies.<br/> | ||
Some say he's mad; others, that lesser hate him,<br/> | Some say he's mad; others, that lesser hate him,<br/> | ||
Do call it valiant fury: but, for certain,<br/> | Do call it valiant fury: but, for certain,<br/> | ||
He cannot buckle his distemper'd cause<br/> | He cannot buckle his distemper'd cause<br/> | ||
Within the belt of rule. | Within the belt of rule. | ||
</p> | </p> | ||
<p>ANGUS.<br/> | <p>ANGUS.<br/> | ||
Now does he feel<br/> | Now does he feel<br/> | ||
His secret murders sticking on his hands;<br/> | His secret murders sticking on his hands;<br/> | ||
Now minutely revolts upbraid his faith-breach;<br/> | Now minutely revolts upbraid his faith-breach;<br/> | ||
Those he commands move only in command,<br/> | Those he commands move only in command,<br/> | ||
Nothing in love: now does he feel his title<br/> | Nothing in love: now does he feel his title<br/> | ||
Hang loose about him, like a giant's robe<br/> | Hang loose about him, like a giant's robe<br/> | ||
Upon a dwarfish thief. | Upon a dwarfish thief. | ||
</p> | </p> | ||
<p>MENTEITH.<br/> | <p>MENTEITH.<br/> | ||
Who, then, shall blame<br/> | Who, then, shall blame<br/> | ||
His pester'd senses to recoil and start,<br/> | His pester'd senses to recoil and start,<br/> | ||
When all that is within him does condemn<br/> | When all that is within him does condemn<br/> | ||
Itself for being there? | Itself for being there? | ||
</p> | </p> | ||
<p>CAITHNESS.<br/> | <p>CAITHNESS.<br/> | ||
Well, march we on,<br/> | Well, march we on,<br/> | ||
To give obedience where 'tis truly ow'd:<br/> | To give obedience where 'tis truly ow'd:<br/> | ||
Meet we the med'cine of the sickly weal;<br/> | Meet we the med'cine of the sickly weal;<br/> | ||
And with him pour we, in our country's purge,<br/> | And with him pour we, in our country's purge,<br/> | ||
Each drop of us. | Each drop of us. | ||
</p> | </p> | ||
<p>LENNOX.<br/> | <p>LENNOX.<br/> | ||
Or so much as it needs<br/> | Or so much as it needs<br/> | ||
To dew the sovereign flower, and drown the weeds.<br/> | To dew the sovereign flower, and drown the weeds.<br/> | ||
Make we our march towards Birnam. | Make we our march towards Birnam. | ||
</p> | </p> | ||
Line 4,316: | Line 6,925: | ||
<h3 id="sceneV_20.3"> | <h3 id="sceneV_20.3"> | ||
<b>SCENE III. Dunsinane. A Room in the Castle.</b></h3> | <b>SCENE III. Dunsinane. A Room in the Castle.</b></h3> | ||
<p class="scenedesc"> Enter <span class="charname">Macbeth, Doctor</span> and | <p class="scenedesc"> Enter <span class="charname">Macbeth, Doctor</span> and | ||
Attendants.</p> | Attendants.</p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Bring me no more reports; let them fly all:<br/> | Bring me no more reports; let them fly all:<br/> | ||
Till Birnam wood remove to Dunsinane<br/> | Till Birnam wood remove to Dunsinane<br/> | ||
I cannot taint with fear. What's the boy Malcolm?<br/> | I cannot taint with fear. What's the boy Malcolm?<br/> | ||
Was he not born of woman? The spirits that know<br/> | Was he not born of woman? The spirits that know<br/> | ||
All mortal consequences have pronounc'd me thus:<br/> | All mortal consequences have pronounc'd me thus:<br/> | ||
“Fear not, Macbeth; no man that's born of woman<br/> | |||
Shall e'er have power upon thee.”—Then fly, false | &ldquo;Fear not, Macbeth; no man that's born of woman<br/> | ||
Shall e'er have power upon thee.&rdquo;&mdash;Then fly, false | |||
thanes,<br/> | thanes,<br/> | ||
And mingle with the English epicures:<br/> | And mingle with the English epicures:<br/> | ||
The mind I sway by, and the heart I bear,<br/> | The mind I sway by, and the heart I bear,<br/> | ||
Shall never sag with doubt nor shake with fear. | Shall never sag with doubt nor shake with fear. | ||
</p> | </p> | ||
Line 4,338: | Line 6,961: | ||
<p>The devil damn thee black, thou cream-fac'd loon!<br/> | <p>The devil damn thee black, thou cream-fac'd loon!<br/> | ||
Where gott'st thou that goose look? | Where gott'st thou that goose look? | ||
</p> | </p> | ||
<p>SERVANT.<br/> | <p>SERVANT.<br/> | ||
There is ten thousand— | |||
There is ten thousand&mdash; | |||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Geese, villain? | Geese, villain? | ||
</p> | </p> | ||
<p>SERVANT.<br/> | <p>SERVANT.<br/> | ||
Soldiers, sir. | Soldiers, sir. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Go prick thy face and over-red thy fear,<br/> | Go prick thy face and over-red thy fear,<br/> | ||
Thou lily-liver'd boy. What soldiers, patch?<br/> | Thou lily-liver'd boy. What soldiers, patch?<br/> | ||
Death of thy soul! those linen cheeks of thine<br/> | Death of thy soul! those linen cheeks of thine<br/> | ||
Are counsellors to fear. What soldiers, whey-face? | Are counsellors to fear. What soldiers, whey-face? | ||
</p> | </p> | ||
<p>SERVANT.<br/> | <p>SERVANT.<br/> | ||
The English force, so please you. | The English force, so please you. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Take thy face hence. | Take thy face hence. | ||
</p> | </p> | ||
<p class="right"> [<i>Exit Servant.</i>]</p> | <p class="right"> [<i>Exit Servant.</i>]</p> | ||
<p>Seyton!—I am sick at heart,<br/> | <p>Seyton!&mdash;I am sick at heart,<br/> | ||
When I behold—Seyton, I say!—This push<br/> | |||
When I behold&mdash;Seyton, I say!&mdash;This push<br/> | |||
Will cheer me ever or disseat me now.<br/> | Will cheer me ever or disseat me now.<br/> | ||
I have liv'd long enough: my way of life<br/> | I have liv'd long enough: my way of life<br/> | ||
Is fall'n into the sere, the yellow leaf;<br/> | Is fall'n into the sere, the yellow leaf;<br/> | ||
And that which should accompany old age,<br/> | And that which should accompany old age,<br/> | ||
As honour, love, obedience, troops of friends,<br/> | As honour, love, obedience, troops of friends,<br/> | ||
I must not look to have; but, in their stead,<br/> | I must not look to have; but, in their stead,<br/> | ||
Curses, not loud but deep, mouth-honour, breath,<br/> | Curses, not loud but deep, mouth-honour, breath,<br/> | ||
Which the poor heart would fain deny, and dare not.<br/> | Which the poor heart would fain deny, and dare not.<br/> | ||
Seyton!— | |||
Seyton!&mdash; | |||
</p> | </p> | ||
Line 4,386: | Line 7,037: | ||
<p>SEYTON.<br/> | <p>SEYTON.<br/> | ||
What's your gracious pleasure? | What's your gracious pleasure? | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
What news more? | What news more? | ||
</p> | </p> | ||
<p>SEYTON.<br/> | <p>SEYTON.<br/> | ||
All is confirm'd, my lord, which was reported. | All is confirm'd, my lord, which was reported. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
I'll fight till from my bones my flesh be hack'd.<br/> | I'll fight till from my bones my flesh be hack'd.<br/> | ||
Give me my armour. | Give me my armour. | ||
</p> | </p> | ||
<p>SEYTON.<br/> | <p>SEYTON.<br/> | ||
'Tis not needed yet. | 'Tis not needed yet. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
I'll put it on.<br/> | I'll put it on.<br/> | ||
Send out more horses, skirr the country round;<br/> | Send out more horses, skirr the country round;<br/> | ||
Hang those that talk of fear. Give me mine armour.—<br/> | |||
Hang those that talk of fear. Give me mine armour.&mdash;<br/> | |||
How does your patient, doctor? | How does your patient, doctor? | ||
</p> | </p> | ||
<p>DOCTOR.<br/> | <p>DOCTOR.<br/> | ||
Not so sick, my lord,<br/> | Not so sick, my lord,<br/> | ||
As she is troubled with thick-coming fancies,<br/> | As she is troubled with thick-coming fancies,<br/> | ||
That keep her from her rest. | That keep her from her rest. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Cure her of that:<br/> | Cure her of that:<br/> | ||
Canst thou not minister to a mind diseas'd,<br/> | Canst thou not minister to a mind diseas'd,<br/> | ||
Pluck from the memory a rooted sorrow,<br/> | Pluck from the memory a rooted sorrow,<br/> | ||
Raze out the written troubles of the brain,<br/> | Raze out the written troubles of the brain,<br/> | ||
And with some sweet oblivious antidote<br/> | And with some sweet oblivious antidote<br/> | ||
Cleanse the stuff'd bosom of that perilous stuff<br/> | Cleanse the stuff'd bosom of that perilous stuff<br/> | ||
Which weighs upon the heart? | Which weighs upon the heart? | ||
</p> | </p> | ||
<p>DOCTOR.<br/> | <p>DOCTOR.<br/> | ||
Therein the patient<br/> | Therein the patient<br/> | ||
Must minister to himself. | Must minister to himself. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Throw physic to the dogs, I'll none of it.<br/> | Throw physic to the dogs, I'll none of it.<br/> | ||
Come, put mine armour on; give me my staff:<br/> | Come, put mine armour on; give me my staff:<br/> | ||
Seyton, send out.—Doctor, the Thanes fly from me.—<br/> | |||
Come, sir, despatch.—If thou couldst, doctor, cast<br/> | Seyton, send out.&mdash;Doctor, the Thanes fly from me.&mdash;<br/> | ||
Come, sir, despatch.&mdash;If thou couldst, doctor, cast<br/> | |||
The water of my land, find her disease,<br/> | The water of my land, find her disease,<br/> | ||
And purge it to a sound and pristine health,<br/> | And purge it to a sound and pristine health,<br/> | ||
I would applaud thee to the very echo,<br/> | I would applaud thee to the very echo,<br/> | ||
That should applaud again.—Pull't off, I say.—<br/> | |||
That should applaud again.&mdash;Pull't off, I say.&mdash;<br/> | |||
What rhubarb, senna, or what purgative drug,<br/> | What rhubarb, senna, or what purgative drug,<br/> | ||
Would scour these English hence? Hear'st thou of them? | Would scour these English hence? Hear'st thou of them? | ||
</p> | </p> | ||
<p>DOCTOR.<br/> | <p>DOCTOR.<br/> | ||
Ay, my good lord. Your royal preparation<br/> | Ay, my good lord. Your royal preparation<br/> | ||
Makes us hear something. | Makes us hear something. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Bring it after me.—<br/> | |||
Bring it after me.&mdash;<br/> | |||
I will not be afraid of death and bane,<br/> | I will not be afraid of death and bane,<br/> | ||
Till Birnam forest come to Dunsinane. | Till Birnam forest come to Dunsinane. | ||
</p> | </p> | ||
Line 4,461: | Line 7,161: | ||
<p>DOCTOR.<br/> | <p>DOCTOR.<br/> | ||
Were I from Dunsinane away and clear,<br/> | Were I from Dunsinane away and clear,<br/> | ||
Profit again should hardly draw me here. | Profit again should hardly draw me here. | ||
</p> | </p> | ||
Line 4,468: | Line 7,171: | ||
<h3 id="sceneV_20.4"> | <h3 id="sceneV_20.4"> | ||
<b>SCENE IV. Country near Dunsinane: a Wood in view.</b></h3> | <b>SCENE IV. Country near Dunsinane: a Wood in view.</b></h3> | ||
<p class="scenedesc"> Enter, with drum and colours <span class="charname">Malcolm, | <p class="scenedesc"> Enter, with drum and colours <span class="charname">Malcolm, | ||
old Siward</span> and his Son, <span class="charname">Macduff, Menteith, Caithness, | old Siward</span> and his Son, <span class="charname">Macduff, Menteith, Caithness, | ||
Angus, Lennox, Ross</span> and Soldiers, marching.</p> | Angus, Lennox, Ross</span> and Soldiers, marching.</p> | ||
<p>MALCOLM.<br/> | <p>MALCOLM.<br/> | ||
Cousins, I hope the days are near at hand<br/> | Cousins, I hope the days are near at hand<br/> | ||
That chambers will be safe. | That chambers will be safe. | ||
</p> | </p> | ||
<p>MENTEITH.<br/> | <p>MENTEITH.<br/> | ||
We doubt it nothing. | We doubt it nothing. | ||
</p> | </p> | ||
<p>SIWARD.<br/> | <p>SIWARD.<br/> | ||
What wood is this before us? | What wood is this before us? | ||
</p> | </p> | ||
<p>MENTEITH.<br/> | <p>MENTEITH.<br/> | ||
The wood of Birnam. | The wood of Birnam. | ||
</p> | </p> | ||
<p>MALCOLM.<br/> | <p>MALCOLM.<br/> | ||
Let every soldier hew him down a bough,<br/> | Let every soldier hew him down a bough,<br/> | ||
And bear't before him. Thereby shall we shadow<br/> | And bear't before him. Thereby shall we shadow<br/> | ||
The numbers of our host, and make discovery<br/> | The numbers of our host, and make discovery<br/> | ||
Err in report of us. | Err in report of us. | ||
</p> | </p> | ||
<p>SOLDIERS.<br/> | <p>SOLDIERS.<br/> | ||
It shall be done. | It shall be done. | ||
</p> | </p> | ||
<p>SIWARD.<br/> | <p>SIWARD.<br/> | ||
We learn no other but the confident tyrant<br/> | We learn no other but the confident tyrant<br/> | ||
Keeps still in Dunsinane, and will endure<br/> | Keeps still in Dunsinane, and will endure<br/> | ||
Our setting down before't. | Our setting down before't. | ||
</p> | </p> | ||
<p>MALCOLM.<br/> | <p>MALCOLM.<br/> | ||
'Tis his main hope;<br/> | 'Tis his main hope;<br/> | ||
For where there is advantage to be given,<br/> | For where there is advantage to be given,<br/> | ||
Both more and less have given him the revolt,<br/> | Both more and less have given him the revolt,<br/> | ||
And none serve with him but constrained things,<br/> | And none serve with him but constrained things,<br/> | ||
Whose hearts are absent too. | Whose hearts are absent too. | ||
</p> | </p> | ||
<p>MACDUFF.<br/> | <p>MACDUFF.<br/> | ||
Let our just censures<br/> | Let our just censures<br/> | ||
Attend the true event, and put we on<br/> | Attend the true event, and put we on<br/> | ||
Industrious soldiership. | Industrious soldiership. | ||
</p> | </p> | ||
<p>SIWARD.<br/> | <p>SIWARD.<br/> | ||
The time approaches,<br/> | The time approaches,<br/> | ||
That will with due decision make us know<br/> | That will with due decision make us know<br/> | ||
What we shall say we have, and what we owe.<br/> | What we shall say we have, and what we owe.<br/> | ||
Thoughts speculative their unsure hopes relate,<br/> | Thoughts speculative their unsure hopes relate,<br/> | ||
But certain issue strokes must arbitrate;<br/> | But certain issue strokes must arbitrate;<br/> | ||
Towards which advance the war. | Towards which advance the war. | ||
</p> | </p> | ||
Line 4,534: | Line 7,277: | ||
<h3 id="sceneV_20.5"> | <h3 id="sceneV_20.5"> | ||
<b>SCENE V. Dunsinane. Within the castle.</b></h3> | <b>SCENE V. Dunsinane. Within the castle.</b></h3> | ||
<p class="scenedesc"> Enter with drum and colours, <span class="charname">Macbeth, | <p class="scenedesc"> Enter with drum and colours, <span class="charname">Macbeth, | ||
Seyton </span>and Soldiers.</p> | Seyton </span>and Soldiers.</p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Hang out our banners on the outward walls;<br/> | Hang out our banners on the outward walls;<br/> | ||
The cry is still, “They come!” Our castle's strength<br/> | |||
The cry is still, &ldquo;They come!&rdquo; Our castle's strength<br/> | |||
Will laugh a siege to scorn: here let them lie<br/> | Will laugh a siege to scorn: here let them lie<br/> | ||
Till famine and the ague eat them up.<br/> | Till famine and the ague eat them up.<br/> | ||
Were they not forc'd with those that should be ours,<br/> | Were they not forc'd with those that should be ours,<br/> | ||
We might have met them dareful, beard to beard,<br/> | We might have met them dareful, beard to beard,<br/> | ||
And beat them backward home. | And beat them backward home. | ||
</p> | </p> | ||
Line 4,552: | Line 7,305: | ||
<p>What is that noise? | <p>What is that noise? | ||
</p> | </p> | ||
<p>SEYTON.<br/> | <p>SEYTON.<br/> | ||
It is the cry of women, my good lord. | It is the cry of women, my good lord. | ||
</p> | </p> | ||
Line 4,561: | Line 7,317: | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
I have almost forgot the taste of fears.<br/> | I have almost forgot the taste of fears.<br/> | ||
The time has been, my senses would have cool'd<br/> | The time has been, my senses would have cool'd<br/> | ||
To hear a night-shriek; and my fell of hair<br/> | To hear a night-shriek; and my fell of hair<br/> | ||
Would at a dismal treatise rouse and stir<br/> | Would at a dismal treatise rouse and stir<br/> | ||
As life were in't. I have supp'd full with horrors;<br/> | As life were in't. I have supp'd full with horrors;<br/> | ||
Direness, familiar to my slaughterous thoughts,<br/> | Direness, familiar to my slaughterous thoughts,<br/> | ||
Cannot once start me. | Cannot once start me. | ||
</p> | </p> | ||
Line 4,573: | Line 7,337: | ||
<p>Wherefore was that cry? | <p>Wherefore was that cry? | ||
</p> | </p> | ||
<p>SEYTON.<br/> | <p>SEYTON.<br/> | ||
The Queen, my lord, is dead. | The Queen, my lord, is dead. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
She should have died hereafter.<br/> | She should have died hereafter.<br/> | ||
There would have been a time for such a word.<br/> | There would have been a time for such a word.<br/> | ||
Tomorrow, and tomorrow, and tomorrow,<br/> | Tomorrow, and tomorrow, and tomorrow,<br/> | ||
Creeps in this petty pace from day to day,<br/> | Creeps in this petty pace from day to day,<br/> | ||
To the last syllable of recorded time;<br/> | To the last syllable of recorded time;<br/> | ||
And all our yesterdays have lighted fools<br/> | And all our yesterdays have lighted fools<br/> | ||
The way to dusty death. Out, out, brief candle!<br/> | The way to dusty death. Out, out, brief candle!<br/> | ||
Life's but a walking shadow; a poor player,<br/> | Life's but a walking shadow; a poor player,<br/> | ||
That struts and frets his hour upon the stage,<br/> | That struts and frets his hour upon the stage,<br/> | ||
And then is heard no more: it is a tale<br/> | And then is heard no more: it is a tale<br/> | ||
Told by an idiot, full of sound and fury,<br/> | Told by an idiot, full of sound and fury,<br/> | ||
Signifying nothing. | Signifying nothing. | ||
</p> | </p> | ||
Line 4,597: | Line 7,377: | ||
<p>Thou com'st to use thy tongue; thy story quickly. | <p>Thou com'st to use thy tongue; thy story quickly. | ||
</p> | </p> | ||
<p>MESSENGER.<br/> | <p>MESSENGER.<br/> | ||
Gracious my lord,<br/> | Gracious my lord,<br/> | ||
I should report that which I say I saw,<br/> | I should report that which I say I saw,<br/> | ||
But know not how to do't. | But know not how to do't. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Well, say, sir. | Well, say, sir. | ||
</p> | </p> | ||
<p>MESSENGER.<br/> | <p>MESSENGER.<br/> | ||
As I did stand my watch upon the hill,<br/> | As I did stand my watch upon the hill,<br/> | ||
I look'd toward Birnam, and anon, methought,<br/> | I look'd toward Birnam, and anon, methought,<br/> | ||
The wood began to move. | The wood began to move. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Liar, and slave! | Liar, and slave! | ||
</p> | </p> | ||
<p>MESSENGER.<br/> | <p>MESSENGER.<br/> | ||
Let me endure your wrath, if't be not so.<br/> | Let me endure your wrath, if't be not so.<br/> | ||
Within this three mile may you see it coming;<br/> | Within this three mile may you see it coming;<br/> | ||
I say, a moving grove. | I say, a moving grove. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
If thou speak'st false,<br/> | If thou speak'st false,<br/> | ||
Upon the next tree shalt thou hang alive,<br/> | Upon the next tree shalt thou hang alive,<br/> | ||
Till famine cling thee: if thy speech be sooth,<br/> | Till famine cling thee: if thy speech be sooth,<br/> | ||
I care not if thou dost for me as much.—<br/> | |||
I care not if thou dost for me as much.&mdash;<br/> | |||
I pull in resolution; and begin<br/> | I pull in resolution; and begin<br/> | ||
To doubt th' equivocation of the fiend,<br/> | To doubt th' equivocation of the fiend,<br/> | ||
That lies like truth. “Fear not, till Birnam wood<br/> | |||
Do come to Dunsinane;” and now a wood<br/> | That lies like truth. &ldquo;Fear not, till Birnam wood<br/> | ||
Comes toward Dunsinane.—Arm, arm, and out!—<br/> | |||
Do come to Dunsinane;&rdquo; and now a wood<br/> | |||
Comes toward Dunsinane.&mdash;Arm, arm, and out!&mdash;<br/> | |||
If this which he avouches does appear,<br/> | If this which he avouches does appear,<br/> | ||
There is nor flying hence nor tarrying here.<br/> | There is nor flying hence nor tarrying here.<br/> | ||
I 'gin to be aweary of the sun,<br/> | I 'gin to be aweary of the sun,<br/> | ||
And wish th' estate o' th' world were now undone.—<br/> | |||
Ring the alarum bell!—Blow, wind! come, wrack!<br/> | And wish th' estate o' th' world were now undone.&mdash;<br/> | ||
Ring the alarum bell!&mdash;Blow, wind! come, wrack!<br/> | |||
At least we'll die with harness on our back. | At least we'll die with harness on our back. | ||
</p> | </p> | ||
Line 4,646: | Line 7,459: | ||
<h3 id="sceneV_20.6"> | <h3 id="sceneV_20.6"> | ||
<b>SCENE VI. The same. A Plain before the Castle.</b></h3> | <b>SCENE VI. The same. A Plain before the Castle.</b></h3> | ||
<p class="scenedesc"> Enter, with drum and colours, <span class="charname">Malcolm, | <p class="scenedesc"> Enter, with drum and colours, <span class="charname">Malcolm, | ||
old Siward, Macduff</span> and their Army, with boughs.</p> | old Siward, Macduff</span> and their Army, with boughs.</p> | ||
<p>MALCOLM.<br/> | <p>MALCOLM.<br/> | ||
Now near enough. Your leafy screens throw down,<br/> | Now near enough. Your leafy screens throw down,<br/> | ||
And show like those you are.—You, worthy uncle,<br/> | |||
And show like those you are.&mdash;You, worthy uncle,<br/> | |||
Shall with my cousin, your right noble son,<br/> | Shall with my cousin, your right noble son,<br/> | ||
Lead our first battle: worthy Macduff and we<br/> | Lead our first battle: worthy Macduff and we<br/> | ||
Shall take upon's what else remains to do,<br/> | Shall take upon's what else remains to do,<br/> | ||
According to our order. | According to our order. | ||
</p> | </p> | ||
<p>SIWARD.<br/> | <p>SIWARD.<br/> | ||
Fare you well.—<br/> | |||
Fare you well.&mdash;<br/> | |||
Do we but find the tyrant's power tonight,<br/> | Do we but find the tyrant's power tonight,<br/> | ||
Let us be beaten, if we cannot fight. | Let us be beaten, if we cannot fight. | ||
</p> | </p> | ||
<p>MACDUFF.<br/> | <p>MACDUFF.<br/> | ||
Make all our trumpets speak; give them all breath,<br/> | Make all our trumpets speak; give them all breath,<br/> | ||
Those clamorous harbingers of blood and death. | Those clamorous harbingers of blood and death. | ||
</p> | </p> | ||
Line 4,674: | Line 7,503: | ||
<h3 id="sceneV_20.7"> | <h3 id="sceneV_20.7"> | ||
<b>SCENE VII. The same. Another part of the Plain.</b></h3> | <b>SCENE VII. The same. Another part of the Plain.</b></h3> | ||
Line 4,679: | Line 7,509: | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
They have tied me to a stake. I cannot fly,<br/> | They have tied me to a stake. I cannot fly,<br/> | ||
But, bear-like I must fight the course.—What's he<br/> | |||
But, bear-like I must fight the course.&mdash;What's he<br/> | |||
That was not born of woman? Such a one<br/> | That was not born of woman? Such a one<br/> | ||
Am I to fear, or none. | Am I to fear, or none. | ||
</p> | </p> | ||
Line 4,688: | Line 7,523: | ||
<p>YOUNG SIWARD.<br/> | <p>YOUNG SIWARD.<br/> | ||
What is thy name? | What is thy name? | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Thou'lt be afraid to hear it. | Thou'lt be afraid to hear it. | ||
</p> | </p> | ||
<p>YOUNG SIWARD.<br/> | <p>YOUNG SIWARD.<br/> | ||
No; though thou call'st thyself a hotter name<br/> | No; though thou call'st thyself a hotter name<br/> | ||
Than any is in hell. | Than any is in hell. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
My name's Macbeth. | My name's Macbeth. | ||
</p> | </p> | ||
<p>YOUNG SIWARD.<br/> | <p>YOUNG SIWARD.<br/> | ||
The devil himself could not pronounce a title<br/> | The devil himself could not pronounce a title<br/> | ||
More hateful to mine ear. | More hateful to mine ear. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
No, nor more fearful. | No, nor more fearful. | ||
</p> | </p> | ||
<p>YOUNG SIWARD.<br/> | <p>YOUNG SIWARD.<br/> | ||
Thou liest, abhorred tyrant. With my sword<br/> | Thou liest, abhorred tyrant. With my sword<br/> | ||
I'll prove the lie thou speak'st. | I'll prove the lie thou speak'st. | ||
</p> | </p> | ||
<p class="right"> [<i>They fight, and young <span class="charname">Siward</span> | <p class="right"> [<i>They fight, and young <span class="charname">Siward</span> | ||
is slain.</i>]</p> | is slain.</i>]</p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Thou wast born of woman.<br/> | Thou wast born of woman.<br/> | ||
But swords I smile at, weapons laugh to scorn,<br/> | But swords I smile at, weapons laugh to scorn,<br/> | ||
Brandish'd by man that's of a woman born. | Brandish'd by man that's of a woman born. | ||
</p> | </p> | ||
Line 4,732: | Line 7,589: | ||
<p>MACDUFF.<br/> | <p>MACDUFF.<br/> | ||
That way the noise is.—Tyrant, show thy face!<br/> | |||
That way the noise is.&mdash;Tyrant, show thy face!<br/> | |||
If thou be'st slain and with no stroke of mine,<br/> | If thou be'st slain and with no stroke of mine,<br/> | ||
My wife and children's ghosts will haunt me still.<br/> | My wife and children's ghosts will haunt me still.<br/> | ||
I cannot strike at wretched kerns, whose arms<br/> | I cannot strike at wretched kerns, whose arms<br/> | ||
Are hired to bear their staves. Either thou, Macbeth,<br/> | Are hired to bear their staves. Either thou, Macbeth,<br/> | ||
Or else my sword, with an unbatter'd edge,<br/> | Or else my sword, with an unbatter'd edge,<br/> | ||
I sheathe again undeeded. There thou shouldst be;<br/> | I sheathe again undeeded. There thou shouldst be;<br/> | ||
By this great clatter, one of greatest note<br/> | By this great clatter, one of greatest note<br/> | ||
Seems bruited. Let me find him, Fortune!<br/> | Seems bruited. Let me find him, Fortune!<br/> | ||
And more I beg not. | And more I beg not. | ||
</p> | </p> | ||
Line 4,747: | Line 7,615: | ||
<p class="scenedesc"> Enter <span class="charname">Malcolm</span> and old | <p class="scenedesc"> Enter <span class="charname">Malcolm</span> and old | ||
<span class="charname">Siward</span>.</p> | <span class="charname">Siward</span>.</p> | ||
<p>SIWARD.<br/> | <p>SIWARD.<br/> | ||
This way, my lord;—the castle's gently render'd:<br/> | |||
This way, my lord;&mdash;the castle's gently render'd:<br/> | |||
The tyrant's people on both sides do fight;<br/> | The tyrant's people on both sides do fight;<br/> | ||
The noble thanes do bravely in the war,<br/> | The noble thanes do bravely in the war,<br/> | ||
The day almost itself professes yours,<br/> | The day almost itself professes yours,<br/> | ||
And little is to do. | And little is to do. | ||
</p> | </p> | ||
<p>MALCOLM.<br/> | <p>MALCOLM.<br/> | ||
We have met with foes<br/> | We have met with foes<br/> | ||
That strike beside us. | That strike beside us. | ||
</p> | </p> | ||
<p>SIWARD.<br/> | <p>SIWARD.<br/> | ||
Enter, sir, the castle. | Enter, sir, the castle. | ||
</p> | </p> | ||
Line 4,769: | Line 7,649: | ||
<h3 id="sceneV_20.8"> | <h3 id="sceneV_20.8"> | ||
<b>SCENE VIII. The same. Another part of the field.</b></h3> | <b>SCENE VIII. The same. Another part of the field.</b></h3> | ||
Line 4,774: | Line 7,655: | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Why should I play the Roman fool, and die<br/> | Why should I play the Roman fool, and die<br/> | ||
On mine own sword? whiles I see lives, the gashes<br/> | On mine own sword? whiles I see lives, the gashes<br/> | ||
Do better upon them. | Do better upon them. | ||
</p> | </p> | ||
Line 4,782: | Line 7,667: | ||
<p>MACDUFF.<br/> | <p>MACDUFF.<br/> | ||
Turn, hell-hound, turn! | Turn, hell-hound, turn! | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Of all men else I have avoided thee:<br/> | Of all men else I have avoided thee:<br/> | ||
But get thee back; my soul is too much charg'd<br/> | But get thee back; my soul is too much charg'd<br/> | ||
With blood of thine already. | With blood of thine already. | ||
</p> | </p> | ||
<p>MACDUFF.<br/> | <p>MACDUFF.<br/> | ||
I have no words;<br/> | I have no words;<br/> | ||
My voice is in my sword: thou bloodier villain<br/> | My voice is in my sword: thou bloodier villain<br/> | ||
Than terms can give thee out! | Than terms can give thee out! | ||
</p> | </p> | ||
Line 4,800: | Line 7,695: | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Thou losest labour:<br/> | Thou losest labour:<br/> | ||
As easy mayst thou the intrenchant air<br/> | As easy mayst thou the intrenchant air<br/> | ||
With thy keen sword impress, as make me bleed:<br/> | With thy keen sword impress, as make me bleed:<br/> | ||
Let fall thy blade on vulnerable crests;<br/> | Let fall thy blade on vulnerable crests;<br/> | ||
I bear a charmed life, which must not yield<br/> | I bear a charmed life, which must not yield<br/> | ||
To one of woman born. | To one of woman born. | ||
</p> | </p> | ||
<p>MACDUFF.<br/> | <p>MACDUFF.<br/> | ||
Despair thy charm;<br/> | Despair thy charm;<br/> | ||
And let the angel whom thou still hast serv'd<br/> | And let the angel whom thou still hast serv'd<br/> | ||
Tell thee, Macduff was from his mother's womb<br/> | Tell thee, Macduff was from his mother's womb<br/> | ||
Untimely ripp'd. | Untimely ripp'd. | ||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
Accursed be that tongue that tells me so,<br/> | Accursed be that tongue that tells me so,<br/> | ||
For it hath cow'd my better part of man!<br/> | For it hath cow'd my better part of man!<br/> | ||
And be these juggling fiends no more believ'd,<br/> | And be these juggling fiends no more believ'd,<br/> | ||
That palter with us in a double sense;<br/> | That palter with us in a double sense;<br/> | ||
That keep the word of promise to our ear,<br/> | That keep the word of promise to our ear,<br/> | ||
And break it to our hope!—I'll not fight with thee. | |||
And break it to our hope!&mdash;I'll not fight with thee. | |||
</p> | </p> | ||
<p>MACDUFF.<br/> | <p>MACDUFF.<br/> | ||
Then yield thee, coward,<br/> | Then yield thee, coward,<br/> | ||
And live to be the show and gaze o' th' time.<br/> | And live to be the show and gaze o' th' time.<br/> | ||
We'll have thee, as our rarer monsters are,<br/> | We'll have thee, as our rarer monsters are,<br/> | ||
Painted upon a pole, and underwrit,<br/> | Painted upon a pole, and underwrit,<br/> | ||
“Here may you see the tyrant.” | |||
&ldquo;Here may you see the tyrant.&rdquo; | |||
</p> | </p> | ||
<p>MACBETH.<br/> | <p>MACBETH.<br/> | ||
I will not yield,<br/> | I will not yield,<br/> | ||
To kiss the ground before young Malcolm's feet,<br/> | To kiss the ground before young Malcolm's feet,<br/> | ||
And to be baited with the rabble's curse.<br/> | And to be baited with the rabble's curse.<br/> | ||
Though Birnam wood be come to Dunsinane,<br/> | Though Birnam wood be come to Dunsinane,<br/> | ||
And thou oppos'd, being of no woman born,<br/> | And thou oppos'd, being of no woman born,<br/> | ||
Yet I will try the last. Before my body<br/> | Yet I will try the last. Before my body<br/> | ||
I throw my warlike shield: lay on, Macduff;<br/> | I throw my warlike shield: lay on, Macduff;<br/> | ||
And damn'd be him that first cries, “Hold, enough!” | |||
And damn'd be him that first cries, &ldquo;Hold, enough!&rdquo; | |||
</p> | </p> | ||
Line 4,846: | Line 7,775: | ||
<p class="scenedesc"> Retreat. Flourish. Enter, with drum and colours, | <p class="scenedesc"> Retreat. Flourish. Enter, with drum and colours, | ||
<span class="charname">Malcolm, old Siward, Ross,</span> Thanes and Soldiers.</p> | <span class="charname">Malcolm, old Siward, Ross,</span> Thanes and Soldiers.</p> | ||
<p>MALCOLM.<br/> | <p>MALCOLM.<br/> | ||
I would the friends we miss were safe arriv'd. | I would the friends we miss were safe arriv'd. | ||
</p> | </p> | ||
<p>SIWARD.<br/> | <p>SIWARD.<br/> | ||
Some must go off; and yet, by these I see,<br/> | Some must go off; and yet, by these I see,<br/> | ||
So great a day as this is cheaply bought. | So great a day as this is cheaply bought. | ||
</p> | </p> | ||
<p>MALCOLM.<br/> | <p>MALCOLM.<br/> | ||
Macduff is missing, and your noble son. | Macduff is missing, and your noble son. | ||
</p> | </p> | ||
<p>ROSS.<br/> | <p>ROSS.<br/> | ||
Your son, my lord, has paid a soldier's debt:<br/> | Your son, my lord, has paid a soldier's debt:<br/> | ||
He only liv'd but till he was a man;<br/> | He only liv'd but till he was a man;<br/> | ||
The which no sooner had his prowess confirm'd<br/> | The which no sooner had his prowess confirm'd<br/> | ||
In the unshrinking station where he fought,<br/> | In the unshrinking station where he fought,<br/> | ||
But like a man he died. | But like a man he died. | ||
</p> | </p> | ||
<p>SIWARD.<br/> | <p>SIWARD.<br/> | ||
Then he is dead? | Then he is dead? | ||
</p> | </p> | ||
<p>FLEANCE.<br/> | <p>FLEANCE.<br/> | ||
Ay, and brought off the field. Your cause of sorrow<br/> | Ay, and brought off the field. Your cause of sorrow<br/> | ||
Must not be measur'd by his worth, for then<br/> | Must not be measur'd by his worth, for then<br/> | ||
It hath no end. | It hath no end. | ||
</p> | </p> | ||
<p>SIWARD.<br/> | <p>SIWARD.<br/> | ||
Had he his hurts before? | Had he his hurts before? | ||
</p> | </p> | ||
<p>ROSS.<br/> | <p>ROSS.<br/> | ||
Ay, on the front. | Ay, on the front. | ||
</p> | </p> | ||
<p>SIWARD.<br/> | <p>SIWARD.<br/> | ||
Why then, God's soldier be he!<br/> | Why then, God's soldier be he!<br/> | ||
Had I as many sons as I have hairs,<br/> | Had I as many sons as I have hairs,<br/> | ||
I would not wish them to a fairer death:<br/> | I would not wish them to a fairer death:<br/> | ||
And so his knell is knoll'd. | And so his knell is knoll'd. | ||
</p> | </p> | ||
<p>MALCOLM.<br/> | <p>MALCOLM.<br/> | ||
He's worth more sorrow,<br/> | He's worth more sorrow,<br/> | ||
And that I'll spend for him. | And that I'll spend for him. | ||
</p> | </p> | ||
<p>SIWARD.<br/> | <p>SIWARD.<br/> | ||
He's worth no more.<br/> | He's worth no more.<br/> | ||
They say he parted well and paid his score:<br/> | They say he parted well and paid his score:<br/> | ||
And so, God be with him!—Here comes newer comfort. | |||
And so, God be with him!&mdash;Here comes newer comfort. | |||
</p> | </p> | ||
<p class="scenedesc"> Enter <span class="charname">Macduff</span> with | <p class="scenedesc"> Enter <span class="charname">Macduff</span> with | ||
Macbeth's head.</p> | Macbeth's head.</p> | ||
<p>MACDUFF.<br/> | <p>MACDUFF.<br/> | ||
Hail, King, for so thou art. Behold, where stands<br/> | Hail, King, for so thou art. Behold, where stands<br/> | ||
Th' usurper's cursed head: the time is free.<br/> | Th' usurper's cursed head: the time is free.<br/> | ||
I see thee compass'd with thy kingdom's pearl,<br/> | I see thee compass'd with thy kingdom's pearl,<br/> | ||
That speak my salutation in their minds;<br/> | That speak my salutation in their minds;<br/> | ||
Whose voices I desire aloud with mine,—<br/> | |||
Whose voices I desire aloud with mine,&mdash;<br/> | |||
Hail, King of Scotland! | Hail, King of Scotland! | ||
</p> | </p> | ||
<p>ALL.<br/> | <p>ALL.<br/> | ||
Hail, King of Scotland! | Hail, King of Scotland! | ||
</p> | </p> | ||
Line 4,924: | Line 7,899: | ||
<p>MALCOLM.<br/> | <p>MALCOLM.<br/> | ||
We shall not spend a large expense of time<br/> | We shall not spend a large expense of time<br/> | ||
Before we reckon with your several loves,<br/> | Before we reckon with your several loves,<br/> | ||
And make us even with you. My thanes and kinsmen,<br/> | And make us even with you. My thanes and kinsmen,<br/> | ||
Henceforth be earls, the first that ever Scotland<br/> | Henceforth be earls, the first that ever Scotland<br/> | ||
In such an honour nam'd. What's more to do,<br/> | In such an honour nam'd. What's more to do,<br/> | ||
Which would be planted newly with the time,—<br/> | |||
Which would be planted newly with the time,&mdash;<br/> | |||
As calling home our exil'd friends abroad,<br/> | As calling home our exil'd friends abroad,<br/> | ||
That fled the snares of watchful tyranny;<br/> | That fled the snares of watchful tyranny;<br/> | ||
Producing forth the cruel ministers<br/> | Producing forth the cruel ministers<br/> | ||
Of this dead butcher, and his fiend-like queen,<br/> | Of this dead butcher, and his fiend-like queen,<br/> | ||
Who, as 'tis thought, by self and violent hands<br/> | Who, as 'tis thought, by self and violent hands<br/> | ||
Took off her life;—this, and what needful else<br/> | |||
Took off her life;&mdash;this, and what needful else<br/> | |||
That calls upon us, by the grace of Grace,<br/> | That calls upon us, by the grace of Grace,<br/> | ||
We will perform in measure, time, and place.<br/> | We will perform in measure, time, and place.<br/> | ||
So thanks to all at once, and to each one,<br/> | So thanks to all at once, and to each one,<br/> | ||
Whom we invite to see us crown'd at Scone. | Whom we invite to see us crown'd at Scone. | ||
</p> | </p> | ||
<p class="right"> [<i>Flourish. Exeunt.</i>]</p> | <p class="right"> [<i>Flourish. Exeunt.</i>]</p> | ||
{{close-shakespeare}} | {{close-shakespeare}}</text> |