Texts:Shakespeare/cw162341: Difference between revisions
Jump to navigation
Jump to search
https://aplacetostudy.org/>Robbie McClintock m 1 revision imported |
mNo edit summary |
||
(3 intermediate revisions by 2 users not shown) | |||
Line 1: | Line 1: | ||
{{ | __NOTITLE__ | ||
{{Setup|tick=Where}} | |||
[[Texts:Shakespeare|Links to Shakespeare's Works]] | |||
<h2>THE PASSIONATE PILGRIM</h2> | <h2>THE PASSIONATE PILGRIM</h2> | ||
__TOC__ | |||
<h5>I.</h5> | <h5>I.</h5> | ||
<p>Did not the heavenly rhetoric of thine eye,<br/> | <p>Did not the heavenly rhetoric of thine eye,<br/> | ||
'Gainst whom the world could not hold argument,<br/> | 'Gainst whom the world could not hold argument,<br/> | ||
Persuade my heart to this false perjury?<br/> | Persuade my heart to this false perjury?<br/> | ||
Vows for thee broke deserve not punishment.<br/> | Vows for thee broke deserve not punishment.<br/> | ||
A woman I forswore; but I will prove,<br/> | A woman I forswore; but I will prove,<br/> | ||
Thou being a goddess, I forswore not thee:<br/> | Thou being a goddess, I forswore not thee:<br/> | ||
My vow was earthly, thou a heavenly love;<br/> | My vow was earthly, thou a heavenly love;<br/> | ||
Thy grace being gain'd cures all disgrace in me.<br/> | Thy grace being gain'd cures all disgrace in me.<br/> | ||
My vow was breath, and breath a vapour is;<br/> | My vow was breath, and breath a vapour is;<br/> | ||
Then, thou fair sun, that on this earth doth shine,<br/> | Then, thou fair sun, that on this earth doth shine,<br/> | ||
Exhale this vapour vow; in thee it is:<br/> | Exhale this vapour vow; in thee it is:<br/> | ||
If broken, then it is no fault of mine.<br/> | If broken, then it is no fault of mine.<br/> | ||
If by me broke, what fool is not so wise<br/> | If by me broke, what fool is not so wise<br/> | ||
To break an oath, to win a paradise?<br/> | To break an oath, to win a paradise?<br/> | ||
</p> | </p> | ||
Line 24: | Line 39: | ||
<p>Sweet Cytherea, sitting by a brook<br/> | <p>Sweet Cytherea, sitting by a brook<br/> | ||
With young Adonis, lovely, fresh, and green,<br/> | With young Adonis, lovely, fresh, and green,<br/> | ||
Did court the lad with many a lovely look,<br/> | Did court the lad with many a lovely look,<br/> | ||
Such looks as none could look but beauty's queen.<br/> | Such looks as none could look but beauty's queen.<br/> | ||
She told him stories to delight his ear;<br/> | She told him stories to delight his ear;<br/> | ||
She show'd him favours to allure his eye;<br/> | She show'd him favours to allure his eye;<br/> | ||
To win his heart, she touch'd him here and there:<br/> | To win his heart, she touch'd him here and there:<br/> | ||
Touches so soft still conquer chastity.<br/> | Touches so soft still conquer chastity.<br/> | ||
But whether unripe years did want conceit,<br/> | But whether unripe years did want conceit,<br/> | ||
Or he refus'd to take her figur'd proffer,<br/> | Or he refus'd to take her figur'd proffer,<br/> | ||
The tender nibbler would not touch the bait,<br/> | The tender nibbler would not touch the bait,<br/> | ||
But smile and jest at every gentle offer:<br/> | But smile and jest at every gentle offer:<br/> | ||
Then fell she on her back, fair queen, and toward;<br/> | Then fell she on her back, fair queen, and toward;<br/> | ||
He rose and ran away; ah, fool too froward!<br/> | He rose and ran away; ah, fool too froward!<br/> | ||
</p> | </p> | ||
Line 42: | Line 71: | ||
<p>If love make me forsworn, how shall I swear to love?<br/> | <p>If love make me forsworn, how shall I swear to love?<br/> | ||
O never faith could hold, if not to beauty vow'd:<br/> | O never faith could hold, if not to beauty vow'd:<br/> | ||
Though to myself forsworn, to thee I'll constant prove;<br/> | Though to myself forsworn, to thee I'll constant prove;<br/> | ||
Those thoughts, to me like oaks, to thee like osiers bow'd.<br/> | Those thoughts, to me like oaks, to thee like osiers bow'd.<br/> | ||
Study his bias leaves, and makes his book thine eyes,<br/> | Study his bias leaves, and makes his book thine eyes,<br/> | ||
Where all those pleasures live that art can comprehend.<br/> | Where all those pleasures live that art can comprehend.<br/> | ||
If knowledge be the mark, to know thee shall suffice;<br/> | If knowledge be the mark, to know thee shall suffice;<br/> | ||
Well learned is that tongue that well can thee commend;<br/> | Well learned is that tongue that well can thee commend;<br/> | ||
All ignorant that soul that sees thee without wonder;<br/> | All ignorant that soul that sees thee without wonder;<br/> | ||
Which is to me some praise, that I thy parts admire:<br/> | Which is to me some praise, that I thy parts admire:<br/> | ||
Thy eye Jove's lightning seems, thy voice his dreadful thunder,<br/> | Thy eye Jove's lightning seems, thy voice his dreadful thunder,<br/> | ||
Which (not to anger bent) is music and sweet fire.<br/> | Which (not to anger bent) is music and sweet fire.<br/> | ||
Celestial as thou art, O do not love that wrong,<br/> | Celestial as thou art, O do not love that wrong,<br/> | ||
To sing heavens' praise with such an earthly tongue.<br/> | To sing heavens' praise with such an earthly tongue.<br/> | ||
</p> | </p> | ||
Line 60: | Line 103: | ||
<p>Scarce had the sun dried up the dewy morn,<br/> | <p>Scarce had the sun dried up the dewy morn,<br/> | ||
And scarce the herd gone to the hedge for shade,<br/> | And scarce the herd gone to the hedge for shade,<br/> | ||
When Cytherea, all in love forlorn,<br/> | When Cytherea, all in love forlorn,<br/> | ||
A longing tarriance for Adonis made,<br/> | A longing tarriance for Adonis made,<br/> | ||
Under an osier growing by a brook,<br/> | Under an osier growing by a brook,<br/> | ||
A brook where Adon used to cool his spleen.<br/> | A brook where Adon used to cool his spleen.<br/> | ||
Hot was the day; she hotter that did look<br/> | Hot was the day; she hotter that did look<br/> | ||
For his approach, that often there had been.<br/> | For his approach, that often there had been.<br/> | ||
Anon he comes, and throws his mantle by,<br/> | Anon he comes, and throws his mantle by,<br/> | ||
And stood stark naked on the brook's green brim;<br/> | And stood stark naked on the brook's green brim;<br/> | ||
The sun look'd on the world with glorious eye,<br/> | The sun look'd on the world with glorious eye,<br/> | ||
Yet not so wistly as this queen on him:<br/> | Yet not so wistly as this queen on him:<br/> | ||
He, spying her, bounc'd in, whereas he stood;<br/> | He, spying her, bounc'd in, whereas he stood;<br/> | ||
O Jove, quoth she, why was not I a flood?<br/> | O Jove, quoth she, why was not I a flood?<br/> | ||
</p> | </p> | ||
Line 78: | Line 135: | ||
<p>Fair is my love, but not so fair as fickle;<br/> | <p>Fair is my love, but not so fair as fickle;<br/> | ||
Mild as a dove, but neither true nor trusty;<br/> | Mild as a dove, but neither true nor trusty;<br/> | ||
Brighter than glass, and yet, as glass is, brittle;<br/> | Brighter than glass, and yet, as glass is, brittle;<br/> | ||
Softer than wax, and yet, as iron, rusty:<br/> | Softer than wax, and yet, as iron, rusty:<br/> | ||
A lily pale, with damask die to grace her,<br/> | A lily pale, with damask die to grace her,<br/> | ||
None fairer, nor none falser to deface her.<br/> | None fairer, nor none falser to deface her.<br/> | ||
</p> | </p> | ||
<p>Her lips to mine how often hath she join'd,<br/> | <p>Her lips to mine how often hath she join'd,<br/> | ||
Between each kiss her oaths of true love swearing!<br/> | Between each kiss her oaths of true love swearing!<br/> | ||
How many tales to please me hath she coin'd,<br/> | How many tales to please me hath she coin'd,<br/> | ||
Dreading my love, the loss thereof still fearing!<br/> | Dreading my love, the loss thereof still fearing!<br/> | ||
Yet in the midst of all her pure protestings,<br/> | Yet in the midst of all her pure protestings,<br/> | ||
Her faith, her oaths, her tears, and all were jestings.<br/> | Her faith, her oaths, her tears, and all were jestings.<br/> | ||
</p> | </p> | ||
<p>She burn'd with love, as straw with fire flameth;<br/> | <p>She burn'd with love, as straw with fire flameth;<br/> | ||
She burn'd out love, as soon as straw outburneth;<br/> | She burn'd out love, as soon as straw outburneth;<br/> | ||
She fram'd the love, and yet she foil'd the framing;<br/> | She fram'd the love, and yet she foil'd the framing;<br/> | ||
She bade love last, and yet she fell a turning.<br/> | She bade love last, and yet she fell a turning.<br/> | ||
Was this a lover, or a lecher whether?<br/> | Was this a lover, or a lecher whether?<br/> | ||
Bad in the best, though excellent in neither.<br/> | Bad in the best, though excellent in neither.<br/> | ||
</p> | </p> | ||
Line 104: | Line 179: | ||
<p>If music and sweet poetry agree,<br/> | <p>If music and sweet poetry agree,<br/> | ||
As they must needs, the sister and the brother,<br/> | As they must needs, the sister and the brother,<br/> | ||
Then must the love be great 'twixt thee and me,<br/> | Then must the love be great 'twixt thee and me,<br/> | ||
Because thou lovest the one, and I the other.<br/> | Because thou lovest the one, and I the other.<br/> | ||
Dowland to thee is dear, whose heavenly touch<br/> | Dowland to thee is dear, whose heavenly touch<br/> | ||
Upon the lute doth ravish human sense;<br/> | Upon the lute doth ravish human sense;<br/> | ||
Spenser to me, whose deep conceit is such<br/> | Spenser to me, whose deep conceit is such<br/> | ||
As, passing all conceit, needs no defence.<br/> | As, passing all conceit, needs no defence.<br/> | ||
Thou lov'st to hear the sweet melodious sound<br/> | Thou lov'st to hear the sweet melodious sound<br/> | ||
That Phoebus' lute, the queen of music, makes;<br/> | That Phoebus' lute, the queen of music, makes;<br/> | ||
And I in deep delight am chiefly drown'd<br/> | And I in deep delight am chiefly drown'd<br/> | ||
Whenas himself to singing he betakes.<br/> | Whenas himself to singing he betakes.<br/> | ||
One god is god of both, as poets feign;<br/> | One god is god of both, as poets feign;<br/> | ||
One knight loves both, and both in thee remain.<br/> | One knight loves both, and both in thee remain.<br/> | ||
</p> | </p> | ||
Line 122: | Line 211: | ||
<p>Fair was the morn when the fair queen of love,<br/> | <p>Fair was the morn when the fair queen of love,<br/> | ||
* * * * * *<br/> | * * * * * *<br/> | ||
Paler for sorrow than her milk-white dove,<br/> | Paler for sorrow than her milk-white dove,<br/> | ||
For Adon's sake, a youngster proud and wild;<br/> | For Adon's sake, a youngster proud and wild;<br/> | ||
Her stand she takes upon a steep-up hill:<br/> | Her stand she takes upon a steep-up hill:<br/> | ||
Anon Adonis comes with horn and hounds;<br/> | Anon Adonis comes with horn and hounds;<br/> | ||
She, silly queen, with more than love's good will,<br/> | She, silly queen, with more than love's good will,<br/> | ||
Forbade the boy he should not pass those grounds;<br/> | Forbade the boy he should not pass those grounds;<br/> | ||
Once, quoth she, did I see a fair sweet youth<br/> | Once, quoth she, did I see a fair sweet youth<br/> | ||
Here in these brakes deep-wounded with a boar,<br/> | Here in these brakes deep-wounded with a boar,<br/> | ||
Deep in the thigh, a spectacle of ruth!<br/> | Deep in the thigh, a spectacle of ruth!<br/> | ||
See, in my thigh, quoth she, here was the sore.<br/> | See, in my thigh, quoth she, here was the sore.<br/> | ||
She showed hers: he saw more wounds than one,<br/> | She showed hers: he saw more wounds than one,<br/> | ||
And blushing fled, and left her all alone.<br/> | And blushing fled, and left her all alone.<br/> | ||
</p> | </p> | ||
Line 140: | Line 243: | ||
<p>Sweet rose, fair flower, untimely pluck'd, soon vaded,<br/> | <p>Sweet rose, fair flower, untimely pluck'd, soon vaded,<br/> | ||
Pluck'd in the bud, and vaded in the spring!<br/> | Pluck'd in the bud, and vaded in the spring!<br/> | ||
Bright orient pearl, alack! too timely shaded!<br/> | Bright orient pearl, alack! too timely shaded!<br/> | ||
Fair creature, kill'd too soon by death's sharp sting!<br/> | Fair creature, kill'd too soon by death's sharp sting!<br/> | ||
Like a green plum that hangs upon a tree,<br/> | Like a green plum that hangs upon a tree,<br/> | ||
And falls, through wind, before the fall should be.<br/> | And falls, through wind, before the fall should be.<br/> | ||
</p> | </p> | ||
<p>I weep for thee, and yet no cause I have;<br/> | <p>I weep for thee, and yet no cause I have;<br/> | ||
For why? thou left'st me nothing in thy will:<br/> | For why? thou left'st me nothing in thy will:<br/> | ||
And yet thou left'st me more than I did crave;<br/> | And yet thou left'st me more than I did crave;<br/> | ||
For why? I craved nothing of thee still:<br/> | For why? I craved nothing of thee still:<br/> | ||
O yes, dear friend, I pardon crave of thee,<br/> | O yes, dear friend, I pardon crave of thee,<br/> | ||
Thy discontent thou didst bequeath to me.<br/> | Thy discontent thou didst bequeath to me.<br/> | ||
</p> | </p> | ||
Line 158: | Line 273: | ||
<p>Venus, with young Adonis sitting by her,<br/> | <p>Venus, with young Adonis sitting by her,<br/> | ||
Under a myrtle shade, began to woo him:<br/> | Under a myrtle shade, began to woo him:<br/> | ||
She told the youngling how god Mars did try her,<br/> | She told the youngling how god Mars did try her,<br/> | ||
And as he fell to her, so fell she to him.<br/> | And as he fell to her, so fell she to him.<br/> | ||
Even thus, quoth she, the warlike god embrac'd me,<br/> | Even thus, quoth she, the warlike god embrac'd me,<br/> | ||
And then she clipp'd Adonis in her arms;<br/> | And then she clipp'd Adonis in her arms;<br/> | ||
Even thus, quoth she, the warlike god unlaced me;<br/> | Even thus, quoth she, the warlike god unlaced me;<br/> | ||
As if the boy should use like loving charms;<br/> | As if the boy should use like loving charms;<br/> | ||
Even thus, quoth she, he seized on my lips,<br/> | Even thus, quoth she, he seized on my lips,<br/> | ||
And with her lips on his did act the seizure;<br/> | And with her lips on his did act the seizure;<br/> | ||
And as she fetched breath, away he skips,<br/> | And as she fetched breath, away he skips,<br/> | ||
And would not take her meaning nor her pleasure.<br/> | And would not take her meaning nor her pleasure.<br/> | ||
Ah! that I had my lady at this bay,<br/> | Ah! that I had my lady at this bay,<br/> | ||
To kiss and clip me till I run away!<br/> | To kiss and clip me till I run away!<br/> | ||
</p> | </p> | ||
Line 176: | Line 305: | ||
<p> Crabbed age and youth<br/> | <p> Crabbed age and youth<br/> | ||
Cannot live together<br/> | Cannot live together<br/> | ||
Youth is full of pleasance,<br/> | Youth is full of pleasance,<br/> | ||
Age is full of care;<br/> | Age is full of care;<br/> | ||
Youth like summer morn,<br/> | Youth like summer morn,<br/> | ||
Age like winter weather;<br/> | Age like winter weather;<br/> | ||
Youth like summer brave,<br/> | Youth like summer brave,<br/> | ||
Age like winter bare;<br/> | Age like winter bare;<br/> | ||
Youth is full of sport,<br/> | Youth is full of sport,<br/> | ||
Age's breath is short;<br/> | Age's breath is short;<br/> | ||
Youth is nimble, age is lame;<br/> | Youth is nimble, age is lame;<br/> | ||
Youth is hot and bold,<br/> | Youth is hot and bold,<br/> | ||
Age is weak and cold;<br/> | Age is weak and cold;<br/> | ||
Youth is wild, and age is tame.<br/> | Youth is wild, and age is tame.<br/> | ||
Age, I do abhor thee;<br/> | Age, I do abhor thee;<br/> | ||
Youth, I do adore thee;<br/> | Youth, I do adore thee;<br/> | ||
O, my love, my love is young!<br/> | O, my love, my love is young!<br/> | ||
Age, I do defy thee;<br/> | Age, I do defy thee;<br/> | ||
O, sweet shepherd, hie thee,<br/> | O, sweet shepherd, hie thee,<br/> | ||
For methinks thou stay'st too long.<br/> | For methinks thou stay'st too long.<br/> | ||
</p> | </p> | ||
Line 200: | Line 349: | ||
<p>Beauty is but a vain and doubtful good,<br/> | <p>Beauty is but a vain and doubtful good,<br/> | ||
A shining gloss that vadeth suddenly;<br/> | A shining gloss that vadeth suddenly;<br/> | ||
A flower that dies when first it 'gins to bud;<br/> | A flower that dies when first it 'gins to bud;<br/> | ||
A brittle glass, that's broken presently:<br/> | A brittle glass, that's broken presently:<br/> | ||
A doubtful good, a gloss, a glass, a flower,<br/> | A doubtful good, a gloss, a glass, a flower,<br/> | ||
Lost, vaded, broken, dead within an hour.<br/> | Lost, vaded, broken, dead within an hour.<br/> | ||
</p> | </p> | ||
<p>And as goods lost are seld or never found,<br/> | <p>And as goods lost are seld or never found,<br/> | ||
As vaded gloss no rubbing will refresh,<br/> | As vaded gloss no rubbing will refresh,<br/> | ||
As flowers dead lie wither'd on the ground,<br/> | As flowers dead lie wither'd on the ground,<br/> | ||
As broken glass no cement can redress,<br/> | As broken glass no cement can redress,<br/> | ||
So beauty blemish'd once, for ever's lost,<br/> | So beauty blemish'd once, for ever's lost,<br/> | ||
In spite of physic, painting, pain and cost.<br/> | In spite of physic, painting, pain and cost.<br/> | ||
</p> | </p> | ||
Line 218: | Line 379: | ||
<p>Good night, good rest. Ah! neither be my share:<br/> | <p>Good night, good rest. Ah! neither be my share:<br/> | ||
She bade good night that kept my rest away;<br/> | She bade good night that kept my rest away;<br/> | ||
And daff'd me to a cabin hang'd with care,<br/> | And daff'd me to a cabin hang'd with care,<br/> | ||
To descant on the doubts of my decay.<br/> | To descant on the doubts of my decay.<br/> | ||
Farewell, quoth she, and come again tomorrow:<br/> | Farewell, quoth she, and come again tomorrow:<br/> | ||
Fare well I could not, for I supp'd with sorrow;<br/> | Fare well I could not, for I supp'd with sorrow;<br/> | ||
</p> | </p> | ||
<p>Yet at my parting sweetly did she smile,<br/> | <p>Yet at my parting sweetly did she smile,<br/> | ||
In scorn or friendship, nill I construe whether:<br/> | In scorn or friendship, nill I construe whether:<br/> | ||
'T may be, she joy'd to jest at my exile,<br/> | 'T may be, she joy'd to jest at my exile,<br/> | ||
'T may be, again to make me wander thither:<br/> | 'T may be, again to make me wander thither:<br/> | ||
'Wander,' a word for shadows like myself,<br/> | 'Wander,' a word for shadows like myself,<br/> | ||
As take the pain, but cannot pluck the pelf.<br/> | As take the pain, but cannot pluck the pelf.<br/> | ||
</p> | </p> | ||
Line 236: | Line 409: | ||
<p>Lord, how mine eyes throw gazes to the east!<br/> | <p>Lord, how mine eyes throw gazes to the east!<br/> | ||
My heart doth charge the watch; the morning rise<br/> | My heart doth charge the watch; the morning rise<br/> | ||
Doth cite each moving sense from idle rest.<br/> | Doth cite each moving sense from idle rest.<br/> | ||
Not daring trust the office of mine eyes,<br/> | Not daring trust the office of mine eyes,<br/> | ||
While Philomela sits and sings, I sit and mark,<br/> | While Philomela sits and sings, I sit and mark,<br/> | ||
And wish her lays were tuned like the lark;<br/> | And wish her lays were tuned like the lark;<br/> | ||
</p> | </p> | ||
<p>For she doth welcome daylight with her ditty,<br/> | <p>For she doth welcome daylight with her ditty,<br/> | ||
And drives away dark dismal-dreaming night:<br/> | And drives away dark dismal-dreaming night:<br/> | ||
The night so pack'd, I post unto my pretty;<br/> | The night so pack'd, I post unto my pretty;<br/> | ||
Heart hath his hope, and eyes their wished sight;<br/> | Heart hath his hope, and eyes their wished sight;<br/> | ||
Sorrow chang'd to solace, solace mix'd with sorrow;<br/> | Sorrow chang'd to solace, solace mix'd with sorrow;<br/> | ||
For why, she sigh'd and bade me come tomorrow.<br/> | For why, she sigh'd and bade me come tomorrow.<br/> | ||
</p> | </p> | ||
<p>Were I with her, the night would post too soon;<br/> | <p>Were I with her, the night would post too soon;<br/> | ||
But now are minutes added to the hours;<br/> | But now are minutes added to the hours;<br/> | ||
To spite me now, each minute seems a moon;<br/> | To spite me now, each minute seems a moon;<br/> | ||
Yet not for me, shine sun to succour flowers!<br/> | Yet not for me, shine sun to succour flowers!<br/> | ||
Pack night, peep day; good day, of night now borrow:<br/> | Pack night, peep day; good day, of night now borrow:<br/> | ||
Short, night, to-night, and length thyself to-morrow.<br/> | Short, night, to-night, and length thyself to-morrow.<br/> | ||
</p> | </p> | ||
{{close-shakespeare}} | {{close-shakespeare}}</text> |