Texts:Emerson/Essays2: Difference between revisions

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A moody child and wildly wise

Pursued the game with joyful eyes,

Which always find us young,

And always keep us so.<br>

<h2>I. THE POET. </h2>

<p>¶{{#counter: }} — But, leaving these victims of vanity, let us, with new hope, observe how nature, by worthier impulses, has ensured the poet's fidelity to his office of announcement and affirming, namely by the beauty of things, which becomes a new and higher beauty when expressed. Nature offers all her creatures to him as a picture-language. Being used as a type, a second wonderful value appears in the object, far better than its old value; as the carpenter's stretched cord, if you hold your ear close enough, is musical in the breeze. "Things more excellent than every image," says Jamblichus, "are expressed through images." Things admit of being used as symbols because nature is a symbol, in the whole, and in every part. Every line we can draw in the sand has expression; and there is no body without its spirit or genius. All form is an effect of character; all condition, of the quality of the life; all harmony, of health; and for this reason a perception of beauty should be sympathetic, or proper only to the good. The beautiful rests on the foundations of the necessary. The soul makes the body, as the wise Spenser teaches:&mdash; </p>

And hath in it the more of heavenly light,

So it the fairer body doth procure

With cheerful grace and amiable sight.

For, of the soul, the body form doth take,

<p>¶{{#counter: }} — Here we find ourselves suddenly not in a critical speculation but in a holy place, and should go very warily and reverently. We stand before the secret of the world, there where Being passes into Appearance and Unity into Variety. </p>

<p>¶{{#counter: }} — If the imagination intoxicates the poet, it is not inactive in other men. The metamorphosis excites in the beholder an emotion of joy. The use of symbols has a certain power of emancipation and exhilaration for all men. We seem to be touched by a wand which makes us dance and run about happily, like children. We are like persons who come out of a cave or cellar into the open air. This is the effect on us of tropes, fables, oracles, and all poetic forms. Poets are thus liberating gods. Men have really got a new sense, and found within their world another world, or nest of worlds; for, the metamorphosis once seen, we divine that it does not stop. I will not now consider how much this makes the charm of algebra and the mathematics, which also have their tropes, but it is felt in every definition; as when Aristotle defines space to be an immovable vessel in which things are contained;&mdash;or when Plato defines a line to be a flowing point; or figure to be a bound of solid; and many the like. What a joyful sense of freedom we have when Vitruvius announces the old opinion of artists that no architect can build any house well who does not know something of anatomy. When Socrates, in Charmides, tells us that the soul is cured of its maladies by certain incantations, and that these incantations are beautiful reasons, from which temperance is generated in souls; when Plato calls the world an animal; and Timaeus affirms that the plants also are animals; or affirms a man to be a heavenly tree, growing with his root, which is his head, upward; and, as George Chapman, following him, writes,&mdash; </p>

<p>¶{{#counter: }} — when Orpheus speaks of hoariness as "that white flower which marks extreme old age;" when Proclus calls the universe the statue of the intellect; when Chaucer, in his praise of 'Gentilesse,' compares good blood in mean condition to fire, which, though carried to the darkest house betwixt this and the mount of Caucasus, will yet hold its natural office and burn as bright as if twenty thousand men did it behold; when John saw, in the Apocalypse, the ruin of the world through evil, and the stars fall from heaven as the figtree casteth her untimely fruit; when Aesop reports the whole catalogue of common daily relations through the masquerade of birds and beasts;&mdash;we take the cheerful hint of the immortality of our essence and its versatile habit and escapes, as when the gypsies say "it is in vain to hang them, they cannot die." </p>

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THE lords of life, the lords of life,&mdash;

I saw them pass,

Whispered, 'Darling, never mind!

Tomorrow they will wear another face,

<h2>II. EXPERIENCE. </h2>  

<p>¶{{#counter: }} — What opium is instilled into all disaster! It shows formidable as we approach it, but there is at last no rough rasping friction, but the most slippery sliding surfaces. We fall soft on a thought; Ate Dea is gentle,&mdash; </p>

<p>¶{{#counter: }} — People grieve and bemoan themselves, but it is not half so bad with them as they say. There are moods in which we court suffering, in the hope that here at least we shall find reality, sharp peaks and edges of truth. But it turns out to be scene-painting and counterfeit. The only thing grief has taught me is to know how shallow it is. That, like all the rest, plays about the surface, and never introduces me into the reality, for contact with which we would even pay the costly price of sons and lovers. Was it Boscovich who found out that bodies never come in contact? Well, souls never touch their objects. An innavigable sea washes with silent waves between us and the things we aim at and converse with. Grief too will make us idealists. In the death of my son, now more than two years ago, I seem to have lost a beautiful estate,&mdash;no more. I cannot get it nearer to me. If to-morrow I should be informed of the bankruptcy of my principal debtors, the loss of my property would be a great inconvenience to me, perhaps, for many years; but it would leave me as it found me,&mdash;neither better nor worse. So is it with this calamity: it does not touch me; something which I fancied was a part of me, which could not be torn away without tearing me nor enlarged without enriching me, falls off from me and leaves no scar. It was caducous. I grieve that grief can teach me nothing, nor carry me one step into real nature. The Indian who was laid under a curse that the wind should not blow on him, nor water flow to him, nor fire burn him, is a type of us all. The dearest events are summer-rain, and we the Para coats that shed every drop. Nothing is left us now but death. We look to that with a grim satisfaction, saying There at least is reality that will not dodge us. </p>

<p>¶{{#counter: }} — The ancients, struck with this irreducibleness of the elements of human life to calculation, exalted Chance into a divinity; but that is to stay too long at the spark, which glitters truly at one point, but the universe is warm with the latency of the same fire. The miracle of life which will not be expounded but will remain a miracle, introduces a new element. In the growth of the embryo, Sir Everard Home I think noticed that the evolution was not from one central point, but coactive from three or more points. Life has no memory. That which proceeds in succession might be remembered, but that which is coexistent, or ejaculated from a deeper cause, as yet far from being conscious, knows not its own tendency. So is it with us, now skeptical or without unity, because immersed in forms and effects all seeming to be of equal yet hostile value, and now religious, whilst in the reception of spiritual law. Bear with these distractions, with this coetaneous growth of the parts; they will one day be members, and obey one will. On that one will, on that secret cause, they nail our attention and hope. Life is hereby melted into an expectation or a religion. Underneath the inharmonious and trivial particulars, is a musical perfection; the Ideal journeying always with us, the heaven without rent or seam. Do but observe the mode of our illumination. When I converse with a profound mind, or if at any time being alone I have good thoughts, I do not at once arrive at satisfactions, as when, being thirsty, I drink water; or go to the fire, being cold; no! but I am at first apprised of my vicinity to a new and excellent region of life. By persisting to read or to think, this region gives further sign of itself, as it were in flashes of light, in sudden discoveries of its profound beauty and repose, as if the clouds that covered it parted at intervals and showed the approaching traveller the inland mountains, with the tranquil eternal meadows spread at their base, whereon flocks graze and shepherds pipe and dance. But every insight from this realm of thought is felt as initial, and promises a sequel. I do not make it; I arrive there, and behold what was there already. I make! O no! I clap my hands in infantine joy and amazement before the first opening to me of this august magnificence, old with the love and homage of innumerable ages, young with the life of life, the sunbright Mecca of the desert. And what a future it opens! I feel a new heart beating with the love of the new beauty. I am ready to die out of nature and be born again into this new yet unapproachable America I have found in the West:&mdash; </p>

These thoughts, which have been ever, nor yet can

A man be found who their first entrance knew."

<p>¶{{#counter: }} — If I have described life as a flux of moods, I must now add that there is that in us which changes not and which ranks all sensations and states of mind. The consciousness in each man is a sliding scale, which identifies him now with the First Cause, and now with the flesh of his body; life above life, in infinite degrees. The sentiment from which it sprung determines the dignity of any deed, and the question ever is, not what you have done or forborne, but at whose command you have done or forborne it. </p>

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The sun set; but set not his hope:

Stars rose; his faith was earlier up:

Pleads for itself the fact;

As unrepenting Nature leaves

<h2>III. CHARACTER. </h2>  

<p>¶{{#counter: }} — If it were possible to live in right relations with men!&mdash;if we could abstain from asking anything of them, from asking their praise, or help, or pity, and content us with compelling them through the virtue of the eldest laws! Could we not deal with a few persons,&mdash;with one person,&mdash;after the unwritten statutes, and make an experiment of their efficacy? Could we not pay our friend the compliment of truth, of silence, of forbearing? Need we be so eager to seek him? If we are related, we shall meet. It was a tradition of the ancient world that no metamorphosis could hide a god from a god; and there is a Greek verse which runs,&mdash; </p>

<p>¶{{#counter: }} — Friends also follow the laws of divine necessity; they gravitate to each other, and cannot otherwise:&mdash; </p>

<p>¶{{#counter: }} — Their relation is not made, but allowed. The gods must seat themselves without seneschal in our Olympus, and as they can instal themselves by seniority divine. Society is spoiled if pains are taken, if the associates are brought a mile to meet. And if it be not society, it is a mischievous, low, degrading jangle, though made up of the best. All the greatness of each is kept back and every foible in painful activity, as if the Olympians should meet to exchange snuff-boxes. </p>

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"HOW near to good is what is fair!

Which we no sooner see,<br>

Instructed by the heightening sense

Of dignity and reverence

<h2>IV. MANNERS. </h2>

<p>¶{{#counter: }} — Yet these fineries may have grace and wit. Let there be grotesque sculpture about the gates and offices of temples. Let the creed and commandments even have the saucy homage of parody. The forms of politeness universally express benevolence in superlative degrees. What if they are in the mouths of selfish men, and used as means of selfishness? What if the false gentleman almost bows the true out Of the world? What if the false gentleman contrives so to address his companion as civilly to exclude all others from his discourse, and also to make them feel excluded? Real service will not lose its nobleness. All generosity is not merely French and sentimental; nor is it to be concealed that living blood and a passion of kindness does at last distinguish God's gentleman from Fashion's. The epitaph of Sir Jenkin Grout is not wholly unintelligible to the present age: "Here lies Sir Jenkin Grout, who loved his friend and persuaded his enemy: what his mouth ate, his hand paid for: what his servants robbed, he restored: if a woman gave him pleasure, he supported her in pain: he never forgot his children; and whoso touched his finger, drew after it his whole body." Even the line of heroes is not utterly extinct. There is still ever some admirable person in plain clothes, standing on the wharf, who jumps in to rescue a drowning man; there is still some absurd inventor of charities; some guide and comforter of runaway slaves; some friend of Poland; some Philhellene; some fanatic who plants shade-trees for the second and third generation, and orchards when he is grown old; some well-concealed piety; some just man happy in an ill fame; some youth ashamed of the favors of fortune and impatiently casting them on other shoulders. And these are the centres of society, on which it returns for fresh impulses. These are the creators of Fashion, which is an attempt to organize beauty of behavior. The beautiful and the generous are, in the theory, the doctors and apostles of this church: Scipio, and the Cid, and Sir Philip Sidney, and Washington, and every pure and valiant heart who worshipped Beauty by word and by deed. The persons who constitute the natural aristocracy are not found in the actual aristocracy, or only on its edge; as the chemical energy of the spectrum is found to be greatest just outside of the spectrum. Yet that is the infirmity of the seneschals, who do not know their sovereign when he appears. The theory of society supposes the existence and sovereignty of these. It divines afar off their coming. It says with the elder gods,&mdash; </p>

Than Chaos and blank Darkness, though once chiefs;

And as we show beyond that Heaven and Earth,

In glory that old Darkness:

&mdash;&mdash;&mdash;&mdash; for, 'tis the eternal law,

<p>¶{{#counter: }} — Therefore, within the ethnical circle of good society there is a narrower and higher circle, concentration of its light, and flower of courtesy, to which there is always a tacit appeal of pride and reference, as to its inner and imperial court; the parliament of love and chivalry. And this is constituted of those persons in whom heroic dispositions are native; with the love of beauty, the delight in society, and the power to embellish the passing day. If the individuals who compose the purest circles of aristocracy in Europe, the guarded blood of centuries, should pass in review, in such manner as that we could at leisure and critically inspect their behavior, we might find no gentleman and no lady; for although excellent specimens of courtesy and high-breeding would gratify us in the assemblage, in the particulars we should detect offence. Because elegance comes of no breeding, but of birth. There must be romance of character, or the most fastidious exclusion of impertinencies will not avail. It must be genius which takes that direction: it must be not courteous, but courtesy. High behavior is as rare in fiction as it is in fact. Scott is praised for the fidelity with which he painted the demeanor and conversation of the superior classes. Certainly, kings and queens, nobles and great ladies, had some right to complain of the absurdity that had been put in their mouths before the days of Waverley; but neither does Scott's dialogue bear criticism. His lords brave each other in smart epigramatic speeches, but the dialogue is in costume, and does not please on the second reading: it is not warm with life. In Shakspeare alone the speakers do not strut and bridle, the dialogue is easily great, and he adds to so many titles that of being the best-bred man in England and in Christendom. Once or twice in a lifetime we are permitted to enjoy the charm of noble manners, in the presence of a man or woman who have no bar in their nature, but whose character emanates freely in their word and gesture. A beautiful form is better than a beautiful face; a beautiful behavior is better than a beautiful form: it gives a higher pleasure than statues or pictures; it is the finest of the fine arts. A man is but a little thing in the midst of the objects of nature, yet, by the moral quality radiating from his countenance he may abolish all considerations of magnitude, and in his manners equal the majesty of the world. I have seen an individual whose manners, though wholly within the conventions of elegant society, were never learned there, but were original and commanding and held out protection and prosperity; one who did not need the aid of a court-suit, but carried the holiday in his eye; who exhilarated the fancy by flinging wide the doors of new modes of existence; who shook off the captivity of etiquette, with happy, spirited bearing, good-natured and free as Robin Hood; yet with the port of an emperor, if need be,&mdash;calm, serious, and fit to stand the gaze of millions. </p>

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Gifts of one who loved me,&mdash;

'T was high time they came;

<h2>V. GIFTS. </h2>

<p>¶{{#counter: }} — The law of benefits is a difficult channel, which requires careful sailing, or rude boats. It is not the office of a man to receive gifts. How dare you give them? We wish to be self-sustained. We do not quite forgive a giver. The hand that feeds us is in some danger of being bitten. We can receive anything from love, for that is a way of receiving it from ourselves; but not from any one who assumes to bestow. We sometimes hate the meat which we eat, because there seems something of degrading dependence in living by it:&mdash; </p>

<p>¶{{#counter: }} — We ask the whole. Nothing less will content us. We arraign society if it do not give us, besides earth and fire and water, opportunity, love, reverence, and objects of veneration. </p>

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The rounded world is fair to see,

Nine times folded in mystery:

Beckons to spirit of its kin;

Self-kindled every atom glows,

<h2>VI. NATURE. </h2>

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Gold and iron are good

To buy iron and gold;

Then the perfect State is come,

The republican at home.

<h2>VII. POLITICS. </h2>

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In countless upward-striving waves

The moon-drawn tide-wave strives:

To every child they wake,

And each with novel life his sphere

<h2>VIII. NONIMALIST AND REALIST. </h2>

<p>¶{{#counter: }} — For Nature, who abhors mannerism, has set her heart on breaking up all styles and tricks, and it is so much easier to do what one has done before than to do a new thing, that there is a perpetual tendency to a set mode. In every conversation, even the highest, there is a certain trick, which may be soon learned by an acute person and then that particular style continued indefinitely. Each man too is a tyrant in tendency, because he would impose his idea on others; and their trick is their natural defence. Jesus would absorb the race; but Tom Paine or the coarsest blasphemer helps humanity by resisting this exuberance of power. Hence the immense benefit of party in politics, as it reveals faults of character in a chief, which the intellectual force of the persons, with ordinary opportunity and not hurled into aphelion by hatred, could not have seen. Since we are all so stupid, what benefit that there should be two stupidities! It is like that brute advantage so essential to astronomy, of having the diameter of the earth's orbit for a base of its triangles. Democracy is morose, and runs to anarchy, but in the State and in the schools it is indispensable to resist the consolidation of all men into a few men. If John was perfect, why are you and I alive? As long as any man exists, there is some need of him; let him fight for his own. A new poet has appeared; a new character approached us; why should we refuse to eat bread until we have found his regiment and section in our old army-files? Why not a new man? Here is a new enterprise of Brook Farm, of Skeneateles, of Northampton: why so impatient to baptize them Essenes, or Port-Royalists, or Shakers, or by any known and effete name? Let it be a new way of living. Why have only two or three ways of life, and not thousands? Every man is wanted, and no man is wanted much. We came this time for condiments, not for corn. We want the great genius only for joy; for one star more in our constellation, for one tree more in our grove. But he thinks we wish to belong to him, as he wishes to occupy us. He greatly mistakes us. I think I have done well if I have acquired a new word from a good author; and my business with him is to find my own, though it were only to melt him down into an epithet or an image for daily use:&mdash; </p>

<p>¶{{#counter: }} — To embroil the confusion, and make it impossible to arrive at any general statement,&mdash;when we have insisted on the imperfection of individuals, our affections and our experience urge that every individual is entitled to honor, and a very generous treatment is sure to be repaid. A recluse sees only two or three persons, and allows them all their room; they spread themselves at large. The statesman looks at many, and compares the few habitually with others, and these look less. Yet are they not entitled to this generosity of reception? and is not munificence the means of insight? For though gamesters say that the cards beat all the players, though they were never so skilful, yet in the contest we are now considering, the players are also the game, and share the power of the cards. If you criticise a fine genius, the odds are that you are out of your reckoning, and instead of the poet, are censuring your own caricature of him. For there is somewhat spheral and infinite in every man, especially in every genius, which, if you can come very near him, sports with all your limitations. For rightly every man is a channel through which heaven floweth, and whilst I fancied I was criticising him, I was censuring or rather terminating my own soul. After taxing Goethe as a courtier, artificial, unbelieving, worldly,&mdash;I took up this book of Helena, and found him an Indian of the wilderness, a piece of pure nature like an apple or an oak, large as morning or night, and virtuous as a brier-rose. </p>

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In the suburb, in the town,

For the angel Hope aye makes

Him an angel whom she leads.

<h2>IX. NEW ENGLAND REFORMERS. </h2>